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A change of pace this week as Brad and Will catch up with West Coaster, legend and utter inspiration Josh Komen, before digging into the Warriors' jammy draw with Manly during the second half. Listen to Josh's incredible story on the Between Two Beers podcast: https://bit.ly/3U15Rq1 and find out more at https://www.joshkomen.com/DONATE to Josh's Rānui House fundraiser at this week's Christchurch Marathon: https://bit.ly/49BoVReBrought to you by the Warriors-mad legends at Kingz Container Crew - head to kingzcontainercrew.com if you're on the hunt for container packing/unpacking solutions across Australia and New Zealand, or hit the 'Work With Us' tab if you want to join the KCC team.Visit the Ladbrokes Blog for Will's weekly NRL previews, reviews and topical articles.Play the TWL prediction game by downloading the MixnPik app.Visit This Warriors Life's website, Twitter and Facebook for more
Chloe Sherman's eyes are intense, but not the way you might think. Chloe, who's been taking photographs since she was young, was born in New York City. Her mom and her mom's mom were both New Yorkers, and her dad was from Chicago, with his family going back generations there. When she in was grade school, the family moved to Chicago, where Chloe was raised by aunts and grandparents as well as her parents, just like she had been in NYC. It was the Seventies and her parents were hippies. They soon headed west, taking their family to Portland, Oregon, where Chloe spent the rest of her grade school days. Chloe says the move was fine, but that she felt like more of a city kid, and so it took some adjusting. She and her brother visited back east a lot. He ended up going to college there, and Chloe started school in Connecticut and then Boston before realizing that she'd become a West Coaster. We talk about life in Portland, how it's easier to be collective-minded and communal because it's more affordable than bigger cities. This of course has an effect on who's drawn to cities like Portland. With an abundance of young people, folks tend to band together. Chloe ended up going to Portland State. One weekend, she took a trip to San Francisco after reading about our city in a zine she got at Powell's Books in her hometown. We take a conversational detour at this point to talk about zine culture back in the late-Eighties and early Nineties. In high school, she had dabbled in dance and music, but knew she didn't want to pursue either performing art. She says she loved art and did some photography, but got more serious about that after high school. In those aforementioned zines, she learned all about the bike messenger culture here in The City and was captivated by it. On that weekend trip down from Portland, she visited Lickety Split Couriers, which was Lynn Breedlove's bike messenger company. Chloe ended up working at another messenger for two weeks, but soon gave that up entirely. "San Francisco is instant death if you're not a pro," she says. We talk a bit about bike messenger culture in SF back in the Nineties. The service was essential to downtown during dotcom, but you'd hardly know it these days. Breedlove told Chloe, "Go to the Bearded Lady Cafe," which she did. And it changed her life forever. It was there that she found her community. Chloe moved to San Francisco right after that visit to the cafe on 14th Street in the Mission. She lived with friends until she finally got her own place in Lower Haight. After Chloe was established here, friends from Portland followed her to The City. Her world was expanding around her. She says that she looks at photos now from back then and sees concentric circles of friends. The SF Dyke scene flourished through the Nineties. But then people grew up, got priced out, and The City changed. Many businesses closed with those changes. Check back next week for Part 2 to hear more about that thriving, bustling, Mission lesbian scene that Chloe captures so well and so prolifically in her photography. Photography by Jeff Hunt
On our last episode of Black History Month, we review the 1992 film "South Central", which gives us a deep dive into West Coaster gang life back in the 90's. We discuss the performances, the themes and share thoughts on how black fatherhood. MP Links: - patreon.com/mediumpopcorn - youtube.com/@MediumPopcornPodcast - https://www.teepublic.com/stores/medium-popcorn Hosts: Brandon Collins Justin Brown Medium Popcorn Podcast "Medium Popcorn" is a production of Casa de Collins LLC. Special thanks as always to our producer Lluvia Gilliam.
We are joined by fellow West Coaster (albeit the American West Coast), Tommy from The Cruise Dudes to talk all things Disneyland at Christmas. From his favourite things to do and see during the season, to tips for making the most out of your visit. May contain traces of peppermint icecream.
Rick of the Rock Talk Studio podcast previews, reviews, and recommends rock & roll books and documentaries. He grew up in Connecticut but has been a long time West Coaster who loves really loves Tedeschi Trucks Band, The Allman Brothers Band, and Bob Dylan. And we dig in on all of it and more, especially talking the latest Bill Janovitz book, Leon Russell: The Master of Space and Time's Journey Through Rock & Roll History. Of course we talk all about Leon's connection to Derek Trucks and Susan Tedeschi. instagram.com/rocktalkstudio/, Latest Recorded Episodes & Clips on YouTube, Latest Livestreams on YouTube, instagram.com/tedeschitruckspodcast, tedeschitruckspodcast.com, adamchoit.com, tedeschitrucksband.com
Tonight we have Dee, Anand, and Drama in the studio for a jam-packed episode of Group Chat News! Tonight the guys go over the viral Taylor Offer scooped bagel video, the new ChatGPT features, how Indians are coming into the U.S. at record numbers, Friends star Matthew Perry sadly passed away, Da Baby's ex-bodyguard knocks out young man on duty with Jack Doherty while he was on stream, Disney's new Snow white movie release date pushed back again, and the All In Podcast is looking to hire a CEO and more. Timeline of What Was Discussed: Another Taylor made waves this past weekend. (0:00) Are people underestimating A.I.? (14:32) The immigration problem in America. (28:52) The biggest wealth transfer EVER is about to happen. (34:36) RIP Matthew Perry. (46:34) A scary influencer moment. (56:24) Disney cannot stop losing. (59:17) HUUUGGGEEE job posting. (1:06:25) Related Links/Products Mentioned I've lived in every major city in America - here are the three worst NYC bagel shop praised for denying West Coaster's ‘scooped' gluten-free bagel request How ChatGPT Can Help You Do More With PDFs The Techno-Optimist Manifesto | Andreessen Horowitz Indians Are Entering the U.S. Illegally in Record Numbers How "open borders" became a U.S. myth - Axios 12% of American Families are now Millionaires Matthew Perry's family say they are 'heartbroken' by Friends star's 'tragic' suspected drowning death YouTuber Jack Doherty's Security Guard KOs Guy, Did Same for DaBaby Disney's Live-Action Snow White with Rachel Zegler Gets Pushed to 2025 We're looking for a CEO to run All In Podcast & summit Connect with Group Chat! Watch The Pod #1 Newsletter In The World For The Gram Tweet With Us Exclusive Facebook Content We're @groupchatpod on Snapchat
This week on Pitmaster, an Old Virginia Smoke podcast, we catch up with our old friend and American Royal winner Thomas Gearhart about cooking in different parts of the country, his routines, and how things have changed since winning the Royal.
When Carrie's husband Drew is diagnosed with a large kidney stone, he and Carrie go to the local rickety roller coaster in the name of citizen science. Then they tell Ross all about their scientific findings. Will Drew's kidney stone break into tiny pieces, thanks to Santa Monica's 30-year-old West Coaster? Or is a “large” kidney stone TOO large for even a chartreuse caboose to shake it loose?We have social media: Twitter! Facebook!
Title: Straight outta Kingston!Keywords: Tragically Hip, Canadian rock, podcast, musical journey, storytelling, discography, live tracks, vinylIn this episode, join JD and friends Pete and Tim as they embark on a musical journey into the world of the Tragically Hip. As die-hard fans of the band, they discuss their experiences and thoughts on the music and storytelling of the Tragically Hip. From their early beginnings to their debut album and beyond, JD, Pete, and Tim break down the tracks, compare studio and live versions, and explore the unique sound and identity of this iconic Canadian rock band.https://ratethispodcast.com/ghtthChapters:(0:00:00) - Getting Hip to the Hip(0:07:46) - Musical Roots and Taste(0:17:52) - Canadian Rock Band Discussion(0:36:02) - Exploring the Tragically Hip's Debut AlbumJoin the discussion on Twitter and Instagram at @gettinghippot and join the Facebook group at facebook.com/groups/fullyandcompletely. Questions or concerns? Email JD at JD@gettinghiptothehip.com.Subscribe, rate, and review the show at gettinghiptothehip.com.The live music featured in this episode comes from:Dead Flowers - 1985 BathAll Canadian Surf Club - 1989 LondonTranscript0:00:00 - Speaker 1Hey, hip bands. it's JD here. Have you ever imagined what it would be like if you could listen to the tragically hip for the first time again? This is something I've spent a great deal of time considering. I can still remember my first experience with the band, While it was a while ago. I still remember it like it was yesterday. It was July of 1990, and I was working in a small town quick serve restaurant in Dairy Bar called Yeti's Arctic Safari. The new owner, Jeff, brought in a stereo system to replace the dinky radio that had entertained us with classic rock while we worked. He had a mix tape that featured a band he called The Trag. As the first notes rung out, something happened inside of me. The music resonated with my 13 year old self. I could feel a change coming over me that was more powerful than the puberty I was working my way through. It was hard rock, but it was different than the hard rock I was listening to at home. Instead of dripping with machismo and bravado, this music cut deeper to me. It featured lyrical twists and turns. the phrase that left me wanting more. Fortunately, I got to come of age with The Trag, the hip. Most of my experiences I discussed on the podcast fully and completely with my friend Greg, And while that podcast satisfied my desire to share my takes on one of Canada's greatest bands, it still didn't hit the mark of taking me back to that moment at Yeti's Or the longing I felt listening to Road Apples, the ahas I had with fully, completely, The coming of age I experienced with Day for Night, Or the simmering beauty of Trouble at the Hen House, And so on. That's where this podcast comes in. You see, my friends Pete and Tim have never heard of the hip before. It turns out there are a lot of people who have never heard of the band before. So for those of you that fall into this category, experience the music of the tragically hip along with Pete and Tim as we travel the discography and tackle the music and storytelling of our band, the Tragically Hip. If you're already at Die Hard, listen along and hear what they know, what they notice and how often they get it wrong. Every week we'll tackle a new record. So strap in and get ready to listen to the hip for the first time I'll get ["Tragically? 0:02:17 - Speaker 2Hip"] Long Slice Brewery presents Getting Hip to the Hip. 0:02:33 - Speaker 1Hey, it's JD here and welcome to Getting Hip to the Hip. I hope you are ready to rock and roll. I know my friends Pete and Tim are. Let me just take their muzzles off here and let them have at it. Fellas, before we go anywhere, tell me why you did this, Because it could turn out like incredibly sideways. I don't know where this is gonna go. I think that this is the greatest Canadian band of all time And I think they rank in the world stage as well, but you guys haven't heard of them. So, Tim, what do? 0:03:10 - Speaker 3you think, Thanks for having us, JD. I hope, I hope, I hope. I told my family what we were up to and my oldest son was like alright, do you like this band? If you listen to this band, are you gonna be able to do it? You know this is gonna be like a fucking marathon listening to all the albums. And I said I'm not really sure. You know there, this Canadian rock band from what I know. I remember living at the beach in San Diego and one of my neighbors had a tragically hip sticker on his truck and I always wondered like that's weird, a band popular enough to have stickers on a bumper of a truck. but I don't know who it is. So you know, there's not a lot of bands you know from the past 10 to 20 years who made it kind of big that I'd never, ever listened to any song from. So yeah, we're curious to see where this goes. And you know, of course I've listened to Rush, I've seen Rush play. you know there's all kinds of music out of Canada Arcade Fire, and you know more present. So let's see what the tragically hip is. We'll see if it's gonna be tragic or not. Oh, oh. 0:04:36 - Speaker 1Maybe it'll be super hip Ground. oh God, Oh, he doesn't stop. You wind this guy up and he just does not stop. Oh, finally, P Ground control to major P Yeah yeah. 0:04:51 - Speaker 4So I got into this. this was a court ordered thing for an offense that I've made one time. No, no, no, JD, you asked me to do this and you know I actually have heard of the tragically hip and it's funny because back in like I wanna say, the mid 2000s, like 2006, 2007, I was working at a bar. I knew a couple really good folks that used to come in there a lot. They were both Canadians Kurt and I can't remember the other girl's name And there were a couple and we used to talk about trailer park boys all the time, which they loved. They would always talk about tragically hip And it's kind of one of those things that, like, can't really force anything on people. You know, you gotta kind of just lead the horse to water and hopefully they drink. And then, more recently, in like 2018, 2019, I ran into somebody else and they were just like check out this song and download this out on Spotify And love it was my favorite album. You're gonna love if you like this and I'm just like it. just it wasn't organic And I'm hoping that this, you know, this adventure that we're all three embarking on will be. you know, it'll take, so to speak, because previous attempts had not done so, And I'm excited, though, but I know it's gonna be a big sandwich to take a bite out of, that's for sure. 0:06:29 - Speaker 3You know JD JD, if you would depend. you know some dude from Florida or I don't know. you know somewhere else in the US and asked me to do some other band, US based band or something. I don't, it's hard. my point is it's really hard to say no to a sweet Canadian guy. 0:06:49 - Speaker 1So yeah. 0:06:50 - Speaker 3So you know, it's like I said to my wife Amy, you know JD, who she had heard about but not meant to ask me to do this like multi week podcast about some band I don't know. And I'm a little concerned like what if? what if me and Pete were just like JD? we're gonna have to end the podcast early. We don't get it, you know, but I'm sure we all get it. 0:07:15 - Speaker 4What JD didn't tell you is that the original this was originally gonna be a Papa Roach podcast And we're gonna go through the through the discography of Papa Roach, but last minute he changed it to the end, so thank God, Yeah So where are you No? 0:07:34 - Speaker 1offense to. Papa Roach, Where are you guys hailing from at this point? I mean, I know, but if people are actually listening to this, that means that we completed the task. So that's one thing. Where do you come from And where do you come from musically? 0:07:53 - Speaker 4I live now. I live in Malia, Spain, which is in the south. For those of you who can pick Spain out on a map, it's the closest part to North Africa. but I come from Southern California, born and raised in the LA area, more specific the Long Beach and Downey area. Most of my life in Long Beach, though. Musically, help me out, man. 0:08:27 - Speaker 1I think you're both, like, big fans of music, like the full spectrum, and that's why I chose you, Like you know. 0:08:36 - Speaker 4I'm not, let's put it this way, I'm not a Steve Albini. I don't diss any type of music. Okay, Steve Albini fans out there, I just I let I like there are music that I will gravitate towards and listen to, which tends to be rock and roll, indie rock, Stuff like that. but yeah, I'm never gonna sit there and go. you know, I don't. I didn't like Kendrick Lamar's record. I don't think you should have got out of mother air. Fuck that. like whatever dude, to each his own man. Some people really like it, some people really like this and that. so even those who like poppy roach started bring it up twice. 0:09:15 - Speaker 3We know, we know, we know it. next, the vinyl. Yes, I've lived in Portland over 20 years, just over 20 years this year, But I hail from Southern California as well. So I'm kind of just like a West Coast, you West guy I guess, but lived overseas for a stint of time and hope to do it again because we Head over to Europe at least once a year. Musically, you know, I don't Play anything but air guitar really well, just kidding, kind of not mediocre I guess. and I've, I will listen to a lot, of, many, many genres of music. if you, if this was to not to be like some contemporary Country artists, I probably would have either killed you guys through the, the interwebs, or myself or all of us. That's about one of the genres I just can't do. but yeah, I Drew up, I guess you know, listening to FM radio and Making mixed tapes on cassette and yeah, baby, you know, like I, I could hear. I was telling my son this year that I could hear the first seconds of a song and have record Set up on my tape deck It just record off the radio. So you know, huge music fan from early age, like fifth, sixth grade. So been listening to music forever and a fan forever and at one point, like huge AD of you have lists and track things, Like I tried to start to try to formulate, formulate the shows I've been to in my life, the gigs, because I'm still a Often good goer. I'm still recuperating from the one I went to last Friday night, But, gee she, I've been to lots, of, lots of, lots of concerts. So I feel like I know you know music fairly well and can talk about it and no artists and some personally and, um, yeah, I'm excited to Give this rodeo a. you know, around the Around the corral, see what happens. 0:11:26 - Speaker 1Yeah, I think it's gonna be. I think it's gonna be fun and it's gonna be different. There are gonna be phases We're gonna listen to where you will like it more than others. I'm sure You know Pete the, the person that was telling you you got to listen to this. if this is your favorite record, You would like this. I can't even imagine saying that with the hips, because their uvra is like is all over the place. It starts out as real well, we'll get into it with the p, but it starts out It's, it's bar rock. It's you know, it's It's bluesy bar rock. They were disciples of, you know early Early garage and late 60s stones. You know that type of music. uh, I mean, they had a saxophone in the band, for god's sake, You know. so they were that type of band. Uh, the saxophone ultimately was gone by the time they started to record. That's uh, davis manning, um, but uh, Yeah, It's all over the map. It's all over the map. So why don't we kick into a live song right now and then we'll get talking about the record in in question here, which is the Tragically Hip EP. This is Dead Flowers by the Rolling Stones, covered by the Tragically Hip, with Davis Manning playing sax. Hope you like it. let's get into it. 0:13:20 - Speaker 5Talking to some rich folks that you knew And I hope you won't see me in my rated community. You know I could have been. Thank you, Send me Dead Flowers, by the way. You know, when you're sitting by in your own big black bag Making bets on Kentucky Dirt today, When I'm in my big skin room with a head on my head and a spoon, Another girl did jump in the way. Send me Dead Flowers, by the way. You know, when you're sitting by in your own big black bag Making bets on Kentucky Dirt today, Send me Dead Flowers, by the way. Take me down, let our sins and break me down. I know you think you're the queen of the underground. Send me Dead Flowers, by the way. Send me Dead Flowers, by the way. Send me Dead Flowers, by the way. 0:16:41 - Speaker 1Isn't that great, Yeah, Okay, before we get into the EP specifically, I just played you Dead Flowers and I sent you some other live tracks. Just want to get a sense of what you thought of that first group of songs and listening to this band play them live. 0:17:02 - Speaker 3I thought of so many different things as I first heard some of the songs. I mean, I instantly wondered about Gordon. Some of the songs were specific storytelling. I really wondered about his songwriting process, which I think is one of the most boring questions. I ask a band, But I immediately went to that His vibrato. Okay, that was like instantly, what is going on with this guy's voice and the way he sings? Is he trying to protect his vocal cords? I think some singers use vibrato when they're like on massive tours or something to exercise their voice or something. But you know, it sounded like a really good kind of bar rock and roll. to me That's what it sounded like. It sounded like I want to be in a club or in a bar with like a couple hundred people, You know, drinking not the bats Another great Canadian beer And just kind of rocking out. You could hear the fans loving the band. It sounded very 80s to me too, Very 80s. I mean it was like every song was its own book, if you will, Its own little story, and it just sounded like a reminder me of I don't know, Reminded me a little bit. His voice, reminded me a little bit of how Elvis sings, Reminded me a little bit of Freddie Mercury, But also a little bit sinister, like Glenn Danzig. 0:18:57 - Speaker 1I don't know if you guys know who he is. 0:18:58 - Speaker 3You know, it was just charismatic. He's a very charismatic guy. He's probably a lot of fun to hang out with Gordon. But yeah, it sounded very time specific to that era. 0:19:15 - Speaker 1Well, there's something about it that makes it more time. specific too, Pete. what did you think? 0:19:21 - Speaker 4Well, I gotta be honest with you, JD. I listened fully and completely to the actual EP, The live link that you sent me. The only one that I was able to hear was Highway Girl. 0:19:40 - Speaker 1Oh, and that's sort of cheating, because that came out in 91. So I'm sorry about that. 0:19:46 - Speaker 4No, no, not at all. I mean, I have my comments on the EP itself and kind of what I thought, But I don't want to jump the gun if you're not ready to hear that. 0:19:56 - Speaker 1But I got loads of thoughts, Cool. Well, that leads us to 1986 and them finding their way to a studio with Ken Greer. I'm not sure if you guys know who Ken Greer is. He's a Canadian as well. He was a producer, but he played in a band called Red Rider. If you're not familiar with Red Rider, check out the song Lunatic Fringe, Check out the song White Hot. Those are great songs and he was the guitarist in that band. but then he stepped away and started doing some production work. A friend of mine is the engineer on this record. I found that out years and years ago, but years after I had been a fan. I'm hoping to be able to talk to him for this podcast as well. It would be really cool to hear what he thought back in 86. This EP comes out in 87 on cassette prominently on cassette, but it does come out with a bonus song All Canadian Surf Club on the CD version. CDs were peaking through and they were making their way there. Three singles off this record Small Town, Bring Down Highway Girl and Last American Exit. I don't think that any of those songs are a surprise in terms of singles when you listen to the album in its entirety. This record isn't my favorite, but as a collection of songs it acts as sort of An amuse-bouche, as it were. What did you guys think of this record? This is your first time hearing it and first time talking about it. We'll start with you, Pete. 0:21:44 - Speaker 4I made a point of putting myself into multiple scenarios when I listened to it. I kept having this struggle because I remember you saying you said to me multiple times, and every Canadian who I've ever talked to about this band has said, oh, they started out as a bar band. I kind of got that in my head and I was like something I wanted to shed and not really pay attention to, because you don't really take a bar band seriously. You know what I mean A bar band is a bar band. But then I understood, the more I listened to it, kind of what you, What the Canadians, including yourself, JD, meant when you said that. And I got so much I mean I'll be honest with you The first track So the first time I listened to the record I went for a run And then I listened to it sitting at my desk and doing some work and then just kind of like alone, not doing anything, Not preoccupying myself with all this stuff. The first song, I was just like And you said that was a single, correct? 0:22:54 - Speaker 1Yeah, first single. 0:22:56 - Speaker 4It just. I mean, I was Every time wildly underwhelmed. It didn't hit me at all. Last American Exit it picked up a little bit and then Killing Time was just, I mean, that was a fucking bohemian. 0:23:50 - Speaker 5I got a kick when I walked down And I said I'd done my girl to tap To make my wounds with the sea dog sound A drink. I never wanted to, but it's for the never to take you back, My old man. I was all that bad. What you call compromise? I don't understand. What you call compromise. I don't understand. I walk away. I do you walk away? I walk away from a woman that comes down here on. She had done it wrong. I need your confidence even though you're mine When it gets right down to the killing time. I know your heart's bad, But it's all I've ever had. We can never lie on this righteous crime. I do you walk away. I do you walk away. I walk away from a woman that comes down here on. I know this time we walk away. you just can't walk away. I walk away from a woman that comes down here on. She had done it wrong. I do you walk away. you just can't walk away. I walk away from a woman that comes down here on. She had done it wrong. I need your confidence, even though you're mine, When it gets right down to the killing time. 0:27:50 - Speaker 4It just really really dug it. And what Tim said, too, is is it Rob Baker? 0:27:58 - Speaker 1Yeah, Rob. 0:27:59 - Speaker 4Baker. I can't remember what song was it, but I absolutely got some Huey Lewis vibes on his guitar tone. I mean it was super 80s, and not in a bad way. 0:28:12 - Speaker 1No, I hear you, It's very 80s, like production wise, Because it has no choice but to be. I mean, it was the 80s after all. 0:28:20 - Speaker 4But the weird thing about that is because I was hearing, yeah, yeah, yeah. But I was hearing some stuff in terms of like thinking about, okay, like I hear like some like the same sort of stuff you've heard going on in appetite, Because that was around the same time that that record came out. Appetite construction was what 86, 87. Yeah. But then what I really settled on was like there is a lot of like I hear a lot of that record in early Pearl Jam, early Alice in Chains. Yes, I mean his voice too, I think that record. you can see his voice progress into some amazing shit just by listening from song one to song seven or eight, whatever. 0:29:09 - Speaker 1Wow, Okay, We'll have to come back to that because that's really interesting. You can hear it right through the course of the record. 0:29:17 - Speaker 4Oh yeah. 0:29:18 - Speaker 1Tim, what were your initial thoughts? 0:29:21 - Speaker 3Eddie Vedder definitely came up for me because he has he'll get to this guttural I don't know what to call it this guttural vibrato thing where all of his syllables kind of run together and I feel like some of Gordon's singing goes the same way, but it really varies. Just going through the album, just first listening to it, I thought, okay, I kind of catch what this is. and Last American Exit kind of reeled me. back in small town, Bridgetown, was kind of like okay, that's interesting way to start The killing time in. Evelyn, you know, was like okay, who's this Evelyn gal? what is the story here? Like I wanted to know more conceptually what was going on in his head. That's kind of. I mean, I'm drawn to lyrics, you know, and at one point I was like, oh, maybe Evelyn's a cat, you know, I was feeling bad for her, I was worried about Evelyn, you know. but then Cemetery Side Road, so weird it's like let's throw this in there, you know. and so that got me kind of into not not deep rap at all, but you know, like I mentioned before, wanting to know about his process and hearing that they would play music and then he would basically put lyrics to music, and that kind of blew my mind too. not many bands do that. a lot of songwriters, you know, start with their prose or what have you. I don't know, I'm a werewolf baby. what? like kind of honestly did this come out around Halloween? like why, Why is that? Why is that in there? It's so weird. I think Highway Girl was the first song. like Pete was saying, Highway Girl is the first one I listened to and it was kind of a messed up sinister song. it's like where is this going? they're killing people, their cops are on the run, where we dump in the body like WTF is the tragically hip all about. But I will say All Canadian Surf Club. I've listened to that song the most times out of the world. 0:31:37 - Speaker 5There's a song for the summer. it's called the All Canadian Surf Club. goes over real big. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. 0:36:02 - Speaker 1Yeah, if this was a single song and I'm a werewolf baby, I don't know that I would have followed through on this band. 0:36:13 - Speaker 3It was really fun. but I'm like, okay, some of these songs are very specific to maybe parties people throw. I don't know, it's a wild mix. 0:36:26 - Speaker 1Yeah, yeah it is. And what's interesting is writing credit wise. the chief songwriter at this time is the bassist, Gord Sinclair, writing both songs and lyrics, or music and lyrics and melody. by and large, There's a few songs that are Gord Downey songs and he becomes. as time goes on, he becomes the chief lyricist. He's almost like a poet laureate of Canada, for heaven's sake. But on this one he's got Killin' Time. that he wrote and I'm a werewolf baby is on his docket, So is Highway Girl and so is nope. that's it for him. That's it for him. So I thought All Canadian Surf Club was him, but it was not. Pete, what did you think of All? 0:37:18 - Speaker 4Canadian Surf Club. At first it's really weird because I was like it's funny that you made the distinction about it being on the CD, Because I was like is this song belong in this record? Because it sounded that's the last song, correct? Yeah, it just sounded different, But I really liked it, Like All Canadian Surf Club. and then I started thinking about like is there a lot of surfing that goes on in Canada? And like started thinking like all the places in the world where people don't surf I would think Canada would definitely be on that list. 0:37:59 - Speaker 1Yeah, I don't know where, like there's, you know like little surfing, like little wave surfing, you know like Right. 0:38:07 - Speaker 5Or your water park. 0:38:08 - Speaker 1Yeah, but yeah, the water park, But yeah, not a great deal of surfing. Now, if you are listening to this and you're an avid surfer in Canada, then by all means reach out to us, JD, at getting hip to the hipcom and give us the old what's for there. 0:38:25 - Speaker 3Tofino is the place. I'll just say Tofino, that's tofino. 0:38:29 - Speaker 1Yeah, you know like that's. 0:38:30 - Speaker 3I mean it's on my list to go to someday. 0:38:33 - Speaker 1I'm being schooled here by the Pacific Northwestern. 0:38:38 - Speaker 3Yeah, well, I'm a West Coaster in general. There you go. 0:38:42 - Speaker 1So any themes or any themes or anything like that, throughout these songs um vibing you. I mean, this is, this is a band. you know they say you write your first record. you know, from the moment you start playing, This is what, this is what went down on wax as their, you know, as their first material. And then you enter, you know the sophomore slump or or whatever. but I can, I can assure you you know where we begin with. the next record up to here is, you know, not so much of a slump. but back to this record. Did you like the studio version of Highway Girl? Like, obviously, the live version is is riveting. What did you think of the studio version? 0:39:25 - Speaker 4I liked it. I liked it a lot because it would give you Highway Girl was the only one I had heard the live version of, But, um, I think I liked it a little bit more, but if I put myself in the context of like being at that show, yeah, yeah, I'd absolutely want to much rather see it live. Yeah, of course. 0:39:44 - Speaker 1Yeah, So these songs to me are written. it sounds, it sounds dumb, but this is, you know, a young band and they're not doing any trickery in the studio at all. These songs are written to be played right back on the road, you know, uh, leading the leading the charge of their, of their uh, of their gigs, so they can start to play less stones material and play more of their own material. You can hear that in theoh sorry, Oh no, no, go ahead, man No. 0:40:15 - Speaker 4I was just gonna say like there's some parts where you're just like I remember listening to it and being like dude. I mean I can Just what you said at the beginning, Tim. I could picture myself at a bar with like 100 or 150 people and hearing this band and like 80% of people in there, including the bar staff, singing along to it because it's just so catchy and, like you said, JD, it was like it was written to be played live. 0:40:46 - Speaker 1Yeah. 0:40:46 - Speaker 5You know, Yeah. 0:40:48 - Speaker 3And on the live version of Highway Girl. you know his storytelling. before they were even playing, the audience was eating up. I mean, you hear people laughing, you hear people cheering and I just imagined when they were on tour there was a lot, a lot of banter. I would just guess he's kind of a rambler, you know, connecting with the audience. But at the same time, like hearing that live version and hearing the audience and thinking about them being a bar band, like they really reminded me a lot of the Grateful Dead. Yeah, like I just just I don't know there's something very Bruce Springsteen about it. you know, upstate New York, Cleveland, Detroit kind of, but in all those regions, like the Grateful Dead was huge also and it's just this touring type of band that has a lot of followers. They're going to play like this mixed mash of hits, of songs that people love. you know there's they're going to be a little bit different every time. Just, I don't know there's something about them that didn't make me think jam band but made me think like, oh yeah, these guys definitely have. yeah, these guys definitely have. you know, in the 80s they probably had a couple hundred thousand like real fans by the end of the decade in Canada. Can you remind us where Canada is again? I forget. 0:42:16 - Speaker 1Canada lives on the roof of the USA and we intercept all airmail. 0:42:26 - Speaker 3Yeah, Highway Girl's a weird song, you know, I don't know just like. this whole album to me was kind of a pizza with the works. That's made me hungry but yeah. 0:42:36 - Speaker 5Yeah, I'll drink to that, Yeah. 0:42:38 - Speaker 1I like that. Well, any final thoughts on this record, or what you're looking for in the next record, or you know anything along those lines, Pete? 0:42:51 - Speaker 4You know, JD, you and I have obviously talked over time about the hip and I've talked a few other people, I think one of my co-workers, Barb, who's a big hip fan, and I. you know, I haven't really found a roadmap, It's just been this hodgepodge. It's like Tim said, you know it's been this pizza with the works, but I feel like I've digested this whole record, or I at least eaten it. I'm starting to digest it very well and I'm really excited for the next meal. I'm stoked to take the analogy step further, Like I'm genuinely excited for myself to listen, not for anybody else, if that makes sense. 0:43:42 - Speaker 1Oh, that's cool Yeah. 0:43:45 - Speaker 4Excited. 0:43:48 - Speaker 3I, you know, I really tried to refrain from any listening or research and tried to come up with what I knew about them beforehand and think about that. I guess I'm excited because it is a band from the 80s. I love 80s era music that I haven't really given a listen to. There are certain songs on this album that make me think okay, I can definitely hear some more from these guys, and there's some total headscratchers where I'm thinking what am I in store for? You know, I told my son about this whole exercise and his reaction was kind of like overwhelmed for me at the thought of focusing on one band, so much. And when I first listened to Small Town Bring Down, you know, in his presence we look at each other like oh no, What am I in for? Well, yeah, what is this band going to be like? I dig that song. No, I totally do. 0:44:56 - Speaker 1There's something about it that I grew up in a small town and something about that idea of you know not another small town, hometown, bring down Yeah sure It's generic, It was very storytelling also, though. 0:45:12 - Speaker 3but then, at last, American exit. when we got into listening to that, I was in the car, you know, driving from Detroit or wherever upstate New York, I don't know Coming into Canada, like I was kind of right there. It sounded kind of great. 0:48:59 - Speaker 5Yeah. 0:49:17 - Speaker 3And to know that this band… you know, played together first and then tried to play a handful of shows Till they, I guess, got their bearings and then recorded. I mean, that's what bands did in the 70s and 80s for sure. You know, it wasn't very often that somebody got together and somebody already had 20 songs and they went and recorded. You know, so it's, it's so. this is a pretty a special, you know way to Start up a group. So I'm curious to, I'm curious to hear where they go. I like, I like some of the songs, you know, Yeah well, it gets pretty, it gets. 0:50:02 - Speaker 1You know we're off on a journey. Let's put it that way. This will be. I do, like you know, to carry on the food analogy, I do like this you're in a new country and every day you're gonna get a new dish and it's it's gonna be spiced a little bit differently. Early on it's gonna be a little bit more rudimentary, But as we go on there's gonna be more nuance and you know deeper flavor profiles. and then there's context. you start to Listen to the songs differently because you start to understand the past and what this group has went through and when, ultimately, they played their last show in Kingston, Ontario, and You know almost a third of this country tuned in to watch that like it was like 11, over 11 million people watch. She's the last concert because they broadcast it on our national broadcaster, CBC. Wow, yeah, you know The they they've. they cover a great distance between that time and what you guys are listening to right now. 0:51:04 - Speaker 3So it'll be interesting to To hear from you on this journey as we continue on one other just little mysterious kind of wow fact that I read about them was having to do with Them being double booked with Nirvana in 94. Do you know about this? 0:51:24 - Speaker 1Yeah, they played. they played a show in Milwaukee. It was eight dollars a ticket and it was right to the hip and right. Anna Nirvana was actually opening for the hip. that not opening. it was a double bill, but you know, yeah and. The story from from all the books is that Gord went to go meet Or the band rather went to go meet Kurt and he was passed out on a pool table like he was. he was dead to the world, So they didn't end up getting to meet, but we'll hear an interesting Tribute to Mr Cobain in in a future song, for sure. 0:52:00 - Speaker 3Yeah, I'm intrigued. I'm intrigued, no more. 0:52:02 - Speaker 1Okay, before we say goodbye, we're gonna do one more thing. We are gonna pick an MVP track, One track that you'll take away, that you'll put on a playlist. we're gonna do a playlist for each of you and It'll have your takeaway track from each record, and then you know, when we're done this exercise, We can put those up on Spotify and Apple music. 0:52:23 - Speaker 4Well, for me, I'll do it for me while you're. while you're thumbing through it, Tim, for me, I think the track on this EP would the one that I would Would choose to be would be killing time. Yeah, okay, certainly, certainly, Certainly, to stand out for me might, if I had to pick. Well, you do be a crowd, so there you go. 0:52:52 - Speaker 1Where you at there, Timmy, Hmm, Hmm. 0:52:54 - Speaker 5Hmm. 0:52:55 - Speaker 1Oh, you're gonna predict it. 0:52:57 - Speaker 3I was kind of all over with this. I was no, that's hilarious, I know what you're gonna do too. I was kind of all over with this album. You know it was full of surprises for me. you know I already talked about Evelyn and You know it's like oh, poor Evelyn. whatever The werewolf I'm a werewolf baby Hilarious, like where is this fan going? like, this was a wild ride of an album for me. highway girl, I think was a first song you sent us JD, and That one has so many twists and turns and it just, I think, the most. My recollection, like maybe the most listens, was on that album from via Spotify, highway girl, But it closed out early, strong with me for all Canadian surf club. I think that's a fun sign. No, My. California homie right there. 0:53:51 - Speaker 1AP hadn't written down the whole time for those watching at home. 0:53:55 - Speaker 3That was a fun track. 0:53:57 - Speaker 1That's what, uh, we call the first episode. right there, boom done, theater the mind, we traveled straight out of Kingston. Thanks a lot, fellas. It means a lot. Thanks, JD. 0:54:07 - Speaker 3Can't wait. 0:54:07 - Speaker 1Thanks guys pick up your shit. 0:54:11 - Speaker 2Thanks for listening to getting hip to the hip. Please subscribe, share, rate and review the show at getting hip to the hipcom. Find us on Twitter and Instagram at getting hip pot And join our Facebook group at facebookcom slash groups slash fully and completely. Questions or concerns email us at JD. at getting hip to the hipcom. We'd love to hear from you. 0:54:52 - Speaker 1Do, Do, Do, Do, Do, Do, Do, Do Do. 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Managed to carve out some time old friend, bar supremo, longtime West Coaster, and dude who sends out thousands of cocktail kits every month with Shaker & Spoon, Danny Ronen! We were both sequestered in a hotel in ritzy Tiburon, California, judging the American Distilling Institute's Craft Spirits Awards, so we took a break from judging spirits to......sit down and drink some and fix the world. Enjoy!Danny is @dronen on IG, and his firms @shakerandspoon and www.dannyronen.com Get in touch with Duff!Podcast business enquiries: consulting@liquidsolutions.org (PR friends: we're only interested in having your client on if they can talk about OTHER things than their prepared speaking points or their new thing, whatever that is, for a few hours. They need to be able to hang. Oh, and we won't supply prepared or sample questions, or listener or “reach” stats, either.) Retain Philip's consulting firm, Liquid Solutions, specialised in on-trade engagement & education, brand creation and repositioning: philip@liquidsolutions.org Philip on Instagram: https://www.instagram.com/philipsduff/ Philip on Facebook: Philip Duff Philip on X/Twitter: Philip Duff (@philipduff) / Twitter Philip on LinkedIn: linkedin.com Old Duff Genever on Instagram: Old Duff Genever (@oldduffgenever) • Instagram photos and videos Old Duff Genever on Facebook: facebook.com Old Duff Genever on X/Twitter: https://twitter.com/oldduffgenever?lang=en www.oldduffgenever.com...
Win-loss month is here and we've got one of the best to get it going. Tirrah Switzer is the Sr. Director of Product Marketing at Community Brands, newly transplanted West Coaster, dog lover, and compete expert. She joined Adam to answer listener-submitted win-loss questions. Tirrah is famous within Klue's four walls for having built her compete and win-loss programs at the same time. As you'll see in this episode and throughout the rest of the month, compete and win-loss are two peas in a pod. Make sure to check out Fluvio's newly released podcast, hosted by Devon himself, Embracing Erosion on the Compete Network.And don't forget to sign up for our weekly Coffee & Compete Newsletter for your weekly dose of the best competitive content in the business.To subscribe, visit https://klue.com/newsletterHost: Adam McQueenProducer: Ben RonaldAudio Editing: Michael PanesKey Moments:(00:08) Celebrating win-loss month!(03:56) Meet Tirrah Switzer(06:13) How to get sales buy-in to your win-loss program(08:52) Tirrah's most valuable win-loss insights(09:53) Supporting product and marketing teams with win-loss insights(12:10) Recommended cadence for win-loss readouts(13:30) How Tirrah enables product teams with win-loss insights(15:46) Tirrah's experience with running an internal win-loss program(25:24) Building a compete and win-loss program at the same time(28:22) Rapid fire! About Klue:Klue provides a lens into your competitor's world, continuously updating and connecting dots to help you win more business. It's a new way to capture, manage, and communicate market insights from the web and across the company, in platforms you already u
Ilyse is a therapist, group practice owner, and author, who offers trauma informed therapy for children, teens, and adults in South Austin, TX.Ilyse attributes her passion for this work to her very first therapist. Each time she stepped into her office, Ilyse says, she felt fully seen and delighted in. She didn't offer tools or interventions. She didn't try to change or cure me. I don't remember what we talked about, but I can still feel how her eyes lit up when I entered her office.That is how I hope to make folks feel when they step into my own office I am also a mother, partner, daughter, sister, friend, neurodivergent, writer, dog mother, Bravo historian, music lover, East Coaster by birth, West Coaster by heart, and Austinite by location.In This EpisodeIlyse's websiteIlyse on Instagram---What's new with The Trauma Therapist Project!The Trauma 5: gold nuggets from my 600+ interviewsThe Therapists Teach Workshop: a workshop for therapists who want to create their first online course.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5739761/advertisement
Nick Gallant is a Singer-Songwriter from Santa Cruz, California who doubles as a Disney Creative Director. In our conversation, Nick shares his passion for songwriting, the importance of creating to deal with the realities of life, and what an honor it is to be a part of other people's healing. He also shares some of the stories and the benefits of using his musical talents throughout his career as one who first made soundtracks for games like Guitar Hero and Rock Band and now as a Disney Creative Director. He has released "6 albums as a solo artist and played/sung on 1000s of recordings for independent and major label artists, films, tv, and video games." His latest album 2019's State Park was actually recorded in State Parks throughout Southern California. Nick is a father of 2 boys, a surfer, and truly an East and West Coaster as he splits his time between Kennebunkport, ME, and Santa Cruz, CA. --- Send in a voice message: https://anchor.fm/thestolenhourspodcast/message
Today, diners can't lob a jalapeno in a decent-sized town without hitting a Mexican restaurant of some sort. Many likely don't realize the way was blazed for those options by a former Green Bay Packer and a displaced West Coaster who couldn't find so much as a taco in his new Midwest haunts. As this week's Restaurant Rewind podcast reports, the unlikely pair would introduce patches of the heartland to burritos and the like through a restaurant concept named after one of the partner's wife. She went by the nickname of Chi-Chi's. Host and Restaurant Business Editor At Large Peter Romeo looks at how the early casual-dining brand served as an unlikely apostle for Mexican fare. But, as the episode shows, that was only one wrinkle in the story. Chi-Chi's history was a classic tale of a brand growing too quickly, without rock-sound unit economics, without a truly defensible point of difference.
On this episode… We hear from the founder and director of The Team Building Company Jenny Gray… We shine a light on the wool industry… And we check in with West Coaster and Vice-President of the World Farmers' Organisation Katie Milne… See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
On this episode… We hear from the founder and director of The Team Building Company Jenny Gray… We shine a light on the wool industry… And we check in with West Coaster and Vice-President of the World Farmers' Organisation Katie Milne… See omnystudio.com/listener for privacy information.
In this episode of Morning Rae with Lani B, Lani chats with Liv Bowser. Liv is the CEO & Founder of Liberate. She is an Upstate New Yorker turned West Coaster with a background in everything outdoors, physical fitness, and “better for you” start-ups. A Certified Meditation and Mindfulness Teacher and a RYS 200 Yoga Teacher, she ties together her deep knowledge of mind-body connection with open energy and a positive attitude. As always, Lani talks about her weekly intention, tip of the week, and of course, Lani's current favourites. Produced by Lea Andriola Liberate Studio Live Schedule Lani's IG Podcast IG Lani's YT Channel For advertising inquiries ONLY: morningraepod@gmail.com --- Support this podcast: https://anchor.fm/morningrae/support
The 2021 Canadian Screen Awards — featuring a curated selection of prominent awards — took place on Thursday, May 20 at 8:00 PM ET, streamed live on Academy.ca along with the Academy's YouTube and Twitter channels. The awards were presented documentary-style, with narration by Karine Vanasse and Stephan James, to allow the nominated work to speak for itself and be the centerpiece of our presentations. The show also honoured a selection of 2020 Special Award recipients, all of whom were unfortunately unable to be awarded last year due to the cancellation of all in-person events: Earle Grey Award recipient Tina Keeper Radius Award (presented by MADE | NOUS) recipient Dan Levy Lifetime Achievement Award recipient David Suzuki Margaret Collier Award recipient David Shore Academy Icon Award recipient Alex Trebek Beth Janson is the Chief Executive Officer of the Academy of Canadian Cinema & Television. With over two decades of experience in the film, television and cultural sectors in both Canada and the United States, Beth has been the creative force behind some of the most innovative and meaningful developmental programs in the industry today. The Academy of Canadian Cinema & Television is the largest non-profit professional arts organization in Canada. We are dedicated to recognizing, advocating for, and celebrating Canadian talent in the film, television, and digital media sectors. Our more than 4,000 members encompass industry icons and professionals, emerging artists, and students. Collectively, we deliver professional development programs and networking opportunities that foster industry growth, inclusion, and mentorship. The Canadian Academy produces the Canadian Screen Awards, bringing together the screen-based industry annually to celebrate the country's top talent in the film, television, and digital sectors at Canadian Screen Week. The Academy of Canadian Cinema & Television proudly acknowledges the support of its Premier Partner, Telefilm Canada; Platinum Partners, CBC and CTV; Principal Partner, Netflix; and its Lead Partners, the Canada Media Fund, Cineplex, and the Cogeco Fund. - - - - - Catherine: Welcome everyone to the WestVancouver.com podcast. We are back, and today we are going glam with a salute to the Canadian way. In this case, it means television, cinema, film, and digital arts. We have somebody very sparkly and very spectacular on the phone with us. It is the CEO of the Academy of Canadian Cinema and Television. It is Beth Jansen. Welcome, Beth. Beth Jansen: Thank you for having me. Catherine: Well, it is a delight to have you here because our association with the Academy goes back a long, long way. Needless to say, we are massive fans of television, cinema, and film. Everybody loves the glamour and seeing our favourite actors, but for me, it goes deeper than that, and I'm guessing that is the case with you as well. So, Beth, lead us off. Tell us a little bit about yourself and how you got involved with the Academy. Beth Jansen: I believe it's relevant, so I will start by telling you that I did a year of university at UBC in the mid-'90s. I've always had family living in Vancouver, so I feel like I'm an honorary West Coaster. I grew up in Montreal, and after university, moved down to New York City. I spent 20 years in New York, working in theatre, then in television, and helping launch the Tribeca Film Institute, which is the non-profit arm of the Tribeca Film Festival. I got married, had three kids, and decided that I would like my kids to have some Canadian culture. We moved back in 2016, before the election, but needless to say, we were very relieved to be in Canada during that crazy era. The opportunity at the Academy was really interesting for me because I felt like there was so much talent in Canada that was on par with the talent that I was seeing in the US. I felt like there was an opportunity to have a real impact,
Hi GWA Fam!On this week's episode, we have Liv Bowser. She is the CEO & Founder of Liberate, the first-ever mental wellness studio with group classes designed to expand and empower you. Liv is an Upstate New Yorker turned West Coaster with a background in everything outdoors and “better for you” start-ups. A Certified Meditation and Mindfulness Teacher, she’s on a mission to mainstream mental wellness and bring human beings together on our journey to become our best selves! Links Below!If you're interested in taking a class at Liberate please use promo code GWA10 at checkout to receive $10 off your first class. Follow Liv Bowser:Instagram: @liberatestudioBook a class: www.liberatestudio.comShop with Heike on Glossier here!Follow usInstagram: @girlswanxietypodcast, Heike @heikeleming and Neg @nneggyFacebookHere is our website if you want to see a cute picture of us!Our email if you want to reach out and ask us any advice on anxiety or just to say what up: girlswanxiety@gmail.comxx GWA
In the third socially distant live episode of Sarcasm Orgasm and dozenth overall I am joined by another West Coaster, Los Angeles-based Comedian, Actor, and Filmmaker, Brad Stoll. An NYC resident of several years, in 2018 Brad made his way to the West Coast to chase his dreams in La La Land. Since arriving, he has found steady work in Hollywood as an actor on multiple TV shows, in addition to cutting his chops more recently on the other side of the camera in production. Brad continues to also perform stand up, albeit less than his East Coast days, at clubs all over LA. Cody and Brad trade war stories, talk about the differences between the East/West coast comedy scenes, and discuss Brad's other artistic pursuits in Los Angeles. As always, if you're not a fan please don't like, don't share, and don't subscribe! --- Support this podcast: https://anchor.fm/sarcasmorgasm/support
Kat, Hannah, Matt, and Dylan circle up for our first ever 100% remote HRN Happy Hour. They are joined by West Coaster, Neal Hirtzel. They chat about what they're drinking during the pandemic, how to keep a routine when working from home, and play a rousing round of 20 questions.HRN Happy Hour is powered by Simplecast.
Josh Komen went from being one of New Zealand's best up and coming runners trying to make the Commonwealth games to fighting a cruel and ruthless battle with Cancer and Cancer related illnesses. This is a raw and honest chat about growing up a West Coaster, falling in love and his incredible fight for his life After everything Josh has gone through he remains extremely upbeat and always helping others. Josh Komen your a Legend mate, i wish you nothing but good health and a long life! Please excuse the metranome beat at the start (was my first interview and didn't know what i was doing lol) It stops after 2:40 Thanks for listening Click link in bio to listen
Publisher Mike Shess joined Edible San Diego Publisher Katie Stokes to discuss how his and his partner Ryan Lamb manage San Diego Beverage Times and the West Coaster, and have partially combined them into the West Coaster Beverage News. Mike's background in journalism plus his enthusiasm for and knowledge about the many, many kinds of craft beverages in our region give listeners lots to explore. Katie shares a cooking tip well-suited to busy schedules and the arrival of fall. https://sdbevtimes.com https://www.instagram.com/sdbevtimes/ https://www.instagram.com/westcoastersd/ https://www.facebook.com/sdbevtimes/ https://www.facebook.com/westcoastersd/ https://westcoastersd.com
We love it when we get a chance to hang out with our listeners, so, every now and again, we plan an event to do just that! Call it a housewarming party for new home at TapCraft Studios, or call it a good ol' fashioned excuse to drink some indie beers with the coolest people on the planet, like we did! There's no official guest for this episode but that doesn't mean we don't have some guest stars to discuss! Perennial San Diego beer podcast guest, and writer for the West Coaster, Ian Cheesman joins us and we close out the show by having the one and only, Travis Hudson grill us in a trilling round of Name is Your buzzer! We talk about some of the standout beers we were drinking, a bunch of beer news and current beery topics, and have a fantastic time sharing beverages and a joyous occasion with some of our friends.Thank you once again to Tap Craft for letting us use you facility permanently, supporting our Show, and sponsoring The Sore Eye Cup!Get yourself an #indiebeer that you want to share with a friend, and that friend, then hit the play button! See acast.com/privacy for privacy and opt-out information.
This week on The Show we are joined by freelance writer and local beer journalist, Beth Demmon! We dive right into her monthly feature in West Coaster, called Prohibitchin', that focuses on women in the San Diego indie beer industry. We also have an unplanned, bonus guest, Robert Bessone from 13 Point Brewing Co.We were sent beers to feature on this show by Single Speed Brewing in Iowa! I have to say, we really enjoyed their offerings and will definitely visit them if we're ever in Cedar Falls or Waterloo; you should as well!We cover the very important topic of which SD beer writer performed better on the BJCP exam, Beth or Ian Cheesman; we do this for you and you're welcome San Diego! We do also ask a few legitimate questions about the arduous process and work it takes to prepare for and pass the BJCP tasting exam.We also discuss the Reckless Brewing glob of crap, no I'm not linking to them, we don't need to encourage people to visit their site. Getting back towards funner topics, we get an awesome announcement about Beth being awarded the North American Guild of Beer Writers 2019 Diversity in Beer Writing Grant!Get yourself ready, grab a great #indiebeer , and hit the play button friends! See acast.com/privacy for privacy and opt-out information.
We were excited to be invited out to Deft Brewing for industry night! It's always fun when we get to hang out with members of the #SDBeer world that make all the delicious beer we obsess over!Also, here's some giant news from TIBS! central; Brandon Hernandez, Editor at Large from the West Coaster and Chief Marketing Officer of Societe Brewing, has joined us as our new, fourth host! We couldn't be stokeder (yes, that's a word now!) on his decision to slum it up with us on a weekly basis. If you see him around, give him a welcome high five!Back to Deft; we begin the show with the owner, Morris Nuspl, we discuss his brewery, his system, some of the beers we're enjoying, and how it's been for the first year of their existence. If you were not aware, Deft celebrate their first anniversary in October. I really enjoyed the feel and comfort of the tasting room. They have a great patio as well. Most importantly, the beer they are making is stellar, especially if you appreciate classic styles, brewed with super clean flavor profiles. Go check them out if you haven't yet!We then turn our focus to brewmaster general, Paul Segura! I often joke about Karl Strauss and Paul being new and it slipped out again during his introduction on this show. I'll try to let that joke die, the horse has been beaten soundly. We have a great talk with Paul and there's a lot of Michael Peacock, from Tapcraft LLC, love through in there for good measure.Grab that #indiebeer that's longingly looking at you from the cold depths of your fridge and hit the download button! See acast.com/privacy for privacy and opt-out information.
Kia Ora whanau. Something different for you this week (and us, actually)!! Eugene and Matt bring you the first ever DCR live show, from inside Thomson Whisky Distillery at Hallertau Brewery. Nestled in amongst the copper stills were our hosts, an audience, a bunch of tasty beverages, and our guests- Dr James Kuegler and Mr Andrew McDowall.James Kuegler is a well established running coach, under his eponymous brand. James is a Dr of Chiropractic, and has represented New Zealand at the Oceania Trail Running Championships. James has a slew of other top results, being a previous Tarawera 60km winner, having a top ten finish at Kepler, and currently holding the course record at Total Sports brutal West Coaster adventure run. Currently, James has been “hanging out at athletics tracks” with his focus shifting more to junior athletes and his work with Papakura Athletic and Harrier Club. Having been veterans of several James Kuegler talks we were super excited to get James on to share his wisdom. As always, James is engaging, confronting, and entertaining, discussing the challenges and celebrations of the New Zealand trail running scene, how at the end of the day, we’re all just runners, and his favourite New Zealand events.Andrew McDowall went from a man who did the Rotorua Marathon on a whim with friends and subsequently moonwalked the last 10km of the Kepler challenge after demolishing his quadriceps, to being 5th at the Tarawera 100 mile endurance run and 4th at Northburn 100 mile 34 days later. Oh, did we mention that Andrew is just off to Taiwan to represent New Zealand at the Asia/Oceania 24 hour championships. Andrew is not a professional runner however, but a professional musician, having a degree in film score composition, owning his own studio, Digibake, and being a veteran of several bands, including playing trumpet for the globe striding Aotearoa reggae band Katchafire. Oh, and he also set up our live sound. Andrew is, to put it plainly, a good bastard.In fact, both our guest firmly fulfill the “good bastard” criteria, and you’ll be able to hear that as you listen to this freewheeling live conversation - complete with audience interaction, beer being spilled (thanks, Tom and Thee Dave), along with various other diverse alarums and excursions.We’d like to formally thank both Thomson Whisky and Hallertau Brewery for their enthusiasm for the idea and their boundless generosity. We had a blast doing it and we hope you’ll have a blast listening. Enjoy!
This week we discuss the controversial topic of Eastern versus Western Canada. To discuss this controversial topic, I am joined by the lovely Megan Sawatzky - a West Coaster from Kelowna, British Columbia and Global Studies student at Carleton University. Is West Coast really the best coast? What is a comforter? Who are Hedley? All will be revealed in this juicy episode. Megan’s karaoke go-to: https://www.youtube.com/watch?v=ViwtNLUqkMY Top 10 Hedley tunes: https://www.youtube.com/watch?v=RlaAiwX6fy4 Instagram: @britwithacap
Go here to see notes for this episode: http://www.fourbrewers.com/220-real-talk-with-beth-and-ian-at-ccbs/ Subscribe: RSS | Apple Podcasts | Google Play Music | Stitcher | YouTube | Twitch | Anchor.fm Support the show: Patreon | PayPal Donation 4B Social Media: Facebook | Twitter | Instagram | tumblr | Flickr | Snapchat Email 4B: feedback@fourbrewers.com 4B Theme Song: The Sleeping Sea King ***** Chapters: 00:00: Support Four Brewers on Patreon! 00:09: Theme Music 00:18: Begin Show 00:35: Beth Demmon and Ian Cheesman of West Coaster 03:38: San Diego Beer 04:18: Belching Beaver Brewery 07:59: Great San Diego Breweries 11:58: Recommendations For First-time Visitors to San Diego 13:01: Cool Brewery Spaces in San Diego 15:55: Big Money and New Breweries in San Diego 17:55: OC vs. LA and SD 20:03: Follow Beth and Ian Online The Four Brewers podcast uses mp3 files with chapter markers that allow you to easily skip to different parts of the show. Overcast for iOS and Podcast Addict for Android are two examples of apps that utilize this handy feature. If your podcast player doesn't support chapter markers, then simply reference the time stamps listed above for this episode.
Welcome to another episode of The Fervent Few podcast. Every two weeks we present you with this bonus episode of the GBH podcast where we chat with members of our subscriber community. The Fervent Few subscribe to GBH like a magazine making a monthly contribution via Patreon. Members join us in a forum to talk about a wide range of topics that doesn’t just stop at beer. And every week we pick one of these topics and present the community’s answers to readers in the form of an article posted to Good Beer Hunting. You can find out more information by visiting patreon.com/goodbeerhunting On this episode we play Where in the World is Michael Kiser and we talk to James Raynon who just moved to Chicago from Souther California. We’ll talk to him about the differences in locales and his time in the Fervent Few. But first we find out where Michael Kiser is hiding.
Tommy Edison and Ben Churchill ride a roller coaster at the request of the fans. This is the West Coaster located on the Santa Monica Pier in Santa Monica, California.
This week Lee and Daniel are joined by Dan's wife Shana and their mutual friend Ryan to discuss two selections from the filmography of Mel Brooks. It seems to be the norm with this podcast to somewhat avoid the obvious films from any given director, and that theme is continued here as the start and end (so far) of the second half of Brooks' directing career are covered here in 1981's "History of the World: Part I", and "Dracula: Dead and Loving It" from 1995. What the hosts have been watching is also covered, but it focuses mostly on TV shows this time around. They also dive into a couple of listener comments. Featured Music: "It's Good to be the King Rap Parts 1 & 2" by Mel Brooks. Ryan's Youtube Ryan's Facebook Ryan at the West Coaster
Mike and Greg lure an unsuspecting Brad from Bringing Disneyland Home into the studio to help him plan his trip to WDW for PodFest. Since Brad is a West-Coaster who has never been to WDW, your hosts wanted to make sure he got the best advice possible. This is a long one - 1 hour 47 minutes.