Podcasts about Red Rider

If you love great storytelling, you'll connect with this conversation. I sit down with Walden Hughes, a man whose Unstoppable passion has kept Old Time Radio alive for decades. As the voice behind YESTERDAY USA and a driving force with REPS, Walden has dedicated his life to preserving the art, sound, and soul of classic radio. We talk about what made those early shows so timeless, the craft of the actors, the power of imagination, and how simple audio could create entire worlds. Walden also shares how modern technology, archives, and community support are bringing these programs to new audiences. This conversation is about more than nostalgia. It's about keeping storytelling alive. Walden reminds us that great radio never fades and that imagination will always be Unstoppable. Highlights: 00:10 – Discover why Old Time Radio still captures the imagination of listeners today. 01:19 – Hear how the end of an era shaped the way we think about storytelling. 02:32 – Learn what made the performances and production of classic radio so unique. 04:25 – Explore how legendary shows left a lasting influence on modern audio. 05:16 – Gain insight into what separates timeless audio drama from today's versions. 08:32 – Find out how passion and purpose can turn nostalgia into something new. 12:15 – Uncover the community that keeps classic radio alive for new generations. 16:20 – See how creativity and teamwork sustain live radio productions. 24:48 – Learn how dedication and innovation keep 24/7 classic broadcasts running. 33:57 – Understand how listener support helps preserve the magic of radio history. 37:38 – Reflect on why live storytelling still holds a special kind of energy. 41:35 – Hear how new technology is shaping the future of audio storytelling. 46:26 – Discover how preservation groups bring lost performances back to life. 50:29 – Explore the process of restoring and protecting rare audio archives. 55:31 – Learn why authenticity and care matter in preserving sound for the future.     About the Guest: From a young age, Walden Hughes developed a lifelong love for radio and history. Appearing in documentaries on “Beep Baseball,” he went on to collect more than 50,000 old-time radio shows and produce hundreds of live nostalgic broadcasts. His work celebrates radio's golden era through events, celebrity interviews, and re-creations performed nationwide. His deep family roots reach back to early American history — from a Mayflower ancestor to relatives who served in major U.S. wars — shaping his respect for storytelling and legacy. With degrees in economics, political science, and an MBA in finance, he built a successful career in investments before turning his passion into purpose. As general manager and producer for Yesterday USA and longtime board member of SPERDVAC, he's preserved classic entertainment for future generations. Honored with awards like the Herb Ellis and Dick Beals Awards, he continues to consult for icons like Kitty Kallen and the Sinatra family, keeping the voices of radios past alive for audiences today.   Ways to connect with Walden:   Cell:  714/454-3281 Email:  waldenhughes@yesterdayusa.com or www.yesterdayusa.com Live shows are Friday, Saturday and Sunday nights beginning at 7:30 PDT.     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone, and welcome to another episode of unstoppable mindset. Wherever you are listening from, we're really glad you're here, and we are going to have a guest who we've had on before we get to have him on again, and we're going to grill him really good. I want you to remember that a few weeks ago, we talked to Walden Hughes. And Walden is a collector of old radio shows. He's been very involved with organizations that help promote the hobby of old radio shows, and old rate Old Time Radio, as I do, and I thought it would be kind of fun to have him back, because there are a number of events coming up that I think are very relevant to talk about, and so we're going to do that. So Walden, welcome back to unstoppable mindset. We're glad you're here. Michael, been such a long time, and glad you invited me back. Well, I know it's been so long well, so tell me, let's, let's go back again. You know, radio people talk about the golden days of radio, or the time of old radio. When do we think that? When do we say that officially ended, although I think it went beyond   Walden Hughes ** 02:29 it. I though I jumped 30th, 1962, I'm, yeah, I I think the style changed a little bit, I'm probably a romantic somewhat. I love the style of old time radio. I love how it sound. Yeah, I think in in the 3040s and 50s, the studios and the theater that they use sounded great for radio, and it disturbed me, and I bet you have the same feeling, Michael, that when you get new production and new the new studio, it just doesn't sound right. I feel the equilibrium is not quite the way. I love old time radio. I think Old Time Radio A prime web. I think a lot of new productions out there that, you know, release their podcasts and things on a weekly basis. I think they're handicapped. They just don't have the budget to really create and build a studio the way I think it should be, that if they have, it sound just natural and just right.   Michael Hingson ** 03:43 And I think that's part of it, but I think the other part of it is that people today don't seem to know how to act and create the same kind of environment with their voice that Old Time Radio actors did in the 30s, 40s and 50s and into into the early 60s, even we had Carl Amari on several weeks ago. And of course, one of the things that Carl did was, did complete recreations of all of the Twilight Zone shows. And even some of those are, are they sound sort of forced? Some of the actors sound forced, and they they haven't really learned how to sound natural in radio like some of the older actors do.   Walden Hughes ** 04:34 Yeah, and I know Bob we call did it for a bike I get thrown off when he generally way. Did have the highway stars remote end, and he had a Stock Company of Chicago after, and I could hear the equilibrium just not quite right. That bothers me. I don't know if the average person picks up on that, and you're right. I don't know if. Is it the style of acting that they teach in film and TV? It needs a radio acting different in a lot of ways, and you got it as you point. It's got to be realistic into the environment. And actors don't get that for radio,   Michael Hingson ** 05:25 yeah, and you talked about the last day for you of real radio was September 30, 1962 and we should probably explain why that is   Walden Hughes ** 05:36 diet throughout the CBS your Troy John and suspense as the two main keys of old time radio. And that was the last day of old time radio out of New York. And I hardcore Lacher sister. Think that's one radio Shane died per se   Michael Hingson ** 05:58 Gunsmoke and Have Gun Will Travel were gone, right,   Walden Hughes ** 06:01 and the soap operas ended in November 2560 I like soap operas. I know a lot of people do not, but there's something can't there's something campy about it that I like. I would, I would like, I prefer to listen to somebody also proper than do some of the new production and make sure the acting style,   Michael Hingson ** 06:27 but I think there's a lot to do with it that that makes that the case. And I think you're absolutely right that so many things are different, but at the same time, radio did sort of continue. And there was, there were some good shows zero hour, the Hollywood radio theater that Rod Serling did later. And of course, NPR did Star Wars.   Walden Hughes ** 06:58 And I like that I did.   Michael Hingson ** 07:02 Yeah, I think that was done pretty well. And what do you think of CBS mystery theater? Honestly, CBS mystery theater, I thought that generally, CBS mystery theater had some good actors, and they did a pretty good job. I I can't complain too much about that, and it was on for a long time.   Walden Hughes ** 07:18 But what do you think of the script, though?   Michael Hingson ** 07:22 Well, part of the problem for me and CBS mystery theater is, and I'm sure it was a cost issue. There weren't very many people in most of the scripts. There was like two or three or so and and that was a problem. But I think that that the scripts suffered because there weren't more people in the scripts to really make it again sound pretty natural. I think that was a problem.   Walden Hughes ** 07:52 Yeah, Hyman Brown really knew how to crank it out. I think it has a good, solid B production, you know, the scripts. And I think the scripts are quite hampered. You couldn't, actually couldn't knock the actors. I thought the actors were Mercedes McCambridge and all those were terrific actors, but you're right. Sam dam wrote a lot of them, yeah, and things like that. But I   Michael Hingson ** 08:21 think, I think they would have been nicer to have more people in the scripts. But I understand that, that that probably was more difficult to do just because of union and scale and the cost. But gee, I think it would have made a big difference in the shows. But Hyman Brown really knew, as you said, How to crank them   Walden Hughes ** 08:39 out. Yeah, that's why, in some ways, I think the series, radio theater, the way 70 is a it's a terrific series. Didn't have the financial backing to make it last longer than the two years I was   Michael Hingson ** 08:52 on. Now, one show I really liked on in PR later was alien world, which I thought was good. I'd never heard any of them, so they were good, yeah, yeah, okay. I'm very happy with alien worlds. There were some actors from radio and in early television and so on. Hans con read, for example, was on some, yeah, I thought alien worlds went really well. I guess we're gonna have to get you some and get you to lose, Okay, interesting.   Walden Hughes ** 09:21 I just got done taking a eight week course on entrepreneurship for disabled people, and my idea is to pitch that we should be doing audio theater as a podcast. I think if it's big enough, it attracts national sponsors. And if you look at the numbers, everybody podcasting, 135 million people in the USA download a podcast once a week. Revenue, $2.46 billion yeah. Worldwide, 5 billion people download a podcast once a week. Revenue, three. $4 billion and so she had a well known he had a podcast with well known stars. I think she could get that 1% in that market, and then you can generate between the 24 to 40 million, $40 million in revenue a year. That would easily sure be a good financial model, and that's what I'm pitching. But when I went to the court, they asked me what to analyze, what's wrong with my what obstacles I have. And one of the things I put down is besides the studio we talked about and the acting, which a really good actor, actress, everybody, like a Beverly Washburn can pick up a script and knock it out of the park right away. Most actors are not able to do that. That's a real gift, as Michael was pointing out. But the other thing most scripts are written for film and TV, which is a verbal which is a eye medium, and a radio script is written for the ear, and I have produced enough the ear is faster than the eye. If you take like a TV script and a book and read it out loud, the mind wander. It has to have a faster pace for the ear. And I don't think more people notice that when they're analyzing a script,   Michael Hingson ** 11:31 yeah, but you you're sort of treading around the edges of something else. I think that is fascinating, that we can start to talk about one of the things that has occurred some over the past few years, and whether it be with a podcast or even just with the mechanisms we're using today, is there are some attempts to recreate some of the old radio shows and and you and I have both Well, we Have to get you acting in one of those shows, Walden. But I have, I've acted in the shows Walden works behind the scenes, and there are a number of people who have been involved with him. And you really can tell some of the good actors who performed in old radio as you said, Beverly Washburn, Carolyn Grimes and others. Carolyn, of course, is Zuzu from It's A Wonderful Life, and by the way, she's going to be coming on unstoppable mindset in the not too distant future. But, but the point is that you can tell those people because they've done it, and they're very comfortable with it, and they know how to make it come across really well. So for example, you're the president of the radio enthusiasts of Puget Sound. Now you're down here in Southern California. How did you work out being the president of reps?   Walden Hughes ** 13:01 Why my closest friends a hobby, Brian Haygood, and Brian's been one of the big movers and shakers of reps over the years. And when the founder, Mike Sprague, decided to step down, they were looking for new people to run showcase back in 2007 so Brian asked me, because I'm the one that has the contacts, you know, I'm the one booking guests for y USA rep, I'm sure the go to person with contacts and phone numbers, everybody. And so I just wound up doing the CO produced showcase back in 2007 with Brian. So that's been one of the things I wound up doing.   13:50 I produce   Walden Hughes ** 13:52 almost 30 923, or four days events of All Time Radio around the country. So tell us about showcase, showcase. It will be September 18, 19/20, 21st is a big event for us, for reps, and we got funding thanks to Ford culture and the state of Washington to do this. And it's free. You can go to reps online.org, and RSVP and come. And people that you get to see this time around are Beverly Washburn from Star Trek, when the bear ministry shows, yeah, when, when the bear man a good, solid voice actress, and also is a coach. Carolyn Grimes, as you mentioned, Margaret O'Brien, of course, you know Margaret from Oscar war winner from meet me in St Louis, Gigi Perot, and she goes back to the 40s and 50s. And did the belly hunting TV show, Tommy cook and Lacher Riley, a radio show. Ivan Kirk. Troy. Bobby Benson. Bill Owen, who you had on ABC TV announcer, author of The Big broadcast, Ron cocking. He and his great wife, Gloria Macmillan ran acting school for children.   Michael Hingson ** 15:15 Bill Ratner Miller, of course, is famous for radio.   Walden Hughes ** 15:18 Right arm is Brooks. Bill Ratner from GI Joe. Bill Johnson, who does Bob Hope around the country. John provoke to Timmy Lacher. Chuck Daugherty, the announcer for second announcer for Sergeant president of the Yukon King and discover the Beach Boys. David Osman from fire sign theater. Phil prosper from fire sign theater. John Iman, who was from the TV show Lacher. And there was Larry Albert and John Jensen, the big band Lacher. John Laurie gasping, and Dan Murphy used to be the program director ki Xi out in Seattle. And so that's gonna be a great weekend. We'll produce close to it, I think, 1819 radio recreation that's still negotiating. And we have several interviews and panel. It's all free. So you can go to repsonline.org, and that's one of our two major events, the other major events at the Christmas show in December, the first week in December. I'm hoping Mike can make it up that   Michael Hingson ** 16:31 weekend, I was hoping to be able to come to the Showcase. And one of my favorite shows, and Walden and I had talked about doing it, is Richard diamond private detective. And I actually asked to be cast as Richard diamond, but then a speaking engagement came up. So unfortunately, rather than being in Washington, I am going to be in Minnesota, I'm sorry, in Pennsylvania, speaking. So I won't be able to be there, but we'll do Richard diamond. That's gonna be a fun show one of these days. We'll do it.   Walden Hughes ** 17:06 We'll put we put it aside. So when Mike can can do it, we can do it so but no, really blessed to have the financial grants to keep audio theater live on a nonprofit basis, and that that that's a great board, and cannot every group's had that financial abilities right now to do that, and it's so expensive around the country to do it, terms of airfare, hotel commitments and Just meeting room costs, I mean, for people who may or may not know, when you go to a hotel a live event now, a lot of hotels expect that that meeting room needs to generate at least $10,000 of income per day. That that's a lot of money. And so we have a place that doesn't, that doesn't do that, and we're able to produce that. And so rep definitely focus on the live, live audio theater part, and also has a large library, like 33,000 shows I heard where we have so people can download, and we're also aggressively buying discs and things to add to the library. And I remember spur back I part of and I'll tell you some of the latest news and that when we talk to that topic, but it's just old time radio is in really good   Michael Hingson ** 18:41 shape at the moment. You mentioned Larry Albert, and most people won't know, but Larry Albert's been in radio for what, 40 years, and has played Detective Harry Niles that whole time, and he's also Dr Watson on Sherlock Holmes again, there are some really good professionals out there, which is cool, yeah, yeah, who understand and know how to talk in a way that really draws people in, which is what it's all about,   Walden Hughes ** 19:15 absolutely. And considering Larry and a co founder, they run all vacations, sure, the after of imagination theater. Sure they carry the banner up in Seattle, and it's pretty amazing what they're able to produce.   Michael Hingson ** 19:32 Yeah. Now, in addition to the Showcase and the Christmas show that reps is going to be doing, reps also does some other shows, don't they, during the year for like veterans and others up in the Seattle area, Tulsa, right?   Walden Hughes ** 19:46 We I thought that idea down here at spur back in 2017 the Long Beach Veterans Hospital, they still have the original theme. Leader, Mike, that Jack Benny and Bob Hope did their shows in front of the Vets at Long Beach. And I know you and I have radio shows from the Long Beach Veterans Hospital. Yes, and the stage is still there. It's the biggest stage I've ever seen. Mike, the seating area is mobile, so that way they can bring patients in who are wheelchairs or whatever, or in bed. They still have the 1940 film projectors and booth up above that they want to run movies in there, and it's just a remarkable feeling to be on stage that Bob Hope and and Jack Bailey did a show, and then the famous broadcast were Ralph Edward consequences, yeah, the Hubert Smith, who was A patient at the hospital and and so in 2017 we did. It's a Wonderful Life. And we had a gigantic crowd. I think it was almost 200 people came to that. And I was for the public and people inside the hospital. And it was, it was a exciting event to have deluxe version of It's a Wonderful Life, which was the 70th anniversary of the broadcast, right? And so I decided to take that concept and take up to Seattle and start performing shows inside the VA hospital system in Seattle. It took a while. It's hard, it's hard to get into the VA, VA system to put on shows, because you got to talk to the right people, and you gotta get a hold of PR and not always easy. So I found the right contacts, and then the state awards, and then has a grant for for veterans or veteran family member to be in shows, and so we're able to get some funding from the state for that so, and then we will also encourage them to come to showcase in September so. But no, that's that's another program we got going for that,   Michael Hingson ** 22:20 someone who I unfortunately never did get to meet, although I heard a lot of his shows, and he helped continue to bring memories of radio to especially the military. Was Frank brazzi, who was around for quite a while, and then he he was also on yesterday USA, a lot. Wasn't he sure where he's   Walden Hughes ** 22:46 from, from 1993 until 2018 so he had a good 25 year run on why USA, Frank and I co host the Friday night show for many years, until he passed away in 2018 show from 2000 to 2018 Frank was amazing guy. He was. He owned his own radio station in South Carolina, South Carolina Island. When he was 19, he had to form the first tape course in Hollywood show Bob Hope would hire him, and he would record all Bob stuff at Paramount Studio and sit to radio station and travel with Bob to record his radio Show. He also was Jim Hawthorne producer for television, Frank wound up developing board games a pass out sold 6 million copies in the new wedding the dating game. He had a company that got gift for game shows on television. He also set up a brother in a company to monitor when commercials were run on TV. Frank also produced record albums every day. He had Walter Winchell record the life of Alex joelson. Met with Jimmy Durante, had Jimmy Durante do an album, Eddie Cantor and so frank is one of these great entrepreneurs that was able to make a lot of money and spend a lot of it on his love for radio. He was the substitute for little beaver, for example, on Red Rider so and he loved doing the show the golden days of radio, which started in 1949 and from 1967 on, it was part of the Armed Forces Radio Service, which was put on 400 stations. And I'm the, I'm the care caregiver, caretaker of. All that items. So I have all the shows and getting them transferred and play them on y USA and Frank wanted to make sure his entire collection was available to collectors. So we want to make sure things were copied and things like that for people to enjoy. But no big part of old time radio, in a lot of ways, not behind the scene a little bit. You know, wasn't a big name person during the golden days of radio, but afterwards, wound up being a major person that carried the fire Troy, full time radio.   Michael Hingson ** 25:35 I know we talked about a little bit, but talk to us about yesterday, USA, that has been around quite a while, and in general, for those who don't know, yesterday, USA is an internet radio station, actually two, if you will. There's a red and a blue network of yesterday USA, and they both stations broadcast to old radio 24 hours a day, although conversations and up to date conversations are interspersed, it still primarily is a a vehicle for playing old radio shows, right?   Walden Hughes ** 26:13 Yeah, been around since 1983 founded by its start. Yeah. Founded by Bill Bragg, Bill started the largest communication museum in the world back in 1979 in Dallas, Texas, and he had a film exchanger. And there was a TV station called a nostalgia channel, and it had these films of old TV shows, but they didn't have the media to transfer it, and so they contacted Bill. Bill agreed to transfer the film. He asked what it is exchanged for him. They said, we can give you an audio channel on satellite. And they gave that to him. And so he tried to decide what to do. So he started a broadcast Old Time Radio over satellite, and he was over the big C span satellite   Speaker 1 ** 27:12 until Oh into the 2005   Walden Hughes ** 27:16 era or so. Wound up being the audio shop carrier for WGN got it high in 2000 at the third most popular internet broadcast site in the world, behind the BBC and CNN around the Lacher saw around 44 that's not too bad, with 15,000 stations online.   Michael Hingson ** 27:41 I remember, I remember it was probably like 1998 or so, maybe 97 we were living in New Jersey, and I was doing something on my computer. And I don't even remember how I discovered it, but suddenly I found yesterday, USA, and at that time, yesterday, USA was one channel, and people could become DJs, if you will, and play old radio shows. You could have an hour and a half slot. And every other week you updated your broadcast, and they put on your shows at different times during the the two week period. But it was a wave that, again, a lot of people got an opportunity to listen to radio, and I'm sure it was very popular.   Walden Hughes ** 28:32 Yeah, yeah, if they'll to Lacher show, we don't, we don't get 40,000 to 60,000 listening hours a month, with it a lot, because a lot, maybe some people might listen to seven minutes, some might people listen to a half hour and all that accumulative, it's almost 60,000 hours a month. So that's a lot of hours that people are accessing in it, there's something nice about being alive. I don't know what you think Mike, but doing something live is pretty special, and that's, that's the nice thing about what yesterday USA can provide, and we can talk, take calls, and then, you know, in the old days, you have more and more people talk about Old Time Radio. No doubting, but a lot of new people don't have those memories, so we we might do some other things to keep it interesting for people to talk about, but it's still the heart and soul. Is still old time radio in a lot of ways, and we're definitely the fiber, I think for new people to find old time radio.   29:43 How did you get involved with it?   Walden Hughes ** 29:47 I became aware of it in the early 80s when sperback mentioned it in the news trailer, so I knew it's out there. And I called, and Bill returned my call. I said, I would like my cable TV. A company to play it, and I contacted my cable TV. They couldn't get to that channel that was on the satellite, so they put big band music on those dead on the community board. And so at the same time as you about 1998 I had a good enough computer with a good enough sound card I could pick up yesterday, USA. I was aware of it. It started on the internet in 1996 I started to listen, and then I would sort of call in around 2000 they would ask a question Bill and Mike and not really know the answer, so I will quickly call and give the answer, then leave. Eventually, they realized that I knew kitty Cowan, the big band, singer of the 40s and 50s. They asked me to bring on and do the interview, which we did September 17 of 2000 and then they asked, Could I do interviews on a regular basis? And so when a kiddie friend who I knew, Tess Russell, who was Gene Autry's Girl Friday, who ran kmpc for the audience, that was the station with the stars down the road, easy listening music,   Michael Hingson ** 31:21 golden broadcasting, and that was the station Gene Autry owned, yep.   Walden Hughes ** 31:26 And I think everybody in the music business but the old touch rush all favor. So she she hooked up, she signed up. She gave me set book 17 guests for me, right away from Joe staff or the Troy Martin to Pat Boone Patti Page, who wrote them all out. So I had a major start, and then I started to contact people via letters, celebrities and things. And I think it's a really good batting average. Mike, I had a success rate of 20% Wow. Wish it was a person that didn't I had no contact with that I could turn into a guess. I always thought I was a pretty good batting average. Yeah, and I got Margaret Truman that way. I mean, she called me, said, Wong, I forgot I did this radio show with Jimmy Stewart. She did jackpot, you know, the screen director of Playhouse. And we talked about her time on The Big Show with Tallulah Bankhead. They said, a big help with Fred Allen to her. She we talked about she hosted a show, NBC show called weekday with what the weekday version of monitor was, Mike Wallace. And she talks about how Mike had a terrible temper, and if he got upset with the engineer, she has to grab his jacket and pull him back in his chair just to try to cool them off. And so we had a great time with Margaret O'Brien, Margaret Truman, but, but I always thought that would a pretty good bat Navy getting 20% and in those days, in early 2000 a lot of celebrities would be were willing to interact with the through the website, with you, and so I did that. So I booked hundreds of celebrity interviews over the years, and so it's been a, I think, an important part what I do is trying to preserve people's memories, right that way we have the recordings.   Michael Hingson ** 33:43 And so how long was Bill with yesterday, USA.   Walden Hughes ** 33:49 I passed away in 2019 so Bill from 83 to 2019, to us, 10 years or so of his wife, though he had   Michael Hingson ** 34:05 Alzheimer's and dementia, and so you could tell he was he was sounding older, yeah, and   Walden Hughes ** 34:11 he wasn't behind the scene. He was really erratic in a lot of ways. So Kim, Kim and I wound up his wife, and I wound up running the station for the last 10 years, behind the scene, okay, Bill wasn't able to do it, and so I would be the one handling the interaction with the public and handling the just jockeys, and Kim would do the automation system and do the paperwork. So she and I pretty much ran the station.   34:43 And now you do   Walden Hughes ** 34:45 it, I do it, yeah, and so I think Bill always had in mind that I'd be the one running the station in a lot of ways. And think to the listeners, we've been able to pay the bills enough to keep it. Going, I would love to generate more income for it.   Michael Hingson ** 35:03 Well, tell us about that. How are you doing the income generation? And so most of it is through   Walden Hughes ** 35:09 a live auction that we have in November this year, will be on Saturday, November 22 and people donate gift cards or items, and people bid on it, or people donate, and that money we basically use to help pay the monthly bills, which are power bills and phone bills and things like that, and so, which is a remarkable thing. Not every internet radio station has a big enough fan base to cover the cost, and so all the internet stations you see out there, everybody, the owners, sort of really have to pull money out of their own pocket. But why USA been around long enough, it has enough loyal following that our listenership really kicks in. I mean, we built a brand new studio here with the with the audience donating the funds, which is pretty remarkable. You know, to do that,   Michael Hingson ** 36:16 yeah, you got the new board in, and it's working and all that. And that's, a good thing. It really is. Well, I have been a listener since I discovered y USA. When we moved out to California for a while, I wasn't quite as active of a listener, but I still worked at it as I could. But then we moved down here, and then after Karen passed, was easier to get a lot more directly involved. And so I know I contribute to the auction every year, and I'm gonna do it again this year.   Walden Hughes ** 36:49 So would you, when you were after what you knew, why you said, Did you did you come with your question still quite a bit when you were working and traveling all the time over the years.   Michael Hingson ** 37:01 Oh, yeah, yeah, oh, I did a lot of times, and still, do I listen to some internet radio stations? Why USA among them when I travel, just because when I go to a new hotel, sometimes I can make the TV work, and sometimes I can't, but also sometimes finding the stations that I want to listen to is a little bit more of a challenge, whereas I can just use my my smartphone, my iPhone, and I've got a number of stations programmed in the only time I have had A little bit of a challenge with some of that is when I travel outside the US, sometimes I can't get direct access to some of the stations because of copyright laws. They don't they don't allow them to be broadcast out of the US, but mostly even there, I'm able to do it. But I do like to listen to old radio when I travel, typically, not on an airplane, but when I when I land, yes, yeah.   Walden Hughes ** 38:08 I think that's one thing that they ended up taking over. I think a lot of people grew up listening to the radio. Enjoy the uniqueness of radio station had. I don't know if you see that today, but I think the internet have replaced that.   Michael Hingson ** 38:24 Well, somewhat, I've seen some articles that basically say that there is a lot more shortwave listening and actual radio listening to radio stations than there is through the internet, but there is an awful lot of listening to the radio stations through the internet as well, but people do still like to listen to radio.   Walden Hughes ** 38:50 What do you think podcast? How you think podcasts fit in? I mean, you'd be hosting your own show. How you think that fit into the overall consumer questioning habit?   Michael Hingson ** 38:59 Well, I think then, what's going on with podcasts is that, like with anything, there are some really good ones. There are a lot of people who just do do something, and it's not necessarily really great quality. They think they're doing great, and they maybe are, but, but I think that overall, podcasting is something that people listen to when they're running, when they're walking, when they're doing exercising, when they're doing something else, running on a treadmill or whatever, a lot More than listening to a radio program that probably requires a little bit more concentration. But make no mistake about it, podcasts are here to stay, and podcasts are very dominant in in a lot of ways, because people do listen to them   Walden Hughes ** 39:56 a niche audience. So you find you find your audience who. Are looking for that particular topic, and so they tune into that their favorite podcast that they knew there really might be covering that topic.   Michael Hingson ** 40:07 Sure, there is some of that. But going back to what you were talking about earlier, if you get some good audio drama, and I know that there are some good podcasts out there that that do some things with good drama, that will draw in a wider audience, and that gets to be more like radio and and I think people like radio. People like what they used to listen to, kids so much today, don't but, well, they never heard old they never heard radio. But by the same token, good acting and good drama and good podcasts will draw people in just like it always has been with radio.   Walden Hughes ** 40:54 What I'm also noticing like the day the disc jockeys are, they somewhat gone. I mean, we grew up in an era where you had well known hosts that were terrific Dick jockey that kept you entertained. And I make it, I don't listen to too much because, for example, everybody the easy listening big band era, pretty much not in LA in the La radio market right now, right and I missed it.   Michael Hingson ** 41:23 I miss it too. And I agree with you, I think that we're not seeing the level of really good radio hosts that we used to there are some on podcasts. But again, it is different than it used to be. And I think some podcasts will continue to do well and and we will see how others go as as time passes, but I think that we don't see a Gary Owens on television on radio anymore. We don't see Jim Lang or Dick Whittington and whitting Hill and all those people, we don't see any of that like we used to. And so even Sirius XM isn't providing as much of that as as it used to.   Walden Hughes ** 42:20 And so what do you think AI is going to fit? I was listening to, I'm a sport fan, and Mike is a sport fan, so I like listening to ESPN and Fox Sports Radio.   Michael Hingson ** 42:32 And I was listening to a discussion over the weekend that they are, they are working some of the immediate it to replace the play by play announcer they're working with. Ai, can I figure eventually that can be a caution. It to do away with all announcers. I'm not sure that's going to happen, because I don't know. It doesn't seem like it could. I'm not sure that that will happen. I think that even if you look at the discussions about audible and other organizations providing AI voices to read books, what people say, and I'm sure over time, this will change a little bit, but and I'll get back to the button in a moment, people Say, I would much rather have a human narrated book than an AI narrated book, and the reason is, is because AI hasn't captured the human voice. Yet you may have somebody who sounds like an individual person to a degree, but you don't have the same pauses, the same intonations, the same kind of thing with AI that you do with humans. Now, will that get better over time? Sure, it will. But will it get it to be as good as humans? I think that's got a long way to go yet, and I don't think that you're going to see AI really replacing people in that regard. I think AI's got a lot that it can do, but I actually had somebody on the podcast last year, and one of the things that he said is, AI will never replace anyone. People will replace people with AI, maybe, although that may or may not be a good thing, but nobody has to be replaced because of AI, because you can always give them other jobs to do. So for example, one of the discussions that this gentleman and I had were was about having AI when you have autonomous vehicles and you have trucks that can drive themselves, and so you can ship things from place to place, keep the driver in the truck anyway. And instead of the driver driving the vehicle, the driver can be given other tasks to do, so that you still keep that person busy. And you you become more efficient. And so you let i. I do the things that it can do, but there are just so many things that AI isn't going to do that I don't think that AI is ever going to replace humans. The whole point is that we make leaps that AI is not going to be able to do.   Walden Hughes ** 45:15 Yeah, I think a good example in the audio book field, a really great reader can give you emotion and play the characters and make it realistic. And I don't know AI ever going to reach that point to bring emotions and feelings into a reading of story   Michael Hingson ** 45:32 not the same way. And as I said, I've been involved or listened and watched discussions where people say, for example, I might use AI to read a non fiction book because I'm not really paying so much attention to the reader and I'm just getting the information. But when it comes to reading a fiction book, and when it comes to really wanting to focus on the reader, I don't want AI is what I constantly hear. I want a person, and I understand that,   Walden Hughes ** 46:00 yeah, I think what you'll see AI, especially, take over the drive thru when people go to a fast food place. I can see AI replacing the interaction and trying to get those things corrected. I can see that   Michael Hingson ** 46:14 maybe, maybe, I mean, you know some of that to a degree, but I think that people are still going to rule out in the end, for quite a while. Well, you know, in talking about all the different radio organizations, I know we talked about a little bit last night last time, but tell me about spurt back.   Walden Hughes ** 46:36 Yeah, I can give you some new updates. Spoke actually been around to 1974   Michael Hingson ** 46:42 I remember when spurred back began a person who I knew, who was a listener to my radio program, Jerry Hindi, guess, was involved with with all of that. My problem with attending spurred back meetings was that it was they were way too far away from me at UC Irvine to be able to do it, but I joined by mail for a while, and, and, and that was pretty good. But by the same token, you know, it was there,   Walden Hughes ** 47:11 it was there. And spur back. Have honored over 500 people who worked in the golden days of radio. A lot of district donated. They had the meetings in the conventions now we're evolving very quickly this year into more preservation work. So we have bought over $10,000 in computers here recently. We bought and we donated, actually, we won a prize, although the first Lacher disk turntables from Japan, which is over a $10,000 turntable, we'll be using that to help dub disc. And the board is just voted in. It's going to increase the board to at least 11 people next year who will have a carryover of the seven board member and we want to have no new board members. So maybe you and I can talk about that Mike for you to be on for next year, because we'll be definitely expanding the board with 11 one. So I think it'd be really strong in the preservation stuff, because perfect got 20 to 30,000 deaths that need to get out there. And with all your new equipment, it's amazing how full time radio sounds so good today terms of the new technology, and compare where I started collecting the 70 and I ran into a lot of even commercial stuff really muddy in those days. Mike, I bet you did too, and it's a remarkable difference. Spur back is planning to be at the Troy Boston festival next April, what does spread back? Stand for the society to preserve and encourage radio drama, variety and comedy. And you can go to spur back.com Join. You can go to repsonlect.org to join. And we then mentioned yesterday, USA. Yesterday usa.com or.net and can go there and listen away and participate in the auction, which will be coming up November 22 Yeah, very important to do as well. But anyway, I really think full time radio is in a really good spot. Mike. I think if it was for the internet, I don't know if we would find all the young people who are interested in it. I think it then it been a double edged sword. It knocked out a lot of dealers. You know, they used to make money selling their tapes and CDs and everything, and I bought a lot. I know you did too over the years, but those days are pretty. Pretty much done, and but if found a lot of new younger people to find the stations or find podcast and they get to learn about yesterday USA and Old Time Radio, and all the different radio ones more and all the different internet station are playing it until they can expose and I don't think that would have happened before the internet, so I think it'll always have it created a whole new listenership.   Michael Hingson ** 50:30 I am still amazed at some of the things that I hear. I remember once when somebody found a whole bunch of old Petri wine sponsored Sherlock Holmes with basil, Rathbone and Nigel Bruce. They were horrible quality. Was it Chris who   Walden Hughes ** 50:50 found? Yep, Chris one best founded me up and found me a bookstore.   Michael Hingson ** 50:55 And the quality wasn't wasn't good at all, but they were remastered, and they sound incredible. They do how they do it, because I'd love to be able to do that with shows that I have, and like to remaster them.   Walden Hughes ** 51:13 Yeah, what happened was, you know, they were two writers, green and Boucher, Lacher, Lacher, right, and Boucher was a famous bachelor Khan. The famous mystery convention is named after him. And Dennis Green was an actor on radio, and he was also a historian. He knew, like all everything about Sherlock Holmes. And so they created the new venture who saw a comb based upon maybe a scene from a previous right story and gets expanded upon it. And so when it when one of them passed away, the collection wound up in a bookstore in Berkeley, California, and crystal investor found out. And so there became a buying group led by John tough fellow, Kenny Greenwald, Dick Millen, Joey brewing and others, got in a bidding war with the Library of Congress, and they outbid and won. They paid $15,000 for the sets of Sherlock, Holmes and so and Shirley Boone was an NBC audio engineer and chief film engineer. He really knew how to dub, and so they they did a terrific job. And then they decided to put out a record album on their own with the first two episodes. And then after that, they decided to market it to Simon Schuster, and they decided to do small vignettes. They could copyright the vignette. These were quite three minutes introduction, so they would get Ben Wright, who wanted to always Sherlock Holmes and Peggy Webber in order to reminisce and or create little scenes to set up the stories that way they could copyright that part. They couldn't copyright the show because they fell in the public domain, right? But they wound up paying the estates of everybody anyway. But that's what how they all came out, and they were hoping to do Gunsmoke. We talked to Kenny Greenwald and others, but that never, that never came off and but that's part of the remarkable thing that Karl Marx done. He's been able to get into CBS, and I think he's working on NBC, and he licensed them, so he'll be able to get into the vault and get more stuff out for all of it to enjoy. And that's an amazing thing that Carl drives for the hobby is to get new stuff out there. It's been locked away for all these years.   Michael Hingson ** 53:53 I am just amazed at the high quality. I'd love to learn more about audio engineering to be able to do that, because I have a lot of recording I'd love to make a lot better than they are.   Walden Hughes ** 54:05 Yeah, Jerry Henry used to use a software called Diamond Cut, ah, and I would the those originally was used for the Edison solder records. And the guy who issued this, Joe, they developed the software. And that's where Joe, hi, who did so much transfer work, that was the program he wound up using to create good sound,   Michael Hingson ** 54:32 yeah, and, and did a lot of it,   Walden Hughes ** 54:36 yep, see there, see, there was a software, everybody, I think original is hardware. And I think originally almost was a $50,000 piece of equipment, harder before 2000 now it's gone to software base and a couple $1,000 that's another way. That's another program that people use to clean disk. Now. Crackles and pop out of the recording.   Michael Hingson ** 55:02 So but it's not just the snap crackle and pop. It's getting the the real fidelity back, the lows and the highs and all that you said, what was the one he used? Diamond Cut. Diamond Cut, yeah. Diamond Cut, yeah. But yeah. It's just amazing. The kinds of things that happen, like with the Adventures of Sherlock Holmes and and others.   Walden Hughes ** 55:23 But you also have good ears for that. Because, yeah, I remember about 2025, years ago, it was serious. XM. Everybody has this stereo sound, I know, if you're shooting, has a certain ambiance about it. And there were companies that were taking old time radio and creating that same effect, and that could bug me. I was so used to listen to old radio show in an analog feel about it. And they when they try to put false stereo in a recording, yeah, oh my gosh. It just didn't sound right. And so they've gotten away from that pill, a lot of new dubbing. They do don't have that. So it sounds terrific now, yeah,   Michael Hingson ** 56:15 sounds a lot better. What do you think is the future of the hobby?   Walden Hughes ** 56:19 I think more and more stuff are coming out. A lot of stuff that were with agreements to hold on to the material have disappeared, because a lot of it is passing from generation to generation. And so I think over the next 10 years, you see so much more stuff coming out. In some ways, that's sort of what you John Larry and I do. We collect almost everything, just because you got to make sure it's captured for the for the next generation, even though we might not be listening to it. There's so much stuff we don't listen to do everything. But I think we're, we're short of the wide billions of old time radio so we try to capture all of it and preserve it on hard drives, yeah, but eventually it'll go to future generations. But I really think more and more stuff are coming out. I think with the yesterday USA, more and more people will find it. And I'm hoping, with creating new audio theater, I would like to reproduce the great radio scripts we have no recordings for, like one man, family, I love, a mystery, all those things. That's sort of what I want to do, is one of my goals. And I think be great to hear stories that we've all collected, that we wonder about, and to get audio production behind some of these scripts. And I think it's in very good shape. It will all come down to money, Michael, as you know, you know,   Michael Hingson ** 57:58 but I also think that it's important that we, as we're recreating the shows, that while we can, we have people who understand what we really need for actors who are going to be recreating the shows, are able to find the right people to do it, train them how to do it. I think that's so important.   Walden Hughes ** 58:19 I think so. I think, I think you find a lot of young people who like theater, who are not necessarily radio fan, if they came, if the radio fan, like Brian Henderson and people like that, they become really good actor because they love to listen to the shows ahead of time. Yeah. Beverly Washburn does the same. She likes hearing the original performances that way. She get field for me to the show. And I think you and I think Larry does it that way. And you might not necessarily want to copy everything, but you got a benchmark to work from, and you sort of know what, with the intent when   Michael Hingson ** 59:01 you say Larry, which Larry? Larry Gasman,   Walden Hughes ** 59:03 great, yeah. And I think that's a great help to study and listen how people did it, because I think a lot of old time radio, it's like the prime rib. It was the best of the best of all time of radio drama, and it's a great way to learn the craft, by listening to it and absorbing it.   Michael Hingson ** 59:30 Well, if people want to reach out to you and maybe learn more about yesterday, USA or reps and just talk with you about radio, how do they do that, they can give me a   Walden Hughes ** 59:41 call at 714-545-2071, that's my studio number for the radio stations. Lot of times I can, I'll pick it up and talk to on air, off air. They can always drop me an email Walden shoes at yesterday. Us. Dot com and happy the answer, you can always call my cell phone at 714-454-3281,   Walden Hughes ** 1:00:11 you can chase me down at over, at reps, at reps online.org. You know, get forward to me or spur vac at S, P, E, O, D, V, A, c.com, or you can even get hold of Michael Henson and Mike.   Michael Hingson ** 1:00:26 You can always get a hold of me. And people know how to do that, and I will get them in touch with you as well, you bet. So I'm glad to do that. Well, I want to thank you for being here, and I want to thank all of you for listening. I hope you've enjoyed this. This is a little bit different than a lot of the podcast that we've done. But it is, it is so important to really talk about some of these kinds of concepts, and to talk about old radio and what it what it still adds and contributes to today. So I hope that you enjoyed it. I'd love to hear from you. Feel free to reach out to me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to hear from you. Wherever you're listening, please give us a five star rating. We value that a lot, and I hope that you'll go listen to YESTERDAY usa.com, or.net then again, in both, there's the red and the blue Network, or repsonline.com, and we, we have a lot of fun. Every so often we do trivia contests, and we'll take hours and and gentlemen in New Jersey and his wife, Johnny and Helen Holmes, come on and run the trivia, and it's a lot of fun, and you're welcome to add your answers to the trivia questions, and you can come on in here and learn how to even do it through the chat.   Walden Hughes ** 1:01:51 But my kids watch this every Friday night on, why USA too?   Michael Hingson ** 1:01:56 Yeah, I get to be on every Friday night, and that's a lot of fun. Yeah. So we'd love to hear from you, and we'd love you to to help us further enhance the whole concept of old radio show. So I want to thank you again. And if you know of other people who ought to be on the podcast, Walt, and of course, you as well as you know, please introduce us. We're always looking for more people to talk to us about whatever they want to talk about. So I want to again. Thank you all and for being here. And Walden, thank you for being here as well.   Walden Hughes ** 1:02:27 All right, Mike, I'll be talking a little while.   Michael Hingson ** 1:02:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

EPISODE 99 -  “GRANT WITHERS: CLASSIC CINEMA STAR OF THE MONTH” - 8/04/25 The name GRANT WITHERS is usually met with blank stares and shrugs these days, but back in the late 1920s and 1930s, he was a much-in-demand leading man who capitalized on his boyish good looks, athletic, 6-foot-3-inch frame, natural charisma, and effortless acting ability. And as dynamic as his screen persona was, his personal life was just as juicy! From a scandalous elopement with LORETTA YOUNG when she was barley 17 to financial struggles, missing wives, court dates, and deeply rooted emotional issues, Withers was once a bright light who quickly fell from grace. This week, we celebrate Withers as our Star of the Month.  SHOW NOTES:  Sources: Serial Film Stars: A Biographical Dictionary (2013), by Buck Rainey; Paramount Players Biography (June 1937); Biography of Grant Withers, by Harry Brand, Director of Publicity, 20th Century Fox; “Wife Names Two Women,” August 12, 1925, Variety; “That Careless Heartbreaker,” June 7, 1929, San Francisco Examiner, “Withers Wed; In Auto Crash,” January 27, 1930, Associated Press; "Grant Withers is Sued for $55,000 Over Auto Crash,” March 25, 1930, Associated Press; “Actor Victor in Suits Over Auto Crash,” September 1, 1931, Associated Press; “Withers Wins Alimony Tilt,” February 8, 1930, Associated Press “Withers, Ex-Wife Both Claim Victory in Alimony Case,” February 27, 1930, Associated Press; “Grant Withers Operated on In Chicago,” January 26, 1931, International News Service; “Grant Withers in Bankruptcy,: May 13, 1932, Associated Press; ‘Withers Must Pay For House Damages,' August 24, 1932, Hollywood Citizen-News;  “Warrant for Actor Charges Son Neglected,” September 14, 1931, Associated Press; “Bad Check Charged In Action Filed on Grant Withers,” September 25, 1931, Associated Press; “Court Actions Name Two Screen Plays,” February 27, 1933; “Grant Withers Puts Golf Clubs in Pawn,” March 4, 1933; “Grant Withers Is Married in Jersey For Third Time,” December 13, 1933, Herald; “Withers Will Resume His Career,” April 22, 1934, Examiner; “Grant Withers Seeking News of Missing Wife,” May 10, 1949, Los Angeles Times; “Missing Spouse of Actor Returns,” May 10, 1949, Los Angeles Times; “Grant Withers Weds Actress," February 1, 1953, Los Angeles Times; “Grant Withers, Actor, Kayoed by Medicine Dose,” September 23, 1954, Hollywood Citizen-News; ‘Grant Withers and Wife Start Trial Separation,” September 26, 1954, L.A. Examiner; ‘Withers Cruel, Estelita Says,' December 1, 1954, L.A. Daily News; “Actor Grant Withers Sued for Divorce,” December 1, 1954, Los Angeles Times; “Estelita Tells Criticism, Divorces Grant Withers,” November 10, 1955, Los Angeles Times; “Unhappy Pens Note, Gulps Pills,” March 28, 1959, Mirror-News; “G. Withers Ends Career With Suicide,” March 28, 1959, Hollywood Citizen-News; “Actor Grant Withers Found Dead in Home,” March 28, 1959, Los Angeles Times; “Actor Grant Withers' Funeral to be Tuesday," March 29, 1959, Los Angeles Times; “Many Friends at Withers Services,” April 1, 1959, Hollywood Citizen-News; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Gentle Cyclone (1926); In a Moment of Temptation (1927);   Tillie's Punctured Romance (1928); The Greyhound Limited (1929): Sinner's Holiday (1931); Tiger Rose (1929); The Second Floor Mystery (1930); Too Young To Marry (1931); Jungle Jim series (1937-38); Mr. Wong series (1938-1940); Tailspin Tommy (1934); The Red Rider (1934);  Goin' To Town (1935); The Fighting Marines (1935); In Old Oklahoma (1943); My Darling Clementine (1946); Tycoon (1947); Fort Apache (1948);  Rio Grande (1950); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rich Embury is back again with another flashback to the '70s, '80s, and '90s rock and metal scene! Rock History, and Classics from AC-DC / Red Rider / Helix / Alice Cooper / Dio / Krokus / System Of A Down / KISS / Savatage / Yngwie J. Malmsteen / TNT! This edition of Rich Embury's […]

Ron Alvarez is in the studio to talk freedom, big game hunting, rifles and handguns, red dots, and the Harlot. We cover Red Rider, Red Mist and the Red Menace. One of the threats against wildlife in the West is the virtually unchecked poaching of wildlife, the bucket hunting brigades out of communities that did not grow up with the North American concept of wildlife management. Thanks for listening. This is episode number 205 and We Know You're Out There.If you want to support free speech and good hunting content in the Internet Age, look for our coffee and books and wildlife forage blends at https://www.garylewisoutdoors.com/Shop/We have a new sponsor for the podcast! It's a company out of Philomath, Oregon, family made in the USA since 1982 for steelhead and salmon fishermen. It's West Coast Floats. check them out at https://westcoastfloats.com/Our TV sponsors include: Nosler, Camp Chef, Warne Scope Mounts, Carson, ProCure Bait Scents, Sullivan Glove Company, The Dalles Area Chamber of Commerce, Madras Ford, Bailey Seed and Smartz.Watch select episodes of Frontier Unlimited on our network of affiliates around the U.S. or click https://www.youtube.com/results?search_query=gary+lewis+outdoors+frontier+unlimited

Rob, Jeff, and Craig discussed betting on the Kentucky Derby, the Rangers lack of offense early in the season, Red Raider Baseball's disappointing series outcome with UTRGV, who needs to have big seasons next year for Red Raider Football, and the very full receiver room.

This week Ken welcomes author of the absolutely life changing "Cult Movies" series of books, among lots of other great things, Danny Peary. Ken and Danny discuss the massive volume of guests Ken has had on the show, wanting to expose people to art they never would have known about otherwise, growing up in the 1950s, loving Westerns, Danny's brother Gerald and his film criticism, loving television, Abbot and Costello and Jack and the Bean Stalk, Lone Ranger, foreign cinema, college campus cinema clubs, Hopalong Cassidy, Red Rider, Baseball, Igmar Bergman, seeing subtitled movies as a small child, The Harder They Come, Midnight Movies, NYC, seeing movies alone in the theater, Rocky Horror, word of mouth, why The Wizard of Oz is a cult movie, the niche cults, John Waters, the classics, the weird, and the wonderful, why horror isn't always cult, not just writing about plots, real film criticism, analysis, how you can't have a wrong insight into a movie, giving people something to think about. Eraserhead, doing research in the pre-internet days, Freaks, loving Val Lewton, how the flow of cult movies has damartically slowed in the 21st Century despite more movies than ever and more movies than ever trying to be cult movies, giving things time to build, how you can't make a cult movie on purpose, film festivals, The Substance, Basket Case, The Wasp Woman, The Alternative Oscars, Ken being baffled at how Speed Racer never developed a cult, Howard the Duck, Heaven's Gate, George Cukor, retiring, the lost Val Lewton movie, The Ghost Ship, making movies with zero heroic characters, I Walked with a Zombie, going to USC Film School, writing for Thundercats and Silverhawks, having a love of comedy, James Gray, the film Deep End, Phatom of the Paradise, and the early days of Brian DePalma. 

Join us on a nostalgic journey to the 1985 classic film "Vision Quest," where Matthew Modine takes us to the heart of doing something meaningful with his life in Spokane, Washington. From personal movie-going experiences to the rockin' soundtrack featuring Red Rider, John Waite, Madonna and Journey, this trip down memory lane captures the essence of an era marked by cinematic magic.Moving from the silver screen to a captivating vineyard, picture yourself at Buckley's Vineyard for a live music experience with Kevn Kinney and Peter Buck that you won't forget. They celebrate Kevn's debut solo album, "MacDougal Blues," produced by the talented Peter. The stage comes alive with both solo performances and timeless hits from Drivin N Cryin, creating an atmosphere of pure musical enchantment. The harmonious blend of music and countryside charm makes this vineyard concert experience one for the books.Finally, we journey back the iconic theme from "The Rockford Files" and Mike Post's illustrious career in TV music. We also reflect on the resilience of AC/DC after Bon Scott's tragic passing, and their determination to stay together as a band. We revisit the 55th Anniversary of The Doors 'Morrison Hotel' and the historic photos for the album cover taken by Henry Diltz, as well as the 45th Anniversary of the Blondie single "Call Me.""Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Vision Quest was released in theaters February 15, 1985. Based on a book that was hot in the young adult space, it featured a young Matthew Modine as Loudon Swain - a high school wrestler from Spokane, Washington who is looking to accomplish something big in his life. While the movie had limited appeal beyond teenagers (it only grossed $13 million), cable TV and video rental stores gave the movie continued life among teenagers for many years. A big reason it continued to draw 80s teens and carry such strong nostalgia today is the soundtrack. Put together by John Kalodner for Geffen Records, it featured some of the hottest pop and rock artists of the day and sold over 1 million copies in the US. Madonna, who was hot off her Like A Virgin Tour, contributes two songs - the unreleased as a single in the US Gambler and mega hit Crazy For You - and she had a cameo in the film singing them both. Journey offered Only The Young from the Frontiers sessions and the video, like Crazy For You, featured scenes from the film, helping the singles sell big numbers. Those two songs along with Red Rider's Lunatic Fringe set the tone for the film and make the songs and movie so intertwined. Some songs from bands like The Style Council, Don Henley and Dio might be overlooked as background music to certain scenes, songs like Change by John Waite (written by the legend Holly Knight) and Lunatic Fringe really keep you energized and engaged in Loudon's quest to drop 22 pounds and beat the unbeatable Shute on the wrestling mat. You have the tender Crazy For You for the romantic scenes, Journey for the training scenes and lots of rock and pop royalty. Even great songs by Berlin, Quarterflash and REO Speedwagon were left off the soundtrack but appear in the movie, including some solid work by Tangerine Dream. Maybe we like this film because as two former teenage boys, we could relate to what this guy was going through. But we continue to like the soundtrack because it had killer songs (with a couple of clunkers) that stand the test of time and play a huge role in the film. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Vision Quest was released in theaters February 15, 1985. Based on a book that was hot in the young adult space, it featured a young Matthew Modine as Loudon Swain - a high school wrestler from Spokane, Washington who is looking to accomplish something big in his life. While the movie had limited appeal beyond teenagers (it only grossed $13 million), cable TV and video rental stores gave the movie continued life among teenagers for many years. A big reason it continued to draw 80s teens and carry such strong nostalgia today is the soundtrack. Put together by John Kalodner for Geffen Records, it featured some of the hottest pop and rock artists of the day and sold over 1 million copies in the US. Madonna, who was hot off her Like A Virgin Tour, contributes two songs - the unreleased as a single in the US Gambler and mega hit Crazy For You - and she had a cameo in the film singing them both. Journey offered Only The Young from the Frontiers sessions and the video, like Crazy For You, featured scenes from the film, helping the singles sell big numbers. Those two songs along with Red Rider's Lunatic Fringe set the tone for the film and make the songs and movie so intertwined. Some songs from bands like The Style Council, Don Henley and Dio might be overlooked as background music to certain scenes, songs like Change by John Waite (written by the legend Holly Knight) and Lunatic Fringe really keep you energized and engaged in Loudon's quest to drop 22 pounds and beat the unbeatable Shute on the wrestling mat. You have the tender Crazy For You for the romantic scenes, Journey for the training scenes and lots of rock and pop royalty. Even great songs by Berlin, Quarterflash and REO Speedwagon were left off the soundtrack but appear in the movie, including some solid work by Tangerine Dream. Maybe we like this film because as two former teenage boys, we could relate to what this guy was going through. But we continue to like the soundtrack because it had killer songs (with a couple of clunkers) that stand the test of time and play a huge role in the film. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Way back in my 1990's radio days, I got to work alongside Terry Evans. He is the same Terry Evans that wakes Edmontonians up on K97. Terry had a 5 year stint where in worked at the Bear together, we later worked against one another on competing radio stations. He loves music and has been a champion of the Edmonton music scene since he arrived there from British Columbia in the 1980's. One of the things I like about Terry is that he is unwavering. One of the things I dislike about Terry is that he is unwavering. He was unwavering about starting a podcast - until his position shifted "Reluctantly". Earlier this year, Terry launched his new show Reluctantly, and what follows is one of our famous "Feed Drops" where we feature an episode from another show we know you will enjoy. Terry recorded an episode a few months back with comedian Craig Gass, who has appeared on TV shows like King of Queens, and Sex in the City. Craig tells a few stories from his time writing jokes on the Howard Stern show which I know you will find interesting. If you like this episode, you will find value in Terry's other interviews with former Edmonton Oiler Kevin Lowe, Musicians Darby Mills from the Headpins, and Tom Cochrane from Red Rider. We featured Terry on this podcast way back in 2016... you can check that out here. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You've had Wendy's Nuggs dipped in sauce. But have you had them covered in sauce? Wendy's New Saucy Nuggs take the Crispy and Spicy Nuggs you love and turn them up to 11.Choose between flavors like Buffalo. Honey BBQ. Garlic Parm. Or, if you're a real heat seeker, try Spicy Ghost Pepper, only on Wendy's signature Spicy Nuggs.   This show is brought to you by Panini America, makers of the most collectible sports cards on the planet. The Luminance football card series features NIL autographed cards from players including Arch Manning, Quinn Ewers, Cam Ward, Jalen Milroe, Dylan Raiola, DJ Lagway, and Luther Burden. To start collecting, visit PaniniAmerica.net. Thank you to Gametime for sponsoring today's episode! Planning your college football travel for this season? Gametime has tickets to every game. (And every concert and comedy show.) Download the Gametime App and enter code: STAPLES for $20 off your first purchase, terms apply. Last Minute Tickets, Lowest Prices, Guaranteed. This show is also sponsored by PrizePicks, America's most fun daily fantasy game. Use the code STAPLES to play $5 and get $50 instantly. https://prizepicks.onelink.me/ivHR/STAPLES(0:00-0:36) Wendy's Saucy Nuggs(0:37-0:58) Lunatic Fringe by Red Rider is today's song(0:59-15:19) Breaking down what Kirk Herbstreit said on Saturday night(15:20-17:53) PaniniAmerica.net(17:54-26:42) Continuing the Ohio State Discussion(26:43-30:13) What Doug Lesmerises said about Ryan Day, Herbstreit(30:14-37:39) Comparing Ryan Day to Les Miles situation at LSU(37:40-39:08) Gametime(39:09-41:43) Where Ohio State goes from here(41:44-50:54) Ari goes on Paul Finebaum at 3 pm ET today(50:55-52:14) PrizePicks(52:15-56:02) What would the On3 Bowl look like?(56:03-56:36) Georgia Tech vs Vanderbilt in the Birmingham Bowl(56:37-58:16) BYU vs Colorado in Alamo Bowl(58:17-1:00:11) Pop-Tarts Bowl(1:00:12-1:03:53) Deep dive into Shame Eating(1:03:54-1:06:32) Miami vs Iowa State in the Pop-Tarts Bowl(1:06:33-1:07:55) Conclusion; Schedule of shows this week On the broadcast of the Tennessee-Ohio State game, something ESPN's Kirk Herbstreit said highlighted the chasm that sometimes exists between fans and the highest profile people who talk about the games. Herbstreit discussed the “lunatic fringe” of the Ohio State fanbase and its desire to fire coach Ryan Day. He made it sound as if a fairly small minority of fans held that sentiment. Ari doesn't think that's true, and it got Andy thinking about all the examples of the times the people who bring us the games on TV didn't quite understand the feelings of the common fan.  Plus, it's the most wonderful time of the year! We're going to have bowl games every day, and we'll have a full weekend of college football on Friday and Saturday. NIL deals seem to have swung bowl opt-outs back in the other direction with seemingly more stars playing this year. So which games seem the most exciting?  Friday Oklahoma-Navy in the Armed Forces Bowl (Michael Hawkins at QB for Oklahoma)Georgia Tech-Vanderbilt in the Birmingham BowlTexas Tech-Arkansas in the Liberty BowlSyracuse-Washington State in the Holiday BowlUSC-Texas A&M in the Las Vegas Bowl  SaturdayUCon-North Carolina in the Fenway BowlBoston College-Nebraska in the Pinstripe BowlLouisiana-TCU in the New Mexico BowlIowa State-Miami in the Pop-Tarts BowlMiami (OH)-Colorado State in the Arizona BowlEast Carolina-NC State in the Military BowlBYU-Colorado in the Alamo BowlLouisiana Tech-Army in the Independence Bowl Watch us on YouTube! https://youtube.com/live/zqQea_yKgNQ Hosts: Andy Staples, Ari WassermanProducer: River Bailey

Rich Embury is back again with another flashback to the '70s, '80s, and '90s rock and metal scene! Rock History, and Classics from The Tragically Hip / David Lee Roth / The Black Crowes / KISS / Toronto / The Poor / Rainbow / The Rolling Stones / The Alan Parsons Project / Red Rider […]

Efren is a pretty nice guy, his Truck is just great all the way around and to let us shoot it that was way cool. This story is a great one and you need to check it out. Efren thank you for your service sir!!!!! Step inside and take a listen, Remember if you have a C10 story let us know!!!www.C10AmericaMagazine.comhttps://www.youtube.com/@SquarebodyStuffhttps://www.instagram.com/skratchsgarage/?hl=enhttps://www.chipfoose.com/Don't forget to support our Youtube Channel and our sponsors and advertisers. (I would like to thank the following people for their generous donation) We couldn't do it with out you.GARY PHILLIPS - Denton, Texas ,  DEREK DEGRAND - Justin, Texas , DAN HELM- Brownwood, TexasThey support us, so lets support them back!!!!Image 360 Graphics San Antonio - 5303 Wurzbach Rd, San Antonio, TX 78238 https://sanantoniowesttx.image360.com/                                                                                                                                     (210) 520-6699Yestedays50sdiner.com - 305 US-380, Bridgeport, TX 76426 yesterdays50sdiner.com    (940) 683-6620https://Www.BustedKnuckleMagazine.com, https:// Www.C10America.netDO YOU WANT TO BE ON AN EPISODE?  DO YOU WANT THE WORLD TO HEAR YOUR STORY?https://www.facebook.com/hornymikeofficial/www.facebook.com/p/C10-Explosion-100064918023310/https://Www.C10Nationals.com  https://Www.CKTruckMag.comhttps://Www.ClassicTruckNationals.comhttps://Www.BigKidCustoms.comhttps://Www.Connorscarshow.comhttps://Www.Killerridez.comhttps://Www.mssallyscollectibles.comhttps://Www.bbledheadlights.comhttps://Www.StreetModdesigns.comhttps://Www.ReposGarage.comhttps://www.radicalrestorationstx.comhttps://Www.Gasmonkeygarage.comhttps://Www.Streetsideclassics.comhttps://Www.AdvantageAutoWorks.comhttps://www.Bosshogtorqueconverters.com  Donations are greatly Appreciated  Your Donations help and go a long way in helping us offset the Travel, The Equipment,  The Podcast Hosting, every little bit helps and adds up.  Click Here: https://www.paypal.com/donate/?hosted_button_id=S5G9ZQFFH4J5G Be sure you guys get signed up to the Magazine over at: https://www.BustedKnuckleRodAndTruckMagazine.comBe sure you guys get signed up to the Magazine over at: https://www.BustedKnuckleRodAndTruckMagazine.comBe sure you guys get signed up to the Magazine over at: https://www.BustedKnuckleRodAndTruckMagazine.comC10 America Magazine is the Newest to the family!Join the  Group over at Facebook.com/C10America see youBe sure you guys get signed up to the Magazine over at: https://www.BustedKnuckleRodAndTruckMagazine.comC10 America Magazine is the Newest to the family!Join the  Group over at Facebook.com/C10America see you there!Be sure you guys get signed up to the Magazine over at: https://www.C10AmericaMagazine.comC10 America Magazine is the Newest to the family!Join the  Group over at Facebook.com/C10America see you there!Be sure you guys get signed up to the Magazine over at: https://www.C10AmericaMagazine.comC10 America Magazine is the Newest to the family!Join the  Group over at Facebook.com/C10America see you there!Be sure you guys get signed up to the Magazine over at: https://www.C10AmericaMagazine.comC10 America Magazine is the Newest to the family!Join the  Group over at Facebook.com/C10America see you there!https://www.facebook.com/fajr22?mibextid=LQQJ4d&rdid=XUzdfc3nsNVSQ902&share_url=https%3A%2F%2Fwww.facebook.com%2Fshare%2FyHuewfX9FFzyFQbf%2F%3Fmibextid%3DLQQJ4dhttps://www.facebook.com/people/Ashmores-Speed-Performance-ASAP/100077070625475/https://www.gq.com/story/the-great-cannonball-boomBe sure you guys get signed up to the Magazine over at: https://www.C10AmericaMagazine.comC10 America Magazine is the Newest to the family!Join the  Group over at Facebook.com/C10America see you there! Be sure you guys get signed up to the Magazine over at: https://www.C10AmericaMagazine.comC10 America Magazine is the Newest to the family!Join the Group over at Facebook.com/C10America see you there!

In the 80s, the idea of special acoustic or unplugged albums and shows became a new medium that continues to today. Most think that Mtv started the movement in 1989 with their series called “unplugged”, however, most rock bands were playing acoustic renditions of their songs on radio when they would do in-town promotions long before then. This week we are celebrating bands that can re-imagine their songs with acoustic instruments and still rock! We are pulling the plug… and gasping for air guitars!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Mtv started a series in 1989 called “unplugged”, and almost every mainstream relevant act started producing acoustic albums or versions of their songs. This week we listen to some artist that you may have never considered as having acoustic interpretations of their songs.Songs this week include:The Struts – “Fallin' With Me” from Unplugged At EastWest - EP (2023)Kingdom Come – “Janine” from Live & Unplugged (1998)Helloween – “Future World” from Unarmed (2009) Wednesday 13 – “Scary Song” from Undead Unplugged (2014)Corey Taylor – “Lunatic Fringe” from CMFB… Sides (2022)Courage My Love – “For Now” from For Now (Acoustic Sessions) (2012)MSG – “Lights Out” from Unplugged Live (1993) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Jeff “Jonesy” Jones - bassist extraordinaire, best known for his time with the bands Ocean, Red Rider and The Carpet Frogs chats with Dan Hare about his many projects and different career experiences including: his musical influences; joining the band Ocean when he was just 16 years old; his connections to Alex Lifeson and Lawrence Gowan; what he's learned from Tom Cochrane over the years; his band The Carpet Frogs on their own and backing up Burton Cummings; how a visit to a NATO naval base inspired his new song Velvet Sky, and much, much more. Find out about Jeff @jeff-jones.com and @thecarpetfrogs.com

This week, Frankie and I discuss the year 1980. Disco had finally ended, but what kind of Rock 'n Roll remained?...Also, our new category "Best Intros" gives us one by Zeppelin--the other by Steely Dan. And, Frankie has a great idea for the new topic "Hey! I thought someone else did this one!"...by the Canadian group Red Rider. Enjoy!

Rich Embury is back again with another flashback to the '70s, '80s, and '90s rock and metal scene! Rock History, and Classics from Kick Axe / Dio / Motley Crue / Nickelback / Stryper / Armored Saint / Testament / Red Rider / Slash's Snakepit / Def Leppard / Sacred Reich! This edition of Rich Embury's […]

On the 52nd Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & special guest Fozzy frontman and current AEW FTW Champion, Chris Jericho, review the 1985 soundtrack for the movie, "Vision Quest." Vision Quest is the story of high school senior wrestler who wants to lose weight and get into a lower weight class just to battle a seemingly impossible foe. The movie which starred Matthew Modine and Linda Fiorentino was not a box office success, but has since become an 80's cult hit. Vision Quest is the rare movie which has been helped by it movie soundtrack. The soundtrack is filled with many successful 80's artist, including two songs from Madonna who was skyrocketing into superstardom at the time. Most of the artists, with the exception of Madonna and The Style Council, were hard rock acts, like Foreignor, Dio, Sammy Hagar and Journey. Other artist involved were Don Henley, Red Rider and John Waite. The album went platinum in the United States and made it to #30 on the US Billboard 200. Tracks like Only The Young, Hot Blooded, Hungry For Heaven and Lunatic Fringe as still found on classic rock stations this day. But it was the two songs including, Crazy For You, by Madonna that made this soundtrack become of the best and most popular of the 1980's. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous 50 albums reviewed on the Album Review Crew. This was Tom's pick. So tune in to see if Jericho could beat Shute in a title match and who is the cooze doctor in outer space? To Purchase Vision Quest Soundtrack On Amazon Click Below:   Vision Quest Soundtrack   For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

A supergroup is a band made up of musicians who have already achieved fame either as soloists or members of another band.  One of the most iconic of supergroups would be formed in 1988 and go by the name of The Traveling Wilburys.  In 1987 George Harrison released his album "Cloud Nine" with Jeff Lynne performing a number of instruments and co-producing.  They started talking about forming a group during those sessions, with Harrison talking about bringing in Bob Dylan and Lynne talking about bringing in Roy Orbison.  Tom Petty joined in when Harrison went to his house to pick up a guitar he had left there previously.  The criteria that Harrison had, according to fellow Wilbury Tom Petty, was a group of folks "who you could hang out with."  The group bonded over their appreciation for 50's-style rock n' roll, and their love of the Monty Python comedy troupe.The group took on personas of half-brothers, with George Harrison as Nelson Wilbury, Jeff Lynne as Otis Wilbury, Roy Orbison as Lefty Wilbury, Bob Dylan as Lucky Wilbury, and Tom Petty as Charlie T. Wilbury Jr.  Frequent collaborator Jim Keltner provides percussion work and takes on the name of Buster Sidebury.  The name Wilbury comes from a running joke between Lynne and Harrison.  When some error in the equipment would occur during the production of Harrison's "Cloud Nine" album, Harrison said, “We'll bury 'em in the mix.”The Traveling Wilburys Vol. 1 had to be done in 10 days, because Dylan and Orbison had upcoming tours and projects.  Generally the writing and recording of a song was completed in a single day.  The result was a commercial and critical success, and the album won the Grammy for Best Rock Performance by a Duo or Group in 1990.Bruce presents this supergroup in today's podcast. MargaritaThis track starts with an 80's electronic feel, but quickly moves into a Bo Diddley beat that is more roots rock.  A deeper cut, this song was released as the B-side to the single "Handle with Care."Handle With CareThe big single went to number 45 on the Billboard Hot 100, and number 2 on the Billboard Album Rock Tracks chart.  This song was the impetus to bringing the group together, as it was originally supposed to be an extra track for a B-side of a European single, but the result was deemed too good for a limited release.Not Alone Any MoreThis deeper track finishes off side 1.  It was written mainly by Otis Wilbury for the vocal style of Lefty Wilbury, although all members are credited as songwriters.  The lyrics reflect themes of loneliness, which were Lefty's signature style back in the 60's.End of the LineThis was the band's second single.  It peaked at number 63 on the Billboard Hot 100, but number 2 on the Album Rock Tracks chart.  Roy Orbison died of a heart attack at age 52 after recording the song but before the video was made.  The video features a guitar sitting in a rocking chair in memorial to Orbison ENTERTAINMENT TRACK:Baby Doll by Devo (from the motion picture “Tape Heads”)Despite sporting an all-star cast, this comedy movie bombed at the box office. STAFF PICKS:Big League by Tom Cochrane and Red RiderWayne starts off the staff picks with a bittersweet song.  Cochrane tells a tale of a young hockey star destined for the pros until he lost his life in a car crash.  It was inspired by a true story told to Cochrane by the boy's father.  This song went to number 9 on the American Billboard Rock Tracks chart, and gets frequent airplay on classic rock radio stations in Canada. Didn't Know It Was Love by SurvivorRob's staff pick finds the singer looking back at a relationship he missed, and hoping it isn't too late.  Survivor had their big splash a few years prior with “Eye of the Tiger,” and this is off their seventh album, “Too Hot to Sleep.”  Unfortunately it barely made it onto the Billboard 200 album chart at 187, and the group broke up shortly thereafter.Kokomo by The Beach BoysLynch brings us the first number 1 US hit for the Beach Boys since the 60's.  The song was featured in the Tom Cruise movie “Cocktail,” and the song reflects a relaxed tropical vibe.  This single reinvigorated the Beach Boys, as fans began to look at their catalogue again.What's On Your Mind (Pure Energy) by Information SocietyBruce wraps up the staff picks with the signature song from a Minneapolis synth pop trio.  This song started as a 10-minute instrumental jam, but received minimalist lyrics reflecting the trouble people have communicating for the single release.  It also features sampled lyrics from Star Trek, particularly the repeated "pure energy" lyric from Leonard Nimoy's Mr. Spock. COMEDY TRACK:A Nightmare on My Street by DJ Jazzy Jeff & the Fresh PrinceThis single reflects the Halloween vibe as Will Smith aka The Fresh Prince riffs on Freddy Kruger's horror in “A Nightmare on Elm Street.” Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Episode 016: This week on Six Picks Music Club, Geoff, Russ, and Dave explore the phenomenon of band members launching epic solo careers. They'll dissect the legacies of three iconic groups: Traffic, Red Rider, and Million Dead. Prepare to hear about the impact of each band and how their frontmen, Steve Winwood, Tom Cochrane, and Frank Turner, respectively, went on to achieve solo stardom. But wait, there's more! The guys take a hilarious detour to investigate the subculture of men who call other men, men? Strap in for Goin' Solo. Apple Podcasts Watch The Full Animated Episode Spotify Playlist YouTube Playlist Official Site

1985's Vision Quest is a celebrated cult classic! Dustin & Zak discuss the movie and it's phenomenal soundtrack, which includes the hit songs “Only The Young” by Journey & “Lunatic Fringe” by Red Rider…oh and “Crazy For You” by Madonna. In this pre-episode to their upcoming interview with Raphael Sbarge (Risky Business, Vision Quest, My Science Project), D & Z talk longer than “6 minutes” about Vision Quest and its radical soundtrack featuring Journey, Red Rider, Sammy Hagar, & Madonna! Notable moments from 1985 are also discussed. Enjoy! Get the “It ain't the six minutes…” shirt from IYKYTEES here! And get 15% off when you enter the code $2Vision Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Subscribe to our YouTube Check out Jim Walker's intro/outro music on Bandcamp: jvamusic1.bandcamp.com Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 52nd Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & special guest Fozzy frontman and current AEW FTW Champion, Chris Jericho, review the 1985 soundtrack for the movie, "Vision Quest." Vision Quest is the story of high school senior wrestler who wants to lose weight and get into a lower weight class just to battle a seemingly impossible foe. The movie which starred Matthew Modine and Linda Fiorentino was not a box office success, but has since become an 80's cult hit. Vision Quest is the rare movie which has been helped by it movie soundtrack. The soundtrack is filled with many successful 80's artist, including two songs from Madonna who was skyrocketing into superstardom at the time. Most of the artists, with the exception of Madonna and The Style Council, were hard rock acts, like Foreignor, Dio, Sammy Hagar and Journey. Other artist involved were Don Henley, Red Rider and John Waite. The album went platinum in the United States and made it to #30 on the US Billboard 200. Tracks like Only The Young, Hot Blooded, Hungry For Heaven and Lunatic Fringe as still found on classic rock stations this day. But it was the two songs including, Crazy For You, by Madonna that made this soundtrack become of the best and most popular of the 1980's. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous 50 albums reviewed on the Album Review Crew. This was Tom's pick. So tune in to see if Jericho could beat Shute in a title match and who is the cooze doctor in outer space? To Purchase Vision Quest Soundtrack On Amazon Click Below:   Vision Quest Soundtrack   For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

For this new TALK MUSIC podcast I was thrilled to also have HARRY PIWERKA join me as a co-host. Harry and I went to high school together and reconnected a while back. As it turns out, he's also a great musician and was a part of the Toronto's vibrant music scene in the 70's as a member of the band MORNINGTON DRIVE. Harry is also friends with our guest, BASSIST extraordinaire and all round musician and NICE guy JEFF JONES.  His long esteemed history of performing bass duties for some of Canada's great artists is really impressive. Jeff has played and recorded with TOM COCHRANE (and RED RIDER) for many years now (and still does) and is also on call regularly for BURTON CUMMINGS, who he's now performed with for over 20 years!  Jeff also performed with Alex Lifeson and drummer John Rutsey in the first incarnation of RUSH, serving as their primary singer and bassist in the summer of 1968. He was replaced by GEDDY LEE in September 1968 before their second performance.  When Jeff was just a teenager, he tasted fame early when he joined the group OCEAN who went on to have the MILLION selling hit song “Put your Hand in the Hand”. He has also spent time performing with GOWAN, MOLLY JOHNSON and the Infidels, RONNIE HAWKINS, released a well received solo album and also performs sometimes as a duo with GERRY FINN. We go deep into his past including his beginnings when he came to live in Toronto from Chicago and our chat encompasses his entire career. ENJOY! 

This week on The Metro, Rev. Jeff Ivins brings you the 80s from the following bands: Kim Carnes, The Knack, Fools, Wham!, Roxy Music, Red Rider, Bruce Hornsby & The Range, The Cars, Eddie Grant, Gleaming Spires,Cutting Crew, Split Enz, Roman Holiday, and finaling with Golden Earring.

Episode 238: It's time to go "Just a Bit Outside" to check out some singles that hit the Hot 100 but DIDN'T make the Top 40. This week, we'll hear singles from Neil Diamond and Jennifer Warnes, and a couple from the Great White North from Red Rider and Anne Murray. It's not all Adult Contemporary, though! The singles from 1989 are from acts like Love and Rockets and Debbie Gibson. Buckle up, there's a new Quiz in town! Find out if Joe can pull off another upset in this new series of quizzes. 

This is the 23rd episode of our special series ‘Guest Glimpses', short bits from longer conversations with previous guests. You'll hear about 10 minutes of each guest's 60+ minute chat with show host Dan Hare. Featured guests this week are:RAY MATERICK - Canadian icon, singer-songwriter, and guitar player best known for his song "Linda Put the Coffee On", a major hit single in both Canada and the USA in 1975. In this bit from the much longer interview, Ray talks about: his early days and landing a record deal; how Bruce Cockburn ended up playing did a guitar solo ‘Linda'; why he took a break from performing and what he did instead and more.RANDY HIEBERT - Winnipeg-born guitarist, bass player, recording engineer and producer who currently plays with, and engineers/produces for, The Bellamy Brothers. In this bit from his chat with Dan Hare, Randy talks about: his family's band and early guitar influences; playing with The Charlie Daniels Band in a concert in Japan; joining The Bellamy Brothers and more.MIKE FRASER - Legendary sound engineer, mixer and producer who has worked on iconic rock albums for AC/DC, Aerosmith, Van Halen, Metallica and many others. In this short bit Mike talks about: what a good sound engineer needs; working on Prism and Loverboy albums; how he came to engineer six records with AC/DC and more.JOHN WEBSTER - keyboardist for Stonebolt and Red Rider and studio musician for such megastars as Aerosmith, AC/DC, Alice Cooper, Bon Jovi, Rush and many others. In this bit John shares highlight from; his early days in the business; his days with Stonebolt; why the band broke up and more.LISTEN to the full interview with each guest @ linernotes.ca.

OPENING BANDS We recount some of our favorite OPENING BANDS we’ve ever seen! And trust me, we’ve seen a lot! We talk about some really unexpected bands like Opus, Billy Satellite, Flesh for Lulu, Red Rider, Molly Hatchet, Ned’s Atomic Dustbin and The Plasmatics!  You wanna hear stories? WE GOT STORIES! Like that time a member of Galaxie 500 peed … Modern Musicology #90 – Best OPENING BANDS Read More » The post Modern Musicology #90 – Best OPENING BANDS appeared first on The ESO Network.

We recount some of our favorite OPENING BANDS we've ever seen! And trust me, we've seen a lot! We talk about some really unexpected bands like Opus, Billy Satellite, Flesh for Lulu, Red Rider, Molly Hatchet, Ned's Atomic Dustbin and The Plasmatics!  You wanna hear stories? WE GOT STORIES! Like that time a member of Galaxie 500 peed in Rob's mother's rose bushes; or that time Steph's band The Aquanettas played Lalapalooza; or how 'bout when Alan asked to be John Mayer's drummer; or when Rob told Darryl Hall to leave his girlfriend alone?  What's your favorite opening band ever? Let us know! Drop us a line at modernmusicology1@gmail.com or leave a comment wherever you find our episode and let us know! And don't forget to rate us on your favorite podcast app!  Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com  R. Alan Siler: www.kozmiccreative.com  Anthony Williams: https://watchers4d.podbean.com/ 

Take two! It's the rematch of the century! Mairi must fend off Demogorgon as he tries to push his way into Hell from a portal in the Abyss while The Red Rider, who it turns out is someone very close to Mairi, experiences a vision from Torm. The last time Mairi and the Prince of Demons went head-to-head-to-head with Demogorgon she was crushed to death and wound up in Barovia. With no Raven Queen to bail her out this time, she better survive so she can…stay in Hell?This episode was inspired in part by Baldur's Gate: Descent into Avernus1PDnD is unofficial Fan Content permitted under the Fan Content Policy. Not approved/endorsed by Wizards. Portions of the materials used are property of Wizards of the Coast. ©Wizards of the Coast LLC“Armageddon” and “Hall of the Metal King"  by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons BY Attribution 4.0 License

Title: Straight outta Kingston!Keywords: Tragically Hip, Canadian rock, podcast, musical journey, storytelling, discography, live tracks, vinylIn this episode, join JD and friends Pete and Tim as they embark on a musical journey into the world of the Tragically Hip. As die-hard fans of the band, they discuss their experiences and thoughts on the music and storytelling of the Tragically Hip. From their early beginnings to their debut album and beyond, JD, Pete, and Tim break down the tracks, compare studio and live versions, and explore the unique sound and identity of this iconic Canadian rock band.https://ratethispodcast.com/ghtthChapters:(0:00:00) - Getting Hip to the Hip(0:07:46) - Musical Roots and Taste(0:17:52) - Canadian Rock Band Discussion(0:36:02) - Exploring the Tragically Hip's Debut AlbumJoin the discussion on Twitter and Instagram at @gettinghippot and join the Facebook group at facebook.com/groups/fullyandcompletely. Questions or concerns? Email JD at JD@gettinghiptothehip.com.Subscribe, rate, and review the show at gettinghiptothehip.com.The live music featured in this episode comes from:Dead Flowers - 1985 BathAll Canadian Surf Club - 1989 LondonTranscript0:00:00 - Speaker 1Hey, hip bands. it's JD here. Have you ever imagined what it would be like if you could listen to the tragically hip for the first time again? This is something I've spent a great deal of time considering. I can still remember my first experience with the band, While it was a while ago. I still remember it like it was yesterday. It was July of 1990, and I was working in a small town quick serve restaurant in Dairy Bar called Yeti's Arctic Safari. The new owner, Jeff, brought in a stereo system to replace the dinky radio that had entertained us with classic rock while we worked. He had a mix tape that featured a band he called The Trag. As the first notes rung out, something happened inside of me. The music resonated with my 13 year old self. I could feel a change coming over me that was more powerful than the puberty I was working my way through. It was hard rock, but it was different than the hard rock I was listening to at home. Instead of dripping with machismo and bravado, this music cut deeper to me. It featured lyrical twists and turns. the phrase that left me wanting more. Fortunately, I got to come of age with The Trag, the hip. Most of my experiences I discussed on the podcast fully and completely with my friend Greg, And while that podcast satisfied my desire to share my takes on one of Canada's greatest bands, it still didn't hit the mark of taking me back to that moment at Yeti's Or the longing I felt listening to Road Apples, the ahas I had with fully, completely, The coming of age I experienced with Day for Night, Or the simmering beauty of Trouble at the Hen House, And so on. That's where this podcast comes in. You see, my friends Pete and Tim have never heard of the hip before. It turns out there are a lot of people who have never heard of the band before. So for those of you that fall into this category, experience the music of the tragically hip along with Pete and Tim as we travel the discography and tackle the music and storytelling of our band, the Tragically Hip. If you're already at Die Hard, listen along and hear what they know, what they notice and how often they get it wrong. Every week we'll tackle a new record. So strap in and get ready to listen to the hip for the first time I'll get ["Tragically? 0:02:17 - Speaker 2Hip"] Long Slice Brewery presents Getting Hip to the Hip. 0:02:33 - Speaker 1Hey, it's JD here and welcome to Getting Hip to the Hip. I hope you are ready to rock and roll. I know my friends Pete and Tim are. Let me just take their muzzles off here and let them have at it. Fellas, before we go anywhere, tell me why you did this, Because it could turn out like incredibly sideways. I don't know where this is gonna go. I think that this is the greatest Canadian band of all time And I think they rank in the world stage as well, but you guys haven't heard of them. So, Tim, what do? 0:03:10 - Speaker 3you think, Thanks for having us, JD. I hope, I hope, I hope. I told my family what we were up to and my oldest son was like alright, do you like this band? If you listen to this band, are you gonna be able to do it? You know this is gonna be like a fucking marathon listening to all the albums. And I said I'm not really sure. You know there, this Canadian rock band from what I know. I remember living at the beach in San Diego and one of my neighbors had a tragically hip sticker on his truck and I always wondered like that's weird, a band popular enough to have stickers on a bumper of a truck. but I don't know who it is. So you know, there's not a lot of bands you know from the past 10 to 20 years who made it kind of big that I'd never, ever listened to any song from. So yeah, we're curious to see where this goes. And you know, of course I've listened to Rush, I've seen Rush play. you know there's all kinds of music out of Canada Arcade Fire, and you know more present. So let's see what the tragically hip is. We'll see if it's gonna be tragic or not. Oh, oh. 0:04:36 - Speaker 1Maybe it'll be super hip Ground. oh God, Oh, he doesn't stop. You wind this guy up and he just does not stop. Oh, finally, P Ground control to major P Yeah yeah. 0:04:51 - Speaker 4So I got into this. this was a court ordered thing for an offense that I've made one time. No, no, no, JD, you asked me to do this and you know I actually have heard of the tragically hip and it's funny because back in like I wanna say, the mid 2000s, like 2006, 2007, I was working at a bar. I knew a couple really good folks that used to come in there a lot. They were both Canadians Kurt and I can't remember the other girl's name And there were a couple and we used to talk about trailer park boys all the time, which they loved. They would always talk about tragically hip And it's kind of one of those things that, like, can't really force anything on people. You know, you gotta kind of just lead the horse to water and hopefully they drink. And then, more recently, in like 2018, 2019, I ran into somebody else and they were just like check out this song and download this out on Spotify And love it was my favorite album. You're gonna love if you like this and I'm just like it. just it wasn't organic And I'm hoping that this, you know, this adventure that we're all three embarking on will be. you know, it'll take, so to speak, because previous attempts had not done so, And I'm excited, though, but I know it's gonna be a big sandwich to take a bite out of, that's for sure. 0:06:29 - Speaker 3You know JD JD, if you would depend. you know some dude from Florida or I don't know. you know somewhere else in the US and asked me to do some other band, US based band or something. I don't, it's hard. my point is it's really hard to say no to a sweet Canadian guy. 0:06:49 - Speaker 1So yeah. 0:06:50 - Speaker 3So you know, it's like I said to my wife Amy, you know JD, who she had heard about but not meant to ask me to do this like multi week podcast about some band I don't know. And I'm a little concerned like what if? what if me and Pete were just like JD? we're gonna have to end the podcast early. We don't get it, you know, but I'm sure we all get it. 0:07:15 - Speaker 4What JD didn't tell you is that the original this was originally gonna be a Papa Roach podcast And we're gonna go through the through the discography of Papa Roach, but last minute he changed it to the end, so thank God, Yeah So where are you No? 0:07:34 - Speaker 1offense to. Papa Roach, Where are you guys hailing from at this point? I mean, I know, but if people are actually listening to this, that means that we completed the task. So that's one thing. Where do you come from And where do you come from musically? 0:07:53 - Speaker 4I live now. I live in Malia, Spain, which is in the south. For those of you who can pick Spain out on a map, it's the closest part to North Africa. but I come from Southern California, born and raised in the LA area, more specific the Long Beach and Downey area. Most of my life in Long Beach, though. Musically, help me out, man. 0:08:27 - Speaker 1I think you're both, like, big fans of music, like the full spectrum, and that's why I chose you, Like you know. 0:08:36 - Speaker 4I'm not, let's put it this way, I'm not a Steve Albini. I don't diss any type of music. Okay, Steve Albini fans out there, I just I let I like there are music that I will gravitate towards and listen to, which tends to be rock and roll, indie rock, Stuff like that. but yeah, I'm never gonna sit there and go. you know, I don't. I didn't like Kendrick Lamar's record. I don't think you should have got out of mother air. Fuck that. like whatever dude, to each his own man. Some people really like it, some people really like this and that. so even those who like poppy roach started bring it up twice. 0:09:15 - Speaker 3We know, we know, we know it. next, the vinyl. Yes, I've lived in Portland over 20 years, just over 20 years this year, But I hail from Southern California as well. So I'm kind of just like a West Coast, you West guy I guess, but lived overseas for a stint of time and hope to do it again because we Head over to Europe at least once a year. Musically, you know, I don't Play anything but air guitar really well, just kidding, kind of not mediocre I guess. and I've, I will listen to a lot, of, many, many genres of music. if you, if this was to not to be like some contemporary Country artists, I probably would have either killed you guys through the, the interwebs, or myself or all of us. That's about one of the genres I just can't do. but yeah, I Drew up, I guess you know, listening to FM radio and Making mixed tapes on cassette and yeah, baby, you know, like I, I could hear. I was telling my son this year that I could hear the first seconds of a song and have record Set up on my tape deck It just record off the radio. So you know, huge music fan from early age, like fifth, sixth grade. So been listening to music forever and a fan forever and at one point, like huge AD of you have lists and track things, Like I tried to start to try to formulate, formulate the shows I've been to in my life, the gigs, because I'm still a Often good goer. I'm still recuperating from the one I went to last Friday night, But, gee she, I've been to lots, of, lots of, lots of concerts. So I feel like I know you know music fairly well and can talk about it and no artists and some personally and, um, yeah, I'm excited to Give this rodeo a. you know, around the Around the corral, see what happens. 0:11:26 - Speaker 1Yeah, I think it's gonna be. I think it's gonna be fun and it's gonna be different. There are gonna be phases We're gonna listen to where you will like it more than others. I'm sure You know Pete the, the person that was telling you you got to listen to this. if this is your favorite record, You would like this. I can't even imagine saying that with the hips, because their uvra is like is all over the place. It starts out as real well, we'll get into it with the p, but it starts out It's, it's bar rock. It's you know, it's It's bluesy bar rock. They were disciples of, you know early Early garage and late 60s stones. You know that type of music. uh, I mean, they had a saxophone in the band, for god's sake, You know. so they were that type of band. Uh, the saxophone ultimately was gone by the time they started to record. That's uh, davis manning, um, but uh, Yeah, It's all over the map. It's all over the map. So why don't we kick into a live song right now and then we'll get talking about the record in in question here, which is the Tragically Hip EP. This is Dead Flowers by the Rolling Stones, covered by the Tragically Hip, with Davis Manning playing sax. Hope you like it. let's get into it. 0:13:20 - Speaker 5Talking to some rich folks that you knew And I hope you won't see me in my rated community. You know I could have been. Thank you, Send me Dead Flowers, by the way. You know, when you're sitting by in your own big black bag Making bets on Kentucky Dirt today, When I'm in my big skin room with a head on my head and a spoon, Another girl did jump in the way. Send me Dead Flowers, by the way. You know, when you're sitting by in your own big black bag Making bets on Kentucky Dirt today, Send me Dead Flowers, by the way. Take me down, let our sins and break me down. I know you think you're the queen of the underground. Send me Dead Flowers, by the way. Send me Dead Flowers, by the way. Send me Dead Flowers, by the way. 0:16:41 - Speaker 1Isn't that great, Yeah, Okay, before we get into the EP specifically, I just played you Dead Flowers and I sent you some other live tracks. Just want to get a sense of what you thought of that first group of songs and listening to this band play them live. 0:17:02 - Speaker 3I thought of so many different things as I first heard some of the songs. I mean, I instantly wondered about Gordon. Some of the songs were specific storytelling. I really wondered about his songwriting process, which I think is one of the most boring questions. I ask a band, But I immediately went to that His vibrato. Okay, that was like instantly, what is going on with this guy's voice and the way he sings? Is he trying to protect his vocal cords? I think some singers use vibrato when they're like on massive tours or something to exercise their voice or something. But you know, it sounded like a really good kind of bar rock and roll. to me That's what it sounded like. It sounded like I want to be in a club or in a bar with like a couple hundred people, You know, drinking not the bats Another great Canadian beer And just kind of rocking out. You could hear the fans loving the band. It sounded very 80s to me too, Very 80s. I mean it was like every song was its own book, if you will, Its own little story, and it just sounded like a reminder me of I don't know, Reminded me a little bit. His voice, reminded me a little bit of how Elvis sings, Reminded me a little bit of Freddie Mercury, But also a little bit sinister, like Glenn Danzig. 0:18:57 - Speaker 1I don't know if you guys know who he is. 0:18:58 - Speaker 3You know, it was just charismatic. He's a very charismatic guy. He's probably a lot of fun to hang out with Gordon. But yeah, it sounded very time specific to that era. 0:19:15 - Speaker 1Well, there's something about it that makes it more time. specific too, Pete. what did you think? 0:19:21 - Speaker 4Well, I gotta be honest with you, JD. I listened fully and completely to the actual EP, The live link that you sent me. The only one that I was able to hear was Highway Girl. 0:19:40 - Speaker 1Oh, and that's sort of cheating, because that came out in 91. So I'm sorry about that. 0:19:46 - Speaker 4No, no, not at all. I mean, I have my comments on the EP itself and kind of what I thought, But I don't want to jump the gun if you're not ready to hear that. 0:19:56 - Speaker 1But I got loads of thoughts, Cool. Well, that leads us to 1986 and them finding their way to a studio with Ken Greer. I'm not sure if you guys know who Ken Greer is. He's a Canadian as well. He was a producer, but he played in a band called Red Rider. If you're not familiar with Red Rider, check out the song Lunatic Fringe, Check out the song White Hot. Those are great songs and he was the guitarist in that band. but then he stepped away and started doing some production work. A friend of mine is the engineer on this record. I found that out years and years ago, but years after I had been a fan. I'm hoping to be able to talk to him for this podcast as well. It would be really cool to hear what he thought back in 86. This EP comes out in 87 on cassette prominently on cassette, but it does come out with a bonus song All Canadian Surf Club on the CD version. CDs were peaking through and they were making their way there. Three singles off this record Small Town, Bring Down Highway Girl and Last American Exit. I don't think that any of those songs are a surprise in terms of singles when you listen to the album in its entirety. This record isn't my favorite, but as a collection of songs it acts as sort of An amuse-bouche, as it were. What did you guys think of this record? This is your first time hearing it and first time talking about it. We'll start with you, Pete. 0:21:44 - Speaker 4I made a point of putting myself into multiple scenarios when I listened to it. I kept having this struggle because I remember you saying you said to me multiple times, and every Canadian who I've ever talked to about this band has said, oh, they started out as a bar band. I kind of got that in my head and I was like something I wanted to shed and not really pay attention to, because you don't really take a bar band seriously. You know what I mean A bar band is a bar band. But then I understood, the more I listened to it, kind of what you, What the Canadians, including yourself, JD, meant when you said that. And I got so much I mean I'll be honest with you The first track So the first time I listened to the record I went for a run And then I listened to it sitting at my desk and doing some work and then just kind of like alone, not doing anything, Not preoccupying myself with all this stuff. The first song, I was just like And you said that was a single, correct? 0:22:54 - Speaker 1Yeah, first single. 0:22:56 - Speaker 4It just. I mean, I was Every time wildly underwhelmed. It didn't hit me at all. Last American Exit it picked up a little bit and then Killing Time was just, I mean, that was a fucking bohemian. 0:23:50 - Speaker 5I got a kick when I walked down And I said I'd done my girl to tap To make my wounds with the sea dog sound A drink. I never wanted to, but it's for the never to take you back, My old man. I was all that bad. What you call compromise? I don't understand. What you call compromise. I don't understand. I walk away. I do you walk away? I walk away from a woman that comes down here on. She had done it wrong. I need your confidence even though you're mine When it gets right down to the killing time. I know your heart's bad, But it's all I've ever had. We can never lie on this righteous crime. I do you walk away. I do you walk away. I walk away from a woman that comes down here on. I know this time we walk away. you just can't walk away. I walk away from a woman that comes down here on. She had done it wrong. I do you walk away. you just can't walk away. I walk away from a woman that comes down here on. She had done it wrong. I need your confidence, even though you're mine, When it gets right down to the killing time. 0:27:50 - Speaker 4It just really really dug it. And what Tim said, too, is is it Rob Baker? 0:27:58 - Speaker 1Yeah, Rob. 0:27:59 - Speaker 4Baker. I can't remember what song was it, but I absolutely got some Huey Lewis vibes on his guitar tone. I mean it was super 80s, and not in a bad way. 0:28:12 - Speaker 1No, I hear you, It's very 80s, like production wise, Because it has no choice but to be. I mean, it was the 80s after all. 0:28:20 - Speaker 4But the weird thing about that is because I was hearing, yeah, yeah, yeah. But I was hearing some stuff in terms of like thinking about, okay, like I hear like some like the same sort of stuff you've heard going on in appetite, Because that was around the same time that that record came out. Appetite construction was what 86, 87. Yeah. But then what I really settled on was like there is a lot of like I hear a lot of that record in early Pearl Jam, early Alice in Chains. Yes, I mean his voice too, I think that record. you can see his voice progress into some amazing shit just by listening from song one to song seven or eight, whatever. 0:29:09 - Speaker 1Wow, Okay, We'll have to come back to that because that's really interesting. You can hear it right through the course of the record. 0:29:17 - Speaker 4Oh yeah. 0:29:18 - Speaker 1Tim, what were your initial thoughts? 0:29:21 - Speaker 3Eddie Vedder definitely came up for me because he has he'll get to this guttural I don't know what to call it this guttural vibrato thing where all of his syllables kind of run together and I feel like some of Gordon's singing goes the same way, but it really varies. Just going through the album, just first listening to it, I thought, okay, I kind of catch what this is. and Last American Exit kind of reeled me. back in small town, Bridgetown, was kind of like okay, that's interesting way to start The killing time in. Evelyn, you know, was like okay, who's this Evelyn gal? what is the story here? Like I wanted to know more conceptually what was going on in his head. That's kind of. I mean, I'm drawn to lyrics, you know, and at one point I was like, oh, maybe Evelyn's a cat, you know, I was feeling bad for her, I was worried about Evelyn, you know. but then Cemetery Side Road, so weird it's like let's throw this in there, you know. and so that got me kind of into not not deep rap at all, but you know, like I mentioned before, wanting to know about his process and hearing that they would play music and then he would basically put lyrics to music, and that kind of blew my mind too. not many bands do that. a lot of songwriters, you know, start with their prose or what have you. I don't know, I'm a werewolf baby. what? like kind of honestly did this come out around Halloween? like why, Why is that? Why is that in there? It's so weird. I think Highway Girl was the first song. like Pete was saying, Highway Girl is the first one I listened to and it was kind of a messed up sinister song. it's like where is this going? they're killing people, their cops are on the run, where we dump in the body like WTF is the tragically hip all about. But I will say All Canadian Surf Club. I've listened to that song the most times out of the world. 0:31:37 - Speaker 5There's a song for the summer. it's called the All Canadian Surf Club. goes over real big. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. It's a song for the summer. it's called the All Canadian Surf Club. 0:36:02 - Speaker 1Yeah, if this was a single song and I'm a werewolf baby, I don't know that I would have followed through on this band. 0:36:13 - Speaker 3It was really fun. but I'm like, okay, some of these songs are very specific to maybe parties people throw. I don't know, it's a wild mix. 0:36:26 - Speaker 1Yeah, yeah it is. And what's interesting is writing credit wise. the chief songwriter at this time is the bassist, Gord Sinclair, writing both songs and lyrics, or music and lyrics and melody. by and large, There's a few songs that are Gord Downey songs and he becomes. as time goes on, he becomes the chief lyricist. He's almost like a poet laureate of Canada, for heaven's sake. But on this one he's got Killin' Time. that he wrote and I'm a werewolf baby is on his docket, So is Highway Girl and so is nope. that's it for him. That's it for him. So I thought All Canadian Surf Club was him, but it was not. Pete, what did you think of All? 0:37:18 - Speaker 4Canadian Surf Club. At first it's really weird because I was like it's funny that you made the distinction about it being on the CD, Because I was like is this song belong in this record? Because it sounded that's the last song, correct? Yeah, it just sounded different, But I really liked it, Like All Canadian Surf Club. and then I started thinking about like is there a lot of surfing that goes on in Canada? And like started thinking like all the places in the world where people don't surf I would think Canada would definitely be on that list. 0:37:59 - Speaker 1Yeah, I don't know where, like there's, you know like little surfing, like little wave surfing, you know like Right. 0:38:07 - Speaker 5Or your water park. 0:38:08 - Speaker 1Yeah, but yeah, the water park, But yeah, not a great deal of surfing. Now, if you are listening to this and you're an avid surfer in Canada, then by all means reach out to us, JD, at getting hip to the hipcom and give us the old what's for there. 0:38:25 - Speaker 3Tofino is the place. I'll just say Tofino, that's tofino. 0:38:29 - Speaker 1Yeah, you know like that's. 0:38:30 - Speaker 3I mean it's on my list to go to someday. 0:38:33 - Speaker 1I'm being schooled here by the Pacific Northwestern. 0:38:38 - Speaker 3Yeah, well, I'm a West Coaster in general. There you go. 0:38:42 - Speaker 1So any themes or any themes or anything like that, throughout these songs um vibing you. I mean, this is, this is a band. you know they say you write your first record. you know, from the moment you start playing, This is what, this is what went down on wax as their, you know, as their first material. And then you enter, you know the sophomore slump or or whatever. but I can, I can assure you you know where we begin with. the next record up to here is, you know, not so much of a slump. but back to this record. Did you like the studio version of Highway Girl? Like, obviously, the live version is is riveting. What did you think of the studio version? 0:39:25 - Speaker 4I liked it. I liked it a lot because it would give you Highway Girl was the only one I had heard the live version of, But, um, I think I liked it a little bit more, but if I put myself in the context of like being at that show, yeah, yeah, I'd absolutely want to much rather see it live. Yeah, of course. 0:39:44 - Speaker 1Yeah, So these songs to me are written. it sounds, it sounds dumb, but this is, you know, a young band and they're not doing any trickery in the studio at all. These songs are written to be played right back on the road, you know, uh, leading the leading the charge of their, of their uh, of their gigs, so they can start to play less stones material and play more of their own material. You can hear that in theoh sorry, Oh no, no, go ahead, man No. 0:40:15 - Speaker 4I was just gonna say like there's some parts where you're just like I remember listening to it and being like dude. I mean I can Just what you said at the beginning, Tim. I could picture myself at a bar with like 100 or 150 people and hearing this band and like 80% of people in there, including the bar staff, singing along to it because it's just so catchy and, like you said, JD, it was like it was written to be played live. 0:40:46 - Speaker 1Yeah. 0:40:46 - Speaker 5You know, Yeah. 0:40:48 - Speaker 3And on the live version of Highway Girl. you know his storytelling. before they were even playing, the audience was eating up. I mean, you hear people laughing, you hear people cheering and I just imagined when they were on tour there was a lot, a lot of banter. I would just guess he's kind of a rambler, you know, connecting with the audience. But at the same time, like hearing that live version and hearing the audience and thinking about them being a bar band, like they really reminded me a lot of the Grateful Dead. Yeah, like I just just I don't know there's something very Bruce Springsteen about it. you know, upstate New York, Cleveland, Detroit kind of, but in all those regions, like the Grateful Dead was huge also and it's just this touring type of band that has a lot of followers. They're going to play like this mixed mash of hits, of songs that people love. you know there's they're going to be a little bit different every time. Just, I don't know there's something about them that didn't make me think jam band but made me think like, oh yeah, these guys definitely have. yeah, these guys definitely have. you know, in the 80s they probably had a couple hundred thousand like real fans by the end of the decade in Canada. Can you remind us where Canada is again? I forget. 0:42:16 - Speaker 1Canada lives on the roof of the USA and we intercept all airmail. 0:42:26 - Speaker 3Yeah, Highway Girl's a weird song, you know, I don't know just like. this whole album to me was kind of a pizza with the works. That's made me hungry but yeah. 0:42:36 - Speaker 5Yeah, I'll drink to that, Yeah. 0:42:38 - Speaker 1I like that. Well, any final thoughts on this record, or what you're looking for in the next record, or you know anything along those lines, Pete? 0:42:51 - Speaker 4You know, JD, you and I have obviously talked over time about the hip and I've talked a few other people, I think one of my co-workers, Barb, who's a big hip fan, and I. you know, I haven't really found a roadmap, It's just been this hodgepodge. It's like Tim said, you know it's been this pizza with the works, but I feel like I've digested this whole record, or I at least eaten it. I'm starting to digest it very well and I'm really excited for the next meal. I'm stoked to take the analogy step further, Like I'm genuinely excited for myself to listen, not for anybody else, if that makes sense. 0:43:42 - Speaker 1Oh, that's cool Yeah. 0:43:45 - Speaker 4Excited. 0:43:48 - Speaker 3I, you know, I really tried to refrain from any listening or research and tried to come up with what I knew about them beforehand and think about that. I guess I'm excited because it is a band from the 80s. I love 80s era music that I haven't really given a listen to. There are certain songs on this album that make me think okay, I can definitely hear some more from these guys, and there's some total headscratchers where I'm thinking what am I in store for? You know, I told my son about this whole exercise and his reaction was kind of like overwhelmed for me at the thought of focusing on one band, so much. And when I first listened to Small Town Bring Down, you know, in his presence we look at each other like oh no, What am I in for? Well, yeah, what is this band going to be like? I dig that song. No, I totally do. 0:44:56 - Speaker 1There's something about it that I grew up in a small town and something about that idea of you know not another small town, hometown, bring down Yeah sure It's generic, It was very storytelling also, though. 0:45:12 - Speaker 3but then, at last, American exit. when we got into listening to that, I was in the car, you know, driving from Detroit or wherever upstate New York, I don't know Coming into Canada, like I was kind of right there. It sounded kind of great. 0:48:59 - Speaker 5Yeah. 0:49:17 - Speaker 3And to know that this band… you know, played together first and then tried to play a handful of shows Till they, I guess, got their bearings and then recorded. I mean, that's what bands did in the 70s and 80s for sure. You know, it wasn't very often that somebody got together and somebody already had 20 songs and they went and recorded. You know, so it's, it's so. this is a pretty a special, you know way to Start up a group. So I'm curious to, I'm curious to hear where they go. I like, I like some of the songs, you know, Yeah well, it gets pretty, it gets. 0:50:02 - Speaker 1You know we're off on a journey. Let's put it that way. This will be. I do, like you know, to carry on the food analogy, I do like this you're in a new country and every day you're gonna get a new dish and it's it's gonna be spiced a little bit differently. Early on it's gonna be a little bit more rudimentary, But as we go on there's gonna be more nuance and you know deeper flavor profiles. and then there's context. you start to Listen to the songs differently because you start to understand the past and what this group has went through and when, ultimately, they played their last show in Kingston, Ontario, and You know almost a third of this country tuned in to watch that like it was like 11, over 11 million people watch. She's the last concert because they broadcast it on our national broadcaster, CBC. Wow, yeah, you know The they they've. they cover a great distance between that time and what you guys are listening to right now. 0:51:04 - Speaker 3So it'll be interesting to To hear from you on this journey as we continue on one other just little mysterious kind of wow fact that I read about them was having to do with Them being double booked with Nirvana in 94. Do you know about this? 0:51:24 - Speaker 1Yeah, they played. they played a show in Milwaukee. It was eight dollars a ticket and it was right to the hip and right. Anna Nirvana was actually opening for the hip. that not opening. it was a double bill, but you know, yeah and. The story from from all the books is that Gord went to go meet Or the band rather went to go meet Kurt and he was passed out on a pool table like he was. he was dead to the world, So they didn't end up getting to meet, but we'll hear an interesting Tribute to Mr Cobain in in a future song, for sure. 0:52:00 - Speaker 3Yeah, I'm intrigued. I'm intrigued, no more. 0:52:02 - Speaker 1Okay, before we say goodbye, we're gonna do one more thing. We are gonna pick an MVP track, One track that you'll take away, that you'll put on a playlist. we're gonna do a playlist for each of you and It'll have your takeaway track from each record, and then you know, when we're done this exercise, We can put those up on Spotify and Apple music. 0:52:23 - Speaker 4Well, for me, I'll do it for me while you're. while you're thumbing through it, Tim, for me, I think the track on this EP would the one that I would Would choose to be would be killing time. Yeah, okay, certainly, certainly, Certainly, to stand out for me might, if I had to pick. Well, you do be a crowd, so there you go. 0:52:52 - Speaker 1Where you at there, Timmy, Hmm, Hmm. 0:52:54 - Speaker 5Hmm. 0:52:55 - Speaker 1Oh, you're gonna predict it. 0:52:57 - Speaker 3I was kind of all over with this. I was no, that's hilarious, I know what you're gonna do too. I was kind of all over with this album. You know it was full of surprises for me. you know I already talked about Evelyn and You know it's like oh, poor Evelyn. whatever The werewolf I'm a werewolf baby Hilarious, like where is this fan going? like, this was a wild ride of an album for me. highway girl, I think was a first song you sent us JD, and That one has so many twists and turns and it just, I think, the most. My recollection, like maybe the most listens, was on that album from via Spotify, highway girl, But it closed out early, strong with me for all Canadian surf club. I think that's a fun sign. No, My. California homie right there. 0:53:51 - Speaker 1AP hadn't written down the whole time for those watching at home. 0:53:55 - Speaker 3That was a fun track. 0:53:57 - Speaker 1That's what, uh, we call the first episode. right there, boom done, theater the mind, we traveled straight out of Kingston. Thanks a lot, fellas. It means a lot. Thanks, JD. 0:54:07 - Speaker 3Can't wait. 0:54:07 - Speaker 1Thanks guys pick up your shit. 0:54:11 - Speaker 2Thanks for listening to getting hip to the hip. Please subscribe, share, rate and review the show at getting hip to the hipcom. Find us on Twitter and Instagram at getting hip pot And join our Facebook group at facebookcom slash groups slash fully and completely. Questions or concerns email us at JD. at getting hip to the hipcom. We'd love to hear from you. 0:54:52 - Speaker 1Do, Do, Do, Do, Do, Do, Do, Do Do. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Red Rider Colombian Gold Panama Crippy Gainesville Green Mango Biche & More S08 E02Join this channel to get access to perks:https://www.youtube.com/channel/UCp9mauDnr-JxOiG_ek4BWag/joinRed Rider Colombian Gold Panama Crippy Gainesville Green Mango Biche & More S07 E03Welcome to Breeders Syndicate 2.0 - This is the new improved Breeders Syndicate fully run and operated by Matthew Riot. Accept no imitations. This is Season 7 Episode 3 - Red Rider and His Colombian Tales!We are joined by classic ICMag Contributor, Red Rider who goes through some of his adventures in the world of the vintage Colombian and his passionate chase for the best that has been part of his reason for existing in Colombia, We touch on a few different strainsLGainesville GreenColombian GoldCripi aka CrippyMango BicheLimonPanama RedPunta RojoColombian RedManizales BlackWacky Weed andDifferent MexicansOUR MERCH STORE IS LIVE!!!!BREEDERS SYNDICATE LINKS: https://linktr.ee/riotseedsBREEDERS SYNDICATE MERCH! - http://www.syndicategear.comBreeders Syndicate website: http://www.breederpodcast.comIntro / Outro courtesy ofInkha Avail on https://soundcloud.com/inkhamusic?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

John Webster has worked with everyone from his days as the keyboardist for Stonebolt and Red Rider to his in studio work for such megastars as Aerosmith, AC/DC, Alice Cooper, Bon Jovi, Rush and so many others. In this fascinating conversation with host Dan Hare, John talks about: his days with Stonebolt and Red Rider, his friendship and working relationship with Tom Cochrane, the ins and outs of studio work, having a drink with Robert Plant, why Aerosmith was an amazing band to work for, and much more.

Episode 188: In our look at (almost) each of the years of the 1980's, Joe and Kari are up to Episode 188, which means it's time to check out an event from 1988; the year Celine Dion sang the winning song in the Eurovision contest. While the song "Ne partez pas sans moi" might not ring any bells, it's a song that led to Celine becoming the international superstar that we now know and love. Inspired by Celine, HRT80s highlights some of the "BEST" Canadian Songs of the 80s, as determined by the CBC, including tunes from The Parachute Club, Lee Aaron, Red Rider, and Toronto, among others. Let's raise a glass to the Great White North!

In NxS 20… SPORTS! No poll for this month… we're all Champions. --- Send in a voice message: https://anchor.fm/northbysouthpod/message

From Red Rider to Serena Ryder ...this week a conversation with Fraser Hill who for years was an A and R man with Capital and Universal records discovering and signing bands and artists like the Northern Pikes, Serena Ryder and Elijah Woods . Starting out he even recorded Red Rider with Tom Cochrane the very first time he did a recording by himself in a studio. Recently he is working with Iskwe and other new artists. What was A and R and how has the tik tok age changed it ?The episode also includes a Triumph Album as a hidden gem of Canadian music."Imagine if" is a new band just starting out and is discussed in our Under the Radar segment .Andrew takes on the good ,the bad and the ugly of Woodstock festivals as seen though two different docs.In The Talk Music Podcast a Multi-platinum music producer/manager and a music super fan talk music and interview industry insiders and musicians alike about what it takes to create amazing music. We act as a guide to new bands, fascinating books and docs and who the creators of the grooves you love are.Over his 40 yr music career, Tom Treumuth worked as a talent scout for RCA (USA) including working closely with Gene Simmons. His Hypnotic label released over 100 albums via A&M/Universal. Tom also ran a recording studio, did artist management/bookings and he produced over 60 albums with 8 achieving Gold and Platinum awards ( Honeymoon Suite, Helix, Big Sugar). More recently Tom was Co Managing Director of indie label Frostbyte (Universal) . His career started as a musician in True Myth who recorded the world's 1st digital rock album.Co -host Andrew Schalk a chef and a self professed music junkie.The Producer of The Talk Music Podcast is Eric Morrison, a television producer , executive and journalist. He was President of The Canadian Press for 14 years. Before going to CP he was Vice-President of CTV News . He had extensive experience in national and international news, including overseas postings and a variety of management positions. They included Executive Producer of the CTV National News and Producer of Canada AM . He has won Michener, CJF and RTDNA awards for editorial excellence. He was Co founder of Latitude 44, a tech conference in Toronto . He was Executive Producer and Co founder of The Disruptors , a program about high tech startups that now runs as weekly segments on BNN Hosted on Acast. See acast.com/privacy for more information.

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your trip to the 1980s: Red Rider, Dire Straits, Kenny Loggins, Kajagoogoo, The Police, When In Rome, Chaka Khan, Dream Academy, Billy Idol, Information Society, Greg Kihn, Duran Duran, Simply Red, then finishing up with Adam & The Ants.

Tom Cochrane, Red Rider, and something inside you.

ตัวที่ 162 หนึ่งในสี่จตุรอาชาแห่งอาโพคาลิปส์ แห่งหนังสือวิวรณ์

In this week's episode, we talk about a Canadian band popular in the 80's called Red Rider and their first album Don't Fight It, an album by a popular English folk rock band called Steeleye Span and their album All Around My Hat and finally, a double album by an important band called The Clash called The Clash called London Calling. --- Send in a voice message: https://anchor.fm/reviewsfromthecrawlspace/message

Time for that early 80s, raunchy classic - Porky's! So while this movie is totes made for high school aged boys and deals with probably more "isms" than any other movie - sexism, racism, antisemitism, small penis-ism - we still find it pretty funny.  Directed by the same guy (Bob Clark) who brought us Ralphie and his Red Rider bb gun, we'll talk about how this is a 100% scandalous, watch during a sleepover kind of movie, try to find out if girls giggling naked in communal showers are just an adolescent boy urban legend, and hey look it's Samantha from Sex in the City! 

My 11p Thursday “UNDERCOVER”Feature this week included my very special guest and dear friend “CHRISTIAN “TOOCH” MARTUCCI (Corey Taylor/Stone Sour/Black Star Riders)!! Tooch called in to talk about The New Corey Taylor EP “CMFB…Sides” due out 2/25/22! The EP consists of nine songs – a mixture of covers, acoustic tracks and live versions. It opens with their rendition of Metallica's Holier Than Thou, and also features covers from Dead Boys, Eddie Money, Red Rider, KISS and John Cafferty & The Beaver Brown Band – On The Dark Side which closes the release. There is also acoustic renditions of Kansas and Halfway Down, and a live version of Home/Zzyxz Rd. We debuted “On The Dark Side” as Tooch told us how his Father influenced him with the great 1983 Eddie and The Cruisers Movie! Where scenes where filmed local at Rancocas Valley Regional H.S. & at a Atco NJ junk yard. They make this version all their own by adding in a little John Mellencamp & Neil Diamond He also tells us how the Cover of The EP Photograph with Kiss Makeup came to be! We wish our Local Boy done good Christian Martucci and Corey Taylor's Band all The Best! Make sure you add “CMFB…Sides” to your musical library and take a listen to this fun chat. xo BAMBAM

This week's episode is brought to you by an unquenchable thirst for 80s teen romance of the worst kind. 1985's Vision Quest follows Matthew Modine as a high school senior training for the big wrestling match while also lusting after Linda Fiorentino, the drifter who somehow winds up living in his house. It's an after-school special about eating disorders that thinks it's a profound, Salinger-esque statement on growing up.  But don't let that fool you, because the soundtrack is stacked with hits! We get radio rock hits from Journey, Foreigner and Sammy Hagar. We get a pair of dance-pop hits courtesy of Madonna. Red Rider's "Lunatic Fringe", Ronnie James Dio, The Style Council and more! So strap on your rubber tracksuit and join us for one hell of a workout! SHOW NOTES: Vision Quest is available to stream here! VH-1's Behind the Music on Journey INTRO: "Dance Rocket" by Jesse Spillane OUTRO: "Only the Young" by Journey MUSIC VIDEOS: "Change" by John Waite "Gambler" by Madonna "Crazy For You" by Madonna "Hungry For Heaven" by Dio "Lunatic Fringe" by Red Rider "Shout to the Top" by The Style Council "I'll Fall in Love Again" by Sammy Hagar (feat. Daryl Hall) Have a soundtrack you'd like us to cover?  Follow us on Twitter @OSTParty and let us know! Or email us at OSTPartyPod@gmail.com

Part 2 of our Spring 2022 series Zechariah: Glory In Our Midst Zechariah 1:7-17 | Rev. Blake Arnoult

Join Jenn and Greg in the episode we are dubbing "airguns for dummies" as we chat with Justin Jacobsen and Austin James of Utah Airguns, the largest B&M airgun distributer in the US! These ain't your old Red Rider!

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your weekly time trip: Red Rider, Alphaville, Modern English, Let’s Active, Steve Winwood, Spandau Ballet, Rod Stewart, Billy Squier, Blasters, Pat Benatar, Tears For Fears, Talking Heads, Tubes, The Psychedelic Furs, and finishing up with The Clash.

https://youtu.be/v0zGGXxUbL0 The Red and Black Horsemen of Revelation chapter 6 are traditionally (and culturally) called "War" and "Famine" respectively.  But when you look at the actual language, those descriptive names do not seem entirely accurate. The Red Rider's power is to cause men to kill one another, and while there may be an aspect of war, the word “kill” is “sphazo” in Greek, which means to slaughter or butcher – primarily for an animal sacrifice ritual.  This may point to blood sacrifice which is often used to manifest demons and demonic energy. And while I agree that the Black Rider represents famine, it will NOT be due to scarcity.  The fact that the rider carries a balance in his hand (the then-contemporary symbol of commercial weights and measures) clearly indicates that this will be an economic crisis. Furthermore, with our entire world financial systems completely interdependent, controlled, and virtual (electronically based), currency manipulation would be stunningly easy to enact. Why is this happening and how is it tied to Satan's False Apocalypse?  We'll talk about it in this week's episode. Related Links: Apocalypse NOT! Part 1: Bread and Slaughter (blog post) Next Episode - The Pale Rider and the Return of the Nephalim

Saddle up partners! Comin' at ya with some killer jams on this here episode 42

Josh and Lara discuss the qualifying procedure for 2021 Nationals with the intent of clarifying mis-information.  Josh admits to Lara that he hasn't tried the cold shower yet. 2021 NationalsMilitary/Police/Fire Nationals - March 20 (Orlando, FL)Collegiate & Junior Nationals - April 7-11 (Baton Rouge, LA)High School & Teen Nationals - May 27-30 (Aurora, CO)Youth, Bench, Masters & Open Nationals - June 14-19 (Daytona Beach, FL)#NewLifterTip#PLSituationJosh's 1st Attempt Deadlift SongsRed Rider - Lunatic FringeMichael Jackson - Billy JeanTeam Rohr Powerlifting 100% Individualized Programming, Meet Day Preparation and Live Virtual Coaching

In deze aflevering praat ik met striptekenaar, cartoonist en allround creatieveling Lectrr. Echte naam: Steven Degryse (1979). Hij is ondermeer huiscartoonist van de krant De Standaard en scenarist van The Red Rider, de volwassen reboot van De Rode Ridder. We hebben gepraat bij Steven thuis in Gentbrugge, boven zijn atelier, in een zithoek rechtover een enorme boekenkast stampvol romans, graphic novels, strips en kunstboeken. Overal in huis staan boeken; zelfs in het toilet ontdekte ik een boekenkast. Lectrr noemt zichzelf een veellezer en een bibliofiel. Hij praat over humor, over boeken verzamelen als hobby, over operation mindfuck, over het grappigste boek aller tijden. Een ode aan het absurdisme. Veel luisterplezier. Alle boeken en auteurs waarover we het hebben in deze aflevering, vind je op wimoosterlinck.be.