American jazz drummer
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8 episodes with Al Foster
3 episodes with Al Foster
3 episodes with Al Foster
3 episodes with Al Foster
4 episodes with Al Foster
2 episodes with Al Foster
2 episodes with Al Foster
2 episodes with Al Foster
2 episodes with Al Foster
On the May 31 WBGO Journal, we pay tribute to the late jazz drummer Al Foster and WBGO's Dave Popkin chats with blues singer and guitarist Marcia Ball
Revelations and confirmations in a playlist that mixes new releases and reissues bridging tradition and innovation. The playlist features Ezra Collective; Patrice Rushen; Joe Webb; Alice Zawadzki [pictured], Fred Thomas, Misha Mullov-Abbado; Peter Bernstein, Brad Mehldau, Al Foster, Vicente Archer; Giuseppe Cucchiara, Andrea Domenici, Andrea Niccolai and Francesco Patti. Detailed playlist at https://spinitron.com/RFB/pl/19955005/Mondo-Jazz [from "Expensive" onward]. Happy listening!
AL FOSTER “REFLECTIONS” New York, January 25, 2022T.S. Monk, Pent-up house, PunjabNicholas Payton (tp) Chris Potter (ts,sop) Kevin Hays (p) Vicente Archer (b) Al Foster (d) ÁNGEL PARRA TRÍO “DESDE EL ALMA” Santiago ca. 2023Desde el Alma, Don Chuma, The Long and Winding RoadÁngel Parra (g) Mauricio Ruz (p) Eduardo Crespo (b) Andy Baeza (dr) FALKNER EVANS “MARBLES” Queens, NY, January 14 & 15, 2019Civilization, Global news, Hidden gem (1)Ron Horton (tp,flhrn) Ted Nash (as,cl,fl) Michael Blake (ts,sop) Steve Nelson (vib-1) Falkner Evans (p,comp) Belden Bullock (b) Matt Wilson (d) Continue reading Puro Jazz 29 de noviembre, 2024 at PuroJazz.
AL FOSTER “REFLECTIONS” New York, January 25, 2022T.S. Monk, Pent-up house, PunjabNicholas Payton (tp) Chris Potter (ts,sop) Kevin Hays (p) Vicente Archer (b) Al Foster (d) ÁNGEL PARRA TRÍO “DESDE EL ALMA” Santiago ca. 2023Desde el Alma, Don Chuma, The Long and Winding RoadÁngel Parra (g) Mauricio Ruz (p) Eduardo Crespo (b) Andy Baeza (dr) FALKNER EVANS “MARBLES” Queens, NY, January 14 & 15, 2019Civilization, Global news, Hidden gem (1)Ron Horton (tp,flhrn) Ted Nash (as,cl,fl) Michael Blake (ts,sop) Steve Nelson (vib-1) Falkner Evans (p,comp) Belden Bullock (b) Matt Wilson (d) Continue reading Puro Jazz 29 de noviembre, 2024 at PuroJazz.
WALTER SMITH, III “THREE OF US ARE FROM HOUSTON AND REUBEN IS NOT” New York, c. 2024seesaw, Misanthrope's Hymn (4), Point Of Many ReturnsWalter Smith III (st) Jason Moran (p, tcl [45]) Fender Rhodes (4); Reuben Rogers (b) Eric Harlan (dr) PETER BERNSTEIN “BETTER ANGELS” New York, April 1, 2024Perpetual pendulum, Ditty for Dewey, You go to my headPeter Bernstein (g) Brad Mehldau (p) Vicente Archer (b) Al Foster (dr) PATRICIA BRENNAN “BREAKING STRETCH” New York, September 16 & 17, 2023Breaking stretch, Blue coral dreams, States of changeAdam O'Farrill (tp,electronics-1) Jon Irabagon (as,sopranino-sax) Mark Shim (ts) Patricia Brennan (vib,mar,electronics) Kim Cass (b) Marcus Gilmore (d) Mauricio Herrera (perc) Continue reading Puro Jazz 09 de octubre, 2024 at PuroJazz.
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WALTER SMITH, III “THREE OF US ARE FROM HOUSTON AND REUBEN IS NOT” New York, c. 2024seesaw, Misanthrope's Hymn (4), Point Of Many ReturnsWalter Smith III (st) Jason Moran (p, tcl [45]) Fender Rhodes (4); Reuben Rogers (b) Eric Harlan (dr) PETER BERNSTEIN “BETTER ANGELS” New York, April 1, 2024Perpetual pendulum, Ditty for Dewey, You go to my headPeter Bernstein (g) Brad Mehldau (p) Vicente Archer (b) Al Foster (dr) PATRICIA BRENNAN “BREAKING STRETCH” New York, September 16 & 17, 2023Breaking stretch, Blue coral dreams, States of changeAdam O'Farrill (tp,electronics-1) Jon Irabagon (as,sopranino-sax) Mark Shim (ts) Patricia Brennan (vib,mar,electronics) Kim Cass (b) Marcus Gilmore (d) Mauricio Herrera (perc) Continue reading Puro Jazz 09 de octubre, 2024 at PuroJazz.
On his new recording, Something About Believing tenor saxophonist Tim Armacost is joined by trumpeter Tom Harrell and baritone saxophonist Gary Smulyan as well as the outstanding rhythm section of bassist John Patitucci and drummer Al Foster. Listening to the music one is struck by the comfortability of master improvisers doing what they do best, however in this episode of LINER NOTES Tim explains that this recording is a snapshot of a journey that he embarked on a number of years ago while exploring synesthesia. The project began as a chordless quartet in which the musicians worked with lighting designer Liz Liebeskind in real time and beyond this recording Armacost has assembled a new quartet that is working with visual artist Mary Shah who joins the band at performances and creates a visual response to the band's music.
Today, the Spotlight shines On saxophonist/composer Kevin Sun.Kevin joined us to discuss, among other things, his dramatic double album from 2023, The Depths of Memory, which was released in two halves: From All This Stillness in July of that year and The Depths in Slow Motion in October of that year.Kevin's an intense yet accessible player and composer—and a true working musician. He leads an ensemble most Tuesday nights at Lowlands Bar and appears regularly at Bar Bayeux and Ornithology, all three in Brooklyn, NY.In the time since we recorded this talk back in January, Kevin has released a new record, a live one, recorded at Lowlands. Fate of the Tenor has him leading a trio which, to my ears, gives more than a passing nod to Joe Henderson's great 1985 live trio recordings with Ron Carter and Al Foster, State of the Tenor. Even the cover art seems a bit of an homage. The saxophone trio is one of my favorite configurations, and Kevin's new record is a terrific contribution to the canon.(all musical excerpts heard in the interview are taken from Kevin Sun's double album The Depths of Memory) -- Dig DeeperVisit Kevin Sun on kevinsun.comPurchase Kevin Sun's music on Qobuz and Bandcamp, or listen on your favorite streaming platformFollow Kevin Sun on Instagram, Facebook, Twitter (X), and YouTubeFifteen Questions with Kevin SunKevin Sun Quintet plays Ryuichi Sakamoto's "Riot In Lagos" at LowlandsBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On saxophonist/composer Kevin Sun.Kevin joined us to discuss, among other things, his dramatic double album from 2023, The Depths of Memory, which was released in two halves: From All This Stillness in July of that year and The Depths in Slow Motion in October of that year.Kevin's an intense yet accessible player and composer—and a true working musician. He leads an ensemble most Tuesday nights at Lowlands Bar and appears regularly at Bar Bayeux and Ornithology, all three in Brooklyn, NY.In the time since we recorded this talk back in January, Kevin has released a new record, a live one, recorded at Lowlands. Fate of the Tenor has him leading a trio which, to my ears, gives more than a passing nod to Joe Henderson's great 1985 live trio recordings with Ron Carter and Al Foster, State of the Tenor. Even the cover art seems a bit of an homage. The saxophone trio is one of my favorite configurations, and Kevin's new record is a terrific contribution to the canon.(all musical excerpts heard in the interview are taken from Kevin Sun's double album The Depths of Memory) -- Dig DeeperVisit Kevin Sun on kevinsun.comPurchase Kevin Sun's music on Qobuz and Bandcamp, or listen on your favorite streaming platformFollow Kevin Sun on Instagram, Facebook, Twitter (X), and YouTubeFifteen Questions with Kevin SunKevin Sun Quintet plays Ryuichi Sakamoto's "Riot In Lagos" at LowlandsBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.
GERALD CANNON THE MUSIC OF ELVIN & MCCOY Dizzy's Club, June 3 – 4, 2022, New YorkEJ's Blues, 3 Card MollyJoe Lovano (st)Sherman Irby (sa) Eddie Henderson (t) Steve Turre (tbn) Dave Kikoski (p) Gerald Cannon (b) Lenny White (dr) TED ROSENTHAL MY FUNNY VALENTINE New York, June 5 & 6, 2007Alone together, Don't explain, Autumn leavesTed Rosenthal (p) George Mraz (b) Al Foster (d) JERRY BERGONZI EXTRA, EXTRA Boston (?) – 2023Extra Extra, Double Billed, ObamaJerry Bergonzi (st) Phil Grenadier (t) Sheryl Bailey (g) Harvie S (b) Luther Gray (dr) Continue reading Puro Jazz 26 marzo 2024 at PuroJazz.
GERALD CANNON THE MUSIC OF ELVIN & MCCOY Dizzy's Club, June 3 – 4, 2022, New YorkEJ's Blues, 3 Card MollyJoe Lovano (st)Sherman Irby (sa) Eddie Henderson (t) Steve Turre (tbn) Dave Kikoski (p) Gerald Cannon (b) Lenny White (dr) TED ROSENTHAL MY FUNNY VALENTINE New York, June 5 & 6, 2007Alone together, Don't explain, Autumn leavesTed Rosenthal (p) George Mraz (b) Al Foster (d) JERRY BERGONZI EXTRA, EXTRA Boston (?) – 2023Extra Extra, Double Billed, ObamaJerry Bergonzi (st) Phil Grenadier (t) Sheryl Bailey (g) Harvie S (b) Luther Gray (dr) Continue reading Puro Jazz 26 marzo 2024 at PuroJazz.
AL FOSTER LOVE, PEACE AND JAZZ! – “VILLAGE VANGUARD” New York, April 27 & 28, 2007Fungi mama (1), Brandyn (1)Eli DeGibri (sop-1,ts-2) Kevin Hays (p) Doug Weiss (b) Al Foster (d) SIMONA PREMAZZI OUTSPOKEN Released July 14, 2017Euterpe's Dance; Premaxity; It Is Here; DigressionSimona Premazzi (p) Dayna Stephens (ss/st) Joe Martin (b) Nasheet Waits (dr) Invitados: Jeremy Pelt (t) Sara Serpa (voz). Continue reading Puro Jazz 20 marzo 2024 at PuroJazz.
AL FOSTER LOVE, PEACE AND JAZZ! – “VILLAGE VANGUARD” New York, April 27 & 28, 2007Fungi mama (1), Brandyn (1)Eli DeGibri (sop-1,ts-2) Kevin Hays (p) Doug Weiss (b) Al Foster (d) SIMONA PREMAZZI OUTSPOKEN Released July 14, 2017Euterpe's Dance; Premaxity; It Is Here; DigressionSimona Premazzi (p) Dayna Stephens (ss/st) Joe Martin (b) Nasheet Waits (dr) Invitados: Jeremy Pelt (t) Sara Serpa (voz). Continue reading Puro Jazz 20 marzo 2024 at PuroJazz.
The week of March 5 guitarist Peter Bernstein brings a quartet to the Village Vanguard in New York City that includes pianist Sullivan Fortner, bassist Doug Weiss, and the iconic drummer Al Foster. In this episode of LINER NOTES Peter expresses a genuine gratitude for being able to play music. He also offers insights on how he personally approaches this music as a guitarist, sharing valuable lessons learned from his legendary teachers Gene Bertoncini, Ted Dunbar, and Jim Hall.
TONY LAKATOS – GENERATION X Brooklyn, NY, May 7, 1997Jones Street, Alvin, Generation XTony Lakatos (ts,sop) Randy Brecker (tp,flhrn) David Kikoski (p) Marc Abrams (b) Al Foster (d) SWALLOW / TALMOR / NUSSBAUM – PLAYING IN TRAFFIC Madeira, September 5, 2008Playing in traffic, Here comes everybody, Warmer in HeavenOhad Talmor (ts) Steve Swallow (el-b) Adam Nussbaum (d) SAM YAHEL – SEARCHIN' New York, April 20, 1996Searchin' (1), Half baked, My ideal (1)Ryan Kisor (tp-1) Eric Alexander (ts-1) Sam Yahel (org) Peter Bernstein (g) Joe Strasser (d) Continue reading Puro Jazz 25 enero 2024 at PuroJazz.
TONY LAKATOS – GENERATION X Brooklyn, NY, May 7, 1997Jones Street, Alvin, Generation XTony Lakatos (ts,sop) Randy Brecker (tp,flhrn) David Kikoski (p) Marc Abrams (b) Al Foster (d) SWALLOW / TALMOR / NUSSBAUM – PLAYING IN TRAFFIC Madeira, September 5, 2008Playing in traffic, Here comes everybody, Warmer in HeavenOhad Talmor (ts) Steve Swallow (el-b) Adam Nussbaum (d) SAM YAHEL – SEARCHIN' New York, April 20, 1996Searchin' (1), Half baked, My ideal (1)Ryan Kisor (tp-1) Eric Alexander (ts-1) Sam Yahel (org) Peter Bernstein (g) Joe Strasser (d) Continue reading Puro Jazz 25 enero 2024 at PuroJazz.
Jimi Hendrix is one of the most iconic figures in all of rock music and was a hero to Robert and millions of people. So when Robert recorded his debut album "Miles Behind" in 1994 he decided to include a cover of one of Jimi's songs. He chose to reimagine a “psychedelic jazz” version of Hendrix's classic “Fire”. It features Al Foster from Miles Davis' band on drums plus the amazing Ada Dyer on vocals. Twenty five years later, with his band, Project Grand Slam, Robert decided to re-record “Fire” but in a different style. This new, reimagined version of the song became the band's closing number in concert. This episode features a bit of both versions of “Fire” - the studio version from 1994, and a “live” concert version from 2018 from the “It's Alive!” album, featuring the wonderful Ziarra Washington on vocals. Listen to the passage of time. And thank you Jimi!Spotify links - “Fire” 1994 from “Miles Behind” click here; “Fire” live in 2018 from “It's Alive!” click here---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest)Listener Reviews:Saturday Morning:”A neat and simply happy song!””It's so cute and fun. It's describing a world I wish I lived in every day!”Like Never Before:”Great message!””Great song, very perceptive lyrics!”Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
“Miles Behind” is Robert's “lost” 1994 debut album. Featuring an All-Star supporting cast including Randy Brecker (Blood Sweat & Tears), Anton Fig (David Letterman Show), Al Foster (Miles Davis), Tim Ries (Rolling Stones) and singer Jon Lucien. Ten tracks including four originals plus reimagined covers of songs by Miles Davis, Chick Corea, Thelonious Monk, Charles Mingus and Jimi Hendrix. This is Robert at his Jazz Rock Fusion best. Called “Hip, Tight and Edgy!” “Miles Behind” Spotify album link. Click here for all links.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------"THE SINGLES PROJECT” is Robert's latest EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest)Listener Reviews:Saturday Morning:”A neat and simply happy song!””It's so cute and fun. It's describing a world I wish I lived in every day!”Like Never Before:”Great message!””Great song, very perceptive lyrics!”Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Wayne Tucker is a trumpet player, singer, songwriter, composer, and soon to be author. He has shared the stage with household names such Taylor Swift, Ne-Yo and David Crosby, and jazz artists like Al Foster, Cyrille Aimee, and Kurt Elling. Since 2016, he's been releasing albums of his own compositions and songs. Wayne is also a founding member of Brass Against, a unique group which reimagines the music of Rage Against the Machine (and other artists) with a huge horn section and energetic stage show. In this interview, we hear music from his most recent EP, "I'll Never Stop", as well as his many records and collaborations.
We get to share the story of our close friends Joe Johnson and Al Foster turkey hunting in Kentucky with Terry. SPECIAL ASIO PROMOTION CLICK HERE: https://asiogear.com/collections/early-season/?utm_source=dhsb Camo for Tree Stand Hunters - www.asiogear.com Higgins Outdoors Website: https://higginsoutdoors.com/ Higgins Outdoors Facebook: https://www.facebook.com/higginsoutdoors Higgins Outdoors Instagram: https://www.instagram.com/higginsoutd... Find your dream property: www.buyafarm.com Food Plot Seed: https://www.realworldwildlifeproducts... Best Deal on Chevy Trucks - home of the new diesel truck every year https://www.buyavictorychevy.com/ Best Bows, period: https://www.mathewsinc.com/ Blinds AFFORDABLE, COMFORTABLE, AND WITHOUT COMPROMISES. https://www.360huntingblinds.com/ Hunters who demand quality, demand Lone Wolf https://www.lonewolfhuntingproducts.c... Superior Optics: https://www.vortexoptics.com/ Electric Bikes for all terrains: https://quietkat.com/ Tractor Implements and More: https://wildlifefarming.com/ Trees for Land Managers: http://www.gingerichtrees.com/
Algunos bateristas de fusión, post bop, neo clásicos y latinos. Desde Peter Erskine, y Jack deJohnette, Billy Hart, Al Foster, Aldo Romano y otros. Hosted on Acast. See acast.com/privacy for more information.
Hoy os vamos a acercar el primer trabajo como líder de una extraordinaria pianista, la brasileña Eliane Elias. El trabajo se llamó Illusions y fue grabado en el año 1986 a través de la discográfica Denon. Sorprendentemente Illusions no apareció en el mercado hasta 5 años más tarde justo tras el éxito de su primer disco en homenaje a Antonio Carlos Jobim, Eliane Elias Plays Jobim de 1989 pero a nosotros nos parece un disco con un repertorio muy interesante y que además cuenta con una inmejorable colección de enormes músicos que colaboraron para hacerlo posible y es por ello que hemos decidido acercarlos a este primer Vinilos para Gatos de este nuevo año. Esperamos que os guste. TRACKS 1-Choro Godoy 2-Through the Fire Foster, Keane, Weil 3-Illusions Elias 4-Moments Elias 5-Falling in Love With Love Hart, Rodgers 6-Iberia Elias 7-Loco Motif Elias 8-Sweet Georgia Fame Dearie 9-Chan's Song Hancock, Wonder Credits Bass – Eddie Gomez (tracks: 3 to 9) Bass, Acoustic Bass – Stanley Clarke (tracks: 1, 2) Drums – Al Foster (tracks: 4 to 6, 8, 9), Lenny White (tracks: 1,2), Steve Gadd (tracks: 3, 7) Harmonica – Toots Thielemans (tracks: 4, 9) Piano, Producer – Eliane Elias Written-By – Eliane Elias (tracks: 3, 4, 6, 7)
JOE HENDERSON “LIVE VILLAGE VANGUARD” – New York, November 14, 1985 Cheryl, Y ya la quiero, Soulville Joe Henderson (ts) Ron Carter (b) Al Foster (d) RUFUS REID / SULLIVAN FORTNUM “ALWAYS IN THE MOMENT” – New York, July 15 & 16, 2019 Always in the moment, Reminiscing, […]
AL FOSTER “REFLECTIONS” – New York, January 25, 2022 Pent-Up House, Anastasia, Punjab Nicholas Payton (t) Chris Potter (st/ss) Kevin Hays (p/tcl) Vicente Archer (b) Al Foster (dr) TOMMY FLANAGAN “OVERSEAS” – Stockholm, Sweden, August 15, 1957 Eclypso, Dalarna, How Long Has This Been Going On Tommy Flanagan (p) […]
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 1st September 2022 Artist - Track - Album - Year Dafnis Prieto feat. Luciana Souza Guajira en Sol Cantar 2022 Miguel Zenón Tainos y Caribes Música de las Américas 2022 Michael Hackett/Tim Coffman Sextet feat. Sharel Cassity Blues for MH Western Skies 2022 Yellowjackets Intrigue Parallel Motion 2022 Luis Deniz Dutch Flower El Tinajon 2022 Al Foster Punjab Reflections 2022 Andy Adamson Quintet Hummingbird A Coincidence of Cats 2022 Wayne Shorter/Terri Lyne Carrington/Leo Genovese/Esperanza Spalding Encontrose Despedidas Live at the Detroit Jazz Festival 2022 Ben Patterson The Way of the Groove The Way of the Groove 2022 Jeff Coffin Tip the Band Between Dreaming and Joy 2022 Mike Clark/Leon Lee Dorsey feat. Mike LeDonne Lock it in the Pocket Blues on Top 2022 The Reid Hoyson Project feat. Hendrik Meurkens, Rufus Reid and David Berkman Hummingbird That Sunday that summer 2022 Monty Alexander Straighten Up and Fly Right Love Notes 2022 Charlton Singleton PS (Postscript) Crossroads 2021 Neil Swainson Kyushu Fire in the West 2022 Steve Hudson Make Your Path The World of Steve Hudson 2022 Walt Weiskopf European Quartet Everybody Diamonds and Other Jewels 2022 Clint Bahr Plate Puzzlebox 2022 The post The Creative Source (#CreativeSource) – 1st September 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
BLUE MITCHELL “THE THING TO DO” – Englewood Cliffs, N.J., July 30, 1964 Fungi mama (1), The thing to do, Chick’s tune Blue Mitchell (tp) Junior Cook (ts) Chick Corea (p) Gene Taylor (b) Al Foster (d) RUSS LOSSING “METAMORPHISM” – July 12, 2017 Metamorphism (for Paul Motian), June […]
Mike Stern is one of the all time great guitarists. He's played with a Who's Who of the music world including Miles Davis and Blood Sweat And Tears. He's got a bunch of GRAMMY nominations and tours constantly with his own band and others. We discuss his outstanding career and many of the great musicians that he's performed with.My featured song in this episode is “Yeah Yeah”. Spotify link here.—-----------------------------------Mike and I discuss: His schooling and gigs in BostonJoining Blood Sweat & TearsPlaying with Miles DavisPlaying with numerous other musicians including Jaco Pastorius, Billy Cobham, Al Foster, Randy Brecker In the Songfest portion we play and discuss the following:Fat TimeChromazoneLive tune with Mike Stern and Bill Evans band If you enjoyed the show, please Subscribe, Rate, and Review. Just click Here. “All Of The Time” is Robert's new single by his band Project Grand Slam. It's a playful, whimsical love song. It's light and airy and exudes the happiness and joy of being in love. The reviewers agree. Melody Maker gives it 5 Stars and calls it “Pure bliss…An intimate sound with abundant melodic riches!”. Pop Icon also gives it 5 Stars and calls it “Ecstasy…One of the best all-around bands working today!”. And Mob York City says simply “Excellence…A band in full command of their powers!” Watch the video here. You can stream “All Of The Time” on Spotify, Apple, Amazon or any of the other streaming platforms. And you can download it here. “The Shakespeare Concert” is the latest album by Robert's band, Project Grand Slam. It's been praised by famous musicians including Mark Farner of Grand Funk Railroad, Jim Peterik of the Ides Of March, Joey Dee of Peppermint Twist fame, legendary guitarist Elliott Randall, and celebrated British composer Sarah Class. The music reviewers have called it “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. “The Fall Of Winter” is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here. Robert's “Follow Your Dream Handbook” is an Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold. Get your Complimentary DREAM ROADMAP with Robert's 5 steps to pursue and succeed at YOUR dream. Just click here: https://www.followyourdreampodcast.com/DreamRoadmap Connect with Mike:https://www.mikestern.org Connect with the Follow Your Dream Podcast:WebsiteFacebookLinkedInEmail RobertYouTube Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:WebsiteInstagramPGS StoreYouTubeFacebookSpotify MusicApple MusicEmail
The Jazz Session No.270 from RaidersBroadcast.com as aired in Aug 2022, featuring the accomplished and stylish 2000 album from McCoy Tyner, Stanley Clarke and Al Foster. TRACK LISTING: Moritat - Sonny Rollins; A Night in Tunisia - Charlie Parker; Riverboat Shuffle - Jack Hylton's Kit-Kat Band; Goose Pimples - Fletcher Henderson; Trane - Like - McCoy Tyner; Once Upon a Time - McCoy Tyner; Flying Home - Benny Goodman; Magnolia's Wedding Day - Chris Barber; Baubles, Bangles & Beads - Deodato; Chain of Fools - Herbie Mann; Naptown Blues - Oscar Peterson; Never - Chick Corea & Gary Burton; Serenade to Sweden - Dizzy Gillespie; The Mark of Jazz - Maynard Ferguson and His Orchestra; Will You Still Be Mine - McCoy Tyner; I Want to Tell You 'Bout That - McCoy Tyner; Dream Catcher - Andrew McCormick; Reason in Disguise - Ezra Collective; The Inch Worm - John Coltrane; The Serpent - Tubby Hayes.
Grammy nominated saxophonist Tim Armacost has established himself as one of the most distinct saxophone voices on the New York scene today. Touring regularly around the world both as a sideman and a leader, Armacost has worked with a phenomenal number of jazz greats, including Al Foster, Jimmy Cobb, Kenny Barron, Tom Harrell, Billy Hart, […]
This episode is a double feature from the last 2022 Master Class weekend. This is filled with in depth reviews and dialog about Asio Camo, Duramax Trade-In Program with Chris Yates at Victory Chevrolet, and a special moment with Al Foster (Don's Mentor). He knew Don back when he had a permed mullet (pictures included). Link to purchase Raffle Tickets to support Lester's Feet Foundation - www.lestersfeetfoundation.org Camo for Tree Stand Hunters - www.asiogear.com Higgins Outdoors Website: https://higginsoutdoors.com/ Higgins Outdoors Facebook: https://www.facebook.com/higginsoutdoors Higgins Outdoors Instagram: https://www.instagram.com/higginsoutd... Find your dream property: www.buyafarm.com Food Plot Seed: https://www.realworldwildlifeproducts... Best Deal on Chevy Trucks - home of the new diesel truck every year https://www.buyavictorychevy.com/ Best Bows, period: https://www.mathewsinc.com/ Blinds AFFORDABLE, COMFORTABLE, AND WITHOUT COMPROMISES. https://www.360huntingblinds.com/ Hunters who demand quality, demand Lone Wolf https://www.lonewolfhuntingproducts.c... Superior Optics: https://www.vortexoptics.com/ Electric Bikes for all terrains: https://quietkat.com/ Tractor Implements and More: https://wildlifefarming.com/ Trees for Land Managers: http://www.gingerichtrees.com/
Welcome to a new edition of the Neon Jazz interview series with Israeli Jazz Saxophonist, Composer & Bandleader Eli Digibri .. His latest project is the new 2022 CD Henri & Rachel and it is his first album of original music since 2015 .. On his self-released ninth album, it was recorded on March 9, 2020, days before the onset of the Covid-19 pandemic .. The album is titled for his parents as he spins an intimate, impassioned love story, portraying the personalities and idiosyncrasies of his tight-knit family .. Over the years, he's been a huge part of the jazz scene and has played and learned from legends like Herbie Hancock and Al Foster, along with many others .. In 2016 he was invited to perform at the White House as a guest of President Barak Obama and Michele Obama as part of a special all-star concert celebrating international jazz day. Enjoy this interview .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4
"Footprints" Miguel A. Chastang: Johnny Forever (RTVE Música, 2007) Miguel Ángel Chastang, Al Foster, Eddie Henderson, Albert Bover, Martí Serra. El tema es una composición de Wayne Shorter. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? "Footprints" aparece en Johnny Forever. El disco se grabó en unas condiciones muy peculiares en el mítico Johnny, el CMU San Juan Evangelista de Madrid. La grabación fue la sexta (y última) entrega de la serie Jazz En España de RTVE Música. La serie comenzó con los volúmenes dedicados a Tete Montoliú y Pedro Iturralde. También se publicaron grabaciones dedicadas a Chano Domínguez, Jorge Pardo con Agustín Carbonell "El Bola" y Donna Hightower. En el quinteto estaban Al Foster y Eddie Henderson. Foster fue baterista de Miles Davis. Eddie Henderson fue influenciado por Miles Davis, que era amigo de sus padres. Henderson desarrolló paralelamente las carreras de músico y médico. "Footprints" es una composición de Wayne Shorter. Shorter la grabó en primer lugar para su disco Adam's Apple, pero apareció en primer lugar en Miles Smiles de Miles Davis, que aunque se grabó posteriormente, se editó en primer lugar. Se suele comentar que Wayne Shorter la escribió en 1966 pensando en cómo serían los primeros pasos del hombre en la luna. En esos momentos la URSS y USA estaban en plena carrera por ser los primeros en aterrizar en nuestro satélite. Finalmente Estados Unidos ganó esa carrera el 20 de julio de 1969. Cinco días más tarde Miles Davis actuó en Juan Les Pins (Francia) junto con Wayne Shorter, Chick Corea, Dave Holland y Jack DeJohnette: "Footprints" fue uno de los temas que interpretaron en dicho concierto. Al día siguiente volvieron a actuar en el mismo lugar. No voy a comentar nada acerca de la manera en que dejaron que el Johnny dejase de ser el templo del jazz y el flamenco (entre otras) que fue a lo largo de su historia. ¡Lamentable! Johnny Forever En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos… https://www.tomajazz.com/web/?p=58324 Más información acerca de Miguel Ángel Chastang en Tomajazz https://www.tomajazz.com/web/?s=chastang&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
ART PEPPER – PROMISE KEPT – Burbank, CA, May 25 & 26, 1979 Straight No Chaser Art Pepper (as) George Cables (p) Charlie Haden (b) Billy Higgins (d) – New York, February 23, 1979 My Friend John Art Pepper (as) Hank Jones (p) Ron Carter (b) Al Foster (d) RAHN BURTON – […]
Eric Wyatt is a saxophonist who plays tenor, alto, and soprano sax. Born in Brooklyn, New York, Eric was taught music by his dad, Charles Jolly Wyatt, who played in the army band in Germany. His dad moved to Harlem in the early 50's just in time to play with many of the world's greatest players. Eric can recall stories of his dad taking him to concerts where he would sometimes drive the band members in the family station wagon. Eric at 11 years old drove with his father in 1972 to Storrs, CT with bassist Larry Ridley and pianist Albert Dailey. The band leader was Eric's godfather Sonny Rollins. Jim Hall was on the gig as well. This inspired Eric at a young age to hear his first live concert. Some of his dad's friends were Charlie Parker, Thelonious Monk, Dexter Gordon, Gary Bartz, Big Nick Nicholas, Gilley Coggins, Wilber Ware, and Dizzy Gillespie. Eric went with his dad to see Miles Davis at the Bottom Line club and went backstage after the gig. Eric began on alto and studied at Kingsborough Community College. He also went to Lehman college where he studied with pianist Stanley Cowell. He had some opportunities early in his career to write and license an original song to channel 5 in NY for a tv news show called Black News with host Bill McCreary in 1985. He went on to switch to tenor after his dad passed in July 1989. He met and studied with a Brooklyn legend named Arthur Rhames who inspired him. The lessons he learned from Arthur helped to put Eric on the right track. Eric started playing in Europe as a leader in Sept 1996 performing in Paris, France at the La Villa Jazz Club. Dany Michel brought him there 2 times and Eric made connections in Europe and took his quintet to the Half Note Jazz Club in 1998 and 1999. He has played as a leader in Moscow, Russia, as well as in Slovakia, Prague, Shanghai, Hong Kong, Athens in Greece, Australia, Malaysia, Thailand, and Singapore. He has 5 recordings as a leader and has played as a sideman on CDs with Kenny Garrett, Jeff Tain Watts, Bob Crenshaw, Al Foster, Rufus Reid, Warren Wolf, Wallace Roney, and Steve Jordan. His Cds currently out today are Borough Of Kings, Positone, Look to the Sky, and The Golden Rule 4 Sonny, and A Song of Hope. In this episode, Eric shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Nueva entrega de La Montaña Rusa en la que disfrutamos, como es habitual, del mejor Jazz Clásico y Contemporáneo. En este número especial de La Montaña Rusa, hemos tratado de dibujar el perfil musical del contrabajista George Mraz que lamentablemente nos dejó hace pocas semanas. Con una extensa y brillante trayectoria como sideman, el contrabajista checo aunaba en su estilo y sonido lo mejor del Jazz Clásico y del Jazz Contemporáneo, no en vano formó parte de grabaciones y proyectos importantísimos en diferentes épocas y tendencias jazzísticas. A lo largo de más de dos horas de música y de manera cronológica, repasamos algunas de esas brillantes colaboraciones como sideman y también algunos de sus proyectos más personales junto a otros destacadísimos músicos de Jazz. Muchas gracias por tanto y tan bueno, maestro.
Nueva entrega de La Montaña Rusa en la que disfrutamos, como es habitual, del mejor Jazz Clásico y Contemporáneo. En este número especial de La Montaña Rusa, hemos tratado de dibujar el perfil musical del contrabajista George Mraz que lamentablemente nos dejó hace pocas semanas. Con una extensa y brillante trayectoria como sideman, el contrabajista checo aunaba en su estilo y sonido lo mejor del Jazz Clásico y del Jazz Contemporáneo, no en vano formó parte de grabaciones y proyectos importantísimos en diferentes épocas y tendencias jazzísticas. A lo largo de más de dos horas de música y de manera cronológica, repasamos algunas de esas brillantes colaboraciones como sideman y también algunos de sus proyectos más personales junto a otros destacadísimos músicos de Jazz. Muchas gracias por tanto y tan bueno, maestro.
Basta Buster Williams ve davulda Al Foster'ın eşlik ettiği klarnetçi Eddie Daniels ve piyanist Roger Kellaway'i bir araya getiren kayıt "Just Friends Live At The Village" Sevin Okyay anlatımıyla...
Basta Buster Williams ve davulda Al Foster'ın eşlik ettiği klarnetçi Eddie Daniels ve piyanist Roger Kellaway'i bir araya getiren kayıt "Just Friends Live At The Village" Sevin Okyay anlatımıyla...
People talk about “the rhythm of New York.” Is there really such a thing? Can you see it in the way people walk? The way they talk? Is it in their music? Are New York drummers a distinct group? Drummer Ben Perowsky says there’s no doubt about it, and who is a better example of it than native New Yorker Al Foster? On tonight’s Deep Focus, Ben and host Mitch Goldman will listen to rare recordings of Al with Miles Davis and with Joe Henderson from the WKCR archives. #WKCR #MitchGoldman #DeepFocus #BenPerowsky #AlFoster #JazzRadio #JazzInterview Photo credit: Al_Foster Giacomo Petronio Trieste, Italy, CC BY-SA 2.0 creativecommons.org-licenses-by-sa-2.0 via Wikimedia Commons
People talk about “the rhythm of New York.” Is there really such a thing? Can you see it in the way people walk? The way they talk? Is it in their music? Are New York drummers a distinct group? Drummer Ben Perowsky says there’s no doubt about it, and who is a better example of it than native New Yorker Al Foster? On tonight’s Deep Focus, Ben and host Mitch Goldman will listen to rare recordings of Al with Miles Davis and with Joe Henderson from the WKCR archives. #WKCR #MitchGoldman #DeepFocus #BenPerowsky #AlFoster #JazzRadio #JazzInterview Photo credit: Al_Foster Giacomo Petronio Trieste, Italy, CC BY-SA 2.0 creativecommons.org-licenses-by-sa-2.0 via Wikimedia Commons
People talk about “the rhythm of New York.” Is there really such a thing? Can you see it in the way people walk? The way they talk? Is it in their music? Are New York drummers a distinct group? Drummer Ben Perowsky says there’s no doubt about it, and who is a better example of it than native New Yorker Al Foster? On tonight’s Deep Focus, Ben and host Mitch Goldman will listen to rare recordings of Al with Miles Davis and with Joe Henderson from the WKCR archives. #WKCR #MitchGoldman #DeepFocus #BenPerowsky #AlFoster #JazzRadio #JazzInterview Photo credit: Al_Foster Giacomo Petronio Trieste, Italy, CC BY-SA 2.0 creativecommons.org-licenses-by-sa-2.0 via Wikimedia Commons
People talk about “the rhythm of New York.” Is there really such a thing? Can you see it in the way people walk? The way they talk? Is it in their music? Are New York drummers a distinct group? Drummer Ben Perowsky says there’s no doubt about it, and who is a better example of it than native New Yorker Al Foster? On tonight’s Deep Focus, Ben and host Mitch Goldman will listen to rare recordings of Al with Miles Davis and with Joe Henderson from the WKCR archives. #WKCR #MitchGoldman #DeepFocus #BenPerowsky #AlFoster #JazzRadio #JazzInterview Photo credit: Al_Foster Giacomo Petronio Trieste, Italy, CC BY-SA 2.0 creativecommons.org-licenses-by-sa-2.0 via Wikimedia Commons
People talk about “the rhythm of New York.” Is there really such a thing? Can you see it in the way people walk? The way they talk? Is it in their music? Are New York drummers a distinct group? Drummer Ben Perowsky says there’s no doubt about it, and who is a better example of it than native New Yorker Al Foster? On tonight’s Deep Focus, Ben and host Mitch Goldman will listen to rare recordings of Al with Miles Davis and with Joe Henderson from the WKCR archives. #WKCR #MitchGoldman #DeepFocus #BenPerowsky #AlFoster #JazzRadio #JazzInterview Photo credit: Al_Foster Giacomo Petronio Trieste, Italy, CC BY-SA 2.0 creativecommons.org-licenses-by-sa-2.0 via Wikimedia Commons
People talk about “the rhythm of New York.” Is there really such a thing? Can you see it in the way people walk? The way they talk? Is it in their music? Are New York drummers a distinct group? Drummer Ben Perowsky says there’s no doubt about it, and who is a better example of it than native New Yorker Al Foster? On tonight’s Deep Focus, Ben and host Mitch Goldman will listen to rare recordings of Al with Miles Davis and with Joe Henderson from the WKCR archives. #WKCR #MitchGoldman #DeepFocus #BenPerowsky #AlFoster #JazzRadio #JazzInterview Photo credit: Al_Foster Giacomo Petronio Trieste, Italy, CC BY-SA 2.0 creativecommons.org-licenses-by-sa-2.0 via Wikimedia Commons
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! 'Sunrise' es el disco que acaba de publicar Jeff Kashiwa, el que fuera saxofonista de la banda The Rippingtons. Lo estrenamos y repasamos otras novedades de T-Square, Marion Meadows, Hannah Baiardi, Ben Tankard y Moon. En el bloque del recuerdo escuchamos música del baterista Al Foster (componente durante trece años de la banda de Miles Davis) y de la vocalista Dee Dee Davis.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170
Live at the March 20th Higgins Outdoors Master Class, students put Don on the spot with tough questions that he has to answer. Al Foster was there again and we got to spend some time talking about ethics. More specifically, the integrity that we try to hold as the popularity of the podcast continues to grow. Questions about electric bikes, stand placement, tree saddles, hunting wrong winds are all covered in this episode.
En los primeros tiempos del jazz la batería se limitaba a marcar el pulso haciendo funciones de simple metrónomo. No habían solos y el baterista solía ser el músico menos preparado de cualquier banda. De esos primeros bateristas podemos mencionar a Zutty Singleton, natural de Bunkie, y Baby Dodds, nativo de Nueva Orleans, que tocó con King Oliver y con los Hot Seven de Louis Armstrong. Ambos bateristas eran de Luisiana y trabajaban con los músicos de Nueva Orleans. Dodds fue el primero en ejecutar breaks del estilo de redobles que marcaban el final de una sección del número musical y que serían el inicio del posterior desarrollo de los solos. Fue en Chicago donde la batería adquiriría una mayor relevancia, especialmente tras la fulgurante aparición de Gene Krupa. Krupa llegó a establecerse en la cumbre del período del swing con la memorable interpretación por la orquesta de Benny Goodman de la pieza Sing, Sing, Sing (With a Swing), en la que hacía un largo solo de batería. Poco más tarde Jo Jones innovó trasladando la atención desde el bombo al hi-hat, una herencia que acabarían recibiendo bateristas tan importantes como Buddy Rich y Louie Bellson. El creador del estilo moderno en la batería de jazz es, sin duda Kenny Clarke. El perfil de un bateria desde entonces será el de un músico con formación académica completa que suele poder tocar otros instrumentos, leer música y hasta hacer arreglos, y que ya no es el miembro menos preparado de la banda, sino, frecuentemente, el más conocedor. Poco más tarde Max Roach perfecciona el estilo de Clarke, aportando nuevas técnicas. Roach fue el primer baterista en tocar líneas melódicas perceptibles con su instrumento, a menudo en respuesta a los solos y ejecuciones de sus compañeros, liberando con ello a la batería de su papel de mero instrumento rítmico y ampliando su campo a los ámbitos de la armonía y la melodía; también fue Roach el primero en demostrar que el swing podía tener lugar en compases diferentes del 4/4. A partir de los 50s aparece Art Blakey, que había empezado como pianista. Blakey fue uno de los primeros bateristas en investigar las raíces africanas del jazz, y las incorporó a su estilo, de fuerte inspiración en el bop. Fue gran divulgador del mundo del jazz en los escenarios con sus famosos Jazz Messengers. Desde 1956 hasta 1967, Joe Morello cobró fama por el trabajo que hacía en el cuarteto de Dave Brubeck, en especial sus experimentos con métricas inusuales.8 . De Blakey y Roach proceden los principales bateristas de la era del hard bop, como Art Taylor, Louis Hayes, Dannie Richmond, Pete La Roca, Roy Haynes, Albert Heath y, aunque llegaría mucho más allá de los límites de ese género, Elvin Jones, tal vez el baterista más imitado de la historia junto a Max Roach. Entre los bateristas de la escena de Nueva York que desarrollaron un estilo moderno del swing destacan Buddy Rich, el ejemplo paradigmático de técnica virtuosa o Louie Bellson, que introdujo el doble bombo en la orquesta de Duke Ellington. En la Costa Oeste se desarrolla un estilo diferente: Shelly Manne es el prototipo de baterista melódico; por su parte, Chico Hamilton, miembro fundador del cuarteto de Gerry Mulligan, comenzó en el cool antes de pasarse al jazz fusión. Tony Williams alcanzó notoriedad aún siendo un adolescente, primero con Jackie McLean, y después con Miles Davis, con quien grabaría algunos álbumes que pasarían a la historia como parte del segundo quinteto clásico de Davis. Después fundó su propia banda: The Tony Williams Lifetime. Williams era capaz de competir con los mejores exponentes del instrumento, y su estilo, derivado de los de Kenny Clarke y Max Roach, era original y extremadamente potente. Entre los bateristas más importantes de la corriente principal contemporánea que surgieron desde finales de los 60 en adelante, hay que citar a Billy Hart (n. 1940), Narada Michael Walden, Victor Lewis, Eddie Gladden, Al Foster, Don Alias, Jeff Hamilton, Paul Motian, Joe LaBarbera, Elliot Zigmund, Michael Di Pasqua, el noruego Jon Christensen, el sudafricano Makaya Ntshoko o el polaco Janusz Stefanski. La llegada del jazz fusión a principios de los 70 devuelve en cierta forma la batería a sus comienzos: el énfasis en el bombo y la necesidad de marcar el primer tiempo del compás con claridad son aspectos que retoman una nueva generación de bateristas entre los que destacan el ya mencionado Tony Williams y, además, Alphonse Mouzon, Steve Gadd, Peter Erskine, Harvey Mason, Lenny White, Jack DeJohnette, Gerry Brown, Leon "Ndugu" Chancler, John Guerin, Billy Cobham o Danny Gottlieb. A partir de los 80, hay que señalar a Brian Blade, Terry Lyne Carrington, Jeff "Tain" Watts, Omar Hakim, Dave Weckl o Dennis Chambers. Hoy os vamos a hablar del único instrumento genuinamente norteamericano, la batería y hemos creído oportuno comenzar por el principio. Agarraos los cinturones que hoy vamos a escuchar a los amos del ritmo.
Richard Galliano cumplió 70 años el sábado. Escuchamos su acordeón en grabaciones de 'New York Tango' -con Biréli Lagrène, George Mraz y Al Foster-, 'Waltz for Nicky' y 'Tango pour Claude' -con Lagrène, Pierre Michelot y Charles Bellonzi-, Oblivion' (de Piazzolla) -con I Solisti de la Orquesta de la Toscana-, 'Soledad' (de Piazzolla) y 'L´Hymne à l´amour' (de Piaf) -con Gary Burton, George Mraz y Clarence Penn- y 'La vie en rose' y 'Je ne regrette rien' -con el guitarrista Sylvain Luc-. De Michel Legrand interpreta 'The Messenger' y 'La valse des lilas' ('Once upon a summertime') -con Prague String Quartet- y, en solitario en concierto en Tokio, 'Aria', 'Clair de lune' (de Claude Debussy) y 'Tango pour Claude'. Escuchar audio
Nell'agosto del '61 Max Roach incide per la Impulse! Percussion Bitter Sweet, in due brani del quale compare anche la voce di Abbey Lincoln, largamente utilizzata in maniera non convenzionale, come uno strumento. Nel febbraio del '62 la Lincoln partecipa all'incisione di un altro album di Roach, It's Time, in cui assieme al gruppo di Roach è impiegato anche un coro diretto dal compositore afroamericano Coleridge Taylor Perkinson. Una registrazione non ufficiale (Parigi, 1964) ci consente di avere un'idea dell'attività di Abbey Lincoln dal vivo con il gruppo di Roach. Negli anni sessanta Abbey Lincoln avvia anche una significativa carriera come attrice, mentre dopo Straight Ahead del '61 bisogna attendere il '73 per un nuovo album personale della cantante: People in Me, con la partecipazione di tre musicisti che in quella fase fanno parte del gruppo elettrico di Miles Davis, il sassofonista Dave Liebman, il batterista Al Foster e il percussionista Mtume.
Nell'agosto del '61 Max Roach incide per la Impulse! Percussion Bitter Sweet, in due brani del quale compare anche la voce di Abbey Lincoln, largamente utilizzata in maniera non convenzionale, come uno strumento. Nel febbraio del '62 la Lincoln partecipa all'incisione di un altro album di Roach, It's Time, in cui assieme al gruppo di Roach è impiegato anche un coro diretto dal compositore afroamericano Coleridge Taylor Perkinson. Una registrazione non ufficiale (Parigi, 1964) ci consente di avere un'idea dell'attività di Abbey Lincoln dal vivo con il gruppo di Roach. Negli anni sessanta Abbey Lincoln avvia anche una significativa carriera come attrice, mentre dopo Straight Ahead del '61 bisogna attendere il '73 per un nuovo album personale della cantante: People in Me, con la partecipazione di tre musicisti che in quella fase fanno parte del gruppo elettrico di Miles Davis, il sassofonista Dave Liebman, il batterista Al Foster e il percussionista Mtume.
"Estival de Jazz 2020 Vol.XII: The Milestone Jazz Stars - In Concert". Esta semana recuperamos actuaciones den vivo de un cuarteto de excepción: "Milestone Jazz Stars", es decir, Sonny Rollins, McCoy Tyner, Ron Carter y Al Foster. En 1978 los tres primeros formaban parte del sello "Milestone" y entre el 22 de septiembre y el 22 de Octubre de ese año el sello promovió una gira de conciertos con algunos de sus "All Stars" como protagonistas. Ya en 1980 aparece el disco que nos ocupa esta semana: "In Concert" que reúne grabaciones de conciertos de esa gira, concretamente, los acontecidos en el "Masonic Auditorium" de San Francisco, la Universidad de Wisconsin y la de Yale. "Dexterity" de Parker es el "Estándar de la semana" y "Dante" composición del contrabajista Dee Jay Foster incluida en "Vorocity" de Voro García, nuestro "Favorito" Ahora Jazz, Ed.1985 - Jueves 27 Agosto.
"Estival de Jazz 2020 Vol.XI: The Milestone Jazz Stars - In Concert". Esta semana recuperamos actuaciones en vivo de un cuarteto de excepción: "Milestone Jazz Stars", es decir, Sonny Rollins, McCoy Tyner, Ron Carter y Al Foster. En 1978 los tres primeros formaban parte del sello "Milestone" y entre el 22 de septiembre y el 22 de Octubre de ese año el sello promovió una gira de conciertos con algunos de sus "All Stars" como protagonistas. Ya en 1980 aparece el disco que nos ocupa esta semana: "In Concert", que reúne grabaciones de conciertos de esa gira, concretamente, los acontecidos en el "Masonic Auditorium" de San Francisco, la Universidad de Wisconsin y la de Yale. Ahora Jazz, Ed.1984 - Miércoles 26 Agosto.
"Estival de Jazz 2020 Vol.V: Pasajes - II Seminario Jazz y Flamenco "Jazz Viene del Sur". Segunda y última de las sesiones que esta semana dedicamos al concierto de clausura del "II Seminario de Jazz y Flamenco" del Teatro Central de Sevilla celebrado en Febrero de 2000 bajo el marco "Jazz viene del Sur". Con Perico Sambeat, Jeanne Lee, Gerardo Núñez, Paolo Fresu, Esperanza Fernández, Julián Argüelles, Carlos Martín, George Colligan, Manuel Soler, Fared Haque, Javier Colina y Marc Miralta. "Lotus Blossom" de B.Strayhorn a través de Gary Bartz, Larry Willis, Buster Williams y Al Foster es nuestro "Estándar de la semana" y "Ponto Final" del "Septeto do Hot Club" de Lisboa con Bruno Santos, Joao Moreira, Pedro Moreira, Claus Nymark, Rodrigo Gonçalves, Bernardo Moreira y Andre Sousa Machado, nuestro "Favorito". Ahora Jazz, Ed.1978 - Jueves 30 Julio.
In this episode, we talk about the Battlestar Galactica ... thing ... that's happening on NBC's new streaming service. Though it's not a reboot, it supposedly won't share any cast, but takes place in the same universe as Ron Moore's BSG, and we have no idea when it'll actually be available to watch. So yeah... this one seems like it's humming along like a finely tuned machine. HOWEVER, that doesn't mean we can't spend some time wildly speculating about what it could be! LINKS OF INTEREST:- Here's the original Hollywood Reporter post about the new show from September 2019, then the latest article we found on Cineblend from February 2020, and then another one from Slashfilm in February 2020 for the sake of completeness.- Welcome to another edition of "Tim Was Right, Todd Was Wrong"... Tim was closer to the truth about the time jump at the end of "Daybreak Part 3" (the final episode of Ron Moore's BSG) because it's a 150,000 year difference between the crew landing on Earth and present day, not millions of years as Todd claimed.- Well, well, well... looks like SNL posted the old Eddie Murphy "James Brown Celebrity Hot Tub Party" in a decent resolution after all!- And the most recent actor we thought who was no longer with us but turns out to be very alive was Dennis "I've Got 98 Acting Credits To My Name So Stop Calling Me Mister Belding" Haskins! ...AND ANOTHER THING:Tim was very excited about Mile Davis' 1981 album The Man With The Horn, which features drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, Marcus Miller on bass, and others. Specifically, you ought to check out the track "Fat Time".Todd thinks a deep dive into Keith Jarrett's The Koln Concert is well worth your time as well as reading some of the history behind the event and why it's considered a bit of a masterpiece. FOLLOW US ON THE SOCIAL MEDIAS:Did you love what you listened to? Fantastic - we love people with questionable taste that enjoy a couple chuckleheads cracking each other up. Follow us on Facebook, Twitter, and Instagram for more of the internet funny.Be sure to subscribe to our podcast on Podbean, iTunes, or Spotify!
In today’s episode, we’re speaking with pianist Adam Birnbaum. We talked about the Vanguard Jazz Orchestra, of which he recently became a member, how to build your career through forming meaningful relationships, the value of patience, his thoughts on teaching gigs, and much more. Support the Podcast: https://berniesbootlegs.com/supportConnect with Adam:Website: http://www.adambirnbaum.com/Instagram: https://www.instagram.com/adambirnbaumpianoYouTube: https://www.youtube.com/channel/UCtkjZg4XOdZKRbKH19nRAzQFacebook: https://www.facebook.com/adambirnbaumpiano/Connect with Bernie's Bootlegs:Website: http://berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1Email: berniesbootlegs@gmail.comAppended biography, courtesy of adambirnbaum.com:"Adam Birnbaum is emerging as one of the top young voices in jazz piano. Since receiving a graduate Artist’s Diploma in jazz studies from The Julliard School in 2003, he has become a presence on the New York City scene as a leader and sideman, performing in such venues as the Village Vanguard, the Blue Note, Birdland, the Jazz Standard and Dizzy's Club Coca-Cola. He has also performed on many national and world stages, including the Gilmore International Keyboard Festival, the Kennedy Center, the Montreal Jazz Festival, The Spoleto Festival, The Red Sea Jazz Festival, The Rockport Chamber Festival, NPR Jazz Christmas, and the Capetown Jazz Festival.As a leader, Birnbaum has released four albums under his name in Japan and the U.S. His first release, Ballade Pour Adeline, received a Gold Disk award from As a leader, Birnbaum has released four albums under his name in Japan and the U.S. His first release, Ballade Pour Adeline, received a Gold Disk award from Swing Journal as one of the top albums of 2006. Adam’s U.S. debut Travels, released in 2009 under the Smalls record label, received enthusiastic reviews in Allmusic.com, All About Jazz and JazzTimes. Birnbaum’s recent release Three of A Mind, featuring bassist Doug Weiss and drummer Al Foster, was hailed as “an eloquent dispatch from the heart of the contemporary piano trio tradition” by the New York Times, and received an Editor’s Pick and four star review in Downbeat magazine.As a sideman, Birnbaum’s wide-ranging versatility and artistry have made him a first call for a wide variety of ensembles. He has performed or toured with established jazz artists such as Al Foster, Greg Osby, Regina Carter, The Vanguard Jazz Orchestra, and Jazz at Lincoln Center with Wynton Marsalis, as well as with young artists such as Darcy James Argue’s Secret Society and Cecile Mclorin Salvant. Birnbaum has appeared as a sideman more than 25 albums."Support the show (http://berniesbootlegs.com/support)
12e émission de la 42e session... Cette semaine, départ en postbop puis free jazz! En musique: Markus Howell sur l'album Get Right! (Posi-Tone, 2019); Al Foster sur l'album Inspirations & Dedications (Smoke Sessions, 2019); Moutin Factory Quintet sur l'album Mythical River (Laborie Jazz, 2019); David Haney Quartet sur l'album Siege Of Misrata (CIMP, 2018); Evan Parker & Paul G. Smyth sur l'album Calenture and Light Leaks (Weekertoft, 2019); Evan Parker & Kinetics sur l'album Chiasm (Clean Feed, 2019)...
12e émission de la 42e session... Cette semaine, départ en postbop puis free jazz! En musique: Markus Howell sur l'album Get Right! (Posi-Tone, 2019); Al Foster sur l'album Inspirations & Dedications (Smoke Sessions, 2019); Moutin Factory Quintet sur l'album Mythical River (Laborie Jazz, 2019); David Haney Quartet sur l'album Siege Of Misrata (CIMP, 2018); Evan Parker & Paul G. Smyth sur l'album Calenture and Light Leaks (Weekertoft, 2019); Evan Parker & Kinetics sur l'album Chiasm (Clean Feed, 2019)...
ft. Avishai Cohen, Jacob Collier, Al Foster, Ron Carter, and more!
En su día fueron maestro y alumna, hoy ambos comparten maestría. Y, por primera vez, graban a dúo. En Club de Jazz nos permitimos el lujo de volver a invitarles a conversar en el programa. Son los guitarristas Mary Halvorson y Joe Morris. Hace poco más de tres años estuvieron con nosotros después de su paso por España con el grupo Plymouth, gira de la que escuchamos en exclusiva uno de sus conciertos. La publicación de "Traversing Orbits" nos permite traerles de vuelta al Club, en un año que ha sido muy especial para Mary Halvorson. Costumbre anual, Alberto Varela nos acerca en el 'Jazz Porteño' hasta el Festival de Jazz de Punta del Este, en Uruguay, uno de cuyos participantes es el baterista Al Foster. Toda la información y derechos: http://www.elclubdejazz.com
En su día fueron maestro y alumna, hoy ambos comparten maestría. Y, por primera vez, graban a dúo. En Club de Jazz nos permitimos el lujo de volver a invitarles a conversar en el programa. Son los guitarristas Mary Halvorson y Joe Morris. Hace poco más de tres años estuvieron con nosotros después de su paso por España con el grupo Plymouth, gira de la que escuchamos en exclusiva uno de sus conciertos. La publicación de "Traversing Orbits" nos permite traerles de vuelta al Club, en un año que ha sido muy especial para Mary Halvorson. Costumbre anual, Alberto Varela nos acerca en el 'Jazz Porteño' hasta el Festival de Jazz de Punta del Este, en Uruguay, uno de cuyos participantes es el baterista Al Foster. Toda la información y derechos: http://www.elclubdejazz.com
Vince Wilburn was always fascinated by Tony Williams, Jack De Johnette, Al Foster, or whomever held the drum throne of his uncle Miles Davis’s group. At the tender age of 9, at the Plugg Nickel in old town Chicago, Miles had Vince sit in on a set with his band… Chick Corea, Jack DeJohnette, Wayne Shorter, and Dave Holland. Vince founded and played in various Chicago bands through high school. Most notably, he was in a band called AL7, which caught Miles' attention. That band became the catalyst for “The Man with the Horn”, Miles' 1981 comeback album. The album was recorded in NY using AL7's core rhythm section. In 1983, Vince joined Cameo. In 1984, Vince went to Copenhagen to co-produce and record Miles' GRAMMY award-winning album “AURA” for Columbia Records. Vince played additional drums on the album. Later, Vince co-produced “Decoy”, which featured Al Foster on drums. In the summer of 1984, Vince began to live his dream. He co-produced and shared the drum chair with his idol, Al Foster, on Miles's record “You're Under Arrest”. Once the record was completed, Miles added Vince to his band, anointing him to the coveted drum throne. Vince toured the world with Miles while he held the drum chair from 1984 through 1987. In addition to heading his own company, NEFDRUM, Vince and his cousins, Cheryl and Erin, oversee Miles Davis Properties, LLC. In 2007 Vince called me to collaborate with him on “Evolution of a Groove”, a groundbreaking Miles Davis EP that features the likes of hip-hop icon Nas, guitar legend Carlos Santana, along with Victor Bailey, Pat Thrall, Olu Dara, and Charley Drayton. Vince was also Executive Producer of the Miles bio pic featuring Don Cheadle called “Miles Ahead”.
It's podcast Friday people! Godwin Louis is the CEO and Founder of Experience Ayiti.(https://www.ExperienceAyiti.org) He and I explored the meaning of success, spirituality and mastery. We also spoke about his time in Africa and the impact that the continent has had on his day to day life. I hope you enjoy this episode of The Working Artist Project. Please don't forget too like, comment, and subscribe to this podcast. Connect with Godwin Here: https://www.experienceayiti.org/ Connect with Darrian Here: https://www.secondlinearts.org Bio: Godwin Louis, alto saxophonist, was born in Harlem, New York and began playing saxophone at age nine. Godwin grew up in Bridgeport, Connecticut and Port au Prince, Haiti. Godwin was a finalist in the Thelonious Monk Institute of Jazz Saxophone Competition. He has performed around the globe including: Mali, Senegal, Togo, France, Spain, United Kingdom, Italy, Russia, Azerbaijan, United Arab Emirates, Qatar, Venezuela, Colombia, South Korea, Thailand, Indonesia and Australia. Godwin is a graduate of Berklee College of Music and the prestigious Thelonious Monk Institute for Jazz Performance. Godwin has studied and performed with Herbie Hancock, Clark Terry, Roger Dickerson, Ron Carter, Al Foster, Jack Dejohnette, Jimmy Heath, Billy Preston, Patti Labelle, Toni Braxton, Babyface, Madonna, Gloria Estefan, Barry Harris, Howard Shore, David Baker, Mulatu Astakte, Mahmoud Ahmed, Wynton Marsalis, and Terence Blanchard just to name a few. In addition, Godwin has performed as a sideman, guest soloist and has conducted clinics and master classes worldwide. As a composer, Godwin has received the Jerome Foundation Emerging Artist Grant, and the Jazz Gallery's "New Works Commission". As an educator, humanitarian and ambassador, Godwin has traveled from Ghana to China to help promote cross-cultural understanding and introduce thousands to America's indigenous art form, through public concerts, master classes, and jam sessions. Godwin is the founder of Experience Ayiti, a nonprofit educational, multidisciplinary arts organization. Support this podcast
Jorge Rossy y Joey Baron, dos invitados de lujo en esta edición de 'Club de Jazz' del 29 de mayo de 2017. Rossy, vibrafonista en su última encarnación, está de gira con motivo de la presentación de su disco "Stay there", grabado con Mark Turner (saxo tenor), Peter Bernstein (guitarra), Doug Weiss (contrabajo) y Al Foster (batería). Escuchamos en exclusiva unos minutos de su actuación en el Zentral, de Pamplona, donde contó con Jaume Llombart (guitarra) y Joey Baron (batería). Jorge Rossy (1964) adquirió dimensión internacional como componente del trío del pianista Brad Mehldau; Joey Baron (1955) tiene una trayectoria que quita el hipo. Miembro durante años del grupo de Bill Frisell, forma parte de la órbita de John Zorn, entre otros muchos. Toda la información y derechos: http://www.elclubdejazz.com
Jorge Rossy y Joey Baron, dos invitados de lujo en esta edición de 'Club de Jazz' del 29 de mayo de 2017. Rossy, vibrafonista en su última encarnación, está de gira con motivo de la presentación de su disco "Stay there", grabado con Mark Turner (saxo tenor), Peter Bernstein (guitarra), Doug Weiss (contrabajo) y Al Foster (batería). Escuchamos en exclusiva unos minutos de su actuación en el Zentral, de Pamplona, donde contó con Jaume Llombart (guitarra) y Joey Baron (batería). Jorge Rossy (1964) adquirió dimensión internacional como componente del trío del pianista Brad Mehldau; Joey Baron (1955) tiene una trayectoria que quita el hipo. Miembro durante años del grupo de Bill Frisell, forma parte de la órbita de John Zorn, entre otros muchos. Toda la información y derechos: http://www.elclubdejazz.com
El sello germano Pirouet Records ha publicado en los últimos días tres nuevas grabaciones: Stay Here de Jorge Rossy en la que participan Al Foster, Mark Turner, Peter Bernstein y Doug Weiss; Lineage de Pablo Held Trio (formación que cumple diez años y que cuenta con Held, Robert Landfermann y Jonas Burgwinkel); Charm Offensive de Jochen Rueckert al que acompañan Mike Moreno, Mark Turner y Orlando Le Fleming. En HDO 173 escuchamos tres temas de cada una de estas grabaciones. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz Toda la información de HDO 173 en http://www.tomajazz.com/web/?p=26764 Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298
ILLUMINATION McCoy Alfred Tyner is best remembered from the John Coltrane Quartet. In the past decades since he has become one of the major pianists and composers, expanding the vocabulary of color and harmony. His lusty piano is richly percussive and hammering, while full of cascading and romantic sounds. His unique and forceful style has inspired and influenced a whole new generation of musicians. Tyner was born in Philadelphia on December 11, 1938, the oldest of three children. He was encouraged to study piano by his mother. He finally began studying the piano at age 13 and within two years, music had become the focal point in his life. In the beginning McCoy practiced on a neighbour's piano. When his family bought one, he began hosting jam sessions. Among his friends and neighbours were a number of young musicians who would go on to make their marks in jazz, such as trumpeter Lee Morgan, saxophonist Archie Shepp, pianist Bobby Timmons, and bassist Regie Workman. "Bud and Richie Powell moved into my neighbourhood. Bud was a major influence on me during my early teens. He was very dynamic." In addition, Thelonious Monk and Art Tatum were young McCoy's major influences. McCoy studied at the West Philadelphia Music School and later at Granoff School of Music. At age 17, while playing at a local club called the Red Rooster, he first met JOHN COLTRANE. Coltrane was in Philadelphia between gigs with Miles Davis. The saxophonist, whose style was still in its formative stages and whose reputation was on the rise, had no working group of his own, but secured a few engagements in and around Philadelphia, with McCoy often in his rhythm section. The rapport between the two was so apparent, that Coltrane made it clear that he hoped to eventually have a regular band with McCoy Tyner in it.His first main exposure came with BENNY GOLSON being the first pianist in Golson's and Art Farmer's legendary Jazztet (1959). By 1960, when John Coltrane finally left Miles Davis to form his own group, McCoy left Art Farmer. Tyner continued with Coltrane through 1965, participating in all the major recording sessions.The pianist participated in numerous historical recording sessions with Coltrane, including for instance Africa Brass, A Love Supreme, and My Favorite Things. While with Coltrane, Tyner also recorded many of his own albums for Impulse!, including such classics as "Inception", "Night of Ballads and Blues", and "Live at Newport", and later for Blue Note, which enabled him to feature his densely rich piano sound to great effect.Upon Leaving Coltrane (1965), there was a lull in Tyner's popularity. The future looked bright and the trio he formed seemed to have a big future. In fact he spent the next five years playing superbly but getting more and more disillusioned due to lack of acceptance. But he rebounded in the 1970's. Due to groups featuring Sonny Fortune and Azar Lawrence and recordings for Milestone like "Sahara", which received two Grammy nominations and was named 'Album of the year' in the Down Beat Critics Poll, Tyner gained recognition. He toured and recorded with SONNY ROLLINS, Ron Carter and Al Foster as the Milestone Jazzstars in 1978, and in the mid-1980s led a quintet that included Gary Bartz and violinist John Blake. Since 1980, he has also arranged his lavishly textured harmonies for a big band that performs and records when possible. In the late 1980s, he mainly focussed on his regular piano trio featuring Avery Sharpe on bass and Aarron Scott on drums. As of today, this trio is still in great demand. He returned to Impulse in 1995, with a superb album featuring MICHAEL BRECKER. In 1996 he recorded a special album with the music of BURT BACHARACH. In 1998 he changed labels again and recorded a interesting latin album and an album featuring STANLEY CLARKE for TelArc. While he avoids modern conventions and the trappings of the moment, Tyner's sound remains contemporary to this day. Tyner's full use of the piano's keyboard, with a striking exploitation of dynamics, sets him aside from more introverted players like Bill Evans and Keith Jarret. Their "musique de chambre" links them more with the European-oriented piano tradition, whereas Tyner follows the track back to the roots of the Afro-American quintessence of jazz music.Tyner's music has been a major influence over the adoption in jazz of quartal and quintal harmonies, modes and pentatonic scales. He achieved a revived appreciation as a major player in the international jazz scene, a status he continues to maintain
Gary Peacock (contrabajo) y Marilyn Crispell (piano) firman "Azure", su primer trabajo a dúo después de dos anteriores junto a Paul Motian. En esta edición de "Club de Jazz" del 11 de septiembre de 2013 descubrimos su música así como la del cuarteto madrileño 24 Frames formado por Tomás Eteras (piano, rhodes, guitarra), Víctor Montesino (contrabajo), Luis Erades (saxo alto, tenor y clarinete) y Fernando Alandes (batería). Primera sección de la temporada de Jesús Moreno "desde mi cadiera" con la Michel Portal Unit y su "Châteavallon 76" junto a Bernard Lubat, Bob Guérin y Léon Francioli. En los "Ritmos Latinos" de Anxo, el recuerdo del estadounidense John Santos a Haití en su reciente "Filosofía caribeña, Vol.2". Además, el directo en el Village Vanguard en 1986 de Steve Kuhn (piano), Ron Carter (contrabajo) y Al Foster (batería) recogido en "The Vanguard date". Toda la información y derechos: http://www.elclubdejazz.com
Gary Peacock (contrabajo) y Marilyn Crispell (piano) firman "Azure", su primer trabajo a dúo después de dos anteriores junto a Paul Motian. En esta edición de "Club de Jazz" del 11 de septiembre de 2013 descubrimos su música así como la del cuarteto madrileño 24 Frames formado por Tomás Eteras (piano, rhodes, guitarra), Víctor Montesino (contrabajo), Luis Erades (saxo alto, tenor y clarinete) y Fernando Alandes (batería). Primera sección de la temporada de Jesús Moreno "desde mi cadiera" con la Michel Portal Unit y su "Châteavallon 76" junto a Bernard Lubat, Bob Guérin y Léon Francioli. En los "Ritmos Latinos" de Anxo, el recuerdo del estadounidense John Santos a Haití en su reciente "Filosofía caribeña, Vol.2". Además, el directo en el Village Vanguard en 1986 de Steve Kuhn (piano), Ron Carter (contrabajo) y Al Foster (batería) recogido en "The Vanguard date". Toda la información y derechos: http://www.elclubdejazz.com
El contrabajista portugués Carlos Bica edita con "Things About" su quinto trabajo con su trío Azul, que completan Jim Black (batería) y Frank Möbus (guitarra). En esta edición de "Club de Jazz" del 4 de julio de 2012 escuchamos "Alma", el encuentro entre el piano de Omar Sosa y la trompeta de Paolo Fresu (con la colaboración de Jaques Morelenbaum). "Four MFs playin´ tunes" es el nuevo cuarteto de Branford Marsalis. "desde mi cadiera" Jesús Moreno avanza los contenidos de Jazz à Luz y lo ilustra con música de Sylvain Guérineau y con el trío Evan Parker, Barry Guy y Paul Lytton. En el "Jazz Porteño" el estupendo "Fragmentos del mundo" de Ernesto Jodos. El pianista valenciano Albert Sanz se une a Al Foster (bt) y Javier Colina (cb) para recrear la música brasileña de Ivan Lins, Chico Buarque o Antonio Carlos Jobim. Anxo hila la música de Arsenio Rodríguez a través de Irakere y la orquesta de Larry Harlow en los "Ritmos Latinos". El saxofonista holandés Ab Baars se marca un solitario "Time to do my lions". El "Tren Azul" de Luis Díaz García ofrece la primera grabación del "An American in Paris" de George Gershwin. Toda la información y contenidos: http://www.elclubdejazz.com
El contrabajista portugués Carlos Bica edita con "Things About" su quinto trabajo con su trío Azul, que completan Jim Black (batería) y Frank Möbus (guitarra). En esta edición de "Club de Jazz" del 4 de julio de 2012 escuchamos "Alma", el encuentro entre el piano de Omar Sosa y la trompeta de Paolo Fresu (con la colaboración de Jaques Morelenbaum). "Four MFs playin´ tunes" es el nuevo cuarteto de Branford Marsalis. "desde mi cadiera" Jesús Moreno avanza los contenidos de Jazz à Luz y lo ilustra con música de Sylvain Guérineau y con el trío Evan Parker, Barry Guy y Paul Lytton. En el "Jazz Porteño" el estupendo "Fragmentos del mundo" de Ernesto Jodos. El pianista valenciano Albert Sanz se une a Al Foster (bt) y Javier Colina (cb) para recrear la música brasileña de Ivan Lins, Chico Buarque o Antonio Carlos Jobim. Anxo hila la música de Arsenio Rodríguez a través de Irakere y la orquesta de Larry Harlow en los "Ritmos Latinos". El saxofonista holandés Ab Baars se marca un solitario "Time to do my lions". El "Tren Azul" de Luis Díaz García ofrece la primera grabación del "An American in Paris" de George Gershwin. Toda la información y contenidos: http://www.elclubdejazz.com
This short-lived quintet led by tenor saxophone master Hank Mobley and pianist Cedar Walton constituted one of Mr. Mobley's final documentation on record. It was done in New York on February 22,1972. Hank was one of the most prolifically consistent musicians of the 50's and 60's and recorded dozens of fine albums mostly for Blue Note Records and also for Prestige and Savoy. Hank was a charter member of The Jazz Messengers, and worked with Max Roach a few times but was most prominent when he worked with Miles Davis from 1960 to 1962. His recorded output is tremendously consistent and his compositions fill most of these albums...the finest being on Blue Note. Hank made his last album for that label in 1970. After that, illness, affecting his lungs and deterioration from drugs and alcohol ruined his health. The Feature album, with this group marked his penultimate appearance on records. This fine band made up of Hank and Cedar included the unique voice of the baritone and soprano saxophones, Charles Davis, plus the fiery rhythm section of bassist Sam Jones and drummer Billy Higgins. All of the players have their feature moments on this album. Davis on baritone is featured on "Sabia" by A.C. Jobim, Walton gets a trio track and plays Henry Mancini's "Theme From Love Story". Hank Mobley's feature is his take on the Gershwin's "Summertime". Two great Mobley compositions are included here also: the opening title track is a burner and "Early Morning Stroll" cooks at a slightly lower flame. There are many wonderful moments throughout this record and we'll hear them all.The final track on the Hank Mobley Feature is his final recorded appearance. He guested on one tune on a date with Catalonian pianist Tete Montoliu with bassist George Mraz and drummer Al Foster....Hank plays "Autumn Leaves". This was recorded in 1980. Hank Mobley died on May 30,1986 of ill health and in poverty, he was only 56. After his passing, whole generations of young musicians recognized Mr. Mobley as one of the musical giants of the last century and not only as a saxophonist who can sit alongside Coltrane and Rollins but a fine composer as well.
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