Podcasts about capobianco

Ryan, Chris, and James break down the Dallas Stars' defensive crisis as injuries to key players like Miro Heiskanen, Nils Lundkvist, and Ilya Lyubushkin leave the blue line in shambles. Should the Stars ride it out with Capobianco and Petrovic, or is it time to make a trade? The crew debates potential moves, from depth pickups to the pipe dream of landing Jacob Trouba. They also spotlight the Stars' post-Christmas surge, with Jason Robertson and Wyatt Johnston leading the charge offensively. Plus, the "Who Cares?" segment gets personal (and hilarious) as the guys debate their favorite celebrities sharing their first names. All that, plus NHL trade rumors, the shocking Luka Doncic trade, and why Cody Ceci is somehow Dallas' third-best defenseman. Buckle up, because this episode is packed with hot takes, hockey insight, and Starcastic charm.

Send us a textIn this episode of the Honest Tattooer Podcast,  our hosts Jon Mesa and Matt Truiano celebrate the New Year with a fun and competitive twist. They introduce a variety of tattoo artists, including Aaron Moonan, Nikki Simpson, and Joe Capobianco, who discuss their backgrounds and tattoo styles. The main event is a lively game of Pictionary, where the artists take turns drawing and guessing challenging tattoo-themed prompts. Hilarity ensues as the teams vie for points, struggling with both easy and hard categories under a time limit. Watch to see which team emerges victorious in this hilarious New Year special!

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Send us a textIn this lively and insightful episode, a group of tattoo artists delve deep into various topics, including the role of AI in art, the importance of maintaining traditional artistry, and the impact of digital tools on creativity. They also share their personal New Year's resolutions, focusing on artistic growth, community building, and personal development. Join the conversation as they discuss the challenges and rewards of being a professional tattoo artist in a rapidly evolving industry.

Adrian Capobianco is the CEO and Co-founder of BILI, a platform designed to revolutionize the influencer and social commerce landscape. With over 20 years of experience as an executive in various advertising agencies, Adrian has a rich background in digital, CRM, and media. His expertise in leveraging data analytics and AI has positioned BILI as a pioneer in guaranteeing brand visibility and sales through influencer content. In this episode… Could the integration of commerce and social media be the next big frontier for brands and influencers? With the rapid growth of social commerce, influencers are no longer just content creators; they are evolving into powerful drivers of commerce. As social media platforms around the globe adapt to this trend, how is one company positioning itself at the forefront of this transformation? Adrian Capobianco of BILI (Because I Love It), is capitalizing on this trend by creating a platform that bridges the gap between brands and influencers, focusing on both content and commerce. Adrian shares how BILI helps influencers monetize their audiences by connecting them with brands in a performance-based model. With a database of over 20,000 social media influencers and 400 million impressions in North America, BILI is uniquely designed to encourage sharing and mutual success. Adrian draws inspiration from trends in Asia, where commerce is more integrated into social platforms, to develop strategic initiatives for North America. In this episode of the Inspired Insider Podcast, Dr. Jeremy Weisz welcomes Adrian Capobianco, CEO and Co-founder of BILI, to discuss leveraging influencers for social commerce. He delves into how BILI's platform operates on a performance basis, ensuring brands only pay for results. Adrian discusses the strategic approach to growing their creator community and brand partnerships, emphasizing the significant shift from content to commerce. They also explore the dynamics of influencer marketing, including the rise of influencer-driven sales and the importance of partnerships in expanding brand reach.

Send us a textIn this episode of the Honest Tattooer podcast, hosts Jon Mesa, Matt Truiano, and G Money welcome special guests Elliot Wells and Joe Capobianco. The group discusses various topics including Elliot's artistic evolution from Japanese florals to a unique style influenced by Covid-19, and the impact of physical issues like carpal tunnel and arthritis on his work. They also touch on the importance of adjusting techniques for tattoo longevity, the role of luck and social media in an artist's career, and the challenges of being a tattoo shop owner. Sponsors Tattoo Smart and Tattoo Pro are also mentioned.Sponsors: • Tattoo Armour: https://tattooarmourusa.com • Tattoo Smart: https://tattoosmart.com • Tattoo Pro: https://tattoopro.io •  Force of Focus: https://forceoffocus.com

A great discussion about healthcare innovation with two inspiring leaders - Oshrat Hodara, the Director of International Partnerships at ARC Innovation; and Dida Capobianco, Manager on Health Innovation at Albert Einstein Hospital. Together, they explore how to transform healthcare systems using cutting-edge technologies like AI and wearables, while emphasizing the vital role of patient trust and collaboration. Join us to discover how innovation can reshape patient care for better outcomes and a healthier future. Subscribe to our channel, follow us on social media and share with your friends!

En la edición PM, hablamos con Diego Paul, operador de renta variable en Banchile Corredores de Bolsa, y con Álvaro Capobianco y Andrés Gómez, quienes son Managing Director de Visma Latinoamérica y CEO de Rex+, respectivamente.

En la edición PM, hablamos con Diego Paul, operador de renta variable en Banchile Corredores de Bolsa, y con Álvaro Capobianco y Andrés Gómez, quienes son Managing Director de Visma Latinoamérica y CEO de Rex+, respectivamente.

The Old P, Petros Papadakis talks about the Capobianco brothers that pried the ball from Mookie Betts, the both Dwyane Wade statue, and much more! Sean Payton puts sportsmanship in perspective with the Broncos beatdown of the Panthers. Plus, Lee's Leftovers.See omnystudio.com/listener for privacy information.

Today on 2 Pros and a Cup of Joe, the Yankees extend the World Series, in part thanks to a drunk fan. Colts set an example with sitting Anthony Richardson. The Old P, Petros Papadakis talks about the Capobianco brothers that pried the ball from Mookie Betts, the both Dwyane Wade statue, and much more!See omnystudio.com/listener for privacy information.

MLB Insider, Jesse Rogers joined Murph & Rod Brooks this morning to discuss his conversation with Yankees fan, Austin Capobianco, who went viral for prying the ball out of Mookie Betts' glove in foul territory. See omnystudio.com/listener for privacy information.

MLB Insider, Jesse Rogers joined Murph & Rod Brooks this morning to discuss his conversation with Yankees fan, Austin Capobianco, who went viral for prying the ball out of Mookie Betts' glove in foul territory. See omnystudio.com/listener for privacy information.

A director, writer & storyboard artist with an Academy Award nomination for Best Original Screenplay for Ratatouille. Jim is a ASIFA-Hollywood Annie Award winner for his short films Your Friend The Rat. He directed the critically-acclaimed end titles for Pixar's Wall•E.  After Mr. Capobianco graduated from California Institute of the Arts, he started in the story department at Walt Disney Feature Animation on The Lion King and then proceeded to have an influence on many of the stories at Pixar Animation, including Toy Story 2, Finding Nemo, UP and Inside Out. In 2009 Jim finished Leonardo a short film now in the permanent collection of the MoMA NYC. Has published children's books and is the voice of Gary Garbage on Netflix's GoGo Cory Carson. With Aerial Contrivance Workshop, Jim was the 2D animation sequence director for Walt Disney Motion Pictures', Mary Poppins Returns and wrote and directed the animated feature film The Inventor, a story about Leonardo da Vinci bringing the Renaissance to France and the future. 

After spending 23 transformative years in Silicon Valley—where he founded multiple successful companies fueled by exceptional Italian engineering talent—Fabrizio Capobianco has returned to his roots in Valtellina, Italy. There, he's launched the Liquid Factory, an innovative hub dedicated to nurturing the talents behind Italy's next unicorn startups. In this captivating episode of the podcast Diritto al Digitale, he sits down with Giulio Coraggio from DLA Piper to share his remarkable journey, unveil the visionary mission of the Liquid Factory, and discuss what it takes for Italian startups to thrive on the global stage. Follow us on

ROMA (ITALPRESS) "Noi siamo l'Italia del sì, che costruisce, del sì per le imprese e per i giovani. Vogliamo un'Italia che innova. Chiediamo massima attenzione per le nostre imprese affinchè possano avere un terreno fertile senza burocrazia che frena la crescita, senza una tassazione che opprime e soprattutto il costo del lavoro che diventi un investimento. Bisogna investire i soldi pubblici nelle imprese così cresce il Pil e l'Italia", ha detto il presidente di Conflavoro, Roberto Capobiancoxp3/ads/mrv

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Tenor T.J. Capobianco, a native of Scranton, speaking with Haley O'Brien of the WVIA News Department about the Metropolitan Opera in NY where he is a Full Plan Artist. Capobianco returned this summer as a vocal coach at the Lyceum School for Visual & Performing Arts in Scranton, and he will perform at La Festa Italiana on Courthouse Square on September 1, 2024, at 5:00 pm. www.thomasjcapobianco.com/ www.broadwaynepa.com/

Welcome again everyone to the second part of our conversation with Steve Capobianco. Steve is the owner and founder of Rocktape, a leading brand in manual therapy tools and education. He is also one of the most well-versed in myofascial research. There never seems to be enough time talking about trigger points, the theory of trigger points, and myofascial pain syndrome. In this episode, we dive even farther into our conversation and how you can use manual therapy to help treat centrally sensitized patients. Wish I could put it all down right here, but you'll have to give it up for the legend, Steve Capobianco.

ROMA (ITALPRESS) - "Oltre a promuovere il Made in Italy bisogna tutelarlo, anche da una burocrazia asfissiante: la possibilità finalmente di avere sul nostro territorio nazionale il Tribunale Unificato dei Brevetti significa proteggere le nostre imprese dai depravatori del Made in Italy, per farle volare nel nostro mercato". Lo ha detto il presidente nazionale di Conflavoro, Roberto Capobianco, a margine dell'evento organizzato al Mimit. xi2/ads/gsl

Pleased to have my friend & industry colleague Jon Capobianco, one of the newest additions to Ellimans De Niro  Team on the Real Takk Pod. Did you know? Jon used to bike over the Queens Bridge everyday on his single-speed steel bike to his Corcoran office in the Upper East Side from Brooklyn?  Did you know? Jon's an avid surfer, snowboarder, fisherman, and Phish-er men?   With a career rooted in real estate since his time at the Corcoran Group, Jon's passion and expertise have grown exponentially. He brings a wealth of experience in creative, targeted marketing, catering to diverse clientele, including foreign governments, Wall Street executives, and entertainment luminaries seeking luxury homes, townhouses, and lofts. A University of Rhode Island graduate, Jon made the move to Manhattan in 1991, you know that Jon is packed full of amazing stories of NYC, his clients, & life in general.     This was a really fun episode to record.  Please give Jon a follow on IG at @joncapobianco where he actively posts his life as a real estate broker, New Yorker, a sufer, fisherman, & a dad!     

Welcome to the first video presentation podcast from Rehab 2 Performance! Steve Capobianco is the owner and founder of Rocktape, a leading brand in manual therapy tools and education. Steve is also one of the most well-versed in myofascial research. He does not short us on this episode when he discusses trigger points, the theory of trigger points, and treatments for myofascial pain syndrome. If you think trigger points just lie within the muscle tissue, then listen up! Theres more to the story. We would love to explain it all here, but you have to give it up for the legend, Steve Capobianco.

Negócios de alimentação tem potencial de ser agentes de transformação social, através de primeiros empregos, preservação ou revitalização de pontos turisticos e importantes da cidade.É fundamental entender o entorno, a cidade e colocar o poder da transformação nos pilares de valor e cultura da empresa, e tão importante quanto isso é ser de verdade, ter socios, fundadores e multiplicadores que mantenham essa vocação viva dentro do negócio. E pra falar um pouco sobre o poder de transformação através da restauração, hoje recebemos Rafael Capobianco, do Cora e do Parador no edifício Renata, em SP.

Today's episode was recorded while we were in Orlando for the ART 'Technology in Manual Therapy' panel discussion we moderated (Stay tuned for that podcast). We discussed some of the challenges of technology, especially motion capture, in the manual therapy space. Capo gives some great insight into the future of technology, and Dr. Comeau explains how Kinetisense is filling the gap in motion capture with affordable tech. Enjoy! Show Notes ⁠Upcoming Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DNS World Congress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Human Locomotion.com | Code 'GESTALTEDUCATION10'⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Core360 Belt | Code 'GESTALT'⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dynamic Disc Designs | Code 'GESTALT' --- Support this podcast: https://podcasters.spotify.com/pod/show/gestalt-education/support

ZS de Negócios - 19/04/2024 - Adriano Capobianco, Dir. Com. E De Novos Negócios Da Partage Malls by Rádio Gaúcha

Guiding you through the world of growth, performance marketing, and partner marketing.We sit down with growth and marketing leaders to share tests and lessons learned in business and life.Host: Tye DeGrangeGuest: Krystie CapobiancoHype man & Announcer: John Potito

In this conversation, Dr. Beau and Steven Capobianco discuss the complex topic of trigger points and their role in manual therapy. They explore various theories and mechanisms behind trigger points, including the soft tissue milieu, neurogenic inflammation, and peripheral and central sensitization. They emphasize the importance of considering the broader context of the patient and adopting a synergistic approach to treatment. The conversation also touches on the interrater reliability of palpation and the role of experience in improving accuracy. In this part of the conversation, the subjectivity and objectivity of palpation are discussed, highlighting the challenges of accurately locating trigger points. Advancements in technology, such as MSK ultrasound, elastography, and T1Q mapping, are explored as potential tools for identifying trigger points and dysfunctional tissue. The role of hyaluronan in the extracellular matrix and its impact on tissue mobility and sensitization is examined. The concept of peripheral sensitization and neurogenic inflammation is introduced, emphasizing the importance of addressing cutaneous nerve entrapments in treatment approaches. In this conversation, Steven Capobianco and Dr. Beau discuss the role of touch and movement in addressing pain and dysfunction. They explore the influence of peripheral and central structures, such as trigger points and the limbic system, on the experience of pain. They also delve into the importance of the therapeutic alliance and the need for open-minded discussions in the field of musculoskeletal therapy. Overall, the conversation highlights the complexity of pain and the need for individualized approaches that consider both physical and psychological factors. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thefarmcast/message

For the first time in seven years, Jordan Leandre is reunited with Tony Capobianco, the photographer who took the brunt of an unfortunate first pitch at Fenway Park in 2017. Jordan and Matt interview Tony, as well as get some behind-the-scenes into what brought those two together on that fateful day in August. Make sure to follow us on Twitter, Instagram, & Facebook @PeskyReport.  We are officially a part of Beyond The Monster Twitter: @BeyondtheMnstr Substack: https://beyondthemonster.substack.com/

Carly "Charli" Scott was tragically murdered in Maui in February 2014. Steven Capobianco, her ex-boyfriend, was found guilty of second-degree murder and second-degree arson of her Toyota 4Runner. He was the last person known to have seen Scott alive and was later convicted of murdering her and burning her truck. Despite being convicted, Capobianco has been attempting to appeal his 2016 murder convictionFind True Crime Stories For No) Sleep on:Apple PodcastsSpotify

In this week's episode of Con Job, Ryan and Alexa are joined by Rich Capobianco, Account Manager at Fan Expo as we do a preview of MegaCon, which takes place February 1-4th in Orlando, FL. Follow us on Instagram @ConJobPod --- Support this podcast: https://podcasters.spotify.com/pod/show/conjob/support

In this episode of the Performance Marketing Spotlight, host Marshall Nyman interviews Hunter Capobianco, the director of business development and partnerships at CNN. Hunter shares his journey of getting started in affiliate marketing after college and his experiences at CJ Affiliate before moving to CNN. He discusses the unique offerings of CNN underscored, CNN coupons, and the challenges faced by publishers in the performance marketing industry. Hunter also gives insights into what brands and agencies should consider when introducing a product to the CNN team and shares his favorite parts of working in the performance marketing industry. Plus, he provides a glimpse into his upcoming speaking engagement at the Affiliate Summit West. Join Marshall and Hunter as they explore the world of performance marketing with a focus on content, commerce, and the power of affiliate relationships.

In this episode, we chat with John Capobianco, a developer advocate at Cisco.John has 20 years of IT experience, including network engineering, automation, and artificial intelligence. He'll share his journey from being a factory worker to becoming a developer advocate and an author.We talk about how he discovered his passion for network automation and AI, and how he went from barely knowing what AI is to becoming an expert and a teacher in just one year. He also reveals some of the secrets behind his first book, Automate Your Network, and gives us a sneak peek of his upcoming book.We'll also discuss some of the problems and errors he had in his career and how he fixed them and learned from them. He'll share some tips and best practices on how to avoid common pitfalls and improve your network performance.Join us for this amazing and inspiring conversation with John Capobianco.-Try something, get your hands on the keyboard, and do things.The only way truly to learn it is to do it with your own hands and have some failures, some errors, and work it out.-John's Links: LinkedIn TwitterAutomate Your Network (book)Blog--Thanks for being an imposter - a part of the Imposter Syndrome Network (ISN)! We'd love it if you connected with us at the links below: The ISN LinkedIn group (community): https://www.linkedin.com/groups/14098596/ The ISN on Twitter: https://twitter.com/ImposterNetwork Zoë on Twitter: https://twitter.com/RoseSecOps Chris on Twitter: https://twitter.com/ChrisGrundemann Make it a great day.

Support this podcast on Patreon: www.patreon.com/theAIP This chat features Jim Capobianco, known best for storyboarding on movies like The Lion King, Finding Nemo, and Up, as well as his writing credits on Ratatouille, and The Inventor. This chat focuses mainly on The Inventor, which Capobianco wrote, and directed from a 2D short film into a stop motion feature - over the course of 14 years. He also shares how hard it was to pitch, what it took to get it funded, and the full experience of what it was like producing the feature in such a short amount of time. Tune in to Ibele and Capobianco to hear: *How Capobianco managed to get over ten million in funding *Why Capobianco decided to produce the film in stop motion when he had no experience in it *What sacrifices Capobianco had to make while filming The Inventor ~[SPONSORED MESSAGE]~ This episode is sponsored by HUE. Makers of colorful, Plug & Play cameras for learning, work and play. Originally designed for teachers, HUE cameras can also be used for creative activities such as capturing hand-drawn pencil tests and shooting behind-the-scenes footage, time-lapse videos and stop motion animation. The cameras have flexible, posable necks, manual focus controls and they are compatible with Dragonframe, OBS, Twitch, Zoom and many other camera apps. Visit huehd.com to learn more and follow @HUEcameras on social media for news, fun and giveaways. Get 10% off any Hue product from www.huehd.com with code: 10TERRYAIP ~~ Social Links: *Check out Capobianco's website: https://www.jimcapobianco.com/bio-capobianco *Check out the film's website: https://www.theinventorfilm.com/ *Watch the trailer on YouTube: https://www.youtube.com/watch?v=7k95b1s6XoE&ab_channel=BlueFoxEntertainment *Check out Aerial Contrivance for more resources: https://www.aerialcontrivance.com/

John Capobianco is a Developer Advocate at Cisco and former Senior Planner and Integrator for the Parliament of Canada. In this conversation, we talk about John's journey into technology, the current state of network automation, and the convergence of network programmability and artificial intelligence.Where to find JohnWebsite: https://www.automateyournetwork.ca/LinkedIn: https://www.linkedin.com/in/john-capobianco-644a1515/Twitter: https://twitter.com/John_CapobiancoYouTube: https://www.youtube.com/@johncapobianco2527Links from ShowHugging Face: https://huggingface.co/modelsCiscoU: https://www.youtube.com/@CiscoUtube/featuredBook: https://www.amazon.com/Automate-Your-Network-Introducing-Enterprise/dp/1799237885GenAI Breaks the Data Center: https://www.forbes.com/sites/tiriasresearch/2023/05/12/generative-ai-breaks-the-data-center-data-center-infrastructure-and-operating-costs-projected-to-increase-to-over-76-billion-by-2028/?sh=743b52f27c15Follow, Like, and Subscribe!Podcast: https://www.thecloudgambit.com/YouTube: https://www.youtube.com/@TheCloudGambitLinkedIn: https://www.linkedin.com/company/thecloudgambitTwitter: https://twitter.com/TheCloudGambitTikTok: https://www.tiktok.com/@thecloudgambit

Jim Capobianco, Oscar-nominated writer of Ratatouille, kicks off the show with conversation about his new project, "The Inventor." The film focuses on Leonardo da Vinci's life, with themes about one's legacy, how you choose to live your life & how those choices influence others. "The Inventor" uses a combination of stop-motion puppet and hand drawn animation (rather than computer graphics, since da Vinci's story naturally lends itself to being told through handcrafted filmmaking arts). Capobianco has worked on films ranging from The Lion King, A Bug's Life and Toy Story 2 to Monsters, Inc. & Finding Nemo. Daniel Gil, 2020 "American Ninja Warrior" Grand Champion--and 7-time national finalist--calls the show to share about his book Kingdom Ninja. Gil (a motivational speaker, worship leader, and ninja OCR trainer) favors a holistic approach to health (physical, mental & spiritual) and offers readers a blueprint for achieving their goals. Gil also sheds light on behind-the-scenes workings of filming ANW competitions. We cap off the Famous Friday Show as famously as ever, with the beloved (?) "Now THAT'S Punny" segment! Clip: Scott Wilder (Voice of the Martyrs) Sports clips: Nick Sirianni (Philadelphia Eagles head coach, courtesy of philadelphiaeagles.com)Jalen Hurts (Philadelphia Eagles QB, courtesy of philadelphiaeagles.com)Mark Recchi (former NHL right wing, courtesy of the Philadelphia Flyers (zoom call))See omnystudio.com/listener for privacy information.

What are you passionate about? For Jim Capobianco, who has a Best Original Screenplay Oscar nomination from 'Ratatouille' to his credit, his new animated film "The Inventor" was a passion project. The film was a passion project as well for composer Alex Mandel, who was able to include his daughter Sequoia on a track in the film. Co-host Bruce Miller shares a story about his own passion projects and then dives into the new animated film about Leonardo da Vinci (not Leonardo DiCaprio), which utilizes both traditional 2-D hand drawn animation as well as brings to life stop motion puppets. Miller has interviews with both Capobianco and Mandel, who discuss why the film was so personal. "The Inventor" opens Sept. 15 in the U.S. and stars Stephen Fry, Marion Cotillard and Daisy Ridley. We also look ahead to next week, when we'll discuss the recent release "Grand Turismo" and have an interview with real-life driver Jann Mardenborough, who was the inspiration for the film. Miller and co-host Terry Lipshetz will discuss other movies that depict real people and how far they stray from reality. Where to watch "The Inventor" in theaters Sept. 15. "Gran Turismo" in theaters now Cast of 'The Inventor' Stephen Fry as Leonardo da Vinci Marion Cotillard as Louise of Savoy Daisy Ridley as Marguerite Matt Berry as Pope Leo X Jim Capobianco as Cardinal of Aragon Max Baumgarten as Il Boccador / King Charles of Spain Ben Stranahan as Page John Gilkey as Gravedigger John / Giuliano Jane Osborn as Gravedigger Jane Angelino Sandri as Francesco Melzi Daniel Swan as King Henry the VIII Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program, shall I say. The inventor of this program, Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. You're here. You're the inventor. You are truly an inventor of this podcast. Yeah. Yeah. Right. And I don't want any credit for it. Okay. It's not it's not in my head. But, you know, that's it's funny how people have passion projects. Do you have a passion project? Is there anything in your mind that you say, This is something I really I want to be known for? I haven't quite gotten there yet. I have things that I'm passionate in about in my lives, but I, I don't have a project per say that I'm sharing with the world. Okay. Okay. I, I have a couple of things in my life, okay? One is I have a movie idea in my mind that I think is going to be perfect. Perfect. But until I retire, he will not write that script because names are used. But the other thing. There was a time when I was in, like, my mid-forties that I thought I was losing my hearing. I really I thought it's it's gone. And I had was tested and they said, yeah, you could lose your hearing. And I thought, as a journalist, I don't want to go through life without something that I could point to that would represent me, that would represent what I could do as a journalist. And it just all came out about at a basketball game. I was sitting next to a friend at a basketball game and she said, You know, these aren't the same. High school just isn't the same anymore. I go to the games and the kids aren't here cheering. The band doesn't support the teams. It's not like we remember when we were kids. And I thought, Well, let's just see what that was all about. And so I decided to do a look back at it. At the time, it was the class of 1977, and I decided to talk to the people who were in the class of 1977. And what was high school like back then? Was it really better? Was this something that we should have, you know, embraced and used as an example? And so I thought, well, this'll be easy because I just go to the school and I ask them for those permanent records that they all seem to have. I went to the high school, and the high school said, We don't have anything like that. I said, You're kidding. My whole life has been built on your permanent record, and I wanted to make sure that my permanent record was was good. She said, Oh, now we throw those out after the kids are gone, we're good. And I said, Well, do you have the graduation list? No, we don't have that either. I said, You don't have the graduation list. You've got to be kidding me. She said there might be a yearbook in the library. Go to the library if you find the yearbook there, you can take it out for a while and get some names out of that. So I went to the library and the yearbook had been cut out of. I kid you not. People cut pictures out of it. So what I learned from this was there is no permanent record of your high school life. But I got enough names. It was a class of about three or 400, and I diligently put together this master list of all of these kids in one led to another, to another, to another, to another. And I ended up with, I think it was more than 160 of the class of 1977 out of 300 or 400. And what I would do at night because I thought I was losing my hearing, is I would sit with a headset on and I would call members of the Class of 1977 and ask them about what was school like, What do you remember? Was it better than. And I built this whole story about what was it really like and how does it compare to now? Because most of them were be poor would have been parents of kids in high school at the same time. And it was a fascinating thing. I was able to relive all of their high school years and find out how it affected people. And there were people who said things like, Well, every time I drive by the school, even now, I feel this deep pit in my stomach. I hated that place. I didn't like the people there. As I learned from all of this research, people that I knew I needed to target. The valedictorian would easily be somebody the student body president was somebody. The star basketball player. Star football player, star baseball player, star wrestler, the homecoming king and queen. I mean, I had all those ones who are like landmarks in a high school class. And I got to all of them. And then I had a group of them who were really close friends get together. And we just talked about high school. And I'll tell you, it was a fascinating thing because I knew these people as old people and they were talking about their youth. And I learned that some people do not moved on beyond high school. High school is the be all the end all. It is the high point of their life. It was, I think, a 12 part series that I wrote. Whatever happened to the class of 1977? And even to this day, I have people who will come to me and say, Are you going to do another class? No, I'm not. The good news is, is that my hearing came back, so I didn't feel like I needed to do anything anymore. But yet I think it represented me at my best. And I look back on it now, and this has been quite a few years since, because I think we hit a milestone and they said, you should go back and revisit them. And I never did, but I was made an official member of the class of 1977, and I have been invited to class reunions. So there is my my chance of being able to do that. But it was a fascinating thing. Well, in the movie business, there are those passion projects. There are things that people live to do and they don't always get the funding for it. You know, you might try something on a lower scale or a smaller scale, and then maybe somebody will say, Let's do it. Let's make that let's make the film out of this. And that's what happened with a film that's coming out this week called The Inventor. It was a passion project of writer director Jim Capobianco, who had done a short subject about Leonardo da Vinci. He called Leonardo in 2009, I believe it was, and he wanted to expand this into something much bigger, make it a much bigger film than it ever was. And so he got that funding, got the people, got everything behind it, and created this animated film that's a hybrid. It's part stop motion animation and it's part 2D or draw on animation. And it's him at his best, at least as he sees it. And it's a way for him to do those stories. And he says, you know, he grew up in the in the Disney what do you call it, the factory. Disney Factory. Sure. He wrote Ratatouille in case you need to have a point of reference. And they always said, you know, do your passion projects, do the things that you most care about and you'll never go wrong because you're doing something that you have an interest in. And he is interested. Interest was in Leonardo da Vinci. He couldn't believe that this guy did all these things. All of this kind of stuff. And yet in the later years of his life, what was it that drove him? What was the thing that kept him going? And so that's kind of the thrust of the inventor is those later years when he was in France and what he did with those things. And I mean, my God, go down the list of the stuff that Leonardo did. Unbelievable. But then he also has to bring in others to share this kind of passion, if you will, and get those people excited about it. And so that's what he did. He had to try and build this thing like he is a Leonardo of an animated feature. This film isn't attached with Disney or one of the other big studios, right? No, no. It's a very much independent film, which is cool to see, especially with an animated film, because animated films aren't necessarily cheap and it's takes a little bit of work to get them done. Well, and the idea that you're doing stop motion and draw an animation. When do you do which and I think I did an interview with him was hopefully a part of it here that you can listen to. But he said that he used the stop motion, which are like, if you remember, a nightmare before Christmas. Tim Burton loves to do this using like little dolls, if you will, all of the Rudolph the Red-Nosed Reindeer, any of those kinds of films were done stop motion, and you'd move them very slightly. And then when you had men shoot the frame and then you keep going and eventually it looks like the character is moving around. But he did reality or the the real part of it in stop motion. And then the flights of fantasy that he might have as the drawn stuff. So you could see drawings come to life and what they would mean for him. You know, he worked on a flying machine and you could see the flying machine come to life. So it's a fascinating thing. But then he also had to draw others in. And one of the ones he drew in was Alex Mandel, who is a composer who worked with him at Disney on a number of things. But he had a sharper learning curve because he did not know the whole backstory of Leonardo. Let's be honest. Do we all study Leonardo? You want to see a cartoon about Leonardo? You've probably don't, you know. And so he had to take a lot of the information that he was given by Jim and then work from that. The interesting thing is he also realized that he could take a shift and jump out of this and he wouldn't have to have period music. It wouldn't have to sound like it was from Leonardo's time. He could be different with all of this. Well, one of the things he did is he recorded a kind of a test song to see how well this would work when they were pitching it and he needed a singer. And so he said to his daughter, who is a singer, ten years old, record this for me. Her name is Sequoia Mandel. And Sequoia, you know, was and she was in for the money. She thought this was good. This is a good idea. So when they kept kind of adding good, we had the pandemic. We had all these things in there. She recorded another version at 12. She recorded songs at 15. She's throughout this whole thing. And it helped him also understand the people that they were hiring for the parts. She knew more about the actors who were being hired than Dad did, and it helped him realize what kind of their range was for the music. So it's a fascinating kind of story, and I think this is not a movie that kids might just embrace. It's this is not the latest for a frozen, you know what I mean? But yeah, tells another story. It is something that if you're an animation fan and you're older, it's something you will appreciate because you see how these people that we now view as just untouchable geniuses that have no, you know, no relationship to us and how the thought process went for them and what they had to do to put it together. Stephen Sondheim wrote a song for Sunday in the Park with George called Putting It Together. And that's exactly what it is. It's like, what are the little elements that create genius? And that's what you get out of this, this film? Yeah, it sounds like an interesting film, and I agree. It seems like the type of film that it's not necessarily you're going to gather up your five year olds and shuffle off to the theater, but maybe a more mature age children, teenagers and people that can appreciate different types of animation and I love animation. I've always been drawn to things like the Tim Burton stop motion. And even as a teenager, I was really fascinated by Gumby, which, you know, that was the stop motion television program from, I guess, what, the 1960s? Probably hokey claymation. Yeah, Yeah, exactly. So that's always been fun. So I think this is the type of film that would be really interesting to check out and see. I'm trying to think like what kind of music would be of the time of Leonardo DiCaprio. Probably a lot of movie. See your make or allow. Well, the music of Leonardo DiCaprio would be very familiar to Taylor Swift. I think she's in the film. But yeah, with Vinci. Yeah, With Da Vinci, you would think, well, there's probably some lutes and liars and all that kind of stuff. And you didn't write that. Is that what it is? I don't know. But if you can be a little more modern with some of it, it might be a little way of telegraphing what he is thinking or how he is thinking. You know, how do you how do you stay ahead of the curve and not below the curve? Because most of us are B, below the curve, you know, So what do we want to do? First, we want to go to the interview with Jim Cappa Bianco, if you'd like. Yeah, that'd be a great one. And you'll hear him talk about, you know, his creative time and what he learned from all of this. You'll explain the process a little better than I could. But if you will grab a snippet from that. And I think that should should give you a sense of of the film. How do you get obsessed with Leonardo DiCaprio? Leonardo DiCaprio now and I'm totally obsessed with, you know, Da Vinci. What is the deal? I think like a lot of artists, you know, you get to know about Leonardo da Vinci in some form. But then I made the short film. I started researching him for that, and then I just started to see him more as a human being than just a genius. And that kind of aspect of him. I wanted to sort of explore further in the feature. So, you know, that's what kind of drew me to him more, you know, And obviously he's such an interesting character person, you know, with all his interests and everything. So that just, you know, to be and bring him down to a kind of a more human level was really what's always driven me about him. But then don't people say, wait a minute here, people may not want to go to see something like this, you know? Well, I don't know. I guess I don't maybe the people trying you know, we were trying to get money from and to raise funds for a thought that way. But I can I just want you know, I'm just going to try to tell the story I kind of want to tell. So I didn't worry about that too much. I mean, I was always in the back of my mind, Would people really want to see the sort of kids and stuff? So but, you know, as a film, as I developed it that I wanted to see, and that's how we always develop stuff at Pixar and Disney. So it was always like, you know, what's the film that I as a kid inside of me and the adult would want to see in animation. So that's getting out the way you wanted it to, to be. Did it become the vision that you had way back when was beyond my vision? It's just, you know, I think the team we had to get it, we brought together just brought so much magic to the film and I couldn't ask for a better group of artists to work with. And yeah, I don't think I ever, in addition to what we turned out, we created, it's just amazing. So how do you decide what's going to be stop motion animation and what's going to be drawn anime? I mean, to me that was very fascinating to see how it, you know, it would separate and then it would be this would be that. How do you make those decisions? Well, as we did well, as I developed it, I started to see the stop motion as the kind of the reality, real world of the world, and then the drawn animation as sort of Leonardo's flights of fancy, or it was more free because the two techniques stop motion has you are rigid in the sense that you can only animate what you've planned because you have to build an armature and it can only do certain movements and you know it can walk. And it's not like arms if it's going to do some sort of fantastic movement. That animation can do it. You'd have to plan for that. And they are usually built that way. You have gravity, you have a lot of things you have to worry about. But with 2D drawing animation, whatever you can draw, you can pretty much depict. So it is a much more fluid form of animation. It's freer, it has this sort of sense of lightness to it. So to me that was like Leonardo, you go into Leonardo's brain, you go into his thoughts. That would be 2D animation. When we're in the real world, it would be stop motion animation. Okay, well, is it easier to do one or the other? People think stop motion is much harder, but I think it's just where you have to put the planning for it or where it the difficulties lie. Like stop motion, you build a puppet. The a lot of the work is in the building of everything and assembling and like working out the costumes, working out how they armatures will be built. And then once you have the puppets and you animated, that's what you have. I mean, you have it's like a live action shoot and you shoot it and you have that footage, right? It's done with 2D drawing animation. You have the difficulty. There's planning and designing it, but once you animate it, there's other follow on technique. Tasks that have to be done has to be colored, maybe cleaned up because the animators generally draw a rough. And then there's another artist that cleans it up and stuff. But also you have to deal with each animator might draw the character slightly differently and you need to kind of reign that in and adjust. They're always a little off. I mean, I think if you really go through the film and really analyze it, you'll see the Leonardo's and the 2D change sizes. Oh, I don't get, I don't get that that mean about it. That could really slow motion. You build this puppet that's it you cannot vary it. Each artist that touches it's going to be the same. So they have their you know, they're both it's animation. Animation is the nuttiest crazy anything going to happen. Right. Right. That anything can happen with animation. That's right. That's true. Squish and squish. Come on. When you were doing using his his artwork, what did you see that he could have been an animator at some point. I mean, they always thought that actually, you know, you see how he studied motion. He did a lot of studies about how people move or animals move. And you see he does different. There's these drawings he did of construction workers and you see them in different poses of working and they look like animators, you know, sketches that we would do. We study anatomy and we look at people walking around the street and we do fill our sketchbooks with these actions, you know, and obviously studied anatomy. So he's learning about how the body moves. And and so, yeah, I've always thought if he if animation was a thing back then, he might have tried animation. I don't think it would be the only thing you do because the guy is always changing his ideas. Well, to me, that's so remarkable that there are all these things he had his hand in and it could you imagine yourself? I mean. Sure. Yeah. You have a lot of interest in a lot of different things, but he was like at the top of his game with so many of those things. Yeah. No, I don't see myself that way, though. Where do you find the human element to Leonardo? Well, I find it in that he, you know, he had to have a patron. He had to have somebody who paid him money, but he had these other dreams he wanted to do, which I think a lot of us do. You know, you have to make a living, but you also want to do other things that you find more enjoyable or explore, you know? And then also, he had a lot of fear of like how he would be except did in his world. And I think that's true of most a lot of people today. He wanted you know, he wanted recognition for what he did and what he could do and that he didn't always receive that, you know. So I think there's a lot of humanity. And then ultimately the story is about legacy and what you leave behind. And I think that to me speaks to a lot of what I would imagine. I hope people think about, you know, how we touch other people and affect their lives and stuff. So to me that those are the human elements that I really wanted to touch on, you know, and also the curiosity, I mean, the curiosity and all these other things. So how do we start casting the voices? I mean, you had the voices in your mind. You said this would be perfect for so-and-so or is it just I mean, that to me it's it's an international cast. Yeah. And we really came about I developed the character first and was the story and then and now is still developing the story. But then I was like, okay, who could voice Leonardo? And then, I mean, the only person I could really think of was Stephen Fry, just because he's such a polymath himself and he didn't want the like we were being voice of a Gandalf. I really wanted like this lighter voice with wit and intelligence. And to me, Stephen was that perfect casting. And even when recording him, he would correct my use of words and then give me ology and that word like, you know, so much fun. So and then Marguerite sing Daisy Ridley and the Disney are the Star Wars films at Disney. But, uh, he, yeah, she, she just had a nice a power in her voice and also a kind of vulnerability in there as well. And I thought that was perfect for Marguerite. I didn't know I would ever be able to cast her, but I was like, okay, that's the character in some ways, that voice inside Marguerite. And then, you know, you go, Okay, who do you want? You know, the producers. Like, okay, who should we cast for Marguerite? I'm like, Why is it Daisy? Ridley would be great? And we're like, Well, it's you. We can get these, really. And then you also make a list. You're like, Oh, and so on. So and so. But she was at the top. I really wanted Daisy and then, you know, and she accepted to do it too. And Marion Cotillard was like suggested actually by the French studio. We're still looking for Louise's voice. And they said we might be able to get Marion Cotillard. And you're like, Well, you know, hey, I guess we could use her. Yeah, maybe. But, you know, the one interesting thing with her is, you know, we have these songs in the film and we actually that was the last song we made because that she sings because we didn't have one for her. And then I told Alex, the composer, I said, Alex, we have Marion Cotillard in the film. She's the one person everyone knows can sing and we don't have a song for her. So we reworked the story a little bit to put in the UN Guard song on Guard L.A. and it just was like the perfect thing because it connected to the dueling in the earlier part, right? And like that. And so that's how the film would work and evolve. It's like, Well, we need this here. And it's like, Oh, we have to check connected there and thanks, Bruce, for that interview. Real fascinating stuff. And now you do have one other interview and that would be Alex Mandel. And you'll hear him talk, too, about working with his daughter and you'll hear about those who can't sing because, you know, they don't always put singers in these animated films. In fact, many of the Disney films, they would have a singing voice and then they would also have a speaking voice. So Aladdin, spoiler alert, The singing voice of Aladdin is not the talking voice of a that and that's that's not uncommon. It's often the practice. But you'll hear him talk about some of the actors who are in the film and their abilities with singing Fill Me In. Where do you start with something like this? This seems like, Man, how do I a paid tribute to somebody like Leonardo? And then what? Where do I begin with the sound of it. Yeah, well, I mean, Jim Capobianco, the writer and director, has been studying Leonardo for years. He had done a film about narrative energy back in, I think, 2009. And so I was trying to catch up, but really relied on Jim to say, this is the part of Leonardo da Vinci he was interested in, which is his last year, where he left Italy as a older man, went to France and never came back. And so this is him really dealing with the end of his life and the meaning of life and his mortality and what he can leave behind for future generations, which he did. And so, yeah, that was the storyline. And so then the question is, well, how do we tell that story? But do you started researching music of the Times and saying it's got to sound authentic to that period? Or do you say, Well, now here's my chance to be an inventor and I can go off the tracks? Leonardo da Vinci was ahead of his time, right? He was designing flying machines 500 years or 400 years before the Wright brothers created an airplane. So that gave us some leeway because I could have music that sounded more of the time for, say, the King's Court. But then from Leonardo, it was ahead of its time, you know, And so this the music becomes a kind of metaphor for the mindset of that character. So Leonardo and Marguerite, some of their music sounds like it's 150 years ahead of its time. Some of it sounds like it's modern. Whenever their ideas jump forward to our way of thinking, the music becomes more modern to reflect their their thinking. Okay, so then when you're dealing with the voices and maybe a voice isn't that good at singing, and I'm not trying to name names now he's being called out here, but do you write for them or do you write the songs? And then you say, okay, well, I guess you can talk through this one. Yeah. And it's there's interesting story there. Stephen Fry, who's a brilliant writer. Not that I'm naming names. Okay. Oh, no, I. And he would be the first to agree. He said, I'm really not comfortable singing. But Jim, Jim's idea was to have him speaking. But even so, there is I don't know if you've seen the film. There's a scene where Leonardo arrives in France and he builds his workshop. The walls come up and as he names things, they magically appear in stop motion. And that was a very fast, almost like wrap that. Stephen Fry Right, right. It just took a while. He was very worried, but it turned. He did a great job. It turned out great. Daisy Ridley You know, my daughter said, Dad, you know, here she is singing with Barbra Streisand. And I listened to her voice and I thought, okay, I think I get a feel for her range. She's got a great voice. I'll write the song to suit her voice. And same with Marion Cotillard, beautiful voice. She's recorded a lot. So I had a pretty good idea of what her range was, and I could keep that in mind as I composed songs for her. So then how long do you have to write these songs? Because here's like nine songs you've got or something? It's nine songs. Yeah. It's it's funny because at the end there, I wrote a bunch pretty fast. The reason was I think Jim saw, Oh, these songs are helping to tell this story, so maybe Daisy needs a song, maybe Marguerite needs a song. I pitched the idea. I said, We got to get Marion Cotillard to sing it song. She's a great singer. And also I want to learn more about the Queen. Like, what did she want? And because she's a secondary character, you know, you don't have that much time. So the song really summarizes a lot about her in a very quick way. And that song was written quite quickly, and the fastest song was when Stephen said he really said, I cannot sing at all. So there's a scene where he's talking to Mona Lisa, and we had 45 minutes to rewrite the song, and I suggested Jim, What if Mona Lisa sings the chorus back to him? So he laments his situation, I'm finished and Mona Lisa sings to him. Yeah, you are. We're out of time. You're done. So sometimes you've got years and sometimes you've got 45 minutes. Okay, there's. There's a credit. That is it. Sequoia. Is that a relative? Sequoia is my daughter. Okay, But then from 10 to 15 or something, what is the deal with that? So we've been working on this movie for a long time. When Jim asked for that first song, I had my ten year old daughter Sequoia sing it, and then it was cute. She had a very cute voice and it's just adorable. We actually had a singer when she was 12. That's the version that's in the movie. But then Jim said, Oh, I want the girls all for girls to be sing for our harmonies. So I recorded her when she was 15 too. So we have my daughter Sequoia, singing different songs. And I said, Yeah, and which is again, really fits the theme of the movie, which is about family, and it's about, you know, legacy and sharing ideas with each other through the generations. So it worked really nicely. So what does she think about this? I think she's she's into it. I think know, she's an aspiring actress, so she wants to be judged on her own merits, which I appreciate. But as far as I'm concerned, she did me a huge favor. And it you know, she's singing a duet with Daisy Ridley. So that's pretty cool. I think she's does she get all these, like, chicks then for each age? I'd be holding out for that. Can I be her agent? It'd be a cool thing. Thankfully not. No, I. We basically said we're going to put aside a fun for her. There's a certain amount of money that will be set aside for her, and we've handled that within the family. Why did you stick with this so long? What was it? What was the pole for you? Well, I really believe in Jim Capobianco's vision. I think he's a true artist. I think that this is it's a work of art. I mean, and, Jim, his passion is contagious. And also, I got to have a lot of creative input, you know? And so Jim would hear me out. He didn't always take my suggestions, but sometimes he did. And so I felt like I was very much a part of the movie. And I, I wanted to see it succeed. So, you know, some some projects you do, you know, to pay the rent and some you do for passion. And this is a passion project. You must tell your daughter, I want to be your agent, because I think I think you've got a good partnership going on here, I think would be great. And I would make sure we got more than one check. You know, I'll let you know. I'll get you the list. People keep asking me this and and but she will be she she's happy. She got a very good compensation package. But thank you, Bruce. Thanks for that other interview. And it just to kind of fill folks in on this film as well. It does have some heavyweights of sorts in this isn't just like it's a smaller, no more independent film, but but we've got Daisy Ridley from the Star Wars Rebels. He's in it. Matt Berry is in it. Stephen Fry is Leonardo Da Vinci. I was going to say. DiCaprio You see, that is your ball. It is like it's not easy. But yes, there's on demand. Yeah, yeah, yeah. So some pretty well-known actors in there. So it should be an interesting one to check out when you put it out there that this is a passion project. People come because they know you're not going to just blow it off and it's going to be a two second kind of thing. It's going to be something that really gets the attention and the the care and the feeding of it that it needs. And, you know, when it's over, what's next? What's what exactly comes after that. Yeah. And you know, what's fun about this episode, Bruce, is our concerns were a little bit alleviated because we know you can't get actors right now to talk about it right during the strike. They can't talk to promote their stuff, but you're able to get the composer the film in and the director. So they, you know, we're still we're still bringing them in. Dare to dream we could get a hairdresser. That's right. They could. You never know. It could happen. It could F and costume designer. Yes, Yes. Well, I love all of those big ones, you know, but that gives you a sense of what the other parts of the industry are and that it isn't just about an actor strike or a restaurant strike. There's a lot more involved with all of this. So, yeah, it's fascinating. And I love hearing their stories because I don't know that I could be that passionate about it. Yeah, absolutely. So what do we have coming up? Anything of interest on your end? Here's the other thing. I this is another kind of spin off of all of that is movies based on people's lives. And I think next week we're going to look at films that were based on Saw The Blind Side, where Michael was saying, you know, that wasn't true. They used me. How true are these based in truth films and how really can we trust them? And I did get a chance to talk to the real guy behind Gran Turismo, and you'll get a chance to meet Jann Mardenborough and find out his story. But next week, we're going to look at we're going to look at that whole world of this is based on a true story or parts of this are based on a true story or some of this could be true, you know, but I think we'll look at that. So think of the films you've seen and you go, you know what? I don't know how close that is. You know, it's an interesting one. And we'll probably talk a little bit more about this one next week. But I started watching the second season of Winning Time on HBO, the one that follows the lake, the rise of the L.A. Lakers. Right. And we talked a little bit about this a few episodes ago, but how there were some criticisms of it perhaps not necessarily being as truthful to reality in the first episode comes on and they put up a disclaimer saying that some of the some of the things here in this show may have been changed for dramatic purposes. Some characters might have been fudged a little bit. So yeah, I kind of found that one interesting. It's amazing they use those lines well, they get them off the hook, but Right. How they reword that all the time, you know, based on a true story, based in fact, this is a factual ized version of true events. I mean, where did they come up with this crap to to identify it? But I think it would be fun. And we talked to John and he tells you what it's like and how he thought the movie went awesome. All right. Well, that sounds good and it gives us something to look forward to next week. I know you sent me the interview already had that one kind of squirreled away that night? Yes, in the bag. And I started I gave it a little bit of a sneak preview. I'll give give a final listen between now and when we speak again. But yeah, until next week. Thank you all for listening to this episode of Strangers Green. Remember your passion.See omnystudio.com/listener for privacy information.

Academy Award nominated writer Jim Capobianco ("Ratatouille") presents his wonderful new animated feature about Leonardo da Vinci. "The Inventor", in theaters September 15th, is a celebration of storytelling and animation, with a terrific cast led by Stephen Fry, Daisy Ridley and Marion Cotillard. Capobianco joins me to discuss the charm and beauty of "The Inventor".

In this 183rd in a series of live discussions with Bret Weinstein and Heather Heying (both PhDs in Biology), we discuss the state of the world through an evolutionary lens. In this episode we discuss the predictable descent of the West into a tribal battle over resources, following from the corrupt rent-seeking elites' destruction of the system of competence and merit which fueled the boom of the 20th century. More specifically, we discuss FreedomFest, libertarians and liberty, RFK Jr. and his free market solution to pollution; also: race, sex, genocide, and rape. And: a man cheats two ways to take home a medal in a race for disabled women. Finally: saber-toothed anchovies. ***** Our sponsors: Sole: Carefully designed, personally moldable footbeds for healthy feet. Go to https://yoursole.com/darkhorse to receive 50% off any pair of Sole footbeds.  Sundays: Dog food so tasty and healthy, even husbands swear by it. Go to www.sundaysfordogs.com/DARKHORSE to receive 35% off your first order. Seed: Start a new healthy habit today with Seed probiotics. Use code darkhorse at https://seed.com/darkhorse to get 25% off your first month of Seed's DS-01® Daily Synbiotic. ***** Our book, A Hunter-Gatherer's Guide to the 21st Century, is available everywhere books are sold, including from Amazon: https://a.co/d/dunx3at Check out our store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://darkhorsestore.org Heather's newsletter, Natural Selections (subscribe to get free weekly essays in your inbox): https://naturalselections.substack.com Locals: https://darkhorse.locals.com/ Find more from us on Bret's website (https://bretweinstein.net) or Heather's website (http://heatherheying.com). Become a member of the DarkHorse LiveStreams, and get access to an additional Q&A livestream every month. Join at Heather's Patreon. Like this content? Subscribe to the channel, like this video, follow us on twitter (@BretWeinstein, @HeatherEHeying), and consider helping us out by contributing to either of our Patreons or Bret's Paypal. Looking for clips from #DarkHorseLivestreams? Check out our other channel:  https://www.youtube.com/channel/UCAWCKUrmvK5F_ynBY_CMlIA Theme Music: Thank you to Martin Molin of Wintergatan for providing us the rights to use their excellent music. ***** Mentioned in this episode: https://www.freedomfest.com Trans-Identified Male Wins Bronze In Women's 400m At 2023 World Para Athletics Championships: https://reduxx.info/trans-identified-male-wins-bronze-in-womens-400m-at-2023-world-para-athletics-championships/ Saber-toothed anchovies make the news at Science in 2020: https://www.science.org/content/article/saber-toothed-anchovies-roamed-oceans-45-million-years-ago Original research: Capobianco et al 2020. Large-bodied sabre-toothed anchovies reveal unanticipated ecological diversity in early Palaeogene teleosts. Royal Society Open Science, 7(5): 192260.https://royalsocietypublishing.org/doi/10.1098/rsos.192260Support the show

This is not the show we meant to do with Graham, but this is what happened.  A maker of floors, editor of my writing, and friend through the magic of the Internet, Graham Capobianco joins the show to chat about floors, football, and being a dad.Twitters: @IfAnyoneCares_ @RileyJamesIAC @GrahamALougeInstagrams:@RileyJamesIAC@GrahamALougeIAC x Spotify: https://open.spotify.com/user/isd6udf2ge8jixu9jmdvy7g22?si=lbVsX8nGR4GDU8S76ZjAXA&nd=1 Art: Spencer Ware (@spencerwarecreative)Music: All Good Folks and IAC Productions Music from Upbeat (free for Creators!):https://uppbeat.io/t/all-good-folks/summertime-jamLicense code: I2TIWBIRPGF4Z3VY

If you do not know how to identify and even become a first responder to overuse injuries your athletes deal with, you have no business leading them as their coach. I learned this early and have become a staunch follower in all facets of these concerns and how best to meet them with incredible solutions,…Read more →

If you do not know how to identify and even become a first responder to overuse injuries your athletes deal with, you have no business leading them as their coach. I learned this early and have become a staunch follower in all facets of these concerns and how best to meet them with incredible solutions,…Read more →

On today's Full Stack Journey podcast we examine pyATS, a Python testing framework typically used for network testing. Our guest to explain all things pyATS is John Capobianco. John is a Developer Advocate for Cisco Training Bootcamps and a proponent of Python and automation.

On today's Full Stack Journey podcast we examine pyATS, a Python testing framework typically used for network testing. Our guest to explain all things pyATS is John Capobianco. John is a Developer Advocate for Cisco Training Bootcamps and a proponent of Python and automation. The post Full Stack Journey 078: Using pyATS For Network Testing With John Capobianco appeared first on Packet Pushers.

On today's Full Stack Journey podcast we examine pyATS, a Python testing framework typically used for network testing. Our guest to explain all things pyATS is John Capobianco. John is a Developer Advocate for Cisco Training Bootcamps and a proponent of Python and automation.

On today's Full Stack Journey podcast we examine pyATS, a Python testing framework typically used for network testing. Our guest to explain all things pyATS is John Capobianco. John is a Developer Advocate for Cisco Training Bootcamps and a proponent of Python and automation. The post Full Stack Journey 078: Using pyATS For Network Testing With John Capobianco appeared first on Packet Pushers.

Peace of mind can prove the greatest reward. In today's episode, Anthony Capobianco, a tea sommelier and the founder of Zen Tea Traders, shares his story on how he's created a zen-filled life. Tune in!

Find out how to make the most of your Cisco Certification studies by using the exam topics listed for each certification exam. Join John Capobianco, Software Engineering Technical Leader for Cisco, as he talks about the right resources to help prepare candidates for their certification exams, as well as how Cisco certifications allowed his career to grow, and his advice on what to do after failing a certification exam.