Podcasts about Chapter Ten

This episode is an audiobook performance of the final chapter of Undine, by Friedrich de la Motte Fouqué. Chapter Ten beautifully concludes this classic fairy tale, gently lowering readers to a sense of closure after the harsh climax of Chapter Nine. In this episode, which is the finale of Season Four, I share a bit of my opinion on what Undine means and how it speaks to readers as a Christian allegory.

In this episode, we rush headlong into some of the most controversial passages in the Bible. A possible interpretation arises to address the paradox found in many of these challenging teachings. We then move to Hebrews, Chapter Ten, which tells us we should live our lives in the throne room. We are relational creatures. We don't thrive by becoming isolated and trying to fix ourselves. We ought to live in intimacy and obedience to God, the better way. We have the opportunity to live as servant-kings on the earth, reflecting and participating in God's glory.

Into The Wood Chapter Ten

Thanks for dropping by! It blesses me to no end that you'd take time to meet me here. I imagine you're gearing up for the Fourth, too. It's one of this family's favorite holidays. We'll give thanks for this land we love and count our many blessings.  Phil and I are trying to put up as much sweet in the freezer as possible before it gets […]

Wherein we discuss the dumbest thing about the demands and assumptions that our heroes face when they get a new time machine in Chapter Ten of All This and World War II, a module in the Time Warp adventure series for TSR's Marvel Super Heroes roleplaying game.

“There comes an end to all things; the most capacious measure is filled at last; and this brief condescension to my evil finally destroyed the balance of my soul.” ~ Robert Louis Stevenson sums up the story's finale so perfectly. If you are new to the program, be sure to head back to Eps 78 where we begin our tale of The Strange Case of Dr. Jekyll and Mr. Hyde. Music: Dark Times by Kevin Macleod If you are craving more audio stories, check out Harvesters of Days for free by signing up for https://my.captivate.fm/dashboard/www.darksoftlytalespodcast.com (Mav's Newsletter.) Scroll to the bottom of the website. You can also pick up one of her audio books on her website by clicking https://www.darksoftlytales.com/audio-books (here. )

Wherein we discuss the dumbest thing about the Nick Fury Theory of time travel, as presented in Chapter Ten of All This and World War II, a module in the Time Warp adventure series for TSR's Marvel Super Heroes roleplaying game.

The end draws nigh as Jekyll struggles with the duality of his soul. He confesses with the most delightful phrases ~ “the animal within me licking the chops of memory.” Come take a listen as we continue The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. Music: Dark Times by Kevin Macleod If you are craving more audio stories, check out Harvesters of Days for free by signing up for https://my.captivate.fm/dashboard/www.darksoftlytalespodcast.com (Mav's Newsletter.) Scroll to the bottom of the website. You can also pick up one of her audio books on her website by clicking https://www.darksoftlytales.com/audio-books (here. )

We've come to the part of the story where finally we get to hear Dr. Henry Jekyll's full explanation of, well…what the hell is really going on:  “a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death.”  Today we start Chapter 10, Part One:  Henry Jekyll's Full Statement of the Case in The Strange Case of The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. Music: Dark Times by Kevin Macleod If you are craving more audio stories, check out Harvesters of Days for free by signing up for https://my.captivate.fm/dashboard/www.darksoftlytalespodcast.com (Mav's Newsletter.) Scroll to the bottom of the website. You can also pick up one of her audio books on her website by clicking https://www.darksoftlytales.com/audio-books (here. )

Magician Julie Eng recounts her early years in magic, working in her father Tony Eng's Victoria magic store, Tony's Trick and Joke Shop. And then we jump into Chapter Ten of “The Ambitious Card.” Then we discuss Wallace of Minneapolis and other magic store experiences. And John learns about Glorpy!The reading of Chapter Ten starts at 00:30:23LINKSThe Eli Marks Mystery Series: http://www.elimarksmysteries.com/Get yourself a Free Eli Marks Short Story: https://dl.bookfunnel.com/jj1r1yaavjListen to an Eli Marks Audio Short Story: https://BookHip.com/LZBPPMDJulie Eng website: https://www.magicienne.com/Julie Eng on Twitter: https://twitter.com/anjusanJulie Eng on Instagram: https://www.instagram.com/magicienne/Julie Eng on Facebook: https://www.facebook.com/je.magicienneJulie Eng Performs Coins and Handkerchief: https://youtu.be/Hw2PshZKzCAJulie Eng Performs a Card Trick: https://youtu.be/cNp2IJM8XBEJulie Eng on The Science of Magic: https://www.cbc.ca/player/play/1162587203825/Tony Eng Performing: https://youtu.be/-U3CE9xx70gGlorpy on Wikipedia: https://en.wikipedia.org/wiki/GlorpyGlorpy Demonstration: https://youtu.be/w67o3YouaGQ

Gijo and Tina are finally reunited unfortunately on the opposite sides when they hear the familiar voice of a dead foe. Will Gijo and Tina finally leave the city of Courage? Will Drunkard Dillion come back to life? Find out this week on Dungeon Tales https://www.patreon.com/dungeontales4?fan_landing=true https://www.teepublic.com/stores/dungeon-tales?utm_campaign=17295&utm_medium=affiliate&utm_source=Dungeon%2BTales https://www.youtube.com/channel/UCVrwyKYgwbUzrzZq3v-2HPA --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode 188"Beneath the Rising" by Premee Mohamed, Chapter TenA tense airport goodbye, and the realization something's not right on the flight to Morocco. Anita talks about her own flight-related woes, while Scott thinks Johnny has maybe misidentified society's woes.The Read-Along is a proud member of the Alberta Podcast Network (albertapodcastnetwork.com)! Follow us on Twitter, Instagram and Facebook @thereadalong, and join our Goodreads Group to get your discussion on! You can also follow Scott @scottybomb and Anita @nitabing, or e-mail us at thereadalong@gmail.com.The Read-Along logo by Erin Beever (@Erin_Beever), theme song and music by Kevin MacLeod at incompetech.com. This week's sponsors are:Taproot EdmontonWhat's the Tsismis?Until next time gentlereaders! He Snitched On 'Em - "Beneath the Rising" Chapter Ten

Separated for the holidays once again, the group is still reeling over the events of the staircase and the confrontation afterwards. Won't everyone just make up and be friends again? Skyler becomes a linebacker. Allison goes along with it. Freya invents some magic. Caleb does a snek. Leo does a doosy of a whoopsie.✨You can find all our stuff at https://linktr.ee/wcwbw! Use that link to share the show!Join us on Discord! https://discord.gg/Z5bBjYHURcChat with us about the show, share Hogwarts memes and pet photos, earn points for your house and more!Episode transcripts and more are available on our website:https://whycantwebewizards.com/Follow us on Twitter: https://twitter.com/WhyNotWizardsIf you like our show, please rate and review us on Apple Podcasts or wherever you download podcasts.Special thanks to Tablestory, the creators of our game system:https://www.tablestory.tv/waw/https://twitter.com/ATablestory

In this episode of the fellas Zodizach and Beastmodesquats chat about the newly released The Bad Batch. The fellas share their favorite highlights of the third episode. We didn't forget, Chapter Ten of A Test of Courage was chill! Follow along with the fellas every Thursday night for all things Star Wars.    Visit the fellas here  https://www.averagefellas.com/   AVERAGE FELLAS PODCAST Is a digital media production studio in Riverside California. We offer a variety of digital media production services and web solutions. Content marketing, social media marketing, web marketing and more. Let the fellas produce your next digital media marketing campaign today. Follow along with host and producer Zodizach as he shares his web solutions and creative knowhow every Monday on the Podcast.   FAQ Do you promote small businesses and nonprofits? Yes we produce our own independent podcast and interview guest, we highlight small businesses, nonprofits, start ups, freelancers and independent artist. We highlight products and services, link and share content of our guest. Do you sell coffee? Yes our host and producer Zodizach loves coffee so much he decided to share his passion with you, as he shares your passion with the world! Do you offer other services? Yes we provide a number of web solutions for small businesses, nonprofits, startups, freelancers and independent artist. Everything from simple graphics to Ecommerce commercial website the fellas got you covered.

Jesus walked about in the temple area on the Portico of Solomon. So the Jews gathered around him and said to him, “How long are you going to keep us in suspense? If you are the Christ, tell us plainly.” Jesus answered them, “I told you and you do not believe.”  John 10:24–25Why is it that these people did not know that Jesus was the Christ? They wanted Jesus to speak “plainly” to them, but Jesus surprises them by saying that He already answered their question but they “do not believe.” This Gospel passage continues the beautiful teaching about Jesus being the Good Shepherd. It’s interesting that these people want Jesus to speak plainly about whether or not He is the Christ, but instead, Jesus speaks plainly about the fact that they do not believe in Him because they are not listening. They have missed what He has said and are left in confusion.One thing this tells us is that God speaks to us in His own way, not necessarily in the way we would like Him to speak. He speaks a mystical, profound, gentle and hidden language. He reveals His deepest mysteries only to those who have come to learn His language. But to those who do not understand God’s language, confusion sets in.If you ever find yourself confused in life, or confused about the plan God has for you, then perhaps it’s time to examine how carefully you listen to the way God speaks. We could beg God, day and night, to “speak plainly” to us, but He will only speak in the way He has always spoken. And what is that language? On the deepest level, it’s the language of infused prayer.Prayer, of course, is different than only saying prayers. Prayer is ultimately a relationship of love with God. It’s a communication on the deepest level. Prayer is an act of God within our soul by which God invites us to believe in Him, to follow Him, and to love Him. This invitation is continually offered to us, but too often we fail to hear it because we fail to truly pray.Much of John’s Gospel, including Chapter Ten from which we are reading today, speaks in a mystical way. It’s not possible to simply read it like a novel and comprehend all that Jesus says with one read. Jesus’ teaching must be heard in your soul, prayerfully, pondered, and heard. This approach will open the ears of your heart to the certitude of the voice of God.Reflect, today, upon the mysterious ways in which God communicates to you. If you do not understand how He speaks, then that is a good starting point. Spend time with this Gospel, prayerfully pondering it. Meditate upon Jesus’ words, listening for His voice. Learn His language through silent prayer and allow His holy words to draw you to Himself.My mysterious and hidden Lord, You speak to me day and night and continually reveal Your love to me. Help me to learn to listen to You so that I may grow deep in faith and may truly become Your follower in every way. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2021 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.

Vanessa The Wonderworker, Chapter Ten, written and illustrated by Grace Brooks. Available on Amazon

Bill continues to be a massive creep, and Duncan shows off his excellent horse impression.   Follow us on social media! Facebook: My First Fanfiction Twitter: @myfirstfanpod Instagram: firstfanfictionpodcast Gmail: myfirstfanfiction@gmail.com

Leviticus Chapter Ten, death of Nadab and Abihu, low point, no mourning, no alcohol, Scarlet Threads, Jesus Christ

What is a generational curse? Is this concept biblical and relevant for today? In this episode, Jake teaches from Chapter Ten of Setting Captives Free, explaining the concept of generational curses and how we can be set free from their influence. He covers four types of generational strongholds and then leads a time of prayer to break free. No believer needs to stay under the influence of a generational curse! Order Jake's new book Setting Captives Free: How to Break the Chains of Demonic Influence. Connect with Jake at JakeKail.com. Keys for Deliverance with Jake Kail is part of the Destiny Image Podcast Network.

Hello there! Join in the tenth installment of our readthrough of The High Republic: Into the Dark. Stay tuned after the chapter to hear our thoughts so far! 

Happy Thursday, Christmas fanatics! Welcome to the eleventh official installment of "Another Christmas Story"! This week, our very own Anthony Caruso will read to all of you Chapter Ten of our tale, entitled "Carol of the Bells". Within this chapter, we switch back to Aaron Rankin's point of view as he and his classmates arrive in New York City for their Christmastime class trip! We hope you like it! If you do, make sure to share this episode and our website, upon which the text of this installment is posted, to get it in front of as many eyes as possible! Make sure to check your podcast feeds for your regular weekly episode on Monday, in which the elves will cover the last batch of "Home Improvement" Christmas episodes, and next Thursday for the twelfth official chapter of this story - "Chapter Eleven: We Three Kings", which listener, Claude Bélanger, will be reading to you! Enjoy, y'all!

Happy Monday, Christmas fanatics! We hope you had an incredible Easter weekend and the Easter Bunny was good to you all! This week, the elves gather to discuss the two Christmas episodes of the hit 80's show, "ALF"! For those of you who want to watch along at home, the episodes discussed are: Season 1, Episode 12 - Oh, Tannerbaum  Season 2, Episodes 11 and 12 - ALF's Special Christmas When it comes to the infamous Season 2 holiday special in particular, the elves take a pretty deep, extensive dive into the history of this baffling episode, which left all three quite depressed and confused, and allows Julia to go on a disappointed rant for the first time in a long time. While there's plenty of love and nostalgia for "ALF" the show and ALF the character - especially on the parts of Thom and Anthony - is it enough to rank both of these episodes high? Or does the true story that inspired the second episode, in addition to its overly saccharine and contrived nature, bog it down? Also discussed in this episode: the elves talk about the results of the Round 1 voting for the Tis the Podcast March Madness bracket to determine the Ultimate Christmas movie; the trailer for James Gunn's The Suicide Squad; Anthony teases the newest tattoo he's getting; listener answers to the Question of the Week are read; and much, much, much more. So settle in and relax with your leftover Easter Chocolate, open those windows and allow that cool Spring breeze inside, allow the elves to take you back in time to the 80's on a trip to Melmac, and enjoy this fun episode! And get excited because, now that we are post-Easter, we are one major holiday closer to Christmas!  Also - make sure to keep your eyes on your podcast feeds this upcoming Thursday for the next chapter (Chapter Ten!) of Another Christmas Story as read to you by our very own Anthony Caruso!    *Note: The deep dive article into "ALF's Special Christmas" that the elves repeatedly refer to in this episode can be found at the following link.* 

Mik’i regains his strength as the boys spend the day swimming with their new best friend and his family.

Jim Wallis, in conversation with William Matthews and Allison Trowbridge, explores the themes of Chapter Ten, “Salt and Light” from his new book Christ in Crisis: Why We Need to Reclaim Jesus.

Like life, every journey has its ebbs & flows... It's how we adapt and roll with these punches that defines the journey.  It is up to us as individuals to make these ebbs and flows our bitch and conquer the obstacles.

This episode is also available as a blog post: http://pontesbooks.com/2021/02/24/the-prince-and-the-pauper-chapter-ten-fun-fact/

Posh (Phillip Lee Curtis) and Fab (Adam Richard) open up the 'Make It Happen' chapter of The Meaning of Mariah Carey, and find more than they bargained for. Bagels, shady photocopies, ice in a shoe flap, and Posh Explains it All. See acast.com/privacy for privacy and opt-out information.

This episode is also available as a blog post: http://pontesbooks.com/2021/02/20/the-prince-and-the-pauper-chapter-ten-historical-tidbit/

Ash dives fully into the story of Jacob Morgan, the supposed real estate agent who’d ended his own life by jumping off a balcony at the Gun Cotton Hotel. As Ash dives into his sordid past, it’s readily apparent that, perhaps, not everything she’s writing is fiction.Even more to the point, the lines between Ash’s visions of Morgan’s life before that ill-fated meeting in Gun Cotton and Ash’s own life aren’t quite as solid as they should be.Support us on Patreon or by purchasing some merch!Follow us on social media: Twitter | Facebook | InstagramJoin the Westside Fairytales Horror and Lit ClubSend us an emailArtwork by Yui Breedlove

Ash dives fully into the story of Jacob Morgan, the supposed real estate agent who’d ended his own life by jumping off a balcony at the Gun Cotton Hotel. As Ash dives into his sordid past, it’s readily apparent that, perhaps, not everything she’s writing is fiction.And the lines between Ash’s visions of Morgan’s life before that ill-fated meeting in Gun Cotton and Ash’s own life aren’t quite as solid as they should be.Support us on Patreon or by purchasing some merch!Check out all our social media links hereArtwork by Yui Breedlove See acast.com/privacy for privacy and opt-out information.

This episode is also available as a blog post: http://pontesbooks.com/2021/02/17/the-prince-and-the-pauper-chapter-ten-vocabulary/

As O approached the portal back to the world of the living, he suddenly sensed that E was not behind him. He turned around — to see her immediately whisked back into the darkness of the Netherworld. At that moment he realized that his faith had been test.

In this episode, Tom sinks the boat! Lean back, put up your feet, close your eyes, relax, and Kurt will tell you all about a simpler time... a Submarine... and a young inventor named Tom Swift. Volume Four of the Tom Swift Series continues! The Submarine and Sunken Treasure! If you enjoy Storytime with Kurt, consider helping to support the project by subscribing or donating right here on Anchor! If you'd like to support Storytime with Kurt directly... https://anchor.fm/storytimewithkurt/support Or just rate us at your favorite Podcatcher. Follow Kurt on twitter @VObyKurt If you'd like to support Storytime With Kurt directly just go here: https://anchor.fm/storytimewithkurt/support We'd love your comments and suggestions for future books at kurt@storytimewithkurt.com And thanks for listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/storytimewithkurt/support

Join me as I break down Chapter Ten of Fifty Shades of Grey - in which Christian goes commando and Ana's inner goddess does a yoga class... 'Breaking Down Bad Books' is a podcast analysing trashy bestsellers from a literary perspective. Currently covering E.L. James' erotic romance Fifty Shades of Grey. Read along with me and let me know your thoughts on Twitter @PodBreakingDown or email me at breakingdownpod@gmail.com.Hosted by Nathan Brown, who you can find on Twitter and Instagram @nathanbrown90. Visit www.breakingdownbadbooks.com for more.Visit Booktopia to purchase any books featured on this podcast, or treat yourself to something that's actually well-written.Check out Vitable for daily vitamin packs tailored to your individual needs.Support this show http://supporter.acast.com/breaking-down. See acast.com/privacy for privacy and opt-out information.

Libby Noland and I are friends from Kent State, today we discuss topics of ghosts, death, political extremism, my strange dating experiences, and much more! Don't miss out! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/danny-callaghan/support

This week, I'm trying something a little different. In addition to this essay and podcast, I made a video.It’s part of my ongoing series, “How It’s Written” I’m explaining, in detail, why I think the TV show the Mandalorian is so well-written. And to do that, I delve into the world of the internal story. I think this essay it's more fun as a video, but it totally works as a podcast or an essay. So consume in the form that you find most palatable. IntroductionToday on "How It's Written" we're going to dig into the immensely popular Mandalorian, I've seen lots of people commenting on this story, good and bad, but I don't think any of them have really nailed what makes the show so great.But that's not surprising, because that's what a well-crafted story does. It hides its workings so that you are drawn into and through the story, without fully realizing what's being done to you.But I'm going to lay it all out for you. Obviously, if you haven’t seen the whole show, here’s your spoiler alert. Go binge it and come back.  The most important thing to realize is that for all it's wonderful action sequences, The Mandalorian is driven by its internal story. And if you don't know what I mean by that, or that all great stories are driven by the internal conflict, stick around. Internal v. External StorySo, quick primer. One way to think about an internal story is that it is the story that matters most to the main character. I think this is what William Faulkner meant when he said, “The only thing worth writing about is the human heart in conflict with itself.”Take Rocky, for example. On the outside, Rocky is a movie about a hopeless loser who tries his best who gets a shot, tries his best, and loses. In fact, he gets beat up and loses in front of his girlfriend. But on the inside, it's a triumph. And we triumph with him. Which is why we love Rocky. Could you tell the story of Rocky without the boxing scenes? On one hand, the idea is silly. The boxing is how you show the conflict on the screen. It’s how Rocky demonstrates his passion and sacrifice. When you write a book you can put the reader directly into the mind of your character, but with film or television, you can't. So you have to have some way to symbolize what’s going on in your character’s head. But it can be anything that’s fun to film, boxing, wrestling, bobsledding, hunting a giant shark, a chess game, performing a difficult piano concerto, lightsaber duels, or a gunfight. So here's how the show worksEvery episode has the same structure. Mando gets a job, Mando does a job. He wants someone from someone, in exchange, they give him a quest, and he completes it in exciting and unexpected action sequences. That's it. That’s pretty much all there is to the external story. It's a formula and I love it. And, unless you're over-intellectualizing it, or trying to score clicks in pointlessly snarky YouTube commentary, you love it too. Because it’s amazingly well done. Because as fans and viewers don't want our expectations subverted. We don't want genre conventions broken. We want all of those things honored and given back to us in a way that makes them fresh and new. We want our expectations fulfilled in a way that we don't see coming, or with such a high emotional charge we just don't care. And I think that is one reason the Mandalorian is so refreshing. It doesn't have any pretensions to being important to the culture. They're just trying to tell an entertaining story. And that’s all that George Lucas was doing when he made the original films. And it’s not a thriller. The whole world isn’t a risk. The Galaxy is not in jeopardy. The kid is. And for me, that makes the stakes more real.Is anything in the universe going to change if Baby Yoda gets snuffed? Probably not. But, to the Mandalorian, it would be Armageddon. And that’s the internal story. Or part of it at least. So we’ve got sixteen chapters across two seasons. And across the loom of these episodes the internal story of the Mandalorian is woven. It’s the story of a traumatized orphan raised to be a violent killing machine who rediscovers his humanity by caring for an orphaned child. And his real change, I think, is from cold indifference - that detachment of the professional not just to love, but something beyond love. I call it selfless love.I’m going to go through this in detail, but my first thought is that it is kind of a small story. It doesn’t feel like two seasons worth of television. So I think any flaws in this show are because they were shucking and jiving, filling episodes. Or what you might see as a flaw or a misstep is the writers intentionally sacrificing the external story to make the internal story stronger. The most glaring one in my mind is in Episode 14 — titled the Tragedy, but what I think of as the Return of Boba Fett. In the standoff, Boba Fett demands that the Mandalorian takes off the jet pack. This means that he doesn’t have it on when the Child is taken by the Dark Troopers. Honestly, this is very, very dumb. Why wouldn’t he have put his jet pack back on? Seems very valuable, not the kind of thing you’d leave lying around? Because, if he had it, he’d just fly up to save the Child either, saving him or dying in the process. And it’s very important for the internal story to have the child taken from him. Because it is in recapturing the child — because the big fight that is to come, is how he will show that he loves the child.These “missteps” sets up a bigger, more satisfying story beats in the end. Find me anything you love and I will find you a misstep. This show isn’t perfect. But nothing is. Work doesn't succeed because it's flawless. It succeeds because its strengths overcome its flaws. And that’s worth knowing if you want to be a maker instead of a critic. This why hatchet job reviews and commentary bother me. Everything has flaws. And it takes no real skill or insight to them. What's harder to explain is why anything is good. In other words, how its strength’s overcome its flaws. In the first episode, there are only two beats in the internal story. 1. Mythrol tries to bribe him to not take him in. And the Mandalorian doesn’t accept. Because, even though he’s not exactly a good guy, he’s a man with a code. Which the show will beat us over the head with for a couple of episodes. This is the way. This is the way. This is the way. Yup, he’s got a way. Because this is a Western and Samurai movie. And Westerns and Samurai movies are the same thing. Because even if you swap out the pistols for swords a showdown is a showdown is a showdown. Yojimbo is a Fistful of Dollars. The Seven Samurai is The Magnificent Seven.And Kurosawa, the guy who made these Samurai epics, was in turn influenced by earlier Westerns. The cycles of influence never end. Until in 1970, Kazuo Koike and Goseki Kojima produce a Japanese comic called Kozure Okami. Which literally translates as "Wolf Taking Along his Child" but which you probably know as Lone Wolf and Cub.It’s a monster manga epic. This is the first volume and there are twelve of these books in the series. As you can see from the fabulous cover art by Frank Miller, we’ve got the cute kid in the baby carriage and everything. So it seems like it’s the same as the Mandalorian, but it’s not. Because of, you guessed it, the internal story. Now I love Lone Wolf and Cub, so don’t take this as a real criticism, but compared to the Mandalorian, The Wolf — Ogami Itto — is kind of an a*****e. Or a real hardass. At the beginning of the story, he has been ordered to commit suicide — his wife is dead and his clan has been betrayed. He is setting off on a path of revenge, but he’s got this little boy. So he lays out a sword and a ball and lets the kid choose. If the kid chooses the ball, he’s going to “send him off to be with his mother.” In other words, kill him. But the kid goes for the sword. So he takes him with him in one of the most satisfying stories of reckless child endangerment I’ve ever read. But that’s not the Mandalorian’s story. And we don’t quite know it yet. The only hint we get in this episode is when he tells the armorer, “I was a foundling.” So when he teams up with IG-11 and the droid wants to kill him, the Mandalorian shoots him in the head. Why? Why would a ruthless professional, one who’s code includes the phrase, “I can bring you in warm or I can bring you in cold” not let the Droid kill the kid? Well, it could be that he wants the money for himself. We’ve both seen the show, so we know it’s not. It’s that he sees himself in the kid. He was rescued by a Mandalorian in a gunfight. And we’ll get all of that in the third episodeThe second episode is fun, including the line, “I’m a Mandalorian, weapons are my religion.” But from the internal story perspective, only one thing happens. The kid saves him from the Mudhorn. Now, it’s super geeky awesome that baby Yoda used the force, but for the internal story, it doesn’t really matter how the kid saves him. In the third episode, he delivers the Child to the client and takes his Beskar to the armorer to make a new set of armor. While it’s being made, we get a flashback sequence that shows him as an orphan. A flashback sequence that for me, broke the flow of the episode a little. It was exposition I didn’t think we needed the first time I watched it. EXCEPT, I think we did need it. For the internal story. Because he’s about to blow up his entire life. So he goes to his ship, and we have a great moment with the little metal ball. I think the technical term for this is Recognition by Token. The ball is a symbol for the kid. This is very skillful here because, in film, we can’t crack open his head and know what is going on. But if he stares at the metal ball the kid played with, what else could he possibly be thinking about? It’s a lovely internal moment and quietly one of the biggest moments in the series. Does he leave the kid or does he rescue him? There are two things to note about this. A crisis is always a choice. Great crises are never a choice between good and bad things. A crisis is always a choice between irreconcilable things. Think Sophie’s Choice. In this moment the Mandalorian recognizes that he’s not who he thought he was. He’s not just a Mandalorian, inside, he’s still also that scared 5-year-old kid. Except this time he’s big and he’s strong and he knows how to fight. So what’s he going to do? Which one of these identities is he going to kill? Because a ruthless, cold-blooded bounty hunter doesn’t break the deal. But if he doesn’t break this deal, that little 5-year-old boy inside of him is going to die. So he goes back, rescues the child, and goes on the run. And this is also gigantic on an external level. Because he blew up his entire external life. Now he can’t be a bounty hunter anymore. He’s on the run with the kid. And he is estranged from all the other Mandalorian. He has no idea what comes next. Next episode, we have the wonderful defense in-depth scene against the bandits with the AT-ST. Which is a great introduction to a great character, Cara Dune. Who is a female badass, who looks like she’s a female badass. Bravo proper casting. I don’t want to get too deep into the details of the external story but I will point out that tactically, this may be the best battle scene in all of Star Wars. This episode is also the Magnificent Seven in a nutshell. Call it the Magnificent Duo. And what’s important about this episode is he that won’t take off his helmet. He’s going to leave the child because it’s best for the child. But Bounty Hunters come and they have to stay on the run. But the very moment before that attack, Cara Dune lays this on him.   Cara Dune: (incredulous) That's it? So, you can slip off the helmet, settle down with that beautiful young widow and raise your kids sitting here sipping spotchka?And he refuses. No taking off the helmet. This is the way. He’s a man with a code. Shane rides off into the sunset. Now the chapter is fun action in the desert, but a bit of a nothing burger for the story that’s driving this whole thing. The stakes aren’t raised on the key value. He does what he has done before, saves the kid from the bounty hunter. In Chapter 6, the Prisoner, the Mandalorian has taken a job with old associates. And this is a bit of reversal from love to indifference. He’s risking the child’s life Ogami Itto style. You could see it as he doesn’t have a choice, but I dunno. Seems a little sloppy and risky for a professional. But he saves the kid in the end, the status quo is maintained, and we’re off to Chapter 7.To keep the kid safe, The Mandalorian pulls together all of his allies in a plot to kill the Client. Which is bittersweet for me. Because I love Werner Hertzog’s performance. “He is so marvelously nihilistic. As at home in the RealPolitik of the crumbling of empire as a crow feasting upon a battlefield.” Seriously, I love that guy. Over the next two episodes, The Mandalorian kills the client and, we think, Moff Gideon but that’s kind of what he’s done before. But it can be read as just getting himself out of a mess. But tanking on the obligation to find the child’s people and see that he is taken care of, that’s a new step up. At the end of episode seven, we have this great speech by Moff Gideon. Moff Gideon: You have something I want. You may think you have some idea of what you are in possession of. But you do not. In a few moments it will be mine. It means more to me than you will ever know.At the open of episode eight, we have the Scout Tropper scene. Written by Taika Wattiti — because of course it’s written by Taika Wattiti — this scene is amazing. We get utter humanity from two Storm Troopers. Funny, sympathetic, it feels like the most real scene in the whole show for me. But, we can’t like these guys too much, because they are about to get absolutely murdered by IG-11. So what does Taika have them do. Punch Baby Yoda. Now, even though you totally sympathized with them, it’s totally okay they get killed. That’s so well done. Instantly one of my favorite scenes of all time. Also, I have to point out that IG-11 steals the entire first season for me. It’s his episode. It’s called Redemption, is because the droid redeems himself.The group hears the Child squeal over the comms. Cut to IG-11 on the speeder bike with the Child in a bag strapped to his chest. ]IG-11: Kuiil has been terminated.[ Cut to the common house. ]Din Djarin: What did you do?IG-11: (over comms) I am fulfilling my base function.Din Djarin: Which is?[ Cut to IG-11. ]IG-11: To nurse and protect.But, from an internal story standpoint, IG-11’s sacrifice prefigures the sacrifices that the Mandalorian will make for the Child. Because I think you have to see a person who never takes off his helmet as someone who’s trying to be a machine — and IG-11 as a machine that is trying to be human. This is all b******t, from the text of the story. With IG-11 insisting repeatedly, that he’s never been alive. But I think my explanation is what most people get as a viewer, if only as a feeling. THE HELMETAgain, we get the Mandalorian refusing to take off his helmet. He’d rather die than show his face to another living thing. And, the scared little boy inside him just assumes that when he is powerless before the Droid, that IG-11 is just going to kill him. My guess is that there’s not a lot of room for weakness in the code of the Spartans.But IG-11 is not alive, so we have a loophole. Now, if you're not a writer, you probably don't think about story much at all. You just enjoy it. Which means, when a story is well constructed, you don't notice any of the plot points. Your emotions are running high and you just want to know what happens next. Both on an intellectual and an emotional level, you are drawn into the story. But if a story isn't together well, you notice all the errors and the gaps in the story. This is why, I think, if you want to understand what makes great stories, great, you have to outline them. Because, on first inspection, they've cast their spell over you and it's very difficult to see them clearly.Since The Mandalorian won't take off his mask in the beginning, it means, he HAS to off his mask in the climax of the story. Now, if you say this out loud while watching season one for the first time with your friends, you're a jerk. But if you are Jon Favreau trying to write a television show that's what you call a clue. Very often stories are worked back to front. What's your great ending? Now, how do you set up that great ending? Twists are easy-er. Great scenes are easy-er. But great endings are rare, so one very good school of thought is don't start writing until you have your ending. Because just assuming a great ending will be waiting when you get there can really get you into trouble. As I think we've seen with other Star Wars stories. And, of course, Game of Thrones. *Shudder*Anyway — IG-11 makes the Mandalorian promise to take care of the child. And we get real emotion out of the Mandalorian from this.Din Djarin: (voice rough with emotion) No. We need you.IG-11: There is nothing to be sad about. I have never been alive.Din Djarin: I'm not sad.IG-11: Yes you are. I'm a nurse droid. I've analyzed your voice. (caressing the Child in farewell)Then we get a stupid ridiculous action sequence. This is something that you would do playing with Star Wars action figures. And part of me loves it and the other part just doesn’t care. Because, as we’ve seen from following the internal story — it doesn’t matter. It’s a boxing match. A symbol of the internal struggle and triumph.Annnnd, season two.For what I read as the internal story of the Mandalorian, nothing happens for like seven Chapters. Oh, plenty happens, in the way of action. And I like all of these episodes. I even like Chapter Ten with the crazy ice spiders and it’s Deus ex Machina ending. Because I’m bought into the internal story by this point. And, for that story, the jeopardy is: is Baby Yoda going to get caught eating the Frog lady’s children? I think Blake Synder of “Save the Cat” would call these episodes “Fun and Games” it’s the promise of the premise. The Mandalorian is doing cool Mando things. He’s taking care of the kid, but it’s not like the stakes of his sacrifice are rising. Then Moff Gideon captures the kid. And he kills a main character.Blows up the man’s ride. But it’s more than blowing up the man’s ride. That ship is a character in the show in the same way the Millennium Falcon is. Once it’s gone, things can’t really be the same. Maybe this is an intentional signal, maybe not. But the story formula is broken. Losing the ship is a powerful sign that we’re not going back to the way things were. The Mandalorian calls in all his allies and they put together a plan to get the kid. But along the way, we have another climax to the internal story. He needs the location of Moff Gideon, but to get it he has to break his code and take off his helmet. Which he does. Is this it? This the big scene where the Mandalorian removes his helmet — well, not exactly. But I think it actually heightens the big scene. Because what we see is that he doesn’t exactly know how to be a person without the helmet. He’s damaged, and to protect his weak point, he has donned armor. And what he’s armored himself against is trauma. All that terrible s**t that happened to him, not only his parents being killed but also the terrible things that happened making him a Mandalorian. To the Mandalorian, foundling might just be another term for child solider. And the time-honored way — to make superhuman warriors — from Spartans to SEALS — is to put them through trials that only a very few can survive. This guy is broken and we see it in his eyes in Chapter 15We also get the great scene where Bill Burr just blows the whole operation because he has to shoot his ex-commander. “Yeah, was it good for them though?” For me, this is the most political moment in the entire show. But it doesn’t feel forced and is totally consistent with the character; and what is the arc of most of the secondary characters in the show. Every single one of them redeems themselves, just as the Mandalorian redeems himself in the end. Look at the transformations. Greef Carga goes from running bounty hunters to becoming a governor. The Mandalorian brings the Sandpeople and the people of Mos Pelgo together. Cara Dune goes from wanted fugitive to Marshall. Bill Burr redeems himself when he kills his commander and blows up the base. For all the violence, this is a show about redemption. At the end of episode fifteen, he puts Moff Gideon on notice with a lovely bit of parallelism, repeating Moff Gideon’s speech back to him word for word.Now, this is not strategically sound, but it’s so cool, who cares? I’m not here for a lesson in tactics, I’m here to be entertained. So, Fight, fight, fight. Rescue the kid, trapped on the bridge. Robots hammering at the door. All is lost — but then a lone X-wing flies in. “GREAT WE’RE SAVED”Now, I don’t want to underestimate the feels that come with Luke Skywalker making an appearance. It got me. And it really got me because the prequels and the sequels were so bad. My goal with these essays is not to be critical — and there are things to be learned from those stories. But they were bad. And, especially with the sequels, maybe the expectations, the corporate meddling, all of that made it impossible to make it good. Honestly, I thought the first one did an amazing job of threading an impossible set of needles — but after that, ugh. And those prequels, “messa say *hurling noise*.”Now, you may feel differently and that’s fine. I don’t blame or judge you. But what you have to understand about me is that my Dad took me to see Star Wars in 1977. I was five. And we saw it, in the theatre, at least three times. I loved that movie so much that whenever a movie would come on television with the 20th Century Fox intro, with the drum roll and the fanfare. I would stop whatever I was doing on the off-chance, on the hope that it might just be Star Wars. It almost never was. Empire Strikes Back blew my mind. Return of the Jedi wasn’t at good as that, but it was close. Luke saving and forgiving his father is still very powerful. Maybe more powerful now that I am a father and I come to understand a little bit about what having a son means. And it is saying a hell of a lot that a piece of pop culture still works on any level 38 years later. Or 44 years later if you count from the first film. Here’s the thing, that five-year-old boy is still inside me. Honestly, I didn’t have a very happy childhood. I haven’t always had that great of a relationship with my Dad. We both can be very difficult people. It was his first time being a Dad and my first time being a kid, so neither of us knew what the hell we were doing, but I remember the moments surrounding those films as being very happy. And since Return of the Jedi, that five-year-old kid has waited for that Star Wars to show up again. To this day, my ears still prick up when I hear the 20th Century Fox fanfare. Because maybe, just maybe it’s going to be that Star Wars movie I’ve always wanted but never got to see. But it never has.The lesson a writer could learn from this is the expectations you set with a book, or a film or a genre are crucially important. And if you don’t handle them correctly, you’re going to be in for rough sledding. But the five-year-old me doesn’t care about any of that. He’s been waiting for Luke Skywalker to show up on-screen since 1983. Not this guy:This guy:So yeah, that was an emotional moment for me. And I don’t care about the quality of CGI. It didn’t matter anyway, because tears welled up in my eyes.I tell you all that so you can put what I will say next into proper context. That moment was genius. But it’s not storytelling genius. It’s a manipulative, sentimental genius. And if an emotional moment like that is wrong, I don’t want to be right. For reasons beyond my conscious control, I am all in.But, it’s still Deus ex Machina. The God from the Machine. The term was coined by Aristotle, who used it to point out that it’s generally bad writing. This kind of thing has been recognized as a mistake since 300 B.C. But in this case, it’s a mistake you want to make. Deus Ex Machina (not a New Wave Band)So here’s how it worked in Ancient Greece. At the end of the play they would literally use a crane to drop a totally new actor, playing a god onto the stage and he would magically resolve everything. But now, 23 centuries later, instead of a crane we get an X-wing dropping the god into the story. But it doesn’t matter. Because all this only resolves the external story. And the internal story is what matters. Let’s break it down. As the Dark Troopers are banging on the door, Moff Gideon gets a hold of a blaster. And when he shoots at the child, the Mandalorian throws his body in front of the shot to save Baby Yoda. For me, this is a superfluous beat. Meh, it’s just his life. Mando has risked his life a whole bunch for the kid.But at the very end, after Luke has cleaned house, The Mandalorian risks, far, far more. In the end, he risks his identity. He grows and changes to save the child. And he loves the kid so much that his ego — that wounded thing inside him that fights to hold onto his code, that won’t let him take off his helmet, that holds onto all the pain and the trauma because the Ego needs it; believes without it, he won’t exist. That same thing in all of us that clings tightly to who we believe we are — that it gets in the way of us becoming someone better — that won’t let go even when things about us, threaten to destroy us and everyone else around us. The Mandalorian loves the kid so much, so unselfishly, that he lets him go. He doesn’t do it to be the hero. He doesn’t do it to save the kid’s life, or his own. He does it because the child needs it from him. And he loves the child so much, he has to give it to him. Loves him enough to let him go, even though it had to hurt like hell, even though, he’s probably not going to know who the hell he is for a while. Because his ego has been dissolved in an act of selfless love.  THAT is a story. That is a character arc. That is an ENDING.And while I could quibble over beats or choices or minor things, when you see the whole arc of what’s really going on, I don’t know why you would waste your time. It’s like complaining about a rainbow because you think it should be six inches to the left. It’s f*****g rainbow jackass! If you’re not going to enjoy it, you’re not going to enjoy anything. If you’ve liked this episode, you should totally subscribe. And if you like the way I think about story, you should probably check out my latest series, How to Succeed in Evil. Here’s a link that get you a free copy of the first book. Thanks for watching, and I’ll see you next time. Get full access to How It's Written by Patrick E. McLean at patrickemclean.substack.com/subscribe

BC was almost killed, his suite of rooms in the Vatican Mission on Lunar Prime partially destroyed in recent UIN attacks. As he recuperates and returns to repaired rooms, BC checks in with The Boss – The Pope! Writer, host and narrator Mike Luoma brings you Chapter Ten of the special audio version of his Vatican Assassin 15th Anniversary Edition. Join us for free, original, independent audio science fiction adventure every week on Glow-in-the-Dark Radio! Our Promo this week is for Geek Radio Daily: http://geekradiodaily.com. Please consider becoming a Patron and supporting the podcast: https://www.patreon.com/glowinthedarkradio. Free Audiobooks? Everything else? Links and details: http://glowinthedarkradio.com and http://mikeluoma.com.   Music by Kevin MacLeod (https://incompetech.com / https://filmmusic.io). Show theme - "Hitman". Vatican Assassin theme - "Phantom From Space".

Join Pedro Adao and Suzette Adao for a power-packed 30 minute deep dive into the wisdom of Proverbs Chapter 10. The backstage pass is sold out but it's not too late to invite your friends and family to do the wisdom challenge with you! www.31daysofwisdomchallenge.com   Kick-off 2021 with a BANG, be sure to invite your friends to this FREE challenge by inviting them to www.31daysofwisdomchallenge.com

WARNING: This episode contains some content that may not be suitable for all audiences. Listener discretion is advised.  On their way to meet Seth, the Carriage Driver and mi Lady stop to rest on the forest road.  mi Lady gives more details of her time with Seth, in the Abandoned Church, as she recovered from the attack of the Black Wolf on the beach. As she was healing, Seth tells her the identity of the Black Wolf and why the pack has been trying to kill her. He reveals the secrets of Castle Parlimae and what really happened to her family, and his, when they were growing up in the village outside the castle. Seth also explains the true mission of the Hessians and the circumstances of their arrival in the forest.  

https://www.hplovecraft.com/writings/texts/fiction/mm.aspx Chapter One: 0:00 Chapter Two: 23:13 Chapter Three: 1:03:31 Chapter Four: 1:26:56 Chapter Five: 1:47:22 Chapter Six: 2:16:16 Chapter Seven: 2:32:32 Chapter Eight: 2:54:55 Chapter Nine: 3:12:33 Chapter Ten: 3:34:57 Chapter Eleven: 3:51:28 Chapter Twelve: 4:12:44 Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/eBHHHe5 Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM My Gaming Channel: https://www.youtube.com/user/ManggsLPs --- Support this podcast: https://anchor.fm/theexploringseries/support

Having made plans to head to Rubezia after, among other things, valiantly murdering a conman, this episode finds our heroes sailing the high seas. Featuring Lachlan as Hendric Stonesword, George as Ambo Phibian, Emma as Iva Chatte, Alex as Leer Flim-Flam. Hosted by Dungeon Master Sam Went. Story In our penultimate episode we have it all! We have boats, love, and moral crises! As we approach the end of part one of this season, we head to the wonderful city of Rubezia, after crossing paths with characters even more morally grey than our lovable band of misfits! Quotes Ambo: Statistically we help 50% of the elves we encounter, so..could go either way. *** Hendric: Let’s go to our rooms and ask no further questions! Find us on social media! Facebook:@infinitedeer (https://www.facebook.com/infinitedeer/) Twitter: @infinite_deer (https://twitter.com/infinite_deer) Instagram : @infinite_deer (https://www.instagram.com/infinite_deer/) Consider supporting us on Ko-fi at www.ko-fi.com/infinitedeer ! Thank you so much! Cast and crew: Sam Went: Writer/ Dungeon Master/Producer George Hughes: Cast/Producer Lachlan Bennett: Cast/Producer Emma Gadsdon: Cast Alex Tansley: Cast/Producer Behind the scenes: Evey Larham – Editor/Producer/Technician Symphomix - Music (https://www.pond5.com/artist/symphomix) Hugh Ingamells - Artist (@CaptnBrowncoat) Friends of Infinite Deer: This week we’re super pleased to promote our friends over at Penance RPG! They’re a wonderfully chaotic actual play DnD 5e podcast, releasing weekly! Check them out over on twitter @PenanceRPG! And finally, thank you to our fans and listeners, old and new! If you like the Infinite Deer podcast please don’t forget to rate, review, and subscribe to future episodes. With Christmas and, more importantly, a new year just round the corner I’d like to take this opportunity to wish everyone who reads my end-note jokes a wonderful Christmas (if you celebrate) and a fantastic new year. Screw everyone else, I only have eyes for those who read the show notes.

Over the holidays, the City Church U team will be working through J.I. Packer's modern classic, Knowing God. Purchase a copy and join us. To learn more about our ministry, CityChurchU.com

How can she look him in the eye after what he saw her do? After he watched her pleasure herself, spank herself, punish herself? Chapter Ten of Lamb to the Slaughter - the paranormal, BDSM erotic romance. Although the sexual tension between the is undeniable, Diane tries controlling her desires. How will she react when Dominic shows her a very particular way to relax, When her guard is down, what passion will flow between them? Support this podcast

Who knew bungling a health crisis could lead to a change in leadership? This week, conditions at Lowood improve when Mr. Brocklehurst files for unemployment, eight years fall away like a cartoon calendar, and our heroine has an epiphany about the classified ads. Whoa!mance is a part of the Frolic Podcast Network.

Wherever you are in this hemisphere, you are on Native land.  Never forget, that before the Spanish arrived in California, for thousands of years, from sea to shining sea, this was indian country, with more than 300,000 Natives living here, representing more than 100 tribes, each with its individual traditions and cultures, most completely lost by the arrival of settlers. Write that down, and burn it into your brain.   “The history of genocide casts a shadow over California. It hovers over the land of the endless summer, over Disneyland, over the surfers, the Beach Boys, the palm trees, the Hollywood Sign … and yet, there is also a story of California Indian resistance and survival that is miraculous.”  This was said by my hero, Benjamin Madley, he is an associate professor of history at UCLA and has been on a more than decade-long odyssey to document and reveal the existence of this government-sponsored genocide. The Youreka Podcast Network is literally days away from launch. You will be able to download a free app, and have all of the Network podcasts at your fingertips! Including my new shows, Here Lies, an audio tour of historic cemeteries, Rustic Rituals, affirmations and meditations for country folk, Queens of the Mines Two and MORE! Find us on Libsyn and instagram now to keep up @yourekapodcasts. That is YOUREKA, because this network is yours.  https://sarahannegraham.com

Hello there...Welcome back to Baby Yoda's Escape Pod, this week Rob & Rus are talking about Chapter 10: The Passenger, possibly one of the most divisive episodes of the show yet. Join us as we gobble up all of the easter eggs!Hosts: Rob Okey (@robokey) & Rus Ryan (@bizarous)Be sure to follow us on Instagram @babyyodapodFor Watch alongs and DiscussionsJoin the Discord here: https://discord.gg/Dc7h6R6YUBor email us at: babyyodasescapepod@gmail.com

On this episode, Dominic, Ben (eventually), and Chris are joined by YouTuber and SWU "Senior Tie-In Materials Correspondent" Chris "Starrapter" Abbott (YouTube), and friend of the show Din of the band F-105 (website) to break down Chapter Ten of The Mandalorian, "The Passenger."  They delve into how this episode leans into Star Wars' weird side, and the concept of "table setter episodes" vs "filler episodes."  They also talk about the role of the New Republic in this episode and their evolving relationship with Din Djarin.  And they look at the new "Frog Lady" character and the importance of maternal stories in Star Wars.  Plus, the return of Zero, Baby Yoda's weird eating habits, and some love for Peli Motto.  All this and much more! Support The SWU on Patreon Buy an SWU T-shirt Website: www.starwarsunderworld.com Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Subscribe and Review on iTunes Email: swunderworld@gmail.com Voicemail: 1-410-989-1138

October is upon us, and that means it's time to get a little more spooky than usual! Is that even possible? Anyways, we've included a few tracks on this month's podcast that really creep us out, along with some dancefloor classics by Ministry, Peter Murphy, Spahn Ranch, and more. Big thanks to Skylla Kaiju for this chapter's listener submission. Send your listener submissions/ suggestions to arcanemachinepodcast@gmail.com! The Arcane Machine is a monthly show with supplemental content on Facebook, Twitter, and Discord throughout each month. If you like what you hear, please visit the artists' pages linked below and buy some music! Social Media: The Belfry: A Home for Dark Culture: The Belfry is the home of excellent podcast Cemetery Confessions, plus interviews, art, and other podcasts rooted deeply in dark/ alternative lifestyles. Join our Facebook group for discussion and bonus content: https://www.facebook.com/groups/TheArcaneMachine/ Follow The Arcane Machine on Twitter: @arcane_machine Follow The Arcane Machine on Instagram: @the_arcane_machine Use the Discord Widget on the side of the page to join our server and chat with us Listen here or find us on iTunes, Google Play Music, or your favorite podcast app! The Tracklist:   1 – “Massacre” by Lazerhawk from the album Skull & Shark (2013) (Bandcamp) 2 – “HiLo” by ohGr from the album sunnypsyop (2003) (Bandcamp) 3 – “Age of Nothing” by Mephisto Walz from the album Immersion II (2018) (Bandcamp) 4 – “Locusts” by Spahn Ranch from the album The Coiled One (1995) (Bandcamp) 5 – “Every Day is Halloween” by Ministry from the album Twelve Inch Singles (1981–1984) (1987) (Bandcamp) 6 – “Ghost Deep” by STATIQBLOOM from the album Under the Whelm (2020) (Bandcamp) 7 – “Cry Little Sister” by Carfax Abbey from the album Second Skin (2004) (Discogs) 8 – “Cuts You Up” by Peter Murphy from the album Deep (1989) (Website) 9 – “Tiempos de Furia” by Hocico from the album Tiempos de Furia (2010) suggested by Skylla Kaiju (Website)

Joy and Boze Herrington discuss chapter ten of Wrinkle in Time, and the importance of children's books for helping us feel at home in the world.