Podcasts about gondry

durée : 00:08:47 - franceinfo junior - Alors que son nouveau film d'animation "Maya, donne moi un autre titre" sort au cinéma, le réalisateur Michel Gondry est l'invité de franceinfo junior pour en parler avec nos jeunes auditeurs.

Arrancamos nuestra cobertura del FICG con algo de cine animado y nos acompaña nuestro amigo Óscar Chavira para hablar de la cinta más reciente de Michel Gondry, Maya, donne-moi un titre. Después de una especie de retiro en donde el directo o hacía películas no muy memorables, o mejor sacaba dinero con videoclips y comerciales, finalmente regresa con algo más sencillo y encantador. En esta cinta, Maya, la hija de Gondry, vive separada de su papá, pero para mantener el contacto, Gondry finalmente usa un celular y la manera en que se van a comunicar, es que ella se va a grabar en video para decirle el título de una historia que ella quiere ver, y su papá hará algo con animación con dibujos y recortes, en un estilo narrativo puro y sencillo que se realza gracias a la imaginación de los narradores.La cinta es del tipo que los niños deberán disfrutar, gracias a las ideas descabelladas y gran imaginación que se presenta (carajo, Gondry es una fuerza destructora más intensa que Godzilla en una de las historias), y es la inocencia y falta de límites lo que también la vuelve refrescante para los adultos. Varias historias narradas con un estilo animado que evoluciona y en donde tanto Michel, Maya y el resto de la familia aparecen a cuadro, así como un acercamiento a la manera en que se hacen las animaciones a 12 cuadros, con recortes, hilos, acetatos y tachuelas, que después evoluciona algo que si bien no es sofisticado, se muestra como una especie de resistencia a los procesos automatizados por computadora y las tecnologías generativas.Mientras que las historias tienen temáticas distintas (Maya construyendo un avión, Maya sale a pasear mientras hay un terremoto en París, Maya transporta botellas de catsup y necesita la ayuda del rey de Bélgica o el primer ministro de Francia para solucionar una marea roja que solo se puede diluir con papas fritas), el cuidado en la narración de las mismas hace que funcionen bien individualmente aunque sean parte de una narrativa más completa, que es solo la relación entre padres e hijos. Algo que comparte con la nueva cinta de Wes Anderson, pero que aquí la falta de presupuesto le ayuda para ofrecer algo fresco.La cinta se estará proyectando este domingo 8 en Cinépolis Centro Magno, sala 2, como parte de la selección del Festival.

durée : 00:03:24 - L'info d'ici de 07h30

Será que tudo o que lembramos é realmente a verdade absoluta daquele momento? Ou será que nossas mentes nos pregam peças e acabamos nos tornando narradores pouco confiáveis? Brilho Eterno de uma Mente sem Lembranças é um filme que explora justamente as armadilhas que nossa cabeça nos impõe.Lançado em 2004 (faz 20 anos!), o filme recebeu o Oscar de Melhor Roteiro Original em 2005. Desde então, Brilho Eterno de uma Mente sem Lembranças ganhou a companhia de outras obras que ousaram retratar o funcionamento da mente, mas, ainda assim, o filme de Michel Gondry continua encantador, sensível e muito bem elaborado.Hoje, Rafael Arinelli recebe Fernando Machado, Domenica Mendes e Thiago Muniz para falar sobre o impacto que Brilho Eterno de uma Mente sem Lembranças teve neles. Quais foram suas primeiras impressões? Como a história mexe conosco, e de que formas podemos fazer analogias com a vida cotidiana? A conversa também aborda as atuações de Jim Carrey e Kate Winslet, a abordagem única de Gondry para filmar e os efeitos práticos que conferem um charme especial à obra.Independentemente de você estar ou não preparado para ouvir este episódio, dá o play! Se não gostar, procure a Lacuna Inc. para um procedimento rápido e indolor, que Clementine e Joel recomendam (ou não).• 03m28: Pauta Principal• 1h31m49: Plano Detalhe• 1h50m44: EncerramentoOuça nosso Podcast também no:• Feed: https://bit.ly/cinemacaofeed• Apple Podcast: https://bit.ly/itunes-cinemacao• Android: https://bit.ly/android-cinemacao• Deezer: https://bit.ly/deezer-cinemacao• Spotify: https://bit.ly/spotify-cinemacao• Amazon Music: https://bit.ly/amazoncinemacaoAgradecimentos aos patrões e padrinhos: • André Marinho• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Lima• Eloi Xavier• Gabriela Pastori• Guilherme S. Arinelli• Gustavo Reinecken• Katia Barga• Thiago Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Thiago): Livro: Impostora• (Domenica): Podcast: Dinner's on Me• (Domenica): Série: Falando a Real• (Fernando): Álbum: Liniker - Caju• (Rafa): Série: Alguém em Algum Lugar• (Rafa): Filme: Robô SelvagemEdição: ISSOaí

durée : 00:52:28 - Certains l'aiment Fip - À l'occasion de la sortie de son film animé "Maya, donne-moi un titre", nous avons rencontré le réalisateur de "Eternal Sunshine of the Spotless Mind" ou "La Science des rêves" pour une balade en musique dans ses souvenirs et son univers créatif.

Entre réalisme magique et bricolage à la Gondry, quel univers original développe ce jeune réalisateur originaire du Salvador ? Quelles surprises nous réserve la 81ème Mostra de Venise qui s'ouvre au Lido ce mercredi ? Pourquoi la série « Il Miracolo » révèle-t-elle un auteur, le romancier Niccolo Ammaniti ? Les découvertes musicales : - Blu de Tiger - Murder On The Dancefloor - Role Model - Look At That Woman - Riley Keough - The Creatures of Nature - We Pray – Coldplay Feat Tini Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

This is an episode you won't forget! Mark welcomes podcaster and film scholar Antonio Palacios of the Cultworthy Studios podcasts for a mind-bending chat about Michel Gondry's award-winning film Eternal Sunshine of the Spotless Mind for its 20th anniversary. They share their own memories of love and heartbreak in 2004 when this groundbreaking movie was released, plus they discuss this stellar cast, Kate Winslet's changing hair colors, and how time heals wounds. Who was originally considered to play Clementine and which actors filmed scenes but were ultimately cut from the movie? Listen! Check out Antonio's shows at thecultworthy.com.

Schreibt uns ne Nachricht.Was macht einen skurilen Film aus?Warum fuhr Dali nackt auf einem Fahrrad durch sein Zimmer?Ist Surrealität das letzte Wort in Skurilität?Ist Dadaismus nicht einfach Gagaismus?Heute haben wir nur Fragen, oder? Denn Surrealität hat keine Antworten, nicht wahr? Oder haben wir nur die ursprünglichen Fragen im Unterbewussten vergraben?

“Eterno resplandor de una mente sin recuerdos” cumplió 20 años. La cinta, protagonizada por Jim Carrey y Kate Winslet, se ha transformado en un “artefacto cultural” emblemático de la primera década del siglo XXI. ¿Pero de dónde viene la idea de borrar los recuerdos de una persona? ¿Cómo surge el concepto matriz de la película de Michel Gondry?

In which the Mister and Monsters join me in reviewing ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004), which we caught on the TCM app but you can buy/rent from several platforms.  Written by Charlie Kaufman, Michel Gondry and Pierre Bismuth and winner of the 2005 Original Screenplay Oscar, this film is directed by Michel Gondry.  The story follows Joel (Jim Carrey), a painfully shy man who meets a free spirited young woman named Clementine (Best Actress Nominee, Kate Winslet).  They fall in love but eventually their relationship withers and dies.  Clem decides to have Joel completely erased from her memory and when he finds out he opts to do the same out of hurt and spite.  In the process, he realizes the error and tries to come up with a way to stop it but it might just be too late.  A powerful script with brilliant acting and sublime directing by Gondry make this a MUST WATCH.  The film clocks in at 1 h and 48 m and is rated R.  Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

Visszatértünk. És Nicolas Cage-dzsel kezdünk. De beszélünk az új (igaz, tavalyi) Kaurismäki -és a Gondry-filmről is. Meg a Népszínház TV-ről.

Primera semana de estrenos del año con la navideña 'Los que se quedan' de 'Alexander Payne', una fabulosa comedia que nos ha encandilado. También el 'Yo capitán', de Matteo Garrone, 'El libro de las soluciones' de Gondry o algunas cosas vistas en plataformas como 'El juicio del motín del Caine', obra póstuma de William Friedkin, o la sitgera 'Hay algo en el granero'.

Intervista al regista Ferzan Ozpetek che ci presenta il suo “Nuovo Olimpo” con Damiano Gavino e Andrea Di Luigi.“Comandante” è il nuovo film di Edoardo De Angelis, con Pierfrancesco Favino, entrambi ai nostri microfoni per una intervista esclusiva.In apertura il regista Michel Gondry ci parla di “Il libro delle Soluzioni” film fortemente biografico con Pierre Niney e Blanche Gardin. Con Boris Sollazzo vi raccontiamo "Five Nights at Freddy's", horror diretto da Emma Tammi, con Josh Hutcherson e Matthew Lillard.

Parliamo di Anatomia di una caduta, Palma d'oro a Cannes, Il libro delle soluzioni di Gondry e Comandante con Piefrancesco Favino. Per lo spazio della serialità con Fabio Radaelli vi raccontiamo La caduta della casa Usher (Netflix). Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli in onda tutti i venerdì alle ore 21:00 e i sabato alle ore 19.00. A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.

"This documentary shows the darker and nocturne side of a genius ad Michel Gondry" The post “In Bed with Gondry”, interview with director François Nemeta appeared first on Fred Film Radio.

"This documentary shows the darker and nocturne side of a genius ad Michel Gondry" The post “In Bed with Gondry”, interview with director François Nemeta appeared first on Fred Film Radio.

"This documentary shows the darker and nocturne side of a genius ad Michel Gondry" The post “In Bed with Gondry”, interview with director François Nemeta appeared first on Fred Film Radio.

"This documentary shows the darker and nocturne side of a genius ad Michel Gondry" The post “In Bed with Gondry”, interview with director François Nemeta appeared first on Fred Film Radio.

"This documentary shows the darker and nocturne side of a genius ad Michel Gondry" The post “In Bed with Gondry”, interview with director François Nemeta appeared first on Fred Film Radio.

"This documentary shows the darker and nocturne side of a genius ad Michel Gondry" The post “In Bed with Gondry”, interview with director François Nemeta appeared first on Fred Film Radio.

Aujourd'hui nous parlerons de Un Mystère à Venise, Un Métier Serieux , et Le Livre des Solutions, et enfin nous traiterons de l'actualité cinématographique présenté par JMA, avec Jules , Tristan et Yanis Montage : William Seris Suivez nous sur le compte insta @leduel_vision.libre Timecodes: Un Mystère a Venise 0:30 Un Métier Serieux  23:50 Le Livre des Solutions 43:00 Actualités Cinéma 01:09:00 Soutenez-nous sur PayPal !

durée : 00:55:09 - Le masque et la plume - par : Jérôme Garcin - Pour une rentrée cinéma réussie, faut-il aller voir "L'Eté dernier" de Catherine Breillat, "Le Ciel rouge" de Christian Petzold, "Un métier sérieux" de Thomas Lilti, "Visions" de Yann Gozlan, "Le Livre des solutions" de Michel Gondry et "Les Secrets de la princesse de Cadignan" d'Arielle Dombasle ? - réalisé par : Xavier PESTUGGIA

Propos recueillis à Cannes par Benoit Basirico LE LIVRE DES SOLUTIONS, de Michel Gondry Au cinéma le 13 septembre 2023 Musique originale composée par Etienne Charry Entretien à lire : https://www.cinezik.org/infos/affinfo.php?titre0=20230530211530 Etienne Charry retrouve Michel Gondry après "Tokyo !" (2008) et "L'Ecume des jours" (2013). Le cinéaste livre son film le plus personnel, comme une profession de foi. En effet, le personnage incarné par Pierre Niney est réalisateur et s'isole avec son équipe dans un petit village des Cévennes pour mener à terme son film. Nous suivons ainsi la fabrication du projet étape par étape, mettant en avant la débrouille et la croyance aveugle en son art. La musique fait partie du processus, l'étape musicale est abordée à travers le personnage qui décide de créer lui-même une musique orchestrale sans savoir composer de partition. C'est par ses gestes de mains et de pieds qu'il transmet ses intentions aux musiciens. Au-delà de contribuer à la comédie, cela dit des choses sur Gondry, également musicien, communiquant ses intentions de cette manière à son compositeur. Etienne Charry a donc écrit cette pièce jouée (et construite) à l'image, ainsi que des notes plus synthétiques tout le long du métrage pour insuffler de la poésie, décoller du réel pour toucher à la rêverie d'un film en train de se faire.

"It's not dying that you need to be afraid of. It's never having lived in the first place."We're finishing off the 2011 green-themed hero miniseries within the accidental comic book/superhero theme month by taking a look at the Michel Gondry-Seth Rogen take on the original rich guy-turned-vigilante radio character! Join Stephen and Tucker as they talk about the character's origins, the oeuvre of Gondry, the long development of this property, the nightmare that was this film's production, and so much more!Take a peek behind our domino masks by following us on these social platforms: @Disenfranchpod on Facebook, Instagram, Letterboxd, Threads, YouTube, and (for now) Twitter Email us your thoughts or requests to disenfranchpod@gmail.com Rate and review us on Apple Podcasts and Spotify! Find Stephen at @ChewyWalrus on Bluesky, Instagram, Letterboxd, Threads, and (for now) Twitter Find Brett at @sus_warlock on Instagram and Letterboxd Find Tucker at @icenine09 on YouTube and @tuck_mugs on Instagram Join our Patreon for exclusive bonus content, including our weekly ‘What Are We Watching?' show: https://patreon.com/Disenfranchpod

"Seria diferente. Se pudéssemos dar outra chance." Brilho Eterno de uma Mente Sem Lembranças (2004) é o estabelecimento de um romance perfeito. Joel é um personagem complexo, que passa por uma desilusão amorosa, e vai esquecer do grande amor de sua vida. Mas, contraditoriamente, o processo de esquecer é lembrar e recordar as dores dos momentos ruins, mas também recordar a felicidade dos bons momentos. Com a direção delicada de Michel Gondry e o roteiro que envolve a ideia de Gondry junto com a habilidade do grande roteirista Charlie Kaufman, esse filme se torna uma das principais obras de romance do novo século. Com a Kate Winslet interpretando a personagem da Clementine, em uma atuação de nível altíssimo, e Jim Carrey habilidosamente caminhando entre o dramático e o alívio cômico, temos uma obra que fica em nossa memória. Nesse episódio do Enquadrando, ouça Fabio Rangel (@fabiomrangel), Rodrigo Carvalho (@_rodcarvalho), Daniel Cavalcanti (@dani_aoc9) e Gabriel Gaspar (@cinemagaspar), falando sobre a obra e levantando pontos como: - A estrutura do gênero romance e a montagem do filme; - Significado escondido na cena do Lago; - Conexões entre esse filme e outros; - Muita emoção nas nossas histórias; --- Apoie o Enquadrando: https://apoia.se/enquadrando --- Siga nossas redes sociais e expanda essa conversa! email: contato@acaboudeacabar.com.br Twitter: @enquadrando_ Instagram: @enquadrando_oficial Youtube: youtube.com/Enquadrando TikTok: @enquadrando_oficial --- Send in a voice message: https://podcasters.spotify.com/pod/show/enquadrando/message

Pour ce nouvel épisode, nous accueillons Pierre Oberkampf, compositeur et sound designer très prolifique côté courts métrages. Nous lui devons notamment toute l'identité sonore du césarisé “L'heure de l'ours” d'Agnès Patron. Avec nous, il évoque son rapport aux bandes originales et nous raconte son goût pour les compositions risquées voire improvisées, de celles de Jon Brion pour Gondry et Paul Thomas Anderson à la batterie d'Antonio Sanchez pour le Birdman d'Iñárritu. Il égraine aussi quelques uns de ses courts métrages préférés (Nuvole Mani de l'italien Simone Massi, J'entends ton cri de l'argentin Pablo Lamar). Mais surtout, il nous emmène vers des chemins buissonniers de cinéma où l'enfance est toujours présente avec ce qu'elle comporte de jeux, d'aventures (Mud, Moonrise Kingdom) et de violence (There Will be blood, Morse…) Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'44 Des enfants de cinéma : Antoine Doinel dans Les 400 coups (F. Truffaut, 1959); Eli et Oskar dans Morse (T. Alfredson, 2009); Ellis et Neckbone dans Mud (J. Nichols, 2012); Sam et Susie dans Moonrise Kingdom (W. Anderson, 2012) - 4'44 Une atmosphère : celle de Bright Star (J. Campion, 2009) - 9'14 Une violence au cinéma : celle de There Will be blood (P.T Anderson, 2007) II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 18'43 Des courts métrages marquants : Nuvole, Mani (S. Massi, 2009); J'entends ton cri (Pablo Lamar, 2010) - 18'43 Des bandes originales pour sauter de son fauteuil : celle de Jon Brion pour Eternal Sunshine of the spotless mind (M. Gondry, 2004); celle d'Antonio Sanchez pour Birdman (A. Iñárritu) - 26'15 III. MEMOIRE & SOMMEIL - 31'52 Un film que Pierre aurait aimé rêver : Eternal Sunshine of the spotless mind (M. Gondry, 2004) CARTE BLANCHE - 36'31 There Will be blood (P.T Anderson, 2007) TRANSMISSION - 45'55 Une bande originale improvisée à faire connaître : celle de Alex Zhang Hungtai pour Godland (H. Palmason, 2022) Un film à transmettre aux adolescents : Two Lovers (J. Gray, 2008) - 49'57 REFUGES - 54'12 Les filmographies d'Aki Kaurismaki et de Wes Anderson EXTRAITSL'heure de l'ours, Pierre OberkampfLes derniers feux, Pt. 1, Pierre OberkampfTheme, Jon Brion (from Eternal Sunshine of the spotless mind), Hollywood records, incTheme from Godland, Alex Zhang Hungtai (Jour2fête) CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel Rénier, Pierre OberkampfGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

Dear Listener, Clint, Cal and Alex, hosts of The CineFix Top 100, have had the ranking of Eternal Sunshine of the Spotless Mind erased from their memories. Please never mention where the film fits into the Top 100 again. Thank you. For episode 2, we appreciate your cooperation and continued support while Clint, Cal and Alex muddle through their feelings about Michel Gondry's all-timer, Eternal Sunshine of the Spotless Mind. Written by Charlie Kaufman and starring Jim Carrey, Kate Winslet, Mark Ruffalo at the front of a cast of soon-to-be heavy hitters, the film takes a low tech sci fi approach to romance and the fallout of a relationship.  We dig into how Gondry achieved some truly creative and thematically perfect in-camera effects, why Jim Carrey wasn't allowed to improvise on camera, whether or not Kate Winslet being so great in EVERYTHING makes this role stand out less in her career and which movie lists Eternal Sunshine belongs on! The short answer is, a lot. CineFix Top 100 is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage, Dan Parkhurst and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon. For more mostly adjacently related content check these out! And be sure to subscribe to CineFix for more movie lists, brilliant moments and top 100!8-Bit Cinema - Eternal Sunshine of the Spotless Mind - https://youtu.be/Ox1_Ozeg-2A Top 10 Screenplays of All Time - https://youtu.be/QIYzJUqj9YA Top 10 Movie Romances of All Time - https://youtu.be/c0c6QZFaRVQ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans cet épisode, nous recevons Christelle Tissot, journaliste et fondatrice du média mūsae dédié à la normalisation des discussions sur la santé mentale.Nous revenons sur son parcours depuis un glacier à Chamonix en passant par un festival de musique à Nyon jusqu'à tomber en amour pour Bruxelles via la fête. Papoter des discours autour de la santé mentale c'est aussi l'occasion de se reprencher sur les représentations qu'on en a eu par les films et les séries, notamment. (Attention: critique cinéma de haute voltige!) On apprendra aussi qu'elle aime le reggae (personne n'est parfait) et que les délires de self-care vision board néo-capitalistes qui nous disent de nous prendre en main, ça va cinq minutes.Ne manquez pas cet épisode où se mêlent réflexion et anecdotes passionnantes avec même une super astuce de notre cru pour amener vos parents, ni vu ni connu chez læ psy.Et vous, vous êtes plutôt FOMO ou JOMO?Name droppping, liens cools et recommendations en tous genres:Le podcast mūsae stories,Garance Midi et ses super chansons,l'INSAART et la Clinique du Musicien (France)Le clip de Gondry pour Sugar Baby de Cibo MattoL'utilité de l'inutile et poutcher des animauxAstéréotypie et leurs albums absolument supers.Cœur sur nos psy

Eternal Sunshine of the Spotless Mind is a 2004 American romantic science fiction drama film directed by Michel Gondry and written by Charlie Kaufman, based on a story by Gondry, Kaufman and Pierre Bismuth. It stars Jim Carrey and Kate Winslet, with Kirsten Dunst, Mark Ruffalo, Elijah Wood, and Tom Wilkinson in supporting roles. The film follows two individuals who undergo a procedure to erase each other from their memories following the dissolution of their relationship.

Ep. 179: Cannes #7 with Mark Asch on Asteroid City, Gondry's Book of Solutions, Club Zero Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes film festival series continues, live from Cannes! This episode I reunite with critic Mark Asch to talk about a few more high-profile Cannes premieres, including Wes Anderson's star-studded Asteroid City, Michel Gondry's unexpectedly personal The Book of Solutions, and Jessica Hausner's Club Zero. Stay tuned for more episodes with a delightful array of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Tornano le idee geniali di Michel Gondry: "The Book of Solution" è un inno alla creatività che ci ha divertito e illuminato come non accadeva da tempo.

Notre critique du film "Le Livre des solutions" réalisé par Michel Gondry avec Pierre Niney, Blanche Gardin. Un film présenté à la Quinzaine des Cinéastes au Festival de Cannes 2023 Regardez l'émission sur YOUTUBE : https://bit.ly/3nm7Oy9  --- Titre : Le Livre des solutions Sortie : Prochainement  De : Michel Gondry Avec : Pierre Niney, Blanche Gardin.  Synopsis : Marc s'enfuit avec toute son équipe dans un petit village des Cévennes pour finir son film chez sa tante Denise. Sur place, sa créativité se manifeste par un million d'idées qui le plongent dans un drôle de chaos. Marc se lance alors dans l'écriture du Livre des Solutions, un guide de conseils pratiques qui pourrait bien être la solution à tous ses problèmes… #CINECAST #Podcast #Cannes2023

S07E026 - Louis et Michel du Studio Flamboyances reviennent pour vous parler de La Science des rêves de Michel Gondry

This week, Monica and Louisa talk about Americans abroad! First, Monica has a conversation with her son about what he's eating in France. In contrast, she talks to restaurateur Kevin Boehm about bringing French food to Chicago. Then, Monica talks to video game and filmmaker Josh Tsui about Korean Chinese food in LA and Chicago. Finally, in what may now become a tradition, Louisa dares Monica and Iris to eat expired jam. But will they eat it this time?   chewing.xyz chicagotribune.com/chewingpodcast facebook.com/chewingpodcast Louisa Chu: Insta @louisachu1, Twitter @louisachu Monica Eng: Insta @monicaengreporter, Twitter @monicaeng Links: Pre-order Made in Chicago: Stories Behind 30 Great Hometown Bites *Discount code S23UIP Music: Theme music: Carsick Cars - Zhong Nan Hai  Outro music: Carsick Cars - 15 Minutes Older Segments: “Cadeau” by Aya Nakamura ft. Tiakola, “Le Paradis Perdu” by Lucienne Delyle, “Gondry” by Hyukoh, “Ditto” by NewJeans, “Be Sweet” (Korean Version) by Japanese Breakfast feat. So!YoON!

Ciao a tutte e a tutti!Blade Runner è finito. Dopo una quantità smodata di giorni passati senza luce che sembrava un gemellaggio con il nord della Norvegia e una fitta pioggia battente e spessa tanto da sembrare un plaid gocciolante come in un video di Gondry, il momento Blade Runner è giunto alla sua conclusione. Come per la pellicola, dopo varie vicissitudini e una montagna russa di avvenimenti, anche noi come il buon Harrison Ford e Sean young, siamo usciti da un oppressivo buio per volare alti su paesaggi illuminati dai primi raggi del sole di Febbraio. Che poi sole… parliamone… siamo passati ad interruttore dall'inverno a giornate di Inizio giugno con uno sbalzo termico che avrebbe fatto vacillare un grizzly e mentre stavo per correre in cantina a cercare paletta e secchiello, siamo ripiombati, come è giusto che sia - per inciso - in un rigido riverbero della coda invernale. Se tanto però, l'inverno ha richiesto come pazienza nel vedere la clessidra dei giorni capovolgersi, tanto ha imperlato le ore diurne di petricore lasciando che i fili d'erba colorassero l'aria di un profumo meraviglioso. Dall'ultima volta che siamo sentiti, il calendario ormai canuto ha eseguito il suo ultimo abbaio e ci ha consegnato un frugoletto in fasce con inciso sul capo 2023. Nemmeno il tempo di compiere il primo mese e ci ha già regalato terremoti, guerre, minacce, cambiamento climatico e questo solo per elencare le cose belle, se ci mettiamo ad elencare quelle brutte facciamo notte. Noi in tutto questo guardiamo questo piccolo anno muovere i suoi timidi passi vacillando tra il dramma e l'assurdo e a noi, commossi genitori, ci si riempiono gli occhi di lacrime a vederlo così deciso a frantumarci i lombi. E così stretti in un collettivo abbraccio sociale, con slancio ottimistico osserviamo questo anno crescere, cercando di fare la nostra parte per renderlo migliore. Febbraio gravido e materno però, anche se non molla la presa sul gelo perché schiacci il mercurio sempre più giù, vede un disgelo avverarsi ovvero quello delle nostre amate Onde. Ebbene si, sono tornate e con loro diamo il via alla nuova quinta stagione di questo podcast. So che l'attesa è stata lunga e credetemi me ne dispiaccio, ma i perché e i per come sono tutti spiegati all'interno di questa puntata, insieme ad una borsa piena di musica tutta per voi. Ora, come era d'uopo fare un tempo, riacquisiamo le vecchie abitudini e quindi, trovate una posizione comoda nel mondo, allontanate tutti i suoni non desiderati altrove e venite con me all'interno della nuova stagione di Onde: Musica e Dintorni.Premete play e come sempre,buon ascolto! ^_^- INFO PUNTATA:IL DISCO “COSA C'È NELLA MIA BORSA (WHAT'S IN MY BAG): https://open.spotify.com/playlist/03n9ssneAUxhP9RwJD4qGC?si=a83a248cd3764dffCANALE DI YOUTUBE DI AMOEBA - WHAT'S IN MY BAG:https://www.youtube.com/@amoebaCORSO “TECNICO DEL SUONO” DI RICCARDO RICKY CARUGATI: https://www.rickycarugati.com/corso-di-tecnico-del-suono/SITO INTERNET DI RICKY CARUGATI:https://www.rickycarugati.com/INSTAGRAM DI RICKY CARUGATI:https://www.instagram.com/ricky.carugati/ - INFO ONDE: MUSICA E DINTORNIMY LINKTREE:https://linktr.ee/onde_podcastPATREON:https://www.patreon.com/onde_podcastINSTAGRAM:https://www.instagram.com/onde_podcast/TREEDOMhttps://www.treedom.net/it/user/onde:-musica-e-dintorni-podcastSPREAKER:https://www.spreaker.com/show/onde-musica-e-dintorni PAGINA UFFICIALE SU FACEBOOK:https://www.facebook.com/OndePodcast CONTATTI: onde.podcast@hotmail.comI cuscini di Onde: Musica e Dintorni sono stati pensati, progettati, cuciti e creati dalle sapienti mani di Valentina Panceri aka:https://www.instagram.com/violet.pudding/ IL BRANO “ONDE” in testa e in coda all'episodio è stato creato, suonato e cantato da Camilla Battaglia. MUSICHE IN PUNTATA: Music Free Stock: https://www.free-stock-music.com/ Lost Paradise by Purrple Cat | https://purrplecat.com Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US plunderer by Barradeen | https://soundcloud.com/barradeen Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Day Ahead by Joe Crotty | https://soundcloud.com/joecrotty Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US Too Cool For School by Audionautix | http://audionautix.com Music promoted by https://www.free-stock-music.com Attribution-NoDerivs 3.0 Unported (CC BY-ND 3.0) https://creativecommons.org/licenses/by-nd/3.0/ Vintage Memories by Schematist | http://www.schematistmusic.com Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US ChillShop by Deoxys Beats | https://soundcloud.com/deoxysbeats1 Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Coffee Break by Pyrosion | https://soundcloud.com/pyrosion Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Frolic by Purrple Cat | https://purrplecat.com Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Going With The Flow by Purrple Cat | https://purrplecat.com Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Faithful Mission by Artificial.Music | https://soundcloud.com/artificial-music Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US Sipping A Cold Drink by chillin_wolf | https://soundcloud.com/chillin_wolf Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Day Ahead by Joe Crotty | https://soundcloud.com/joecrotty Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US Merry Bay by Ghostrifter Official | https://soundcloud.com/ghostrifter-official Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US a warm wind at 20p.m.

Lacy and Josh Vetter from the When Cinephiles Attack Podcast are the guests for our 2023 Valentine's Day episode and they're joining Ryan and Nicole to talk about the soundtrack to Michel Gondry's 2004 film, Eternal Sunshine of the Spotless Mind, which bounces between Jon Brion's score and songs from artists such as Beck, The Polyphonic Spree, and The Willowz. From discussing the importance of the score to the needle drop of Beck's cover of The Korgis' "Everybody's Gotta Learn Sometime", all the music adds to this trippy, kind of Sci-Fi, romance.We talk about Jon Brion's career as composer producer, how the film elevated that status of Gondry and Brion to the point where they were producing and drumming on a very popular hip hop album, and how Jon Brion has worked on everything from animated films to Beyonce's Lemonade since this soundtrack dropped.Also, we all share stories of films that we had to take a break from because of humiliating experiences attached to them.Our sponsor for this episode is Podtastic Audio!If you're looking to create a podcast with professional sound, check out Podtastic Audio at:https://www.podtasticaudio.com/easyFor More Information about When Cinephiles Attack:IG: https://www.instagram.com/cinephileattackTwitter: https://twitter.com/CinephileAttackIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!https://www.patreon.com/soundtrackyourlife

First time Missing Framer Alex Minovici joins Shawn for her first-ever watch of the beloved Michel Gondry/Charlie Kaufman masterpiece Eternal Sunshine of the Spotless Mind. At nearly 20 years old, this beautiful film has lost none of its power to charm, captivate, and break the hearts of its viewers - but how does it fare for someone who has never seen it before? Shawn and Alex discuss the film's brilliant concept, its performances, its visuals, and the moral implications of erasing a past relationship or any negative memories.HOSTSShawn EastridgeAlex Minovici

First time Missing Framer Alex Minovici joins Shawn for her first-ever watch of the beloved Michel Gondry/Charlie Kaufman masterpiece Eternal Sunshine of the Spotless Mind. At nearly 20 years old, this beautiful film has lost none of its power to charm, captivate, and break the hearts of its viewers - but how does it fare for someone who has never seen it before? Shawn and Alex discuss the film's brilliant concept, its performances, its visuals, and the moral implications of erasing a past relationship or any negative memories.HOSTSShawn EastridgeAlex Minovici

This week Lolo shows Patrick the Eternal Sunshine of the Spotless Mind for the first time. They discuss what it is about this movie that's made Patrick reticent to watch it for all these years, the many subtle visual effects in what seems like a pretty straight forward indie dramedy on the outside, whether or not this film might be the earliest manic pixie dream girl and so much more. Become a Patron for access to exclusive episodes and videos: https://www.patreon.com/ixfilmproductionsNew episodes of First Timers Movie Club come out every other Friday so click SUBSCRIBE and rate us five stars to make sure you don't miss our next episode!Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, stand up comedy, original web shorts and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsTwitter: www.twitter.com/ixproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

A continuation of last week's exploration. On the flip side of Gondry, we explore Kaufman. This episode looks at Adaptation and I'm Thinking of Ending Things. Both are fantastic in their own ways. Tune in! --- Support this podcast: https://podcasters.spotify.com/pod/show/mamfaw/support

Berni und Rüdiger sind sich uneins über Eternal Sunshine Of The Spotless Mind

Another week ends, the weather is starting to change, and the bros are back with another movie fun time episode. This week they take a detour coming off last week's episode. Inspired by Eternal Sunshine of the Spotless Mind, this week focuses on some of Michel Gondry's other films. In particular, The Science of Sleep and Be Kind Rewind. Join us as we talk about the movies and what we think Gondry does best. --- Support this podcast: https://podcasters.spotify.com/pod/show/mamfaw/support

Welcome to 'Don't You Want Me?' - a podcast series taking a lighthearted look at the most relatable, intriguing and dysfunctional relationships in film.  In this unusually vulnerable Valentine's Day episode, we're exploring Michel Gondry's 2004 critically acclaimed romantic drama Eternal Sunshine of the Spotless Mind. Written by Charlie Kaufman, who won the Academy Award for Best Original Screenplay for his work on the movie, this film saw both he and Gondry attempting to deal with the trickiest theme out there: love. Anthony Lane wrote in the New Yorker ‘In creating a pair of lovers who forget each other and then click all over again, they suggest that every one of us harbours an inextinguishable need, and that we helplessly swing back toward our soul mate, as if he or she were a living magnetic north.' Tonight we'll be stumbling out onto the ice with Joel, played by Jim Carrey, and Clementine, played by Kate Winslet. Is theirs a love that we can use to justify Valentine's Day? Or is it a just holiday invented by greeting card companies to make people feel like crap? Follow Don't You Want Me on Twitter @DYWMpodcast, Instagram @dywmpodcast and Facebook @DYWMpodcast  Recorded in January 2022. Edited by Rich Nelson Additional material written by Catrin Lowe  Theme music by Paul Abbott (on Twitter @Pablovich) Design by NOAKE (on Instagram @n_o_a_k_e) Rich can be found on Twitter @Fantana275 Cat can be found on Twitter @KittyCostanza -------------------------------------------------------------------------------------------------- For regular updates on future episodes of the podcast, guest appearances and events, subscribe to our monthly newsletter here https://www.getrevue.co/profile/dywmpodcast 

What was the best movie of 2004? The Academy awarded that title to Clint Eastwood's "Million Dollar Baby," but in this series finale episode, Mike and Brian shake things up. They recap the year that was, rank the Academy's picks for Best Picture, kick the ones that don't belong and discuss their personal top 5s. Plus, trivia, Golden Takes and more. www.bestpicturethis.com Want to curate a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com And for 15 years of Golden Takes, head over to Letterboxd.

After another eye-opening Leech Anatomy 101 segment (2:39), Aaron, Banks and Evan dive into Eternal Sunshine of the Spotless Mind's leechiest themes (11:29), scenes (16:37), and characters (23:04). To get some relief, the guys head into their second Leech on a Beach segment (33:32). They conclude by considering the film's medicinal qualities (36:15) and giving an overall rating -- from 1 to 4 -- of the film's leechiness (43:26).We're always looking to expand our pond -- please reach out!Series URL: www.theleechpodcast.comPublic email contact: theleechpodcast@gmail.comSocial Media:@leechpodcast on Twittertheleechpodcast on InstagramExternal Links:“Leeches,” Australian Museum [link]Transcript:Evan  00:11Hey everyone. Welcome back to the leech podcast, the most visceral podcast. As always, the leech podcast is a show about movies that suck the life out of you, but also stick with you, and may even be good for you. I'm joined as always by my two favorite leechy gentlemen, Aaron Jones, and Banks Clark. Hey guys.Banks  00:32Hey HeyAaron  00:34Hey Hey HeyEvan  00:34It is great to be with you again. Listeners might remember the three of us used to teach together that we discovered our shared love of difficult movies that make your heart bleed. And of course, we used to teach together now we leech together. So it is great. Great to be together as always. We have a packed show for you all again today. This is I think we're halfway through our first season of the leech podcast, which is very exciting. Today we'll be talking about Eternal Sunshine of the Spotless Mind, a 2004 film starring Jim Carrey and Kate Winslet. We will dive into that as we go. We always also are looking to expand our pond. So to that end, if you like, communicate with us @leechpodcast on Twitter, and theleechpodcast on Instagram. Please send us your ideas, your thoughts, your feelings. We like all those things. And this week in particular, if there is a leechy novel, a book, a story…Aaron  01:43[Gasps]Evan  01:43… that is leechy for you, we would love to know what that novel is, because if there's enough “suction” on this idea, oh, we might need to have any tea book club. So @leechpodcast on Twitter, theleechpodcast on Instagram. Please send us your leechy novels, Jen. So other other other things that the listeners should chime in on,Aaron  02:06But don't send us leechy navels! Like if there's a leech on your belly, but...Evan  02:11… A leech in your navel actually should probably you should probably go talk to your doctor.Aaron  02:15…. Talk to your primary care physician.Banks  02:18That just makes me think of that one scene in The Matrix. The part where that thing goes right in...Aaron  02:23Oh, oh, that is the truly leechy naval scene of all, yes.Evan  02:28That scene has stuck with us. Okay, before we dive into this episode, Aaron, please teach us about leeches.Aaron  02:36“Teach us about leeches”. Yes. Well, this week's movie where we watched was a little more romantic. So I was wondering about that, you know, with your romantic partner, I was kind of looking each other in the eye. And I was wondering, could I look a leech in the eye. And I became curious about the eyes of leeches. I found this bit of information from the Australian museums kind of natural history museum in Sydney. And it is sort of deliciously vague in a way that I want to share with you. And these are about the sensory organs of leeches and I quote, sensory organs on the head and body surface enable it to detect changes in light intensity, temperature, and vibration. chemical receptors on the head provide a sense of smell and there may be, this is what gets me, there may be one or more pairs of eyes.Evan  03:36One or more?Aaron  03:39One or more pairs of eyes. The number of eyes and their arrangement can be of some use in identification. However to properly identify a leech, dissection is required. I was struck by that this time whether that some different kinds of leeches have one set of eyes. Some have none, apparently, and some have many. And I'd like to know more. Anyway, looking a leech in the eye may be difficult because probably all they can see of you is a shadow in the way of the sun.Evan  04:09Wow, that that feels apt for this...SunshineAaron  04:13Sunshine!Evan  04:14Wow, look, well, points. Anyone who makes a metaphor out of that bit of leech anatomy. Thank you, Aaron. So let's dive into this episode. Eternal Sunshine of the Spotless Mind.  Banks, will you tell us what happened in this film?Banks  04:30Well, I will try. As always, quick spoiler warning. If you have not seen this movie, pause this episode and go watch it. There are some movies that you can hear about and then watch. And guess what you could do it here and you would be doing yourself a terrible disservice. The first time watching this film you will be transported in 1000 different directions and it is a delightful transportatio--and it's just worth have been carried along in that journey. So watch the movie if you haven't, then unpause this leech podcast and purse and then we can leech with you. So quick spoiler warning. And this is a movie that has multiple timelines, you know, these timelines converge, they diverge, and it's definitely it's …. you know, we just recently watched it, I'm still, like, late, which timeline was happening when, but it's, it's really remarkable how it all comes together. The movie starts we meet Joel Joel Barish. He's played by Jim Carrey, you know, sort of quiet character. And there's this really interesting use of voiceover, where we learned that this very sort of quiet, normal, somewhat boring gentleman all of a sudden is doing a very impulsive action, on been sort of surprised, and even to himself, and he ends up on a beach in Montauk, where he meets a woman and they all of a sudden have this unexpected chemistry and the woman is, in a clementine paid brilliantly by Kate Winslet. And through the sort of the course of their conversations, and everything, you realize there's some sort of interesting history, there's some things that make sense. And then all of a sudden viewers are transported to a different moment. Right, to a different time at which, actually, this relationship has been ongoing for some reason. And also that there's been a fight, and that the relationship ended. And so all of a sudden, the viewers made very terribly aware that there are multiple things going on at once. The histories don't align properly. And what we learn is that after this fight, Clementine, who is this, you know, opposed to you know, Joel, who's this, you know, very sort of boring, keeps himself more of a quiet gentleman, Clementine is, you know, she changes her hair color all the time, she's impulsive, she's vivacious, she's all over the place. And what she has done after the fight is actually go to this, it looks like a dentist's office, it's like the world's most mundane-looking thing for a sci-fi film. But it's like this futuristic technology that wipes up like a very specific traumatic memory from your brain, in a very specific way, and that she has had this done. And Joel learns this through some friends who shouldn't have been able to like to pass it along, but Joel learns. And then he is then realizing that he's in this different, like an area that he himself needs to have this done. And so then he goes and demands that this same office, you know, do this procedure on him because it is too painful for him to know that she has wiped him from her memory. And so, all of a sudden, we're caught in these timelines, that's also you know, where we started. There's the timeline of the history of him learning about it, but also we learn we're actually in the timeline of him actually undergoing the procedure as he sleeps.Aaron  08:23Mm-hmm.Banks  08:24And what we then learned is that through the course of him actually going to the procedure, he decides he does not want it. He decides that, actually, their relationship was so powerful was so meaningful, that in spite of all the bad things, he wants them to stop....but he's already asleep. They're already wiping his brain and it's hilarious. The technicians doing it are played by Mark Ruffalo and Kirsten Dunst. Mark Ruffalo plays Stan and Kirsten Dunst plays Mary, who are themselves are in a relationship, and themselves are like throwing like a party while they're doing it. We also recently then we also learned that Elijah Wood is playing this character named Patrick, who is stealing Jim Carrey's identity in order to be able to date Clementine. So Jim carries obviously, Joel's identity to steel to be able to date Clementine. Right. So we have all these crazy timelines happening at once you learned that the doctor in charge of this entire facility actually had a relationship with one of the technicians. So you have these love triangles. All of this is happening while Jim Carrey is asleep, trying to evade the very process. And the thing that is giving, you know, Joel and Clementine the ability to evade, right, this process of wiping the memory of the relationship, the very life of the relationship, what's keeping them and sort of the very vital breath of that alive is the fact that there is something about the relationship that allows them to want to do something different, do something impulsive, and that breaks the cycle and they're able to evade through memories and all these, you know, interesting psychological pathways, they're able to sort of thwart parts of the procedure. And in the end, interestingly, they fail...and the procedure succeeds. So it would seem. Because Jim Carrey wakes up the procedure, seemingly a success, and we are brought back to the very opening scene of the movie, where he is then, for some reason, this boring man impulsively does something almost like Clementine would, and they end up in Montauk. And these, you know, two individuals who had erased one another from one another's memory, insist upon meeting one another, again, in spite of themselves. And it ends on this hopeful but restrained hope or they found each other again. But will this repeat again? That's the movie.Evan  11:12Yes. Yes. Really? Well, put Thank you Banks. So we're going to move into the leechy. See, or sorry, leechy themes from this movie? And I think I'll just build off something you left us with there, Banks, which is this interplay… so my theme would be the interplay between their individual choices, and I don't know, fate, I guess. The theme is, can maybe another way to put is, can people change? Or are they always going to repeat patterns of behavior, patterns of relationship? If they can change? What is going to be the engine of that change? What actually drives it? And I do think this film has something to say about that. I'm going to put a pin on it, because I think we'll come back to it. But my theme is this interplay between fate and choice, especially through the prism of a relationship. Hmm.Banks  12:09Wow. And that's a really powerful theme to the film plays, right, you know, one of the plays right into what I'm thinking of, for a lot of the film. For me, one of the most powerful themes, is just an explanation of coping. How do people cope with difficulty, and this film is just just takes your right into people's coping mechanisms, at least for me in a way that like, is a little too relatable to be comfortable. Oh, gosh, I've done these. Evan  12:42Ooh, Ooh… That's real.Banks  12:43That's really, like, you know, for Jim Carrey, I relate to his character, so much I relate to Joel, because he's just this, you know, resorts to, to the same patterns to cope with the things that are just difficult in life. And he himself is at odds with his own state of being boring and doesn't know what to do with it. And is oddly attracted to this woman who is the opposite of that. And so it's about you know, well, some people cope by creating patterns, some people cope by being wildly different. And, you know, trying to do things in different ways. And, you know, there's this theory out there that, you know, Clementine, Caitlin's his character is like, has like Borderline Personality Disorder, I don't really think that's a really you don't need to psychologize it like that. She's just a really awesome, I think strong character, but definitely is coping with life in a different way. And then you also meet through all these other characters in the side, just different ways of dealing with difficulty. I think coping is just a huge part of this movie.Aaron  13:47Mm hmm. I mean, hmm, I have a lot of things in my mind. Some themes that stick out to me is one that I'll talk about for now has to do with memory. I'm thinking about the power of memory, and even even the sort of mirrors residue of memory. Now, after these two people have found the procedure done, there's a way in which memory sort of like persists beyond all active attempts to erase it. There's something like core and deep, and that in sort of goes beyond the mechanical, neurological parts of memory, down into the level of identity. And I'm just I'm thinking about all the ways it's like we are the finger. We like the fingerprints of our experiences and memories are so deep in us. The idea of erasing them becomes ridiculous, even at the level of the science fiction we're given at the lacuna, doctor's office.Evan  14:53Right. And I think what's I think what's so interesting there is that they do succeed in erasing her From his mind, but it's but they don't. They can't tracer from his body. His body remembers. And there's something like deeper than his mind that remembers her.Aaron  15:09Yeah,Banks  15:10Truly. If I'm not mistaken “The Residue of Memory,” to quote you know, maestro Aaron Jones over here. Isn't “The Residue of Memory,” the title of your very first jazz fusion album?Evan  15:28I know it was his second one. Oh, that's right. I believe compromised second draft.Banks  15:38Oh, that's right. You might remember from an earlier episode, he quoted it. It was the subterranean network that fuses the different buns of the sandwich. Oh, that was the parasite episode. That was his first episode.Evan  15:54Yes, yes.Aaron  15:55Spicey call back, sir. Spicy indeed.Evan  15:59Banks is there a scene that leeches on to you?Banks  16:05 It speaks to the to0 close for comfort. For me, it's it had there's this scene it's fairly early in the film and epitomizes almost the thorn in the side of Joel and clementines relationship. And it's it they're sitting down. And they're eating Chinese food.Aaron  16:32Oh, no  Banks  16:34It is the most painful scene. It's and this is leechy to me in the sense that like, I kind of want to forget it. Because I really can't forget it.Evan  16:45And because I've lived it, right.Banks  16:48Yeah. Like, I've been like “Daaang, I've been there, man.” But like, but like, I think we've all been in relationships where we felt this sense of being suffocated by monotony, the sense of something that was at one time supposed to be celebratory, has instead become like a performance of, you know, all the reasons why the relationship is not working and it's just boring. And they're just sitting there eating Chinese food, commenting on how the food that they've been ordering every week, the same day, is the exact same, and having nothing to talk about. And the silence is just so palpable that it will it just makes you kind of want to, I don't know, attach some leeches to you to suck it out of you. Because …. somebody say something interesting. Aaron  17:43Kind of want to run away screaming.  Banks  17:44For me it's the Chinese food eating scene. It's just, it's for me that's like, almost unwatchable. But like, in a powerful way, not like, bad but like, I have lived thatEvan  17:55We cannot speak into something very real, right?Aaron  17:58Yeah. I'm really gonna jump in here. I'm, I'm thinking of like, what are the different kinds of things that relationships can survive, and one is the site horrific level of monotony that we're describing. But the other thing that for me, the can relationships survive the full voicing of the truth, the full voicing of the truth and the leakiest scene for me, that just, I just brings me into agony, I feel awful, as I'm watching it, and listening to it, is the scene at the end where they have both received the recorded tapes of them sort of naming the things they despise most about the other person. And then, Clementine walks into Jim Carrey's apartment as he's listening to the tape where he told the doctor everything he despises about her now. All these like nasty, ugly things he thinks about her. And she makes him keep the tape running while she is there. And the discomfort is just like rising and rising and rising until I feel it in my body as I'm sitting there watching the film. He's talking about how she just uses sex to like, make people like her. And she's this like, shallow, foolish person. And she's listening to it. And he's listening to himself say it and horrified. And for me, there's the kind of weird hopefulness at the end of the movie is where they decide they're going to try and be close again, not only with this kind of remembered level of monotony, but with the full, like, difficult truth spoken. Oh, that's leechy for me. Oh, took something out of me!Evan  19:37That is an amazing, amazing sequence. I think I'm torn--I have two scenes. I think they… I think they actually sandwich the one you're talking about. The first one and I want to highlight just the visual storytelling that's going on in both of these scenes. This film was written by Charlie Kaufman Who is an amazing screenwriter, but this is the place where I think the director and the director of photography directors, Michel Gondry, I think they really shine. Because the first thing I'm thinking about is the final memory he has with Clem before, his mind is completely wiped of her. And it's actually the first night that they ever spent together, or that they met. And they were on Montauk. It's they met on the beach at a party, and they connect. And basically, she convinces him to go into this house that's owned by someone else, but no one's currently living there. It's dark. He feels really uncomfortable because you could tell he's a rule follower. He's, he doesn't like to, you know, transgress rules. She's going upstairs with alcohol, saying, hey, come upstairs, spend the night with me. And he remembers that he did not actually spend the night with her that night. He actually left he got scared, and he left. But the way the film tells this is that you actually see them talking to each other. And he says to her or his memory of her, I wish I had stayed. I wish that night that I had stayed. And it's so powerful to look back on the very first interaction with this person. And you see the regret. But you also see this, sort of, change in perspective that's happened to him. But then, and this is the part that is leechy for me. He leaves in the memory. And as he's leaving, Gondry has the house literally collapsed, just as his memory of her is collapsing. And so it's this good. It's multi-layered, right that their relationship seemed to be almost doomed from the start. The house is crumbling in their first interaction. And, and yet, he's also where he is now in the storyline. He knows, oh, actually, I still love her. And she whispers in his ear and meet me in Montauk. And that's what sets the chain in motion to get to come back to the beginning of the film. So it's just such a multi Vaillant image. I think that's my leechy scene.Aaron  22:05Almost leechy for the artistry, as much as anything in the story.Evan  22:09It's unforgettable, for me.Banks  22:13The artist is not lacking--that's for sure.Evan  22:16It's stunning.Aaron  22:17Oh, yeah, consistent throughout the film. I mean, the film is a complete package where every knot has been tied. It feels like you modify it. Can I jump into leechy characters? Leechiest character, I have to talk about another kind of leechy scene that kind of fits into this. The groove I'm describing about the film containing all these kind of like perfect moments of symmetry. And I … so leechy character for me, who I hate, just deeply despise and hate is Patrick, Elijah Woods character. I freaking hate that guy. For like, part of me, like I'm addicted, addicted to these ideas of like, of authenticity and originality, and to see someone sort of like, he takes Jim Carrey's journal, Joel Barish. His journal and is sort of like trying to recreate with Clementine, all these moments that Joel Barish already had with her and I'm just feeling sick watching this happen. But then the ultimate moment is when they go to the the frozen lake, the frozen lake, where Joe Parrish and says and recalls and writes down in his journal, he says they're lying down next to each other on the ice. I could die right now. I'm just happy. I've never felt that before. I'm just exactly where I want to be. And then to watch the scene where freaking Patrick, just like stumbles and fumbles his way through that line, and it means nothing and Clementine doesn't care at all. Like, oh, I Oh, this is so gross. And I hate Patrick. Like he's he like he sucks so much life out of me. He's least number one for me in this movie, that's me.Evan  24:05He is definitely high up there. I also would on that kind of leechiness, Dr. Mierzwiak. Oh, Tom Wilkinson's, character also is leechy for me, but I'm actually not going to talk about them for a while much like, in Pan's Labyrinth when Vidal was so obviously, the villain so, so terrible. Yeah, I think I mean, Mierzwiak, and Patrick are obviously leechy. And they suck life out. Yes. But for me, the painful one who is instructive and who sticks with me is kind of like what banks was saying earlier. It's Joel. I think Jim Carrey's character is really on this viewing? He sticks with me and I think so many of his insecurities and his questions and his doubts of himself and his doubts of the relationship. Man those structures towards, you know, early on. It becomes ironic later, but early on when he's looking at Kate Winslet on the train and he says, “Why do I fall in love with every woman who gives me the time of day?” I mean, that's an extreme statement. And also like, I have been in places where that is a real thought. And that movie named it. And so, I think there's that and then just his, you could tell he's smart. He's really sharp. He has some creative elements like he, I think he draws and he writes, and yet he's so unable to vocalize what he feels. He's so inside. And, yeah, there's just resonances for me that his character sticks with me and embodies those hard parts of myself but also embodies, it's just kind of he goes through a hero's journey through his mind, through his memory, I think. And we'll talk, I think we'll talk more about this. But where he ends up makes me oddly hopeful, while also recognizing the pain and struggle it took to get there is leechy for me,Aaron  26:11Can we say Have we talked about this idea that? I mean, there's something leechy about Joe, but there's also something leechy about the process of like, delving into the underworld like this is Pan's Labyrinth? We've talked about this before. But yeah, like going into the depths like this, the descent into his memory is also a descent into opening up all these different kind of Pandora's boxes of repression inside him. Yes, like the moment of shame where he longs he like longs to be hugged by his mother, but she like, won't pay attention to him or he's caught masturbating. And he's like, so uncomfortable in his own skin. Like having those boxes opened. Oh, oh, this is leechy. Indeed,Banks  26:54You cannot watch this movie, and not imagine your own embarrassing moments being so exposed. Everyone watches this movie, and everyone just like, peeks into their own little box isn't the same or like, ooh, that's like, oh, “That's what it would be for me!” There's something about that movie that,  does it like it is a journey into one's own embarrassments at times. Aaron  27:22Makes me want to tell all my dirty secrets. But I'm not going to….Banks  27:33Haha, please don't… please….I mean, you know, if, if I'm honest, I will say, I think that Joel's character is also for me right there. But if, if no one's else gonna is going to talk about you know, Dr. Howard, is it “mirrors-wack?” Miers-wack?”Evan  27:48MierzwiakBanks  27:48“Mierzwiak!” He, you know, there is one thing I would like to highlight about his leechiness, and yes, there's a huge li uncomfortable, hugely inappropriate, hugely leechy component with regard to him. You know, having an affair with a young woman and then allowing his own lab to then wipe her memory of that affair only to then rekindle it. That's just that's just absurdly, it's so bad. But like, also very believable. But like in a terrible way. For me, one of the other things, it's very easy to miss, I think, but really, just for some reason sticks with me is this is his lab. This is his company, this is his lab, this is his company, and his company, has these policies that you actually get to hear about and the background of some of the scenes. Like you get to wait in the room with Joel Well, we learned that, Oh, no, you know, “I'm sorry, Miss so and so but we can't wipe your memory three times this month. That's just against policy.” Like they're going like, it's they make they have turned this method of memory wiping, into a deeply unhealthy pattern of coping, that is, and just are profiting off of it. There's something that like you are seeing these people in waiting rooms dealing with the death of a cat, dealing with all these things, just wiping them from memory, as well. That's just what you do. So you can move on. And now obviously, like “Welcome to the modern world,” we all have our own ways of doing it. But I think that's a part of the modern world but saps us as we are just only using avoidance as our coping. Like what happens if that's what it is, what if memory wiping becomes the only way that we cope with difficulty? Like that's one of the major questions that this film asks and the answer is not a pleasant one or one that is hopeful. In fact, it's is the reconnecting of memory with difficulties, and the radical acceptance of it that I think does it there. And I'm going to stop there because I'm getting into the positives and the “hirudo therapy” aspects. For me, I'm just gonna say the doctor there has some high leech levels that need to be, uh, need to be expressed.Evan  30:18I think that's really well put and I think just to build off it real quickly, I do think that it is the contrast between characters who basically just have their mind-wiped, and where they end up by the end of the film, they're all pretty much alone. Whereas the character that did go down the road of having his mind wiped, but then chose actually to  embrace memory, Joel and then also Clem, they end up in some kind of connection. And I do think the film is we should play around with this some more but I do think that something about facing memory going into it is actually the way to connection and the avoidance leaves you alone, perhaps.Aaron  31:03Yeah, anyway, can I, I would love to jump in here because I think there was something that this movie taught me something new about leakiness Oh, oh yeah. Next to the the act of remembering and Dr. Mierzwiak and all this, that the moment so what I'm what I learned about leechiness has to do with my physical experience in my body as I'm watching a film. And there was a moment where like, from the center of my body, kind of radiating toward my hands, I started to feel physically numb, like something weird was happening to me. And the moment that that happened was when Mary, Kirsten Dunst's character, learns that her laundry was wiped at the moment where Dr. Mierzwiak's wife arrives on the scene and sees them kissing inside and, and says, “You can have him, you've had him before.” And at that moment, like my whole body just goes, [Makes out-of-body-expierence sound]....This is really like taking something it's doing something to me.Banks  32:13Isn't it true that when a leech bites you, there is a numbing agent.Evan  32:19There is a numbing protein? Yes, that's right.Aaron  32:22Oh, guys, I tell you what, I think I like me to take a quick vacation though. This is getting like, a little intense. For me.Evan  32:29It's getting a little intense. Aaron, do you want to take this top beach? Do you want to beach? Are there any leeches on that beach?Aaron  32:35I wanna do the leech on the beach segment? Come on, let's do leave on the beach. On the beach. When I try and want to go on vacation on this film, where do I go? Actually go to one of the moments of like greatest dysfunction, which is this ridiculous relationship? In the movie between Joel's two friends, Carrie and Rob. Remember what I'm talking about? Yeah, like Carrie and Rob, who are like, there's something about the way that their relationship is just so obviously bad. Like they're throwing laundry at each other and like always sniping at each other. She tries to pick up a cooler and it just like falls over on her comedy montage. Evan  33:20At the beach, at MontaukBanks  33:21At the beach!Aaron  33:21But a moment that gets me the most I just can't help but laugh is where Joe's over at their house and you just hear this relentless hammering. And Rob is just sitting at the table like making a birdhouse. Like, why? Why is this even here? Why is this happening? But uh, that's it this moment of the just deep absurdity. And we're where we're seeing actually like, what love looks at, like, in a way that's not all that inspiring or interesting. But for some reason that like it's uplifting and light-hearted to me, and I go on vacation in those moments.Evan  33:59I love that. My vacation is also related to Bob, who of course is played by David Cross, the immortal Tobias Fuque from Arrested Development, and perhaps a satire, perhaps unrelated, but in that show Arrested Development. There's a pill called a “Forgive me now.” Which I think perhaps is based on this movie. And that is a funny version of something very serious. That has happened in this movie. And I laugh at that…;Aaron  34:27that's beachy, that's beachyBanks  34:31Arrested Developemnt is talways a good beach to go to. It'll ride on Montauk anytime. Just not the Netflix seasons, don't do those.Evan  34:40Yeah, yeah. Wasted time. Well, that is our leech on a beach segment for this week. Here. Thank you for taking us to the beach.Aaron  34:50And to be clear leeches also their bodies are like segmented they are segmented worms. So the idea of segments is really nice for the pod. Thank you.Banks  35:00And we are now transported from the beach. So thank you for that.Evan  35:05We have built leach anatomy into the structure of our podcast. Speaking of which, I think it's time for some “hirudo therapy,” the medicinal purposes of leeches. Who would like to begin?Banks  35:24I'll begin with one here. So for me, I think that there is a hirudo therapy in this, you know, this, this one goes out to all the Dialectical Behavioral Therapy fans out there. But in DBT, there's this important idea called “radical acceptance.” Okay, which is the, you know, it's simply looking at difficult situations, and, and simply trying to see them as they are and accept reality for what it is. And so we can move forward. And there's this great moment, I think of radical acceptance throughout this movie, but one in particular. And that's when, after the fights after everything at the very end of the movie, you know, you know, Joel has just heard Clem's, worst comments to him, and Clem has just heard Joel lay into her and these recorded videos, and then they stand in a hallway about, they could, you know, both ready just to end it with one another. And they just say, you know, we could try again. And guess what, this is probably gonna happen again. And that's when Joel, that's when Jim Carrey's character, says, “Okay,” It's this moment of incredible radical acceptance that I've never seen a better portrait of it. It's an acceptance of who they are, and acceptance of what their relationship could be the good and the bad together. And the acceptance of, “We could see where this goes”Aaron  36:58In most moments of acceptance, with that level of like, crystalline, very fresh sense of everything that's wrong, and tragic, and toxic and weird. Yeah, that's very radical.Evan  37:11I think that connects in a lot of ways to the therapy that I was thinking about. And it connects back to my theme of fate and choice. And there's so many patterns that repeat in this movie, and you see the dynamics of their relationship, keep repeating in the memories, and they keep repeating, because in some ways, Joel is fundamentally who he is. And Clem is fundamentally who she is. And you can't change those things. And yet, Joel has been on a journey in this film, he has gone into his memory, he's gone into happy memories, but really, it's the traumatic ones that he has to go to, to come out the other side as a different person. And the time works so funny in this movie, I think Banks you put it well, it's only one night, and yet he is a different person. That morning when he wakes up, although he doesn't know it totally, than he was when he went to sleep. And I think for me, what's therapeutic about that is this acknowledgment that the way forward, perhaps in a relationship, but perhaps just for self-acceptance, is actually through memory. It's through facing past things, especially past trauma. If the way forward for Ophelia was through fantasy in Pan's Labyrinth, I think this film offers us a painful, but ultimately, a restorative way forward through memory.Aaron  38:45Yeah, this is what yeah, this is this movie is hard for me. Yeah, I think that anyone who anyone who's had a lot of heartbreak, and I've been divorced, you know, watch you watch this film and watch the kinds of dysfunction and kinds of pain that people experience here like I can, I can dredge up a lot of hard material. But I think that one of the things that I find medicinal about the film is that it's I think that after you've, after you've been really hurt by love. There's this question of like, am I gonna open myself up to that again? Is it worth opening myself up to love again? And the message of this film is it like it's a high risk proposition to love. Because the things that you will learn the things that you will come to know involve pain. And I and I find myself both really chastened by this film like, “Hello, sir. Be cautious about love but But sir, you should, you should open your heart because there's something deep and real really meaningful about coming to know that the difficult risky thing called love.”Evan  40:07I think that raises a question for me. I want to know what you think. The film seems to say. “Yes, it's hard. Yes. All this pain has happened. Yes, there's risk. But yes, but okay. But try again” or “Say yes to love again.” And just speaking for myself it. It rang true. I felt like the film earned that optimism. But I don't know what do you guys think? Did it? Did it earn it? Is it too? I mean, because there's also a way you could argue like, this relationship was toxic, and probably bad for both of them. And is it good for them to keep trying on something that?Aaron  40:57The film seems like make a virtue out of continuing to try things that are destructive?Evan  41:05Yeah, I think you could read it that way.Aaron  41:07Yeah. Make a virtue out of dysfunction. Oooh, yeah. I don't know about that.Banks  41:12You could read it just as a cycle of codependency.Evan  41:16Oh!Aaron  41:18I don't know what I think about that. That's not what I want to believe about the movie. But I think that the movie entirely leaves that door open, actually.Evan  41:26Yeah. Same.Banks  41:29I agree. Both with the sentiment of not wanting it to be that way. And also having a very hard time arguing against it. But I'm gonna fall and say it's not that's not. I'm just gonna go with my gut and say, I don't think that's what the movie is about. I think the movie is asking, in the end, it does earn, you know, as you're saying, a bit more optimism a bit more of the sense that the worst of us doesn't define the all of our future.Aaron  42:03What does that mean? I think that that immediately leads me to the burning question of if this movie is a movie that is that has this like this optimistic note to it. Like how many leeches am I supposed to give this movie? Oh?Banks  42:21Oh,Aaron  42:24OOh Ah! I see how many leeches now? Does anybody have a sense at this point?Banks  42:29I did remind our viewers we do this on a scale of four. Right? One out of four leeches: four leeches being the, you know, the the “gold standard” of a leech movie. And “one” being not so leechy, but maybe a wee-bit? “Zero” being not leechy at all. What are you doing on the show? So.Evan  42:49So I'm at I'm at three leaning for but I'm going to go three? Oh, I want to save four for a couple that, well, we will get to that. I think I just want to hold it like I think parasites are solid for oh, there's a couple of others. In my book. Here's why I'm at three. Okay. I couldn't get this film out of my mind. We watched it a while back. I've been thinking about it. I've been wanting to write about it. I've been busy and haven't been able to write about and I've been frustrated that I haven't been able to write and think about it. And so it's just like, wormed its way into my brain. And so it is stuck with me. And I think it's stuck with me on this viewing. And I'll maybe I'll highlight the other leechy scene that I didn't talk about, which is after they agree at the very end, to try again, the film actually closes with this image of the two of them on the beach in Montauk with snow on the beach. And they're running and they're like playfully, hitting each other with snow. I believe it's from maybe the first time they hung out or some other memory. But it's this playful image in this very cold beach. And it's it's a haunting image on its own. But then Gondry repeats it two more times. This repetition, this repetition, almost like the cycle of this relationship will continue and continue? Oh, and I think in a way, the coldness of the image, the repetition of it. I think it tempers a little bit of the optimism that I feel in my bones. When they reconnect. I'm like, Oh, this is the best. This is it. I think that they end the director ends with that note of No, this is a cycle of cold playfulness, not a cycle of Cold Play, but in a cycle of cola. Playfulness, that maybe that's just what love is. Or maybe it's a more ambiguous thing that he wanted leave us with I don't know, but I can't stop thinking about it. I found this film so instructive about so many things. It's such a “three-leecher” for me. I yeah, I just love this film.Aaron  45:11Mm-hmm.Banks  45:12Three leeches.Aaron  45:14Yeah, honestly, Banks. I think I need to hear from you. I'm not even like, I'm not even sure. You got to help me out, convinced me.Banks  45:21It's I think it's three. For me, I'm going to agree with Evan. And I think that its three for me, like, if I were to say, like, find to give it like, in terms of just how much I like it. I probably give this a “four out of four” stars. But we're talking leeches here.Evan  45:39Leeches not stars.Banks  45:41Just the, you know, for me, the film has so many incredible qualities, like three leeches is a high bar and it does, it sticks. It's difficult. It's it takes something out of you. I do not want to watch this movie sometime again in the near future. But I desperately.... there's a part of me that never wants it to let go either. Like, yes, it's for me like that need like, okay, that we're in leech territory here. But in the end, you know, for me, when I think of a truly [leech movie], there's almost a fear that needs to be there. There needs to be that. Like, there's a space that enters. That is deeper, that's darker, that is more powerful, maybe even brighter, I don't know, but it's just more visceral.Evan  46:35I mean, this is the most visceral podcast, it is. You tremble, you tremble before and I feel like….Banks  46:44...and I might be shaking a little bit, but ain't trembling yet. So, three leeches for me.Aaron  46:49Hmm. This movie came out in 2004. I was in high school. I think definitely at the time, I would have seen it as a one or two. I thought it was like, artsy and cool. Kind of great. But it wasn't something that likes stuck close to me. You know, at that time, I think this movie is like a heat-seeking missile, except that it is like the heat that it seeks is heartbreak. And like it sniffs out the heartbreak and attaches there. Wow. And I think that would pull me up to a three now. Definitely not for me. But that sense of it, like just finding my heartbreak and leeching on right there. Ooh, for me three. Yeah, I'll give it three for that.Banks  47:43Is this the first time we've all agreed?Evan  47:45I think so. Which is great. I think. I think aside from ratings, I think something I just feel like we have to talk about this movie or I want to name is this would be a somehow a romantic comedy, drama, a sci-fi, a horror movie, like there are horror elements in the some of those memories. It's almost like a Freudian meditation on childhood, like, and it's visually stunning. I mean, I think this is where thanks to your point, like it is a four-star in terms of the quality of filmmaking and writing and performances. I mean, we have really talked about the performances, we talked about Kate Winslet who is like,Banks  48:23She's the star. And this is yeah, she puts everyone else to shame in this movie, and everyone else is brilliant.Evan  48:33She's like, literally the figment of Jim Carey's imagination in the movie, and yet unforgettable she's unforgettable.Aaron  48:40The moment immediately comes to mind is where we're, uh, Jim Carrey is like being a baby toddler version of himself like under a table. And she is being his like mom's friend who, who's like also herself and is like, what is this dress I'm wearing? And then in order to like bring him back from his babyish waist tries to like show him her underwear. This is so strange.Banks  49:10It's so funny because like in the scene before it's like this very like sensual like thing and like, they're they like, that's where like, you like see like the underwear in there. It's like, very sexualized and very, like, you know, intimate and then it's here. It's like the least sexual scene ever, and it's such hilarious change. It's like, Oh, we're gonna flash a three-year-old. Let's just do that. It's brilliant. So weird.Evan  49:37So weird. Well, on that note, it's been another episode of the leech podcast. Thanks, everyone for tuning in. This was about the Eternal Sunshine of the Spotless Mind. There are many more episodes to come in this season. And we hope you will join us for all of them. Again, if you would like to contact us You can find us on At leech podcast on Twitter and the leech podcast on Instagram. We would love to hear from you, including leechy novels that you have in mind for a book club.Credits:Hosted by Evan Cate, Banks Clark, and Aaron JonesEditing by Evan CateGraphic design by Banks ClarkOriginal music by Justin Klump of Podcast Sound and MusicProduction help by Lisa Gray of Sound Mind ProductionsEquipment help from Topher Thomas

Breakups are hard. But don't worry! Lacuna, the memory-erasing company from "Eternal Sunshine of the Spotless Mind," is here to help. In this episode, Mike and Brian take a trip down memory lane as they dive into this non-Best Picture nominee of 2004, directed by Michel Gondry and written by Charlie Kaufman. IThey debate the movie's message, examine its lead performances from Jim Carrey and Kate Winslet, and decide whether to keep it or kick it from the year's top five.  www.bestpicturethis.com Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com And for 15 years of Golden Takes, head over to Letterboxd.

Director's Cut

We're back with Lucky Podcast 11, featuring the charming, Emmy Award nominated writer and comedian Craig Rowin of Adult Swim's Your Pretty Face is Going to Hell. Craig and I talk about 666 Park Avenue, Breaking Bad, American Horror Story, Arrested Development and a lot of other television shows. And to contractually fulfill our obligation to discuss music in every podcast, we talk about Harry Nilsson and Weird Al. Also for some reason, serial killers come up a lot, as do fairy godmothers offering real weird life choices. xx, Sherry

On today's show we talk to Gabrielle Bell. Gabrielle is a comics artist based in Brooklyn, whose books and short stories have been published on a number of indie presses, from Drawn and Quarterly to Fantagraphics, and in anthologies like Mome and Kramer's Ergot. She also collaborated with filmmaker Michel Gondry on an adaptation of her story "Cecil and Jordan in New York" for the film anthology Tokyo. A few weeks ago, Gabrielle came over to the Manhattan Wrestling Team apartment and got in deep with us about what it means to be creative and interact with your audience, characters as representatives of your sweet id, and creative high school friendships.On next week's episode, we talk to performer and author Chris Gethard, but ALSO! Don't forget the next Beginnings Live at UCB East. It's going to be incredible with Lizz Winstead (co-creator of The Daily Show and Air America Radio), David Rees (Get Your War On, How to Sharpen Pencils), and musical guest A.C. Newman (The New Pornographers)! Sept. 11th at 8pm!

Greetings and salutations, movie lovers! In tonight's episode, we'll wrap up 2011 and our Charlie Kaufman trilogy with 2004's Eternal Sunshine for the Spotless Mind, directed by Michel Gondry. Kaufman won the Oscar for Best Original Screenplay for this film, along with Gondry and Pierre Bismuth with whom he shares story credit, and they certainly deserved this award along with every other accolade they received for this incredible film. We discuss how this story about relationships fits in Kaufman's canon. We talk about all of the amazing tools of filmmaking, both digital and practical, that Gondry and his team employ to create this disintegrating world within our protagonist's head as his memories of his girlfriend are erased. We cover Gondry and what he's bringing to the table. We also discuss the actors and how much they all bring to the table, whether its Kate Winslet in her Oscar-nominated performance as Clementine, Jim Carrey in one of his greatest serious performances ever, or Elijah Wood in maybe the creepiest role he's played. It's an incredible film about love, loss, destiny, memory and identity. Listen in as we end the year with a bang!