Podcasts about coralina

Watch on Philo! - Philo.tv/DTHThe movie kicks off with royal music and flags so that you know what you're getting yourself into. We meet Prince Desmond, who is getting pictures taken with Princess Coralina because they are going to get married despite the fact that they don't really know each other at all.Some time passes, and Desmond walks in to talk to Edwin, the butler, and catches him drawing devil horns on Princess Coralina. We find out that Princess Coralina broke things off with Desmond by eloping with a plumber. Desmond is doing quite fine with the breakup. His parents, on the other hand? King Richmond bets it's political! Desmond promises to make sure their countries don't go to war. He remembers that Coralina has a sister. Guess he could just marry her.Her name is Beatrix, and she lives in the States, working a normal job and going through a normal breakup. She begins getting a call from a foreign number but doesn't want any part of it. She answers and tells them never to call back again in a different language. Then, she walks outside, and someone is watching her through binoculars. Her friend Chloe notices him, but Bea is like, “Don't worry about it; I'm sure he's just looking for birds.” But he is not there just looking for birds. They end up getting cornered by some SUVs in an alley. Chloe is like, “I'm not letting you get kidnapped without me,” so she tags along.They make it to Desmond, and she is not having it with this royal nonsense, but then he proposes. She needs some time. Ultimately, this marriage between the countries was mainly to maintain peace between the two countries, something the kings stopped working towards once the engagement between Desmond and Coralina was broken off.So Beatrix decides to say yes, only so their dads can continue working towards an agreement. She has one request: to stop using the royal "we" and start talking in "I's." On their first night together, she convinces him to sneak out with her and get pizza and go bowling. They get into some trouble, but they have some fun! Obviously, they start to enjoy each other's company. They go to visit his parents, and then they go to visit hers. They keep having these late-night meet-ups, all above board.The families end up coming to an agreement, which means they don't have to get married. She gives him back the ring and says, “Hopefully, next time you give this to someone, it won't be for politics.”They go to leave but realize that they do want to get married. So he runs after her, and she runs after him. He proposes, and she says yes. They kiss.

Peguem suas toalhas! Nesse episódio, eu (Mauro Junior) e Facioli batemos um papo com Gabriel Maki sobre o game dele, Coralina! Num RPG eletrônico de visual RETRÔ, você irá controlar Cora, uma estudante de Cinema que de repente se vê numa situação traumática. Ao ser jogada para o Limbo. Neste lugar, ela será acompanhada por um mensageiro da morte na forma de um corvo, e então vai ajudar o mesmo a solucionar o motivo da sua ida ao mundo psicodélico do esquecimento, e o porquê de certas mortes ocorrerem. Uma investigação pelo espaço e tempo, através dos labirintos que interligam o oblívio e as emoções humanas. Curtiu? Então CLICA AQUI e confere o game!

Coralina: a Memory Tale é o segundo jogo do sergipano Gabriel Maki e continua a história da aspirante a cineasta Coralina perdida nas Terras Póstumas. Uma continuação mais grandiosa e cinemática e que mostra o crescimento do Gab enquanto contador de histórias e desenvolvedor. Textos sobre Coralina: a Memory Tale Maya - Game Design Hub Arthur - Game Lodge Schneider - Galinha Viajante Maria Eduarda - IGN Brasil ______________________________________________ Esse é o Controles Voadores, seu podcast semanal para falar sobre jogos independentes e conhecer os desenvolvedores brasileiros. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Acompanhe as novidades sobre o Controles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TRILHAS USADAS: Minttt e Flamel and Odília (Guilherme Alexander) Prologue e Saudade (VinaLin) Clair de Lune Chiptune (Rafael Schneider); Heaven is a Place (Midnight Soup Opera)

Podcast pentru Traderi și Investitori. #InBrain. Invitat Coralina Chiriac. Coralina este doctor in psihologie, psihoterapeut formator si supervizor in psihoterapie integrativa, cofondatoare a Asociatiei Romane de Psihoterapie Integrativa, antreprenor si investitor.

Entrevistam Oriol Broggi, director de l’obra de teatre ‘Coralina, la serventa amorosa’ que arriba el cap de setmana a l’Auditori de Manacor a càrrec de la companyia La Perla 29.

A Balaguer parlarem del ralli de vehicles històrics Trofeu del Santuari, que tindrà lloc aquest dissabte. També de la Mitja Marató Ciutat de Balaguer del diumenge. A més parlarem d’altres propostes com Els Contes de la Nair, del cicle Emboirats o les representacions teatrals de ‘Coralina, la serventa amorosa’ de Carlo Goldoni, al Teatre Municipal, i ‘El Testament’ de Ramon Molins a la Sala La Mercantil. També sortirem a comarca per parlar de carnavals. Celebrats ja els carnavals de Balaguer, Artesa i Ponts, la major part d’altres poblacions de la comarca el celebren aquest cap de setmana. En farem un repàs exhaustiu. També tindrem altres propostes més llunyanes, amb concerts fires i ciència. Descarregar àudio (30:59 min / 14 MB)

Balaguer dona el tret de sortida a la VIII Fira dels Somnis pel càncer infantil. Se celebrarà el diumenge 5 maig amb una proposta variada i amb nous objectius i reptes per convertir-la en un referent solidari a nivell de país La presentació ha tingut lloc aquest dijous a la Paeria de Balaguer aprofitant que era el Dia Internacional del Càncer Infantil. Hi han assistit representants de les institucions, entitats, associacions i col·lectius del territori A Catalunya es van diagnosticar 154 casos de càncer infantil a l’any entre 2018 i 2022. Els casos de càncer pediàtric més freqüents van ser les leucèmies Endesa renova la cessió a Fundesplai de sis finques rústiques a la Noguera per a activitats de lleure. Es tracta de més de 106.000 m2 a Àger i Camarasa que la Fundació Catalana de l’Esplai utilitza per a un ús educatiu Les comunitats de regants denuncien les restriccions del Govern i proposen alternatives per afrontar la sequera. L’entitat proposa ajustos en les restriccions d’aigua que permetin el reg més eficient La ruta cicloturística dels Llacs Lleida-la Pobla de Segur tindrà 107,2 quilòmetres i estarà acabada aquesta primavera. La consellera Capella ha visitat les obres i ha dit que aquesta via promou la mobilitat sostenible i saludable El Parc Astronòmic del Montsec obre les seves portes aquest divendres amb novetats que proposen experiències en 3D. La renovació completa del sistema de projecció permet la recreació del cel actual i la reproducció de pel·lícules a 6K Aquest dissabte té lloc el Trofeu Santuari Balaguer en el qual participaran més de 40 vehicles històrics que faran una ruta turística per la província de Lleida Aquest diumenge continua la programació del cicle d’hivern d’espectacles infantils de Balaguer, l’Emboirats. L’espectacle que es podrà veure al Museu de la Noguera és “Els contes de La Nair” La Sala Mercantil porta al seu escenari el diumenge dia 18 de febrer l’obra EL TESTAMENT La Perla 29 porta a l’escenari del Teatre Municipal de Balaguer també aquest diumenge l’obra ‘Coralina, la serventa amorosa’ de Carlo Goldoni Molts municipis de comarca celebren aquest cap de setmana les respectives festes de carnaval. Entre ells Vallfogona, Cubells, Les Avellanes, Castelló, Camarasa, Algerri, Os i La Ràpita Diumenge se celebrarà l’acte d’entrega del 5è Premi d’Àlbum Il·lustrat Vila de Térmens. La presidenta d’Honor del jurat del premi, Roser Capdevila, serà l’encarregada d’anunciar el títol de l’obra guanyadora i posteriorment hi haurà un conta-contes Torna la competició de futbol a Segona Catalana després de l’aturada de Carnaval. El Club Futbol Balaguer visitarà diumenge a l’Agramunt l’actual líder de la classificació El Q2 Consultors del Club Bàsquet Balaguer juga aquest dissabte a la pista del Valls, l’onzè classificat El Comtat d’Urgell de futbol sala rep aquest dissabte al 1r d’Octubre a l’Andorra. El Comtat B juga divendres contra el Pardinyes i el Balaguer Vedruna rep diumenge al Linyola Aquest diumenge es disputarà la Mitja Marató de Balaguer, amb la prova reina del circuit de mitges de Ponent i les distàncies de 10 i 5km de la Lliga Ponent. Hi participaran uns 300 atletesDescarregar àudio (45:37 min / 21 MB)

L'obra de teatre «Coralina la serventa amorosa» s'estrena aquest dissabte 17 de febrer al Centre Cultural de Valls. L'espectacle dirigit per l'Oriol Broggi aposta per la diversió i el que és l'adaptació d'un clàssic perquè aconsegueixi el seu objectiu: que tots passin una molt bona estona. L'espectacle és un clàssic de Carlo Goldoni i està […]

Un nou episod interesant despre mindset, gândire outsite the box și dorință de schimbare când vine vorba despre relația cu banii noștri. Invitata noastră este pe Dr. Chiriac Coralina, psihoteraput și trainer cu multe studii și certificări naționale și internaționale de prestigiu. Pe coralinachiriac.com vei găsi informații (cursuri, workshop-uri, articole) care să te ajute să-ți […] Articolul Mindset Orientat spre Abundenta si Oportunitati – Coralina Chiriac S07E30 apare prima dată în Laurentiu Mihai.

Clara de Ramon. L'actriu Clara de Ramon ens presenta el muntatge "Coralina, la serventa amorosa", la nova producci

Clara de Ramon. L'actriu Clara de Ramon ens presenta el muntatge "Coralina, la serventa amorosa", la nova producci

Clara de Ramon. L'actriu Clara de Ramon ens presenta el muntatge "Coralina, la serventa amorosa", la nova producci

Clara de Ramon. L'actriu Clara de Ramon ens presenta el muntatge "Coralina, la serventa amorosa", la nova producci

Clara de Ramon. L'actriu Clara de Ramon ens presenta el muntatge "Coralina, la serventa amorosa", la nova producci

Trilogia argentinocatalana: "S

Coralina é um jogo do estreante Gabriel Maki, de 19 anos, que fala sobre relacionamentos, escolhas, morte e outros temas com muita sensibilidade. Esse é o Controles Voadores, seu podcast quase semanal para falar sobre jogos independentes e conversar com os desenvolvedores brasileiros sobre seus projetos. Acompanhe as novidades sobre o Controles Music by Defekt_Maschine from Pixabay Music by Mezhdunami from Pixabay Music by Over-efficient from Pixabay Music by AlexiAction from Pixabay Music by MC_QUATTRO_Beats_Beats from Pixabay

El video en el que se ve a un hombre lanzar un perro al mar para atraer tiburones sigue causando controversia en San Andrés y todo el país.See omnystudio.com/listener for privacy information.

Nota del editor: Cerrando Brechas es una colaboración entre la Escuela de Comunicación Ferré Rangel de la Universidad del Sagrado Corazón y GFR Media. En esta serie especial, estudiantes del curso de periodismo y desarrollo sostenible del profesor Luis Alberto Ferré Rangel dedican cinco episodios a atender temas dedicados a los Objetivos de Desarrollo Sostenible. En este episodio de Cerrando Brechas, los estudiantes del curso de periodismo y desarrollo sostenible atienden el tema de la adversidad que afecta a los corales en las costas de Puerto Rico al igual que posibles soluciones de energía renovable que pudieran ayudar a atender el problema.

Lady Coralina, Thalía, suicidas, payasos

Lady Coralina, Thalía, suicidas, payasos

Después de que un tiburón tigre mordiera a un turista en la isla de San Andrés, causándole la muerte, decidimos hablar con Nacor Bolaños, coordinador de áreas protegidas de Coralina, sobre los mitos alrededor de los encuentros con estos colosos marinos.See omnystudio.com/listener for privacy information.

El italiano fue trasladado al hospital con una profunda mordedura en la pierna, pero murió minutos después de ser ingresado.See omnystudio.com/listener for privacy information.

A nossa entrevistada é uma profissional talentosa da área de Comunicação e Marketing. Jornalista e fotógrafa, ela também é uma empreendedora de sucesso. Em 2010, fundou, em São Paulo, a Casa do Brincar, que inovou no mercado de serviços e produtos ligados à cultura da infância. Sua experiência nesse setor vai, desde a gestão e planejamento estratégico de novos negócios, até consultoria completa do mercado ligado à infância, passando pela produção e criação de eventos. Criativa, dedicada e apaixonada pelo seu negócio, ela tem passagens pelo jornal Gazeta do Povo, em Curitiba, onde trabalhou como fotógrafa durante seis anos. Passou também por empresas de diferentes portes e segmentos, algumas multinacionais, atuando na gestão e planejamento de ações de Comunicação e Marketing. Com o nascimento da sua primeira filha, nasceu também a oportunidade de empreender e criar a Casa do Brincar, que se tornou um case de sucesso. Com isso também passou prestar consultoria e já ajudou mais de 40 negócios, em várias cidades no Brasil, a abrirem as portas ou reorganizarem seus planejamentos. Durante a nossa conversa, ela relembrou dos tempos no jornal Gazeta do Povo, no qual viveu de perto a rotina de uma redação de um diário; falou do seu trabalho como fotógrafa no jornal e da transição entre o analógico e o digital; contou sobre as experiências em grandes empresas; explicou como nasceu o projeto da Casa do Brincar, os desafios e conquistas e revelou os planos como produtora de eventos e consultora para novos negócios no mercado infantil. É com muita alegria, já pronto para brincar nas oficinas e atividades infantis, que recebemos neste episódio do podcast Outra Visão, Luciane Motta, a Lu da Casa do Brincar, a mãe da Luiza, da Valentina e da Coralina, minha amiga, fotógrafa talentosa, empreendedora apaixonada por crianças, que eu sei, tem muito a nos ensinar e várias histórias para contar. Acompanhe a entrevista! Entrevista realizada dia 31 de agosto de 2021. LINKS – Luciane Motta Linkedin - https://www.linkedin.com/in/luciane-motta/ Casa do Brincar - https://www.casadobrincar.com.br/ Youtube - https://www.youtube.com/channel/UCWTn47mMMMvaaiwXqf5_btg Blog – Casa do Brincar - https://www.casadobrincar.com.br/blog/ Facebook - https://www.facebook.com/casadobrincar/ Instagram - @casadobrincar - https://www.instagram.com/casadobrincar/ Programa Pequenas Empresas & Grandes Negócios - https://globoplay.globo.com/v/3609405/ Folha de SP - https://www1.folha.uol.com.br/mercado/2018/04/casas-de-brincar-se-espalham-e-faturam-mais-de-r-1-milhao.shtml Vivo Open Air – Casa do Brincar - https://www.youtube.com/watch?v=b34zbK5qQiE XXX O podcast Outra Visão é produzido e apresentado, com muita alegria, pelo jornalista Paulo Cunha, o Paulão! Instagram @podcast_outravisao - Site oficial: www.podcastoutravisao.com

"Coralina" Joshua Edelman: Jazz For The Oceans (Jazz Basque Country, 2021) © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Juan F. Trillo reseñó Jazz For The Oceans en https://www.tomajazz.com/web/?p=56286

“Bebi na fonte de Cora e agora? Agora? A terra de Coralina fascina, fascina! A casa da ponte, os becos, Aninha, a lua ilumina Levaram o ouro, ficaram as pedras e a vida que ensina O jeito de Coralina, menina, menina Desde o tempo de criança poema e rima O tempo passou, a vida mudou, Cora foi-se embora Marido e filhos, quitutes e versos da doce senhora” Cora Coralina - Flávio Magalhães (ES)

En este episodio conversamos con Rixcie Newball, funcionario de Coralina y parte de la comunidad raizal del archipiélago de San Andrés y Providencia, sobre el impacto del huracán Iota y la importancia de articular a las comunidades en proceso de reconstrucción de las islas. Aprovechamos esta oportunidad para invitar a otros representantes de comunidades costeras: Jorge Iván Chica, de GICPA Bahía Solano y Luis Ángel Cuesta, del concejo comunitario El Roto en el golfo de Urabá -ganadores del premio CEMarin 2020-. Agradecemos a la profesora Jenny Leal, de la Universidad de Antioquia, por la gestión de estos testimonios. Igualmente, en este episodio se menciona el especial de la Universidad Nacional Voces del Archipiélago. Música: Selva de Mar, Reggae Ehad (Licencia CC) Efectos: thefreesoundproject.org

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Nesta edição do podcast do Página Cinco: - Maria Valéria Rezende fala sobre o resgate do romance histórico "A Muralha", de Dinah Silviera de Queiroz (Instante). - Novidades de Elena Ferrante à vista. - Na faixa: textos teatrais de novos dramaturgos pela Efêmera: https://editoraefemera.wordpress.com/ - Matéria do The Guardian sobre o modo como Jair Bolsonaro tem tratado (ou desprezado) grandes perdas da nossa cultura: https://www.theguardian.com/world/2020/may/12/brazil-culture-jair-bolsonaro-artists-deaths - Nos lançamentos, "Quanto Custa um Elefante", de Marcelo Mirisola (34), "Gota de Sangue", de Emilia Pardo Bazán (Arte & Letra), e Claufe Rodrigues apresenta o seu "Avdavida" (Coralina). E nesses dias, no Página Cinco, tivemos: - Reflexão sobre viagens e isolamentos a partir do livro "Tornar-se Palestina", de Lina Meruane: https://entretenimento.uol.com.br/colunas/pagina-cinco/2020/05/08/lina-meruane-o-isolamento-palestino-e-nosso-futuro-incerto-sobre-viagens.htm - Homenagem à obra do escritor Sérgio Sant'Anna: https://entretenimento.uol.com.br/colunas/pagina-cinco/2020/05/10/ler-os-contos-de-sergio-santanna-sobre-futebol-e-como-ver-messi-jogar.htm - Algumas formas de como o luto é representado na literatura: https://entretenimento.uol.com.br/colunas/pagina-cinco/2020/05/12/a-vida-muda-num-instante-os-milhares-de-mortos-e-as-formas-de-viver-o-luto.htm - Sugestões para quem não aguenta mais ficar sem futebol de verdade: https://entretenimento.uol.com.br/colunas/pagina-cinco/2020/05/13/o-futebol-possivel-contra-a-abstinencia-de-futebol-de-verdade.htm O podcast do Página Cinco está disponível no Spotify - https://open.spotify.com/show/6QAoDVp8uQgzklw30rlPgH -, no iTunes - https://podcasts.apple.com/br/podcast/podcast-p%C3%A1gina-cinco/id1495082898 - no Deezer - https://www.deezer.com/show/478952 -, no SoundCloud - https://soundcloud.com/paginacinco - e no Youtube - https://www.youtube.com/channel/UClccqes0_XPegOwEJKgFe-A

O vigésimo episódio do Tarja Preta Podcast, primeiro programa do ano, traz à tona um assunto bem interessante: a vida da mulher no pós-parto.Todos nós sabemos que a maternidade é o sonho de muitas mulheres e quando uma mulher se descobre grávida, um mar de dúvidas invade seus pensamentos. Essas dúvidas envolvem o acompanhamento pré-natal, a alimentação durante a gestação, a montagem do enxoval, o momento do parto, se ele será normal, feito através de uma cesariana ou se será humanizado, dentre muitas outras questões.Esse importante momento é rodeado de muita emoção e expectativa. Durante a gestação, além de se preparar para o nascimento do bebê, a mulher também deve se preparar para o nascimento de uma nova mãe. Pois, a nova vida que surge não é apenas a da criança que chega a esse mundo, mas também a da mulher que se transforma para receber e cuidar de um serzinho que pelos próximos anos será totalmente dependente dela.Todo mundo fala das maravilhas da maternidade, porém como é a vida pós-parto dessa mãe? Como a mulher passa pelo puerpério, aqueles 40 dias após o parto, em que tudo parece ser mais difícil? Será que essa é realmente é a fase mais complicada, enfrentada pela mulher?É normal a exaustão vivida por todas as mães no pós-parto? Como a rede de apoio da mulher que passa por isso por colaborar, durante esse estágio? E quais são as pessoas que compreendem essa rede de apoio tão fundamental, nesse período?Além disso, a amamentação também muda de uma mulher para outra. Os sentimentos experimentados por cada uma, também são diferentes. E qual a importância de se ter uma doula durante o período da gestação e na vida pós-parto?Para responder todas essas perguntas, contamos com as participações especiais de uma doula e de uma mamãe de primeira viagem, junto com sua pequena Coralina, que deixou esse episódio ainda mais gostoso de ouvir! Convidadas:Fernanda PorcariDanielli Malini Indicações:BioTantrahttps://biotantra.com.br/Fale conosco!E-mail: contato@tarjapretapodcast.com.brFacebook: @tarjapretapodcastInstagram: @tarjapretapodcastLinkedIn: https://www.linkedin.com/company/tarjapretapodcast

Maja Bonačić dječja je psihologinja i pomalo ekstremna sportašica koja je pokrenula niz projekata kojima želi osvijestiti javnost o potrebama djece s autizmom. Svake godine otrči tisuće kilometara, a na biciklu odvozi još i više. Uz sve to je full-time mama, osnivačica udruge "Oblačić" za pomoć nezaposlenim majkama djece s problemima u razvoju, i zagovarateljica edukacije roditelja o psihološkim potrebama djece bez obzira na stanje i dob. Pokrenula je i centar "Coralina" za priholopku procjenu i terapiju igrom, te je u više navrata poznata u javnosti kao edukatorica o problemima i rješenjima autizma kod djece. S Majom smo pričali o tome kako se stigne baviti sa svojim aktivnostima, kako se počala baviti sportom, s kojim problemima joj najčešće dolaze najmlađi klijenti ali i njihovi roditelji, te koji su neki od načina na koje se društvo može bolje odnositi prema djeci s posebnim potrebama. Uskoro ćemo objaviti popis tema. PREPORUKE ZA LAKŠE I UGODNIJE SLUŠANJE PODCASTA Tri načina kako slušati podcast Kako slušati podcast u autu koji nema Mp3 player Top lista najslušanijih epizoda

Querido diario: Mi relación con mi hermana no es la mejor.

Durcey Stephens, director de la Corporación Coralina, reconoce que hay urgencia en preservar la flora y fauna del cayo de Johnny Cay.See omnystudio.com/listener for privacy information.

Obviamente el tema de Lady Coraline dio pie a contar anécdotas de historias que sabemos o nos han contado relacionadas a puestas de cuernos y/o despedidas de solter@s Disfruten, está rebueno el capítulo

Hablamos acerca de hermanos, Chumel Torres, Nueva Zelanda y su falta de esperma, lady Coralina, adopcion de perros, errores que cometen en el facebook y futuros eventos en Tijuana. Cancion "Cruda realidad" cortesia de Pintero. Nuevo episodio cada lunes!

Conheça o Quarteto Coralina, que se apresentará na Sala Cecília Meireles no dia 12 de Julho, às 18h.

El director de la Corporación para el Desarrollo Sostenible (Coralina), Durcey Alison Stephens Lever, analizó en El Radar de Blu Radio si la crisis por falta de agua en San Andrés es algo nuevo o algo que viene padeciendo años atrás. See omnystudio.com/listener for privacy information.

Interview With: Albert and Gage, guests for Strings on Grass November 13, 2015 RSVP here.Listen here or podcast here.Interview Conducted By: Will TaylorWill: Christine Albert & Chris Gage are appearing with Strings Attached at our Strings on Grass series, coming up on November 13th—after being rescheduled two times because of rain in Austin!—So, we’re here to talk a little bit about the two of them, and some questions that I have pulled together, as well as some reflections that they have on working with Strings Attached. I hope this interview will get people excited about the show.The special thing about Strings Attached and our concerts, is that we have this one-time experience when we get together with singer-songwriters, and reimagine their music… sometimes to an extreme level. For instance, when we do Beatles tribute shows, we might reimagine the music in a completely different way than the original versions. Along with our ever popular cover shows, we love to collaborate with singer-songwriters in the Austin area,—like Eliza Gilkyson, Slaid Cleaves—which was the original direction our band took in the beginning, years ago. We bring to the table, certain things like jazz improvisation, or different vocal sounds, adding some color to the arrangements. We try to create a unique experience for people to come out and be intrigued. That’s the first thing that I wanted to talk about. If I remember correctly, we had a show about 10-15 years ago. Chris: Has is been that long?Christine: Yeah, I think so, I think it has.Will: Yeah, and it was at Saint David’s church, which is a beautiful space. Yeah, it’s a distant memory for me. I’m curious to see if you remember anything specifically about working with us… or anything in general about what we do. So yeah, my first question is: Was there anything notable about that performance?Chris: I just remember being thrilled to hear our songs envisioned by someone else. Like you said, everyone has a different take on music. Some people come from a more classical background, and some people have a little more jazz. You know, I do this gig at Strange Brew every week where I’m playing with somebody different every each time… it’s a lot of time the same songs, but each person is going to bring something different to it. And what you do with Strings Attached, is real inventive. And plus, you have a core group of people that do this a lot. And so they know what you’re thinking when you write an arrangement, and they can help you bring it to life. It’s just real exciting for me.Christine: Yeah, I think every artist has sort of a fantasy of hearing their music with strings or with an orchestra… more arranged in that way. For me, it brings an elegance to the music that we try to bring that to our performances at Don’s Depot. It’s not always there. Chris: Well, I turn on the string machine sometimes. (Christine laughs.)Christine: So especially at Saint Davids, and in that beautiful environment, it was almost mystical. And I imagine the Strings on Grass is a different kind of environment, but also brings a sort of natural, organic beauty to it that really compliments the music. Will: Exactly! Yes, that’s the same approach that we were taking with the original Strings Attached series in the church; was that context where people walk into it. It’s not just about hearing the music directly, but it’s the environment that you’re in. It really affects the emotional receiving of the song, or the music. So same thing, you’re right! With Strings on Grass, we’re in this beautiful, gorgeous yard with large trees, and there’s lights shining in the trees, along with the stars above. There’s something about hearing music in a natural setting. It’s very different from Saint David’s, but I think it’s very natural. You know, for instance, Karen and I love Kerrville (The folk festival). So there’s a little bit of a being-around-the-campfire feeling, and we really enjoy it. So people are coming for the experience. The full on music in nature experience. So we look forward to hearing your songs. It makes me think, are there in nature songs in there? (Will chuckles.) Maybe we should pick out a song that’s fitting for that setting.Christine: Yeah, we’ll have to look at that.Chris: How many of these have you done, Will?Will: We’ve been doing them for about a year, just over a year. So we’re probably at 12 or 13. Chris: Oh cool!Will: We’ve done one every month, and we take off the winter months, obviously. And yeah, I’m really enjoying putting these shows on. People enjoy bringing kids, but still are able to really enjoy the music. Some outdoor events, you know, people start to talk, and then the music becomes the background to conversations. So we’re still trying to bring over that respect for listening, which is what we started with at Saint David’s. Chris: Well we’re really looking forward to it.Will: That sounds great. So, okay, onto the other questions. There’s an artist whom I really respect, and I have been studying his book called Effortless Mastery. You may have heard about it when I sent you the list of questions. Kenny Warner talks about the idea of just getting out of the way of yourself and your ability to grow and thrive as an artist. It has a relation to mindfulness work, meditation, you know, the idea of just letting things happen. Like the song “Let it Be” that the Beatles wrote. So I’ve been very attracted to this idea of getting out of the way of myself, as a performer, as a creative person. There’s this quote in here, I’ll read it quickly: “Ultimately, musicians of the world must come to realize their potential of their calling. Like Shamans, we may service  healers, metaphysicians, inciters, exciters, spiritual guides, and sources of inspiration. So if the musician is illuminated from within, he becomes a lamp that lights other lamps.” And it goes on. I was very attracted to that idea, and the fact that we could relate this to you, for instance how you have the swan songs organization. How do you resonate with this? Christine: Well, most of it does. In fact, all of that resonates with me especially because I do practice mindfulness meditation. Recently my mind has been very busy because I’m so active in other things. So I’m in a different mindset most of the day, and then I get to the performance, walk onstage, and start singing. When I find my mind racing, and I’m not really present, I actually close my eyes and practice meditation, in between the lines of the song. That’s by focusing on my breath, and being in the moment, it brings me back to why I’m there, and then it starts to become a gift to me when I can really get out of my own way.  It’s certainly hard for me, because there’s so much going on in my life and in my brain. But that’s the technique that I use. And I have my own personal prayer that I wrote years and years ago that I say. For instance, every morning, or especially before a performance. One of the phrases in there is: “My life is a vehicle for divine love, and my music is the instrument of expression.” So I believe that the quote you just read resonates with me because of what I say to myself.Will: Mhm. And so you still find that you have to remind yourself when you get up there on stage.Christine: Totally. It doesn’t come naturally, but the more you do it, the more years you sing, as a performer, and I think just as a person who’s connected to why I do this, it’s obvious to me when I’m not connected, I’m like whoops! oops! oops! It’s kind of like when you’re meditating, and your thoughts start to take off, and thinking, and you have to bring it back to the breath. When I’m doing that on stage, I realize “Oh, I am really not here. I just created an agenda in my mind while I’m trying to sing a song. “ And that of course is not going to work for the entire performance. And I think I can feel it when I shift back. And I think Chris can feel it too, he’s like “okay! you’re here with me now.” He knows exactly when I’m not. And even if I’m singing all of the right notes, and getting all of the lyrics, it’s obvious when I’m not present.”Chris: Well it’s amazing how much you can think about while you play. And I look at it this way: We spend our whole lives learning, and preparing, but when you step on stage, and that one person has come because they love your music, or they need something out of that evening, well then it’s time to just let it seep out, explode out. And I know that when I totally forget that I’m taking a piano solo, for example, if I just let it fly, those are the ones that get responded to the most. Not if I’m trying to play like Fats Waller, or if I’m trying to make sure that my left hand is in time, you know. If I just explode, those are the ones that people react to. Will: I was going to ask you a question, related to that comment, actually. What does a great solo feel like, or look like to you? And part of what you’re saying, is you’re so out of the way, you really don’t even notice it. So that’s what you’re saying?Chris: Well it’s come from years of doing it, you know. There are solos that musicians have a term for, that you’re very aware of. It’s called noodling. And it’s just you know what notes go on the scale, and so you play some. But to me, a solo is like a whole song itself. It’s a whole competition. It has a beginning, and it has a rise, and it has to resolve itself at just the right time. It has to be emotional, it has to be clever at times, you know, but it more than anything, it has to just fit the mood of the piece that you’re in. Will: So I’ve got a little follow up question with something related to that. I’ve always wondered: For me, I’ve studied the jazz traditional method, and if you look at Charlie Parker, or even Louis Armstrong, when they take a solo, they take certain approaches. With Louis, he takes the melodic approach, always relating his solo to the main melody. Whereas Charlie Parker and some of those main cats, you know, the bee-boppers, completely are going way off. So how much are you actually improvising? Do you consciously go off completely from the melody? Or do you generally always try to work off of the melody?Chris: You know, in the studio, when I’m trying to get something out of a soloist, I refer to it as “melody plus”. Which is an odd thing. Will: Okay.Gage: I don’t like to get too far away from the melody. And I’m totally happy with a baritone guitar solo that plays the melody, I think that’s beautiful. One of the coolest solos on record—and this also relates to you mentioning “What’s your favorite song?”—there’s a Glenn Campbell recording of Jimmy Webb’s “Wichita Lineman”. And when the solo comes in, its just the melody, and it is so satisfying to hear that. It’s better than any hot lick that could ever have been picked by Tommy Tedesco, or another guitar player. It’s just the melody. (Chris starts humming.) And it’s just gorgeous. So there’s a lot of songs that I will just play the melody, and others, “melody plus”, as I call it. You’ve got to sneak off and do something exciting, two-thirds of the way through. Bring it back to the home base at the end of a solo. Will: So it’s like those little shuttle inflections on the melody that make it your own. It really brings it into the moment. This particular melody you’re talking about, he pretty much states it the way it is?Chris & Christine: Yeah.Will: Nice. Okay, this is from a musician standpoint. I’m always interested to hear other musicians’ approach to that. Because the jazz players sometimes will be like: “Oh, well that’s boring. I don’t want to hear the melody over and over and over again.” But then if I listen to some folk or pop records, that’s all they do! And it’s like you said, it’s actually very pleasing to hear the melody. I don’t want to get too far off on that, but I’ve come from a jazz position, and then for the last 15-20 years have been around people like Eliza, and you guys, and been pulled back toward “this”, kind of stating simplicity, and roots music. And so it’s an interesting journey for me to get back to being grounded; what naturally comes up as opposed to—. You know as you were talking about earlier, I’ve got this classical background, but I’ve spent a lot of times in the last 25 years just coming back to the roots music. Which is an oral tradition, it’s not a written tradition. So I love it. I love staying with the melody.Christine: It’s interesting, as a singer, I’ve found, that because I’m playing with so many different players now at Mystery Monday, (Monday nights at El Mercado) lead players jump up there without hearing most of the songs we’re doing. And so I’m really struck by how a soloist impacts the way I sing, and what I get from that and the way we interact. Chris was saying there’s a beginning, a middle, a rise and end, and really the whole solo can be a mess, but if you end it in a way that really leads into what I’m about to say or sing, I’m always like “Yes that was awesome!” There’s something about setting up what the singer’s about to do next that is part of the role of the solo. If it’s a certain kind of solo, I bring that excitement and that energy, or that tenderness or that folk. Whatever it is, it so compliments what the singer is about to do. And feeds into it. So I really appreciate that.Chris: Well and I think that’s the role of the soloist… especially in a vocal group. The role is to not draw the attention away from the song, not to be all “Look at me look at what I can do!” That’s when they’re not considerate of the melody, or the vocalist, that’s about to come back and deliver the song. And it has to relate to the song itself. I’m a jazz fan, and I love the older stuff. I used to love the Miles Davis Quintet records, and I would just get lost in them because half the time I couldn’t follow what they were doing. On a heart-level, it doesn’t get me, but just washing through my brain, and giving me exciting musical experiences it does that. But on a heart-level, I would much rather just hear a great country song, actually. I’d rather hear Lefty Frizzell sing about forgetting to shave that day. Will: Yeah, I get that. And from working with singer-songwriters for the last 15-20 years, I enjoy the sideman aspect. I enjoy the simple art of laying out and finding where to fill, to compliment the song. Because from my standpoint, a great song exists with simply the melody and the lyrics. Even without a rhythm part, you can just sing it a cappella . So then therefore everything that I’m bringing to the table has got to be supportive. Essentially, I’m not really needed. So I’ve got to find this beautiful space where I can just slide my creativity in, and so I’ve really enjoyed that, because I originally came from playing instrumental jazz. In that, i was playing all of the material. What I’m trying to do is bring what I’m learning from this—playing with singer-songwriters—back to the instrumental music. Bring the heart back.Chris: And that’s exactly right. And when Christine and I do a show, and we have a new musician with us, including y’all, we always say, find your spots, but don’t forget, we do this all the time without you. You know, it’s all there. It just needs a little spice and seasoning. Will: Exactly, okay now to the next question. That was good, nice organic flow. So, do you have a preferred question? Chris: Well you asked what we do on date nights. We went to see the Martian in 3-D the other night. That was a good date. Christine: Yeah, at the Alamo. We actually don’t get many date nights, we’re just always so busy. We play so many weekly things. He plays every Sunday morning at Riverbend, and we both play Mondays at different venues. He plays every Wednesday, we’re almost always working on weekends, and we spend a lot of time doing studio sessions during the day. So date night, usually we opt for a movie or if we have a night off, we always want to be with our kids, and grandchildren, so we do family dinners a lot. That’s our indulgent time is to get the entire family over, and cook together. And they’re all great cooks, so I get to take advantage of that, because I’m not. (Laughs.) Our evenings are late. Chris doesn’t usually come out of the studio, and I’m not usually home until 9:30 or 10, so we have late evenings together. That’s our down time too, if we’re not working. Will: Yeah, with Karen and I, I always dreamed of having a musical family. We kind of do, like with Coralina, we have some music that we play with her. But it’s not like there’s music being played all the time in the house, because we try to take a break from that. Is that kind of what it looks like in your household?Chris: Yeah, we actually have one album that we play every time we cook, and it’s Paolo Conte’s greatest hits! It’s all in Italian, and we all sing along, even though we don’t know the words. (Christine chuckles.) But it’s just the perfect kitchen music.Will: That’s funny.Christine: Yeah you had asked also about practicing, and what that looks like. And we really don’t, we really don’t practice. When we have new songs, we sort of learn them as we go on stage. Although, I need practice more than Chris does, I’ll say. I’ll be like, “We really need to sit down and go over this, if it’s a new one that we’ve released.” I really need to get it in my brain, and go over what the arrangement is. But quite often it’s just as we go because we’re playing so much. And then there’s so much business to take care of during the day. And with all of my nonprofit work, I’m just like an office person everyday. It’s just regular office hours and then I play gigs. Will: Oh, I’ve got a great follow up question to this. It’ll help me to hear your answer to this, because I myself spend so much time taking care of my business as well. And in the Western world, we’re so focused on time, and doing. And after all, we’re actually not “human doings”, we’re “human beings”. Sometimes I just think: Okay, well if I didn’t have to do all of those business oriented tasks, what would you do if you had more time available. Let’s say if you had four more hours in the day, is there anything you’d want to do in regards to practicing and taking your music to the next level? Christine: If it was musically, I would relearn to play the piano, and to write with it. I enjoy  writing with piano, but I hardly ever do it. Piano was actually my first instrument as a child, but I haven’t really played in two years. So if I really was going to spend indulgent time on the music part, I would reconnect with piano, and I would get my flute fixed, because my flute has such old pads, that I can’t event play it. I would revive my flute because I also used to play that for many years. And I love to play it I just haven’t put the focus onto it. And just creatively in general, I really want to write more books and essays. I would spend more time writing, which means you have to spend a lot of time unplugged, in solitude. Nature helps me, gardening helps me, to get into that space. And I am so far from that right now. Chris: Yeah we don’t have time for that right now. I haven’t written a song in a long time because I’m so busy working on other people’s songs. All day every day. And then I take 30 minutes to try to think about what I’m going to do for example, I’ve got a show tonight at 6 o’clock with a guitar player I’ve never played with. And I’ve got to think about what might work between us when I don’t have even a clue of what his style is. So I’ll take some time and put a little thought into that. Christine: And he’s in the studio now working on someone else’s music all afternoon.Chris: Right, now if I had four hours a day, I’m sure I would be composing, and working on some tracks for t.v placement, and writing a new song for Albert and Gage. Will: Nice, well this was great. We took a little extra time, so thank you guys. I wish we could go on, I just love it. I’m trying to do these little interviews to create some interesting content where it’s from the point of view of us as musicians. I think it could create some interesting conversations. And this could be content that you could have up for years. This feels kind of like as if I was Terry Gross, except for Will Taylor with Fresh Air. So I appreciate y’all for being guinea pigs for my new idea, I really appreciate it. I enjoyed you guys.Christine: Thank you, it was a good conversation.RSVP to the show here.

Mirrormask is actually a book that is based on a movie. It was written by Neil Gaiman who is an amazing writer. But almost better than that is that it is illustrated by Dave McKean who was responsible for the covers of Coralina and the Sandman Series. I would suggest taking a look at the book and the movie. And remember if you yell at a book and throw it to the ground it very well might give you a ride to come see us here at the library. That and you might get to catch your very own library book using a butterfly net. Be caref]ul not to scare them or they could shed all of their pages