Podcast appearances and mentions of Eliza Gilkyson

FTB podcast #561 features single songs from great recent releases from artists like Eliza Gilkyson, Chaparelle, Eric Schmitt, Leftover Salmon, The Faux Paws and more! Full playlist: http://ftbpodcasts.com/?p=9579

Started in West Africa, moved to Mexico for celebratory music, then on to concert previews and VFMF previews and a couple of great new CDs (Matt Andersen and Eliza Gilkyson.) Everything from blues to old time to Celtic to songwriters to comedy. Hope I didn't miss anyone out!

In deze aflevering van Kalm met Klassiek hoor je muziek van een schrijfster die je hier niet 1, 2, 3 zou verwachten, want Eliza Gilkyson is een singersongwriter binnen de folkmuziek. Ze schreef in 2005 een een song als steunbetuiging aan alle getroffenen van een verschrikkelijke tsunami. Haar lied, 'Requiem', werd opgepikt door dirigent Craig Hella Johnson, die er een klassieke versie voor koor van maakte. En bij die vierstemmige klassieke versie vinden mensen nog altijd veel steun. Ook jij mag je er vandaag door laten troosten en verwarmen. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Let's rewind the clock back to 2019 and check out a show featuring two amazing singer-songwriters! John Butler travels to us from Australia to play some solo tunes as well as a rousing version of his hit 'Better Than' with the inimitable eTones. And from New Mexico comes Eliza Gilkyson, a folk singer-songwriter best known for her heartfelt and socially conscious music. Nick also chats with Frank Anello, a Denver man who founded Project Worthmore in order to provide invaluable support to refugees.   That's all this week on eTown!   Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.   

Rachel Garlin/The State That We Are In/The State That We Are InThe Nautical Theme/To the Flame/Do SomethingJames Kahn/The Risin' Of The Sea/By The Risin' Of The SeaThe Fugitives/Edge of the Sea/ No Help ComingElexa Dawson and Stanley Hotel/High on the Street /WanderlustRobby Hecht/A Reckoning of Us/ Last of the Long DaysEmmylou Harris & The Chieftans/Nobody's Darling But Mine          Errol Walsh / Ted Ponsonby  Portstewart/Just Sayin'Red Horse/Sanctuary (feat. Eliza Gilkyson & John Gorka and Lucy Kaplansky)/Red Horse   Red HorseRed Molly/Gulf Coast Highway/JamesElexa Dawson and Stanley Hotel/Lonely Coyote/WanderlustDavid Francey/The Breath Between/The Breath BetweenAntje Duvekot /Open Water/New Wild WestJeffrey Martin/ What We're Marching Toward/One Go AroundTom Paxton & John McCutcheon/Everything /TogetherE.G. Cooper/All Gone Fishing/Dogs Without A HomeSupport the show

This week on the program we continue with our occasional record review feature. Janis Ian has announced that “The Light at the End of the Line” is her final studio recording, and she is now no longer touring. The CD was 15 years in the making and it is just lovely. We'll talk about the recording, and listen to three selections. Surrounding her work will be some some of today's finest songwriters who just happen to be women. We'll hear Joan Shelley, Aiofe O'Donovan, Eliza Gilkyson, Ani Di Franco and many more. Janis Ian and the Women this week … on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysTracy Dares / “Old Grey Goose” / Crooked Lake / GroundswellDonna Herula / “Bang at the Door” / Bang at the Door / Self-producedEliza Gilkyson / “Buffalo Gals Redux” / Songs from the River Wind / Howlin' DogClaudia Schmidt / “Bend in the River” / Big Earful / Red HouseDori Freeman / “Ten Thousand Roses” / Ten Thousand Roses / Blue HenAoife O'Donovan / “Age of Apathy” / Age of Apatha / Yep RocKate MacLeod / “The Train Across the Great Salt Lake” / Uranium Maiden / Self-producedAlice Di Micele / “Every Seed” / Every Seed We Plant / Alice OtterTracy Dares / “C Group” / Crooked Lake / GroundswellJanis Ian / “I'm Still Standing” / The Light at the End of the Line / Rude GirlJanis Ian / “Swannanoa” / The Light at the End of the Line / Rude GirlJanis Ian / “The Light at the End of the Line” / The Light at the End of the Line / Rude GirlAni Di Franco / “Station Identification” / Revolutionary Love / Righteous Babe Joan Shelley / “Brighter Than the Blues” / Over and Even / No QuarterKate Campbell / “Long Slow Train” / Damn Sure Blue / Large RiverPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Americana, Roots, Country,  Folk and Blues.Featured Artists . New and classic tracks. Episode includes Steve Earle, Elle King, Eliza Gilkyson, Father John Misty  and John R. Miller.

Kirby Heard/Maggie's Song/Folk Now (Jul 2023)       Ed Snodderly/Gone With Gone And Long Time (Featuring Gretchen Peters)/Chimney Smoke        Rod MacDonald/Come Out Annie/Rants And Romance        Laura Risk/ Another Voyage/Traverse Andrew V. Craig/Wax And Wane/Folk Now (Jul 2023)           Stan Davis/Albert The Adequate Intro (Live)/Refuge Stan Davis/Albert The Adequate (Live)/Refuge          The Handsome Family /The King Of Everything/Hollow         Eli Conley/Alone/Searching For What's True  Bob And Sarah Amos/Dream Of A Miner's Child/Ever Onward         Megan And Shane/Four Strings In Pain/Peaks And Valleys    Forest Sun/At Last You Find/Hey Magnolia    Kirby Heard/Angel Wings/Ripples In the Wake          Ellis Paul/A Song to Say Goodbye/55 Alice Howe/Let Go/Circumstance      Owen Walsh/Kings & Pharaohs/On My Way Red Horse/Forget to Breathe (feat. Eliza Gilkyson & John Gorka and Lucy Kaplansky)/Red Horse   Support the show

FTB podcast #537 features 2 new albums, Malcolm Holcombe's Bits & Pieces and Home by Eliza Gilkyson. Also new music from Laura Cantrell, Tim O'Brien, Brennen Leigh, Tommy Prine and more!  Full playlist: http://ftbpodcasts.com/?p=9190

Let's rewind the clock back to 2019 and check out a show featuring two amazing singer-songwriters! John Butler travels to us from Australia to play some solo tunes as well as a rousing version of his hit 'Better Than' with the inimitable eTones. And from New Mexico comes Eliza Gilkyson, a folk singer-songwriter best known for her heartfelt and socially conscious music. Nick also chats with Frank Anello, a Denver man who founded Project Worthmore in order to provide invaluable support to refugees.   That's all this week on eTown!   Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more!   Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/

Her new album “Home” is a stirring collection of songs celebrating the familial setting it refers to.

85 years!! Incredible. This radio station has been home to renowned broadcasters like Pierre Berton, Lister Sinclair, Wallie Oppal, and Narduwar the Human Serviette! It's amazing to think that I have been on the air at CiTR for almost half those years (1985 to 2023, that's 38 of the 85!) Some tunes dating back to 1937, as well as interviews and songs and tunes from some of my favourite moments at CiTR, including several from Jericho Beach Park when we aired the show from the Vancouver Folk Music Festival. Also be a tribute to Tina Turner, and Cream lyricist Pete Brown, as well as new releases from the likes of Eliza Gilkyson, Leftover Salmon, Brighde Chaimbeul, Bela Fleck, Eilen Jewell, and more. Plus a feature on Laura Cortese and a look ahead to this Summer's Edmonton Folk Music Festival, whose lineup was announced this week.

Guitarist and songwriter David Grissom is on the show this week! Anyone who knows anything about the guitar knows Grissom is a monster player, and has been a key element of albums for Joe Ely and John Mellencamp, and then with the band Storyville. But what I wasn't really aware of was his extensive list of session work he did here in Nashville during the early 2000's. For a good 10 years or so, Nashville session work was kind of his main thing. He played on huge records for artists like Trisha Yearwood, Martina McBride, Lee ann Womack, Montgomery Gentry, Billy Ray Cyrus and Brooks and Dunn. But he also maintained his work on the rootsier side of things, writing for, touring with or playing on records for Buddy Guy, John Mayall, Eliza Gilkyson, Chris Isaak, Rita Coolidge and lots more. So all this to say we had alot to talk about. I wanted to dig into that session scene in the early 2000's and see what was going on at that point. We had a great talk about all the aspects of his career, making some of the classic records he was involved in, how he got into music in the first placxe and his current band and regular gigs around Austin, TX. We also get a little nerdy and talk about his signature Paul Reed Smith guitars closer to the end.You can get all the info on David, his recordings, live albums, and weekly gig at: www.davidgrissom.comListen to the accompanying playlist for this episode here, which features the artist's own music, plus many of the songs that were discussed during the show.Please leave a review on Apple Podcasts - it really helps get the show heard by more folks! Just Click Here, and scroll down a bit and you'll be able to leave a glowing review. Thank you!This episode is brought to you by Izotope - check out their amazing recording software at: www.izotope.comThanks for your support, and your fearless host, Steve Dawson can be found at: www.stevedawson.ca

Alasdair Fraser/Christina/In The MomentEmily Rossum/Barbara Allen/ SongcatcherDolly Parton & Emmy Rossum/When Love Is New/SongcatcherGreenbriar Boys/Katy Clyne/Best Of The Vanguard Years [Disc 1]Mhalliday/Bourbon and Men / Bourbon and MenGrant Maloy Smith/The First Noel/The Christmas HeartRain Perry/Vapor/Let's Be BraveSuzanne Vega/ Gypsy /Solitude StandingRandy Newman/Short People/Little CriminalsRed Molly/ Annabelle /Never Been to VegasRichard Shindell/The Humpback Whale/South of DeliaBill Scorzari/A Ghost, My Hat And My Coat/The Crosswinds Of KansasBob Warren/The Deal I Made /My TownBobtown/Magilla Lee /Trouble I WroughtGreg Trooper  /When You're Not Here/The Williamsburg AffairRed Horse/Forget to Breathe (feat. Eliza Gilkyson & John Gorka and Lucy Kaplansky)/Red HorseSupport the show

Eliza Gilkyson describes her album "2020" as a collection of sing-alongs, diatribes, marching songs and love letters to the Earth. We caught up with her in May 2020 at her home in Austin, Texas for an extended conversation about politics, music and the significance of the year 2020 in the United States.

All songs and texts used with permission Opening Prayer written by Christine Valters Paintner, arranged by Melinda Thomas Opening Song: Requiem by Eliza Gilkyson (sung by Simon de Voil) from the album Birthing the Holy: Singing with Mary and the Sacred Feminine First Reading from Clarissa Pinkola Estés, Untie the Strong Woman (Boulder, CO: Sounds True, 2011), 34 Sung Psalm Opening and Doxology by Richard Bruxvoort Colligan from the album Monk in the World: Songs for Contemplative Living Interpretation of Psalm 119 v. 25-49 by Rev. Christine Robinson Second Reading from The Gospel According to John (19:25b-27 – NRSV) Prayers of Concern written by Valerie Allen SUNG RESPONSE based on Litany of Mary by Laura Ash. Adapted & recorded by Simon de Voil and Alexa Sunshine Rose Closing Song: Listening to My Sighing by Richard Bruxvoort Colligan from the album Monk in the World: Songs for Contemplative Living Closing Blessing written by Christine Valters Paintner from Birthing the Holy: Wisdom from Mary to Nurture Creativity and Renewal used with permission from Ave Maria Press Please note: All of the songs and prayer responses are published on CDs in the Abbey of the Arts collection. In addition, these songs & responses have accompanying gesture prayers and/or dances created by Betsey Beckman that can be found on the corresponding DVD (each album has a DVD companion). Audio and video recordings of the Prayer Cycles are available at AbbeyoftheArts.com.

Twice 5 Miles Radio, hosted by James Navé, welcomes two-time Grammy Award nominee singer-songwriter Eliza Gilkyson to the microphone. Songs From the River Wind is the title of this show and the title of Eliza's latest record.   Eliza has twenty-five records to her credit, starting in 1969 with Eliza '69 and continuing with Songs From the River Wind in 2022. Since Eliza and I live in Taos, I recently visited her for dinner and her husband, Bob Jensen, and my creative collaborator Allegra Huston.  The dinner conversation ranged from life on the road as a touring musician, old Taos adobe houses, the ins and outs of teaching songwriting compared to teaching poetry, and, of course, the state of the world. After dinner, we strolled across the field in Eliza's backyard, walking and talking on what seemed like the roof of the world under the dusk darkening star popping sky.  When we left, Eliza offered me her CD, Songs from the River Wind, which I happily took and immediately started playing in my car CD player. Yes, my car has a CD player. While it's a bit retro, it certainly does the job with Eliza's lovely songs. Of course, you can also listen to all of Eliza's musical work on YouTube and other digital platforms. Speaking of listening, enjoy this interview and all that Eliza has to say.

-You can find tour dates, news, merch, and music, including Slaid's latest album, Ghost on the Car Radio, at Slaid's website: slaid.com or slaidcleaves.com (there's a new website coming soon- stay tuned for that).-Slaid is back in the studio, making his first album in five years with producer Scrappy Jud Newcomb. This will be Slaid's third album with Newcomb.-Slaid is back on tour! Tour dates start on the west coast in March and new dates are added all the time on his website. Sign up for the mailing list to stay in the know. He's not on social media much, but you can reach him through the website.Here's a link to the official Troubadours on Trek Spotify Playlist, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):-Slaid's song pairing for this episode: "Is It Like Today?" by Eliza Gilkyson and the original version of "Is It Like Today?" by World Party (Karl Wallinger of The Waterboys)-Grace's song pairing for this episode: “War” by The Temptations-Slaid's featured song is "If I Had a Heart," from his latest album, Ghost on the Car Radio.Corrections:The two factions in "The Omega Glory" (TOS 2:23) are the "Kohms" and the "Yangs" (I said "Kahns" in this recording instead of "Kohms")."Balance of Terror" (TOS 1:14) gets its name from the expression that refers to the nuclear arms race of the Cold War. But this episode is not about mutually assured destruction, per se. If I'm missing any other Star Trek episodes that tackle the subject, let me know!It's "The Man in the High Castle," not "Man in the High Tower," and it is indeed based on the novel of the same name, written by Philip K. Dick.Slaid is entirely correct about Star Trek's Nielson ratings in the 60's. When Star Trek aired on NBC, its ratings were low, and the network cancelled it in its third season. It's useful to keep in mind, however, that at the time the vast majority of TV viewers were watching only three broadcast networks: ABC, CBS, or NBC. So even a show with "low ratings" in the 60's would have commanded a much larger audience than a show with "low ratings" today. So it's kind of hard to make comparisons today. But its true that Star Trek didn't really become the hit show that it is today with its cult following and influence on popular culture until the 70's, when it was in syndication.Is Q, and the coinciding Q Continuum, immortal? The much loved character Q, from Star Trek: Next Generation is an omnipotent being with the ability to control time and space at will. Q is part of a collective, the Q Continuum, which exists in another dimension not accessible or understandable to humans. Q is not a benevolent being. He is better described as bored than benevolent. Although he has a fascination with Picard and with humanity and its historical outcomes, he is at times antagonistic and arbitrarily cruel. Trelane, the antagonist of this episode, "The Squire of Gothos," is a precursor to Q. The question of whether or not Q can decline or die has been recently raised as a possible plot line in the newest season of Star Trek: Picard, currently airing on Paramount Plus.

FolkScene interview with Eliza Gilkyson. She discusses her latest album, "Songs from the River Wind." Engineered by Peter Cutler. ©FolkScene Sharing FolkScene recordings with your friends is cool, but the reproduction of our programs for commercial purposes is illegal. FolkScene airs on Sunday evenings from 6 to 8 p.m. (PST) at KPFK 90.7 Los Angeles and online at www.kpfk.org.

In 2021 I saw that John Gorka, was performing a virtual concert—so I bought tickets, set up a video projector, and watched him in my living room with my wife and my two boys.  It was a moment of light in a dark time.  So, when it came time to put together Restoring Memory: A COVIDCalls exploration of the first 2 COVID years, I took a chance and reached out—and well, he's here! From New Jersey, John Gorka is a world-renowned singer-songwriter who got his start at a neighborhood coffeehouse in eastern Pennsylvania.  Jack Hardy's legendary Fast Folk circle (a breeding ground for many a major singer-songwriter) was a powerful source of education and encouragement early in his career, and he won the New Folk Award in 1984 at Texas' Kerrville Folk Festival. In addition to his 11 critically acclaimed albums, John released a collector's edition box featuring a hi-definition DVD and companion CD called The Gypsy Life. Windham Hill also released a collection of John's greatest hits from the label called Pure John Gorka. In 2010, he also released an album with his friends and Red House label-mates Lucy Kaplansky and Eliza Gilkyson under the name Red Horse. Getting high praise from critics and fans alike, it landed on the Billboard Folk Charts and was one of the most played albums on folk radio. Many well known artists have recorded and/or performed John Gorka songs, including Mary Chapin Carpenter, Nanci Griffith, Mary Black and Maura O'Connell. John has played all over the USA and Europe at hallowed venues like Austin City Limits and Mountain Stage.

This week on the program we continue with our occasional record review feature. Janis Ian has announced that “The Light at the End of the Line” will likely be her final studio recording - it's been 15 years in the making and it is just lovely. We'll talk about the CD and listen to three selections. Surrounding Janis' recording are some of the finest songwriters who just happen to be women, which works out well for March – Women's History Month! We'll hear Joan Shelley, Aiofe O'Donovan, Eliza Gilkyson, Ani Di Franco and many more. Janis Ian and the Women … on the next episode of The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysTracy Dares / “Old Grey Goose” / Crooked Lake / GroundswellDonna Herula / “Bang at the Door” / Bang at the Door / Self ProducedEliza Gilkyson / “Buffalo Gals Redux” / Songs from the River Wind / Howlin' DogClaudia Schmidt / “Bend in the River” / Big Earful / Red HouseDori Freeman / “Ten Thousand Roses” / Ten Thousand Roses / Blue HenAoife O'Donovan / “Age of Apathy” / Age of Apathy / Yep RocKate MacLeod / “The Train Across the Great Salt Lake” / Uranium Maiden / Self ProducedAlice Di Micele / “Every Seed” / Every Seed We Plant / Alice OtterTracy Dares / “C Group” / Crooked Lake / GroundswellJanis Ian / “I'm Still Standing” / The Light at the End of the Line / Rude GirlJanis Ian / “Swannanoa” / The Light at the End of the Line / Rude GirlJanis Ian / “The Light at the End of the Line” / The Light at the End of the Line / Rude GirlAni Di Franco / “Station Identification” / Revolutionary Love / Righteous Babe Joan Shelley / “Brighter Than the Blues” / Over and Even / No QuarterKate Campbell / “Long Slow Train” / Damn Sure Blue / Large RiverPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Raine Hamilton (they/them) joins us on Episode 619 of Folk Roots Radio to chat about their new concept album "Brave Land", a chamber-folk recording that speaks to both courage and wisdom, inspired by a deep connection to the earth through the mountainous landscapes they have encountered while out on the road. It's a fascinating conversation about a really interesting album. We wrap up the rest of the episode with new releases from Sarah Jarosz, Billy Strings, Malcolm McWatt, Old Blind Dogs, Over The Moon, Eliza Gilkyson and Rhiannon Giddens (with Francesco Turrisi). Enjoy! If you like the artists you hear on this show and want to support them, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live show opportunities. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-619-feat-raine-hamilton-brave-land-more-new-releases/

Heaps of Celtic music from Scotland, Canada, and Ireland as we celebrate Burns Day, Planxty's 50th anniversary, and John Doyle's birthday too. Threw in some January songs and new music from Janis Ian, Eliza Gilkyson, Steve Dawson, and Spanish newcomers Almale, and Coloma Bertan. Plus great young desert blues band Toumastine.

Help produce Basic Folk by contributing at basicfolk.com/donateEliza Gilkyson is a middle child, a constant reinventor of herself and a surprise teacher of songwriting. Her father, the acclaimed folk singer/songwriter Terry Gilkyson, moved his family to California in the late 1940's to pursue a career in folk music. He found success with his group The Easy Riders and as a staff songwriter for Disney. He wrote songs for animated films and most famously "Bear Necessities" from The Jungle Book, which earned him an Oscar nomination. Terry greatly influenced Eliza's style with a love of melody, natural talent and visceral writing. Young Eliza spent time in the southwestern US soaking in the sounds of "western folk." That sound encompasses her new album Songs From the River Wind (out on Jan 14, 2022). She's spent many years going back and forth from New Mexico to California, to Austin, Texas and back to New Mexico again. The pandemic and settling into her third act put a lot of things into perspective, including officially moving 100% to her beloved Taos, New Mexico. The new album is not political, which is unusual for Eliza, who's been known to write pointed political scorchers on her records. Lots of these songs and sounds are encompassing a time gone by featuring moments of joy and beauty. The sounds of the album completely encapsulate her dad's trademark style, led by Taos band The 'Rifters, who accompany Eliza this time around. Eliza's embarking on another new reinvention of herself, which she has been known to do over the course of her amazing life. Most famously, at 50 years old around the year 2000, Gilkyson reclaimed the identity of "folk singer" and released her career-affirming and changing album Hard Times in Babylon. That record unlocked her writing and set her on a path of authentic creation in her music and she has not looked back. Here's to constant reinvention!   Advertising Inquiries: https://redcircle.com/brands

My guest today is award winning singer-songwriter, guitarist, and harmonica player, Ray Bonneville. When it comes to playing rack harmonica, Ray might just be as good as it gets. To accompany his truth telling lyrics, he's able to seamlessly pull off complicated finger picking patterns and play elaborate counter melodies on the harmonica between verses. Often called a “song and groove man,” Bonneville has lived the life of the itinerant artist. From his native Quebec, he moved to Boston at age twelve, where he learned English and picked up piano and guitar. Later, he served in Vietnam and earned a pilot's license in Colorado before living in Alaska, Seattle, and Paris. Six years in New Orleans infused his musical sensibilities with the region's culture and rhythms. And then, a close call while piloting a seaplane proved pivotal: After two decades working as a studio musician, playing rowdy rooms with blues bands, and living hard, Bonneville's lifetime of hard-won experience coalesced into an urge to write his own music. Ray recorded his first album, On the Main, in 1992. He's since released nine albums, earned wide critical and popular acclaim, and won an enthusiastic following in the U.S., Canada, and Europe. His awards include a prestigious Juno, the Canadian equivalent of a Grammy, for his 1999 album, Gust of Wind. In 2012, Ray won the solo/duet category in the Blues Foundation's International Blues Challenge. His post-Katrina ode, “I Am the Big Easy,” earned the International Folk Alliance's 2009 Song of the Year Award, placed number one on Folk Radio's list of most-played songs of 2008, and was recently covered by Jennifer Warnes for the BMG label. Other notable artists who have recorded his songs include Ronnie Hawkins (“Foolish”) and Slaid Cleaves (“Run Jolee Run”). Ray has shared the bill with blues heavyweights Muddy Waters, B.B. King, Dr. John, J.J. Cale, and Robert Cray, and has guested on albums by Mary Gauthier, Gurf Morlix, Eliza Gilkyson, Ray Wylie Hubbard, and other prominent musicians. He has performed at renowned venues around the world, including South by Southwest, Folk Alliance, and Montreal International Jazz Festival, and plays over 100 shows per year across the U.S., Canada, and Europe. When not on the road, he resides in Austin, Texas. During our conversation, we chat about his early life and first musical groups, his time in the military, life as a pilot, and the finer points of songwriting. If you enjoy the podcast, please let others know, subscribe or write a review. 5 star ratings and reviews on Apple Music as well as subscribing to our YouTube Channel help us out the most!! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! www.patreon.com/andysydow You can support my artist career and this podcast for as little as $3 per month. The price of one cup of coffee helps keep this podcast on its feet. Any and every contribution is greatly appreciated! Guest Links: Website: https://raybonneville.com/ Episode Music: **All original music by Andy Sydow Sponsors: A huge thanks to our sponsors, PQ Mastering and Narrator RF. For any sponsorship inquiries, shoot me an email at middleclassrockstar@gmail.com pqmastering.com narratorrf.com

Eliza Gilkyson has been making records for more than 50 years, and has covered everything from love and longing to political and topical songwriting. Her latest, 'Songs From the River Wind', has more of an old-West vibe as she takes a second look at some of the songs her father, Terry Gilkyson, wrote and recorded, and updates them from her own perspective. This kind of collaboration across time is not unfamiliar to folkies, but most songwriters who decide to rewrite old ballads will typically scrap all the lyrics and write them anew. Gilkyson, instead, decided to cowrite with her late father and present these adaptations alongside plenty of new originals. The result is a creative commentary on the legacies we leave and how the people who pick them up will do with them what they will. No better songwriter to do that than Eliza Gilkyson—the latest guest on 'Why We Write with Kim Ruehl.'

This two time Grammy nominee and Austin Songwriter Hall of Fame member reminisces on the high and low points of her iconic career in American folk music.

We continue highlights of our 2001 season, sharing a really special show with you in its entirety. This rebroadcast features the one and only time iconic musical treasure Leon Redbone shares the eTown stage, bringing his unique, outstanding guitar playing, voice, stories and persona as only he can do.  Also with us, southwest songstress and songwriter extraordinaire Eliza Gilkyson. In addition, Zen priest Fleet Maull talks about ways to find forgiveness against all odds. And of course, there's an informative and inspiring eChievement award story as well!

I might be a Universal Unitarian after this one! Erin Walter, the vocalist and bassist from Parker Woodland calls in from Estes Park Colorado to talk to us about her passion for her music, the ideas that permeate her writing, and what she did during quarantine.Austin, Texas indie-rock collective Parker Woodland has been fighting the good fight to share the healing powers of music even before the pandemic hit. And when it did, they doubled down. The band's driving force is inspiring songwriter/vocalist/bassist Erin Walter, a Unitarian Universalist minister, activist for Girls Rock Camp and a whirlwind of positivity. Instead of sitting things out for the year, Walter and company released the “propulsive” (Austin American Statesman) EP The World Is On Fire (And We Still Fall In Love) in February and launched a 80-city virtual tour which includes UU churches, a festival for peace with Willie Nelson and Eliza Gilkyson, a Girls Rock Camp SXSW event and festival, a women's conference, and Play For The Vote (Beyonce, Paul McCartney, Adele and Aretha Franklin also performed) to remind people of the good things that connect us despite the hardships life throws at us. The tour continues at least through August (more info here). While the band started as a trio of friends with Walter, Strait Music's Dan McMonigle on guitar, and DJ/artist Ralph Cutler on drums, during the pandemic Parker Woodland has evolved into a diverse collective of musicians which has resulted in even more exuberant and lively performances than before. With the ongoing virtual tour, a livestream video trilogy release party and discussion with the video creators and actual live performances to be announced soon, you can bet when those live shows happen they will be even more uplifting and explosive than before. In the meantime, there is plenty to experience online. “The World's On Fire trilogy is my documentation of Austin band life, from practice space to studio, the garage to the stage to the road,” Walter said. “I hope the videos celebrate how special the Austin music community is and remind everyone how much we have to look forward to as we emerge from the pandemic. Though some things will be forever changed, like losing Music Lab, music is the magic that brings us together.WEBSITE | SPOTIFY | FACEBOOK | INSTAGRAM | YOUTUBE // LYRICS | RADIO EDITS | PRODUCTION CREDITS | PHOTOS

Hey, y'all. I am Shay. This is the on air indie show.Welcome & enjoy. Episode 50.First, music history facts for June 1st.David Bowie released his self-titled debut studio album in 1967. They released two singles from the album. “Rubber Band” and “The Laughing Gnome”. The album's failure cost Bowie his record contract with Deram Records who dropped him in April 1968.We meet Jaimee Harris today. Her debut album Red Rescue was one of the top Americana albums that year. The Congress House Sessions sophomore album released in January. An incredible release, with a stripped-down version of Red Rescue.Jaimee has earned the moniker “The Next Queen of Americana Folk” by many industry watchers. We chat about everything and anything on the show. From her music, life experiences, women in music and prison reform.Enjoy!Tracks: "Depressive State" 16:23 "Snow White Knuckles" 34:51 "Catch It Now" 42:33"Red Rescue" 57:06 Full Bio Provided by the Artist JAIMEE HARRIS“The Next Queen of Americana-Folk” (NPR)The Congress House SessionsIn 2018, everything in my life changed. In May, I left my job to pursue music full time.  By August, I was on a musical rocket ship, opening shows all over the world for Mary Gauthier, who received a GRAMMY nomination in December of 2018.On paper—and on social media—it looked like a dream come true.  In a lot of ways, it was.  But in reality, I felt like I was drowning.                 — Jaimee HarrisOn the heels of her debut album Red Rescue, hailed by many as one of the top Americana albums of 2018, Jaimee Harris does not disappoint with the release of The Congress House Sessions, a thoughtful, intimate EP with stripped-down recordings of some of her most requested songs.  These new recordings, recorded at the storied Congress House Studio by Mark Hallman (Carole King, Ani DiFranco, Eliza Gilkyson) and Andre Moran (Sarah Borges, Rickie Lee Jones), feature some of Austin's favorite players, including Jane Ellen Bryant and Kris Nelson on backing vocals, Ray Bonneville on harmonica, Brian Patterson on electric guitar, and Sammy Powell on piano.  Don't let the healthy list of players mislead you; this is no large, speaker-rattling production.  Longtime friends add color and texture, but what you'll hear is Harris and her guitar, delivering her songs in a setting closer both to what they were at their inception, alone in her room with a guitar, and how they have developed after a few years acclimating to performing without a band.Jaimee Harris loves fronting a band, and it shows.  During the years she built a devoted critical and popular following in Austin, Texas, she fronted a slate of seasoned musicians with admirable swagger. When she alighted upon the scene, this jaded music city, replete with (and weary of) singer-songwriters, woke up and took notice.  Here, finally, was a new voice—yes, her singing voice is noteworthy: rich, sonorous, full, delivering a uniquely stylized, throaty tone—but equally important, here was the new voice of a noteworthy writer and performer.  If you meet Harris today, you'll want to be her friend.  And no matter what part of the country you're in, if you spend a day with her, she will convince you to meet up at a nearby roller coaster park/pinball arcade/skeeball hall she happens to know is awesome.  She will share embarrassing stories and laugh at your worst jokes (either because she finds them funny or because she finds hilarious how bad your jokes are).  Later, when you watch her sing, she'll break your heart, cradle your heart, win your heart, then break it all over again.The next day, you wouldn't be the first to feel jealous.  This friendly, breezy, beautiful swirl of platinum hair, impossibly high cheekbones, and a winning smile has it too easy, you think.  Talent and looks?  Gag me.  While a cliché in this age of ubiquitous self-improvement empathy memes, it holds true that you never know what someone is going through or has been through.

Eliza Gilkyson started her professional life by singing on Disney demos written by her father Terry Gilkyson, who was nominated for an Academy Award for his work on "The Bare Necessities" from "The Jungle Book." With music in her blood, Eliza always knew this life was her destiny. Now Eliza tells Cheryl about her early influences, the difficulties of being signed as a young woman artist, and the pitfalls of being both a mother and musician, as well as her journey from back-to-the-land hippie to true political activist working through her art to enact change.

Teniendo el Día del Padre tan cerca, en TOMA UNO no hemos podido resistir la tentación de escuchar a un puñado de artistas de Americana interpretando canciones que todos hemos conocido en la voz de sus padres. La apertura ha corrido a cargo de los Three Hanks, la unión imposible de Hank Williams, su hijo Hank Williams Jr y su nieto Hank III. A partir de ahí, han pasado Devon Allman como líder de Honeytribe cantando a su padre, Gregg Allman, o Deacon Frey, que ha ocupado el lugar de su padre Glenn en los Eagles y se arriesga a interpretar algunas de sus canciones. Lilly Hiatt, hija de John Hiatt, es el primer ejemplo del programa en cuanto a mujeres que cantan temas de sus padres, seguida de Sarah Lee Guthrie, hija de Arlo y nieta del gran Woody Guthrie. También nos ha acompañado Eliza Gilkyson, que siempre ha tenido como referente a su padre, Terry Gilkyson, uno de los grandes nombres del folk-rock. Y nadie duda de la importancia de Johnny Cash para Rosanne, o como Amy Helm, la única descendiente de Levon Helm, el legendario batería y mandolinista de The Band, ha hecho valer su herencia paterna. A.J. Croce también recuperó algunas canciones de su padre, Jim Croce, que cuando él tenía tan solo dos años y Ben Taylor no ha tenido ningún inconveniente en cantar junto a James Taylor y grabar en su honor temas como "Bartender's Blues", su mayor acercamiento al country. Durante muchos años, Ned LeDoux acompañó a su padre, el siempre recordado Chris LeDoux, como batería de su banda y también recuerda algunas de sus canciones. Para despedirnos por hoy, no podíamos dejar de lado a Willie Nelson, que tiene en Lukas y Micah a dos de sus herederos, con los que suele compartir canciones y vivencias. Escuchar audio

Los Bottle Rockets han hecho oficial que se separan ya que Brian Henneman prefiere estar en casa a componer y hacer giras. El cuarteto de Missouri debutó en el 93 con un álbum homónimo que les incluyó en el llamado alternative country. Han sumado 13 álbumes, el último de ellos Bit Logic de 2018. Quienes, por el contrario, han decidido mostrarse en vivo a pesar de la pandemia son la Tedeschi Trucks Band, que han puesto en marcha las llamadas Fireside Sessions, apariciones semanales que combinan distintas formaciones de la banda, que tiene una docena de miembros habituales. Versiones y temas propios con su habitual poderío. La vitalidad es algo que nunca ha perdido Neil Young, que sigue escarbando en sus archivos. Dentro de sus Performance Series, ha lanzado el álbum Way Down in the Rust Bucket , grabado en directo en noviembre de 1990 con Crazy Horse. Pero el canadiense también sigue dando brillo a su discografía con el segundo volumen de la serie de cajas de sus Archives, que abarca desde 1972 a 1976, una etapa fundamental de su obra. Eso permite recuperar, por ejemplo, su aventura junto a Stephen Stills. También aparece por sorpresa Young Shakespeare, un concierto grabado en enero del 71 con guitarra acústica, armónica y piano. El sonido se ha restaurado medio siglo después. Ayer se cumplieron 35 años de la publicación del mítico álbum de Steve Earle Guitar Town, el que todos consideran su debut discográfico, con el que pasó a ser una especie de abanderado de los neo-tradicionalistas de la época y consiguió una credibilidad que nunca ha perdido con el paso del tiempo. Y el presente más cercano nos lleva hasta el mítico RCA Studio B de Nashville donde se han unido John Hiatt y Jerry Douglas con su banda para completar un álbum como Leftover Feelings y un sonido muy cercano a las raíces. La pasada semana se celebró la conferencia anual de Folk Alliance International (FAI), que en esta ocasión hubo de realizarse a lo largo de sus cinco días de forma virtual. En la última jornada tuvo lugar la ceremonia de entrega de los International Folk Music Awards que dejó algunos momentos muy especiales. Entre los premiados, el álbum del año fue a parar a Long Time Passing del Kronos Quartet y algunos amigos invitados que celebraron la música de Pete Seeger. La canción del año fue para “Peace In Our Hearts”, uno de los cortes de 2020, el último álbum de Eliza Gilkyson, una cantante y compositora nacida en la californiana ciudad de Los Angeles pero que marchó hasta Austin, en Texas, donde ha establecido su base de operaciones, e hija de Terry Gilkyson, una de las grandes leyendas de la música folk. Como fiel reflejo de la diversidad del folclore global, que resulta ser el eje de la FAI, los ganadores como artistas del año fueron el matrimonio formado por Michael Trotter Jr. y Tanya Blount, bien conocidos como The War And Treaty. También se entregaron una serie de distinciones especiales, como el premio a toda una vida, que lleva el nombre de Elaine Weissman, fundadora de Folk Alliance y que fue a manos de Gordon Lighfoot, uno de los grandes supervivientes del género. El People’s Voice * (la voz del pueblo), de este año fue para Jackson Browne. Y en esa ceremonia de entrega de premios hubo un momento muy especial, ya que la FAI incluyó a Manolo Fernández, director y presentador de TOMA UNO, como nuevo miembro de la DJ Hall of Fame, por la que la institución reconoce anualmente a tres DJ de radio con más de 20 años de carrera, que han hecho una contribución destacada en la preservación, promoción y presentación de la música folclórica, y que han demostrado e inspirado el liderazgo en el campo de la radiodifusión. Folk Alliance International, la organización más grande del mundo dedicada a la comunidad y la industria de la música folclórica a nivel global, funciona desde 1989. Tiene su sede central en Kansas City, en el estado de Missouri, en la tierra indígena ancestral de las naciones Osage y Kansa/Kaw, Kickapoo y Očhéti Šakówin. Sus cinco oficinas repartidas por todo Estados Unidos también están ubicadas en tierras de los verdaderos nativos de aquel país: los indios. Escuchar audio

We welcome Tucker Biddlecombe with the debut of Music In The Listening Place, a collection of choral works performed by the Vanderbilt University Chorale and conducted by Biddlecombe. Biddlecombe demonstrates masterful programming in his ability to curate a modern listening experience based on mostly classical texts. Of particular note is Three Songs of Faith, an elegant collection of settings of e.e. cummings texts by Eric Whitacre. In a similar vein are the delicate Trois Chansons of Maurice Ravel. A particular gem is Three Settings of Ezra Pound, composed by PARMA artist Michael Slayton. Eliza Gilkyson’s “Requiem” is unlike any other. Sweet and nostalgic, this hymn for the departed draws innocence from the youthful voices of the Chorale. Another highlight is David Dickau’s exquisite setting of If Music Be the Food of Love, through which the Chorale expresses remarkable balance and dynamic facility. Also included on the album are several text settings by composer Jonathan Dove; an arrangement of the traditional Indodana, as well as settings by Alf Houkum, Daniel Read, and James Mulholland. Truly, Biddlecombe captures the joy and sophistication of all things choral with this enchanting recording. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p565/Music_in_the_Listening_Place.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

PODCAST: 27 Dec 2020 01 Run Rudolph Run – Chuck Berry – Johnny Be Good and Greatest Hits (Remastered)02 My Irish Molly-O – De Danann – Star Spangled Molly03 That’s The Way That The World Goes ‘Round – John Prine – Great Days: Anthology (Disc 1) 04 Coal Mountain – Jez Lowe – Crazy Pagan05 Catalina – Stockton’s Wing – The Crooked Rose06 A Million Miles Away – Steve Tilston – Such Times07 Twenty Plenty – Anna Massie – Single08 Limerick Rake – Christy Moore – The Early Years 1969-8109 Champion At Keeping ‘Em Rollin – Bob Fox – Dreams Never LeaveYou10 Outlandish Knight – Kirsty Merryn – Our Bright Night 11 The Early Morning – Rachel Newton – To The Awe12 Fields Of Gold – Tim Edey – Single13 Love Never Dies – The Magpie Arc – Ep114 Raglan Road – Marie Fielding – An Tra15 The Red  Breasted Lookout On Christmas Eve – Tony Curtis – By Bus To Christmas (Pub. Candlestick Press) / Oh Little Town Of Bethlehem – Christchurch Citadel Salvation Army Band – Christmas Brass – 20 Favourite Carols16 The Curlew Hills / Tripping To The Well / Two-Part Pour (Barndance / Polkas) – Niamh Ní Charra – Donnelly’s Arm17 The Secret Life Of Walter’s Mittens – Bernard Wrigley – Nowt So Funny As Folk18 Waltzing’s For Dreamers – Edwina Hayes – Pour Me A Drink19 We Are Different, We Are One – Merry Hell – Emergency Lullabies20 Hating Hate – Captain Of The Lost Waves – Hidden Gems – Chapter 2 21 Baloo Baleery – Findlay Napier, Gillian Frame, Mike Vass – TheLedger22 Pack My Little Suitcase – Catfish Keith – Blues At Midnight23 Cuckoo Song – Cosmo Sheldrake – Wake Up Calls24 Deep Ellum Blues – Derroll Adams – The Great Granddaughter Of The Great White Dap25 The Seeds Of Love – Edgelarks – Henry Martin26 Bold Fisherman – George Sansome – George Sansome27 Frost And Snow – Jenny Sturgeon – The Living MountainThe President Sang Amazing Grace – Zoe Milford – Little Brown Birds28 Peace In Our Hearts – Eliza Gilkyson – 202029 Portugal/ Lithuania – Will Pound – A Day Will Come30 The Parting Glass – The Voice Squad – Many’s The Foolish Youth

The Lounge is a video podcast by musician, screenwriter, director and photographer, Aminah Hughes. In this interview series, Aminah talks to people in the music, film and other creative industries about the essence of their craft and what drives them to do what they do. This first trailer contains some excerpts from the first 5 episodes of Season 1.

In Episode 5 of The Lounge, Aminah welcomes feminist songstress, Natalie D-Napoleon. Natalie is an Australian/American songwriter, musician and award-winning poet. In 2019 she recorded her fourth solo album, with one microphone, in a one-hundred-year-old chapel nestled in the hills behind Santa Barbara. Here, she talks with Aminah about the songwriting and recording process and the power of telling women's stories. The Lounge is a video podcast by musician, screenwriter, director and photographer, Aminah Hughes. In this interview series, Aminah talks to people in the music, film and other creative industries about the essence of their craft and what drives them to do what they do. Click SUBSCRIBE for more great episodes. Learn more about Aminah at www.aminah.com.au

In this week's episode we express our gratitude for the many especially beautiful versions of Bob Dylan songs we have been bequeathed, both by Dylan and also other singers: Nina Simone, Gillian Welch, Rhiannon Giddens, John Cruz, Chrissie Hynde, Liz Wright, Iris Dement, Eliza Gilkyson, and Mandolin Orange. Beautiful! This week on "Who Did It Better?" we ask you to choose between Bob Dylan's 1963 version of the beauty "Boots of Spanish Leather" and that of Mandolin Orange from 2014. Go to our Twitter page @RainTrains and vote for who did it better! Thank you Stuart for the suggestion via Twitter.

Hoy empezamos el tiempo de TOMA UNO fundiendo hard rock y bluegrass. Y es que tras una larga lucha contra el cáncer, hemos pedido también a Eddie Van Halen a los 65 años. Revolucionario de la guitarra, el músico holandés nacido en Nijmegen emigró a Estados Unidos con su familia a los ocho años y se asentó en Pasadena, California. A dúo con su hermano Alex formó una serie de grupos en los comienzos de la década de los 70 hasta que se cruzaron con el carismático David Lee Roth. La incorporación de Michael Anthony completó un cuarteto mítico como Van Halen. El único single de la banda que llegó al No. 1 de las listas fue “Jump”, extraído de su álbum 1984. Fue la canción que provocó fuertes tensiones entre los dos pesos pesados del grupo, Eddie Van Halen y David Lee Roth, culminando con la salida de este último del grupo. Lo curioso es que Roth recuperaría en 2006 la mítica canción en esta versión de bluegrass para su álbum Strummin' With the Devil: The Southern Side Of Van Halen, todo un homenaje al legendario grupo, en el que intervenían los más diversos invitados del género, entre ellos la John Jorgenson Bluegrass Band. El tejano Zane Williams, con siete discos en solitario y una veneración secular en la escena del Lone Star State, se refugió en una especie de supergrupo que tomó el primitivo nombre de Hill Country. Hay buena química y una variedad de formas que abarcan rock clásico, bluegrass, country y folk con unas armonías vocales como arma secreta. El viernes 2 de octubre las redes sociales de Hill Country colgaban un mensaje en el que informaban que pasaban a llamarse The Wilder Blue. Nuevo nombre, debido a un problema de marca registrada, pero la misma formación y los mismos argumentos sonoros. Su paseo por la montaña en “Evergreen” es uno de los momentos mágicos del cálido trabajo que les sirvió de debut. Por otro lado, Hill Country Revival se formó como grupo hace tres años en 2017 y muy pronto se han ido ganando una seria reputación en la escena de la Red Dirt music, aunando elementos de country, blues y folk, y entre los seguidores del Southern rock. Este quinteto que integran músicos de Montana, Georgia y Texas, se ha asentado en el Lone Star State recorriendo el circuito central de Texas, con paradas en el norte de Austin y el centro de San Antonio. Hill Country Revival tiene en el vocalista CJ Simmons la base de un sonido distintivo que se refleja en canciones como “Silver Fox”, anticipo de su álbum de debut. El country de los buenos tiempos lleva al recuerdo de las formas de Merle Haggard y los Strangers de la mano de Zephaniah OHora con un segundo álbum titulado Listening To The Music que incide en las enseñanzas del legendario artista de Bakersfield desde su tema de apertura, “Heaven’s On The Way”. Para este nuevo disco que da continuidad a This Highway, su debut de hace tres años, ha contado con la producción del desaparecido Neal Casal en abril de 2019. Zephaniah grabó este trabajo en The Bunker de Brooklyn, NY, a donde se mudó desde su natal New Hampshire para conseguir trabajo en el popular Skinny Dennis de Brooklyn, un bar que debe su nombre al que fuera bajista de Guy Clark. De esta forma, reivindica que la country music puede hacerse en cualquier lugar. El más reciente EP de Kurt Vile, Speed, Sound, Lonely KV (ep), se ha venido completando a lo largo de cuatro años en The Butcher Shoppe Studio de Nashville. Son cinco canciones, con dos versiones de John Prine y una de “Cowboy” Jack Clement además de dos temas originales del músico de Pennsylvania. A comienzos de año se editará físicamente en vinilo rosa y CD. Hoy hemos querido recrearnos con una versión de “Speed Of The Sound Of Loneliness”, una canción inundada de una melancolía casi enfermiza por un amor perdido, que el legendario artista tristemente desaparecido a cuenta del Covid-19 incluyó en su álbum German Afternoons. Nuestros amigos de Track Dogs tienen en Fire On The Rails su cuarto álbum como grupo. Su nombre tiene que ver con los equipos de mantenimiento del metro de Nueva York, y su sonido reúne una enorme diversidad de fuentes, tal y como persiste en el término Americana, referida también a “Las Américas”. El último de los singles que acaban de extraer de ese trabajo cuenta con la especial colaboración de Ashley Campbell, hija del legendario Glenn Campbell, que incorpora su banjo en “Don’t Delay”, del que han lanzado un vídeo grabado desde los hogares de cada uno, incluyendo a la artista de Phoenix, Arizona. Ashley Campbell es la más joven de los ocho hijos que tuvo el mítico Glen Campbell. Hace dos años vino a nuestro país, pero ni tuvo el eco que merecía ni su álbum de entonces, The Lonely One, era la mejor tarjeta de presentación. Ahora es muy diferente. Su música es una mezcla de sus amplias influencias, combinando el sonido del country de la vieja escuela popularizado por su padre durante los años 60 y 70 con la Americana music contemporánea y las raíces más tradicionales. Eso se pone de manifiesto de forma evidente en Something Lovely, un álbum compacto y mucho más maduro en el que encontramos canciones tan deliciosas como “Moonlight”, que cierra el trabajo. "In The Name Of God" es una de las canciones más potentes del nuevo EP de los Mastersosns, Red, White & I Love You Too. Resulta ser una condena formal y conmovedora del estado actual del mundo, aunque fuera compuesta hace un par de años. Tristemente, la situación política ha empeorado. Durante la gira Lampedusa: Concert for Refugees que realizaron en 2018 en apoyo a los refugiados, fueron conscientes de la situación de las personas que se ven obligadas a abandonar sus tierras para huir de la violencia. Los mensajes de miedo y odio que se han difundido por parte de administraciones como la estadounidense les impulsaron a escribir canciones como “In The Name of God”. En estas fechas, Chris Masterson y Eleanor Whitmore están trabajando con Steve Earle en un álbum de homenaje a Justin Townes Earle, hijo de Steve, fallecido el pasado 20 de agosto. Durante las dos últimas décadas quienes han asistido a conciertos de Sunny Sweeney, Eliza Gilkyson, Jimmie Dale Gilmore o Butch Hancock se habrán fijado en una bajista llamada Bonnie Whitmore que también posee una voz especial. Es la hermana pequeña de Eleanor de los Mastersons, residente en Austin y habitual de la legendaria Continental Club Gallery de la ciudad tejana. Para grabar su álbum Last Will & Testament quiso tener cerca a su banda, The Sad Girls, y se refugió en el Ramble Creek Studio de la capital del mundo de la música en directo para completar un disco que no rehuye ninguno de los temas del momento, desde la ruptura al suicidio, pasando por esa “cultura” de la violación y la gran división de su país. Su idea es que hablar de todo ello deje de ser tabú y que podamos encontrar algo de consuelo y de paz. Dentro de este trabajo muy recomendable hay algún respiro emocional como ocurre en "Fine", compuesto junto a Jaimee Harris, y hablando sobre las vicisitudes de las relaciones. A sus 74 años, Linda Ronstadt ha unido un nuevo premio a su vasta colección. Aunque este es claramente especial. En la trigésimo tercera entrega anual de los Premios de la Herencia Hispana, recibió el de “leyenda”. La ceremonia se transmitió el martes por la noche a través de PBS, la cadena de televisión pública de Estados Unidos. Cuando Linda dejó la Universidad de Arizona tras el primer trimestre, fue para unirse al guitarrista Bob Kimmel, con quién ya había actuado junto a sus hermanos con el nombre de los Three Ronstadts en clubs locales. Ese recuerdo estuvo presente en el álbum Más Canciones de 1991, cuando Linda interpretó “El Camino” junto a sus dos hermanos Pete, que era por entonces jefe de policía en Tucson, Arizona, y Mike, que regentaba una tienda de hardware informático. No olvidemos que su padre era mejicano. Gilbert, cantaba con ella y sus otros dos hijos canciones de su tierra natal en los pocos ratos de ocio que les permitía la ferretería que regentaban. Linda nunca olvidó aquellas raíces, no tal solo en los distintos álbumes dedicados íntegramente a canciones hispanas, sino a lo largo de toda su carrera. La fusión del alma musical de dos países, Irlanda y México, dieron vida a un álbum tan conmovedor como San Patricio, la última colaboración entre los irlandeses Chieftains, que lidera Paddy Moloney, y el multi-instrumentista y cantautor Ry Cooder. Su título tiene que ver con la leyenda del batallón de San Patricio, un grupo de inmigrantes irlandeses que desertó del ejército estadounidense en 1846 para pelear al lado de los mexicanos contra los invasores yankees en la guerra entre México y Estados Unidos que duró hasta 1848. Fueron tildados de traidores por unos y de héroes por otros. Ahí estaba Linda Ronstadt con un tradicional como “A la orilla de un palmar”. Tras el éxito del documental Linda Ronstadt: The Sound of My Voice, que recorría la carrera de la artista de Arizona, próximamente se estrenará Linda and the Mockingbirds, un documental sobre su viaje a México con un grupo de estudiantes el pasado 2019. Los canadienses Ian & Sylvia son parte de la quinta esencia del folk de aquel país, junto a su buen amigo Gordon Lightfoot. Ian Tyson y Sylvia Fricker se encontraron en su Canadá natal en 1960 y empezaron a actuar juntos muy pronto. Un par de años después vivían en Nueva York, donde llamaron la atención de Albert Grossman, que después se convertiría en el manager de Bob Dylan. A finales del 1962 lanzaron el primero de sus álbumes, Four Strong Winds, que estaba lleno de canciones tradicionales, exceptuando una versión impecable de “Tomorrow Is A Long Time” de Dylan y este tema propio que le daba nombre y que FolkAlley eligió como novena canción folk de todos los tiempos. Escuchar audio

A musical environmentalist striving for global justice, and a songwriter impresses Joan Baez. This is episode 47 of Caffe Lena : 60 Years of Song . Thank you to Sarah for the list of songs and artists for the feature. Eliza Gilkyson is an active member of the Austin music and political community. She participates in environmental groups and is the co-founder of an Austin-based resource center that promotes political activism and community involvement around issues of race, patriarchy and global injustice. Zoe Mulford’s song “The President Sang Amazing Grace” is about the 2015 attack at The Emmanuel AME Church in Charleston, SC that claimed nine lives. Joan Baez heard the song playing on the radio and pulled over to make sure she knew whose song it was because she wanted to sing it. Baez covered it on her 2018 Grammy-winning album. Caffe Lena: 60 Years of Song , a production of WEXT Radio.

A candid conversation with Eliza Gilkyson. She discusses her amazing release, "2020." A plea for peace and unity during the harrowing times is a running theme throughout the songs on this record, which easily is a contender for this year's best album. Your interviewer is Allen Larman. Engineered by Peter Cutler. ©Folkscene. Photo by Rodney Bursiel

The unravelling of America. The show tonight inspired by what is essentially a pretty sad article from rolling stone.com Songs about melting down. Heavy stuff from Bohannons and Drive by Truckers, Eliza Gilkyson. Includes fresh observations from Sammy Brue, prophetic Neil Young from On The Beach, dark, dark, SOngs:Ohia and the genius of Purple Mountains, all lightened up with a shot of Linda Rondstat. (Check how the second verse in Poor Poor Pitiful Me could be a #metoo song). That marathon new Bob Dylan track Murder Most Foul and then some thoughts and prayers towards the end with Cowboy Junkies and Los Lobos. https://www.rollingstone.com/politics/political-commentary/covid-19-end-of-american-era-wade-davis-1038206/

Join us on Episode 529 of Folk Roots Radio for another all music edition of the show, with a few more Covid-19 lockdown songs thrown into the mix. There is loads of great music out there at the moment, and it’s our absolute pleasure to share more of it with you on this episode. This time around we feature new music from Laura Cortese & the Dance Cards, Kristen Grainger & True North, Ray Cardwell, Graham Lindsey, James Lee Stanley, Michael Logen and Jennifer Hanson, Buddy & Julie Miller, Eliza Gilkyson, Silver Wolf Band, Crooked Weather, Elliott BROOD, Tragedy Ann, Death Party Playground and Sherman Downey. Check out the full playlist on the website.

les -happy nunavut day and it's an awfully quiet stampede.. plus good new stuffPlaylist: Eliza Gilkyson - peace in our heartsSean Burns - gasolinePharis & Jason Romero - right in the gardenBebe Buckskin - muddy trackCaleigh Cardinal - i don't want to know you anymoreChristian Lee Hutson - athiestMarin Patenaude - sight unseen part 1100 Mile House - good old daysbonny light horseman - mountain raincharlie panagoniak - poor manSusan Aglukark - slippin' through the crackstanya taqaq - surgethe jerry cans - alianaitKelly Fraser - fight for the rightstudjaat - kajisita (my ship comes in)Corb Lund - never not had horsesOrville Peck - queen of the rodeotim hus - pick-up trucks, rodeos, and dustIan Tyson - rodeo roadTim Williams - my heart can't take another rodeotom phillips - like a rodeoNeil Young - trybob dylan - key west

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】何瑫，《智族GQ》杂志副主编（新浪微博：@何瑫）●[02:50]没有浅薄的现象，只有对现象浅薄的认知●[05:05]GQ特稿部很少操作群像式的选题●[09:05]“以何瑫的智商，完全不知道我们在做啥。”●[10:30]癫狂的2015年和GQ受害者代表群●[14:15]何瑫回应孙宇晨对他的指责●[21:55]孙宇晨的故事就是中国版《坏血》●[23:30]让人不寒而栗的游戏规则●[27:00]巴菲特午餐的几种可能●[30:00]川普成功学第一条：出大名●[31:00]很多人以为GQ收了孙宇晨的钱帮他出名【音乐】 "They're Coming After You"（Spring King·Tell Me if You Like·2016·Island Records）"Paradise Hotel"（Eliza Gilkyson·Paradise Hotel·2005·Red House Records）【推荐特稿】《一个“90后创业领袖”的奇幻之旅》http://www.gq.com.cn/celebrity/news_182560eb97720e71.html《长报道 | 17岁CEO王凯歆：风口少女的神通与孤独》https://www.gq.com.cn/topic/news_194527cc36942ce8.html《卫星少年胡振宇》http://www.gq.com.cn/watch/guide/news_14g297a52d9b12a4.html【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】微博：@忽左忽右leftright微信公众号：忽左忽右leftright

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】何瑫，《智族GQ》杂志副主编（新浪微博：@何瑫）●[02:50]没有浅薄的现象，只有对现象浅薄的认知●[05:05]GQ特稿部很少操作群像式的选题●[09:05]“以何瑫的智商，完全不知道我们在做啥。”●[10:30]癫狂的2015年和GQ受害者代表群●[14:15]何瑫回应孙宇晨对他的指责●[21:55]孙宇晨的故事就是中国版《坏血》●[23:30]让人不寒而栗的游戏规则●[27:00]巴菲特午餐的几种可能●[30:00]川普成功学第一条：出大名●[31:00]很多人以为GQ收了孙宇晨的钱帮他出名【音乐】 "They're Coming After You"（Spring King·Tell Me if You Like·2016·Island Records）"Paradise Hotel"（Eliza Gilkyson·Paradise Hotel·2005·Red House Records）【推荐特稿】《一个“90后创业领袖”的奇幻之旅》http://www.gq.com.cn/celebrity/news_182560eb97720e71.html《长报道 | 17岁CEO王凯歆：风口少女的神通与孤独》https://www.gq.com.cn/topic/news_194527cc36942ce8.html《卫星少年胡振宇》http://www.gq.com.cn/watch/guide/news_14g297a52d9b12a4.html【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】微博：@忽左忽右leftright微信公众号：忽左忽右leftright

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】何瑫，《智族GQ》杂志副主编（新浪微博：@何瑫）●[02:50]没有浅薄的现象，只有对现象浅薄的认知●[05:05]GQ特稿部很少操作群像式的选题●[09:05]“以何瑫的智商，完全不知道我们在做啥。”●[10:30]癫狂的2015年和GQ受害者代表群●[14:15]何瑫回应孙宇晨对他的指责●[21:55]孙宇晨的故事就是中国版《坏血》●[23:30]让人不寒而栗的游戏规则●[27:00]巴菲特午餐的几种可能●[30:00]川普成功学第一条：出大名●[31:00]很多人以为GQ收了孙宇晨的钱帮他出名【音乐】 "They're Coming After You"（Spring King·Tell Me if You Like·2016·Island Records）"Paradise Hotel"（Eliza Gilkyson·Paradise Hotel·2005·Red House Records）【推荐特稿】《一个“90后创业领袖”的奇幻之旅》http://www.gq.com.cn/celebrity/news_182560eb97720e71.html《长报道 | 17岁CEO王凯歆：风口少女的神通与孤独》https://www.gq.com.cn/topic/news_194527cc36942ce8.html《卫星少年胡振宇》http://www.gq.com.cn/watch/guide/news_14g297a52d9b12a4.html【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】微博：@忽左忽右leftright微信公众号：忽左忽右leftright

Eliza Gilkyson and Nina Gerber chat with Ramblin' Ror' before a show at Michael's on Main. Includes live performances of "Looking Glass" and "Conservation," and the CD cut of "Runaway Train".

To get live links to the music we play and resources we offer, visit  This show includes the following songs: Baskery – Shadow Deborah Henriksson – Trains Eliza Gilkyson - Midnight Oil Sandy Rapp - Remember Rose Lu Ann Landau & Redneck Pop - Lessons To Learn   Alena Nicholson - I Can Love Anyone        Yung Citizen feat. Brandie Hill – Hope For Music Biz Resources Visit  Visit our Sponsor: Get music by Rorie Kelly at Visit our Sponsor: Get music by Renee Russell at Visit our Sponsor: Get music by Amused Now at

To get live links to the music we play and resources we offer, visit  This show includes the following songs: Baskery – Shadow Deborah Henriksson – Trains Eliza Gilkyson - Midnight Oil Sandy Rapp - Remember Rose Lu Ann Landau & Redneck Pop - Lessons To Learn   Alena Nicholson - I Can Love Anyone        Yung Citizen feat. Brandie Hill – Hope For Music Biz Resources Visit  Visit our Sponsor: Get music by Rorie Kelly at Visit our Sponsor: Get music by Renee Russell at Visit our Sponsor: Get music by Amused Now at