Podcasts about die forelle

Die Forelle - von Christian Friedrich Daniel Schubart

Ökologisch gesehen befinden sich viele Binnengewässer hierzulande in keinem guten Zustand. Erkennbar unter anderem an dieser Zahl: Von ursprünglich 90 heimischen Süßwasser-Fischarten sind 47 entweder ausgestorben oder gefährdet – mehr als die Hälfte. Darunter auch: die Forelle. Auch sie steht nun auf der neuen Roten Liste der gefährdeten Arten, die Anfang des Jahres veröffentlicht wurde. Die Gründe, die der Forelle das Leben und Überleben zunehmend schwer machen, sind vielschichtig – und sind, wenig überraschend, ausnahmslos menschengemacht.

This week, Jessica interviews one of her closest friends, Tim Eischens a singer, pianist, & executive assistant. Tim and Jessica met almost 20 years ago in their voice teacher Susan Gundunas's studio. She saw that he was the only male singer in the room and made a beeline for him, thinking, ooh a potential duet partner! Their first duet grew into a lifelong musical collaboration and a deep friendship. By day, Tim works at Autodesk, the maker of AutoCAD, Maya, and Sketchbook. As an executive assistant, he's supported the CTO and now supports the VP of global brand and communication. As a singer and collaborative pianist, Tim has performed with the San Francisco Lyric Opera, Urban Opera, and SF Choral Society. Tim earned his BS degree in Music Education and Performance from Minnesota State University, Moorhead, The Mozarteum Conservatory, and The University of Salzburg, Austria. Learn more about Tim on LinkedIn Are you a high achiever, a leader in your workplace, a person with many interests, maybe even an Ampersand? Well, guess what? Jessica works with people just like you. Jessica can help you navigate change, stay true to your values, and thrive as a leader. Learn more at jessicawan.com. She reads every single message. Credits Produced and Hosted by Jessica Wan Co-produced, edited, and sound design by Naomi Tepper Theme music by Denys Kyshchuk and Stockaudios from Pixabay Music credits: "Die Forelle" by Franz Schubert and "A La Caza, Sus, a Caza" by Arne Dørumsgaard as performed by Tim Eischens, tenor and Daniel Lockert, piano. "Pa...Pa...Pa" from The Magic Flute by Wolfgang Amadeus Mozart. Singers: Jessica Wan and Tim Eischens. Piano: Dmitriy Cogan.

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here. What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works. Featured Recordings of Schubert's Works: "Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us "Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records "Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan,  Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records "Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space ""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here.What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works.Featured Recordings of Schubert's Works:"Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us"Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records"Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan, Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records"Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here.What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works.Featured Recordings of Schubert's Works:"Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us"Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records"Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan, Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records"Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

Schubert Piano Quintet in A major 'The Trout', D. 667Franz Schubert wrote his Piano Quintet in A major, D. 677, popularly known as The Trout, in 1819, when he was only 22 years old. Like a good fraction of his works, however, it was published after his death, in 1829. Schubert didn't employ the traditional quintet lineup (piano + string quartet), opting instead for replacing one violin with a double bass. The composer Johann Nepomuk Hummel had rearranged his own Septet for the same instrumentation, and the Trout was actually written for a group of musicians coming together to play Hummel's work.The nickname of the piece stems from the fourth movement, which is a set of variations on a lied by Schubert himself, named Die Forelle (the trout). Apparently the patron who commissioned the piece suggested that Schubert includ said set of variations.

I Schubertiaden samlades Wiensocietén kring den populäre musikern Franz Schubert. Ingela Tägil och Karin M Nilsson kåserar kring detta och presenterar några av Schuberts Lieder. I programmet lyfts poesin som viktig komponent i Liederkonsten och lyssnaren får ta del av nyskriven poesi.Pilotavsnitten, som det refereras till i sändningen, finns på Youtube som filmat avsnitt på kanalen Liederpodden.I programmet framför sångerskan Maria Sjökvist.sången Seligkeit, Ingela Tägil sjunger Die Forelle och Ständchen. Karin M Nilsson ackompanjerar på piano.Anton Höber läser sin dikt Exklusiva Viner som inspirerats av dikten Seligkeit av Ludwig Hölty.Markus Göranson justerade ljud och spelade in Die Forelle och Ständchen på Studio Vajberiet.Seligkeit spelades in på Studio Nilento.Karin klippte ihop avsnittet.Vi har licens från Ifpi och Stim för denna Podcast.Support till showen http://supporter.acast.com/liederpodden. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Heute erzählt euch PLUEMES etwas über unseren ersten richtigen Wasserbewohner - die Forelle.PLUEMES Deine Tierwelt erzählt Kindergeschichten über die Tierwelt.Weiterführende Links zur Folge:Hier geht es zur WebsiteFolge uns auf FacebookFolge uns auf InstagramKinderpodcast | Tiere | Tiergeschichten

Franz Schubert hat in seinem Leben nicht viele Reisen gemacht. Eine führte ihn mit 22 nach Steyr an der Enns. Dort schrieb er eines seiner populärsten Werke: ein unbeschwertes Quintett mit Variationen über sein Lied "Die Forelle". Es besticht durch reizvolle Instrumentierung, Charme und Esprit. (Autor: Christoph Vratz)

Wo Bunsenbrenner und Beurre Blanc ins Spiel kommen - da muss ein Meisterkoch am Start sein. Und so ist es auch in dieser Podcast-Ausgabe bei "Was koch ich heute". Hannes Müller, der das Viersternelandgenusshotel "Die Forelle" am Kärntner Weissensee führt, zeigt uns, wie man eine perfekte Seeforelle zubereitet. Dabei reden wir über Heimat als Gefühl und Ort, die Frage, wer in einem Familienbetrieb eigentlich das Sagen hat und warum ihr unbedingt euren Gemüseabfall einfrieren solltet :-) Einfach gleich loslegen und die PDF-Datei mit den Zutaten und Küchentools anklicken. Vielleicht ist das ja schon was für euer Weihnachtsmenü, habt Spaß dabei, eure Claudia.

En el episodio de hoy conocemos las canciones que se cantaban en el siglo XIX en la mayor parte de Europa: los lieder o lied.  Viajamos por el tiempo y los niños escucharán algunos de los lieder más populares compuestos por Schubert. Además conoceremos algunas kinderlieder o canciones para niños.  En este episodio vamos a escuchar: 00:38 Franz Schubert. Erlkönig, D. 328. Matthias Goerne & Andreas Haefliger 01:40 Johann Sebastian Bach. 08 Toccata and Fugue in D Minor for Organ. Klemens Schnorr 01:49 Franz Schubert. Piano Trio in E-Flat Major, D. 929 (Op. 100): I. Allegro. Trio Concertante. 111 Schubert Masterpieces. 02:21 Franz Schubert. Winterreise, D. 911 (Op. 89): II. Die Wetterfahne. Rudolf Knoll & Ernst Gröschel. 111 Schubert Masterpieces.  03:08 Franz Schubert. Die Forelle. David Lutz & Robert Holl. Schubert: Ausgewählte Lieder.  04:42 Franz Schubert. Gretchen Am Spinnrade. Edith Mathis & Karl Engel. Edith Mathis: Lieder Mozart Und Schubert.  06:08: Franz Schubert. Schwanengesang, D. 957: IV. Ständchen. Matthias Goerne & Christoph Eschenbach. Schubert: Schwanengesang, D. 957; Piano Sonata, D. 960. 08:28 Franz Schubert. Liebhaber in allen gestalten (Ich wollt, ich wär ein Fisch), D.558 (feat. Pentti Koskimies). Riitta Pietarinen. Recordings 1967 - 1977.  09:02 Fanny Mendelssohn. 6 Lieder, Op. 1: No. 1, Schwanenlied. Jerilyn Chou & Chiaki Kotobuki. Fanny & Wilhelm Hensel: Szenen einer Ehe. 10:02 Carl Friedrich Zelter. Der Kuckuck und der Esel. Kinder Lieder. Die 30 Schönsten Kinderlieder - Teil 3.  11:34 Christian Overbeck & Wolfgang Amadeus Mozart. Komm, lieber Mai und mache. Kinderchor des NDR & Erich Bender. Die schönsten Kinderlieder und Volkslieder.  11:33 Johannes Brahms. Wiegenlied (Lullaby). Siân Wyn Gibson. Suo Gân.    Síguenos en: Facebook, Twitter, Instagram y Pinterest.    Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :)    No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.     

Kerstin erzählt Euch etwas über den Fisch des Jahres 2012, der streng genommen gar kein Fisch ist. Es ist ein noch heute existierendes Urzeitwesen, von dem man früher dachte, es hätte neun Augen - an jeder Seite. Es saugt Blut und lebt als Parasit in Flüssen und Meeren. Die Forelle hat sicher Angst vor dem Tier. Auch in der Ostsee wird es hin und wieder gesehen. Es besucht dann das Petermänchen zum Kaffeeklatsch. --- Send in a voice message: https://anchor.fm/forelle-gelb/message

Der junge, österreichische Autor Leander Fischer legt mit „Die Forelle“ ein 800 Seiten starkes Debüt vor. Die Kunst des Fliegenfischens ist Dreh- und Angelpunkt und vereint auf mehreren Ebenen Themen wie Manipulation, Kunst und Obsession, das politische Österreich der 80er Jahre und den schwelenden Konflikt zwischen Naturschützern und einfältiger Landbevölkerung. Eine wortgewandte, furiose, literarische Stilfibel.

Avec : Martine Dumont-Mergeay, La Libre Belgique Jean-Marc Onkelinx, Musicologue Réalisateur : Paul-Antoine Patin

Feiner Geschmack, kaum Gräten und einfach zuzubereiten: Die Forelle hat viele Vorzüge und passt hervorragend zu weißem Spargel.

Vad innebär provet Supergrillen? Vem är egentligen Fredric? Vem har skickat det hemliga meddelandet? Och är det sant att det finns en världsomspännande konsultkonspiration? Dramakomedin - slutstriden. Här är den fristående fortsättningen på Cheferna där mellancheferna Anna-Helena Wikström, Stefan Vinberg och Chloë Bryant slogs om toppjobbet i Dresden. Nu har Anna-Helenas mjuka ledarstil drivit fram en svår kris i företaget, och hon nödgas kalla in managementkonsulten Fredric Wildingsson Hammar igen. Dramakomedin Cheferna är en serie med skriven storyline som skådespelarna aldrig fått se. Utifrån individuella instruktioner inför varje scen har de improviserat dialogen. Med samma metod skapades också Parmiddagen, Kraschen och Allt är nu. Och en liknande metod användes vid skapandet av Testamentet och Lärarna. Cheferna, andra säsongen. En dramakomedi i fyra delar. Regi, huvudförfattare: Malin Axelsson. Medverkande och improviserad dialog: Paula McManus, Krister Kern, Shirin Golchin, Eric Stern, Anna Takanen. Storyline: Malin Axelsson, Eric Stern, Daniel Karlsson. Producent: Magnus Berg. Ljuddesign och inspelningstekniker: Frida Englund. Assisterande ljudtekniker: Nima Shams.

Christoph Vratz über den bewegenden Lieder-Zyklus von 1823 über die tragische Liebe eines Müller-Gesellen. Die Gedichte dazu stammten von einem Dichter, der passenderweise auch noch Müller hieß. Einen gewaltigen Seelenkosmos durchschreitet der gerade 26jährige Komponist in dem Parade-Werk der Romantik: von überbordendem Lebenswillen bis hin zu abgrundtiefer Todessehnsucht.

Description: Reena Esmail knows she doesn’t look like a stereotypical composer, but that doesn’t prevent her from making a big impact. Known for her signature blend of Indian and Western classical music, Reena joins us in the studio to discuss stage fright, getting in touch with her heritage, how the #MeToo movement inspired her, and the washing machine that sparked a revelation. Playlist: Here is a Spotify playlist with hand-picked selections from Chrysanthe, Thomas, and Reena Esmail. Music Featured in Interview: “String Quartet: Ragamala” by Reena Esmail (Listen / Score) “Piano Sonata No. 15 in C, K.545: 1. Allegro” by Wolfgang Amadeus Mozart (iTunes / Spotify) “Jhula Jhule” by Reena Esmail (Listen / Score) “Die Forelle, D. 550” by Franz Schubert (iTunes / Spotify) “Träumerei” by Robert Schumann (iTunes / Spotify) “This Love Between Us” by Reena Esmail (Listen) “Tuttarana” by Reena Esmail (Listen / Score) “#metoo” by Reena Esmail “Nishani” by Reena Esmail (Listen / Score) Additional Links: Hindustani Music: Cultural Collisions (and Washing Machines) - Reena’s blog on NewMusicBox about the washing machine Lightning Round: What genre is your music?  Indpressionism -- “the opposite of Impressionism” Performance ritual? Performance ritual: “breathe, open your mouth, smile.” Composing ritual: A very specific, solitary tea ritual involving the Harney & Sons Soho blend. A modern/technological tool that’s extremely helpful to your practice? iPad. It was so game-changing that Reena celebrates the anniversary of getting her iPad (July 17, 2017). A failure that turned out for the best? Failing to be a pianist Something besides music that you’re obsessed with right now? Hardcore math and data sets. A piece of art that changed your life? The chandelier at Mandarin Oriental by Dale Chihuly on 59th and Broadway in New York City. Find Reena Esmail online: Website / Facebook / Instagram / Twitter Something Old: “Call Me a Rainbow” by The Mummers (YouTube) Something New: “String Quartet No. 9” by Georg Friedrich Haas (YouTube) Something Borrowed: Bye Bye Beethoven Concert by Patricia Kopatchinskaja (YouTube) Something Blue: “Aquarium” by Nosaj Thing (iTunes / Spotify) Credits: Hosts: Chrysanthe Tan and Thomas Kotcheff Guest: Reena Esmail Script: Chrysanthe Tan Recording engineer: Mark Hatwan Produced by: Chrysanthe Tan Editing: Mark Hatwan Underscore is an extension of the Classical KUSC family Podcast theme: "Playground Day" by Chrysanthe Tan (iTunes / Spotify) Social Media: Facebook: /underscorefm Twitter: @underscorefm Instagram: @underscorefm Thomas is @thomaskotcheff on Twitter and Instagram. Chrysanthe is @chrysanthetan on Facebook, Twitter, and Instagram. Facebook group: Join our Facebook group, Underscore Society, to give us your thoughts, request future topics, and connect with other podcast listeners! Newsletter: Sign up for our mailing list to receive Underscore updates, offers, and opportunities to connect with other music aficionados. Email: Thoughts, questions, suggestions? We’re at info@underscore.fm

We're back on German diction with bass Thorsten Grümbel and sopranos Netta Or and Karen Bandelow, focusing on glottals in German and some unstressed prefixes with open E (er-, her-, ver- and zer-), as well as reviewing a few things that we've talked about before, like the NG sound [ŋ], the unpronounced intervocalic H and some diphthongs. Our texts for this episode are "O Isis und Osiris" from Mozart's Die Zauberflöte (I did not link this to the Opera Guide website because there are several typos there), and "In dem Schatten meiner Locken" from Wolf's Spanisches Liederbuch. I dug through many YouTube clips in researching this episode, so I wanted to include them here. For "O Isis und Osiris" I found Rene Pape (who lives in Dresden and drops in on performances sometimes!), Kurt Moll, Gottlieb Frick and Hans-Peter König (an old colleague of mine from Düsseldorf who sings all over the world, especially the Wagner repertoire). For "In dem Schatten meiner Locken" Elisabeth Grümmer with Hertha Klust uses all of the glottals we talked about, Elisabeth Schwarzkopf has two posted clips, one with Gerald Moore and one with Wilhelm Furtwängler where she uses considerably more glottals than the other performance, and I also found a clip of Lotte Lehmann (with unknown pianist) who doesn't seem to use glottals at all. I also specifically looked for Fischer-Dieskau using glottals and found several examples--the most obvious were in Erlkönig when he says "den Erlkönig" and in "Die Forelle" when he says "Doch endlich". Enjoy this little study on glottals! I'll be in the States giving some master classes for the next few weeks, so the podcast will be back up mid-November for a few episodes before the holidays, but in the meantime, please feel free to contact me with questions, comments or suggestions here, at the Facebook page or directly at ellen@ellenrissinger.com

Das zerlegen einer gebratenen Forelle wird in dieser Folge von Thomas Sixt´s Headcam Cooking gezeigt. Die Zubereitung der Forelle ist ganz einfach: Die ausgenommene und ausgewaschene, trocken getupfte Forelle mit Etwas Salz und Pfeffer innen würzen, Etwas kelin geschnittenen Knoblauch und Petersilie in den Bauch legen. Einen Bräter mit Olivenöl beträufel, Salz und Pfeffer dazu, Forelle einlegen. Die Forelle mit etwas Olivenöl bestreichen und mit wenig Mehl bestäuben. Zur Forelle noch etwas Zwiebel und Knoblauch in den Bräter legen und ab in den Backofen bei 230 ° C Heissluft, vorgeheizt. Die Forelle ist gar, wenn die Augen komplett weiß sind. Dazu gibt es: Kartoffelpüree mit Olivenöl: http://www.youtube.com/watch?v=IhuornbbyXE Bärlauchpesto: http://www.youtube.com/watch?v=03NPrQ8khcI Zitrone als Stern bzw. Krone dekorativ ausgeschnitten. http://www.youtube.com/watch?v=bs--Dx3g-SY

Webern: Langsamer SatzSchubert: Quintet in A Major for piano, violin, viola, cello and bass, D. 667, Op. 114 (“Trout”)This week, we’re listening to a couple pieces that challenge expectations a little. Some of us start to get a little anxious when we hear those second Viennese school names—Schoenberg, Berg, Webern. But this Webern quartet, an early work written in the first blush of love, is much more late Romantic than early modern. It gets chromatic, but still—if you didn’t already know the piece, you’d be hard-pressed to identify it as Webern. Next we’ll hear Schubert’s “Trout” quintet, one of the composer’s best-known chamber music works that has a pretty unique point of inspiration. After a performance of his charming song “Die Forelle” about the battle between a fisherman and a trout, Schubert was approached by a business man and amateur cellist who commissioned him to write a quintet based on the song. The fact that Schubert could translate his song from a short narrative piece about a trout fisherman into a full-blown chamber music work speaks to the musical strength of his vocal compositions, and his standing as one of the true revolutionaries of lieder.

Kirsty Young's castaway this week is the former diplomat, traveller and writer, Rory Stewart. His life has been part establishment convention, part wild adventure. He went to Eton, Oxford and then joined the Foreign Office, but along the way spent part of his childhood running wild in the jungles of Malaysia. He was based in Kosovo during the Nato campaign and, at the age of 29, turned up in Iraq and volunteered to help in the rebuilding work. He ended up running one of the provinces. He remains fiercely critical of the war and has written a well-received book about his experiences there. The event that has changed his outlook on life was the decision he made to walk 6,000 miles across Asia. It took the best part of two years and throughout the journey he relied on the hospitality of villagers to give him food and shelter. Now he spends most of his time in Kabul where he has set up a charity to support traditional Afghan crafts, but he says his next move is to return to Britain where he wants to understand more about how our society works and attempt, he says, to 'normalise' himself.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Die Forelle by Franz Schubert Book: A parallel text of the Bhagvad Gita Luxury: A ceramic bowl from the village of Istalif in Afghanistan.

Kirsty Young's castaway this week is the former diplomat, traveller and writer, Rory Stewart. His life has been part establishment convention, part wild adventure. He went to Eton, Oxford and then joined the Foreign Office, but along the way spent part of his childhood running wild in the jungles of Malaysia. He was based in Kosovo during the Nato campaign and, at the age of 29, turned up in Iraq and volunteered to help in the rebuilding work. He ended up running one of the provinces. He remains fiercely critical of the war and has written a well-received book about his experiences there. The event that has changed his outlook on life was the decision he made to walk 6,000 miles across Asia. It took the best part of two years and throughout the journey he relied on the hospitality of villagers to give him food and shelter. Now he spends most of his time in Kabul where he has set up a charity to support traditional Afghan crafts, but he says his next move is to return to Britain where he wants to understand more about how our society works and attempt, he says, to 'normalise' himself. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Die Forelle by Franz Schubert Book: A parallel text of the Bhagvad Gita Luxury: A ceramic bowl from the village of Istalif in Afghanistan.