Podcasts about living theatre

In this episode, we discuss every aspect of The Living Theatre performances that Jim attended. We break down the authenticity of the recently released photos of Jim as well as the story of that March 8th performance. Steve also gives a day by day breakdown of each performance Jim attended, how they contributed to the now infamous “Rock is Dead” studio jam, how Jim was able to save the Living Theatre, and much more. There are even some clarifying statements about Jim's trial as Steve clears up some decades long misconceptions. This is definitely an episode you don't want to miss!

Festeggia i suoi primi 60 anni, l'Odin Teatret, una delle più importanti compagnie teatrali del mondo. Un compleanno che viene celebrato con un programma intenso di appuntamenti per tutto il 2024 che porta la carovana teatrale dal Messico all'Uruguay, dalla Cina alla Norvegia.Fondato da Eugenio Barba l'ultimo maestro teatrale d'Occidente, allievo di Jerzy Grotowsky, l'Odin Teatret si è distinto negli anni come un progetto unico di Teatro di ricerca multimediale.Nata a Oslo, in Norvegia, nel 1964, poi stabilitasi in Danimarca a Hostelbro, cresciuta facendo del training dell'attore il suo fulcro tra collaborazioni importanti anche con Jacques Lecoq, Dario Fo, Krejca, Luca Ronconi, il Living Theatre, la compagnia dell'Odin è un richiamo imprescindibile per tutti gli amanti del teatro, professionisti e non.Al Teatro Menotti di Milano, tappa precedente all'arrivo in Ticino dell'Odin Teatret, abbiamo incontrato il maestro Eugenio Barba e partecipato a una masterclass realizzata dall'attore danese Tage Larsen.Dai suoi incredibili 88 anni, Eugenio Barba, con un'energia contagiosa ci racconta del teatro di ricerca, dell'essere comunità e dell'inesauribile sete di conoscenza. Passando poi dall'esperienze vissute in Brasile e in Cile durante la dittatura di Pinochet, senza dimenticare la passione per l'India.Ancora una volta, Eugenio Barba, ci conduce oltre i confini del consueto.

In this Boles.tv live stream highlight, David Boles discusses the history of Julian Beck and Judith Malina's LIVING THEATRE and how the preservation of an ideal can be corrupted by time, place, and the magnitude of yearning. 

Michael Elias is an award-winning writer, actor and director who's written film, television, theatre and fiction.            His new novel, You Can Go Home Now, is a timely and thoroughly entertaining psychological thriller featuring a female cop on the hunt for a killer while battling violent secrets of her own.  I've read You Can Go Home Now and can tell you it's a deeply engaging mystery with a lot of heart. Michael is also the author of the novel, The Last Conquistador.            Born and raised in upstate New York, Michael moved to New York City after graduating from St. John's College in Annapolis to pursue a career in acting. He was a member of the Living Theatre and acted at The Judson Poets Theatre, La MaMa, and Caffé Chino. Michael then transitioned to Hollywood and with Frank Shaw wrote the screenplay for The Frisco Kid starring Gene Wilder and Harrison Ford. With Eve Babitz he wrote Envoyez les Violons.  And then he began a long writing partnership with Rich Eustis. Together, they wrote the screenplays for Serial, Young Doctors in Love and they created the popular sitcom, Head of the Class for ABC, which was partially based on Michael's experience as a high school teacher in New York City.             Michael also worked with Steve Martin, a collaboration that included material for Steve's comedy albums, network TV specials, and the screenplay for The Jerk.            Michael wrote and directed Showtime's Lush Life with Forrest Whitaker and Jeff Goldblum, leading to a nomination for Best Director at The Cable Ace Awards . His semi-autobiographical play, The Catskill Sonata, about a small hotel in upstate New York, was directed by the legendary filmmaker, Paul Mazursky.

Today's iMMERSE podcast is even more unusual than many of the others. I interviewed Elke and Peter Schumann in February of 2020 in their Glover, Vermont home along with Jay Walbert, the archivist for my Archive in nearby Barton, Vermont. The octagenarian Schumanns immigrated from Germany to New York in 1961 and have led the Bread and Puppet Theater since 1963.  In this podcast, they share their history and artistic politics and bread. As Peter says here: We went around and gave them pieces of bread to eat and found they were a better audience when they were chewing – we liked them better…" In the beginning of our chat, Peter turns to Elke and says, "When I don't remember something, you will". "I will" she says. This happy conversation is ever so dear to me because Elke passed away on August 1, 2021. I first met Peter in New York in the 1970s through public events maker, Karin Bacon. I first came to the Northeast Kingdom of Vermont in 1968 to work with Fluxus artists Dick Higgins and Alison Knowles. In the years that followed, I bought some land from them and built a house there in the 1990, the house where I now live and am recording this introduction. Since 1990, my relationship with Bread and Puppet and the Schumann in the neighboring town of Glover continued to grow.  The Bread and Puppet Theater engages people, after filling them with hand-milled sourdough bread. They work environmentally and for many decades now, they've been making amazing use of the landscape, natural light changes and natural acoustics.  Puppets from tiny to gigantic, signs, banners and hand-made art have always animated their events. Their roadside museum is filled with decades worth of their fanciful performance objects from their local, national and international pageants.  The tradition of handing-out bread always guarantees good spirits and an enthusiastic audience ready to be entertained by the humor, irony, politics, pageantry and their deep concerns for humanity. But let's just let them tell their own story. Topics covered in podcast John Cage, Merce Cunningham, Claes Oldenberg, anti-Vietnam war protests, Judson Church, Living Theatre, Red Grooms, Stefan Brecht, Tompkins Square Park, Lower Eastside, Daily street muggings of the Bread & Puppet performers, street performances, Grace Paley, volunteerism, Burning Man, War Resisters League, Strike for Peace, Vermont, Barton, Glover, Northeast Kingdom, Socialist pageants, searching for clay, puppet historian, John Bell, Alison Knowles, Dick Higgins, Earth People Park, Burke, pianist Karl Schwartz, Sheffield, baking rye bread, summer Bread & Puppet performances in Vermont, homemade clay bread oven, May Day, Pageant Park, Crystal Lake, Peter Schumann's sculptures, the Bread & Puppet Museum, Sheffield River clay wall, The Charlie Morrow Archive ... Samples playlist: Insurrection Oratorio • Charlie Morrow / Strange Circus • Lee Volfoni / Carnival Of Souls • Verne Langdons / Wonder Bread Commercial 1950s / Bread and Puppet Theater 2021 • Tetsuro Hoshii / Brother Bread Sister Puppet • Grace Paley / Grosse Fuge • Charlie Morrow / Fellini's Circus • Daniele Benati / Kiddie Land • Prelude to a Nightmare

Bianca Tarozzi"Devozioni domestiche"Destini sospesi tra fiaba e romanzoMolesini Editore Veneziahttps://molesinieditore.itNota soprattutto per la sorprendente capacità di comporre poemetti narrativi, novelle in versi, le sue poesie sono inconfondibili per la loro felicità.È possibile dire seriamente una cosa simile di un poeta contemporaneo? Forse è possibile ma è raro. Per più di un secolo la musa dominante in poesia è stata l'angoscia, non la felicità. I pochi poeti che hanno fatto eccezione sono stati quelli più narrativi e descrittivi, come Gozzano, Saba, Bertolucci, gli inventori di una micro-poetica del presente o del passato, gremita di scene, luoghi spariti, figure e storie di una volta, spazi definiti, oggetti desueti, nomi propri, favole di identità, con una nostalgia estatica di momenti edenici. E tutto questo in versi. Voglio dire in veri versi, versi regolari, riconoscibili, i più praticati e praticabili in lingua italiana, maneggevoli come semplici e irrinunciabili utensili domestici: in prevalenza endecasillabi, frequenti settenari, ogni tanto un quinario, a volte una rima. Bianca Tarozzi sembra abbia imparato dagli inglesi o dagli americani (che ha tradotto) ad accettare la felicità di comunicare in versi di «senso comune», non sublimi né sibillini. È questa felicità che afferra subito il lettore: la felicità di trasgredire a una norma o convenzione attuale (la poetica enigmistica in versi liberi) per ritrovarne una in disuso, come si trova un favoloso tesoro nascosto in soffitta: la lingua di un microcosmo familiare, infantile e remoto, sottratto alla tirannia del presente.Alfonso BerardinelliBianca Tarozzi (Bologna 1941) vive a Venezia e a Milano. Ha insegnato letteratura inglese e anglo-americana a Venezia, Milano e Verona; ha tradotto poesie di Elizabeth Bishop, Emily Dickinson, A.E. Housman e Robert Wilbur, oltre ai diari di Virginia Woolf.Ha scritto 10 raccolte di poesie, tra cui Nessuno vince il leone (1988), La buranella (1997), Il teatro vivente (2006, l'edizione americana The Living Theatre è del 2017) e il romanzo Una luce sottile (2015, Iacobelli Editore) in cui racconta la storia della propria famiglia dal 1922 al 1932.Vincitrice del prestigioso Lannan Foundation Award (2017), di una Rockefeller Fellowship e del premio letterario dell'Unione Lettori Italiani.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

oof i’m so pooped from the moving and the heat and just the general everything of it all. but i’m especially looking forward to those two things being finished. it will be nice to be done and to do more resting and to not be so sweaty. i want to lay in one place and i want to be cold and dry. however, yah yah yah, i am going to miss air conditioning for real but oh well. i’ll adapt eh?DOWNLOAD/STREAM RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun00:00 (intro by omar)00:20 The Smarthearts “Only a Name” On the Line02:13 Quality Cable “Cavalcade” Paper View06:54 Operator Music Band “Squaresoft” Squaresoft / Cowboys10:40 Adelyn Rose “Power Ballad” Ordinary Fantasy13:25 Chuck Cleaver “Devil May Care” Send Aid15:40 Warm Bodies “Time Slip’s Kiss” UFO EXTREMO’s18:39 Plateau Below “Yellow Belly” Sun Don’t Shine So Bright20:23 Max Nordile “show biz” HAIR CLINIC25:19 129,600 “techi” Live in Missoula27:20 Long Hots “Nickel & Dime” Nickel & Dime30:41 Second Still “Special No One” Violet Phase33:41 Vacation “Captain Unsensible” Zen Quality Seed Crystal36:26 NEUTRALS “Comin Up Roses” Kebab Disco39:16 Brave Radar “Land Art” Dynamos40:05 No Age “Boy Void” Weirdo Rippers41:51 Egrets on Ergot “tartarica barometz” TRANSCEND EFFIGIES46:34 Dust from 1000 yrs “fools dance” born to itch49:48 Ylayali “coin pocket” caterpillar graveyard54:13 Olden Yolk “Blue Paradigm” Living Theatre

Watch the full movie for free on Internet Archive: https://archive.org/details/SignalsThroughTheFlamesALivingTheaterDocumentary Nat & Alli venture beyond their comfort zone of pop culture and sex puns to explore documentary ethics, avant-garde theatre, and anarcho-pacifism as they discuss Signals Through the Flames. This 1983 documentary centers on the founders of the Living Theatre, Julian Beck and Judith Malina. In the course of their nearly 40-year romantic and creative partnership, Beck and Malina faced poverty and arrest, both took and shared many other lovers, and created an institution of the New York theatrical scene that stands to this day. Support Snails & Oysters on Patreon: patreon.com/snailsoysters Follow us online: Snails & Oysters: twitter.com/SnailsOysters Alli Rogers: twitter.com/allinotallie Nat Roberts: letterboxd.com/GnatRoberts Our theme song is Gumballs by Billy Libby: instagram.com/fortgorgeous And our cover art was designed by Abby Austin: instagram.com/abigailbaustin --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Happy Valentine's Day! This week on Please Don't Follow Me Home, we go off brand a bit and interview Hollywood Horror writer and producer, Steve Feke! Steve Feke helped with writing 'Poltergeist 3' and talks to us about "The Poltergeist Curse" that surrounds the movie trilogy.Please Follow/Like at: Twitter: @PDFMHFacebook page: Please Don't Follow Me HomeFollow/Subscribe/leave feedback: Amazon Music, Apple Podcasts, Goodpods Spotify and StitcherIf you have a location/topic suggestion, a question or want to be a 'Ghoul of the Week'  Please email us at Pleasedontfollowmehome@gmail.com. Sources: https://screenrant.com/poltergeist-movie-clown-doll-real-actor-almost-death-explained/The Dark Side of Valentine's Day - 7th Sense Stories (7thsensepsychics.com)The Darker Side of Valentine's Day | VogueThe Dark Side of Valentine's Day - The Cookie ProjectPoltergeist (1982) - IMDbPoltergeist II: The Other Side (1986) - Plot Summary - IMDbhttps://screenrant.com/poltergeist-movie-clown-doll-real-actor-almost-death-explained/Poltergeist III (1988) - IMDb

Andrej Grubačić is a former teacher at the University of Rojava, founding Chair of Anthropology and Social Change at the California Institute of Integral Studies, author of books such as Don't Mourn, Balkanize!, co-authored Wobblies and Zapatistas with Staughton Lynd and most recently the co-author of Living At The Edges of Capitalism: Adventures In Exile and Mutual Aid with Dennis O'Hearn. Andrej is also the editor of the Journal of World-Systems Research as well as the Kairos imprint at PM Press. For the hour we speak about anarchism, the Yugoslav experiment, exile, World-Systems Analysis, Rojava, his friend David Graeber and other topics. Transcript PDF (Unimposed) – pending Zine (Impopsed PDF) – pending A couple of Grubačić pieces found online referenced: Anarchism, Or The Revolutionary Movement of the Twenty-First Century (Graeber & Grubačić) Don't Mourn, Balkanize! is on The Anarchist Library as a PDF Some further reading suggestions include (more references in upcoming transcript): Daniel Guérin (French, Gay, Libertarian socialist): Balkan Federalism on wikipedia The Living Theatre anarchistic theater group out of NYC (Movement of the Free Spirit by Raoul Vaneigem, out of print but still on AK Press website) The Age of Globalization (pdf) by Benedict Anderson, the updated edition of Under Three Flags: Anarchism and the Anti-Colonial Imagination. Published by Verso, but seems out of print Sho Konishi, Anarchist Modernity: Cooperatism and Japanese-Russian Intellectual Relations in Modern Japan Ilham Khuri-Makdisi, The Eastern Mediterranean and the Making of Global Radicalism, 1860-1914 Marx's correspondence with Vera Zasulich shows his development towards Libertarianism near the end of his life: https://www.marxists.org/archive/marx/works/1881/zasulich/index.htm Jason W. Moore (Capitalist World Ecology proposition): ECOLOGY, CAPITAL, AND THE NATURE OF OUR TIMES: ACCUMULATION & CRISIS IN THE CAPITALIST WORLD-ECOLOGY Announcement Anti-Repression in Asheville As a follow up to the episode we did about protests against the homeless sweeps by the city of Asheville, the Asheville Police appears to be serving arrest warrants to people for charges like felony dumping and aiding & abetting felony dumping in relation to the Aston Park protests on Christmas, when the Asheville police arrested multiple journalists from the Asheville Blade as well as others present in the park prior to cufew. If you think this is bullshit and want to help, consider a donation to the Blue Ridge ABC bail & legal defense fund via their venmo, @BlueRidgeABC. You can also send funds to any of The Final Straw's accounts, found at TFSR.WTF/Support, and mention ABC Bail in the comments.

Das Theatertreffen gibt dem von Julian Beck und Judith Malina gegründeten "Living Theatre" viel Raum, das die Grenze zwischen „Spielen“ und „Leben“ aufheben wollte. Das Kollektiv hat die Straße zur Bühne gemacht und Widerstand in die Theater gebracht. Von Gerd Brendel www.deutschlandfunkkultur.de, Rang I Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Larry Loonin on his 60 years in theatre, getting into trouble, saying yes to everything, The Living Theatre, teaching, the 2100 playbills he stores, Bergman, Brecht and much more.

Honoring Filipino/Filipinx creatives who are making waves in Hollywood -- 4th  part of series.Special guests:Alfretz Costelo, Actor & Content Creator. Alfretz studied at the New York Film Academy, The Living Theatre, and The Acting Studio. He has created several content for Instagram TV series, has appeared on a short film called Exodus.Francis Mabborang, NYC based Filipino artist and creative. Francis is an NYC-based Filipino international multi-hyphenate artist and creative. He has a musical theater background, has trained under the American Musical and Dramatic Academy conservatory program, and has worked on many many theater productions. He is currently creative director and talent manager for LIVIT – a streaming platform which aims to showcase entertainers, performers, influencers and other creatives.Charles Gray, Writer/Director/Content Creator. Charles is the director of digital content at Character Media and has directed several short films, documentaries, and many other projects that help amplify Asian American voices.

Everyone's a suspect in the brutal murder at close quarters of Aurora Printemps, familiarly known to one and all as Grandma. The lead detective sometimes sports a tail, as does her most recent--or was he the most recent--paramour? Her granddaughter Red Rida loved her, hated her, wished her dead, but has an alibi no weaker than any of the others. Will this be sorted or will it join the 63% of cases that go into permanent cold case status? Playwright: Martin Heavisides Director: Sophia Menconi Producer: A.J. Campbell Roles: Lori Brooks as Red Rida, a woman with a strangely conflicted relationship with her vivacious grandmother before her untimely death Scott Olson as Albert Skillset, a gifted police detective, but is he concealing a tail in his trousers? Edsal Romero as Tony Pitchblende, Albert's second in command and friendly rival (in love as well as police work?) Tamar Peters as Karina Patrimoine, Tony Pitchblende's partner Leslie Anne Ross as Supervisor Judy Turenne, leading the investigation Mikayla Trimpey as Natalie Would, barmaid, acquainted with police and suspects alike Tori Clay as Piotr Sergieivich Koslov, a recent immigrant from Russia with ongoing secret ties, Red Rida's husband Adam Venrick as Raoul DeBunstrup, Aurore Printemps' (Grandma's) lover of record at the time of her brutal slaying About the Playwright Martin Heavisides Martin Heavisides is the author of ten full length plays, one, Empty Bowl, published in The Linnet's Wings and given a live reading by Living Theatre in New York), two one-acts and a good number of ten-minute plays; short stories, flash fiction, poetry, which has been published in Sein Und Werden, The Linnet's Wings, FRiGG, Mad Hatter's Review, Pure Slush, Journal of Compressed Creativity among other highly discerning publications. He has published one novella-length collection of interlinked flash fiction and poetry, Undermind. He is becoming a regular at Storefront Theatre’s Sing for Your Supper. Website: http://theevitable.blogspot.com Twitter: Martin Heavisides --- Send in a voice message: https://anchor.fm/qplayers/message Support this podcast: https://anchor.fm/qplayers/support

MICHAEL ELIAS was born and raised in upstate New York. He has worked in motion pictures, television and stage as an actor, writer, producer, and director in New York, Los Angeles, and London.He was a member of The Living Theatre and acted in The Brig by Kenneth Brown in New York and London.At WarnerBros he and Rich Eustis created and produced the award-winning series "Head of the Class" that ran for five seasons on ABC starring Howard Hesseman and Billy Connolly.Elias wrote and directed the acclaimed jazz drama "Lush Life" starring Forest Whitaker, Jeff Goldblum, Don Cheadle, and Cathy Baker. Mr. Elias was nominated as Best Director in the Cable Ace Awards.His produced screenplays include "The Jerk", "The Frisco Kid", "Serial", "Envoyez les Violons", and "Young Doctors in Love".His play "The Catskill Sonata" about blacklisted artists premiered in Los Angeles directed by Paul Mazursky. The LA Weekly named it number one in its list of ten best plays of the year.His new novel YOU CAN GO HOME NOW will be published by HarperCollins on June 23, 2020.Elias is a member of Writer's Branch of The Academy of Motion Picture Arts and Sciences and serves on its Foreign Language Committee. He is also a member of the WGA, the DGA, and PEN.He graduated from St. John's College in Annapolis, Maryland with a degree in mathematics and philosophy.Michael Elias lives in Los Angeles and Paris.YOU CAN GO HOME NOW - Nina is a tough Queens detective with a series of cold case homicides on her desk – men whose widows had the same alibi: they were living in Artemis, a battered women’s shelter, when their husbands were killed.Nina goes undercover into Artemis. Though she is playing the victim, she’s anything but. Nina knows about violence and the bullies who rely on it because she’s experienced it in her own life.In this heart-pounding thriller Nina confronts the violence of her own past in Artemis where she finds solidarity with a community of women who deal with abusive and lethal men in their own way.For the women living in Artemis there is no absolute moral compass, there is the law and there is survival. And, for Nina, who became a cop so she could find the man who murdered her father, there is only revenge.

No sexto Sala TUSP, o podcast do Teatro da USP, recebemos Ilion Troya no episódio "Living Theater, Histórias de Anarquismo e Ativismo". Brasileiro de Rio Claro, Ilion Troya é ator, escritor, ativista, ex-estudante de ciências sociais, e membro do Living Theater desde 1970. Foi um dos colaboradores cruciais na criação da exposição "Living Theater, Presente!", realizada em 2017 no SESC Consolação. Ele traduziu e publicou no Brasil Notas Sobre Piscator - Teatro Político e Arte Inclusiva", a partir dos escritos de Judith Malina. Ilion é do Conselho Internacional do The Living Theatre, além de atuar traduzindo e escrevendo sobre as realizações do grupo. Referência: MALINA; Judith. Notas Sobre Piscator - Teatro Político e Arte Inclusiva. Tradução de Ilion Troya. São Paulo, Edições SESC, 2017. O episódio foi ao ar em 31 de julho de 2020. --- Send in a voice message: https://anchor.fm/teatrodausp/message

En "Islas de Robinson" esta semana estiramos 2019 un poco más aún, con algunos de los discos y canciones favoritos del año pasado y algún otro que se nos pasó en un primer momento. DOUG TUTTLE - "I'LL THROW IT ALL AWAY" ("DREAM ROAD", 2019) / I WAS A KING - "BUBBLE" ("SLOW CENTURY", 2019) / SISTER JOHN - "EIGHT YEARS" ("SISTER JOHN", 2019) / STEVE GUNN - "VAGABOND" ("THE UNSEEN IN BETWEEN", 2019) / MEGA BOG - "DIARY OF A ROSE" ("DOLPHINE", 2019) / CHRIS COHEN - "GREEN EYES" ("CHRIS COHEN", 2019) / GREEK THEATRE - "THE STREETS YOU HOLD" ("WHEN SEASONS CHANGE", 2019) / OLDEN YOLK - "COTTON & CANE" ("LIVING THEATRE", 2019) / DRUGDEALER - "HONEY" ("RAW HONEY", 2019) / HURT VALLEY - "APARTMENT HOUSES" ("GLACIAL PACE", 2019) / TRAFFIK ISLAND - "SUNDAY PAINTER" ("NATURE STRIP", 2019) / GRACE CUMMINGS - "PAISLEY" ("REFUGE COVE", 2019) / ALDOUS HARDING - "TREASURE" ("DESIGNER", 2019) / Escuchar audio

Ciccio Merolla presenta il suo ultimo album "Sto tutto fusion"; intervista a Tom Walker dei Living Theatre; la rubrica Bellezza e bizzarria di Goffredo Fofi; Nunzia De Stefano, regista e autrice del film "Nevia"; un ricordo dell'urbanista Daniela L...

2019 has been one of the most exhausting years on record, at least it feels that way as June comes to a close. It's my hope that EPISODE #75 of Random Old Records is a little sunshine in all of this rain, a little escapism from the tough and angry world outside, a little bit of fun and relief from all this work. Download it to your device of choice and get ready for 58 minutes and 42 seconds of jams for the heart and soul.You'll hear brand new music from the legendary Meat Puppets, who just released one of their best albums 30 years into their run, power pop from The Resonars and Julian Leal, new and old dreamy psychedelic pop from The Third Eye, Garcia Peoples, and Olden Yolk, classics from Sir Douglas Quintet and Barbara Manning, plus so so much more. This episode is dedicated to everyone out there just getting by and trying their best. I hope you enjoy it!Don't forget to SUBSCRIBE to Random Old Records via Apple Podcasts, Google Play, or RSS. If you like the show, please rate it and write a review! You can also go the traditional route and stream or download the new episode below. Come back next month for another episode of Random Old Records. As always, thanks for listening!Random Old Records Podcast #75Released 06/26/19DOWNLOAD HERE (Right-Click, "Save As")1. Jerry Jeff Walker - "Gettin' By"(Viva Terlingua, MCA 1973)2. Sir Douglas Quintet - "And It Didn't Even Bring Me Down"(Mendocino, Smash 1969)3. George Kent - "I Always Did Like Leavenworth"(The Hangman's Blues, Iron Mountain 2016)4. Sam The Sham And The Pharaohs - "Big City Lights"(On Tour, MGM 1965)5. The Bakersfield Poppy Pickers - "It's Written All Over My Face"(Happy Lovin' Time, Big Beat 2015)--Mystery Mansion!6. Meat Puppets - "Unfrozen Memory"(Dusty Notes, Megaforce 2019)7. Natural Child - "Rounder"(Dancin' With Wolves, Burger 2014)8. Art Lown - "Deep Blue Sea"(Sad About The Times, Anthology 2019)9. The Third Eye - "Valley Of Sadness"(Love, Peace and Poetry: African Psychedelic Music, QDK 2004)--Ants!10. Sheridan-Price - "Face In My Window"(This Is To Certify That..., Gemini 1970)11. Dungen - "Sisten Gasten"(Allas Sak, Mexican Summer 2015)12. Garcia Peoples - "Break Me Down"(Natural Facts, Beyond Beyond Is Beyond 2019)13. Olden Yolk - "Blue Paradigm"(Living Theatre, Trouble In Mind 2019)--No more loud music!14. The Resonars - "The Man Who Does Nothing"(No Exit, Trouble In Mind 2019)15. Julian Leal - "Be Mine"(Julian Leal, Hozac 2019)16. Faith Healer - "Sufferin' Creature"(Try ;-), Mint 2017)17. Barbara Manning - "Every Pretty Girl"(Lately I Keep Scissors, Heyday 1989)18. The Fastbacks - "K Street"(And His Orchestra, Popllama 1987)

Libby Purves meets biologist and stand-up Simon Watt; motoring journalist Martin Gurdon; hip-hop artist Baba Israel and journalist Cal Flyn. Martin Gurdon is a motoring journalist. In his book, An Estate Car Named Desire, he recounts tales of his car-obsessed childhood in the 1960s - a lost world of Ford Anglias, Triumph Heralds and Morris Minors. During his dysfunctional years at boarding school cars were both his salvation and his undoing. An Estate Car Named Desire - A Life on the Road is published by Duckworth Overlook. Baba Israel is a hip-hop artist. He will be performing The Spinning Wheel at the Roundhouse, as part of The Last Word Festival. The multi-media production explores the life of his father Steve Ben Israel, a New York-based poet, jazz musician, activist, stand-up comedian and member of the Sixties performance collective The Living Theatre. The Spinning Wheel is at The Roundhouse, London NW1. Cal Flyn is a journalist whose book, Thicker than Water, tells the story of her great-great-great uncle, Angus McMillan. Mythologized as a dashing explorer and pioneer who left his native Scotland for Australia during the time of the Highland Clearances, he in fact led a number of gruesome massacres of indigenous people. As she traces his footsteps across Australia, Cal asks how a man could commit such terrible acts and considers the concept of intergenerational guilt. Thicker Than Water - History, Secrets and Guilt is published by William Collins. Simon Watt is a biologist, stand-up, writer and broadcaster. His new comedy science podcast, Level Up Human, explores various ways to improve the human condition. Featuring guests from the worlds of comedy and science, the podcast asks whether we will soon be able to edit the human genome with so-called molecular scissors and examines the case for driverless transport and companion robots. Level Up Human launches at the Cheltenham Science Festival.

European Lab WInter forum 2015 2025 : la prochaine décennie culturelle ? 15 - 17 décembre, la Gaîté lyrique, Paris 2025 : food culture, the shape of things to come (le restaurant du futur) « Le restaurant est aux années 1980 ce que le théâtre fut aux années ‘70 » disait Meg Ryan à Billy Crystal (ou vice-versa) dans When Harry met Sally. Et aujourd’hui, que représente-t-il ? Et surtout comment l’empêcher de tourner en rond ? Comment l’affranchir de ses acquis pour l’aider à basculer définitivement dans une autre forme de modernité ? Car depuis sa naissance, il y a bientôt trois cents ans !, le restaurant a évolué en aparté, circuit fermé étanche aux soubresauts du monde extérieur qu’il était pourtant censé nourrir, traduire et faire circuler. Sous ses différentes formes et déclinaisons à travers cultures et pays, il demeure encore aujourd’hui, et cela malgré les tentatives de mise à jour et la pression des mutations sociétales, un huis-clos autocentré, régi par des logiques propres apparemment immuables. Le restaurant pourrait pourtant se révéler l’îlot de résistance et d’invention d’une concertation collective qui serait en mesure de déjouer allégrement les hiérarchies, les rigides formes de pensée. Pour accompagner une nouvelle éthique alimentaire, d’autres formes de création et de subjectivation. Peut-on légitimement rêver, pour 2025, d’un alter-restaurant polymorphe et de partage des expériences, transgenres et sans barrières (de classe, de sexe) ? Quelque chose comme une White Box, lieu d’exposition chaque fois différent qui, avec la liberté de création, désentraverait aussi la passivité dans laquelle le dîneur s’est jusqu’à présent lové en victime consentante. Un restaurant qui pourrait, pour reprendre l’échange de Meg Ryan et Billy Crystal, être à la cuisine ce que le Living Theatre fut au théâtre. Mais le Bread & Puppet Theatre, ce ne serait pas mal non plus… Intervenants Iñaki Aizpitarte • Chef cuisinier I FR Mathieu Rostaing-Tayard • Chef cuisinier I FR Magnus Nilsson • Chef cuisinier I SE Laura Lazzaroni • Uomo Vogue I USA/IT Rodolfo Gùzman • Chef cuisinier I CL Olivier Joyard • Journaliste et réalisateur I FR Lara T. Gilmore • Critique d'art I IT Modération : Andrea Petrini • Journaliste culinaire I FR/IT photo : ©Brice Robert

Pianist/composer Freddie Redd occupies a small but important place in Modern Jazz. A self-taught and resourceful musician, Freddie Redd worked hard throughout the 1950's to establish himself on the New York Jazz scene. His breakthrough came when he signed with Blue Note Records and recorded his "Music For The Connection" with his quartet. The Connection was an off-Broadway play put on by The Living Theatre that was about drug addicts and featured Freddie's band in playing and speaking roles. It had a long run. The recording was highly praised and sold very well. This record is for this writer Freddie Redd's masterpiece and was his second Blue Note date. It features his quintet playing all Freddie's great compositions. The playing is superb and the band is tight. All of Freddie's tunes have substance and it's a shame that Blue Note didn't promote this recording very well as it soon became a collector's item. The people involved are Jackie McLean on alto saxophone, Tina Brooks on tenor saxophone, Paul Chambers on bass, Louis Hayes on drums and of course Freddie Redd on piano. Mr. Redd told this writer that this was his favourite recording of his own wok and was very proud of this date. Check out "Shades of Redd".....it reall is a masterpiece!