Podcasts about Jacques Lecoq

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: www.sarahkfinn.com Instagram: @sarah.k.finn About Sarah: Sarah Finn (she/they) is a performer, writer and multimedia artist making theater and film. Their work plays with found + original text and media, puppetry, clown and movement, to create landscapes of humor & freak-out. Her solo show Is this the right thing to be doing? was presented at Portland Institute of Contemporary Art in 2024, and its full-length version will premiere in Vancouver in September 2025. Their performances & films have been presented at festivals in North America, Czech Republic, Germany, and Japan, as well as venues in New York, including Anthology Film Archives and Mabou Mines, where they received a Brooklyn Arts Council Grant, MAP Fund Microgrant, and were a resident-artist at Mabou Mines and Object Movement. As a collaborator, they work as a designer, dramaturg, director and performer. She trained at Ecole Internationale de Théâtre Jacques Lecoq and is pursuing an MFA in Interdisciplinary Arts at SFU.www.sarahkfinn.com | @sarah.k.finn About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

Henry gets us out of our heads and into our bodies with encouragements for a more embodied understanding of what zazen is really doing with us. How can we convince our minds to let the body take the wheel for awhile? How do we translate a stillness that doesn't speak in sense? Can Henry quote the late great Jacques Lecoq without giggling?? Find out here!!

Connor Trinneer played Cmdr. Charles 'Trip' Tucker III in Star Trek: Enterprise. In this episode we discuss the random moment that changed Connor's career trajectory, how his family inspired his growth as an actor, and our thoughts on Jacques Lecoq's world-renowned acting techniques. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of 'Walk, Talk, Listen,' Maurice is joined by Victoire Mandonnaud a 26-year-old French multi-talented artist, anthropologist and economist. Victoire shares her inspiring journey from studying painting and photojournalism in New York to earning degrees in Anthropology and International Finance and Economic Policy from Columbia University. Rooted in her early exposure to the arts and being the youngest of six siblings, Victoire underscores the importance of exploring diverse fields. She is passionate about human nature, its resilience, and fostering modest, meaningful conversations. Victoire is also developing 'On My Way,' an app that encourages real-time community actions and supports Sustainable Development Goals (SDGs). Additionally, she reflects on how younger generations prioritize actionable goals over traditional spirituality. Graduated from prestigious institutions including the International Center of Photography and Jacques Lecoq, Victoire balances her art career with her mission to inspire societal change through honest dialogue and innovative solutions.   Listener Engagement: Discover more about Victoire's via her website and her social media handles Instagram Paintings and Instagram Photographs, . Or the website of her app On My Way and it's social media handles: Twitter, Facebook and Instagram. Share your thoughts on this episode at innovationhub@cwsglobal.org. Your feedback is invaluable to us. Discover the songs picked by Victoire and other guests on our #walktalklisten playlist here.   Follow Us: Support the Walk Talk Listen podcast by liking and following us on Twitter and Instagram. Visit our website at 100mile.org for more episodes and information about our initiatives. Check out the special WTL series "Enough for All," featuring Church World Service (CWS) and the work of the Joint Learning Initiative (JLI).

durée : 01:05:00 - Les Nuits de France Culture - par : Christine Goémé - Autour d'un choix de mots qu'il a lui-même sélectionnés, Jacques Lecoq parle de l'école de théâtre qu'il a fondée à Paris regroupant des élèves de 35 nationalités différentes et de son livre "Le corps poétique" qui va bientôt sortir aux éditions Acte Sud Papier. - réalisation : Virginie Mourthé - invités : Jacques Lecoq

Festeggia i suoi primi 60 anni, l'Odin Teatret, una delle più importanti compagnie teatrali del mondo. Un compleanno che viene celebrato con un programma intenso di appuntamenti per tutto il 2024 che porta la carovana teatrale dal Messico all'Uruguay, dalla Cina alla Norvegia.Fondato da Eugenio Barba l'ultimo maestro teatrale d'Occidente, allievo di Jerzy Grotowsky, l'Odin Teatret si è distinto negli anni come un progetto unico di Teatro di ricerca multimediale.Nata a Oslo, in Norvegia, nel 1964, poi stabilitasi in Danimarca a Hostelbro, cresciuta facendo del training dell'attore il suo fulcro tra collaborazioni importanti anche con Jacques Lecoq, Dario Fo, Krejca, Luca Ronconi, il Living Theatre, la compagnia dell'Odin è un richiamo imprescindibile per tutti gli amanti del teatro, professionisti e non.Al Teatro Menotti di Milano, tappa precedente all'arrivo in Ticino dell'Odin Teatret, abbiamo incontrato il maestro Eugenio Barba e partecipato a una masterclass realizzata dall'attore danese Tage Larsen.Dai suoi incredibili 88 anni, Eugenio Barba, con un'energia contagiosa ci racconta del teatro di ricerca, dell'essere comunità e dell'inesauribile sete di conoscenza. Passando poi dall'esperienze vissute in Brasile e in Cile durante la dittatura di Pinochet, senza dimenticare la passione per l'India.Ancora una volta, Eugenio Barba, ci conduce oltre i confini del consueto.

Igralka in pisateljica Maja Gal Štromar, Koprčanka v Ljubljani, in Danijel Malalan, igralec in direktor Slovenskega stalnega gledališča v Trstu. MIDVA je nova večerna oddaja Radia Koper; prinaša pogovore z dvojicami, ki delujejo na različnih področjih – prijatelji, sodelavci, poslovni partnerji, zakonski partnerji, starši in otroci. Tokrat sta naša gosta igralka in igralec. Oba sta rada nastopala že kot otroka. Maja je namesto mikrofona imela kar krtačo, Danijel pa je rad pel. Njune poti do izobrazbe so bile različne. Maja je širila krila in se kot diplomirana romanistka odločila za študij na ugledni Mednarodni šoli Jacques Lecoq v Parizu, Danijel, iz domačih Trebč pri Trstu, je Ljubljano začel spoznavati šele kot študent prvega letnika dramske igre na AGRFT, sošolce pa zabaval z narečjem, ki ga niso razumeli. Oder imata oba enako rada. In oba sta na polju umetnosti svoje veje širila v vse smeri. Maja je igralka, pisateljica, gledališka pedagoginja, dramatesa in tudi mojstrica branja djotiša. Danijel je igralec, a tudi diplomiran ekonomist z magisterijem iz managementa umetnosti. Je umetniški koordinator in direktor Slovenskega stalnega gledališča v Trstu. Številne vloge povezujeta z lahkoto, kajti «… v življenju igramo različne vloge prav vsak dan ...«, povesta v oddaji, ki ju predstavlja kot umetnika in kot človeka. Z njima se je pogovarjala Nataša Benčič.

¡Hola a todos los amantes del movimiento y la expresión! Bienvenidos a otro emocionante episodio de mi videopodcast. Hoy nos sumergiremos en un tema fascinante: las diferencias entre la Expresión Corporal y la Danza. Ambas formas artísticas comparten el escenario del cuerpo, pero ¿qué las distinguen realmente? Hablaré en profundidad de las dos, sus características, historia, usos, etc. Aprende sobre cómo potenciar tu cuerpo a nivel artístico con estas dos disciplinas. Aquí os dejo la bibliografía de los libros mencionados en el episodio: - "Apuntes para una anatomía aplicada a la danza". Juan Bosco Calvo. Cómpralo AQUÍ - " El dominio del movimiento". Rudolf Laban. Editorial Fundamentos Cómpralo AQUÍ - "Hacia un teatro pobre". Jerzy Grotowski. Siglo XXI Editores. Cómpralo AQUÍ - "El cuerpo poético". Jacques Lecoq. Artes Escénicas editores. Cómpralo AQUÍ En esta nueva temporada 3 de Acción Escénica Podcast podrás ver y escuchar mis episodios en Spotify, Apple Podcast, Google Podcast, Youtube y en las mejores plataformas de podcast a nivel mundial. Si te gusta mi contenido te agradecería muchísimo que lo compartieras, le dieras un ⁠⁠me gusta o dejaras una valoración en Apple Podcast⁠⁠ para así poder llegar cada vez a más público. Si tienes dudas puedes dejarlas en los comentarios o en la pregunta de Spotify relacionada con este episodio y responderé encantado. Si además de gustarte las artes escénicas y la comunicación, quieres dar un paso más y formarte como un profesional visita mi página web y descubre toda mi oferta formativa en ⁠www.accionescenica.com/cursos⁠ ¿Quieres formar parte del próximo episodio de mi Podcast?Mándame un audio de max. 1'30'' pinchando AQUÍ y contándome qué pregunta o cuestión te gustaría que aclarara en el próximo episodio. Publicaré tu audio en el podcast junto con mi respuesta. ¡Anímate! --- Send in a voice message: https://podcasters.spotify.com/pod/show/accionescenica/message

The return of Sabina “Sabs” Netherclift! Sabs returns to discuss more about her time with Jacques LeCoq on Paris and her love of movement all together.  We delve deeper into LeCoq's work including the exercises, “The Invisible Room”, the “Seven States of Tension” and “Clowning”.  As well as when she turns her skills towards directing, having directed Helen Edmunson's play “Coram Boy”. We talk how she likes to conduct the rehearsal room, how she approaches text and how her training in Paris helps with words as well as movement.  Sabs' Instagram: @sabinanetherclift Thanks for coming back Sabs, always a pleasure. Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver For enquiries and requests: olliegower10@gmail.com Please Like, Download and Subscribe! --- Send in a voice message: https://podcasters.spotify.com/pod/show/oliver-gower/message

Thomas Kelly received a degree in theater from Rhodes College and completed a Jacques Lecoq inspired physical theater and devising course at the London International School for the Performing Arts. He is an ensemble member of the Holy Fuck Comedy Hour and the award winning improv ensemble, Sand. Thomas and I talk about three categories of play; Play to play, play to win and play to survive, what they are and how and when to use them. We talk about character driven improv, trust your instincts  and clowning. We are also talking about tinder, cook county social club and the joy of watching a painter paint.

THE LION KING  Music & Lyrics by Elton John & Tim Rice | Additional Music & Lyrics by Lebo M., Mark Mancina, Jay Rifkin, Julie Taymor, & Hans Zimmer | Book by Roger Allers & Irene Mecchi  |  Adapted from the Screenplay by Irene Mecchi, Jonathan Roberts, & Linda WoolvertonWorks Consulted & Reference :The Lion King (Original Production Directed by Julie Taymor)The Lion King (Original Film Directed by Roger Allers & Rob Minkoff)The Lion King: Pride Rock on Broadway by Julie TaymorThe Lion King - The Full Film Script by Bill Scollon & Marbara MontiniDisney Theatrical Productions: Producing Broadway Musicals the Disney Way by Amy S. OsatinskiThe Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen' Edited by George RodosthenousThe Lion King: A 'Blockbuster Feline' on Broadway and Beyond by Barbara Wallace GrossmanMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"They Live in You" from The Lion King (Original Broadway Cast Recording)  | Music & Lyrics by Lebo M., Mark Mancina, & Jay Rifkin | Performed by  Samuel E. Wright & Ensemble - The Lion King"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

This week we're coming to you live from Toronto Fan Expo, where we're talking to legendary actor, choreographer and teacher, Gates McFadden about the fandom that's driven her life's work; ARTS EDUCATION! We discuss her time working with famous teachers like Jacques Lecoq, the trust that it takes to make art with someone, memories from her more notable students and the beauty of being exactly who you are. Plus, some insider insight on the current state of arts work and education in Canada and the United States.  Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more.

¿Qué tienen en común y qué los diferencia a Jaques Lecoq y a Stanislavski, dos de los grandes maestros del teatro? ¿Cómo influyen sus métodos en la forma de actuar, crear y expresarse de los actores y actrices? ¿Qué ventajas y desafíos plantean sus propuestas pedagógicas y artísticas? Estas son algunas de las preguntas que intentaremos responder en este episodio del podcast "Cultura en dos cafés", donde conversaremos con Fernando Tébar, actor, director y profesor de teatro, sobre las diferencias más importantes entre el método teatral de Jaques Lecoq y el método de Stanislavski. En este programa aprenderás:  - Qué es el método de Stanislavski y cómo se basa en la psicología del personaje, la memoria emotiva y la verdad escénica. - Qué es el método de Jaques Lecoq y cómo se basa en el movimiento, la máscara y la creación colectiva. - Cómo se aplican estos métodos en la práctica teatral y qué beneficios aportan al desarrollo creativo y personal de los actores y actrices. - Qué retos suponen estos métodos para los docentes de teatro y cómo se pueden adaptar a diferentes contextos y públicos. - Qué obras y autores se han inspirado en estos métodos y cómo han influido en la historia del teatro. Si te interesa el mundo del teatro, la pedagogía teatral o simplemente quieres conocer más sobre estos dos genios de la escena, no te pierdas este episodio del podcast "Cultura en dos cafés". Además, al final del programa encontrarás una sorpresa que seguro que te gustará. #JaquesLecoq, #Stanislavski, #metodosteatrales, #culturaendoscafes

Jim Calder and Devin Shacket join me for episode 062 of Actorcast, and they do not disappoint! In this episode, we dive deep into the craft of acting and the important things that actors should keep in mind (or out of their mind) when performing. We discuss why Jim and Devin became acting teachers, what makes a good actor, and the common struggles that actors come up against in the rehearsal and audition room. We talk about experience versus explanation, the illusion of the word "instinct," and so much more. You can learn more about Jim and Devin's work by visiting https://www.thenewyorkdramacenter.com or @thenewyorkdramacenter. Jim Calder is the Head of Movement at New York University Tisch Graduate Acting Department. He is the winner of the David Payne Carter Excellence in Teaching Award and Artistic Director of La Pietra Summer Theatre Festival in Florence, Italy. Jim has directed at various locations in New York City including the Lincoln Center Institute, Pearl Theatre, Classic Stage Company, The Public, New York Theater Workshop and HERE. Jim was movement and creative consultant for the upcoming film ‘Silent Retreat” written and directed by Todd Straus-Schulson, on ‘Pericles' at Berkeley Rep, (Director Mark Wing-Davey), ‘Passion Play' by Sarah Ruhl (Director Mark Wing-Davey) and movement director on Broadway for ‘Therese Raquin' staring Keira Knightley, (director Evan Cabnet). Jim has performed at The Old Globe, P.S. 122, and throughout Europe. He was the lead actor and creative consultant in PBS's ‘Noddy & Friends'. Jim trained at Ecole Jacques and performed under the direction of Jacques LeCoq in numerous TV specials in France. Devin Shacket is an actress, casting professional, audition coach, and on-camera acting teacher.  Devin began coaching and taping auditions in early 2013, while working in the House of Cards: Season 2 casting department. Her casting credits include the second season of House of Cards, alongside Emmy Award winning casting director, Julie Schubert, feature films including Good Funk, Black Nativity, Three Backyards, and theatre projects and the San Francisco Playhouse. Her students have appeared on television shows such as The Marvelous Mrs. Maisel, Iron Fist, Happy, Gotham, New Amsterdam, Switched at Birth, Tyrant, Ramy, The Deuce, Jack Ryan, Sneaky Pete, Quantico, Infierno Verde, Jessica Jones, Blue Bloods, Sweet Bitter, The Looming Tower, FBI, Dickinson, The Blacklist, The Godfather of Harlem, and more.  In addition to private coaching and audition taping, Devin teaches on camera acting and audition technique to adults and young actors internationally.  She has been a guest lecturer at NYU Stonestreet School for Film and Television, SF Playhouse, SF State University, Palm Beach Atlantic University, dBs Berlin Film School, and several private studios in New York City.  She is the founder and Artistic Director of the New York Drama Center. Follow my work at https://www.patrick-mcandrew.com/

Fernando Ochôa é designer de iluminação há 34 anos. Com experiência internacional participou de festivais na Alemanha, Espanha e Portugal. Foi coordenador técnico do X Poa em Cena. Além de iluminador é ator, dublador, designer e diretor de espetáculos; Atualmente trabalha como projetista de iluminação e design cenográfico para eventos corporativos, grupos teatrais, grupos de dança, orquestras como Ospa, Ulbra, Eintracht. Dirige a Orquestra Eintracht há 3 anos com espetáculos focados na música brasileira; Formação [IPOG] — [Pós-graduação em Iluminação e Design de Interiores] 2015 [UFRGS] — [Bacharelado em Direção Teatral] 2000 [UFRGS] — [Licenciatura em Ed. Art. Hab. Artes Cênicas] 1991 ‌ Reconhecimento Público Prêmio Açorianos em 1999, 2003, 2007, 2013, 2016. Iluminação Teatro Adulto; Prêmio Tibicuera 1999, 2001, 2006; Iluminação Teatro Infantil Prêmio RBS Cultura 2007; Direção Teatro Infantil ‌ Com sua formação e experiência tem atuado como designer tanto de iluminação quanto cenografia em projetos integrados que podem ser conferidos em: - Iluminação | Ochoa Luz e Design - (fernandosochoa.wixsite.com) - Fernando Ochoa - Ochôa Luz e Design (fernandoschneiderochoa.blogspot.com) Release da peça: A trama acontece em um imenso mundo branco, no qual não há homens nem bichos: apenas máscaras-larvas, em diferentes estados e formas. A montagem fala dos encontros e desencontros desses seres, de seus atritos, confusões, equívocos e aproximações, ampliando o mundo fenomenal, que envolve o contato entre eles. A ambientação da cena aponta em direção aos eternos, sábios e perenes movimentos do universo, revelando que, junto ao gesto diário, está o movimento das marés, das estrelas e dos planetas. Revela ainda realidades paralelas e tangentes que, numa explosão de sensibilidade mútua, podem se inter-relacionar. O recurso da utilização das máscaras foi introduzido no universo teatral na década de 60, pelo francês Jacques Lecoq. Elas foram incorporadas, depois, à pesquisa de outras escolas – como a École International Philipphe Gaulier – que desenvolveram princípios técnicos para sua utilização no espaço cênico. As máscaras larvárias foram trazidas pela diretora Daniela Carmona, após pesquisas na Europa. Larvárias recebeu o prêmio FUMPROARTE 2005; o Prêmio Açorianos de Teatro Adulto, categoria Melhor Iluminação, em 2006; e destaque da crítica carioca como um dos 10 melhores espetáculos teatrais do ano de 2007. Ficha Técnica Texto/ Roteiro e Direção: Daniela Carmona Diretora Asistente: Adriane Mottola Elenco: Adriano Basegio e Daniela Carmona Trilha sonora: Fábio Mentz Operação de Sonoplastia: Gisa Pithan Iluminação: Fernando Ochôa Operador de Luz: João Xavier Gaspary Figurino: Rô Cortinhas

Entrevistem de nou l'actor, director, autor i professor Horacio Ladrón de Guevara, que ha estat dirigint el curs de Teatro por y para la vida Enea-Comedy - 'El musical' a La Casa dels Contes de Gràcia, Barcelona, i l'espectacle resultant es pot veure en aquesta sala fins el 4 de juny (funcions a les 21h). La formació ha consistit en un entrenament actoral amb la tècnica del mètode Stanislavski i exercicis de l'escola de clown de Jacques Lecoq, fent un recorregut per tots els eneatips jugant amb ells a través de la comèdia i treballant l'autoconeixement. S'ha comptat amb la cantant, pianista i professora de cant Tamar St Clair, que també interpreta la música en directe tots els dies de la representació de l'espectacle. El conjunt d'intèrprets canten i ballen cançons famoses del pop-rock de los 80s i 90s. Aquí teniu l'enllaç a la compra d'entrades: https://entradium.com/es/events/enea-comedy-el-musical Ona Cultural - La Clem Cultura - Ona de Sants - teatre - cursos - musical - eneagrama - ràdio - radio - El Podcast de Laura Clemente - I Love Life

Jeannette talks to renowned theatre director, Luke Kernaghan, on the ways in which he has harnessed the power of his creativity to unlock success, the value of connections and how networking has accelerated his journey of growth, and why following your passions is the key to lifelong happiness when it comes to your career choice. KEY TAKEAWAYS There is no substitute for authenticity, and you cannot truly be yourself until you've asked the internal questions required. Sometimes the forces that drive us are difficult to identify, and manifest themselves through instinct. We should always listen to our inner voice. If we are able to identify our passions, and forge a career in that sector, then working becomes a privilege, and fulfilment is far easier to achieve. Theatre in particular, thrives upon community. Those who are in the field, raise each other up and encourage support from all sides. BEST MOMENTS 'Your energy is incredible. You clearly love what you do' 'My journey was not linear' 'You don't go into theatre to make money!' This is the perfect time to get focused on what YOU want to really achieve in your business, career, and life. It's never too late to be BRAVE and BOLD and unlock your inner BRILLIANCE. If you'd like to jump on a free mentoring session just DM Jeannette at info@jeannettelinfootassociates.com or sign up via Jeannette's linktree https://linktr.ee/JLinfoot VALUABLE RESOURCES Brave, Bold, Brilliant podcast series - https://podcasts.apple.com/gb/podcast/brave-bold-brilliant-podcast/id1524278970     Luke Kernaghan Instagram - https://www.instagram.com/kernaghanluke/?hl=en ABOUT THE GUEST Luke Kernaghan is a freelance theatre director, working extensively within the UK and internationally. He started his career as an actor in devised and physical theatre companies, performing mainly in Europe, before moving into directing. He has directed for theatres such as The National Theatre of Scotland, The Royal Shakespeare Company, The Abbey Theatre in Ireland, Seensee in Seoul South Korea, The National Theatre of Mexico, The Donmar, The Jamie Lloyd Company and ATG. Recent productions include the award-winning(*) musical The Stamping Ground (featuring the songs of Runrig), The US premiere tour of How The Hell Did I Get Here? starring Downton Abbey's Lesley Nicol, and co-written by the multiplatinum-selling and Emmy-nominated songwriter Mark Mueller. His production of Katie Honan's one-woman-show How To Fall Flat On Your Face won two Greenroom Awards(**) in Ireland, and is transferring to Dublin in winter 2023. A graduate of Oxford University, with a BA Joint Honours in French and Spanish, Luke also earned a Diploma in Theatre Studies from the École Internationale de Théâtre Jacques Lecoq in Paris. Luke gained an MA in Directing from the Central School of Speech and Drama in London, and trained on the National Theatre's Director's Course. ABOUT THE HOST Jeannette Linfoot is a highly regarded senior executive, property investor, board advisor, and business mentor with over 25 years of global professional business experience across the travel, leisure, hospitality, and property sectors. Having bought, ran, and sold businesses all over the world, Jeannette now has a portfolio of her own businesses and also advises and mentors other business leaders to drive forward their strategies as well as their own personal development. Jeannette is a down-to-earth leader, a passionate champion for diversity & inclusion, and a huge advocate of nurturing talent so every person can unleash their full potential and live their dreams.  CONTACT THE HOST Jeannette's linktree - https://linktr.ee/JLinfoot https://www.jeannettelinfootassociates.com/ YOUTUBE - https://www.youtube.com/channel/UCtsU57ZGoPhm55_X0qF16_Q LinkedIn - https://uk.linkedin.com/in/jeannettelinfoot Facebook - https://uk.linkedin.com/in/jeannettelinfoot Instagram - https://www.instagram.com/jeannette.linfoot/ Email - info@jeannettelinfootassociates.com Podcast Description Jeannette Linfoot talks to incredible people about their experiences of being Brave, Bold & Brilliant, which have allowed them to unleash their full potential in business, their careers, and life in general. From the boardroom tables of ‘big' international businesses to the dining room tables of entrepreneurial start-ups, how to overcome challenges, embrace opportunities and take risks, whilst staying ‘true' to yourself is the order of the day.Travel, Bold, Brilliant, business, growth, scale, marketing, investment, investing, entrepreneurship, coach, consultant, mindset, six figures, seven figures, travel, industry, ROI, B2B, inspirational: https://linktr.ee/JLinfootSee omnystudio.com/listener for privacy information.

We talk to esteemed clown of Jacques Lecoq and Phillipe gaulier, Rene Bazinet. He is known for his work with Cirque du Soleil, first as a performing artist touring extensively with Saltimbanco. Here is an overview of what we discussed:[[11:25]] Difference between Phillipe Gaulier and Jacques Lecoq[[22:32]] How defending your ego takes you away from your clown[[27:31]] How being a clown is making a career out of being embarrassed, which is something, not everyone is capable of doing.[[37:01]] Is Philippe Gaulier an arsewhole[[40:45]] The difference between stand up and clownIf you would like to know more about Rene Bazinet, go and drop him a message on Facebook. If you would like to know more on Marvin, you can follow him through his Linktree at https://linktr.ee/theflopmaster.

How can we align to our most authentic selves? Embrace our uniqueness and gifts and share them loudly and unapologetically with the world? Who better to ask than Charlotte Fox AKA @thepyschedelicfox - actor, comedian, yoga teacher and HIGH VIBES extraordinaire. I attended one of Charlotte's stand-up comedy gigs in Brighton last summer and then met her again by chance at a day-retreat. I was drawn to her magnetic energy, radiance and reflections on creativity and inspiration and knew I had to co-create an episode with her to put out into the universe. For me, Charlotte embodies so much of that va-va-voom we all aspire to have in our lives. Sometimes we can be so afraid - consciously or subconsciously - of truly being ourselves, of going against the grain, not following the trodden path, speaking our truth, being perceived as “too much.” Described as “affirming, ludicrous, surreal and raw” by Tung Magazine, Charlotte in her own words kicks us out of our own comfort zones, lovingly and compassionately and gives us permission to BE MORE of ourselves. About Charlotte: Charlotte Fox is an alumni of Soho Theatre's galaxy of rising stars, actor, comedian, writer, yogi. Charlotte studied acting at Jacques Lecoq in Paris and she gigs regularly as a comedian in the UK. She sold out her shows at the Warren at Brighton fringe and played the spiegeltent in 2022. She hosted the atrium stage at Wilderness this year and has worked across UK festivals. She teaches yoga and meditation internationally and hosts successful yoga retreats in Ibiza, Bali and Mexico. She has been described as “affirming, ludicrous, surreal and raw” by Tung Magazine. In this episode: - Embracing our individuality even if it means deviating off the trodden path - Not being afraid to fail and seeing failure as an inevitable part of growth and living courageously and part of the road to success - Forgiving ourselves for our failings or wrong-doings - Taking risk and finding the joy in play, being ‘bad' and rebellious - Trusting the niggles and getting in tune with our hearts and bodies to receive intuitive guidance, inspiration and creative ideas - Taking full responsibility and agency within our own lives - Balancing our ‘doing' and ‘being' in the pursuit of our goals and dreams To stay updated with Charlotte's upcoming gigs, events and retreats you can find her at @thepsychedelicfox or www.thepsychedelicfox.com

Jon Foley Sherman has an intriguing academic and professional background.  A self-described “career communicator,” his formal education includes an undergraduate degree from Middlebury College in Vermont, a Diplôme from L'École International du Théàtre Jacques Lecoq in Paris, and an M.A. and Ph.D. from Northwestern University in Evanston, Illinois. Jon draws additional expertise from his background in theater, teaching, and consulting. He now works in a mission-driven healthcare organization, where he brings his passion to understanding and improving patient and staff experiences. Join our conversation with Jon Foley Sherman today on Radio Maine.

Entrevistem l'actor, director, autor i professor Horacio Ladrón de Guevara. Dirigeix el curs de Teatro para la vida 'Enea_comedy - El musical' a La Casa dels Contes de Gràcia, Barcelona. Dimarts dia 13 s'impartiran dues classes obertes, una al matí a partir de les 11:30 i l'altra al vespre a partir de les 19:30. La formació s'impartirà tots els dimarts del 20 de setembre a finals de maig. Es farà un entrenament actoral amb la tècnica del mètode Stanislavski i exercicis de l'escola de clown de Jacques Lecoq, fent un recorregut per tots els eneatips jugant amb ells a través de la comèdia i treballant l'autoconeixement. Es comptarà amb la professora de cant Tamar St Clair. I al musical resultant del curs s'actuarà, cantarà i ballarà cançons famoses del pop-rock de los 80s i 90s. Ha acompanyat l'Horacio un dels seus alumnes i col·laborador nostre a la ràdio, Joan Antoni Pérez. Per tenir més informació, podeu contactar amb l'Horacio a l'adreça de correu solangelasaga@gmail.com ('Solange callejón de alacranes' és una novel·la de l'Horacio que la podeu adquirir per Amazon en versió ebook i llibre físic). Ona Cultural - Laura Clemente - Ona de Sants - teatre - cursos - musical - eneagrama - ràdio - radio - El Podcast de Laura Clemente - I Love Life - Laura Clemente Comunicació

Samantha Bee sits down with legendary comedic actress and fellow Canadian Andrea Martin to discuss the variety shows they grew up with, TikTok comedians, and working with everyone from John Candy to Jacques Lecoq. This episode was initially recorded for the Toronto Hot Docs Podcast Festival. Original release date: February 8, 2022.

Today we're talking about my third master, Jacques Lecoq's physical theatre and devising pedagogy.EPISODE'S SHOW NOTESOUR FREE GUIDE TO A SUSTAINABLE + IMPACTFUL ART CAREER. 

Ismael Scheffler é professor na Universidade Tecnológica Federal do Paraná, lecionando disciplinas relacionadas à teatro e criatividade junto às graduações de Letras e Design. Dirige o TUT, projeto institucional de extensão de teatro, desde 2005, e o Projeto de Extensão Desenvolvimento da Cenografia, desde 2013. É diretor de teatro e dramaturgo. Doutor em Teatro pela UDESC, com pesquisa sobre a pedagogia de Jacques Lecoq, enfocando o atelier de cenografia (LEM). Coordenou o Grupo de Trabalho Poéticas Visuais e Sonoras da Cena, da Associação Brasileira de Pesquisa e Pós-graduação em Artes Cênicas (ABRACE). É pesquisador, tendo publicado diversos artigos, capítulos e livros sobre cenografia, teatro de formas animadas, processos de criação em teatro, história do teatro estudantil em Curitiba, Jacque Lecoq, Antonin Artaud, entre outros temas. É autor do livro "Teorias da cena: teatro e visualidades", pela Editora InterSaberes. @ismael_scheffler Descrição do livro: A abordagem desta obra tem como objetivo principal proporcionar ao leitor uma perspectiva nova sobre o teatro, convidando-o a observar essa expressão artística pelo prisma da visualidade. Dessa forma, além de explorar questões relativas à história do teatro e às principais teorias, técnicas e práticas dessa área, buscamos aproximar as artes cênicas e as artes visuais, promovendo uma discussão embasada sobre a articulação dos elementos visuais que compõem a cena teatral. Junte-se a nós neste investigação e perceba como a linguagem teatral tem acomodado diferentes propostas estéticas na contemporaneidade. Páginas: 404 Editora: Editora Intersaberes Edição: 1ª Idioma: Português ISBN: 9788559728422 Apresentação do livro "Teorias da cena: teatro e visualidades", de Ismael Scheffler - https://www.youtube.com/watch?v=ChU1bExytn0&t=8s O livro pode ser adquirido pela site da editora: https://livrariaintersaberes.com.br/produtos/teorias-da-cena-teatro-e-visualidades/ Biblioteca Virtual de Design Cênico - https://bibliotecadesigncenico.ct.utfpr.edu.br/ TUT - https://tut.ct.utfpr.edu.br/index.php/blog/@tut_utfpr

L'émission 28 Minutes du 19/04/2022 Au programme de l'émission du 19 avril 2022 ⬇ L'art de la chute selon l'humoriste belge Jos HoubenPourquoi rions-nous ? Voilà quinze ans que l'auto-proclamé clown belge Jos Houben s'interroge sur la question. À sa manière, loufoque et décalée, il s'intéresse à ce qui fait travailler nos muscles zygomatiques. Avec son cultissime spectacle “L'Art du rire”, dans lequel il décortique les mécaniques de l'humour sur scène, il a fait rire aux larmes des milliers de personnes à travers le monde. De cette performance, le disciple de Jacques Lecoq en retire l'inspiration pour “Le Chien de Bergson” (éditions Premier Parallèle), co-écrit avec le philosophe Christophe Schaeffer, qui prend la forme d'un dialogue plaisantin aussi absurde que poétique. Il est notre invité du jour. L'armée russe lance une offensive massive dans l'Est de l'Ukraine / Vladimir Poutine peut-il se permettre de perdre la bataille du Donbass ?Cela fait plus de trente ans que le Donbass, région à l'est de l'Ukraine et frontalière avec la Russie, est convoité par Moscou. Mais malgré la présence d'une majorité de russophones sur ces terres, le territoire reste tourné vers l'Occident. Vladimir Poutine, porté par la guerre qu'il mène depuis près de deux mois contre son voisin tant convoité, a envoyé ses forces armées pour “libérer” le Donbass, comme l'a affirmé ce mardi 19 avril le ministère russe de la Défense. Ce dernier a aussi appelé l'ensemble de l'armée ukrainienne à se rendre. Ce qui était une occupation partielle et déjà brutale depuis 2014 est sur le point de passer à une dimension supérieure particulièrement meurtrière. Nos invités du débat analysent la situation.Enfin, retrouvez également les chroniques de Xavier Mauduit et d'Alix Van Pée !   28 Minutes est le magazine d'actualité d'ARTE, présenté par Elisabeth Quin du lundi au vendredi à 20h05. Renaud Dély est aux commandes de l'émission le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement : 19 avril 2022 - Présentation : Élisabeth Quin - Production : KM, ARTE Radio

Nimrod Eisenberg is a medical clown, circus artist and actor. He is a Creative Consultant for “Dream Doctors”, the Israel-based organization that integrates therapeutic medical clowns, or “Dream Doctors”, as an integral part of the healthcare staff across Israel. “Dream Doctors” assist with various medical procedures, increasing patient well-being, and promoting the advocacy of healthcare delivery. Nimrod studied his craft at Ecole international de théâtre Jacques Lecoq in France and at the Kiklos Teatro in Italy. He has a BA from Haifa University in Israel. To mark our show's 10th anniversary , we're featuring a special series – a “one way ticket to optimal mental, physical and spiritual well-being”. On this episode, Nimrod shares the power of medical clowning and how it gives emotional support during times of trauma. Nimrod and his fellow “Dream Doctors” are now participating in bringing smiles, support and hope to Ukrainian refugees in Moldova and Poland. He joined us on the line (from the Warsaw airport awaiting his flight back to Israel) after completing his work there. Nimrod is just one of the engaging personalities featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they would go if given a one way ticket, no coming back. Their destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Former Senator, Joe Lieberman; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals, etc.

Actrice Rachella Kingswijk woont sinds 2015 in Parijs en is al sinds jaar en dag dol op geschiedenis en duistere verhalen. Rachella speelde in Nederland als actrice in diverse films en series, acteerde in de horrorshows van Boom Chicago, The Amsterdam Dungeon en schreef een goed ontvangen one-woman-show over mensenhandel. De grote rollen kwamen echter pas in Parijs, nadat zij afstudeerde aan de prestigieuze theaterschool Jacques Lecoq.  Rachella werkte voor l'Opéra National de Paris met regisseur Terry Gilliam van Monty Python en speelde als actrice in diverse Shakespeare-voorstellingen.Ook heeft Rachella net haar eerste rol in een Amerikaanse film gedraaid. Daarnaast is ze ook nog poppenspeler en in die rol manipuleerde zij de titelrol in de opera Aida, onder regie van Lotte de Beer & Mervyn Millar. Al haar liefdes komen samen binnen haar bedrijf Freaky Tours Paris: de eerste én enige Nederlandstalige horrortour van Parijs!

Samantha Bee sits down with legendary comedic actress and fellow Canadian Andrea Martin to discuss the variety shows they grew up with, TikTok comedians, and working with everyone from John Candy to Jacques Lecoq. This episode was initially recorded for the Toronto Hot Docs Podcast Festival.

Philippe talks about his Clown show 'Les Assiettes' and his time as a teacher at L'École Internationale de Théâtre Jacques Lecoq.Related LinksPierre BylandRoger BlinL'École Internationale de Théâtre Jacques Lecoq Hosted on Acast. See acast.com/privacy for more information.

Matthew (Matt) Coulton is an actor and movement director with a passion for physical theatre. He trained at Central School of Speech and Drama in Collaborative and Devised Theatre graduating in 2014, and since has been a part of several movement influenced shows and theatre companies. Including Chester Storyhouse, Leicester Curve and BBC TV and Radio. He's part of projects here in the UK as well as in Sweden with his own theatre company Artistic Rebellion where he acts as co-founder. Most recently the companies' work has been on display at the Varberg Festival in 2019. It has been great to learn from Matt these past few months at GSA on the work on Jacques LeCoq. In this episode we discuss the use of Neutral and Anti-Mask, the power of the imagination in movement, and how you can apply his physical practice to character work and texts such as Shakespeare's plays. Great discussion, hope you enjoy it! --- Send in a voice message: https://anchor.fm/oliver-gower/message

It all begins with an idea! Guatemalan Director, Movement Director, Intimacy Director, Producer and Actor Diana Paola Alvarado made her theatrical studies at the School of Art and performance, in Guatemala. With countless qualifications, she was accepted to study the technique of Jacques Lecoq at École Internationale de Théâtre Jacques Lecoq in Paris, France. Diana has travelled the world leaving her home in Guatemala and experiencing what theatre has to offer in Spain, London, Mexico and of course her in Sydney! Let's hear what she has to say. https://dianapaolalvarado.comhttps://www.instagram.com/dianapaolalvarado/Support the show (https://www.buymeacoffee.com/LPPodcast)

Actor mexicano, es Licenciado en actuación por la Escuela Nacional de Arte Teatral del Instituto Nacional de Bellas Artes y Literatura. Con estudios en Actuación para cine por el método de Uta Hagen impartido por Alejandro Bracho, Actuación para cine impartido por Luis Mandoki. Especialización en acting/voice método Linklater por Kristin Linklater en Orkney, Escocia, Reino Unido.Exploring Shakespeare workshop auspiciado por el British Council, Inglaterra, Reino Unido. Diplomado de especialización en el uso de la voz para actores en CEUVOZ. Método de Jacques Lecoq. CasAzul Argos, impartido por Paloma Mozo. En cine ha participado en el largometraje “Juegos endemoniados” de Ángel Amador; y en el cortometraje “Dragón dormido” de Andrés Q. Espinoza. Las obras de teatro en las que ha estado son: “Don Juan Tenorio de José Zorrilla” de José Solé, “Travesías de José Caballero” de José Caballero y Octavio Michel Grau, “Azulejos Poblanos” de Manuel Reigadas, “Vuelo sobre el océano de Berlolt Brecht” de Irma Juana Olmedo, “Mi marido no ... me entiende” de Manuel Reigadas y “Ecos y murmullos en Comala de Abelardo Estorino” de Manuel Reigadas. En televisión participó en la serie de Canal Once “Juicios Orales”. --- Send in a voice message: https://anchor.fm/cristhian-navarrete/message

Before you listen to this episode, we recommend you watch: https://youtu.be/q1AEkBzf0E8 Ross Travis is a satirist through and through. Founded in 2014, Antic in a Drain combines circus and bouffon to develop extreme characters and tell stories from the fringes, igniting dialogue and change within communities around ignored or taboo social issues. They have developed 3 shows 'The Greatest Monkey Show On Earth', 'Bucko: Whaleman!', and 'Tempting Fate'. Show Notes: The definition of "bouffon" is a modern French theater term that was re-coined in the early 1960s by Jacques Lecoq at his L'École Internationale de Théâtre Jacques Lecoq in Paris to describe a specific style of performance work that has a main focus in the art of mockery. The word gave rise to the English word buffoon Official Site: http://rosstravis.com Antic in a Drain on YouTube: https://www.youtube.com/channel/UCLoTWQNlF_7y8pkxbE3GwvQ/about Instagram - https://www.instagram.com/anticinadrain/ Facebook - https://www.facebook.com/anticinadrain Twitter - https://twitter.com/anticinadrain Patreon - https://www.patreon.com/anticinadrain Sign up for newsletter: http://eepurl.com/dhzJ5T ---------------------------------------------------- Special thanks to our sponsors:::: Philadelphia Table Company IG: @Philadelphiatablecompany phiadelphiatablecompany.com Native Cafe in Doylestown IG: @nativecafedoylestown 12 South Main Street Doylestown PA 18901 Anthony Ortiz Art IG: @tonyortizart

The charming Russell Cheek joins Regina to talk through his life to the stage, the key to improvisation, where his inner clown lives and the remarkable teachings of Le Coq - and so much much more. Russell has a BA Hons, University of Sydney, (German) and also studied French After graduating theatre-school, the École Jacques Lecoq, Paris - Russell performed with companies in Italy and Germany. He created DOUBLE TAKE co. in Paris, playing one season there, touring Holland, and then to the Sydney and the Adelaide Festivals in Australia. He became a core member of the great musical-theatrical band The CASTANET CLUB, enjoying ten years national and international acclaim -  (incl. “THE CASTANET CLUB – a movie you can dance to” (directed by Neil Armfield.) He led a creative lab, then created and guest-directed CIRCUS OZ's 2003-5 world-touring show. He performed in three Sydney Theatre Company productions: “The GOVERNMENT INSPECTOR”, (Dir Neil Armfield,) “TARTUFFE”, (Dir Barrie Kosky,) and   “A MONTH in the COUNTRY”. He appears in the films YOUNG EINSTEIN and RECKLESS KELLY. Russell was a regular “Brains Trust” panelist on ABC TV's “EINSTEIN FACTOR”, 2004-2009. In 2014 – he devise-directed “Clockfire Theatre Company's ‘A HUNGER SUITE', in Istanbul and then Sydney. In 2015 he appeared in The Hayes Theatre production of HIGH SOCIETY as Seth Lord with Amy Lehpamer, Virginia Gay, Bobby Fox and Bert Labonte. He completed initial season of his one-man show in August 2016 at the 505 theatre in Sydney: “WHO AM I….?” Directed by Steve (The Sandman) Abbott. “WHO AM I…?” was invited to the Adelaide Festival of the Arts, in March 2017. It then played seasons at The Street Theatre, Canberra, and Riverside Theatres, Parramatta. 2018 – “WHO AM I…?” played seasons in Newcastle, Albury-Wodonga and toured country Victoria. 2020 pre-covid played in Coramba, Coffs Harbour.  

Sabina "Sabs" Netherclift is a teaching fellow at GSA with over 20 years of movement experience. She has worked with many companies including the Young Vic, Central and the English National Opera. Her primary teaching point at GSA is the work of movement director Jacque Lecoq, having trained with the man himself in Paris. She schools me on his foundations, the way he worked with his students, and how you can create anything with movement! Lecoq was devoted to observing the natural world, its elements and movements. He also used masks to stimulate movement development and create characters. Great talk and learning experience for me, hope you enjoy! Oliver Gower Spotlight Pin: 9097-9058-5261 Instagram: goweroliver Twitter: @GowerCritic --- Send in a voice message: https://anchor.fm/oliver-gower/message

In this episode of Can't Find My Way Home, I was joined by Zoe Hayter Calling from France, where she was performing with the Footsbarn Theatre Company, Zoe tells us about growing up between London, Czech Republic and France, and how the theatre, performing in productions, writing and performing her own songs have all become so prominent in her life. We talk musical influences, how working with Glen Hansard has really transformed and inspired her as a musician, as well as looking forward to studying movement and theatre at L'École Internationale de Théâtre Jacques Lecoq later in the year. What are the best spots in Prague for busking (pre-Covid) and why it's such a great way to learn your trade as a performer? Zoe gives us the lowdown... In the Top 5 there's some favourite venues, music from Limoncello and Glen Hansard, Elton John and Bilie Eilish Find more about Zoe Here http://zoehayter.com/ http://www.footsbarn.com/ Can't Find My Way Home https://linktr.ee/cantfindmywayhome --- Send in a voice message: https://anchor.fm/craig-branch/message

durée : 02:25:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Andrew Orr - Avec Jacques Lacarrière, Kenneth White, Pierre Lieutaghi, Jacques Lecoq, Jacques Lesage de la Haye et Olivier Kaeppelin - Réalisation Marie-Dominique Arrighi - réalisation : Virginie Mourthé

Danny Lavery welcomes actress Gates McFadden. McFadden is the host of the new podcast, Gates McFadden Investigates: Who Do You Think You Are?  Lavery and McFadden give advice to a letter writer who's not thrilled about his wife's botox injections. Also, McFadden talks about her transformative experience at the Jacques Lecoq school in Paris, and connecting with her former Star Trek co-stars on her new podcast. Slate Plus members get another episode of Big Mood, Little Mood every Friday, sign up now for just $1 for your first month. Need advice? Send Danny a question here. Production by Phil Surkis Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Lavery welcomes actress Gates McFadden. McFadden is the host of the new podcast, Gates McFadden Investigates: Who Do You Think You Are?  Lavery and McFadden give advice to a letter writer who's not thrilled about his wife's botox injections. Also, McFadden talks about her transformative experience at the Jacques Lecoq school in Paris, and connecting with her former Star Trek co-stars on her new podcast. Slate Plus members get another episode of Big Mood, Little Mood every Friday, sign up now for just $1 for your first month. Need advice? Send Danny a question here. Production by Phil Surkis Learn more about your ad choices. Visit megaphone.fm/adchoices

Li-Leng Au is a veteran actress who I had the pleasure of working with when we did the reading of Kimberly Ridgeway's Soulmates for the Dragon Egg's Reading series. Li-Leng talks about growing up in London, her experiences with LISPA and learning from the teachings of Jacques Lecoq and working in the Bay Area – working on stages like the CCCT and being Marie Antoinette at the ACT. SHOWS: Chronic (San Francisco Public Library) Written by Diane Lauren Jones (Episode 129) March 21 – 2pm to 5pm Li-Leng Au is in the show https://sfpl.org/events/2021/03/21/performance-fresh-play-sunday-reading-series Monday Night Playground March 15 – 7pm https://playground-sf.org/monday/ Norman Gee is directing one of the one act plays Heiroglyph (SF Playhouse) March 13 Margo Hall (Episode 166) is directing the show https://www.sfplayhouse.org/sfph/ Bystanders (Central Works)
An Audio Play by Patricia Milton
Kimberly Ridgeway (Episode 155) is in the play; Gary Graves (Episode 24) directed the play
centralworks.org/bystanders/ The Human Ounce (Central Works)
An Audio Play by Nicole Parizeau
Kimberly Ridgeway is in the play; Gary Graves (Episode 24) directed the play
centralworks.org/the-human-ounce/ ShotzSF (aMios West)
March 24th – 7pm
Norman Gee will be performing
www.amioswest.org The Stop, by Kimberly Ridgeway Fantasy Theatre Factory (February 19th - March 18th) https://www.youtube.com/channel/UC6dBLv9GNfiBu9w2O3_UzrA

Be sure to subscribe for more - Creation Grounds Podcast Know who casts what and measure your way to your bookings with Auditiontrackers.com ________ Linkedin: Linkedin Website: Split Knuckle Theatre Massachussetts born Greg Webster joins me for the 51st episode of The Creation Grounds. In this episode Greg discusses how he got into movement and the body and how it helps actors. The difference between a human doing and human being, Jacques Lecoq and his pedagogy, Wim Hof and breathing, nutrition and health, can actors have success and not live in the major markets? Tips for actors based from his decades of experience in the industry, victim vs fighter mindset and much more. Greg serves as the Artistic Director of Split Knuckle Theater Company and is also one of the company's founding members. Greg has worked as a performer, teacher, and choreographer from Broadway to the West End and has worked extensively in regional theaters throughout the United States as well as internationally. He is Professor of Movement Theater at the professional actor training program at University of Connecticut and is responsible for teaching the pedagogy of the French theater master Jacques Lecoq. He is also the resident movement coach and fight Choreographer for the Connecticut Repertory Theater. Previous to his appointment at UCONN, he was an instructor at the London International School of Performing Arts, of which he was also a graduate. He holds a B.A. in theater from Columbia College of Chicago and an M.F.A. in acting from the University of Missouri Kansas City. Among Greg's other interests, he is an accomplished Martial artist, Authentic Pilates instructor, Gyrotonic ® teacher and Personal trainer. He holds a black belt in Aikido and is a former Golden Gloves boxer. ________ Some Questions I Ask: Where were you born? (2:09) Why movement as a focus for you? (2:45) On early career in NYC and waiting tables (6:37) On personal training and exploration of different movement systems (7:40) On a challenging period in NYC & defining open call in NYC that shifted things for him (10:03) On Jacques Lecoq, who he is and his style of work (12:04) On origins of creating his own work (14:21) On the business part of show business (20:52) On markets to build a career other than NY and LA (24:30) On Breath work and Wim Hof (25:33) On nutrition (32:17) On Martial Arts, Aikido,Intuition & In depth nutrition (38:46) How actors can train their bodies if they are working 40 hours a week? (53:00) On branding and importance of selling yourself (1:00:00) Unwavering belief in talent despite adversity (1:04:46) On protecting your energy and dream (1:12:00) When you think of the word creative who comes to mind for you and why? (1:13:50) How do people connect with you? (1:20:20) ____________ You can follow Arron at: Website: ArronLloyd.com Instagram: https://www.instagram.com/arronlloyd/ Facebook: Arron Lloyd Twitter: https://twitter.com/ArronLloyd Twitch: https://www.twitch.tv/arronsl316 TikTok:Arronslloyd Youtube: Arron Lloyd This is NYC merch -

Joseph Ahmed is a Philadelphia-based theatre-maker. Joe wears many hats in the theater community which we discuss at length, including actor, director, and most recently playwright. He’s also currently working as an arts administrator for an organization that is helping to provide emergency funding to artists hurting during this current economic climate. For a full transcript of today's episode go to beyondthelightspodcast.com.Mentioned in this Episode[00:03:19] Boston University for Theater Arts[00:05:58] Grotowski [00:10:55] Shakespeare & Company [00:15:06] Philadelphia School of Circus Arts[00:16:20] Bad Quarto of Hamlet[00:31:14] Pig Iron Theater [00:31:24] Jacques Lecoq[00:31:44] Almanac Dance Circus Theater [00:32:15] Tribe of Fools [00:37:26] Young Audiences of New Jersey and Eastern Pennsylvania [00:41:28] Obvious AgencyFollow Beyond the LightsWebsiteFacebookTwitterInstagram

Dominique Serrand is Co-Artistic Director for The Moving Company, a traveling theatre company based in Minneapolis, Minnesota. Born and raised in Paris, Dominique came of age during the protests of 1968, when young people took to the streets to protest capitalism and patriarchy and brought the French government to a standstill. He saw both sides of that struggle, first on assignment with the French Navy in Somalia, and later as a student at the famous Jacques Lecoq School for international theatre.  While studying at Jacques Lecoq, Dominique forged a special bond with classmates from Minneapolis, Minnesota. Together they founded Theatre de la Jeune Lune, or Theatre of the Young Moon. The young drama company moved its base of operations to Minneapolis in 1981 and built a reputation for innovation and excellence over the next three decades, winning a Tony Award for Best Regional Theatre in 2005. During this period, Dominique won many other awards, such as Best Production for The Miser, fellowships with the USA Artist Ford Foundation and the Bush Foundation, and knighthood by the French government with the Order of Arts and Letters.  Theatre de la Jeune Lune closed in 2008. Later that year, Dominique and a few of his partners from Jeune Lune formed The Moving Company, which continues to produce new work in the Twin Cities. See excerpts of Refugia and Speechless.  Listen here to a 1992 interview with Dominique Serrand for Minnesota Portraits, a series produced by Twin Cities PBS.  Watch a 2008 interview for Minnesota Playlist with Dominique Serrand and a 2012 interview for PBS with Dominique and Steven Epp about their vision for The Moving Company.  Archives for Theatre de la Jeune Lune are held by the University of Minnesota Libraries.

O filme "The king's speech" é uma preciosidade por muitos motivos. Escrito por David Seidler, dirigido por Tom Hooper, estrelado por Geoffrey Rush, Helena Bonham Carter e Colin Firth, trata de um tema muito interessante, baseado em fatos reais, a respeito do rei Jorge VI, que contrata um professor muito especial para lhe ajudar a falar em público.  Geoffrey Rush que interpreta o professor Lionel Logue, também foi aluno da École Jacques Lecoq onde me formei e o filme é uma grande homenagem aos mestres que são capazes de transformar uma história em sucesso, a partir do amor que tem pela profissão. Para informações sobre cursos, no site do Ricardo Napoleão.

At what might be the half-way point and more opinionated than usual, Charles Adrian talks about three books he was given by friends in Athens.   More information and a transcript of this episode is at http://www.pageonepodcast.com/.   You can find out more about the Jacques Lecoq school in Paris on their homepage here: http://www.ecole-jacqueslecoq.com/en   There is a nice introduction to Our Country’s Good by Timberlake Wertenbaker on the British Library website here: https://www.bl.uk/20th-century-literature/articles/an-introduction-to-our-countrys-good   Correction: the last quadrant of Charles Adrian’s summary of Pascal’s Wager (at 18:22) should read: “If I don’t believe in God and God doesn’t exist…”   The discussion of Pascal’s Wager in this episode is, in any case, a little superficial. You can find a better summary on Wikipedia here: https://en.wikipedia.org/wiki/Pascal%27s_wager and a more extended analysis in the Stanford Encyclopaedia of Philosophy here: https://plato.stanford.edu/entries/pascal-wager/   Lawrence Durrell’s Alexandria Quartet is discussed in Page One 55.   Books discussed in this episode were previously discussed in Page One 79 (http://www.pageonepodcast.com/season-2#/79-alison-windsor/), Page One 80 (http://www.pageonepodcast.com/season-2#/80-erifili-stefanidou/) and Page One 81 (http://www.pageonepodcast.com/season-2#/81-vicky-sachpazi/).   Episode image is a detail of a photo by Charles Adrian.   Episode recorded: 27th July, 2020     Book listing:   The Playmaker by Thomas Keneally (Page One 79) Oscar Et La Dame Rose by Eric-Emmanuel Schmitt (Page One 80) Selected Poems by C. P. Cavafy (trans. David Connolly) (Page One 81)

Helen is a theatre director, actor and acting teacher, who was born in England but has lived and worked in France and South Africa. She discusses her experiences of studying under legendary acting teacher Jacques Lecoq shortly before he died, growing up with mixed heritage, how the Black Eyed Peas helped her process the end of a relationship, and how she recently developed a love for Selena Gomez.Listen along to Helen’s songs at this Spotify playlist. Discussions begin:Simon and Garfunkel - Cecilia (01:31)Joan Armatrading - Willow (06:24)Goran Bregovic - Ederlezi (12:37)Selena Gomez - Bad Liar (20:04)Nina Simone - Wild is the Wind (24:20)Black Eyed Peas - Shut Up (31:35)Lalela Cape Town Choir - Senzeni Na (35:03)Billie Eilish - Bury a Friend - (38:35)Ismael Lo - La Femme Sans Haine (40:59)You can find Helen on Instagram @frescotrainingResources/Links:Visit Helen’s website.If you are affected by any of the issues in this episode, please go to the NHS website, and the website of the charity Mind. For emergency support over the phone, you can call The Samaritans free on 116 123.For men who want to talk to others in a private and safe space, visit Talk Club - founded by two Music To Survive By guests Ben Akers and Gavin Thorpe. Check out their episodes for more info about the initiative for male mental fitness.

Jim Calder, Head of Movement at NYU Tisch Graduate Acting Program, joins us in this episode of Relate. Jim talks to us about his career and why we must honor our sense of play. We discuss why, as actors, we must be tremendously attentive and how our habits can become extremely dangerous. Jim also hits home why we must explore the unexploreable and the key difference between experiencing and explaining in acting. Please visit https://tisch.nyu.edu/about/directory/grad-acting/101386120.html to learn more about Jim. Jim Calder is the Head of Movement at New York University Tisch Graduate Acting Department. He is the winner of the David Payne Carter Excellence in Teaching Award and Artistic Director of La Pietra Summer Theatre Festival in Florence, Italy. Jim has directed at various locations in New York City including the Lincoln Center Institute, Pearl Theatre, Classic Stage Company, The Public, New York Theater Workshop and HERE. Jim was movement and creative consultant for the upcoming film ‘Silent Retreat” on ‘Pericles’ at Berkeley Rep, ‘Passion Play’ by Sarah Ruhl and has served as movement director on Broadway for ‘Therese Raquin’ staring Keira Knightley. Jim has performed at The Old Globe, P.S. 122, and throughout Europe. He was the lead actor and creative consultant in PBS’s ‘Noddy & Friends’. Jim trained and performed under the direction of Jacques LeCoq in numerous TV specials in France. --- Send in a voice message: https://anchor.fm/relate-patrick-mcandrew/message Support this podcast: https://anchor.fm/relate-patrick-mcandrew/support

Les artistes - comédien, chanteur, danseur, metteur en scène - d'Alsace et d'ailleurs partagent leurs expériences d'artistes, leurs doutes, leurs joies et leurs victoires. Nous les remercions chaleureusement pour leur participation. Titulaire d'un DEA en dramaturgie et professeure agrégée de Lettres, Christa Wolff a partagé sa vie professionnelle entre les planches et les pupitres, entre les théâtres et les salles de classe. Aujourd'hui, elle est à la tête du Théâtre des enfants du Soleil, une troupe basée sur les enseignements d'Ariane Mnouchkine et du Théâtre du Soleil (théâtre de masque, clown...).

This episode features an in-depth chat about the world of physical theatre with my mentor in movement, Jennifer Felts! While listening, share the show on social media! Give us a rating, leave a review if you’re feelin’ it friend, and subscribe wherever you listen to podcasts. Thanks for listening, I appreciate you! The Tea aka Topics: Theatre, Physical Theatre, Movement, Movement Direction, Directing, Choreography, Choreographer, Musical Theatre, Acting Tips, Movement Philosophy, Jacques Lecoq, London International School of Performing Arts, Eastern Michigan University Theatre, Eastern Michigan UniversityRead this article to get a general overview of some different movement practitioner's styles: https://www.backstage.com/magazine/article/movement-techniques-actors-study-8763/?fbclid=IwAR2ofn76ewKx4vEHQ55h-YklDAi-EWFB91gBLoUkXk7Ua52fSRosvsQ4tPoSupport the show!SUBSCRIBE ON PATREON! All subscriptions go back into making the show: https://www.patreon.com/lifeintheatrepodcastContinue the conversation on Instagram: https://www.instagram.com/lifeintheatrepodcast/Interested in sponsoring the podcast? Email the host at https://www.tylercalhoun.com/contactFOLLOW EMU THEATRE: https://www.emich.edu/cmta/productions/https://www.facebook.com/EMUTheatre/ https://twitter.com/EMUTheatrehttps://www.instagram.com/emutheatre/Tyler’s Tip:It's more conducive to watch movement than it is to talk about it, so learn about these physical theatre companies by watching their work! I did a training intensive at the Movement Theatre Studio, it is fabulous!Movement Theatre Studio NYC: https://www.facebook.com/movementtheaterstudio/videos/326587124893485/Frantic Assembly: https://www.youtube.com/watch?v=gUqZPfGIX6UDV8 Physical Theatre: https://www.youtube.com/watch?v=k2bV75ITXJwSupport the show (https://www.patreon.com/lifeintheatrepodcast )

Daniel Spector is a theater teacher, director, and acting coach. He is a Distinguished Teacher Tisch, where is also director of The Classical Studio. He is a member of the Lincoln Center Theater Directors Lab and is an alumnus of the Broadway Theatre Project. He has served as a consultant to PBS on matters Shakespearean, moderated Artist Talks at the Brooklyn Academy of Music, led workshops and spoken at numerous conferences around the world, and produced many readings of new plays. A frequent collaborator in the classroom, he has taught with Alec Baldwin, Louis Scheeder, and Tim Carroll. Lynne Haney is a Professor of Sociology and Director of the Law and Society program. She also serves as Faculty Director of Curricular Innovation and Diversity in CAS. She has been at NYU for 22 years, coming here straight out of graduate school at UC Berkeley. She teaches courses in Research Methods, Sex and Gender, and Law/Punishment--and has directed the Presidential Scholars Prague group for over 14 years. Her research has taken her into the welfare and prison systems in both the United States and Eastern Europe. She has published four books and co-edited three book collections. She is currently finishing a new book on the intersection of mass incarceration and child support enforcement--and how it shapes men’s lives as fathers. Jim Calder is the Head of Movement at Tisch Graduate Acting Department, winner of the David Payne Carter Excellence in Teaching Award - Tisch School of the Arts. Artistic Director of La Pietra Summer Theatre Festival – Florence, Italy, Directed works in New York City at Lincoln Center Institute, Pearl Theatre, Classic Stage Company, with workshop presentations at The Public, New York Theater Workshop and HERE. Jim has been a movement consultant on Pericles at Berkeley Rep, (Director Mark Wing-Davey), Passion Play by Sarah Ruhl (Director Mark Wing-Davey) and Therese Raquin staring Keira Knightley, (director Evan Cabnet) on Broadway. Jim has performed at The Old Globe, P.S. 122, and through out Europe with Treato De La Grappe. He was the lead actor and creative consultant in PBS’s Noddy & Friends TV. Jim trained at Ecole Jacques and performed under the direction of Jacques LeCoq in numerous TV specials in France. Joan Harmon is a visual artist and art professor at CUNY.

Actress and trained clown Susanna Amato joins us this episode to discuss her latest theatre show, her formal clown-training with French master clown Philippe Gaulier, and a little bit about the pandemic

Maria Wodzinska (“she/her”) Maria began her training at Humber College working with physical theatre practices from the Barba, Grotowski and Lecoq tradition. Later inspired by mask and movement workshops in London at LAMDA with Mark Bell, she continued physical theatre studies and graduated from L’ecole Jacques Lecoq in 2015. Concurrently she studied under Pascale Lecoq in the Laboratory of Movement (LEM). LEM focusses on the language of movement of scenic objects, masks, and object manipulation. Additionally, she has worked with Raymond Bobgan of the Cleveland Public Theatre on physical theatre training from the Grotowski tradition. Her current interest is to develop a blended pedagogy from these two traditions, Lecoq and Growoski, and evaluate their possibilities for applied theatre contexts. This is the focus of her Major Research Project for her MA Studies at York University, funded through SSHRC research fellowship.www.mariawodzinska.com Twitter: @Maria_Wodzy Instagram: mariawodzinskaOliver Jane (“they/them”) Oliver is a Toronto based multi-disciplinary artist, devised theatre director, and theatre producer. Canadian-born, US-raised Oliver Jane began creating and producing original works in Philadelphia starting in 2013. Oliver currently resides in Toronto where they dedicate themself to creating immersive installations and theatrical experiences to address the questions that nag Oliver throughout their daily life. To date, Oliver’s work walks a delicate line between clown, dance, performance art, art-installation and ritual experience. In Philadelphia Oliver has presented work part of Between A Boat and Green Place at Bartram’s Garden, Four Weeks in January, FringeArt’s Scratch Night, INVISIBLE RIVER, and SoLow Fest. Original works include The Gathering of the Mother Moth People; an exploration of ritual and spiritual pursuit guided by some widely naïve clowns (1fiftyone Gallery, 2015), and David & Oliver: Mystic Masters; a collaboration with playwright David Jacobi about their collective experiences as students of metaphysics (SoLow Fest, 2016). Oliver has been Assistant Director for a variety of projects with the Pig Iron Theatre Company (www.pigiron.org), including PayUp! (2013), I Promised Myself to Live Faster (2015), and SWAMP is On (2015), and for director Hinako Arao on her project Milky Way. As a performer Oliver has appeared in Surge Protector (MFA Thesis 2016), David & Oliver: Mystic Masters (2016), Mad Forest (d. Alex Torra, 2014), 99 Breakups (Pig Iron Theatre Company, 2014), The West (d. Alex Bechtel, 2013), and Dinner With Madness(Goat Howl, 2018). Oliver graduated summa cum laude from Drew University with a BA in Theatre Studies, and is a graduate of the inaugural class at the Pig Iron School for Advanced Performance Training and completed a Master’s Degree in Devised Performance at the Pig Iron School/University of the Arts in 2016.www.oliverjane.com Instagram: oliviaoliveryogawww.goathowl.com Instagram: goathowltheatreFeatured Theatre Many theatres and theatre companies that have shut down their productions as a result of the COVID-19 pandemic. A lot of these companies are in desperate need of help to ensure that they can keep their doors open once the current crisis is over, and many are turning to crowdfunding in order to do that. In the coming weeks Stageworthy will highlight some theatres and theatre companies that need your help.Red Sandcastle Theatre The Red Sandcastle is a 50 seat Storefront theatre, in which Anything is Possible! The Red Sandcastle Theatre was created as a place where our theatre community of artists and audiences could get together and share what we do best: tell stories together. Unfortunately, with the COVID-19 outbreak, the Sandcastle has had to shut its doors. The funds will go toward the rent and bills associated with the Red Sandcastle Theatre. GoFundMe: https://www.gofundme.com/f/life-support-for-the-red-sandcastle-theatre

Megan Campisi is a playwright, novelist and teacher. Her plays have performed in China, France and the United States. She has been a forest ranger, sous chef in Paris and a physical theater specialist around the world. Originally from California, she attended Yale University and the L'École International de Théâtre Jacques Lecoq. She lives in Brooklyn, NY with her family. Join the Thorne & Cross newsletter for updates, book deals, specials, exclusives, and upcoming guests on Thorne & Cross: Haunted Nights LIVE! by visiting Tamara and Alistair at their websites: alistaircross.com and tamarathorne.com This is a copyrighted, trademarked podcast owned solely by the Authors on the Air Global Radio, LLC.

Megan Campisi is a playwright, novelist and teacher. Her plays have performed in China, France and the United States. She has been a forest ranger, sous chef in Paris and a physical theater specialist around the world. Originally from California, she attended Yale University and the L'École International de Théâtre Jacques Lecoq. She lives in Brooklyn, NY with her family. Join the Thorne & Cross newsletter for updates, book deals, specials, exclusives, and upcoming guests on Thorne & Cross: Haunted Nights LIVE! by visiting Tamara and Alistair at their websites: alistaircross.com and tamarathorne.com   This is a copyrighted, trademarked podcast owned solely by the Authors on the Air Global Radio, LLC.  

Kurt is AWOL, so Matthew Eitzen is joining Kevin as our special guest co-host for this episode of Simple Broken Mind. We’re talking to Emily Ernst and Sara Romersberger about their new theater company Fair Assembly and their debut production of Romeo and Juliet. Along the way we talk Jacques Lecoq, sword fights, and Francophilia. Come check it out! you can support thier production at https://www.indiegogo.com/projects/fair-assembly-presents-romeo-and-juliet#/ or purchase tickets at https://www.brownpapertickets.com/event/4486529?fbclid=IwAR0dLHOH_SHGUPV-tztr5HaUTOVpfdpcENhJgD1snxMLhgKf5EyxR-pAafs

Marie Misset a rejoint Guyette Lyr à l’hôtel Lutecia à Paris. Installée dans un petit salon à cocktail, la comédienne, clown et romancière nous raconte ses premiers souvenirs d’enfance en Italie, sa rencontre avec l’univers du cirque et avec celui des livres. Très tôt, Guyette Lyr a su qu’elle voulait raconter des histoires et a fait du clown son métier. Du cirque au théâtre, en passant par ses rencontres avec Jacques Lecoq et Françoise Dolto mais aussi Marguerite Duras à travers les livres, Guyette Lyr à oser consacrer sa vie à raconter, incarner et écrire ses histoires. Aujourd’hui elle continue d’écrire et intervient auprès de demandeurs d’emploi et en entreprises pour transmettre sa passion. Vieille Branche est une émission de Nouvelles écoutes, animée par Marie Misset. Réalisation par Aurore Meyer-Mahieu, Mixage par Laurie Galligani, Prise de son et production par Marine Raut.

Camille Thornton-Alson is a classically trained actress, coach, and teacher. A longtime friend of Lauren’s, the two met while studying abroad in London – right before Camille began a stint in Paris at L'École Internationale de Théâtre Jacques Lecoq. Following her stay in France, Camille returned home to the Bay Area and was immediately stricken with a mysterious illness…one that took her almost a decade to break through. Mistakenly diagnosed with chronic fatigue syndrome, for years she struggled to find her footing while maintaining an active career in the arts (and graduating with a MFA from the University of Washington). Eventually, she was diagnosed with lead and mercury poisoning…and after years of inner remediation (think major detoxing and every change in diet – and in mindset – that you can imagine), she now lives a full and functional life, mindful of her sensitivities. She teaches acting at Santa Barbara City College and USC, among others, and is the co-founder of Speak LA, an organization founded to help actors find their way in Hollywood. In this episode, she sat down with Lauren to share her journey – long and winding, but with a happy ending indeed.  Tune in as Camille shares…  - that she first got sick at 19 years old – and got progressively worse over several years with various infections  - that she finally decided to do something about her illness after collapsing in a dance class  - her symptoms: inexplicable chronic pain, fatigue, infections, brain fog, an inability to digest food, and muscle weakness  - that she advocated for herself early on: sitting her doctors down at that young age to give full health histories   - that her doctors told her she had CFS, and that she’d have to learn to live her life that way  - that it took 7-8 years for her to get the diagnosis of lead and mercury poisoning  - the fine line she walked between giving up and striving through her illness  - that she lost a lot of friends during the period of her illness  - that the only people she could keep up with were seniors in a Tai Chi class – but it was very nourishing to move and commune with others  - that she would spend the week before and during her period almost unable to open her eyes from her crippling fatigue  - that she saw her life passing her by, and struggled to find beauty in who she was and in her experience  - that she came down with EBV while in grad school  - that early integrative testing indicated a thyroid problem – but her integrative doctor had a feeling that the thyroid problem was tied to something deeper, so she kept digging…and found lead and mercury poisoning that were off the charts  - that she made a decision very early on that she would not die  - that the illness bred an underlying fear in her: would she make it through today, or survive tomorrow?  - how she gave in to healing protocols and moved forward despite her fears  - that she went through a grieving process once she was better, because she’d fought so hard for years and realized her survival, fully acknowledging her past  - what she learned from her illness – that the gift of chronic, life-threatening conditions is that you learn to take care of yourself  - that she felt resentment through her healing, feeling she was denying pleasures to herself – but so appreciates the importance of her protocols in her current, full health  - that the biggest change in her life was in changing the way she ate  - that it wasn’t only diet that allowed her to detox: she also used in-office IV chelation for a full year, during her final year of grad school  - that none of her chelation treatments were covered by insurance – but they saved her life  - that surviving chronic illness gives you a deeper understanding of humanity – and deeper empathy  - that self-advocacy and survival can be a lonely road  - why she believes that there is always a diagnosis – an underlying cause  - that she was additionally diagnosed with fibromyalgia – which was actually a symptom of her lead poisoning  - that your body loves you and is on your side – but it’s trying to tell you what’s wrong  - that getting sick forced her to check her ego  - how gratitude has transformed her mindset  - that she continues to choose – on a daily basis – to make her wellness a priority 

This week Lana and Woodrow sit down with the world renowned clown, mime, and generally cool guy Dean Evans for our first ever interview!    Clowns; you mean them guys with the crazy hair and the big shoes? No (you fool, you oaf) we mean a different, much cooler thing. Something that’s both a style of performance and an archetype that exists in almost every world culture.   What do you talk about with a clown? Here’s a search engine tailored list of what we did: Where did clowns come from? What is the history of clowning? What is the clown’s relationship to language?  Why do clowns exist? What is the function of the clown?  Ancient Chinese clowns (Lana said that one clown’s name wrong so you’ll just have to google it) Paradox of the clown  Principles of clowning Masks and concealing identity   Radical honesty  Presence  Bouffon Native American clowns, clown society  Jester  Status, hierarchy  And of course Jacques Lecoq    If you want more of Dean, check out his immersive clown group Slow Dance in LA or check out the Bouffon  troop he directs: Mil Grus. www.milgrus.com   Theme song by Sun Kin https://spoti.fi/33m0C83 Sound mixing by Olaf Woldan  More content at patreon.com/TrashTalksAcademy

BODY STORIES Everybody tells stories. This episode focuses on the stories your body tells, often without your conscious knowledge. Are you ready to explore your body stories? It’s important to become aware of the messages your body transmits to the world because those messages are more powerful than your words. You can be a good speaker with unconscious body language that contradicts your words. People will respond to and believe the body language because it speaks directly to their unconscious minds. These are some of the dangerous signals that your body may transmit that can undermine even a well prepared presentation: Arrogance Distant and cold Angry Afraid You will learn to identify common body gestures that can stand between you and your audience: Arms folded on chest Holding fingers of one hand with your other hand Hands in pockets You will discover three powerful resources to help you strengthen your communication by raising your awareness of your body stories. They are: Neutral Masks – created by Jacques Lecoq, a famous mime and acting teacher who used masks to reveal the messages behind physical gestures Unique Forms of Continuity in Space – a bronze sculpture that captures the power and dynamic forces of the human body; it was created by Umberto Boccioni Moment Before Exercise to give your presentations a powerful opening Listen to this episode repeatedly and practice the techniques I offer you quickly become a more compelling communicator.

Jacques Lecoq was one of the major figures of Western theatre in the second half of the 20th century, known especially for his teaching of movement, play, improvisation, masks, language, comedy, and tragedy. This event explores this legacy with an overview and analysis of Lecoq's life, work and philosophy of theatre, and looks at Lecoq’s influence on prominent performers and directors currently working in contemporary theatre in the UK. With contributions from Mark Evans, author and co-editor of The Routledge Companion to Jacques Lecoq; Leah Hausman, choreographer and movement director; actor Toby Jones; and Simon Murray, author and academic, Jacques Lecoq (Routledge Practitioners). Chaired by Clare Brennan, theatre critic for The Observer.

Mitchell Riley sits down with Resonant Bodies Australia co-director Jane Sheldon to talk about his upcoming set on September 1, 2018, at Carriageworks in Sydney. Mitch talks about the influence that his recent studies at L'École Internationale de Théâtre Jacques Lecoq have had on his approach to performing, and gives us the story behind the world premiere he's going be presenting at the festival. For more information about Mitch and links to the recordings heard on this episode, please visit our Show Notes. SHOW NOTES

We've all had it...that ache in the pit of the stomach, and we know something's wrong! So jump in on this week's conversation with Marcom and April as we reveal the secrets of the body's wisdom! "The body knows things about which the mind is ignorant." ~Jacques Lecoq. This is a continuation of our series on living a more wholehearted life, integrating heart, soul, mind, and strength. For even more information about the opportunities for soul refreshing retreats and coaching, go to www.EagleMountainLodge.com

International performer and humorist Eric Lampaert riffs on his sexual experimentation, cancer scare, and his growing up as a homeless street urchin.  Eric Lampaert (Lamb Pear) is a standup comedian, writer and actor that has appeared on BBC2, BBC3, Ch4, Ch5, E4, ITV2, HBO and Comedy Central. He studied at École Internationale de Théâtre Jacques Lecoq in Paris & Theatre Arts at Middlesex University in London. Eric has performed stand up around the world including, the Just for Laughs Comedy Festival 2014 in Montreal where his set recorded for TV went out on Comedy Central UK, the Johannesburg Comedy Festival in 2017, several solo shows at The Edinburgh Fringe Festival, he has supported Eddie Izzard (in English and French), performed a theatre run of his solo show in Paris last year, and in June 2016 he won the ComediHa Best International Comedian Award in Quebec. Eric is slowly but surely making a name for himself in TV in both the UK and France. His appearances include Life’s Too Short (HBO), The Midnight Beast (E4), Impractical Jokers (BBC3) host of How To Survive A Disaster Movie (Channel 5) and starred in a prime time show for TF1 France. He’s even starred alongside Bruce Willis in a TV commercial! Co-starring in this motion picture Moonwalkers, alongside Rupert Grint and Ron Perlman. A lead role in AmStarDam (Stoner Express) which has been nominated as Best UK feature film at Raindance Festival & at the National Film Awards. And with a substantial role in Luc Besson’s upcoming film Valerian & The City of a Thousand Planets, due for release in summer 2017, Eric is fast on his way to becoming a silver-screen star. http://www.ericlampaert.com/   twitter @EricLampaert Have a listen and visit the show’s website at http://secondchances.tv/. Please rate us on iTunes and check out our Facebook page https://www.facebook.com/secondchancespodcast/  You can Tweet at us at @2ndChancesPod or visit our Instagram at @secondchancespodcast.

Diana Tso graduated from the University of Toronto with Honors BA in English Literature & from Ecole Internationale de Théâtre de Jacques Lecoq, in Paris, France. She has worked with diverse theatres internationally for over 18 years. Her favorite theatre co-creations/ performances include: Dante’s Inferno and Chekhov Shorts, both with Theatre Smith-Gilmour, and by the way, Miss… with Urge/Theatre Direct, for which she shares the Dora Mavor Award for Outstanding Ensemble Performance. Her Monkey Queen, Journey to the East, a one-woman performance creation inspired by the Monkey King stories in Wu Cheng-En’s 16th century Chinese novel, Journey to the West premiered at the 2010 Toronto Festival of Storytelling & continues to tour it.http://redsnowcollective.ca Twitter: @diana_tsoStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Mark Bowden is an expert in human behaviour and body language. His bestselling books include the bestselling Winning Body Language; Winning Body Language for Sales Professionals ; and Tame the Primitive Brain – 28 Ways in 28 Days to Manage the Most Impulsive Behaviors at Work. Bowden originally received a university degree in performance in the UK, and studied the gesture-control methods of Jacques Lecoq’s Laboratory of Movement in Paris. He then went on to work with leading practitioners of movement psychology, building upon the influence techniques of Dr. Milton Erickson. When we met up in Toronto, he explained to me how the ancient survival instincts of our brain wire us to interpret gesture, and what this means for the future of both human communication and also the design of machines that can understand and relate to us.

Mark Bowden is an expert in human behaviour and body language. His bestselling books include the bestselling Winning Body Language; Winning Body Language for Sales Professionals ; and Tame the Primitive Brain – 28 Ways in 28 Days to Manage the Most Impulsive Behaviors at Work. Bowden originally received a university degree in performance in the UK, and studied the gesture-control methods of Jacques Lecoq’s Laboratory of Movement in Paris. He then went on to work with leading practitioners of movement psychology, building upon the influence techniques of Dr. Milton Erickson. When we met up in Toronto, he explained to me how the ancient survival instincts of our brain wire us to interpret gesture, and what this means for the future of both human communication and also the design of machines that can understand and relate to us.

No sétimo programa do Código Aberto , conversamos com Márcio Ballas, palhaço, ator, diretor e dramaturgo especializado na linguagem de Clown e improviso teatral. Ballas é um dos criadores do “Jogando no Quintal”, o espetáculo de improviso em cartaz mais antigo do Brasil. Ele também foi diretor do espetáculo “Improvável” dos Barbixas e está em cartaz há 3 anos no Comedians Club dirigindo e atuando no show "Noite de Improviso". Márcio é uma pessoa inspiradora que trouxe discussões sobre o poder do riso, como lidamos com o erro, sobre o impacto que uma audiência cada vez mais cética traz para a comunicação e como cativar públicos abrangentes, sem segmentação de sexo, idade e classe social. > Referências citadas: Em Busca de Seu Próprio Clown; Jacques LeCoq; Clown Care Unity. > OUÇA ======== Críticas, comentários, sugestões para codigoaberto@b9.com.br ou nos comentários desse post.

Improv London - Episode 13 - Joel Gatehouse Weekly podcast documenting and developing the London improv scene. In every episode we speak to a different improviser about their improv origin story and what they love about the artform. themillerpub @themillerpub A truly stand alone pub in SE1. Real ales & cider. An upstairs music & arts venue. @BUNSMITHS menu. Our east London venue - @SebrightArms 96 Snowsfield Road London themiller.co.uk Ralph Jones @OhHiRalphJones Known mainly for temporarily owning a dildo throne, I write for @ShortList magazine, do sketch comedy with @The_Awkward_S, & produce @criminalimprov. London mrralphjones.co.uk This Is Your Trial https://edinburghfestival.list.co.uk/event/489099-this-is-your-trial/ Jacques Lecoq https://en.wikipedia.org/wiki/Jacques_Lecoq

Adrien Wettach dit Grock (1880-1959) a été l’un des grands clowns du XXe siècle, une star mondiale connue dans l’Occident à l’égal de Charlie Chaplin. Cette personnalité née dans le Jura suisse a connu un immense succès dans le monde entier (à l’exception peut-être des Etats-Unis). Interprète génial, mais aussi musicien et bricoleur d’objets en tous genres, Grock a également été un pionnier du marketing. Il a été le premier à faire du « placement produit » dans ses spectacles. Il a su gérer sa carrière au point d’être le clown le mieux payé du monde, s’offrant une villa d’un luxe inouï sur la côte ligure, près de Gênes (Italie). Adulé par les foules mais aussi apprécié par les grands de ce monde (Churchill, les têtes couronnées, le général de Gaulle…), Grock a eu un énorme succès en Allemagne. Hitler, qui l’adorait, est allé assister à ses spectacles plus d’une dizaine de fois. D’une grande naïveté politique, Grock n’a pas été insensible à la flatterie. En 1945, « grockistes » et « anti-grockistes » se sont violemment opposés à son sujet. En explorant l’univers de ce clown aujourd’hui un peu oublié, on peut s’interroger sur ce qui fait le talent d’un clown : qu’est-ce qui fait que le rire marche ? Pourquoi des gags absurdes ont-ils fonctionné avec Grock et pas avec ses nombreux imitateurs ? La dimension mécanique du rire n’empêche pas une part insondable de mystère. Tout au long de sa carrière, Grock n’a produit qu’un seul numéro, sans cesse peaufiné de 1915 à 1955. Son spectacle était largement inspiré de ce qu’il avait vu ailleurs, à peine transformé. Grock a consolidé la figure du clown clochard, poète et musicien. Le rire est provoqué par la chute du clown, ses tentatives absurdes et ses échecs… « L'essence du clown se trouve dans la faiblesse fondamentale de l'être humain, dans les particularités qui sur un certain plan, font de chacun de nous un raté. Pour trouver le rire de son clown il faut chercher ses faiblesses, les reconnaître, les afficher et s'en moquer publiquement » (Jacques Lecoq). Grock incarne bien cette formule de Samuel Beckett : « essayer, rater, essayer encore, rater encore, rater mieux ». Marc Jeancourt dirige le théâtre Firmin Gémier/La Piscine (Antony-Châtenay-Malabry), qui anime notamment l’Espace Cirque d’Antony, pôle national des Arts du cirque.

Libby Purves meets motor cycle racer Guy Martin; former NHS consultant Dr David Drew; writer Sofka Zinovieff and theatre director Mark Bell. Guy Martin is a lorry mechanic, motorcycle racer and presenter. In his new series Speed on Channel 4 he attempts to set new speed records by using the very best of British engineering talent. Among his record attempts he rides a motorbike in the Pike's Peak International Hill Climb in Colorado, racing to an altitude of over 4000m. He also has a go at setting the record for the furthest distance covered in 24 hours on a tandem recumbent. Speed with Guy Martin is on Channel 4. Dr David Drew is a former NHS consultant who blew the whistle on what he says were poor standards of personal care at the hospital where he worked. His book Little Stories of Life And Death tells of his personal experience - how he spoke up for patients and suffered the consequences. Little Stories of Life And Death is published by Matador. Sofka Zinovieff is the granddaughter of Robert Heber-Percy, nicknamed The Mad Boy, and Jennifer Fry. Robert Heber-Percy was the companion of the flamboyant writer, composer and artist, Lord Berners. The couple lived at Faringdon House in Oxfordshire where many of the great minds, beauties and wits of the day would spend weekends including Stravinsky, Picasso and Gertrude Stein. Sofka inherited Faringdon House from her grandfather and writes about her family in The Mad Boy, Lord Berners, My Grandmother and Me, published by Jonathan Cape. Mark Bell is the director of The Play That Goes Wrong which is currently running at London's Duchess Theatre. He trained at Ecole Internationale de Théâtre Jacques Lecoq and runs workshops teaching the art of physical theatre. The Play That Goes Wrong is a highly physical comedy packed with finely-tuned farce and Buster Keaton-inspired slapstick. The Play That Goes Wrong is at London's Duchess Theatre. Producer: Paula McGinley.

   Our guests today are Pamela Rand, Joan Mankin, and Hester Schell, the stars and Writer/Director of NewzBeats! PAMELA RAND (Comedienne, Co-Writer/Producer) is a veteran of theater & film in the US and Europe.  Rand began acting at age 5 on television in her native San Francisco. Her penchant for broad physical comedy blossomed when she studied with Jacques Lecoq at his acclaimed school of movement, mime and theater in Paris, France. JOAN MANKIN (Comedienne, Co-Writer) is  a Bay Area actress. Mankin has performed with the SF Mime Troupe, American Conservatory Theatre, California Shakespeare Theater, Marin Theater Company, Aurora Theater, Theatreworks, SF Playhouse, San Jose Rep, and many others.  Teaching credits include Berkeley Repertory Theater, San Francisco State University and Marin Theater Company. Mankin was a clown with both Pickle Family Circus and Make-A-Circus. HESTER SCHELL (Director, Co-Writer/Producer) is an award winning actor and director delighted to be working with Pam and Joan on Newzbeats. Schell moved to California after graduate school to teach theatre and film at De Anza College in Cupertino where she ran the theater department. Recent directing credits include the world premiere of SINGULARITEEN by Patrick M. Brennan in the 2013 San Francisco Fringe Festival, winning 5 awards including "Best of Show," and producing her sell-out stand up comedy troupe, Hysterical Housewives.

In GBA 162 we get better acquainted with Adrian. He talks about making performance, how we can never be certain about anything, type-casting yourself, how life and making art have woven themselves together, and he explains who Samantha Mann is. Adrian Plugs: His website: http://www.charlesadrian.com His podcast: Page One: http://pageonepodcast.com/ Samantha Mann: http://www.MsSamanthaMann.com Letters From Samantha: https://soundcloud.com/mssamanthamann And Vera Chok: http://www.verachok.com I plug: The Stand Up Tragedy IndieGoGo Campaign: http://bit.ly/TragicFringe Greek Tragedy: Thursday 12th June at the Dogstar: https://www.facebook.com/events/625249897568126/ We mention: Paula Varjack: http://www.paulavarjack.com/ Edinburgh episodes: https://soundcloud.com/gettingbetteracquainted/sets/edinburgh-episodes George episode: https://soundcloud.com/gettingbetteracquainted/gba-70-superbard Spark London: http://www.sparklondon.com/ Nico and the Navigators: http://www.navigators.de/ Jacques Lecoq school: http://www.ecole-jacqueslecoq.com/en Mick Barnfather: http://www.mickbarnfather.com/ Phillippe Gaulier: http://en.wikipedia.org/wiki/Philippe_Gaulier Fred Astaire: http://en.wikipedia.org/wiki/Fred_Astaire Ginger Rodgers: http://en.wikipedia.org/wiki/Ginger_Rogers Little Shop of Horrors: http://en.wikipedia.org/wiki/Little_Shop_of_Horrors_(musical) Pirates of the Caribbean: http://en.wikipedia.org/wiki/Pirates_of_the_Caribbean_(film_series) Johnny Depp: http://en.wikipedia.org/wiki/Johnny_Depp Orlando Bloom: http://en.wikipedia.org/wiki/Orlando_Bloom Apples for Everyone: https://soundcloud.com/applesforeveryone Superbard: http://www.superbard.co.uk/ Stand Up Tragedy: http://www.standuptragedy.co.uk/ The Intentional Fallacy: http://www.britannica.com/EBchecked/topic/289889/intentional-fallacy Theodor W. Adorno: http://en.wikipedia.org/wiki/Theodor_W._Adorno Roland Barthes: http://en.wikipedia.org/wiki/Roland_Barthes Michel Foucault: http://en.wikipedia.org/wiki/Michel_Foucault Death of the author: http://en.wikipedia.org/wiki/Death_of_the_Author tissue of quotations: https://www.goodreads.com/quotes/98418-the-text-is-a-tissue-of-quotations-drawn-from-the Jorge Luis Borges: http://en.wikipedia.org/wiki/Jorge_Luis_Borges Don Quixote by Cervantes: http://en.wikipedia.org/wiki/Don_Quixote Desert Island Discs: http://www.bbc.co.uk/radio4/features/desert-island-discs Letters from America: http://www.bbc.co.uk/programmes/b00f6hbp You can hear Getting Better Acquainted on Stitcher SmartRadio, Stitcher allows you to listen to your favourite shows directly from your iPhone, Android Phone, Kindle Fire and beyond. On-demand and on the go! Don’t have Stitcher? Download it for free today at www.stitcher.com or in the app stores. Help more people get better acquainted. If you like what you hear why not write an iTunes review? Follow @GBApodcast on Twitter. Like Getting Better Acquainted on facebook. Tell your friends. Spread the word!

Eric Lampaert is a comedian and actor that has appeared on BBC2, BBC3, Ch4, Ch5, E4, ITV2, HBO including shows such as Life's Too Short, Cardinal Burns and The Midnight Beast. Eric is also in Dizzee Rascal's music video 'Bassline Junkie' and Scouting For Girls' 'Love How It Hurts' respective music videos as well as Sky's advert with Bruce Willis. Eric studied at École Internationale de Théâtre Jacques Lecoq in Paris & Middlesex University in London. Eric also won the Latitude Comedy Competition (2010), the Laughing Horse Big Comedy Competition (2008), was a Raindance Short Film Nominee 2011 and named a T4 Rising Star of 2012. Eric will be performing his show 'Two Tickets To The Gum Show' at The Edinburgh Festival: "Hi, I’m Eric Lampaert (T4's Rising Star 2012, Life’s Too Short, Cardinal Burns). I don’t really think I have a weird face, but the countless heckles, reviews and internet abuse I’ve received suggests otherwise. Clearly all people want me to talk about is my oversized gums and my Neanderthal skull. So here’s a ‘one to watch’ (Time Out) freak show to get this topic out of the way. My face even scored me an advert alongside Bruce Willis (B-Dubz to his close friends) and made me famous in Mexico without me knowing..." Venue: Laughing Horse @ The Counting House 1st - 25th August 5:15pm (1 hour) Suitability 14+ Warnings: No latecomers Tickets: https://www.edfringe.com/whats-on/comedy/two-tickets-to-the-gum-show www.ericlampaert.com @thegumshow - Sara Shulman is the Founder and Editor of Comedy Blogedy, TEDxUCL speaker on 'The Power of Funny', former Head of Comedy at UCLU Rare FM and produces the Humour Me Comedy Podcast. Sara is also a Classics Undergraduate at UCL and occasionally gigs on the comedy circuit. 
 www.comedyblogedy.com 
 www.twitter.com/comedyblog 
 
http://tedxtalks.ted.com/video/TEDxUCL-SARA-SHULMAN-The-power;search%3Asara%20shulman UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at http://ucl.ac.uk.

Peter speaks with Leah Cherniak, the Co-Artistic Director (with Martha Ross) of Theatre Columbus in Toronto. The company has created over 30 new plays and also has an excellent reputation for innovative productions of classics. Leah studied theatre at École Jacques Lecoq in Paris, and currently teaches an intensive clown course for the Ryerson Theatre Program. She also teaches at George Brown College, York University and the National Theatre School in Montreal.