Podcasts about Meat Puppets

Baxie talks with guitarist Paul Leary from the legendary Butthole Surfers! One of the most notorious bands of all time—Paul talks about upcoming live album “Live at the Leather Fly” and about their new documentary “Butthole Surfers: The Hole Truth and Nothing Butt” which premiered this year at SXSW! He talks about the band, signing with Capital Records, and about playing live! On top of that we also get into his incredible resume of production work for bands like U2, Sublime, Weezer, Jane's Addiction, and the Meat Puppets. And if that wasn't enough, we also talk working with John Paul Jones of Led Zeppelin! This was an amazing interview that you will not want to miss! Listen on Apple Podcasts, Spotify, YouTube, and on all Rock102 digital platforms! Brought to you by Metro Chrysler Dodge Jeep Ram

In 1970 Roger McGuinn and Jacques Levy were planning a musical, but it never came to be. Instead the songs they wrote got sprinkled throughout Byrds albums, and one became a single, the narrative-leaning "Chestnut Mare," backed with the classic Byrdsian melody of "Just a Season." In this deep dive—which explores the way the band influenced Television, The Meat Puppets, and even The Allman Brothers, John and Marc dig into this era of the Byrds, which produced the great half-live/half-studio album (Untitled). Drop the needle, it's time for The Spindle. When you're done, revisit the Spindle episode featuring Hüsker Dü's cover of “Eight Miles High”And check out Marc and John on The Byrds in a special Spindle Sidebar.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Esta semana, en Islas de Robinson... Volvemos a deambular por los 80 alternativos. En clave "underground". College rock, cruce de mareas entre la new wave, el tintineo jangle de guitarras, paisley underground, psicodelia, post punk, garage, algo incluso de raíces americanas, y siempre pop, fluido e independiente como pocos... otra corriente para quedarse a vivir en ella largo rato. Suenan: R.E.M - "PRETTY PERSUASION" ("RECKONING", 1984) / LET'S ACTIVE - "WATER PART" ("CYPRESS", 1984) / GAME THEORY - "24" ("REAL NIGHTTIME", 1985) / MIRACLE LEGION - "THE BACKYARD" ("THE BACKYARD", 1984) / DREAMS SO REAL - "DRIFTING AWAY" ("FATHER'S HOUSE", 1986) / UPS AND DOWNS - "WHERE IS THE SUN'" ("SLEEPLESS", 1986) / TROTSKY ICEPICK - "THE GASLIGHT" ("SUMMER POISON", 1986) / SWIMMING POOL Q'S - "SHE'S BRINGING DOWN THE POISON" ("SWIMMING POOL Q'S", 1984) / PYLON - "CRAZY" ("CHOMP", 1983) / MEAT PUPPETS - "PLATEAU" ("MEAT PUPPETS II", 1984) / THIN WHITE ROPE - "LITHIUM" ("EXPLORING THE AXIS", 1985) / TRUE WEST - "IT'S ABOUT TIME" ("HOLLYWOOD HOLIDAY", 1983) / 28TH DAY - "I'M ONLY ASKING" ("28TH DAY", 1985) / RAIN PARADE - "BLUE" ("EXPLOSIONS IN THE GLASS PALACE", 1984Escuchar audio

This week we are discussing the final studio album by San Pedro's Minutemen, released in 1985Join our Patreon for only $1 to get access to all of our weekly bonus audio. We also have a $5 Producer / Listening Club tier, and a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Minutemen - The Price of ParadiseMinutemen - LostMinutemen - The Red and the Black

Hoy en La Gran Travesía os dejamos el especial dedicado al año 1995, donde podréis escuchar a Jayhawks, PJ Harvey, Lenny Kravitz, Mad Season, Radiohead, Monster Magnet, Bjork, Kyuss, Fugazi, Blur, Pennywise, Elastica, Sleater Kinney, Foo Fighters, Meat Puppets, Rancid... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs https://npqeditores.com/producto/la-gran-travesia-del-rock/ ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

The hosts navigate a gloomy discussion about the weather and society, and arrive in sunny California for some classic runs and additional talk about the Grateful Dead. The Power Motion Picnic Hour shares a holiday gift idea, which turns out to be just the first four Meat Puppets albums on CD. They talk about several deaths again and a Song of the Week emerges almost as if by chance.

This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it's like for Luke to compose music for director Taika Waititi's films, 1991's director Dave Markey's history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston's stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana's Bleach, hearing Smells Like Teen Spirit for the first time, Chris's Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley's drumming, Markey's knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis' Bitches Brew, how Nirvana ecplised Sonic Youth's popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.So grab the tiny mic and scream straight into the camera on this week's episode of Revolutions Per Movie!!!LUKASZ PAWEL BUDA:https://thephoenixfoundation.bandcamp.comhttps://www.monikermusic.nethttps://lukebuda1.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Martin Douglas dives into Paganicons by Saccharine Trust. Written in Kurt's list as “1st EP,” Sacchine Trust's debut is one of the most original releases from the SST catalog, which also includes punk classics like Black Flag, Minutemen, Meat Puppets, and many others.  Hosts: Dusty Henry and Martin DouglasAudio producers: Martin Douglas and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Join us as we delve into the world of aging musicians and their enduring legacy. We are joined by former Meat Puppets drummer Shandon Sahm to reflect on the impact of icons like David Lee Roth and the original Kiss lineup, expressing nostalgia and gratitude for their musical contributions. Discover how these legends continue to inspire generations! #AgingMusicians #MusicLegacy #DavidLeeRoth #Kiss #MusicalInspiration #Nostalgia #ConcertMemories #InfluentialArtists #MusicAppreciation #RockHistory

Si Kurt Cobain avait rêvé devenir une rock star, dans son bled perdu au nord-ouest des Etats-Unis, il n'avait jamais songé à ce que cela signifierait au quotidien. Tout ce qu'il en savait, c'est sa propre expérience de fan : être aimé pour sa musique, jouer devant des salles pleines, ne plus avoir de galères d'argent et être affiché en poster dans des locaux de répétitions. Mais là, les passages télés, les remises de prix, les interviews au kilomètre, tous ces trucs où il faut faire semblant d'être reconnaissant envers des gens qui n'aiment pas ce que vous faites ou pire qui n'en ont rien à faire, alors là … C'est donc ça, être “commercial” ? Vivre avec des gens qui ne sont là que pour l'argent et la lumière ? Alors non. Être une rock star, il n'aime pas ça, il n'en veut pas. Mais voilà, son single Smells like teen spirit a été N°1 il y a deux ans et l'album serait actuellement en route vers les dix millions d'exemplaires vendus. Si ça, ce n'est pas du commercial !Alors pour résoudre son problème, Cobain fait tout pour que l'album suivant soit le plus grunge, le plus anti-commercial possible. Le son pourri des titres, le nom et la pochette de l'album ont vite fait de torpiller la promotion. Tout y est tellement sinistre, glauque et subversif qu'on arrive à peine à en vendre un million. Du coup, la maison de disques met une telle pression sur Nirvana qu'elle lui impose de passer par la case MTV Unplugged. Une horreur pour Kurt Cobain et sa bande : pensez donc, l'an dernier Clapton a vendu des millions de copies du CD tiré de l'émission. Mais bon, parmi tous les artistes dégoulinants qui y participent, il y a eu R.E.M. et Pearl Jam qu'il admire, les ont précédés, alors c'est bon d'accord, on y va, mais à notre manière. C'est une aubaine pour MTV d'accueillir le N°1 mondial car les audiences sont en baisse cette année. La direction craint que le concept ne soit en train de s'essouffler. Mais Nirvana, le groupe le plus populaire du moment, en acoustique, ça, c'est le mariage de l'eau et du feu qui devrait assurer une toute grande audience. Ça démarre pourtant mal quand la production apprend que Cobain a invité les Meat Puppets, des inconnus. De plus, sur les quatorze chansons, il y a six reprises, et parmi les titres de Nirvana, un seul titre. La situation se tend d'autant plus que Kurt Cobain n'est pas très à l'aise avec l'acoustique, aussi la pression de la chaîne et de la firme de disques devient-elle vite intolérable. La veille de l'enregistrement, c'est le clash : Kurt Cobain quitte le plateau en disant qu'il ne fera pas l'émission. On ne va quand même pas devoir diffuser les répétitions ?

Meat Puppets, Toc Is Ronson, Ronson Is The Doctor And Porkeye is Confused, Someone Has Cockrot? Honestly this one is all over the place in a good way. I have no idea whats going onhttps://www.dungeonsanddickheads.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

This week on the pod, jD sits down with Ross to discuss his Pavement origin story and reveal track 15. Transit: Track 2:[0:00] Previously on the Pavement Top 50. Coming in at number 16, it's Fill More Jive. It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know, is that surprising? Is that surprising to you? You no i'd rather pick bill more jive over over cut your hair but i mean cut your hair is the pop song so yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know uh-huh cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought yeah i say a deeper cut because i don't think we we did it in 2010, okay and we hadn't done it for years in the 90s like i think we did it in 94 and maybe they did it with Gary too before me.Track 2:[1:23] So I would say it's a deep cut live, but in terms of, you know, records, you know, for people to really enjoy, it's a pretty great number.Track 3:[1:46] Hey, it's Shady here, back for another episode of our Top 50 Countdown for sentimental indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and an abacus for dummies book. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Ross from Fife. How the fuck are you doing, Ross from Fife? I'm good. Good from Fife.Track 3:[2:24] Excellent. This is good news. It's always nice to talk pavement with somebody, especially when they're doing well. Well, I don't get enough chances here to talk about anything pavement, so. Well, we're going to do that right now. Let's hear your pavement origin story. Story um well the very first time i heard pavement and this only came back to me in the last couple of weeks uh as i was thinking about you know this interview um and either it was either late 99 or early 2000s my high school girlfriend put major leagues on a mixtape you remember when you used to make mixtapes for you know for sure for your crush or your significant other at the time or whatever yeah she she made me a mixtape with uh major leaks and i i liked it it didn't set me off on my journey or anything you know but that's that's the first time i'm definitely aware of having heard Pavement. Right. A couple of years later, one of my friends.Track 3:[3:38] It was right about the time of, like, Eminem was huge. Dr. Dre had just released 2001. Yeah. Snoop Dogg was big. One of my friends flipped almost overnight from being an indie rock fan to a hip-hop fan. Oh, wild. So, yeah, I guess he was giving away his old CDs that he didn't listen to anymore or whatever. And he gave me Terror Twilight. It was a... I can't remember if he thought, right, Ross would like this or if he was just getting rid of it, you know? Yeah. But it really took me by surprise. I really liked it.Track 3:[4:27] At the time I was technically homeless. I wasn't living on the streets or whatever. I was crashing on people's couches. I was going through the sort of system like halfway houses and whatever. So I didn't have much possessions. but one of the one things I did have was Terror Twilight, and I would listen to it all the time while playing my Nintendo Game Boy or whatever and, it kind of felt like a it felt like a secret you know like my secret, because I'd never met another single living soul who had heard of Not just the album, but the band. I remember round about, it would have been the back end of 2001.Track 3:[5:28] Just pre-9-11, which seems weird, but that's the way that I remember this particular. I was on a lunch break at my first job, and I read a review of the first Malcolm A Soul album.Track 3:[5:49] And the review spent more time talking about Pavement than it did, you know, his new band, basically stating that, you know, these guys are legends, just they didn't get their due or whatever. No, I agree with that. So, yeah, a year later or whatever, I've got Terra Twilight, I love it. These guys are such enigmas to me you know this is before I was on the internet I couldn't Wikipedia them, I couldn't you know, there was no YouTube, stuff like that and by the way all this is, well some of this is on your 17th or 18th episode Krelvid User, you read out my letter oh gosh I had totally forgotten about that I remember I have a terrible memory you asked for submissions because back then a lot of the songs were quite short or even non-existent so yeah I got day drunk one day.Track 3:[7:10] I'd been out with colleagues and I thought I'm going to write JD a letter and tell him how I yeah so.Track 3:[7:20] My next the next part of the story is, I knew about the re-releases I think at some point, I don't know why I bought Sebado 3, the re-release of that album and, the album on the front it had a sticker with some sort of blurb from a music journalist saying that, This album, along with Pavement, created the blueprint for American indie. Jesus, high praise. Again, that just put it in my head. And I didn't even like Sebado Free that much. I quite like the band altogether, but I don't think it's a great album. So round about that time we're still talking about 2002 3, 4 maybe I don't have a great memory either, I go to Glasgow to watch a British band Rubin, I don't think they're around.Track 3:[8:30] Anymore but their first couple of albums were pretty good we go to King Tut's Wawa Hut, which is quite a famous venue because it's where uh oasis got signed by creation really yeah oh cool um it's a tiny place you can only fit you know two three hundred people in it maybe even then that might be a fire hazard uh but even before before the gigs played and the the venue's underground, it's like in a basement, before the gig me and a couple of friends are upstairs and I'm going through the jukebox, they've got one of these sort of.Track 3:[9:20] They're old fashioned now, but at the time they were quite modern, the jukeboxes where the album covers flip over in front of you, you know? Yeah. And I find a pavement, Slandered and Enchanted, and it's like, oh, that's that band, that's Territorial, you know, I keep hearing about them. So I stick five songs on, don't even hear them because, you know, the bar's so crowded, so noisy. But still it sticks in my head I want to learn more you know so a short time after that, I'm shopping locally in the nearest sort of large town.Track 3:[10:09] And I go into MVC it's a I don't know if it was an offshoot of HMV. I don't know if you've got any of this in Canada or not. You did have HMV at one time. Yeah, but they're all gone now anyway. And I find a copy of the Crooked Rain re-release. Okay. But it's like £25 or something. I was making decent money at the time. I had my first proper well-paying job. I had disposable income I was no longer homeless, But I'm not going to spend £25 on this CD I've got no idea if it's good or it's bad There's like 50 tracks So I know I'm probably going to get some sort of value for money.Track 3:[11:06] I leave. I think nothing else of it. About half an hour later, I go around the corner, and there's this independent record store sleeves. People in Fife will mourn it forever. It's gone now as well, as most independent record stores probably are. But in there, I find a copy of the re-release for £5. What? yeah it's a bit battered it's a bit broken as I think all pavement records should be, but yeah no questions asked I immediately buy it.Track 3:[11:52] I read on the bus home I read the, sort of the booklet that comes with it which just the whole time it's just adding to the mystique you know because I think Malkmus writes, I think it's from an old like, article he writes like an explanation for each song and it's never quite clear if he's just taking the piss or not, he says about stop breathing is a bit of a tennis match I was like, why wouldn't it be, you know? So, yeah, that night, the Saturday night, it burned in my memory. I mentioned this in the Creelvid user video as well.Track 3:[12:46] All my friends are going out on the town which was never an exciting occasion, but this night especially I put my foot down and said I'm not coming out I've got to paint a wall which I did, I had a wall to paint in my living room or wherever but my main reason for staying in was I wanted to listen to Crooked Ruin, Wow So I get everything ready I get A couple of beers ready Like take a couple of bong hits Or whatever I used to do that by then.Track 3:[13:28] And I get the I get the CD ready And the stereo you know And as soon as I switch it on I'm just transfixed, Like The intro to Silent Kid Or Silent Kit whatever they call it is still one of the most exciting pieces of music to me. It's fucking spectacular. Yeah, but I'd never heard a band do that. I know they've got a reputation of not giving a fuck, and a lot of bands tried to affect that feeling back then, but this is the first time I'd ever truly heard it. Yeah, yeah. Just the build-up and you hear them talking to each other and it's like, we're just going to leave that in? And it's like, yeah, of course we are. That's the recording, you know. And I just sat down on the edge of the couch, just staring at the stereo.Track 3:[14:35] And then every song after that just added to the... It was... Yeah, it was the most exciting night of music I've ever had. Oh, Jesus, that gives me goosebumps. And for, like, a good maybe six months after that, I think it's all I listened to. Crooked Rain, Crooked Rain, Crooked Rain. And of course there was a lot to listen to because it was the re-release so I got all the.Track 3:[15:10] I got all the demos of B-Sides as well and this was, perhaps, you could call it their golden era you know it had another one of my favourite pavement tracks Grounded, it had the demo of that so you got like a sort of, you know a sneak peek of what was to come, but yeah after that I think all my friends got sick of me, talking about pavement going on about pavement and it still happens quite a lot these days, you'd hear a new song on the radio and I'd say that's just a fucking pavement rip off, you know it still happens to this day I hear a song and I think, nah, you're the biggest band in Britain just now, probably, or Wet Lake, you heard them? No, I've not. Oh, they went really viral a couple of years ago with their first video, which is She's Long. Yeah. But yeah, they're big. They're quite popular in my work. I'll run Night Shift. Sometimes the radio sucks. Sometimes it's pretty cool.Track 3:[16:33] But yeah, they were getting played in the radio quite a bit. I went and listened to their album. And the final track on the album is called Supermarket. Okay. And I'm not going to call it a pavement ripoff, but it's definitely pavement inspired. Really? Yeah. It's like they sat down and thought, like, let's write a pavement song, you know? Not rip off a Pavement song, but let's write an homage. Yeah. You can go and check it out afterwards. It's kind of Wally's Alley-ish. Huh. But yeah. What's your go-to record at this point? Oh, that's always going to be Crooked Rain. Yeah? Always. Just because of those memories? Because of the night it blew me away, you know? Yeah. Second, I would say, was Slanted. That's the record I came to next.Track 3:[17:27] Believe it or not, probably my least favorite, and there is no least favorite, it's still a pavement record. Probably the one I go to least is Wowie. Oh, yeah? And I think that's just because that's the one I came to last. Right.Track 3:[17:46] But yeah, I was thinking of weird pavement stuff to tell you. After all, the very first time I listened to WALL-E, or not the first time I listened to it, but probably my favorite song on WALL-E is Father.Track 3:[18:04] Father to a Sister of Thought. Fucking brilliant song, yeah. And in that song, they mention Corpus Christi. Right. Right. The very first time I heard that song, I was driving my car. And they mentioned the Corpus Christi part. And straight away, I receive a phone call from my dad who was working in Corpus Christi. Get out of here. Yeah, seriously. That's fucked. He was in Texas, and he phones me, and I've just heard this Corpus Christi line. Like, what the hell? and I didn't even pull over to take the phone call, which is technically illegal. Well, I'm going to turn you in. Another thing is it was weird with pavement. Once I knew of them, once I... Go into them i saw them everywhere it's like oh yeah it's like when you've never heard a word before and you hear a new word and suddenly you just hear it everywhere you know right um so yeah the other sort of weird kind of thing is uh a couple years after that i'm moved to.Track 3:[19:26] They call it a city it's not really a city dundee in scotland not a nice not a nice place, so I'd start sort of dating this girl I can't even remember if we were dating at the time, she was a bit weird I realised far too late that she was highly autistic but we were math students so that comes to the territory, and one of the weirdest things about her is she was obsessed with this cartoon from the 90s, Space Ghost. Okay, yeah. So one day we go out for coffee, and just before we go to the coffee shop, I go and buy the Bright in the Corners re-release. And what are the last two songs on it? Space Ghost. Space Ghost theme, yeah. I think that made her like me more, you know. So it went in my favor. Nicely done. Well, what do you say we get into listening to track number 15? What is that? Well, we're not going to tell you until after this break. Okay. All right, we'll be right back.Track 2:[20:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown.Track 3:[25:25] And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross, from Fife? Well, I already said since I came to it last, Wowie's not my jam.Track 3:[25:47] I love it. It's still a pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard. Oh, really? Yeah. I don't think I heard it until at some point in the early 2000s. I bought, I can't remember what it's called now, the DVD. Slow Century. Slow Century, yeah. Yeah. I think maybe that's the first time I ever heard it. Oh because they showed the video on that right yeah I can't remember if it's the proper video or not I know that they had to re-release the video because it was making people sick, people used to be such fucking pussies, yeah um and I don't dislike the song or anything um if it's number 15 that's kind of surprising it wasn't in my top 20 No. It probably would be in my top 50. Okay. It sounds like I'm hating here. I'm not hating. No. At all.Track 3:[27:07] Well, you definitely think it's overrated at 15, so that's... Oh, yeah, definitely. Yeah. Definitely. The most interesting thing is obviously the lyrics. It's like a typical sort of malchemist crossword yeah I would agree with that I took a few notes, the opening line oh that I could bend my tongue outwards leave your lungs hurting.Track 3:[27:42] Could be sexual. Could be? It could also pertain to that tongue trick thing where people can fold their tongue up, you know? Oh, yeah, yeah, yeah. I did a little research and apparently 73% of adults can do it. I cannot do it. I can't either, but I've learned that you can teach yourself to do it. Oh, really? yeah i was i i work night shift so you've got to find ways to pass the time yeah exactly um and that was a thing that was going about work a couple of years ago everybody asking can can you do it can you not and i can't do it but i have learned that you can teach yourself but you haven't taught yourself well I, I got I got halfway there but I forgot to keep like doing it you know gotcha it was it was never, maybe if I put it together for a pavement song that would have helped.Track 3:[28:53] Yeah after that we've got leave your lungs hurting tuck in my shirt and pints I wear so well cross your t-shirt smell well, that's just good malchus wordplay, right? Yeah. Maybe there's a specific meaning. Obviously, there's a theme there, clothing.Track 3:[29:16] After that, we come on to the best line in the song, maybe the best line in Pavement's entire discography, caught my dad crying. Yes. I wrote down here maybe it's better we don't know what it means yeah I mean I don't think for a single second Malcolm has walked in on his dad crying, but just the imagery the thoughts it's, The crucial word is caught. He could have said, saw my dad crying. He could have said, found my dad crying. But he says caught. Right. Like it's a bad thing, you know.Track 3:[30:03] So, yeah, God knows what to say about that. It's just a great line, you know. I agree. After that, we've got, Loose like the wind from the rough we get par. This is one of my favorite things about Pavement. They like to make sports metaphors they do yeah and we've got a whole song about sports and London Lions that was in my top 20, we've got bring on the major leagues possibly their biggest hit yeah but also just the line from the rough we get par, that would indicate to me after a bad start things have turned out alright right.Track 3:[30:47] And I know there's a prevailing feeling that the whole song is about their career or where their career has taken them I didn't know that well just the whole rattled by the rush just them being affected by, whatever level of fame they'd built up I didn't hear Pavement until 99 so I didn't get to witness the, right the ascent or the rise or whatever right you know right but yeah i've heard in doing a lot of research i did that this the whole song was about their you know them struggling to cope with you know whatever rise the rise to fame yeah and i do know from reading the liner notes and uh.Track 3:[31:39] In both Crooked Reign and Huawei re-releases that they were kind of fighting back against it. Maybe not fighting back against it, I think that gets overplayed sometimes. But I think Mark missed his explain. Maybe on Huawei or the Crooked re-release that they were kind of scared.Track 3:[32:08] You know how could you not be they were like a couple dudes from Stockton you know that were that recorded some noise art and next thing you know cut your hair comes out and that I would say is the biggest song oh yeah definitely I find that at the time as well it was just a really big time for music yeah a lot of majors were looking for the next Nirvana that's right Pavement were never going to be that. But they could have filled a hole, filled a gap. Spin Magazine named them the best band, pardon me, the best album of 2000, no, not 2000, 1992. Before the album even came out, right? Before it was chanted, yeah. No, no, it had come out. It had come out. It was the number one record of the year for 1992. So they came with a lot of buzz, like a lot of buzz. I remember reading the sort of tapes that they sent out for slanted they didn't send many out but every single one found its way to someone influential that's right I don't know if they were friends but they were fucking around with Sonic Youth.Track 3:[33:27] Certainly helped they opened for Sonic Youth on the UK tour yeah first time in the UK in 92 so that was there's a great Nostanovich podcast with another Canadian guy.Track 3:[33:42] There's like music journalism online oh is it creative control I think that's what it is I think that's what it is he explains that him Malkmus and Berman got a Nirvana show, cancelled, not cancelled but shut down in New York because they were being so boisterous. Really? Yeah, and this was before Nirvana took them to Redden and stuff, you know? Wow. So they were in that... They were in that space. Yeah. Yeah, definitely.Track 3:[34:17] They probably were getting a lot bigger than they thought they'd ever be, were ever prepared to be. Absolutely. Especially, you know, Slanted came out with a lot of hype, but Crooked Rain all of a sudden was this record that had hits on it, gold sounds and cut your hair. So, you know, I think a lot of people got maybe a bit carried away about what they could be. Well, one of the things, it doesn't fit into the hype, one of the things I wanted to mention about Crooked Rain maybe one of the reasons I liked it so much is it's a little bit what I call country fried, okay yeah I can see that father to sister of thought especially right well that's wowie, Crooked Rain's got his own range life I'm sorry but whenever an indie rock band, introduces a little element into country, I call it Country Frights. Country Frights.Track 3:[35:14] Crookheads and while we are definitely Country Frights, one of my favourite modern bands, Parkey Courts, they're a bit Country Frights. I've heard a lot of comparisons to Pavement with them. Well, the reason I first listened to Parkey Courts is I've seen an article where Malchmus was in a record store and he heard Parkey Courts and he thought it was Pavement. Jesus Christ, really? That's the reason I first listened to them, you know? Yeah. And? What do you think?Track 3:[35:50] Their first album, definitely, I could see the comparisons. The same kind of attitudes, like not really caring about tunings or you know. Just the first take's good enough no matter what. But that is a real good album. You should listen to Lie Up Gold, Parquet Courts. I'll check it out. Yeah, it's very, very good. I was trying to think. Meat Puppets, they were kind of country fried. Yeah, yeah. Have you got anything else on Brattled by the Rush? Well, it might destroy every argument I've already made, but the first chorus, I'm Drowning for Your First, that reads to me like being desperate for someone's attention, And that's not pavement at all, you know? No, no. Maybe that's something very personal to Malchus. Yeah, I'm drowning for your... The second album's kind of... The second verse, I think he's just showing off. Rhyming candelabra with Barbara.Track 3:[37:12] There's other lines. get all those hard hats and sing us some scat. I just think he's scatting himself there, you know? Yeah. Although the very last line, again, it's one of their best. I don't need a minister to call me a groom. I love it. What does that mean to you? What does it mean to me? I think, well, I don't need a minister to call me a groom. Like, you can, like, fuck religion. and you can go and get married or you can do whatever you want.Track 3:[37:47] Well, this is maybe just completely personal to me. Have you ever been in a sort of strictly friends with benefits relationship? No. No. Well, I have. I was for a couple of years. And to be honest, it was maybe the healthiest relationship I've ever been in. But um i noticed during that time that friends of mine who were in traditional relationships, they fucking hated it oh wow because i was getting all the good stuff without, all the bad stuff you know and i never had to meet her parents i never had to go on any any dates with Ikea. See what I did there? I got it. Yeah, so every time I hear, I don't need a minister to call me a groom. That's what comes to mind. Really? That's just maybe because of, you know, where I was at the time. Yeah.Track 3:[38:53] But yeah, again, I've seen that linked back to the music industry. And I guess Malcomus doesn't need I don't know who the minister is but to call me a groom would be to call me a star you know, okay I can he's already a star selling you know a quarter of what other bands are, and then of course they go on I'm rattled by the rush I'm rattled by the rush etc that that.Track 3:[39:29] And I know that Pavement's writing is sometimes a bit obtuse or weird, but that has to be a reaction to whatever level of fame or popularity they've gained by that point. I can see it. We've got the interlude, no soap in the John. That's very funny. I know that John's a sort of Americanism for toilet. Yeah. So to me, that would mean no sort of airs or graces.Track 3:[40:06] Or they're not going to clean themselves up for whatever, whoever. You've done a deep dive on some of these. I've thought about it a little bit. Yeah, you have. I've had a lot of time recently.Track 3:[40:23] Well, dude, speaking of time, it's been a great time hanging out with you talking pavement. I really appreciate you making some time for me and doing this, hearing your pavement origin story and talking about Song 15. Next week, we're going to hit Song 14, and I'm going to tell you what it is right now. No, I'm not. I'm just kidding. All right everybody is there any clue is there any clues you can give to like not what's in the top 10 or not a bit no way is there anything that took you by surprise, it all took me by surprise so far yeah we're gonna at the end of the series we're gonna do some sort of round table with people who haven't got a chance to be on and they will um, discuss the list as a whole because they'll have the entire list at that point. It's difficult, you know, recording this and you don't know all the songs that come before it. But hey, that's part of the game. I should point out that with my whole Crooked Re experience, Gold Sounds is my number one favorite song from anyone of all time and it's probably never going to change. It's a fucking great song. And if it's not number one, I'm going to write.Track 3:[41:44] All right, dude. Talk to you soon. Wash your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 236: Meat Puppets. Impetigore (2019), Stopmotion (2023). 

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sheep Go to Heaven by Cake (1998)Song 1: Whirlpool by Meat Puppets (1991)Song 2: High Ticket Attractions by The New Pornographers (2017)Song 3: Concrete and Clay by Unit Four Plus Two (1965)Song 4: Didn't I (Blow Your Mind) by New Kids on the Block (1986)Song 5: New York City by cub (1994)Song 6: Kansas City by The New Basement Tapes (2014)Song 7: I'm a Little Airplane by Jonathan Richman & the Modern Lovers (1977)Song 8: Looking for a Kiss by New York Dolls (1973)Song 9: Maybe I Know by Leslie Gore (1964)Song 10: Dressed to Kill by New Found Glory (2000)

The Meat Puppets third album - the Kirkwood brothers fire out a catchy collection of psychedelic swingers that help keep weirdness to the front of the American music underground in 1985.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, since we are in the middle of the summer we are trying to beat the heat, so all of the songs either are about water or feature a form of water in the title. On today's episode, Andy Atherton is watching, “Backwater” by Meat Puppets from 1994. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=oFD88EyZ80E

This week, Desmond and Duane marvel over the visuals (but not so much the story) of the beautiful Stopmotion. Then, inspired, Desmond goes solo on a Dread Media Top 5 Films that Mix Live Action and Animation. Perhaps the weirdest track list for an episode thus far: "Attacked by Monsters" by Meat Puppets, "Anema" by Tool, "04/12/05 Tuesday" by Fantomas, and "(Cartoon~) The Creed" by MD.45. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Duane marvel over the visuals (but not so much the story) of the beautiful Stopmotion. Then, inspired, Desmond goes solo on a Dread Media Top 5 Films that Mix Live Action and Animation. Perhaps the weirdest track list for an episode thus far: "Attacked by Monsters" by Meat Puppets, "Anema" by Tool, "04/12/05 Tuesday" by Fantomas, and "(Cartoon~) The Creed" by MD.45. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Mike Dillon is a percussionist, vibraphonist, bandleader, singer-songwriter, and vocalist born in San Antonio Texas. He is a member of Critters Buggins, Les Claypool's Fancy Band, and Garage A Trois. He has performed with many musicians including Ani DiFranco, Galactic, Brave Combo, Karl Denson's Tiny Universe, Marco Benevento, Clutch, Claude Coleman Jr., and New Orleans musicians Kevin O'Day, Johnny Vidacovich, James  Singleton, and Ricky Lee Jones. Mike Dillon & Punkadelick makes its recorded debut with Inflorescence, an album of heady, instrumental rock highlighting a band deep in the throes of creative freedom, road tested and wild. Consisting of 10 tracks in 42-minutes, it's an expansive, focused and fearless collection, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament and the ‘anything fits' outsider ethos of acid-fried punks like The Meat Puppets. A trio featuring Mike Dillon (Ricki Lee Jones, Ani DiFranco, Les Claypool) on vibraphone, marimba, Prophet 6, congas, and bongos, Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica and Nikki Glaspie (Beyonce) on drums, cymbals and vocals, Punkadelick is the unified vision of six hands creating a world that often sounds like the work of an ensemble three times the size. During 2020 and 2021, while many music venues were still shuttered, the group began touring, sweating their way through cuts Dillon and Haas had composed during quarantine writing sessions. Locking in on stage, it quickly became clear the band was functioning at a level that made the hair on their arms stand at attention—even for three live music veterans accustomed to life on the road.   July 27th Mike and Punkadelick are playing the Grog shop in Cleveland OH tickets here! https://grogshop.gs/event-details/13536034/mike-dillon-punkadelic-hello-3d-c-level/   Mike's Info https://www.mikedillonvibes.com/  

The right and the wrong way to approach a networking event Most of my episodes are about experimental psychology, how to deal with and manage time, energy and resources, or a unique concept I'd like you to consider. Sometimes the episode is a purely business-related show. This is one of them. The excruciatingly hilariously wrong […] The post Meat Puppets handing you mailing list data first appeared on Alchemy For Life.

PRIMERA parte del maratón radiofónico dedicado a la música alternativa de 1994 realizado el 16 de junio junto a Felipe Couselo y Aitor (El Maquinista de la General). Con la colaboración estelar de J.F.León. + info - https://linktr.ee/b90podcast Espacio patrocinado por: Juan Carlos Acero Linares - Jaime Cruz Flórez - davicin blackmetal - DOMINGO SANTABÁRBARA - bcn_music_fan -faeminoandtired - Pablo Garrido - Jose Manuel Valera - Ivan Castro - Nerdo IsMe - Javi Portas - Belén - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - kharhan - Barrax de Pump - PDR - Fernando - QUIROGEA - Jorge - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - faeminoandtired - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - VICTORGB - Alvaro Gomez Marin - Achtungivoox - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Mario Sosa - Isranet - Paco Gandia - ok_pablopg - Eduardo Vaquerizo - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - Infestos - Öki Þeodoroson - davidgonsan - Juan Carlos Mazas - 61garage - JJM - Rosa Rivas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Megamazinger - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Miquel CH - Jon Perez Nubla - agui102 - Raul Sánchez - Nuria Sonabé - Spinda Records - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Mr.Kaffe - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - LIP -Carmen Ventura - Jordi y varias personas anónimas.

Welcome to the LEGENDS: Podcast by All Day Vinyl. In this episode, our host Scott Dudelson sits down with the Grammy-winning producer, guitarist, and bandleader Pete Anderson. We  dive deep into some of Anderson's most impactful productions including his work with Dwight Yoakam, Roy Orbison, Meat Puppets and an incredible story of playing in a band with legendary session drummer Jim Gordon weeks before Gordon tragically killed his mother in 1983. Pete candidly shares tales from his Detroit upbringing where he first discovered his passion for Jazz, Motown R&B, and blues. He talks with enthusiasm about tour experiences, collaborations, and his path from a young Elvis fan to a Grammys winning producer. Pete and go in depth about his career and life with a particular focus on Anderson's early days, playing with Jim Gordon in the Blue Monkey's, meeting Dwight Yoakam and recording iconic albums with Dwight, producing KD Lang, Roy Orbison, Meat Puppets, Buck Owens, Thelonious Monster and others.  Anderson shares incredible stories leading up the current day where he shares info about a new record by George Ducas he just produced, as well as a new book that reveals his producing technique with specific tips. If you like this episode please rate, follow and subscribe.    

Mark McGrath sits down with Adam, for a delightful and hilarious deep dive interview about his career, his extensive No Jumper knowledge, and more!   / therealmarkmcgrath   ----- 0:00 Intro 0:15 How the "losing hearing" rumor started on a red carpet, he said it as a joke and it went viral 2:55 Mark won the jeopardy rock trivia at one point: "I dont like to brag but yes" lol 3:30 Being called a one hit wonder w their song "Fly" 5:00 "I loooove music Adam22!" and by 8th grade he tried to figure out how to become a musician full time 6:50 Adam says by way of Nu Metal he went to Hardcore and Metal, Mark says Fred Durst would be happy to hear that 8:15 First album with Nicole Eggert n*ked on the cover, they had to make a statement coz there was so much competition 9:01 Nirvana is directly responsible for Sugar Ray success 10:18 In the 90s you could lie to labels, no social media to counter anything 11:14 The Shrinky Dinx, they started the group to drink beer and play old songs 12:23 Growing up in Newport Beach, Mark was in awe of reggae, he was breakdancing too! 12:54 Changing their name to Sugar Ray, Sugar Ray never trademarked his own name, Mark says he can use it anytime tho 13:00 They told the label they were bigger than they were and 500 songs recorded, one thing led to another and they got signed by Atlantic for 1M 14:43 They set themselves apart by making a music video on a VHS in a pizza box and sent it to every label 15:55 Mark calls Adam the Joe Rogan of the Zesty Disciples 17:27 Adam is really locked in when he interviews ppl which is amazing 18:46 Howard Stern influence + Meat Puppets, one of Kurt Cbain's favorite band, they were gonna record one of Howard Stern's song called “Psychedelic Bee” 20:30 They pulled up to a college while on tour, they recorded the song that day, sent to their manager thru Fedex and that was it, couple weeks later the manager tells them "leave all your shit in Wyoming and come here to be Howard Stern" 24:50 The Fly appeal, they toured for 2 years with that song alone 27:20 Mark briefly gets emotional talking about the music memories with his mom 29:21 Mark said he hated Fly at first, he wanted to make it heavier like Deftones or Korn, when he heard the original version, super singy/lame and he was like "This aint it, I quit!" 35:00 Mark on getting Supercat on the song, turns out David Khan was super friend with him, called him, and boom! Came to the studio 37:20 They went huge overnight, Mark was ready for it! A dream come true 41:05 You got a tramp stamp? Mark says "I do...! Why WOULD YOU BRING THAT UP!" Mark shows the tattoo 41:51 Mark says Mr Cartoon is kinda the interview that brought him to No Jumper 44:45 How ppl love to hate Limp Bizkit but secretly love them, they're back on the road as we speak 47:15 Feeling the business pressure, labels needing singles, and growing as songwriters 53:45 Mark says King Yella is compelling and Ben Baller is full of it 57:15 The Sugar gay incident, it was a pre-grammy/Oscar party w Madonna 59:32 Ppl outside were already talking kinda crazy to the attendees, and Mark didn't like it, Mark says "I stayed on bid'ness" 59:00 Madonna says Mak walk me to my car, they walk out, he was feelin himself a little bit, as soon as Madonna drives off, he turns around to ppl calling him a F etc, Mark blacked out 1:02:15 Mark praises Desto Dubb! 1:08:00 Mark actually called Pharell for a song to find more success, Mark didnt like the song tho, years later Blink 182 told him Pharell tried to give him the same exact song 1:12:00 Mark points out who can and cannot snitch: “G FACE is "DOOOOONE!!" 1:20:15 Being a host at Extra, Mark asked Al Pacino about Britney/Kevin Fed and he turned him down saying: "You're better than that!" and walked off Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:https://www.desolationcenter.com/SEE THE FILM IN MAY 2024 IN L.A.:https://www.instagram.com/dktrfest/STUART SWEZEY:https://www.amokbooks.com/BRUCE LICHER:https://www.independentprojectrecords.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Brandon and AP Lindsay welcome back one of their favorite guests and DJs, Mr. Jason Berry. The last time Jason was on the show he played sets of Twee and Twee-Adjacent songs that were not available (to the best of his knowledge) on streaming sites like Spitofy or what-have-you) and this time he challenges Brandon to a duel of short songs. Who can play the shortest songs without mis-cueing, in the least amount of time. May the shortest set win! You will hear songs by Fuzzbox, The Judys, The Undertones, Dear Nora, Suburban Lawns, Sour Patch, The Meat Puppets, Toys That Kill, Half Japanese, Go Sailor and many more!   Vinyl Fridays Theme song by Dazzleflage      Apache by Jorgan Ingmann Biradio.libsyn.com Instagram: @birp60406 Facebook: @blueislandradio If you'd like to support the show visit Patreon.com/blueislandradio            

Today, March 22nd, sees the release of the first tranche of remastered key catalog titles by legendary San Antonio, Texas band The Butthole Surfers on Matador Records: Psychic...Powerless...Another Man's Sac, Rembrandt Pussyhorse, and PCPPEP. Marking the occasion, the band have unearthed and remastered an alternate version of their 1983 track ‘I Hate My Job' with a new animated video. Watch / listen HERE.  In addition, the band's Paul Leary and King Coffey appear on the latest episode of the Matador Revisionist History Podcast. In conversation with Matt Sweeney, they discuss the influence of the Meat Puppets and Run D.M.C., the Texas music scene with Dicks, Big Boys and others, early days on the road, run-ins with the fire department and much more.

Hour 4 of A&G features... The Meat Puppets & the Hardy Boys... The Thriving Businesses of TikTok... Space X has a successful launch... Final Thoughts.  Stupid Should Hurt: https://www.armstrongandgetty.com/See omnystudio.com/listener for privacy information.

Tumblin' Tumbleweeds! It's Ray Farrell!! . . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

To access Ground Zero's exclusive digital library which includes webinars, archived shows/podcasts, research groups, videos, documents, and more, you need to sign up at aftermath.media. Subscriptions start at $7/month. Check out the yearly specials!

Born of the stark beauty and bittersweet desolation of the high desert, California trio Heavy Gus blurs the lines between grungy garage band fare, hazy surf, and dreamy indie rock on their captivating full-length debut, Notions. Bristling with live-wire electricity, the collection is lean and spare, fueled by distorted guitars and a driving rhythm section, and the performances are loose and organic to match, captured spontaneously in the moment with little room for overthinking or second-guessing. While all three bandmates come to Heavy Gus from very different worlds—Ulvang from The Lumineers, drummer Ryan Dobrowski from Blind Pilot, and singer/songwriter/multi-instrumentalist Dorota Szuta from an unlikely combination of marine science and music—they fit together like puzzle pieces here, bound by the kind of love and trust that can only grow from years of deep kinship. The result is a record all about distance and connection from a band built on intimacy and personal chemistry, a mesmerizing debut that calls to mind everything from Meat Puppets and The Breeders to Yo La Tengo and Acetone in its artful balance of hope and fatalism, loneliness and desire, strength and vulnerability. Originally hailing from the rugged shores of Lake Superior, Sasha Mercedes writes image-provoking songs and delivers them with passion and conviction. Her powerful voice turns heads, as she beats on her guitar, brow furrowed and snarling! Mercedes has released five Americana solo albums, and though there will always be a soft spot in her heart for singer-songwriter stylings, Mercedes hasn't been tethered to any genre. She was the front-woman for Twin Cities-based rock band, Hot Pink Hangover, as well as the hook writer and fellow performer in Minneapolis hip hop trio, Channeling Grey. She has traveled the world making music and drawing inspiration out of every experience, which is evident in the lyrics of her brilliantly crafted compositions. She has shared the stage with TLC, Badflower, Dar Williams, Don Mclean, Tracy Bonham, Guy Davis, Pete Seeger, and others. She may seem hard on the outside, but Mercedes has always believed that rugged shores can polish even the roughest of stones. This episode features recordings from both artists 2022 performances at Big Top Chautauqua.   First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands.  EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Jaime Hansen - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

In todays episode I talk with drummer/songwriter and founding member of the Meat Puppets, Derrick Bostrom. Derek and the Meat Puppets are cited as a hugely influential band by artists such as Dinosaur Jr, Nirvana and Soundgarden (among others) and even appeared as guests on Nirvana's MTV unplugged record back in 1993. Real innovators of the DIY approach to bands, the Meat Puppets eventually went from infamous labels like SST to majors like Atlantic and Mega Force. For more information on Derrick, or the Meat Puppets, please visit - www.themeatpuppets.net For Derricks own podcast, check out - Open Mouth Syndrome on your favorite streaming platform. For more information on Travis Marc, please visit - www.travismarc.com For more information on 'The Musicians Mentor', please visit, www.musicians-mentor.com Lastly, please remember to rate, review and share as we continue to create content for you, thank you. --- Support this podcast: https://podcasters.spotify.com/pod/show/musiciansmentor/support

"You're the cat on the date!" Mark talked about session mindset with Hall Blaine, vocal arranging for the Fairfield Four, a Meat Puppets session in Pheonix, how to play the right bass note, why your headphones matter, and how to rock online sessions. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mark Prentice, a Grammy-winning Record Producer, studio musician, music director, and hit songwriter. His versatile and exhaustive music industry resume includes recording and performance credits with renowned County Artists as well as various Internationally known Pop, R&B, and Rock-n-Roll Artists, including: Elvis Costello, John Fogarty, Jonathan Cain, Desmond Child, The Fairfield Four, Steve Earle, Lyle Lovett, BJ Thomas, Frankie Miller, Delbert McClinton, Ricky Skaggs, Olivia Newton-John, Amy Grant, Vince Gill, Johnny Cash, Don McLean, Crystal Gayle, Kevin Griffin (Better Than Ezra), Jennifer Nettles, Michael McDonald, Bruce Springsteen, Steven Van Zandt, Bruce Hornsby, Felix Cavaliere, The Young Rascals, Charley Pride, Allison Morer, Sam Moore, Billy Preston, Ben E. King, Michelle Wright, Jennifer Hanson, John Oates, Pat Boone, Patti Page, Lady Antebellum, Rodney Atkins, Chuck Wicks, Paulette Carlson, Bruce Cockburn, Holly Williams, Bo Diddley, Mitch Ryder, others. I met Mark in the past couple years through mutual friends who gather to talk about music, life, and what the hell just happened to music and the world recently, and when I was invited to the annual Christmas party and saw how Mark could sit at the piano and play any song just by thinking about how should probably go I knew I was in the company of some serious musical talent. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5Bdoweo1QEdVyVgujuNUEJ?si=918f4c2d24e54c8d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/421

Patrick adds a song to the Perfect Pop library, a summertime song from the Meat Puppets classic Up on the Sun album. And we ask our listeners to help us with a Perfect Pop project.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Scary monsters, super creeps. . . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

As the title indicates, we had a visitor on this episode.  What's kind of interesting is that we had been in the basement and recorded one episode before we saw the vermin.  Then he became fearless and we're lucky to be alive.  Second episode with neighbor Charlie.  Any early jitters were gone, and we flew through a ton of topics.  Here's a recap:Mark's Phobia'sSuper-sized Radio GameCharlie's got serious music/content rulesBeastie Boys and Butthole Surfers get some love--Meat Puppets get mixed reviewRadio Game WINNER!!Country Music is getting worseStudio vs Live band evaluationMN Zoo ConcertsJT, Bruno and GagaBlade RunnerDon't fly with a celebrity pilot!High Tech Newt's promoHow Charlie got his name Standup ComediansYep--we covered a lot of ground.  Hope you enjoy.  We're trying to determine if we could execute a live podcast on location at Newt's.  More to follow.   Feedback always welcome at TheAscertainers@gmail.com#Newts#GetBetterAudieC

Part 2 of my conversation with guest Jay Breitling as we discuss our favorite music of the first half of 2023. Show notes: Running down our favorite albums of the year so far Kumar's #10: Pile diversifies its sound Breitling's #9 and Kumar's #8: Yo La Tengo keeps on Yo La Tengoing  Kumar's #9: Dangerous sounding debut from Model/Actriz Breitling's #8: Continued excellence from Protomartyr Kumar's #7: Excellent third release from Washer, giving off Meat Puppets vibe Another great act on Exploding In Sound Breitling's #7: Fog Lake returns with a compelling slowcore release; may or may not be Shady Canadians Breitling's #10 and Kumar's #6: Perennially pissed off hip hop from UK Grim Breitling's #6: Lo-fi folk rock stalwarts Hands and Knees return with a strong release Kumar's #5: Yves Tumor mixes shoegaze, alt-rock and funk into a powerful concoction Breitling's #5 and Kumar's #4: Legit supergroup Boygenius delivers the goods Breitling's #4: Bully with another excellent rock album Tom Cavanaugh tangent time Kumar's #3: Catchy hardcore from Fucked Up represents a more spontaneous recording process Breitling's #3: Quick collection of rippers from New Zealand's Guardian Singles Kumar's #2: UK act Shame pushes out of their post-punk comfort zone Breitling's #2: Going back to Philly with Purling Hiss, bringing hooks and attitude to the party Kumar's #1: Power pop awesomeness from the indie all-star band that is Eyelids Breitling's #1: Jangly indie pop straight outta Columbus with Connections Kurt Loder tangent  Anticipated/newer albums: Drop Nineteens, Speedy Ortiz, Palehound, PJ Harvey, Queens of the Stone Age, Jason Isbell, Jeff Rosenstock, OSees, Blur  Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Let's have some real talk about America. The shootings. The jingoism. The lack of 1/4 and 1/3 cup markings on Pyrex liquid measuring cups. Oh, you wanna hear dirty anagrams made out of presidents' names instead? Yeah, we can do that, too. Other discussion topics may include: - How to make enemies with every Bostonian celebrity ever - The weaponization of pepperoni pizza - The origin of the United States, from documents and tariffs to slave owning and cousin sexing - Insurance ducks, moose parties, French licks, and other secret meats - America's all-time most prestigious hornball maniac --- Send in a voice message: https://podcasters.spotify.com/pod/show/goingterribly/message

Discover music from a mysterious Portland barista who has "disappeared", a trio of 18-year olds from Hastings plus a vintage track from one of the most unique bands of all-time! --- Support this podcast: https://podcasters.spotify.com/pod/show/thebottomforty/support

Hosts Nate Wilcox and Ed Legge continue their discussion of Michaelangelo Matos' "Can't Slow Down: How 1984 Became Pop's Blockbuster Year" with a look at a historic year for indie rock, post-punk and hardcore groups like R.E.M., Big Black, Naked Raygun, Husker Du, Black Flag and the Meat Puppets plus the whole neo-American rock scene headed up by X, the Blasters, Los Lobos and more. Buy the book and support the show. Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Date: May 10, 2023Name of podcast: Backstage Pass RadioEpisode title and number:  S4: E15 - Season Ammons  - Steel Hearts in Gruene TexasArtist Bio -With a voice as distinguishable and versatile as her name, Season Ammons is an award-winning songwriter, vocalist, and multi-instrumentalist, blending soulful blues with Texas roots and Americana.  Ammons' most recent project, 'Steel Hearts,' is her fourth and most personal album to date.  For this recording, Texas-based Ammons took a special trip across the pond and recorded in the legendary Studio 2 at London's fabled Abbey Road Studios.  Sought-after producer David Percefull (Green Day, Gary Clark Jr., Meat Puppets) mixed ‘Steel Hearts' at Abbey Road in Studio 3, and Sean Magee (Beatles, Rolling Stones, Rush, Iron Maiden) mastered the album there. Drawing predominantly from her experiences of heartbreak, forgiveness, self-acceptance, and new love ‘Steel Hearts' showcases Ammons' unique, searing intensity and confirms that this singular artist has a lot more to say and infinite ways to say it.   Ammons' remarkable live show has taken her all over the country and beyond. Highlights include multiple standing-room-only showcases at Americanafest in Nashville, TN; a featured showcase at the FMQB Triple A Conference (Boulder, CO); performances at 30A Songwriters Festival (Destin, FL), Little 5 Points Festival (Atlanta, GA), Waltstock & Barrel Festival (Fredericksburg, TX); packed house at The Bedford (London, England) and a special Future Faces showcase at the Texas Regional Radio Music Awards.  Over the years, Ammons has earned steady press coverage from national and regional media.  Her musical diversity is evident with consistent appearances on various national radio charts including Billboard Triple A,  Americana Albums Chart, Roots Music Report's Top R&B Album Chart (#10), and regular Top 40 chart action on the Texas Regional Radio Report (TRRR) chart. *Awards: Texas Country Music Association Award of Distinction (2012);  Emerald Coast BMA Awards for Best Country Artist (2015), Best Female Vocalist (2017) and Best Singer/Songwriter (2017); Texas Music Awards nominee for Best Female Vocalist (2020)Sponsor Link:WWW.ECOTRIC.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist Media Handles:Website - www.seasonammons.comInstagram  - https://www.instagram.com/season__ammons/Facebook - https://www.facebook.com/theseasonammonsCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey 

In a previous life, Washington band Mystic 100's were known as Milk Music. But with the freaky and wild On a Micro Diet, they are reborn as a fire breathing, jam punk band, think Meat Puppets meet Crazy Horse, or the Dead had they signed to SST Records. In this episode of Hotline, the Mystic 100's answer your questions from the 1-877-WASTOIDS answering machine, discussing shirt sizes, favorite lyrics, and recipe books. Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Lords: * Avery * Tyriq Topics: * Adam, Father of all humankind, was maybe a giant * Heathcliff is still going and it's weird * I've heard a million novelty metal covers but still nobody's done Truly Scrumptious / Doll on a Music Box from Chitty Chitty Bang Bang * "The Phone Call" by James Tate Microtopics: * Withholding all your best URLs until the end of the episode. * Using lowercase Ls in place of Is and seeing if anybody notices. * Leaving capitalizations to the whims of chaos. (Your fingers.) * Teachers explaining that if you can't write in cursive by junior high your teachers will throw things at you and call you stupid. * Adam and Eve growing to 18 feet tall. * Pre-flood humans and their towering heights/lifespans/IQs. * How to make your wisdom teeth fit again. * Conspiracy theories that have no bearing on anything. * Fighting wars over the estimated radius of the earth. * The Nephilim. * YHWH fanfiction. * How many Jesuses are alive today. * The friend you have with superhuman charisma and whether they ended up starting a cult. * Getcherself a nice cult, settle down, have a thousand babies. * The guy who was both a dwarf and a giant during his lifetime. * Every tall person having been short at one point. * Chain-smoking tweens drinking martinis and yelling at their secretaries. * A Topic Lords ouroboros. * Hypothesizing why the elderly people Heathcliff lives with have a child. * Having a child for some reason. * A humanoid robot with the word "meat" printed on its chest. * The kind of people who read comics every day. * Zippy the Pinhead. * A weird underground subculture comic that somehow made it into newspaper syndication. * Mustache Mondays vs. Mustache Lasagna. * A milk mustache but for lasagna. * A cartoon anvil that has its weight imprinted on it. * Two side characters explaining the situation to each other. * One of the birds says to the other, "Christ, what an asshole." * Historians a thousand years from now deciding whether Heathcliff should be included in the Bible. * After recorded media stops being a thing, episodes of The Simpsons being passed down as oral history. * Rhapsodes. * Contests for the best rhapsode. * Hector of the Shining Helmet vs. Hector the Booty Inspector. * Fillet episodes in the Odyssey and the Iliad. * The Flaming Lips album that comes on four CDs that your supposed to play simultaneously, but nobody's ever bothered. * How they handle hidden tracks on Spotify. * How to deal with skits when you're ripping rap albums to mp3. * The Meat Puppets playing a set in the middle of Nirvana'a MTV Unplugged set. * Writing a song about a shooting star who's been turned into a rat and has just fallen in love with someone named Tristran, and trying to figure out what rhymes with Tristran. * Working at the Brill Building. * Tin Pan Alley. * Nearly jumping out of your pants. * Taking a high-paying job as a murder victim. * The one where people wear horse skulls. * The Scrambler, from issue #12 where the panels were all out of order. * Working at the oil refinery until a giant spider comes and steals the Light of the Silmarils. * Whether there's a werewolf in the Silmarillion. * Biblical Exigesis. * Getting email saying that your art is improving someone's life. * A phone that can receive text messages but you have to pay extra to know who they're from.

Meat Puppets & Vaseline To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This episode of Across The Margin : The Podcast presents an interview with prolific percussionist, vibraphonist, bandleader, and vocalist Mike Dillon. How many artists have been praised as a “punk rock provocateur,” “jazz vibraphone visionary,” and “percussion virtuoso”? There's only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool of Primus, Rickie Lee Jones, Dean Ween Group, and Ani Difranco, and collaborations such as Nolatet, Garage a Trois, The Dead Kenny G's, Critters Buggin, or bands he has led, including Mike Dillon Band, Mike Dillon's New Orleans Punk Rock Percussion Consortium, Billy Goat, and Hairy Apes BMX, the Texas-native has set his own standard for three decades now. Over the past decade, Mike Dillon has released a number of acclaimed albums, intertwining a range of influences from Zappa-esque eccentricity to Fishbone punk funk, D.C. Go-Go to Milt Jackson-influenced vibraphone majesty. His latest project, a trio that goes by the name Punkadelick, features Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica, and Nikki Glaspie (Beyonce, Nth Power) on drums, cymbals, and vocals. Punkadelick's latest album, Inflorescence, is an expansive 10-track collection, focused and fearless, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament, and the 'anything fits' outsider ethos of acid-fried punks like The Meat Puppets. In this episode host Michael Shields and Mike Dillon discuss the genesis of Punkadelick and what it's like creating music with phenomenal talents such as Brian Haas and Nikki Glaspie. They discuss the botanical influence behind the album's title, life on the road amid their current tour, the forthcoming tour with Les Claypool and The Fearless Flying Frog Brigade, and so much more. Hosted on Acast. See acast.com/privacy for more information.

This week I am joined by skate punk legend Brian Brannon of the band JFA! On this episode we discuss:- JFA's upcoming record Last Ride- Getting your ass kicked for being punk in the 80's- The evolution of pogoing to slam dancing to moshing- Playing shows with Bad Brains and Bad Religion- Hanging out with the late Dennis Danell of Social Distortion- Watching punk and skateboarding rising from the underground and into the mainstream &more!Instagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.JFA/Brian Brannonhttps://azpx.com/jfahttps://www.instagram.com/brianjfahttps://www.facebook.com/REALJFASpecial Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Chronophage is a band that started in Austin, TX and has since scattered into various locations.  While on tour in winter 2021, band members Adam, Casey, Sarah and Parker dropped by for an in-studio taping at the Happy Birthday House for Channel 22 on Thurston Community Media.  Madison Nadine conducts this interview along with first time co-host Markly Morrison. The group talks about their new self-titled album recorded by studio masters Craig Ross (Lenny Kravitz, Sheryl Crow, Daryl Hall, Patty Griffin) and Stuart Sullivan (Willie Nelson, Sublime, Meat Puppets, Butthole Surfers), touring, collaborative approach in and out of the band, and solving the mystery of love. Chronophage also performs two songs from each of their most recent albums, Th' Pig Kiss'd Album and Chronophage. This episode has been adapted from a made-for-TV production that isn't out yet.  Watch this space for that release.  In the meantime, enjoy some of Chronophage's videos and recordings:A/V: Andrew Ebright, Miles Rozatti, Hannah ByrdIllustration by Lani MorrisonLow Profile is listener supported via patreon.com/lowprofileIn-kind support from Olympia, WA businesses San Francisco Street Bakery, Schwartz's Deli, Old School Pizzeria, Rainy Day Records and Tapes, and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company.  Follow @lowpropodcast on intragram for developments of our collaborative concert series Scherler Sundays.Want to make your own vinyl singles in quantities as low as 50 copies, with an average turnaround time of 2 weeks? Mention Low Profile in your email to lathecuts@yahoo.com to receive a %10 overrun on your order.

Today on the Rarified Heir Podcast, we are talking to Elmo Kirkwood, son of legendary guitarist of the band Meat Puppets Curt Kirkwood and nephew to bassist Cris. While casual fans might know the band via their connection to the historic and much lauded Nirvana episode of MTV's Unplugged, the Meat Puppets began in Phoenix in 1980 and cut their teeth in the punk scene after signing with the iconic punk label SST, home of Black Flag, Minutemen, Husker Du et all. We spoke to Elmo during the Covid lockdown when the band wasn't touring and in fact, he's now a member of the band who are still going 42 years later after a lengthy hiatus. Members of the Arizona Music and Entertainment Hall of Fame, the Meat Puppets influenced a generation of bands with their genre spanning music of punk, prog, jazz, and outre artists like the Grateful Dead, Frank Zappa and Captain Beefheart to name a few. Elmo talks to us about his somewhat unconventional upbringing, his passion for the classic power trio lineup of the 80s, playing in a band with his dad and uncle, his own music and how he was getting along NOT touring when the world stopped for a good long while. If you are a fan of punk, alternative, jam bands of classic rock, you must listen to this episode of the Rarified Heir Podcast. Take that Huskers!

Drummer Derrick Bostrom is a founding member of the seminal band Meat Puppets, which are hard to accurately pin down to any specific genre. Derrick co-penned several songs, including the majority of their self-titled debut. He remained a member of the band until 1996 when the band went on hiatus and then rejoined the Meat Puppets in 2018.

This week we're dissecting one of Rob's favorite albums, the Meat Puppets 1994 album Too High to Die, the album that, along with Nirvana's Unplugged in New York, cast the band into the national spotlight. Meat Puppets drummer and band historian Derrick Bostrom joins us for a thorough, if curmudgeonly, conversation about the band's penchant for weirdness, frustrations with the industry, and hopes for the future. Thanks so much for listening! --- Join us on PATREON for early access, extended interviews, weekly reaction mini-sodes, full bonus shows, and more ways to be part of the show! patreon.com/greatsongpod Visit greatsongpodcast.com for archives, merch, and more! Connect with us on Facebook, Twitter, and Instagram @greatsongpod, and join the Facebook group at Facebook.com/groups/greatsongpod. Patreon Producers: Andrea Konarzewski, Brad Callahan, Ari Marucci, Michael Conley, Peter Mark Campbell, David Steinberg, Randy Hodge, Chaz Bacus, Juan Lopez, Jason Arrowood, Howard Passey, Micah Murphy, and Tim Jahr --- Send in a voice message: https://anchor.fm/greatsongpod/message

In the early 80s Stuart Swezey began his creative career organizing the Desolation Center events in the desert and at sea that featured music groups such as the Minutemen, Einstürzende Neubauten, Sonic Youth, and Meat Puppets among others. He directed a documentary by the same name about the events. Stuart is a founder of Amok Books—the influential extreme information, cult L.A. bookstore, and publishing house. His book Amok Fifth Dispatch: Sourcebook of Extremes of Information in Print was nominated for the Best Nonfiction Book Title in the FIrecracker Alternative Book awards. Stuart also produced the acclaimed feature documentary Better Living Through Circuitry about rave and DJ culture. Stuart also has worked in television. He has been a VP, Development for Original Productions (Ice Road Truckers, Black Gold), Alternative Programming exec for Syfy Channel, documentary film producer, and reality television producer and show runner.