Podcasts about north american jewish

Danya Ruttenberg is an award-winning author, activist, and rabbi, whose most recent book -- On Repentance and Repair: Making Amends in an Unapologetic World -- won a National Jewish Book Award. Ilana Sumka is a nonprofit leader, experiential educator and community organizer with over 20 years of experience, who recently founded Shleimut: Jewish Paths to Wholeness and Peace. The two of them join Dan Libenson and Lex Rofeberg for the 6th episode in an ongoing mini-series, exploring North American-Jewish discourse about Israel-Palestine.New courses are now open for registration, in Judaism Unbound's UnYeshiva -- our digital center for Jewish learning and unlearning. Learn more about our online classes by heading to www.judaismunbound.com/classes -- financial aid is available for all courses in the UnYeshiva.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!

Jay Michaelson, an award-winning journalist, professor, rabbi, and author, joins Dan Libenson and Lex Rofeberg for a conversation exploring centrism and radicalism, misinformation that circulates far and wide on the topic of Israel-Palestine, and how we might strive for a better Jewish collective relationship to this important issue. This episode is the 5th in an ongoing mini-series exploring North American-Jewish discourse about Israel-Palestine.Announcement: New courses are now open for registration, in Judaism Unbound's UnYeshiva -- our digital center for Jewish learning and unlearning. Learn more about our classes by heading to www.judaismunbound.com/classes -- financial aid is available for all courses in the UnYeshiva.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!

Mira Sucharov is professor of Political Science at Carleton University. Joshua Shanes directs the Norman and Gerry Sue Arnold Center for Israel Studies at the College of Charleston. Together, they are the co-founders of a digital discussion group called D'rachim — a New Path Forward for Israel/Palestine. They join Dan Libenson and Lex Rofeberg for the 4th episode in an ongoing mini-series exploring North American-Jewish discourse about Israel-Palestine.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!NOTE: This episode was recorded a couple months ago, prior to January 15th's ceasefire agreement -- and also prior to Donald Trump's statements on February 4th, articulating a vision for the mass displacement of all Palestinians in Gaza, and proposed US takeover of the area. Realities on the ground in Israel-Palestine are ever-changing, and there are new developments on a daily and weekly basis. We believe the contents of this episode are ever-green in many ways, but wanted listeners to understand that the conversation took place prior to these recent events, which is why they are not mentioned.

At a time when it can be easy to focus on the threats to North American Jewish life, it's important to remember that the current generation of American Jews benefits from more affluence, influence, power, and privilege than any other Jewish community in history. In this episode recorded in front of a live audience, Yehuda Kurtzer argues that we are heirs to a golden age of American Jewry, and that it is our responsibility to sustain this magnificent era in the face of those who may claim otherwise. You can now sponsor an episode of Identity/Crisis. Click HERE to learn more.  JOIN OUR EMAIL LIST FOR MORE HARTMAN IDEAS 

Last month, a delegation of North American Jewish leaders quietly arrived in Kyiv for a first-of-its-kind mission to take stock of the war and its effects on the Jewish community. During that trip, the group was granted a last-minute audience with Ukraine's (Jewish) president Volodymyr Zelensky. In this episode, we discuss what happened in that meeting and talk to Ukrainians on the ground about how their community is powering through these uncertain and difficult days.We hear from Eli Buzunov, the American Joint Distribution Committee's (JDC) Missions Coordinator in Ukraine, and Keith Shapiro, a Chicago-based Federation activist who has helped lead the charge on the issue.  "The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org. Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Charlie Freedman.

TikTok has an antisemitism problem. One study found that people who use TikTok for 30 minutes or more daily are 17% more likely to hold antisemitic or anti-Israel views, compared with 6% for Instagram and 2% for X (formerly Twitter). In late January, TikTok's top government relations professional in Israel Barak Herscowitz resigned in protest, alleging antisemitism on the social network's platform. In the latest episode of "The Glue," Herscowitz tells Jewish Federations of North America President and CEO Eric Fingerhut about what he saw that led him to that decision.  "The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org. Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Charlie Freedman.

Congressman Ritchie Torres, who built his career on progressive causes, has proven to be one of the most vocally pro-Israel members of Congress while also managing to be a unifying figure, building bridges between and among his diverse constituencies.In this episode of The Glue, we talk to Torres about  shoring up ties between the Black and Jewish communities, how we should think about DEI in an age of rampant antisemitism on college campuses, and how social media networks such as TikTok are fueling hatred and driving wedges between us.  "The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org. Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Charlie Freedman.

The months since October 7th have brought tremendous grief, loss, uncertainty, and fear to North American Jewish communities. Jewish community leaders are working tirelessly to support their communities through these trying times. In early February, alumni of The Wexner Foundation's fellowships for Jewish professional leadership gathered at their annual conference. This week's guest host, Maital Friedman, spoke with seven of these leaders about the challenges they're facing, the questions they're asking, and how they are forging a path forward.     Guests featured on this episode: Ilana Aisen, CEO of JPro Jacob Feinspan, Executive Director of Jews United for Justice Erica Frankel, Executive Director of the Office of Innovation and co-founder of Kehillat Harlem Rachael Fried, Executive Director of JQY (Jewish Queer Youth) Dalit Horn, Executive Director of the Vilna Shul Daniel Olson, Director of Strategic Initiatives and Research at the National Ramah Commission Adam Weisberg, Executive Director of Urban Adamah You can now sponsor an episode of Identity/Crisis. Click HERE to learn more. JOIN OUR EMAIL LIST FOR MORE HARTMAN IDEAS 

As we enter a new, post-ceasefire phase of the Israel-Hamas War, the gap between the Israeli and North American Jewish experience continues to widen. While we count and mourn each Israeli casualty, voices are being raised that demand greater consideration for the dignity of Gazan civilian lives lost. In this episode, Donniel Hartman and Yossi Klein-Halevi discuss how we can think about civilian casualties in Gaza within the framework of a just war.     ----    JOIN OUR EMAIL LIST FOR MORE HARTMAN IDEAS 

In this episode, Jewish Federations of North America President Eric Fingerhut discusses how the March for Israel came together with William Daroff, who heads the Conference of American Presidents of Major American Jewish Organizations. The Cleveland Crew is joined by Erika Rudin-Luria of Cleveland's Jewish Federation to explore what drove so many people to show up, the obstacles they faced, what this moment in American history means, and how it all affects Israel going forward."The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org.Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Mary Rose Madden, maryrosemadden.journoportfolio.com. 

Episode 55.The Friends of Sia'h Shalom seeks to strengthen ties between Jerusalem-based Sia'h Shalom and the North American Jewish community. Sia'h Shalom Circles in North American cities bring together diverse and highly divided groups of Jews, both lay leaders and rabbis, creating spaces for listening and spiritual growth in the increasingly polarized North. American Jewish landscape.As co-director of the Friends of Sia'h Shalom Rabbi Tara Feldman speaks from the heart and head about the vital importance of “conversing across polarities”  in Israel. Though recorded prior to the current Israel/Hamas war, her message and that of Sia'h Shalom are always relevant and timely messages. Tara and her husband and co-director Meir believe that speaking and listening in peace is the root, the soil and sun, the water the light and air, that has the power to help solve even our most intractable challenges. Highlights:·       Sia'h Shalom fosters dialogue and healing through listening,  encouraging dialogue and unity.·       Diverse views within Jewish communities need understanding.·       Dialogues empower leaders, raise issues, and build unity despite painful interactions and brokenness. ·       Tara would feel despair over inability to bridge political divides without the conversation circles “conversing across polarities”.·       The program explores modalities, similarities, and cross-border dialogue.Social Media links for Sia'h Shalom:  Website – https://talkingpeace.org.ilSocial Media links for Méli:Talking with God Project – https://www.talkingwithgodproject.orgLinkedIn – https://www.linkedin.com/in/melisolomon/Facebook – https://www.facebook.com/profile.php?id=100066435622271Transcript:  https://www.buzzsprout.com/1851013/episodes/14061117   Follow the podcast!The Living Our Beliefs podcast offers a place to learn about other religions and faith practices. When you hear about how observant Christians, Jews and Muslims live their faith, new ideas and questions arise:  Is your way similar or different?  Is there an idea or practice that you want to explore?  Understanding how other people live opens your mind and heart to new people you meet. Comments?  Questions? Email  Méli at – info@talkingwithgodproject.orgThe Living Our Beliefs podcast is part of the Talking with God Project. For information on talks, blog posts and more, go to – https://www.talkingwithgodproject.org/

In honor of host Ari Koretzky's recent kidney donation, we are re-releasing this "blast from the past" episode, #145, from February of 2021, featuring Renewal founder Mendy Reiner. Renewal is a premier facilitator of live donor kidney transplants within the North American Jewish community, supporting both prospective donor and recipient along this amazing, life-altering journey. Please consider funding their work or, better yet, whether kidney donation might be worth exploring at the right time in your own life. Either way, enjoy this incredible story!

In this episode, Eric speaks to two incredible colleagues working on the ground in Israel: Rebecca Caspi, Director-General of Israel and Overseas, Jewish Federations of North America, and Aaron J. Goldberg, Director, Israel Office, The Jewish Federation of Greater Los Angeles, to get their insight into the communal response to the horrific Hamas attack on Israel."The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org.Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Mary Rose Madden, maryrosemadden.journoportfolio.com.

In this episode, we speak to New York Times opinion writer Jessica Grose about her fascinating 5-part series exploring how Americans are moving away from religion. and what it means for society.Study after study shows the rise of "nones," people who identify as having no religion. But there's also a plethora of evidence that religion plays a special role in community building. Eric and guest host Rabbi Daniel Septimus, the CEO of Austin's Federation Shalom Austin, explore with Grose what's behind the trends and how communities can adapt.Read Grose's full series here."The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org.Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Mary Rose Madden, maryrosemadden.journoportfolio.com.

"The Jewish establishment" evokes images of a small group of insiders with some combination of power, affluence, and influence. This isn't necessarily wrong, but the power and purpose of that establishment has shifted significantly since its height in the middle of the 20th century, and it also exists in relationship to its critics. Eric Fingerhut has been a member of many "establishments." He was a congressman for Ohio 19th district, CEO of Hillel International, and is now the CEO of the Jewish Federations of North America (JFNA). In conversation with Yehuda Kurtzer, he shares his perspectives on the power and limits of representing North American Jewish communities, particularly during times of political crisis; the systems of democracy within his own organization; and where he sees hope for the Jewish future in both North America and Israel. Yehuda Kurtzer's article “The Establishment Has No Clothes” 

As one of the lead negotiators for President Isaac Herzog's team in the talks over judicial reforms, Yaniv Cohen had a front row seat to the discussions between government and opposition on the future of Israel's democracy.Cohen, who is Founder and Chairman of Tachlith (The Israeli Institute for Public Policy), breaks down the challenges Israel's society faces, how the controversy may play out, and why he's optimistic despite the extreme polarization the reforms have brought about."The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org.Have something to say about the show? Email us at podcast@jewishfederations.org.Executive Produced by Niv Elis. Produced by Mary Rose Madden, maryrosemadden.journoportfolio.com.

As editor-in-chief of Buzzfeed News and the media critic for the New York Times, Ben Smith had a front row seat to (and a significant role in) the social media-zation of news media. On this episode of “The Glue, with Eric Fingerhut,” Eric and Ben discuss what went wrong, how our fragmented media and social media landscapes pull communities apart and fuel hate, and what we can do about it. Guest Host Karen Elam, who heads the Levine Center to End Hate for the Jewish Federation of Greater Rochester, brings her perspective on how to push back against these trends."The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org.Executive Produced by Niv Elis. Produced by Mary Rose Madden, maryrosemadden.journoportfolio.com.

Last month, we sat down with journalist and author Matti Friedman in a Jerusalem studio to talk about Leonard Cohen, the Israel-Diaspora relationship, and the turning point that was the 1973 Yom Kippur War. Selected by Vanity Fair as one of the best books of 2022, Friedman's “Who by Fire: Leonard Cohen in the Sinai,” explores the late poet and singer's concert tour on the front lines of the Yom Kippur War – a historic moment of introspection for the Jewish State that continues to reverberate through events we witness today.  *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  __ Episode Lineup:  (0:40) Matti Friedman __ Show Notes: Listen: From the Black-Jewish Caucus to Shabbat and Sunday Dinners: Connecting Through Food and Allyship How to Tell Fact from Fiction About the Israeli-Palestinian Conflict Live from Jerusalem: Exploring Israel and the Media with Matti Friedman Watch: Should Diaspora Jews Have a Say in Israeli Affairs?  Learn: Four Common Tough Questions on Israel 75 Years of Israel: How much do you know about the Jewish state? Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Matti Friedman: Manya Brachear Pashman:   Matti Friedman has joined us on this podcast multiple times. Last year, he gave us an essential lesson on how to tell fact from fiction about Israel, and when AJC held its global forum in Jerusalem in 2018, he joined us for our first live recording, so I could not pass through Jerusalem without looking him up, Especially after learning that the writer behind Shtisel is adapting Matti's latest book, “Who By Fire” about the late great Leonard Cohen's time on the front lines of the Yom Kippur War. He joins us now in a studio in the Talpiot neighborhood of Jerusalem. Matti, welcome to People of the Pod. Matti Friedman:   Thank you for having me. Manya Brachear Pashman:   So I take it you're a fan of Leonard Cohen, or just as a journalist you find him fascinating? Matti Friedman:   No, of course, I'm a fan of Leonard Cohen. First of all, I'm Canadian. So if you are Canadian, you really have no choice. You have to be a Leonard Cohen fan, and certainly if you're a Canadian Jew. We grew up listening to Leonard Cohen. So absolutely, I'm a big admirer of the man and his music. Manya Brachear Pashman:   What are your favorite songs? Matti Friedman:   Probably my favorite Leonard Cohen song is called “If it Be Your Will." Just a prayer that came out on a Cohen album in the 80s. But I love all the Cohen you know top 10- Suzanne and So Long Marianne, Famous Blue Raincoat and Chelsea Hotel. It's a very long list. Manya Brachear Pashman:   So I should clarify that your book is not a biography of Leonard Cohen. It's about just a few weeks of his life when he came in 1973, during the Yom Kippur War, and these few weeks were a real turning point in his life, also for Israel, but we can talk about that later. But I want to know, why is it important? Why do you think it's important for Leonard Cohen fans, for Jews, particularly Israelis, to know this story about him? Matti Friedman:   I think that those few weeks in the fall of 1973, when Cohen finds himself at the front of the Yom Kippur War, those weeks are really an incredible meeting of Israel and the diaspora, maybe one of the ultimate diaspora figures, Leonard Cohen, this kind of universal poet and creature of the village, and this product of a very specific moment in North American Jewish life, when Jews are really kind of bursting out of the ghetto and entering the mainstream. And we can think of names like Paul Simon and Bob Dylan, even Phil Ochs, and people like that. And Cohen is very much part of that.  And he comes to Israel and meets, I guess the other main trend in Jewish history, in the second half of the 20th century, which is the State of Israel, and Israelis, who are not bursting into, you know, a universal culture in the United States, they're trying to create a very specific Jewish culture–in Hebrew, in this very kind of tortured scrap of the Middle East.  And the meeting of those two sides, who have a very powerful connection to each other, but don't really understand each other. It's a very interesting meeting. And the fact that it happens at this moment of acute crisis, one of the darkest moments in Israel's history, which is the Yom Kippur War, that makes it even more powerful.  So I think if we take that snapshot, from October 1973, we get something very interesting about Israel, and about the Jewish world and about this artist. And in some ways, I think those weeks really encapsulate much of Leonard Cohen's story. So it's not a biography, it doesn't trace his life from birth to death. But it gives us something very deep about the guy by looking at him at this very intense and kind of traumatic moment. Manya Brachear Pashman:   Do you also think it sheds some light on the relationship between diaspora Jews and Israel? And how has that relationship changed and evolved since the 1970s? Matti Friedman:   When Cohen embarks on this strange journey to the war, which, I mean, it's a long story, and I tell it in the book, but it starts on a Greek island or he's kind of holed up. He's in a crisis, and he's unhappy with his domestic life and he's unhappy with his creative life and he kind of needs to escape. So he gets on a ferry from the island and gets on an airplane from Athens and inserts himself into this war, by mistake, not really intending to do it. And he says in this manuscript that he writes about that time, which is unpublished until, until my own book, I published segments of it.  He says, I'm going to my myth home. That's how he describes Israel. He uses this very interesting phrase myth home. And it's hard to understand exactly what he means. But I think many Jewish listeners will understand kind of almost automatically what that means. Israel is not necessarily your home. And it's possible that you've never even been there. But you have this sense that it is your mythical home or some alternate universe where you belong. And of course, that makes the relationship very fraught. It's a lot of baggage on a relationship with a country that is, after all, a foreign country.  And Cohen lands in Israel and has a very powerful, but also very confusing time and leaves quite conflicted about it. And I think that is reflective, more generally of the experience of many Jews from the diaspora who come here with ideas about the country and then are forced to admit that those ideas have very little connection to reality. And it's one reason I think that I often meet Jews here from, you know, from North America, and they're not even fascinated by the country, but they're kind of thrown off by it, because it doesn't really function in the way they expect. It's a country in the Middle East. It's very different from Jewish life in North America. And as time goes on, those two things are increasingly disconnected from each other. Manya Brachear Pashman:   Yeah. Which is something that I think you say, Israelis say repeatedly, that lots of people have opinions about Israel and decisions that are made and how it's run. But they have no idea what life is like here, right? That's part of the disconnect. And the reason why there's so much tumult. Matti Friedman:   Yes, and runs in the other direction, too, of course. Israelis just have less and less idea of what animates Jews in the United States. So the idea that we're one people, and we should kind of automatically understand each other. That just doesn't work anymore. I think in the years after the Second World War, it might have worked better because people were more closely connected by family ties. So you'd have two brothers from Warsaw or whatever, and one would go to Rehovot, and one would go to Brooklyn, but they were brothers. And then in the next generation, you know, their children were cousins, and they kind of knew something about each other, but a few generations have gone by, and it's much more infrequent to find people who have Israeli cousins, or American cousins, you know, it might be second cousins or third cousins, but the familial connections have kind of frayed and because the communities are being formed by completely different sets of circumstances, it's much harder for Americans to understand Israelis and for Israelis to understand Americans. And we're really seeing that play out more and more in the communication or miscommunication between the two big Jewish communities here in the United States. Manya Brachear Pashman:   So this is my first trip to Israel. And many people told me that I would never be the same after this trip. Was that true for Leonard Cohen? Matti Friedman:   I think it was, I think it was a turning point in his life. Of course, I wrote a book about it. I would have to say that, even if it weren't true, but I happen to think that it is true. He comes here at a moment of a real kind of desperation, he had announced that he was retiring from music that year. So he had this string of hits, and he was a major star of the 60s and early 70s. And those really famous Cohen songs that I mentioned, most of them had already come out and he'd been playing at the biggest music festivals at the Isle of White, which was a bigger festival than Woodstock. And he was a big deal. And, and he just given up, he felt that he had hit a wall and he no longer had anything to say. And he was 39 years old. That's pretty old for a rock star. And he was in those days, of course, people are dying at 27. So he kind of thought he was washed up. And he came to Israel. And he writes in this manuscript, this very strange manuscript that he wrote, and then shelved, that he thinks that Israel is a place where he might be able to be born again, or just saying, again, he writes both of those thoughts. And in a very weird way, it happens.  So he's too sophisticated a character to tell us exactly how that happened, or to ever say that he went to Israel and was saved or changed in some way. Leonard Cohen would never give us that moment that of course, as a journalist I'm looking for but they won't give us all we can do is look at the fact that he had announced his retirement before the war, came home from this war very rattled, not at all waving the Israeli flag and singing the national anthem or anything like that, but he came back invigorated in some way.  And a few months after that war, he releases one of his best albums, which is called “New Skin for the Old Ceremony.” Which is a reference, of course, to circumcision, which is itself a kind of wink toward rebirth. And that album includes Chelsea Hotel and Lover Lover Lover and Who by Fire and he's back on the horse and he goes on to have this absolutely incredible career that lasts until he's 80 years old and beyond. Manya Brachear Pashman:   So let's talk about Lover Lover Lover, and the line of that song. You had interviewed a former soldier on the frontlines in the Yom Kippur War. He had heard Leonard Cohen sing, was very moved by that song, which was composed on an Israeli Air Force Base, I believe originally. And then the album comes out and he hears it again. And something is different. The soldier is not happy about that. Can you talk a little bit about how you confirmed that?  Matti Friedman:   Right, so I spent a lot of time trying to track down the soldiers who had seen Leonard Cohen during this very weird concert tour that he ends up giving on the Sinai front of the Yom Kippur War. And it's this series of concerts, these very small concerts, mostly for just small units of soldiers who are in the sand and suddenly Leonard Cohen shows up in a jeep and plays music for them. And it's kind of a hallucinatory scene.  And one of the soldiers told me that he will never forget the song that Cohen sang, and it was on the far side of the Suez Canal. So the Israeli army having kind of fallen back in the first week and a half of the war has crossed the Suez Canal, in the great counter attack that changes the course of the war, and now they're fighting on Egyptian territory. And one night, on that, on the far side of the canal, he meets Leonard Cohen, it's just kind of sitting on a helmet in the sand playing guitar, and he sang a song that would later become famous, but no one knew it at the time, because it had just been written. As you said, it was written for an audience of Israeli pilots at an Air Force base a few weeks before, or a few days before.  And the song's lyrics address the Israeli soldiers as brothers. That's what the soldier remembered. And he said, I'll never forget it. He called us his brothers. And that was a big deal for the Israelis, to hear an international star like Leonard Cohen, say,  I'm a member of this family, and you're my brothers. And that was a great memory. But there's no verse like that in the song Lover, Lover, Lover. And there's no reference at all that's explicit to Israeli soldiers. And the word brothers does not appear in the song. Manya Brachear Pashman: At least the one on the album, the song on the album. Matti Friedman: On the album, right. So that is the only one that was known at the time that I was writing the book. And then I kind of set it aside, I just figured that it was a strange memory that was, you know, mistaken or manufactured. And I didn't think much more about it. But I was going through Cohen's old notebooks and the Cohen archive in Los Angeles, which is where many of his documents are kept. And he had a notebook in his pocket throughout the war, and was writing down notes and writing down lyrics and writing on people's phone numbers. And in in the notebook, I found the first draft of  Lover, Lover, Lover, and this verse, which had somehow disappeared from the song and the verse is a really powerful expression of identification, not uncomplicated identification, but definitely sympathy for the Israelis who was traveling with, he was traveling with a group of Israeli musicians, he was wearing something that looked a lot like an Israeli uniform, he was asking people to call him by his Hebrew name, which was Eliezer Cohen.  So he was definitely, he had kind of gone native. And the verse, the verse goes, ‘I went down to the desert to help my brothers fight. I knew that they weren't wrong. I knew that they weren't right. But bones must stand up straight and walk and blood must move around. And men go making ugly lines across the holy ground.'  It's quite a potent verse. And it definitely places Cohen on one side of the Yom Kippur War. And when he records the song, a few months later, that verse is gone. So he obviously made a different decision about how to locate himself in the experience. And ultimately, the experience of the war kind of disappears from the Cohen story. He doesn't talk about it. Later on, he very rarely makes any explicit reference to it. The Cohen biographies mention it in passing, but don't make a big deal of it. And I think that's in part because he  always played it down.  And when that soldier Shlomi Groner, who I call the soldier, but he's going into his seventies, but you know, for me, he's a soldier. He heard that song when it came out on the radio, and he was waiting for that verse where Cohen called Israeli soldiers, his brothers and the verse was gone. And he never forgave Leonard Cohen for it, for erasing that expression of tribal solidarity.  And in fact, the years after the war, 1976, Cohen is playing the song in Paris, you can actually find this on YouTube. And he introduces the song to a French audience by saying, he admits that he wrote the song in the war in Sinai, and he says, he wrote the song for the Egyptians, and the Israelis, in that order. So he was very careful about, you know, where he placed himself, and he was a universal poet. He couldn't be on one side of a war, you couldn't be limited to any particular war, he was trying to address the human soul.  And he was aware of that contradiction, which I think is a very Jewish contradiction. Is our Judaism best expressed by tribal solidarity, or is it best expressed in some kind of universal message about the shared humanity of anyone who might be reading a Leonard Cohen poem? So that tension is very much present for him and it's present for many of us. Manya Brachear Pashman:   So he replaces the line though with watching the children, he goes down to watch the children fight. Matti Friedman:   So before he erases the whole verse, he starts fiddling with it. And we can actually see this in the notebook because we can see him crossing out words and adding words. So he has this very strong sentence that says, I went down to the desert to help my brothers fight, which suggests active participation in this war and, and then we see that he's erase that line held my brothers fight, and he's replaced it with, I went on to the desert to watch the children fight.  So now he's not helping, and it's not his brothers, he's kind of a parent at the sandbox watching some other people play in the sand. So he's taken a step back, he's taken himself out of the picture. And ultimately, that whole verse goes into the memory hold, and it only surfaces. When I found it, and I had the amazing experience of sending it to the soldier who'd heard it and didn't quite remember the words, he just remembered the word brothers. And over the years, I think he thought maybe he was mistaken, he wasn't 100% sure that he was remembering correctly and I had the opportunity to say, I found the verse, you're not crazy, here's the verse. It was quite a moment for him. Manya Brachear Pashman:   Yeah, confirmation, validation. Certainly not an expression of solidarity anymore, but I read it as an expression of critique of war, right. Your government's sending sons and daughter's off to fight you know, that kind of critique, but it changes it when you know that he erased one sentiment and replaced it with another. Matti Friedman:   Right, even finding the Yom Kippur War in the song now is very complicated, although when you know where it was written, then the song makes a lot more sense. When you think a song called Lover Lover Lover would be a love song, but it's not really if you listen to the lyrics.  He says, “The Spirit of the song may rise up true and free. May be a shield for you, a shield against the enemy”. It's a weird lyric for a love song. But if you understand that he's writing for an audience of Israeli pilots are being absolutely shredded in the first week of the Yom Kippur War, it makes sense. The words start to make sense the kind of militaristic tone of the words and even the kind of rhythmic marching quality of the melody, it starts to make more sense, if we know where it was written, I think Cohen would probably deny. Cohen never wanted to be pinned down by journalism, you know, he wasn't writing a song about the Yom Kippur War. And I don't think he'd like what I'm doing, which is trying to pin him down and tie him to specific historical circumstances. But, that's what I'm doing. And I think it's very interesting to try to locate his art in a specific set of circumstances, which are, the Yom Kippur war, this absolute dark moment for Israel, a Jewish artist who's very preoccupied with his own Judaism, and who grows up in this really kind of rich and deep Jewish tradition in Montreal, and then kind of escapes it, but can never quite escape it and doesn't really want to escape it, or does he want to escape it and, and then here he is, in this incredible Jewish moment with the Israeli Army in 1973.  And we even have a picture of him standing next to general Ariel Sharon, who is maybe the other symbolic Jew of the 20th century, right? You have Leonard Cohen, who is this universal artists, this kind of, you know, man of culture and a kind of a dissolute poet and and you have this uniform general, this kind of Jewish warrior, this kind of reborn new Jew of the Zionist imagination, and we have a photograph of them standing next to each other in the desert. I mean, it's quite an amazing moment. Manya Brachear Pashman:   Yeah. I love that you use the word hallucinatory earlier to describe the soldier coming upon Leonard Cohen in the desert, because it reminded me that it was not Leonard Cohen's first tour of sorts in Israel. He had been in Israel the year before, 1972, gave a concert in Tel Aviv and Jerusalem, very different shows. Can you speak to that? Matti Friedman:   So Cohen was here a year before the war. And what's amazing is that you can actually see the concerts because there was a documentary filmmaker with him named Tony Palmer. And there's a documentary that ultimately comes out very briefly, that is shelved because Cohen hates it, and then resurfaces a couple of decades later, it's called Bird on a Wire. And it's worth seeing. And you can see the concert in Tel Aviv. And then the concert in Jerusalem the next day, which are the end of this problematic European tour, which kind of goes awry, as far as Cohen is concerned.  In Tel Aviv, they have to stop a concert in the middle because there's a riot in the audience and for kind of strange technical reason, which was that the arena in Tel Aviv had decided to keep the audience really far away from the stage and people tried to get close to Leonard Cohen and Cohen wanted them to come closer to the stage because they were absurdly far from the musicians and they tried to move closer but the security guards wouldn't let them and they start, you know, people start fighting, and Cohen's begging them to calm down.  And you can see this in the, in the documentary and then ultimately he leaves the stage, he says, you know, it's just not I can't perform like this, and he and the whole band just walk off the stage, and you get the impression that this country is on the brink of total chaos, like it's a place that's out of control. And then the next day, he's in Jerusalem for the last concert of this tour. And the concert also goes awry. But this time, it's Cohen's fault. And he is onstage, and you can see that he can't focus, like he just can't put it together. And in the documentary, you can see that he took acid before the show. So it might have had something to do with that. But also, it's just the fact that he's in Jerusalem. And for him, that's a big deal. And he just can't treat it like a normal place. It's not a normal concert. So there's, there's so much riding on it, that it's too much for him, and he just stops playing in the middle of a concert. And he starts talking to the audience about the Kabbalah. And it's an amazing speech, it's totally off the cuff.  It's not something that he prepared, but he starts to explain that, in the Kabbalistic tradition, in order for God to be seated on his throne, Adam and Eve need to face each other, or the man and the woman need to face each other in order for the divine presence to be enthroned. And he says, my male and female sides aren't facing each other, so I can't get off the ground. And it's a terrible thing to have happen in Jerusalem. That's what he says. And then he leaves, he says, I'm gonna give you your money back, and he leaves. And instead of rioting, which is what you'd expect them to do, or getting really angry, or leaving, the audience starts to sing, “Haveinu Shalom Alechem,” that song from summer camp that everyone knows, I think they just assume that he would know it.  And in the documentary, you see him in the dressing room trying to kind of get himself together. And hears the audience singing, a couple thousand young Israelis singing the song out in the auditorium, and he goes back out on stage and kind of just beams at that. He just kind of can't believe it, and just smiling out at them. They're entertaining him, but he's on the stage. And they're singing to him, and then the band comes back on. And they give this incredible show that ends with everyone crying. You see Cohen's crying and the band's crying and he says later that the only time that something like that had ever happened to him before was in Montreal when he was playing a show for an audience that included his family. So there was a lot going on for Cohen in Israel, it wasn't a normal place. It wasn't just a regular gig. And that's all present in his brain when he comes back the following year for the war. Manya Brachear Pashman:   Makes that weird decision to get on the ferry, and come to Israel make a little more sense. I had tickets to see Leonard Cohen in 2013. He was in Chicago, and Pope Benedict the 16th decided to resign. And as the religion reporter, I had to give up those tickets and go to Rome on assignment. And I really regret that because he died in 2016. I never got the chance to see him live. Did you ever get the chance to see him live?  Matti Friedman:   I wonder if we should add that to the long list of, you know, Jewish claims against Catholicism, but I guess we can let it slide. I never got to see him. And I regret it to this day, of course, when he came to Israel in 2009 for this great concert that ended up being his last concert here. I had twins who were barely a year old. And I was kind of dysfunctional and hadn't slept in a long time. And I just couldn't get my act together to go. And that's when I got the idea for this book for the first time. And I said, well, you know, just catch him the next time he comes. You know, the guy was in his late 70s. There wasn't gonna be a next time. So it was a real lapse of judgment, which I regret of course. Manya Brachear Pashman:   I do wonder if I should have gone to Rome for that unprecedented moment in history to cover that, kind wish I had been at the show. So you do think that the Jerusalem show played a role in him returning to Israel when it was under attack? Matti Friedman:   Yeah, absolutely. Absolutely. I mean, he had this very again, complicated, powerful, not entirely positive experience in Israel. And he'd also met a woman here. And that also became clear when I was researching the book that there was, there was a relationship that began when he was here in 1972, and continued. He had a few contacts here, and it wasn't a completely foreign place. And he had some memory of it and some memory of it being a very powerful experience. But when he came in ‘73, he wasn't coming to play. So he didn't come with his guitar. He didn't bring any instruments. He didn't come with anyone. He came by himself. So there is no band. There's no crew, there's no PR people. He understands that there's some kind of crisis facing the Jewish people and he needs to be here.  Manya Brachear Pashman:   I interviewed Mishy Harman yesterday about the Declaration of Independence, the series that [the I`srael Story podcast] are doing, and he calls it one of Israel's last moments of consensus. We are at a very historic moment right now. How much did this kind of centrifugal force of the Yom Kippur War, where everybody was kind of scattered to different directions, very different ways of soul searching, very Cohen-esque. How much of that has to do with where Israel is now, 50 years later? Matti Friedman:   That's a great question. The Yom Kippur war is this moment of crisis that changes the country and the country is a different place after the Yom Kippur War. So until 73, it's that old Israel where the leadership is very clear. It's the labor Zionist leadership. It's the founders of the country, Ben Gurion and Golda Meir, and the people who kind of willed this country into existence against long odds and won this incredible victory in the 1967 War. And then it's all shattered by this catastrophe in 1973. And even though Israel wins the war and the end, it's a victory that feels a lot like a defeat, and 2600 soldiers are killed in three weeks in a country of barely 3 million people and many more wounded and the whole country is kind of shocked. And it takes a few years for things to play out. But basically, the old Israeli consensus is shattered. And within a few years within the war, the Likud wins an election victory for the first time. And it's a direct result of, of a loss of faith and leadership after the Yom Kippur War. That's 1977.  And then you have all kinds of different voices that emerge in Israel. So you have, you know, you have Likud. You have the voice of Israelis, who came from the Arab world who didn't share the background of, you know, Eastern Europe and Yiddish and who had a different kind of Judaism and a different kind of Zionism and they begin to express themselves in a more forceful way and you have Israelis who are demanding peace now. You know, on the left, and you have a settlement movement, the religious settlement movement really kind of becomes empowered and emboldened after the Yom Kippur War after the labor Zionist leadership loses its confidence and that's when you really start seeing movements like Gush Emunim pop up in the West Bank with this messianic script and so, so the the fracturing of that that consensus really happens in wake of Yom Kippur war and you can kind of see it in in the music, which is an interesting way of looking at it because the music until 73 had really been this folk music that still maybe the only place that still sees it as Israeli music might be American Jewish summer camp, where it kind of retains its, its, its hold and yeah, that those great old songs that were sung around the campfire and the songs of early Israel and that was very much the music that dominated the airwaves. After the Yom Kippur War, it's different, the singers start expressing themselves a lot less in the collective we and much more in using the word I and talking about their own soul and you hear a lot more about God after 73 than you did before. And the country really becomes a much more heterogeneous place and a much more difficult place, I think, to run and with that consensus, you're talking about the Declaration of Independence. And that series, by the way, Israel Story, which I highly recommend, it's a wonderful series about an incredible document, which we still should be proud of, and which we should pay much more attention to than we do. But when do we have consensus, when we're under incredible pressure from the outside. The Declaration of Independence is signed, you know, as we face the threat of invasion by fighter armies.  So that's basically what it takes to get the Jews to sit down and agree with each other. And, you know, there are these years of crisis and poverty after the 48 war into the 60s. And that kind of keeps the consensus more or less in place, and then it fractures. And we're in a country where it's much easier to be many different things, you know, you can be ultra-Orthodox, and you can be Mizrachi, and you can be gay, and you can be all kinds of things that you couldn't really be here in the 60s.  But at the same time, the consensus is so fractured, that we can barely, you know, form a coherent political system that works to solve the problems of the public. And we're really saying that in a very dramatic and disturbing way in the dysfunction, in the Knesset and in our political system, which is, you know, has become so extreme.  The political system is simply incapable of a constructive role in the society and has moved from solving the problems of the society to creating problems for a society that probably doesn't have that many problems. And it's all a reflection of this kind of fracturing of the consensus and this disagreement on what it means to be Israeli what the meaning of the state is, once you don't have those labor Zionists saying, you know, we are a part of a global proletarian revolution, and the kibbutz is at the center of our national ethos. Okay, we don't have that. But then what is this place? And if you grab 10 Israelis on the street outside the studio, they'll give you 10 different answers. And increasingly, the answers are, are at odds with each other, and Israelis are at odds with each other. And the government instead of trying to ease those divisions, is exacerbating them for political gain. So you're right, this is a very important and I think, very dark moment for the society. Manya Brachear Pashman:   And do you trace it back to that kind of individualistic approach that Cohen brought with him, and that the war, not that he introduced it to Israel, and it's all his fault, that the war, and its very dark outcome, dark victory, if you will, produced? Matti Friedman:   I don't want to be too deterministic about it. But definitely, that is the moment of fracture. The old labor Zionist leadership would have faded anyway. And just looking at the world, that kind of ethos, and that ideology is kind of gone everywhere, not just in Israel. But definitely the moment that does it here is that war, and we're very much in post-1973 Israel.  Which in some ways is good, again, a more pluralistic society is good. And I'm happy that many identities that were kind of in the basement before ‘73 are out of the basement. But we have not managed to find a replacement for that old unifying ideology. And we're really feeling it right now. Manya Brachear Pashman:   Thank you so much, Matti, for joining us. Matti Friedman:   Thank you very, very much. That was great.

It's been nearly five years since the deadliest antisemitc attack in US history, the Tree of Life shooting in Pittsburgh. As the trial of the shooter is set to begin, we sit down with Jeff Finkelstein, CEO of the Jewish Federation of Greater Pittsburgh, and Maggie Feinstein, director of the 10.27 Healing Partnership, to learn how the community has held together in the face of a horrific trauma, ask whether increased security presence is more comforting or unsettling, and delve into how communities can make themselves more resilient.  "The Glue, with Eric Fingerhut," is brought to you by Jewish Federations on North America, the backbone of the North American Jewish community, representing over 350 communities across North America. Find out how you can get involved or donate to your local Federation at www.jewishfederations.org. Executive Produced by Niv Elis .Produced by Mary Rose Madden, maryrosemadden.journoportfolio.com.

“The North American Jewish community has steadfastly come to the aid of Israel at moments of crisis. Israel belongs, first of all, to its citizens, and they have the final word. But Israel also matters to the entire Jewish people. When an Israeli government strays beyond what your commitments to liberal democracy can abide, you have both the right and the responsibility to speak up.” - An open letter to Israel's friends in North America by Matti Friedman, Yossi Klein Halevi, and Daniel Gordis.

There are many groups in North American Jewish life: Reform, Conservative, Orthodox, Chasidic, Sephardic, Chabad, Reconstruction, Yeshivish, Modern Orthodox, Open Orthodox, Jews For Jesus? What do all these terms mean? Where did they come from?  More importantly, where are the heading?  

Nostalgia is in vogue these days—in politics, pop culture and food trends—and Judaism is no different. As North American Jewry evolves, nostalgia for our mid-20th century cultural traditions, from deli sandwiches to the Yiddish language and Holocaust remembrance, has taken hold as perhaps the dominant definition of Western Jewish identity. Rachel B. Gross has studied these trends for her book, Beyond the Synagogue: Jewish Nostalgia as Religious Practice. She argues that, in an era of conventional religious decline, this focus on nostalgia should be considered the new North American Jewish religious practice—which would itself counter the very idea that religion is even in decline. In fact, what religion looks like may simply be changing. Plus, Avi speaks with Lieby Lewin, the Chassidic man in Montreal who confronted two members of the media in a video that quickly went viral. What we talked about Find her book, Beyond the Synagogue: Jewish Nostalgia as Religious Practice, at nyupress.org (and if you want to buy it, use the promo code GROSS30-FM to get 30 per cent off). Watch Lieby Lewin's video on his Twitter page, twitter.com/LewinLieby Credits Bonjour Chai is hosted by Avi Finegold, Ilana Zackon and David Sklar. Michael Fraiman is the producer. Andre Goulet is the technical producer. Our theme music is by Socalled. The show is a co-production from The Jewish Learning Lab and The CJN, and is distributed by The CJN Podcast Network. Find more great Jewish podcasts at thecjn.ca.

ABOUT THIS EVENT: Through classic Jewish sources and contemporary issues we will delve into the essential practice of social justice in Jewish life. ABOUT THE SPEAKER: Rabbi Rick Jacobs is president of the Union for Reform Judaism, the most powerful force in North American Jewish life. The URJ leads the largest and most diverse Jewish movement in North America, reaching more than 1.5 million people through nearly 850 congregations, 15 overnight camps, the Reform teen youth Movement NFTY, and the Religious Action Center in Washington DC. DONATE: http://www.bit.ly/1NmpbsP​​​​​​​ For podcasts of VBM lectures, GO HERE: https://www.valleybeitmidrash.org/learning-library/ https://www.facebook.com/valleybeitmi...​ Become a member today, starting at just $18 per month! Click the link to see our membership options: https://www.valleybeitmidrash.org/become-a-member/

Rabbi Michael Beyo and Dr. Adrian McIntyre talk with Doron Krakow about the past, present, and future of the JCC Movement and the work of JCC Association of North America. Doron Krakow is president and CEO of JCC Association of North America, the largest platform of Jewish engagement on the continent. JCC Association partners with JCCs (Jewish Community Centers and Jewish Community Camps), advancing and enriching North American Jewish life. 1.5 million people walking through the doors of JCCs each week, and the JCC Movement includes approximately 53,000 staff members—12,000 full-time skilled professionals, 24,000 part-time staff, and 17,000 seasonal summer staff. Under Krakow's leadership, which began in May 2017, JCC Association is forging new partnerships throughout the Jewish community, deepening its relationship to individual and foundation philanthropy, and strengthening the fabric of Jewish life across the U.S. and Canada. Krakow brings more than 25 years of experience with national and international Jewish organizations to JCC Association. He previously served as executive vice president of American Associates, Ben-Gurion University of the Negev; senior vice president, Israel and overseas at United Jewish Communities (now the Jewish Federations of North America); and national director of Young Judaea. Doron is also a board member of JPRO and Tzofim: Friends of Israel Scouts. Connect with JCC Association of North America: Website https://jcca.org/ LinkedIn https://www.linkedin.com/company/jcc-association Facebook https://www.facebook.com/JCCAssociationOfNorthAmerica/ Twitter https://twitter.com/jccassociation Instagram https://www.instagram.com/jccassociation/ Conversation with the Rabbi is a project of the East Valley Jewish Community Center, a 501(c)(3) nonprofit, neighborhood organization that has served individuals and families inclusive of all races, religions, and cultures since 1972. Visit us online at https://www.evjcc.org The show is recorded and produced in the studio of PHX.fm, the leading independent B2B online radio station and podcast studio in Phoenix, Arizona. Learn more at https://phx.fm

WE HOPE YOU'RE HUNGRY! In today's episode, we explore a RICH & DIVERSE culinary and cultural Jewish heritage as we take a journey through the heart of Jewish Syria, Iraq, Iran, Morocco, India, Turkey, and beyond with JENNIFER ABADI, a Sephardic & Judeo-Arabic recipe preserver & cookbook author. Together, we explore the diversity of the North American Jewish experience, discuss our feelings about the upcoming Pesach holiday, and along the way, discover some mouthwatering recipes that are simply Too Good to Passover. Jennifer Abadi lives in New York City and is a researcher, developer, and preserver of Sephardic and Judeo-Arabic recipes and food customs. A culinary expert in the Jewish communities of the Middle East, Mediterranean, Central Asia, and North Africa, she teaches cooking at the Institute of Culinary Education (ICE), the Jewish Community Center Manhattan (JCC), and Context Conversations at Context Travel. In addition to providing Jewish food and culture tours on Manhattan's Lower East Side, Jennifer works as a personal chef in the New York City area and offers private in-person and virtual cooking lessons. Her cookbook-memoir, “A Fistful of Lentils: Syrian-Jewish Recipes from Grandma Fritzie's Kitchen” is a collection of recipes and stories from her family. Her second cookbook, “Too Good To Passover: Sephardic & Judeo-Arabic Seder Menus and Memories from Africa, Asia and Europe” provides an anthropological as well as historical context to the ways in which the Jewish communities of North Africa, Asia, the Mediterranean, and Middle East observe and enjoy this beloved ancient festival.   Links: Jennifer Abadi's https://www.jenniferabadi.com/ (website) Jennifer's blog, https://toogoodtopassover.com/ (Too Good to Passover) where she shares info, insights, and recipes (including some belonging to dishes we discussed on the show) Jennifer on https://www.instagram.com/jenniferabadi/ (Instagram) https://www.amazon.com/Fistful-Lentils-Jennifer-Felicia-Abadi/dp/1558322183 (Buy) Jennifer's cookbook memoir, A Fistful of Lentils: Syrian-Jewish Recipes from Grandma Fritzie's Kitchen, an intimate culinary food album featuring more than 125 Syrian-Jewish recipes, warm family anecdotes, and little-known stories of Syrian-Jewish culture. https://www.amazon.com/Too-Good-Passover-Sephardic-Judeo-Arabic/dp/1977739717/ref=sr_1_1?ie=UTF8&qid=1526057241&sr=8-1&keywords=too+good+to+passover (Buy) Jennifer's groundbreaking cookbook, Too Good to Passover: Sephardic & Judeo-Arabic Seder Menus and Memories from Africa, Asia and Europe. Too Good to Passover is the first Passover cookbook specializing in traditional Sephardic, Judeo-Arabic, and Central Asian recipes and customs (covering both pre-and post-Passover rituals) appealing to Sephardi, Mizrachi, and Ashkenazi individuals who are interested in incorporating something traditional yet new into their seders. The New York Women's Culinary Alliance http://www.nywca.org/ (website)    As always, make sure to subscribe to Jewanced on https://open.spotify.com/show/6984NiP7H1ULW9lJeVt8Ie?si=6LouGFFLTsq7N2bKJhLXRw (Spotify), https://podcasts.apple.com/us/podcast/jewanced/id1522195382 (Apple Podcasts), or wherever you get your podcasts and subscribe to our YouTube https://www.youtube.com/channel/UC7r6xLC1K4Zf29i9ttxbNFg/ (channel). For more information, visit us at http://www.jewanced.com/ (http://www.jewanced.com)

Host Simon Spungin is joined by Amir Tibon, who served as Haaretz correspondent in Washington, D.C. for most of Donald Trump’s (first) term as U.S. president. We discuss the upcoming election in the United States, the possibility of another election in Israel and how both countries allowed opportunism to derail the best chance for an Israeli-Palestinian peace deal since Bill Clinton went to Camp David. Also on the agenda: the North American Jewish community in the aftermath of Pittsburgh and the pandemic, and expat protests against Bibi across America. See omnystudio.com/listener for privacy information.

Love your Kosher Cheeseburger? How about Chinese Food? Howie looks at North American Jewish assimilation through food. Political Hitman 08JULY2020 - PODCAST

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

What would you do if you questioned your religious faith, but revealing that would cause you to lose your family and the only way of life you had ever known? Dr. Ayala Fader explores this question in Hidden Heretics: Jewish Doubt in a Digital Age––her new book with Princeton University Press (2020). She tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. While they no longer believe that God gave the Torah to Jews at Mount Sinai, these hidden heretics continue to live in their families and religious communities, even as they surreptitiously break Jewish commandments and explore forbidden secular worlds in person and online. The internet, which some ultra-Orthodox rabbis call more threatening than the Holocaust, offers new possibilities for the age-old problem of religious uncertainty. Fader shows how digital media has become a lightning rod for contemporary struggles over authority and truth. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe. Dr. Ayala Fader is professor of anthropology at Fordham University investigating contemporary North American Jewish identities and languages in urban centers. She is the author of another book from Princeton University Press: Mitzvah Girls: Bringing Up the Next Generation of Hasidic Jews in Brooklyn. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

As always, you can listen to all of the compositions from this season on the Jewish Songwriter YouTube Playlist or Spotify Playlist.  And please subscribe to the podcast and leave a review on iTunes, Stitcher, Spotify, GooglePlay or wherever you listen. If you are familiar at all with North American Jewish music, it should come as no surprise, that as with almost any conversation about or with Jewish Songwriters, one name repeatedly comes up in conversation, without whom, probably none of us Jewish songwriters would be here today.  And that name, of course, belongs to the one and only Debbie Friedman.  Debbie Friedman is considered by many to be the mother of contemporary Jewish music.  If her name isn’t familiar to you, but you’ve entered a Temple, synagogue, or shul in the last half century, there’s a high likelihood you’ve heard her music.  Though Debbie passed away in 2011, it just doesn’t make any sense to not have an episode of Jewish Songwriter dedicated to her.   Professionally speaking, I’m not sure there’s anyone in history who’s had a bigger impact on Jewish music.  Many of my guests spoke about how Debbie’s music impacted or changed the course of their lives. But what I love about the two stories I’ll be sharing with you today, and what they reveal, is that Debbie’s vision and impact stretch far beyond her music.  They are not the only stories I was told and I’m sure they won’t be the last but you will hear them unedited exactly as they were told me.  I hope you’ll enjoy listening to them as much as I did.  

The Pardes Day School Educators Program has produced an impressive number of North American Jewish day school educators who are bright, passionate, creative and caring. Listen in as three of our best share their thoughts on Jewish education and their … Read the rest Continue reading This Pardes Life Season 3 Episode 5: Jewish Educators Speak at Elmad Online Learning.

In this episode of On The Other Hand, Rabbi Jacobs is joined by April Baskin, URJ Vice President of Audacious Hospitality, to discuss the provocative text in Parashat B’haalot’cha when Miriam and Aaron talk behind Moses’s back about Moses marrying Tziporah, a Kushite woman.  Listen to Rabbi Jacobs and April Baskin discuss this text, whether Judaism is colorblind, and where the North American Jewish community can do better by Jews of Color.

From Liberal Zionism to American Judaism and the state of Israel, Rabbi Rick Jacobs discusses Reform Judaism's strengths and challenges in grappling with today's most pressing issues. Rabbi Rick Jacobs is president of the Union for Reform Judaism, the most powerful force in North American Jewish life. A longtime and devoted creative change agent, Rabbi Jacobs spent 20 years as a dynamic, visionary spiritual leader at Westchester Reform Temple (WRT) in Scarsdale, New York. During his tenure, he reshaped communal worship, transformed the congregation into a community of lifelong learners, and strengthened the synagogue's commitment to vibrancy and inclusion. Under Rabbi Jacobs' leadership, WRT completed a new "green" sanctuary, one of only a handful of Jewish houses of worship in the nation to carry this designation.

On this week’s episode: we cleared the air on statements made about Jewish hockey players, condemned the Canadian Jewish News’ questionable news coverage, and talked about grogger’s (yet again). We spoke with +972 journalist Mairav Zonszein about what got lost in the conversations about Trump’s speech at the AIPAC conference. Shkoyakhs were given to BDS activists in Oshawa, Ontario, and to a robot who infiltrated an Open Hillel event. Sigal Samuel, the Forward’s Opinion Editor, joined us for the Interview. We talked about Mizrahi-Palestinian Solidarity, and the popularity of intersectionality in the North American Jewish press. Our recommendation goes to the Independent Jewish Voices' Statement of Support for the Blacks Students Network at McGill University. Show notes: https://www.treyfpodcast.com/2016/03/30/episode-16-mizrahi-palestinian-solidarity-with/

On this episode: we talk about the new Amazon Prime show ‘The Man in the High Castle,’ provide some updates on the Canada-Israel Free Trade Agreement, and try to parse through the ways North American Jewish communities are talking about the nuclear deal signed by Iran. We reflect on CIJA’s attempt at a national conversation on Jewish safety and examine legal controversies surrounding the state of ‘J’ dating. We’re then joined by Clifton Nicholas, a Mohawk filmmaker and activist, to talk about his fundraising campaign to produce a new film looking back at the uprising in Kanesatake 25 years later. *CORRECTION: In this episode, David mentioned that Black Lives Matter activists shut down the Gardiner Expressway in Toronto but it was actually the Allen. Show Notes: https://www.treyfpodcast.com/2015/08/12/03-oka-everywhere-25-years-since-the-crisis/