Podcasts about New Skin

Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho With their unique brand of progressive rock, Focus manifested themselves at the start of the '70s as the most successful and appreciated of all the Dutch pop-rock exports. Fronted by founding member Thijs Van Leer, and best known for their hits "Hocus Pocus", "House of The King" and "Sylvia", as well as critically acclaimed albums 'Moving Waves', 'Focus 3' and 'Hamburger Concerto'. Focus Announces their new studio album “FOCUS 12” available July 5th, 2024. Founded by Thijs van Leer, Focus has been at the forefront of the progressive music movement since 1969, yet they continue to deliver engaging, innovative and skillfully crafted music. “FOCUS 12” exemplifies this and proves why they are still a firm fan favorite, the world over. For Thijs van Leer (75) and Pierre van der Linden (78), age is nothing more than a number. Both continue to contribute to Focus with passion. Thijs, who has written most of the new album, rises at 4.30 am every day to work on his compositions. While the album boasts some of Pierre's greatest and most energetic drum sequences to date. “FOCUS 12” features a completely improvised piece which was captured as it spontaneously took place in the studio, during the recording process. Thus, proving that more than 50 years on, the band are still excited by undertaking something new and different. The band continues their long association with legendary artist Roger Dean whose stunning artwork graces the front cover and packaging. The vinyl version features a stunning gatefold sleeve. Focus continues to be one of the hardest working rock bands on the planet, touring the globe playing live. This July, they undertake a string of live dates across the USA and Canada, as part of Asia's Heat Of The Moment Tour along with Martin Turner ex Wishbone Ash …and Curved Air … & MC'd by artist Roger Dean. Thijs van Leer concludes, “After all these years, Focus is in the here and now; the triumph of survival!” PLEASE WELCOME VOCALIST, KEYBOARDIST, FLAUSTIST AND BAND LEADER FOR LEGENDARY DUTCH PROGRESSIVE ROCK FOCUS THIJS VAN LEER TO INTERVIEWING THE LEGENDS … PREORDER THE BRAND-NEW STUDIO ALBUM BY  F O C U S Entitled “FOCUS 12” Available July 5, 2024 “FOCUS 12” by Focus can be pre-ordered here: https://burningshed.com/store/focus   FOR MORE INFORMATION ABOUT  Thijs van Leer And F O C U S Visit https://focustheband.co.uk/ Official website https://www.facebook.com/focustheband50/ Facebook https://www.instagram.com/focustheband50/ Instagram https://www.instagram.com/focustheband50/ Twitter https://www.youtube.com/focus%20the%20band YouTube   Heat Of The Moment 2024 Tour Dates: Headlined by Asia  featuring Focus  Martin Turner ex Wishbone Ash and Curved Air  & MC'd by artist Roger Dean. The tour will commence on July 3rd 2024 and will incorporate 21 dates across the USA and Canada. The tour has been masterminded by rock music keyboard legend & original Asia member, Geoff Downes (Buggles, Asia, Yes) Wednesday, July 3: Ridgefield Playhouse, Ridgefield, CT Thursday, July 4: Fallsview Casino, Niagara Falls, ON Saturday, July 6: Chevalier Theatre, Medford, MA Sunday, July 7: The Paramount, Huntingdon, NY Tuesday, July 9: Bergen Performing Arts Center, Englewood, NJ Wednesday, July 10: Count Basie Center, Red Bank, NJ Friday, July 12: Tropicana Showroom, Atlantic City, NJ Saturday, July 13: Wind Creek Event Center, Bethlehem, PA Sunday, July 14: American Music Theatre, Lancaster, PA Tuesday, July 16: Spartanburg Memorial Auditorium, Spartanburg, SC Wednesday, July 17: Ryman Auditorium, Nashville, TN Thursday, July 18: Columbia County Performing Arts Center, Evans, GA Saturday, July 20: Hard Rock Live, Orlando, FL Sunday, July 21: Pompano Beach Amphitheater, Pompano Beach, FL Monday, July 22: Seminole Hard Rock, Tampa, FL Wednesday, July 24: North Charleston PAC, North Charleston, SC Thursday, July 25: Macon City Auditorium, Macon, GA Friday, July 26: Saenger Theatre, Mobile, AL Sunday, July 28: VBC Mark Smith Concert Hall, Huntsville, AL Tuesday, July 30: The Arcada Theatre, St Charles, IL Wednesday, July 31: The Pabst Theater, Milwaukee, WI     DISCOGRAPHY  FOCUS     Focus Plays Focus (1970; also known as In and Out of Focus)     Focus II (1971; also known as Moving Waves)     Focus 3 (1972)     Hamburger Concerto (1974)     Mother Focus (1975)     Ship of Memories (1976) (studio compilation)     Focus con Proby (1978)     Focus (1985) (as Jan Akkerman & Thijs Van Leer)     Focus 8 (2002)     Focus 9 / New Skin (2006)     Focus X (2012)     Golden Oldies (2014) (studio re-recordings)     Focus 8.5 / Beyond the Horizon (2016)     The Focus Family Album (2017) (studio outtakes from 2012 to 2017, plus solo tracks)     Focus 11 (2018)     Completely Focused (2021) (studio re-recordings)     Focus 12 (2024) (up-coming)     Support us on PayPal!

Join T, Father Fortenberry, and Gary as they discuss headlines of the day!Movies you can only watch once!!D Day thank you for your service!MLB Stats get shaken up!Grape Jelly on a hot dog? ReallyIs Orange the new skin tone? Is Trump going to prison?lifefromthepatio.comBuy some MerchFollow us on TikTok

Dr. Michael Blankenship, from ima Healthcare, joins Amy & JJ to talk about a new skin cancer vaccine in trial right now. There's a new vaccine that's created a 96 percent survival rate for people with the condition. The treatment is actually a combo of a vaccine and an immunotherapy drug. About 75 percent of the patients in the trial had no recurrence of the disease. Experts say it could be one of the "single biggest developments" to fight melanoma. See omnystudio.com/listener for privacy information.

Today on AirTalk, the latest on the Disney shareholder shakeup and its potential impact on the company. Also on the show, Beyonce's ‘Cowboy Carter' and the long legacy of Black country musicians; California unions allege misuse of voter-approved funds for Arts Education; and more. Disney's looming shareholder vote (00:17) LED headlights' increasing popularity (16:22) Legacy of Black country music (31:48) Why CA unions allege misuse of arts ed funds (1:07:34) New skin test to help diagnose Parkinson's (1:24:50) How 'growth mindset' can transform organizations (1:33:20)

This week Kat has her friend and licensed aesthetician, Hannah Ellis, back again to dive into the confusing world of skin care, anti aging, and the beauty industry. Have you heard of Frownies? Well, Kat had not and was surprised to find out it wasn't a nickname for the wrinkles you get when you frown. They are in fact, one more of the products being marketed to us to “slow down the aging process” and Hannah gives us the 411 on if they really work AND if we really need them. And in the biggest plot twist of the podcast this year, Kat and Hannah go from laughing about Frownies to processing the fact that we are all going to die someday…  Follow Kat on Instagram: @Kat.Defatta Follow the podcast Instagram: @YouNeedTherapyPodcast Have a question, concern, guest idea, something else? Reach Kat at: Kathryn@youneedtherapyodcast.com Heard about Three Cords Therapy but don't know what it is? Click here!   Produced by: @HoustonTilleySee omnystudio.com/listener for privacy information.

Welcome to The Skin Report, a podcast dedicated to exploring the world of skincare, medical aesthetics, and beauty, with a special focus on women of color. Hosted by Dr. Simran Sethi, an internal medicine doctor and the CEO and founder of ReNewMD Medical Spas and Skin by Dr. Sethi, this podcast aims to bring insightful discussions, tips, and personal stories to help improve your skin and boost your self-confidence. In addition to the audio format, The Skin Report is taking its conversation to YouTube, providing a vibrant new visual experience where you can see the world of skincare and medical aesthetics come alive. Dr. Sethi's co-host and sister, Shaheera Bhutto, the director of Brand and Partnerships at Skin by Dr. Sethi and ReNewMD, joins her on this exciting journey.Inviting listeners to share their questions and stories, the podcast covers trending topics, offers valuable tips from expert guests, and aims to provide an engaging and interactive experience. Hit subscribe and embark on a journey of skincare and self-care. Love your skin, love yourself, and celebrate your beauty.--------------------------------------------------------------------------------------Exclusive Offer for the Skin Report AudienceSKINREPORT20use in the shopping cart to receive 20% discount --------------------------------------------------------------------------------------LEARN MORE!The Skin Report Podcast : Subscribe and Download!Skin By Dr. Sethi - BlogSkin By Dr. Sethi - SkincareSkin By Dr. Sethi - Beauty InstagramDr. Sethi's Medical SpaDr. Sethi's Medical Spa - Instagram

Ukraine is withdrawing troops from a key city on the eastern front. Displaced Palestinians are fleeing Rafah after intensified Israeli airstrikes and an anticipated ground offensive. Former president Donald Trump plans to appeal the 355 million dollar judgement against him. One firefighter was killed and many were injured after a house exploded in Virginia. And, a first-of-its-kind treatment could help thousands of patients with skin cancer. Learn more about your ad choices. Visit podcastchoices.com/adchoices

New year, new skin: we've heard that one many times, right? Well, in my case it's TRUE! Controlling acne is something that can be frustrating as it's never completely cured and can be influenced by SO many things: hormones, stress, diet, habits, lifestyle, what you use and the list goes on and on... I'm here today sharing my continuous struggles, and HOW I use solutions that always work. Always remember that the skin is an organ and it reflects what is going on internally 95% of the time. Links:Light Stim LED PanelEnviron CollectionsConnect with us:Become an insider by signing up for our weekly podcast newsletter for first dibs on exclusive insightsCheck out our Velvet Skin Membership Program Instagram – The Meta Esthétique Studio LTD Facebook Book a consultation with us HERE!

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The federal government has announced the listing of a new treatment in the Pharmaceutical Benefits Scheme [[P-B-S]] for patients suffering from advanced melanoma. The drug called Opdualag is set to be listed under the PBS from February 1 as part of the government's expansion of the national scheme.

The aesthetic community is abuzz with excitement about an innovative technology that tightens skin and improves skin laxity, all without the need for surgery! Does it seem too good to be true? Micro-coring, as the name suggests, uses a small hollow needle to remove tiny full-thickness cores of tissue. Then, as the skin heals, it tightens up, kind of like shrink-wrapping the skin.  Join this week's podcast episode featuring Dr. Kennedy as we delve into the world of microcoring. Dr. Kennedy addresses common questions, such as the key differences from microneedling, ideal candidates for micro-coring, patient expectations, a detailed walkthrough of the procedure and its associated downtime.  What is micro-coring and how is it used? (5:03) How is this different from micro-needling? (9:40) How long does the procedure typically take? (14:29) Top 3 tips for someone considering micro-coring (23:50) Lina Kennedy, MD, is a Board Certified Dermatologist based in Southern California. She earned her undergraduate degree at UCLA before pursuing her medical education in Washington, D.C. Dr. Kennedy obtained her medical degree in 2012 from Howard University and completed a year of internship in Internal Medicine at Georgetown University, followed by 3 years of specialized training in Dermatology at Howard University. Currently, Dr. Kennedy is part of a thriving private practice in Corona Del Mar, CA, focusing on cosmetic procedures that enhance natural beauty. In addition to this, she serves as an attending physician at the VA Long Beach Medical Center, where she not only practices dermatology but also educates dermatology residents from the University of California-Irvine. Follow Dr. Kennedy here:- https://www.instagram.com/linakennedy_md/ Follow Dr. Mina here:-  https://instagram.com/drminaskin?igshid=OGQ5ZDc2ODk2ZA== For more great skin care tips, subscribe to The Skin Real Podcast or visit www.theskinreal.com  Baucom & Mina Derm Surgery, LLC  Email - scheduling@atlantadermsurgery.com Contact - (404) 844-0496  Instagram - @baucomminamd Thanks for listening! The content of this podcast is for entertainment, educational, and informational purposes and does not constitute formal medical advice.

Nate tells a Halloween tale about a terrifying cult that is said to live in the woods somewhere near where Ohio, Kentucky, and Indiana meet. Hope you enjoy the last drops of spooky season!Sounds used:Jungle Hunters By Stereoalex Merciless Cult Massacre By colortunes Twig Snap By Nobou Underwater Diving By Sotirios BakasThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4555532/advertisement

Des scientifiques disent avoir développé une peau électronique ultra fine qui peut mesurer les niveaux d'oxygène une fois attachée au corps.Traduction:Scientists say they have developed ultra-thin electronic "skin" that can measure oxygen levels when stuck to the body. Hosted on Acast. See acast.com/privacy for more information.

Des scientifiques disent avoir développé une peau électronique ultra fine qui peut mesurer les niveaux d'oxygène une fois attachée au corps. Traduction: Scientists say they have developed ultra-thin electronic "skin" that can measure oxygen levels when stuck to the body. Learn more about your ad choices. Visit megaphone.fm/adchoices

Des scientifiques disent avoir développé une peau électronique ultra fine qui peut mesurer les niveaux d'oxygène une fois attachée au corps.Traduction:Scientists say they have developed ultra-thin electronic "skin" that can measure oxygen levels when stuck to the body. Hosted on Acast. See acast.com/privacy for more information.

Des scientifiques disent avoir développé une peau électronique ultra fine qui peut mesurer les niveaux d'oxygène une fois attachée au corps. Traduction: Scientists say they have developed ultra-thin electronic "skin" that can measure oxygen levels when stuck to the body. Learn more about your ad choices. Visit megaphone.fm/adchoices

What if there was a painless and non-invasive way to detect Alzheimer's earlier than ever? Meet Frank Amato from Synaps DX, a pioneer in healthcare innovation who might have the answer. In this engaging discussion, we dive into Frank's groundbreaking work on the Discern Test - a revolutionary skin test for Alzheimer's. Frank's passion for health care and his mission to transform Alzheimer's diagnosis make this conversation a must-listen for anyone interested in the latest advancements in healthcare. The episode unfolds Frank's journey, from exploring the science behind the skin test to its potential implications for patients worldwide. The test, which identifies two proteins in the skin that exhibit abnormalities in Alzheimer's patients, offers the promise of diagnosing the disease in its early stages. Frank explains that this could be a game-changer in prescribing lifestyle changes and drug interventions that might significantly improve a patient's life. We also delve into the importance of early diagnosis and its impact on patients and caregivers alike. If you're curious about the next big thing in healthcare, this episode is for you. So, tune in to discover how this simple skin test could potentially revolutionize Alzheimer's diagnosis and treatment. (0:00:01) - Detecting Alzheimer's With a Skin Test (0:09:59) - Alzheimer's Diagnosis Through Skin Test (0:25:39) - Lifestyle Interventions for Brain Health ++++++++++++++++++++++++++++++++++++++++ Sign Up for more Advice & Wisdom - email newsletter. ++++++++++++++++++++++++++++++++++++++++ Please help us keep our show going by supporting our sponsors. Thank you. Did you know people with Alzheimer's can receive nearly 200 spam calls a week? You can put a stop to those now. Relevate from NeuroReserve Make Your Brain Span Match Your LifeSpan With Relevate nutritional supplement, you get science-backed nutrition to help protect your brain power today and for years to come. You deserve a brain span that lasts as long as your lifespan. Join Fading Memories On Social Media! If you've enjoyed this episode, please share this podcast with other caregivers! You'll find us on social media at the following links. Instagram Twitter LinkedIn  Facebook Contact Jen at hello@fadingmemoriespodcast.com

As news of a serial killer buzzes around a VR social space, Jamie meets a charismatic stranger who believes he can track down the murderer. This episode contains graphic language. Hidden Signal is an anthology series of immersive tales of science-fiction and mystery from QCODE, makers of fantastic audio fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zane Penny became a youth producer for ATMI way back in 2019, when he was taking the audio and video production class at King Technical High School. He applied his skills to various video, radio, and podcast projects with ATMI throughout the years, including screening short films he'd directed to our annual youth film showcase. But in 2020, Zane took up a new passion: music. Now he's released his debut, full length album of music, titled New Skin. Prior to the release of New Skin, Zane stopped by the ATMI studios to speak with fellow producer, and former high school classmate, Kendrick Whiteman. He talks about his new album, going on tour with other local musicians, and his love for film. Hosted by Nico Coltrane. Music by Kendrick Whiteman and Devin Shreckengost. Click the links to watch Zane performing his songs "Pants" and "Maybe The Moon" in (and outside) our studio. Alaska Teen Media Institute is based in Anchorage, Alaska. We would like to acknowledge the Dena'ina people, whose land we work on.

Priyanka Dutta-Passecker is the CEO and Founder of Healiva, a Swiss start-up focused on innovative treatments for acute and chronic wounds. Healiva begins the process by cleaning the wound using an enzyme invented by Priyanka.  Depending on the severity of the wound, autologous or allogeneic cell therapy is used to make new skin to heal the wound. Priyanka explains, "So, to give a background for when we talk about personalized cell therapies and autologous cell therapy. We take a patient here, and from the patient, we make the patient's skin. That means that we're completely personalizing and making the skin of the patient. And this is given to extremely chronic non-healing wound patients like venous leg ulcer patients or diabetic foot ulcer patients. The skin gets integrated on their ulcer and closes the ulcer. That's one of our autologous cell therapy products called Epidex." "We do keep the primary cells when we take the hair follicle. As you may know, hair follicles are epithelial cells that we expand, and we keep the cells. And when they come back, we can make the full skin, the epidermis differentiation, within two weeks. But generally, it takes four weeks. And it's given to the patient once it's ready within four to five days." "So, just to elaborate on what we mean by allogeneic cell therapy. So quite different from the autologous one, in allogenic cell therapy, we are taking healthy skin cells from you and me. We expand the skin cells, and we give the skin cells to the patient. What happens is that it releases growth factors which help in the healing. And there is no rejection because, of course, the cells do not stay on the wounds of the patient." #Healiva #WoundCare #PatientCare #SwissStartups #CellTherapy #ChronicWounds #RegenerativeMedicine #Diabetes #Healthtech healiva.com Download the transcript here

Priyanka Dutta-Passecker is the CEO and Founder of Healiva, a Swiss start-up focused on innovative treatments for acute and chronic wounds. Healiva begins the process by cleaning the wound using an enzyme invented by Priyanka.  Depending on the severity of the wound, autologous or allogeneic cell therapy is used to make new skin to heal the wound. Priyanka explains, "So, to give a background for when we talk about personalized cell therapies and autologous cell therapy. We take a patient here, and from the patient, we make the patient's skin. That means that we're completely personalizing and making the skin of the patient. And this is given to extremely chronic non-healing wound patients like venous leg ulcer patients or diabetic foot ulcer patients. The skin gets integrated on their ulcer and closes the ulcer. That's one of our autologous cell therapy products called Epidex." "We do keep the primary cells when we take the hair follicle. As you may know, hair follicles are epithelial cells that we expand, and we keep the cells. And when they come back, we can make the full skin, the epidermis differentiation, within two weeks. But generally, it takes four weeks. And it's given to the patient once it's ready within four to five days." "So, just to elaborate on what we mean by allogeneic cell therapy. So quite different from the autologous one, in allogenic cell therapy, we are taking healthy skin cells from you and me. We expand the skin cells, and we give the skin cells to the patient. What happens is that it releases growth factors which help in the healing. And there is no rejection because, of course, the cells do not stay on the wounds of the patient." #Healiva #WoundCare #PatientCare #SwissStartups #CellTherapy #ChronicWounds #RegenerativeMedicine #Diabetes #Healthtech healiva.com Listen to the podcast here

Last month, we sat down with journalist and author Matti Friedman in a Jerusalem studio to talk about Leonard Cohen, the Israel-Diaspora relationship, and the turning point that was the 1973 Yom Kippur War. Selected by Vanity Fair as one of the best books of 2022, Friedman's “Who by Fire: Leonard Cohen in the Sinai,” explores the late poet and singer's concert tour on the front lines of the Yom Kippur War – a historic moment of introspection for the Jewish State that continues to reverberate through events we witness today.  *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  __ Episode Lineup:  (0:40) Matti Friedman __ Show Notes: Listen: From the Black-Jewish Caucus to Shabbat and Sunday Dinners: Connecting Through Food and Allyship How to Tell Fact from Fiction About the Israeli-Palestinian Conflict Live from Jerusalem: Exploring Israel and the Media with Matti Friedman Watch: Should Diaspora Jews Have a Say in Israeli Affairs?  Learn: Four Common Tough Questions on Israel 75 Years of Israel: How much do you know about the Jewish state? Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Matti Friedman: Manya Brachear Pashman:   Matti Friedman has joined us on this podcast multiple times. Last year, he gave us an essential lesson on how to tell fact from fiction about Israel, and when AJC held its global forum in Jerusalem in 2018, he joined us for our first live recording, so I could not pass through Jerusalem without looking him up, Especially after learning that the writer behind Shtisel is adapting Matti's latest book, “Who By Fire” about the late great Leonard Cohen's time on the front lines of the Yom Kippur War. He joins us now in a studio in the Talpiot neighborhood of Jerusalem. Matti, welcome to People of the Pod. Matti Friedman:   Thank you for having me. Manya Brachear Pashman:   So I take it you're a fan of Leonard Cohen, or just as a journalist you find him fascinating? Matti Friedman:   No, of course, I'm a fan of Leonard Cohen. First of all, I'm Canadian. So if you are Canadian, you really have no choice. You have to be a Leonard Cohen fan, and certainly if you're a Canadian Jew. We grew up listening to Leonard Cohen. So absolutely, I'm a big admirer of the man and his music. Manya Brachear Pashman:   What are your favorite songs? Matti Friedman:   Probably my favorite Leonard Cohen song is called “If it Be Your Will." Just a prayer that came out on a Cohen album in the 80s. But I love all the Cohen you know top 10- Suzanne and So Long Marianne, Famous Blue Raincoat and Chelsea Hotel. It's a very long list. Manya Brachear Pashman:   So I should clarify that your book is not a biography of Leonard Cohen. It's about just a few weeks of his life when he came in 1973, during the Yom Kippur War, and these few weeks were a real turning point in his life, also for Israel, but we can talk about that later. But I want to know, why is it important? Why do you think it's important for Leonard Cohen fans, for Jews, particularly Israelis, to know this story about him? Matti Friedman:   I think that those few weeks in the fall of 1973, when Cohen finds himself at the front of the Yom Kippur War, those weeks are really an incredible meeting of Israel and the diaspora, maybe one of the ultimate diaspora figures, Leonard Cohen, this kind of universal poet and creature of the village, and this product of a very specific moment in North American Jewish life, when Jews are really kind of bursting out of the ghetto and entering the mainstream. And we can think of names like Paul Simon and Bob Dylan, even Phil Ochs, and people like that. And Cohen is very much part of that.  And he comes to Israel and meets, I guess the other main trend in Jewish history, in the second half of the 20th century, which is the State of Israel, and Israelis, who are not bursting into, you know, a universal culture in the United States, they're trying to create a very specific Jewish culture–in Hebrew, in this very kind of tortured scrap of the Middle East.  And the meeting of those two sides, who have a very powerful connection to each other, but don't really understand each other. It's a very interesting meeting. And the fact that it happens at this moment of acute crisis, one of the darkest moments in Israel's history, which is the Yom Kippur War, that makes it even more powerful.  So I think if we take that snapshot, from October 1973, we get something very interesting about Israel, and about the Jewish world and about this artist. And in some ways, I think those weeks really encapsulate much of Leonard Cohen's story. So it's not a biography, it doesn't trace his life from birth to death. But it gives us something very deep about the guy by looking at him at this very intense and kind of traumatic moment. Manya Brachear Pashman:   Do you also think it sheds some light on the relationship between diaspora Jews and Israel? And how has that relationship changed and evolved since the 1970s? Matti Friedman:   When Cohen embarks on this strange journey to the war, which, I mean, it's a long story, and I tell it in the book, but it starts on a Greek island or he's kind of holed up. He's in a crisis, and he's unhappy with his domestic life and he's unhappy with his creative life and he kind of needs to escape. So he gets on a ferry from the island and gets on an airplane from Athens and inserts himself into this war, by mistake, not really intending to do it. And he says in this manuscript that he writes about that time, which is unpublished until, until my own book, I published segments of it.  He says, I'm going to my myth home. That's how he describes Israel. He uses this very interesting phrase myth home. And it's hard to understand exactly what he means. But I think many Jewish listeners will understand kind of almost automatically what that means. Israel is not necessarily your home. And it's possible that you've never even been there. But you have this sense that it is your mythical home or some alternate universe where you belong. And of course, that makes the relationship very fraught. It's a lot of baggage on a relationship with a country that is, after all, a foreign country.  And Cohen lands in Israel and has a very powerful, but also very confusing time and leaves quite conflicted about it. And I think that is reflective, more generally of the experience of many Jews from the diaspora who come here with ideas about the country and then are forced to admit that those ideas have very little connection to reality. And it's one reason I think that I often meet Jews here from, you know, from North America, and they're not even fascinated by the country, but they're kind of thrown off by it, because it doesn't really function in the way they expect. It's a country in the Middle East. It's very different from Jewish life in North America. And as time goes on, those two things are increasingly disconnected from each other. Manya Brachear Pashman:   Yeah. Which is something that I think you say, Israelis say repeatedly, that lots of people have opinions about Israel and decisions that are made and how it's run. But they have no idea what life is like here, right? That's part of the disconnect. And the reason why there's so much tumult. Matti Friedman:   Yes, and runs in the other direction, too, of course. Israelis just have less and less idea of what animates Jews in the United States. So the idea that we're one people, and we should kind of automatically understand each other. That just doesn't work anymore. I think in the years after the Second World War, it might have worked better because people were more closely connected by family ties. So you'd have two brothers from Warsaw or whatever, and one would go to Rehovot, and one would go to Brooklyn, but they were brothers. And then in the next generation, you know, their children were cousins, and they kind of knew something about each other, but a few generations have gone by, and it's much more infrequent to find people who have Israeli cousins, or American cousins, you know, it might be second cousins or third cousins, but the familial connections have kind of frayed and because the communities are being formed by completely different sets of circumstances, it's much harder for Americans to understand Israelis and for Israelis to understand Americans. And we're really seeing that play out more and more in the communication or miscommunication between the two big Jewish communities here in the United States. Manya Brachear Pashman:   So this is my first trip to Israel. And many people told me that I would never be the same after this trip. Was that true for Leonard Cohen? Matti Friedman:   I think it was, I think it was a turning point in his life. Of course, I wrote a book about it. I would have to say that, even if it weren't true, but I happen to think that it is true. He comes here at a moment of a real kind of desperation, he had announced that he was retiring from music that year. So he had this string of hits, and he was a major star of the 60s and early 70s. And those really famous Cohen songs that I mentioned, most of them had already come out and he'd been playing at the biggest music festivals at the Isle of White, which was a bigger festival than Woodstock. And he was a big deal. And, and he just given up, he felt that he had hit a wall and he no longer had anything to say. And he was 39 years old. That's pretty old for a rock star. And he was in those days, of course, people are dying at 27. So he kind of thought he was washed up. And he came to Israel. And he writes in this manuscript, this very strange manuscript that he wrote, and then shelved, that he thinks that Israel is a place where he might be able to be born again, or just saying, again, he writes both of those thoughts. And in a very weird way, it happens.  So he's too sophisticated a character to tell us exactly how that happened, or to ever say that he went to Israel and was saved or changed in some way. Leonard Cohen would never give us that moment that of course, as a journalist I'm looking for but they won't give us all we can do is look at the fact that he had announced his retirement before the war, came home from this war very rattled, not at all waving the Israeli flag and singing the national anthem or anything like that, but he came back invigorated in some way.  And a few months after that war, he releases one of his best albums, which is called “New Skin for the Old Ceremony.” Which is a reference, of course, to circumcision, which is itself a kind of wink toward rebirth. And that album includes Chelsea Hotel and Lover Lover Lover and Who by Fire and he's back on the horse and he goes on to have this absolutely incredible career that lasts until he's 80 years old and beyond. Manya Brachear Pashman:   So let's talk about Lover Lover Lover, and the line of that song. You had interviewed a former soldier on the frontlines in the Yom Kippur War. He had heard Leonard Cohen sing, was very moved by that song, which was composed on an Israeli Air Force Base, I believe originally. And then the album comes out and he hears it again. And something is different. The soldier is not happy about that. Can you talk a little bit about how you confirmed that?  Matti Friedman:   Right, so I spent a lot of time trying to track down the soldiers who had seen Leonard Cohen during this very weird concert tour that he ends up giving on the Sinai front of the Yom Kippur War. And it's this series of concerts, these very small concerts, mostly for just small units of soldiers who are in the sand and suddenly Leonard Cohen shows up in a jeep and plays music for them. And it's kind of a hallucinatory scene.  And one of the soldiers told me that he will never forget the song that Cohen sang, and it was on the far side of the Suez Canal. So the Israeli army having kind of fallen back in the first week and a half of the war has crossed the Suez Canal, in the great counter attack that changes the course of the war, and now they're fighting on Egyptian territory. And one night, on that, on the far side of the canal, he meets Leonard Cohen, it's just kind of sitting on a helmet in the sand playing guitar, and he sang a song that would later become famous, but no one knew it at the time, because it had just been written. As you said, it was written for an audience of Israeli pilots at an Air Force base a few weeks before, or a few days before.  And the song's lyrics address the Israeli soldiers as brothers. That's what the soldier remembered. And he said, I'll never forget it. He called us his brothers. And that was a big deal for the Israelis, to hear an international star like Leonard Cohen, say,  I'm a member of this family, and you're my brothers. And that was a great memory. But there's no verse like that in the song Lover, Lover, Lover. And there's no reference at all that's explicit to Israeli soldiers. And the word brothers does not appear in the song. Manya Brachear Pashman: At least the one on the album, the song on the album. Matti Friedman: On the album, right. So that is the only one that was known at the time that I was writing the book. And then I kind of set it aside, I just figured that it was a strange memory that was, you know, mistaken or manufactured. And I didn't think much more about it. But I was going through Cohen's old notebooks and the Cohen archive in Los Angeles, which is where many of his documents are kept. And he had a notebook in his pocket throughout the war, and was writing down notes and writing down lyrics and writing on people's phone numbers. And in in the notebook, I found the first draft of  Lover, Lover, Lover, and this verse, which had somehow disappeared from the song and the verse is a really powerful expression of identification, not uncomplicated identification, but definitely sympathy for the Israelis who was traveling with, he was traveling with a group of Israeli musicians, he was wearing something that looked a lot like an Israeli uniform, he was asking people to call him by his Hebrew name, which was Eliezer Cohen.  So he was definitely, he had kind of gone native. And the verse, the verse goes, ‘I went down to the desert to help my brothers fight. I knew that they weren't wrong. I knew that they weren't right. But bones must stand up straight and walk and blood must move around. And men go making ugly lines across the holy ground.'  It's quite a potent verse. And it definitely places Cohen on one side of the Yom Kippur War. And when he records the song, a few months later, that verse is gone. So he obviously made a different decision about how to locate himself in the experience. And ultimately, the experience of the war kind of disappears from the Cohen story. He doesn't talk about it. Later on, he very rarely makes any explicit reference to it. The Cohen biographies mention it in passing, but don't make a big deal of it. And I think that's in part because he  always played it down.  And when that soldier Shlomi Groner, who I call the soldier, but he's going into his seventies, but you know, for me, he's a soldier. He heard that song when it came out on the radio, and he was waiting for that verse where Cohen called Israeli soldiers, his brothers and the verse was gone. And he never forgave Leonard Cohen for it, for erasing that expression of tribal solidarity.  And in fact, the years after the war, 1976, Cohen is playing the song in Paris, you can actually find this on YouTube. And he introduces the song to a French audience by saying, he admits that he wrote the song in the war in Sinai, and he says, he wrote the song for the Egyptians, and the Israelis, in that order. So he was very careful about, you know, where he placed himself, and he was a universal poet. He couldn't be on one side of a war, you couldn't be limited to any particular war, he was trying to address the human soul.  And he was aware of that contradiction, which I think is a very Jewish contradiction. Is our Judaism best expressed by tribal solidarity, or is it best expressed in some kind of universal message about the shared humanity of anyone who might be reading a Leonard Cohen poem? So that tension is very much present for him and it's present for many of us. Manya Brachear Pashman:   So he replaces the line though with watching the children, he goes down to watch the children fight. Matti Friedman:   So before he erases the whole verse, he starts fiddling with it. And we can actually see this in the notebook because we can see him crossing out words and adding words. So he has this very strong sentence that says, I went down to the desert to help my brothers fight, which suggests active participation in this war and, and then we see that he's erase that line held my brothers fight, and he's replaced it with, I went on to the desert to watch the children fight.  So now he's not helping, and it's not his brothers, he's kind of a parent at the sandbox watching some other people play in the sand. So he's taken a step back, he's taken himself out of the picture. And ultimately, that whole verse goes into the memory hold, and it only surfaces. When I found it, and I had the amazing experience of sending it to the soldier who'd heard it and didn't quite remember the words, he just remembered the word brothers. And over the years, I think he thought maybe he was mistaken, he wasn't 100% sure that he was remembering correctly and I had the opportunity to say, I found the verse, you're not crazy, here's the verse. It was quite a moment for him. Manya Brachear Pashman:   Yeah, confirmation, validation. Certainly not an expression of solidarity anymore, but I read it as an expression of critique of war, right. Your government's sending sons and daughter's off to fight you know, that kind of critique, but it changes it when you know that he erased one sentiment and replaced it with another. Matti Friedman:   Right, even finding the Yom Kippur War in the song now is very complicated, although when you know where it was written, then the song makes a lot more sense. When you think a song called Lover Lover Lover would be a love song, but it's not really if you listen to the lyrics.  He says, “The Spirit of the song may rise up true and free. May be a shield for you, a shield against the enemy”. It's a weird lyric for a love song. But if you understand that he's writing for an audience of Israeli pilots are being absolutely shredded in the first week of the Yom Kippur War, it makes sense. The words start to make sense the kind of militaristic tone of the words and even the kind of rhythmic marching quality of the melody, it starts to make more sense, if we know where it was written, I think Cohen would probably deny. Cohen never wanted to be pinned down by journalism, you know, he wasn't writing a song about the Yom Kippur War. And I don't think he'd like what I'm doing, which is trying to pin him down and tie him to specific historical circumstances. But, that's what I'm doing. And I think it's very interesting to try to locate his art in a specific set of circumstances, which are, the Yom Kippur war, this absolute dark moment for Israel, a Jewish artist who's very preoccupied with his own Judaism, and who grows up in this really kind of rich and deep Jewish tradition in Montreal, and then kind of escapes it, but can never quite escape it and doesn't really want to escape it, or does he want to escape it and, and then here he is, in this incredible Jewish moment with the Israeli Army in 1973.  And we even have a picture of him standing next to general Ariel Sharon, who is maybe the other symbolic Jew of the 20th century, right? You have Leonard Cohen, who is this universal artists, this kind of, you know, man of culture and a kind of a dissolute poet and and you have this uniform general, this kind of Jewish warrior, this kind of reborn new Jew of the Zionist imagination, and we have a photograph of them standing next to each other in the desert. I mean, it's quite an amazing moment. Manya Brachear Pashman:   Yeah. I love that you use the word hallucinatory earlier to describe the soldier coming upon Leonard Cohen in the desert, because it reminded me that it was not Leonard Cohen's first tour of sorts in Israel. He had been in Israel the year before, 1972, gave a concert in Tel Aviv and Jerusalem, very different shows. Can you speak to that? Matti Friedman:   So Cohen was here a year before the war. And what's amazing is that you can actually see the concerts because there was a documentary filmmaker with him named Tony Palmer. And there's a documentary that ultimately comes out very briefly, that is shelved because Cohen hates it, and then resurfaces a couple of decades later, it's called Bird on a Wire. And it's worth seeing. And you can see the concert in Tel Aviv. And then the concert in Jerusalem the next day, which are the end of this problematic European tour, which kind of goes awry, as far as Cohen is concerned.  In Tel Aviv, they have to stop a concert in the middle because there's a riot in the audience and for kind of strange technical reason, which was that the arena in Tel Aviv had decided to keep the audience really far away from the stage and people tried to get close to Leonard Cohen and Cohen wanted them to come closer to the stage because they were absurdly far from the musicians and they tried to move closer but the security guards wouldn't let them and they start, you know, people start fighting, and Cohen's begging them to calm down.  And you can see this in the, in the documentary and then ultimately he leaves the stage, he says, you know, it's just not I can't perform like this, and he and the whole band just walk off the stage, and you get the impression that this country is on the brink of total chaos, like it's a place that's out of control. And then the next day, he's in Jerusalem for the last concert of this tour. And the concert also goes awry. But this time, it's Cohen's fault. And he is onstage, and you can see that he can't focus, like he just can't put it together. And in the documentary, you can see that he took acid before the show. So it might have had something to do with that. But also, it's just the fact that he's in Jerusalem. And for him, that's a big deal. And he just can't treat it like a normal place. It's not a normal concert. So there's, there's so much riding on it, that it's too much for him, and he just stops playing in the middle of a concert. And he starts talking to the audience about the Kabbalah. And it's an amazing speech, it's totally off the cuff.  It's not something that he prepared, but he starts to explain that, in the Kabbalistic tradition, in order for God to be seated on his throne, Adam and Eve need to face each other, or the man and the woman need to face each other in order for the divine presence to be enthroned. And he says, my male and female sides aren't facing each other, so I can't get off the ground. And it's a terrible thing to have happen in Jerusalem. That's what he says. And then he leaves, he says, I'm gonna give you your money back, and he leaves. And instead of rioting, which is what you'd expect them to do, or getting really angry, or leaving, the audience starts to sing, “Haveinu Shalom Alechem,” that song from summer camp that everyone knows, I think they just assume that he would know it.  And in the documentary, you see him in the dressing room trying to kind of get himself together. And hears the audience singing, a couple thousand young Israelis singing the song out in the auditorium, and he goes back out on stage and kind of just beams at that. He just kind of can't believe it, and just smiling out at them. They're entertaining him, but he's on the stage. And they're singing to him, and then the band comes back on. And they give this incredible show that ends with everyone crying. You see Cohen's crying and the band's crying and he says later that the only time that something like that had ever happened to him before was in Montreal when he was playing a show for an audience that included his family. So there was a lot going on for Cohen in Israel, it wasn't a normal place. It wasn't just a regular gig. And that's all present in his brain when he comes back the following year for the war. Manya Brachear Pashman:   Makes that weird decision to get on the ferry, and come to Israel make a little more sense. I had tickets to see Leonard Cohen in 2013. He was in Chicago, and Pope Benedict the 16th decided to resign. And as the religion reporter, I had to give up those tickets and go to Rome on assignment. And I really regret that because he died in 2016. I never got the chance to see him live. Did you ever get the chance to see him live?  Matti Friedman:   I wonder if we should add that to the long list of, you know, Jewish claims against Catholicism, but I guess we can let it slide. I never got to see him. And I regret it to this day, of course, when he came to Israel in 2009 for this great concert that ended up being his last concert here. I had twins who were barely a year old. And I was kind of dysfunctional and hadn't slept in a long time. And I just couldn't get my act together to go. And that's when I got the idea for this book for the first time. And I said, well, you know, just catch him the next time he comes. You know, the guy was in his late 70s. There wasn't gonna be a next time. So it was a real lapse of judgment, which I regret of course. Manya Brachear Pashman:   I do wonder if I should have gone to Rome for that unprecedented moment in history to cover that, kind wish I had been at the show. So you do think that the Jerusalem show played a role in him returning to Israel when it was under attack? Matti Friedman:   Yeah, absolutely. Absolutely. I mean, he had this very again, complicated, powerful, not entirely positive experience in Israel. And he'd also met a woman here. And that also became clear when I was researching the book that there was, there was a relationship that began when he was here in 1972, and continued. He had a few contacts here, and it wasn't a completely foreign place. And he had some memory of it and some memory of it being a very powerful experience. But when he came in ‘73, he wasn't coming to play. So he didn't come with his guitar. He didn't bring any instruments. He didn't come with anyone. He came by himself. So there is no band. There's no crew, there's no PR people. He understands that there's some kind of crisis facing the Jewish people and he needs to be here.  Manya Brachear Pashman:   I interviewed Mishy Harman yesterday about the Declaration of Independence, the series that [the I`srael Story podcast] are doing, and he calls it one of Israel's last moments of consensus. We are at a very historic moment right now. How much did this kind of centrifugal force of the Yom Kippur War, where everybody was kind of scattered to different directions, very different ways of soul searching, very Cohen-esque. How much of that has to do with where Israel is now, 50 years later? Matti Friedman:   That's a great question. The Yom Kippur war is this moment of crisis that changes the country and the country is a different place after the Yom Kippur War. So until 73, it's that old Israel where the leadership is very clear. It's the labor Zionist leadership. It's the founders of the country, Ben Gurion and Golda Meir, and the people who kind of willed this country into existence against long odds and won this incredible victory in the 1967 War. And then it's all shattered by this catastrophe in 1973. And even though Israel wins the war and the end, it's a victory that feels a lot like a defeat, and 2600 soldiers are killed in three weeks in a country of barely 3 million people and many more wounded and the whole country is kind of shocked. And it takes a few years for things to play out. But basically, the old Israeli consensus is shattered. And within a few years within the war, the Likud wins an election victory for the first time. And it's a direct result of, of a loss of faith and leadership after the Yom Kippur War. That's 1977.  And then you have all kinds of different voices that emerge in Israel. So you have, you know, you have Likud. You have the voice of Israelis, who came from the Arab world who didn't share the background of, you know, Eastern Europe and Yiddish and who had a different kind of Judaism and a different kind of Zionism and they begin to express themselves in a more forceful way and you have Israelis who are demanding peace now. You know, on the left, and you have a settlement movement, the religious settlement movement really kind of becomes empowered and emboldened after the Yom Kippur War after the labor Zionist leadership loses its confidence and that's when you really start seeing movements like Gush Emunim pop up in the West Bank with this messianic script and so, so the the fracturing of that that consensus really happens in wake of Yom Kippur war and you can kind of see it in in the music, which is an interesting way of looking at it because the music until 73 had really been this folk music that still maybe the only place that still sees it as Israeli music might be American Jewish summer camp, where it kind of retains its, its, its hold and yeah, that those great old songs that were sung around the campfire and the songs of early Israel and that was very much the music that dominated the airwaves. After the Yom Kippur War, it's different, the singers start expressing themselves a lot less in the collective we and much more in using the word I and talking about their own soul and you hear a lot more about God after 73 than you did before. And the country really becomes a much more heterogeneous place and a much more difficult place, I think, to run and with that consensus, you're talking about the Declaration of Independence. And that series, by the way, Israel Story, which I highly recommend, it's a wonderful series about an incredible document, which we still should be proud of, and which we should pay much more attention to than we do. But when do we have consensus, when we're under incredible pressure from the outside. The Declaration of Independence is signed, you know, as we face the threat of invasion by fighter armies.  So that's basically what it takes to get the Jews to sit down and agree with each other. And, you know, there are these years of crisis and poverty after the 48 war into the 60s. And that kind of keeps the consensus more or less in place, and then it fractures. And we're in a country where it's much easier to be many different things, you know, you can be ultra-Orthodox, and you can be Mizrachi, and you can be gay, and you can be all kinds of things that you couldn't really be here in the 60s.  But at the same time, the consensus is so fractured, that we can barely, you know, form a coherent political system that works to solve the problems of the public. And we're really saying that in a very dramatic and disturbing way in the dysfunction, in the Knesset and in our political system, which is, you know, has become so extreme.  The political system is simply incapable of a constructive role in the society and has moved from solving the problems of the society to creating problems for a society that probably doesn't have that many problems. And it's all a reflection of this kind of fracturing of the consensus and this disagreement on what it means to be Israeli what the meaning of the state is, once you don't have those labor Zionists saying, you know, we are a part of a global proletarian revolution, and the kibbutz is at the center of our national ethos. Okay, we don't have that. But then what is this place? And if you grab 10 Israelis on the street outside the studio, they'll give you 10 different answers. And increasingly, the answers are, are at odds with each other, and Israelis are at odds with each other. And the government instead of trying to ease those divisions, is exacerbating them for political gain. So you're right, this is a very important and I think, very dark moment for the society. Manya Brachear Pashman:   And do you trace it back to that kind of individualistic approach that Cohen brought with him, and that the war, not that he introduced it to Israel, and it's all his fault, that the war, and its very dark outcome, dark victory, if you will, produced? Matti Friedman:   I don't want to be too deterministic about it. But definitely, that is the moment of fracture. The old labor Zionist leadership would have faded anyway. And just looking at the world, that kind of ethos, and that ideology is kind of gone everywhere, not just in Israel. But definitely the moment that does it here is that war, and we're very much in post-1973 Israel.  Which in some ways is good, again, a more pluralistic society is good. And I'm happy that many identities that were kind of in the basement before ‘73 are out of the basement. But we have not managed to find a replacement for that old unifying ideology. And we're really feeling it right now. Manya Brachear Pashman:   Thank you so much, Matti, for joining us. Matti Friedman:   Thank you very, very much. That was great.

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The past few years, we've seen more and more people struggle with thinning hair and hair loss. Whether that's because of the increased stress and anxiety that came with COVID years, or the fact that finally we feel more comfortable to talk about it and seek help in more public forums, there's no denying that now more than ever we're looking for the solution to better hair. Today we have Anthony Pearce, Consulting Trichologist for Nioxin, joining us today to answer all of yours and our scalp care questions and share his tips for what we can do for our healthiest hair ever. Plus are we getting UV damage from our gel manicures? Carli shares her tips for makeup that withstands dancefloors and still looks fresh at 2am. And of course we have our MVPs. Hit play and enjoy - links below, as promised. And don't forget to rate, review and subscribe to give us a boost in the charts and in our feelings. Links from this ep:  Carli's hen's party beauty Primer: Becca Shimmering Skin Perfector + ONE/SIZE Secure The Blur Makeup Magnet  Foundation: Lancôme Teint Idole Ultra Wear Foundation SPF15 Concealer: Charlotte Tilbury Beautiful Skin Radiant Concealer Laura Mercier Translucent Loose Setting Powder  Mascara: Rare Beauty Perfect Strokes Universal Volumizing Mascara Eyeshadow: Ciaté London Iris Apfel Eyeshadow Palette in More is More, Less is Bore Liner: Stila Stay All Day Waterproof Liquid Eye Liner Brows: Anastasia Beverly Hills Dipbrow Pomade Bronzer: Hourglass Ambient® Lighting Bronzer Blush: Hourglass Ambient® Lighting Blush Highlighter: M.A.C Cosmetics Mineralize Skinfinish in Soft & Gentle Setting Spray: Holme Beauty Setting Spray Lipstick: Mecca Max Pout Pop Lipstick in Fancy  Tan: SugarBaby Ready Set Glow Ultra Dark Instant Bronze Self Tan Mousse Body Moisturiser: Bangn Body Illuminating Firming Lotion The Cut article: Should I Worry About UV Damage While Getting a Gel Manicure? MVPs: Ciaté London Iris Apfel Eyeshadow Palette in More is More, Less is Bore Synergie Skin UltraCleanse Discover more about Nixoin's range here. Nioxin is available in Australia at Adore Beauty, Sephora, Chemist Warehouse and specialty hair stores.   *We use some affiliate links here and we may earn a small commission if you decide to make a purchase. Thanks for your support! Thank you to our guest, Trichologist Anthony Pearce  Credits: Your hosts & producers: Carli Alman & Bettina Tyrrell. (Follow us! @thatbeautypodcast). Come join the fun in our beauty group! Join That Beauty Podcast Facebook Group: https://www.facebook.com/groups/260952718436828/  See omnystudio.com/listener for privacy information.

This is a free preview of a paid episode. To hear more, visit virginiasolesmith.substack.comIt's our February Ask Us Anything episode! We're covering body autonomy for kids, 90s makeup icons, body feelings, and the dreaded business casual. If you are already a paid subscriber, you'll have this entire episode in your podcast feed and access to the entire transcript in your inbox and on the Burnt Toast Substack.If you are not a paid subscriber, you'll only get the first chunk. To hear the whole conversation or read the whole transcript, you'll need to go paid. It's just $5 a month or $50 for the year—and you get the first week free!Also, don't forget to preorder Virginia's new book! Fat Talk: Parenting In the Age of Diet Culture comes out April 25, 2023 from Henry Holt. Preorder your signed copy now from Split Rock Books (they ship anywhere in the USA). You can also order it from your independent bookstore, or from Barnes & Noble, Amazon, Target, Kobo or anywhere you like to buy books.Disclaimer: Virginia is a journalist and human with a lot of informed opinions. Virginia is not a nutritionist, therapist, doctor, or any kind of health care provider. The conversation you're about to hear and all of the advice and opinions she gives are just for entertainment, information, and education purposes only. None of this is a substitute for individual medical or mental health advice.BUTTER & OTHER LINKSClaire Lernerhow much we love breakfastUniversal Standard Ponte Pant11 HonoreElizabeth SuzannNooworksDraper James dressesStitch FixThe KitMindful ClosetYou Fat-Shamed Your Beautiful GirlfriendComfort Foodan awesome cookbookGlennon Doyle Indigo Girls episodeSonya Renee Taylor episodeBogs snow bootsCREDITSThe Burnt Toast Podcast is produced and hosted by Virginia Sole-Smith. Follow Virginia on Instagram or Twitter.Burnt Toast transcripts and essays are edited and formatted by Corinne Fay, who runs @SellTradePlus, an Instagram account where you can buy and sell plus size clothing.The Burnt Toast logo is by Deanna Lowe.Our theme music is by Jeff Bailey and Chris Maxwell.Tommy Harron is our audio engineer.Thanks for listening and for supporting independent anti-diet journalism.

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One of only 17 artists to ever achieve EGOT status, singer-songwriter John Legend is also a man of many business ventures, such as wine, fashion and now skin care. On this week's episode of the Glossy Beauty Podcast, he shares all the details of his newly launched brand, Loved01, which debuted in CVS on February 1 and enters Walmart in March. Speaking to Glossy not long after welcoming his third baby, he talked about the process of developing the brand, including how it caters to melanin-rich skin, what inspired him during the creative design process and why he chose the brand's accessible price point. He also talked about the gender-neutral concept of the brand, as well as the state of gender in culture these days. Listen to hear him weigh in on why men are taking better care of their skin, sharing their feelings and embracing the “soft life.” He also discussed the backlash from patriarchal forces and the impact that's having on politics.

This week, Su is entering the golden age with her kids – eating treats on the couch completely transfixed by the Great British Baking Show. Meanwhile Kulap is shopping for new skincare products from the accumulated lotions and potions in her house. That's right, the Add to Cart dream is coming true. Free stuff is abundant and it feels so good!  Please note, Add To Cart contains mature themes and may not be appropriate for all listeners.  To see all products mentioned in this episode, head to @addtocartpod on Instagram. To purchase any of the products, see below.  If you want that mochi bounce skin like Ku, try out these products from GHOST DEMOCRACY Gentle Exfoliating Daily Cleanser Peptide Packed Dewy Toning Mist Lightbulb Vitamin C Serum Floodgate Hyaluronic Acid Serum Softglow Facial Oil Stay up to date with us on Twitter, Facebook, and Instagram at @LemonadaMedia.  Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.  Click this link for a list of current sponsors and discount codes for this show and all Lemonada shows: lemonadamedia.com/sponsorsSee omnystudio.com/listener for privacy information.

What is the latest in the space of peptides, lasers, hair growth stimulation and more? What are a few common trends I hear my clients asking me about, and what are some things to avoid in the noisy space of online skin product marketing!

Our Book of the Week is by a debut author and an independent press - our favourite mash-up! New Skin for the Old Ceremony is a novel by Scottish-Indian author Arun Sood that tells the story of four estranged friends, reunited for a motorcycle trip up the Isle of Skye. They hope to reconcile how their lives have splintered since a transformative road trip in Northern India fourteen years earlier. It's a novel about youth, the spectres of friendship, and colonial legacies spanning India and Scotland, exorcising past ghosts to face the present. Not to mention a nod to the music of Leonard Cohen - what more could you want from a book? Published by indie press 404 Ink and available now, we recommend buying a copy from your local indie bookshop or you can visit our shop on Bookshop.org. Podcast produced and edited by Megan Bay Dorman Programmed by Matt Casbourne Learn more about your ad choices. Visit megaphone.fm/adchoices

Cleanse both your physical and spiritual body with Parlour of Wonders' richly scented floral skin-safe beauty bars. In a 4-ounce size that's perfect for daily use, the bars will help you create your destiny. Go to https://www.parlourofwonders.com/product-category/spiritual-soaps (https://www.parlourofwonders.com/product-category/spiritual-soaps) to find out more.

This week, Su is entering the golden age with her kids – eating treats on the couch completely transfixed by the Great Britsh Baking Show. Meanwhile Kulap is shopping for new skin care products from the accumulated lotions and potions in her house. That's right, the Add to Cart dream is coming true. Free stuff is abundant and it feels so good!    Please note, Add To Cart contains mature themes and may not be appropriate for all listeners.    To see all products mentioned in this episode, head to @addtocartpod on Instagram. To purchase any of the products, see below.    If you want that mochi bounce skin like Ku, try out these products from GHOST DEMOCRACY Gentle Exfoliating Daily Cleanser Peptide Packed Dewy Toning Mist Lightbulb Vitamin C Serum Floodgate Hyaluronic Acid Serum Softglow Facial Oil   Stay up to date with us on Twitter, Facebook, and Instagram at @LemonadaMedia.    Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.    Click this link for a list of current sponsors and discount codes for this show and all Lemonada shows: lemonadamedia.com/sponsors  See omnystudio.com/listener for privacy information.

Welcome to Bitesize Baffled. As the boys bring you one daily fact that you can use to impress your friends, or as Conor puts it 'pub ammo'. Today is all about replacing your skin particles every 7 years!If you want to get involved then get in touch:Email us info@baffledpod.comFollow us on Instagram and TikTok @BaffledPodAnd see more of us on our YouTube---A Create Podcast See acast.com/privacy for privacy and opt-out information.

Today J0RD&N and TR3Y talk about the brawlers that haven't gotten a new skin in a while. Also they talk about the new face reveal and name reveal system. --- Send in a voice message: https://anchor.fm/forever-brawl-podcast/message Support this podcast: https://anchor.fm/forever-brawl-podcast/support

The Raise a Wands this week are epic! Plus, Jenn got some cosmetic injectables; Jess went to an aesthetics summit; and we talk about AviClear, the new acne-fighting laser treatment; the latest news on animal-testing in the beauty industry; a Davines sustainability campaign; LGBTQ-friendly salons; celebrities facing trademark lawsuits; and the perfect pink lipstick. The products (and lasers and injectables) mentioned on Ep. 418: shopmyshelf.us/collections/57311Episode recap, links, and sponsor promo codes: fatmascara.com/blogPrivate Facebook Group: Fat Mascara Raising a WandSocial media: @fatmascara, @jessicamatlin, @jenn_editSubmit a "Raise A Wand" product recommendation and be featured on the show: email info@fatmascara.com or leave a voicemail at 646-481-8182 See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/fatmascara.

The founders are taking their research on the "cephalopod team" at Northeastern University to develop new products that mimic camouflaging abilities in nature.

I Trip Over Flat Surfaces is a podcast that encourages you; teaches you that you can control the thoughts in your head; and how those thoughts can be a positive impact on yourself and your life. In this episode I really put myself out there and expose something that happened in our family when I was a very small child. You get a little glimpse into the environment I was raised; learn some things about my parents and myself; and understand that it can take years before we are able to face north and take a step. Meaning, to understand that something that happened to us as a kid really has impacted us into adulthood, and to move on we have to understand what happened, and that we need to address those thoughts and feelings and find the way to move on. This is about learning about myself, accepting things about myself, understanding the unforgiveness I have towards my mother, healing, and stepping onto the path of forgiveness. Please rate and review the podcast, as it ensures people know there is something of value and worth the time to listen. You can also connect through Facebook at www.facebook.com/itofspodcast; Instagram at @itofspodcast; or check out the website and subscribe to the podcast emails, or check out the merchandise www.itripoverflatsurfaces.com. Purchasing podcast merchandise helps to support the message of encouragement, and keeps the podcast going. Thank you for your support! --- Support this podcast: https://anchor.fm/itofspodcast/support

This week Avengers adds a unique skin on PS and Xbox plus promises of more changes to the gear system. Patreon: https://www.patreon.com/joyclicks Twitter: https://www.twitter.com/excelsiorjc Jack: https://www.twitter.com/fascinatedjack Christian: https://www.twitter.com/chun2d2 https://www.tiktok.com/@chun2d2? Special Thanks to our Patreon Producers - Aaron Eastin, Jose Garcia

Brady is a five-year-old who is living with recessive dystrophic epidermolysis bullosa (RDEB), a rare genetic skin condition. His mother, Eileen, describes what it was like to discover that Brady has RDEB and tells us how she is both the mother of a brave, happy little boy and the nurse who causes him pain during his daily wound care. RDEB has changed their lives. Sanuj Ravindran, M.D., executive chairman of BridgeBio's Phoenix Tissue Repair, joins the conversation to talk about the condition and explain how EB affects the body internally and externally.

A casual episode chatting and answering your skin questions, with the ever so popular off topic moments. 

That makes 3 Of Us teams up with Kenley Esthetics to talk all about skin, lashes, and esthetics. Kenley gives us the run down and rough draft of how to go about taking care of your skin, what products you should aim for, ingredients to avoid, and tips and tricks for cosmetic care in general. She also tells us all about what she offers as an esthetician and what she has learned in her years of training. Give her a follow and hit up her business for a fresh face and happy heart! Instagram Handles @kenley.esthetics @kenley.underwood @thatmakes3ofus @adi.das99 @amber_ales @bailitheel Follow us to stay up to date on all things That Makes 3 Of Us and get involved when we ask for stories, submissions, requests, and more! We love you each, thanks for your support!

In this episode, black queer femme performer, storäe michele (they/she), reflects on themes of uncomfortable truth-telling and intergenerational healing in their "practice in black femme freedom-making" through film. Learn more at www.storaemichele.com.

Taylor and Savannah are back! This week they discuss:- a good starting point to achieve new skin in the new year- which products and regimen is best to kick start your glow- Important practices to see your best result- Instagram question: if they had to pick ONE ZO product.... what would they choose?

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Leonard Cohen was a Canadian singer-songwriter whose spare songs carried an existential bite and established him as one of the most distinctive voices of 1970s pop music. Already established as a poet and novelist (his first book of poems, Let Us Compare Mythologies, was published in 1956), Cohen became interested in the Greenwich Village folk scene while living in New York City during the mid-1960s, and he began setting his poems to music. In 1967 Judy Collins recorded two of his songs, “Suzanne” and “Dress Rehearsal Rag,” and that same year Cohen began performing in public, including an appearance at the Newport (Rhode Island) Folk Festival. By the end of the year, he had recorded The Songs of Leonard Cohen, which included the melancholy “Hey, That's No Way to Say Goodbye.” That album was followed by Songs from a Room (1969), featuring the now often-covered “Bird on a Wire,” and Songs of Love and Hate (1971).Though some did not care for Cohen's baritone voice and deadpan delivery, he mostly enjoyed critical and commercial success. Leonard Cohen: Live Songs (1973) and New Skin for the Old Ceremony (1974) further deepened Cohen's standing as a songwriter of exceptional emotional power. His career then took a decided turn for the worse with the disappointing Death of a Ladies' Man (1977), a collaboration with legendary producer Phil Spector, whose grandiose style was ill suited to Cohen's understated songs. For most of the 1980s Cohen was out of favour, but his 1988 album, I'm Your Man, included the club hits “First We Take Manhattan” and “Everybody Knows” and introduced his songwriting to a new generation. In addition, Various Positions (1984) included what became Cohen's best-known song, “Hallelujah.” Although it did not initially receive much attention, the single gained widespread popularity when covered by Jeff Buckley in 1994. The ballad was later performed or recorded by hundreds of artists and featured in soundtracks of TV shows and films.After releasing The Future (1992), he retired to a Buddhist monastery outside Los Angeles. He emerged in 1999 and returned to the studio, producing Ten New Songs (2001) and Dear Heather (2004). Released just weeks before his death, Cohen's 14th studio album, You Want It Darker (2016), was received by critics as a late-period masterpiece. For the title track, he posthumously received a Grammy Award for best rock performance. In 2008 he was inducted into the Rock and Roll Hall of Fame, and in 2010 he was honoured with a Grammy for lifetime achievement.From https://www.britannica.com/biography/Leonard-Cohen.For more information about Leonard Cohen:Previously on The Quarantine Tapes:Salman Rushdie about Cohen, at 35:17: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-168-salman-rushdiePico Iyer about Cohen, at 18:18: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-004-pico-iyer“Leonard Cohen Makes It Darker”: https://www.newyorker.com/magazine/2016/10/17/leonard-cohen-makes-it-darker“Leonard Cohen”: https://www.pbs.org/newshour/arts/poetry/leonard-cohen“David Lynch: Where do ideas come from?”: https://www.youtube.com/watch?v=Fxr-7O1Bfxg

Today L1TTL3 D goes over yesterday's item shop and he talks about a new skin. He also talks about some new challenges that are in Fortnite and some other new things. Enjoy! Email: eternalroyalepodcast@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/eternal-royale/message

A tribute album is a way for musicians to pay homage to an artist they love. While not all of them are good, the great ones let the music shine through. This week, hosts Jim DeRogatis and Greg Kot talk all things tribute and review the last release from late producer Hal Willner, a tribute to Marc Bolan. Featured Songs:John Cale, "Hallelujah," I'm Your Fan: The Songs of Leonard Cohen, Atlantic, 1991R.E.M, "First We Take Manhattan," I'm Your Fan: The Songs of Leonard Cohen, Atlantic, 1991Nino Rota, "8 e 1/2," Fellini e Rota, C.A.M., 1963The Carla Bley Band, "8 1/2," Amarcord Nino Rota, Hannibal, 1981Leonard Cohen, "Hallelujah," Various Positions, Columbia, 1984Jeff Buckley, "Hallelujah," Grace, Columbia, 1994The House of Love, "Who By Fire," I'm Your Fan: The Songs of Leonard Cohen, Atlantic, 1991Leonard Cohen, "Who By Fire," New Skin for the Old Ceremony, Columbia, 1974Nick Cave and the Bad Seeds, "Tower of Song," I'm Your Fan: The Songs of Leonard Cohen, Atlantic, 1991Bob Dylan & Mavis Staples, "Gonna Change My Way of Thinking," Gotta Serve Somebody: The Gospel Music of Bob Dylan, Sony/Columbia, 2003ZZ Top, "Reverberation (Doubt)," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990John Wesley Harding, "If You Have Ghosts," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990Bongwater, "You Don't Love Me Yet," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990Primal Scream, "Slip Inside This House," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990Doug Sahm & Sons, "You're Gonna Miss Me," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990Butthole Surfers, "Earthquake," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990Julian Cope, "I Have Always Been Here Before," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990R.E.M., "I Walked With A Zombie," Where The Pyramid Meets The Eye: A Tribute To Roky Erickson, Sire, 1990Bobby Darin, "Mack the Knife," That's All, Atco, 1959John Zorn, "Der Kleine Leutnant Des Lieben Gottes (The Little Lieutenant of the Loving God)," Lost In The Stars: The Music Of Kurt Weill, A&M, 1985Marianne Faithful & Chris Spedding, "The Ballad Of The Soldier's Wife," Lost In The Stars: The Music Of Kurt Weill, A&M, 1985Frank Sinatra, "September Song," Point of No Return, Capitol, 1962Lou Reed, "September Song," Lost In The Stars: The Music Of Kurt Weill, A&M, 1985T. Rex, "Bang a Gong (Get It On)," Electric Warrior, Fly, 1971Kesha, "Children of the Revolution," Angelheaded Hipster: The Songs of Marc Bolan & T. Rex, BMG, 2020Nick Cave, "Cosmic Dancer," Angelheaded Hipster: The Songs of Marc Bolan & T. Rex, BMG, 2020T. Rex, "Cosmic Dancer," Electric Warrior, Fly, 1971T. Rex, "Life's a Gas," Electric Warrior, Fly, 1971Lucinda Williams, "Life's a Gas," Angelheaded Hipster: The Songs of Marc Bolan & T. Rex, BMG, 2020Elton John & U2, "Bang a Gong (Get It On)," Angelheaded Hipster: The Songs of Marc Bolan & T. Rex, BMG, 2020T. Rex, "Rock On," The Slider, EMI, 1972Perry Farrell, "Rock On," Angelheaded Hipster: The Songs of Marc Bolan & T. Rex, BMG, 2020Peaches, "Solid Gold, Easy Action," Angelheaded Hipster: The Songs of Marc Bolan & T. Rex, BMG, 2020Bob Mould, "Siberian Butterfly," Blue Hearts, Merge, 2020