Podcasts about Mizrachi

Dr Isaac Amon shares how his diverse Sephardi, Mizrachi, and Ashkenazi heritage have shaped his sense of identity. From Istanbul to the American Midwest, Isaac reflects on how his family's stories, languages, food, and community influence his connection to Jewish life. Our GuestDr. Isaac Amon is an attorney and counselor at law, Adjunct Professor at Washington University School of Law in St. Louis, and Director of Academic Research at Jewish Heritage Alliance, an educational platform dedicated to promoting the legacy of Sefarad, or Iberian Jewry. Isaac is also Director of Academic Research at the Jewish Heritage Alliance, which aims to preserve and share the history of Sephardi and Mizrachi Jews. Key TopicsNavigating Identity: How Isaac's family history blends diverse Jewish roots, creating a rich but often challenging sense of belonging.Language and Culture: The role of multilingualism within Isaac's family and how language shapes identityChallenging Normativity: The experience of living as a Sephardi Jew in predominantly Ashkenazi spaces and the ongoing struggle for inclusionYour guideShort definitions of terms mentioned in this episode:Ladino: A Judeo-Spanish language spoken by Sephardi Jews.Kaddish: A prayer recited in memory of the dead, with variations between communities.Burekas: Savory pastries filled with cheese, spinach, or potatoes, common in Sephardi and Mizrachi Jewish cuisines.Shakshuka: A dish of poached eggs in a spicy tomato and pepper sauce, popular in Sephardi and Mizrachi cultures.Passover Brown Eggs: Eggs boiled in onion skins, a Sephardi Passover tradition.Want to learn more? Listen to previous episodes where we discuss identity.S2E1: Discussing diverse Jewish national identities with Yaacov Yadgar S1E7: Languages and Identities challenged by Ophira GamlielReferences & ResourcesJewish Heritage Alliance - An organisation preserving and promoting Sephardi and Mizrachi Jewish historyARTICLE “Five-Hundred Years in the Life of the Amon Family: From the surrender of Spain to the court of Suleiman the Magnificent and beyond, they were there” – Published, National Library of Israel Blog, December 2020VIDEO: “Crossroads of Sefarad: In the Footsteps of the Crypto-Jews,” created jointly by Jewish Heritage Alliance and ANU Museum of the Jewish PeopleFind us elsewhere, here!Show creditsHost / Producer: Eylan EzekielPost-production: Communicating for ImpactArtwork: Emily TheodoreMusic: Aleksafor utransndr KarabanovSound effects: Serge Quadrado Hosted on Acast. See acast.com/privacy for more information.

Panama City is on the verge of taking an important step in becoming a bitcoin pioneer. The mayor of Panama City, Mayer Mizrachi, has awoken speculation from part of the crypto community, with a cryptic post after meeting known bitcoin proponents Max Keiser and Stacy Herbert. Mizrachi assessed that this meeting was “only the beginning of great things to come,” after posting “Bitcoin Reserve” earlier. Keiser also referred to the meeting, stressing that the city might be gearing up to employ its hydroelectric resources to mine bitcoin. “El Salvador's geothermal & Panama's hydro-electric will power the Bitcoin revolution,” Max Keiser highlighted. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the WZO and why is the current election important?  How do the Mizrachi and Eretz Hakodesh parties differ? How should we relate to Reform and Conservative Jews? Open Orthodoxy? What lawsuits have the Reform Movement filed against Chareidim, and what's their motivation? Host: Ari Wasserman, author of the newly published, revised and expanded book Making it Work, on workplace challenges and Halachic Q & A on the Job You can pre-order "Halachic Q & A on the Job” at https://mosaicapress.com/product/halachic-q-a-on-the-job/ with Rabbi Yonah Reiss – Av Beis Din of the CRC and Rosh Yeshiva at REITs – 14:45 with Rabbi Doron Perez – Executive Chairman of the Mizrachi World Movement – 38:32 with Rabbi Nechemia Malinowitz – Executive Director of Eretz Hakodesh and director of the Periphery Department of the WZO – 1:06:40 with Rabbi Moshe Hauer – Executive Vice President of the Orthodox Union – 1:30:08 Conclusions and Takeaways – 1:51:47 מראי מקומות  

Rabbi Kalish

Even though Galeet Dardashti grew up in an Ashkenazi household, she knew she was different. Her family's culture, background and music didn't feel or sound like that of other Ashkenazi Jews. But it wasn't until she took a trip to Israel in college that she realized what it meant to be Mizrachi. Not only did she have roots in Iran, but her grandfather was the most famous Jewish singer in Iranian history, known as the "Nightingale of Iran". That revelation led Dardashti, a singer and anthrolpologist, to learn more about Middle Eastern and North African Jewish culture. She became the first woman in her family to carry on a legacy of distinguished Persian musicianship, and created a six-episode documentary podcast with the Jewish Telegraphic Agency and PRX about her grandfather's journey. On today's episode of Rivkush, The CJN's podcast spotlighting noteworthy Jews of colour, Dardashti—who will be the artist-in-residence at Beth Tzedec in Toronto, hosting mulitple performances this month—emphasizes the need to recognize diversity within Jewish identities, especially in North America, where Ashkenazi culture often dominates the narrative. Credits Host: Rivka Campbell Producer: Michael Fraiman Music: Westside Gravy Support The CJN Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Rivkush (Not sure how? Click here)

In this conversation, Dr. Cameron Bearder interviews Dr. Meghan Mizrachi, a physical therapist, about her journey from professional dance to physical therapy, the differences in practice between physical therapy and chiropractic, and the complexities of treating hypermobility and Ehlers-Danlos Syndrome (EDS). They discuss patient expectations, the role of the brain in pain perception, and the intersection of healthcare and business. The conversation highlights the importance of movement efficiency and injury prevention, as well as the philosophical differences in treatment approaches between the two disciplines. In this conversation, Dr. Bearder discusses various aspects of physical therapy, including the importance of alignment in injury prevention, the role of imaging, and the differentiation between arthritis and other conditions. He emphasizes the significance of effective patient communication, understanding patient expectations, and the challenges of accessibility in healthcare. The discussion also touches on the value of wellness, patient investment, and the need for empowerment through education. Check out Keystone Upper Cervical Spine Clinic online here: https://www.keystonespineclinic.com/ Check out Dr. Meg at Congruency Physical Therapy online here: https://congruencypt.com/team Social: @drbearder @zenith_chiro @congruencypt Dr. Stenberg can be found online at: https://www.zenithchiroco.com/ Atlas of Chiropractic on YouTube: @AtlasofChiropractic

The question of the Mizrachi from Avraham Avinu. Source Sheet: https://res.cloudinary.com/ouinternal/image/upload/outorah%20pdf/incetv4zyp00le3wmat1.pdf --- Support this podcast: https://podcasters.spotify.com/pod/show/yechezkel-hartman/support

This week we are delving into the history and definition of the terms Dati Leumi, Religious Zionism, Modern Orthodox and Mizrachi to name a few. Who is this important section of the religious community and why do we know so little about it in North America? Want more history? Go back and listen to this series from the beginning, as Winston Churchill once said “The farther back you can look, the farther forward you are likely to see.” so we are going all the way back, so we can understand what is happening now and plan for the future. Register for the new Weekly Jewish History Crash Course on Zoom with Rabbi Ken Spiro ⁠⁠⁠https://www.myjfi.com/events-and-classes⁠⁠⁠ Check out more about Rabbi Ken Spiro and his work at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.KenSpiro.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about Ellie Bass and her work at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.elliebass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about The Jewish Family Institute at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.MyJFI.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To send us questions and ideas for topics email us at rememberwhatsnext@gmail.com  Thank you for joining us on Remember What's Next with Rabbi Ken Spiro and Ellie Bass. This is a project that we do out of love for our people, if you would like to be a supporter or patron of this project please let us know! We would love to continue to do this project and expand it beyond the thousands of listeners we already have! Our podcast has now hit number one multiple times in multiple countries and we want to keep the momentum going. Get in touch with us at rememberwhatsnext@gmail.com and let us know your thoughts, topic ideas and how you would like to support us going forward. Don't forget to like, share, subscribe and review us which helps more people find our podcast and have access to the essential knowledge and understanding of who we are as a Jewish people and what is happening in the world today through the vital lens of history. 

Guest Speaker - Rabbi Doron Perez - Executive Chairman Of The Mizrachi World Movement by Shapell's Rabbeim

Our Friend Ben Mizrachi was killed by Hamas on October 7th. In this episode I mourn for Ben and all the tragedies that have befallen klal yisroel in our galus. Ben had a particular affinity for the Iggerres HaRamban, and I use this text to talk about how we can grow together as a nation and overcome our anger. Please be in touch with me at Adeeperconversation120@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/yocheved-davidowitz/support

In this episode The Creativity Department is joined by renowned artist and returning guest– Alice Mizrachi! This year at the national convention Alice facilitated a collaborative mural making workshop for attendees. The session focused on how to create collaboratively through mural making. Working together educators made a vibrant, inventive, and modular mural of the Minneapolis skyline from a variety of art supplies and found materials! Listen in to hear more about this session, the spectacular outcome, and how you can replicate the experience.

Donnie recaps an exciting day in the $50,000 Poker Players Championship and the rest of the day's action at the World Series of Poker.Follow Donnie on Twitter: @Donnie_PetersFollow Tim on Twitter: @Tim__DuckworthFollow PokerGO on Twitter: @PokerGO Subscribe to PokerGO today to receive 24/7 access to the world's largest poker content library, including the WSOP, High Stakes Poker, No Gamble, No Future, and more. Use the promo code PODCAST to receive $20 off your first year of a new annual subscription. Join today at PokerGO.com.Build your path to poker mastery for free with Octopi Poker.

In this episode of "Occupied Thoughts," FMEP non-resident fellow Peter Beinart speaks with Sapir Sluzker Amran about her identity as a Mizrachi, queer activist - and her recent action to document and disrupt right-wing Israeli settlers attacking a convoy of aid at the Gaza barrier. For bios and resources, please visit: https://fmep.org/resource/a-look-from-the-radical-israeli-left-a-multi-front-battle-against-fascism-jewish-supremacy/

The Letter quoted her comes from Rabbi Messas' three volume collection of his letters known at Otzar HaMichtavim אוצר המכתבים. The letter cited is in volume three, page 163 letter #1,769.

As the Nazis attempted to eradicate the Jewish people from every corner of Europe, one country's Jewish population actually grew, thanks to the tireless efforts of Metropolitan Stefan of the Bulgarian Orthodox Church and Messianic Jewish Rabbi Daniel Zion. Avi Mizrachi and his daughter Devorah share the harrowing story of the heroes who courageously and repeatedly put their lives on the line to save the Jewish population of Bulgaria from Hitler's death camps. – Episode Timecode – 00:00 Introduction to Avi Mizrachi and his daughter Devorah 05:27 Family connections between the Zion and Mizrachi family 09:51 The fruit of friendship between a Metropolitan Bishop and Chief Rabbi. 13:15 A mystical vision that prompted Rabbi Daniel Zion to believe in Jesus. 17:42 Pre-war life for the Sephardic Jews of Bulgaria. 20:37 Devastating legislation that paved the way for Hitler. 25:15 The miracle of March 9, 1943 – Stopping the First Deportation attempt. 33:18 Fleeing to the forest to join the partisans and fight the Nazis. 39:08 Rejecting despair with Truth, Faith, and Love (Emet, Emunah, and Ahavah). 41:15 How to maintain gratitude and perspective in a concentration camp. 45:44 Why did the Tzar of Bulgaria decide to defy Hitler? 49:50 A gesture of gratitude in the Bulgarian Palace. 51:47 What lessons can be learned from the past? 59:42 Constant roadblocks: A story of Aliyah – Episode Resources – Dugit https://dugit.org Legacy of Hope: Hidden Heroes from Generation to Generation https://amazon.com/Legacy-Hope-Hidden-Heroes-Generation/dp/B0CPGZ1Z7F Daniel Zion, Biography and Selected Writings of Rabbi Daniel Zion https://ffoz.store/products/daniel-zion-book The Power of Civil Society in a Time of Genocide: Proceedings of the Holy Synod of the Bulgarian Orthodox Church on the Rescue of the Jews in Bulgaria, 1940-1944 https://tinyurl.com/bdeku9cx Messiah Podcast is a production of First Fruits of Zion (https://ffoz.org) in conjunction with Messiah Magazine. This publication is designed to provide rich substance, meaningful Jewish contexts, cultural understanding of the teaching of Jesus, and the background of modern faith from a Messianic Jewish perspective. Messiah Podcast theme music provided with permission by Joshua Aaron Music (http://JoshuaAaron.tv). “Cover the Sea” Copyright WorshipinIsrael.com songs 2020. All rights reserved.

Hadar Cohen is an Arab Jewish scholar, mystic and artist. She teaches spirituality and Jewish mysticism at Malchut, a mystical school teaching direct experience of God, creates art focused on shifting societal narratives, such as Prostrations and The Selichot Project, and writes about Judaism through the lens of intersectional feminism, as seen in her Feminism All Night project. She joins Lex Rofeberg for a conversation conversation about her upcoming UnYeshiva class, which delves into the cultures, traditions, and stories that make Sephardi and Mizrahi communities unique.There are some amazing mini-course offerings beginning at the end of April in the UnYeshiva. Check out these classes at www.judaismunbound.com/classes!Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!

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Ever wondered about the intricate journey back to one's roots? Join us on The Franciska Show's latest episode as we unravel Darcie's captivating exploration of rediscovering Judaism amidst a backdrop of diverse religious experiences, hidden family heritage, and the changing landscapes of Jewish identity.   About Our Guest: Darcie - whose from birth Hebrew name is Davida Giborah - is a music industry professional, singer, and songwriter. She grew up in West Hartford, Connecticut. She went to Berklee College of Music in Boston and lived there until she made Aliyah in 2015. She was always religious, just not in the way you will expect -- Darcie's story of how she became Observant, and how she discovered the truth about her Mizrachi heritage -- will blow your mind!     The lead singer Daniel Weiss is the student whose parents were killed from Be'eri. HIs father was killed there and his mother was kidnapped by Hamas and then killed in captivity.  Et Ha'Meginah Hazot e Efshar l'Hafsikh    https://m.youtube.com/watch?v=EP8BRbDiidw&feature=youtu.be   Follow Darcie (Davida) on Instagram: https://www.instagram.com/askdarcie617   Would you like to be a SPONSOR? Would you like to join the Whatsapp Discussion Group? Reach out about new sponsorship opportunities for your brand & organizations - franciskakay@gmail.com Check out www.JewishCoffeeHouse.com for more Jewish Podcasts on our network.  

In this episode, the Creativity Department is joined by Alice Mizrachi – a New York City based muralist and art educator to talk about how large format murals can connect communities! Alice dives into her work as an artist, educator, and mentee has shaped who she is as a person as well how it translates into her classroom. Listen in to this episode to hear Alice talk more about her mentor, the finality of her art, how she prepares spaces for murals, and the logistical challenges that comes with her artmaking.

A great Gadol and Posek, also mathematician; his fame in כְּלַל Klal Yisroel came from his fundamental פֵּרוּשׁ לַחֻמָּשׁ-רַשִׁ"י

Attackers pursue the shortest path to achieve their goals in your app. With a tri-layered security architecture, you can force hackers to crawl through a triathlon in your app. What's in the three layers, to detect attacks sooner, slow attackers down, and stop them fast? Let's take a journey across the three layers and discuss how to gain control of user permissions, secure your cloud computing, and keep your customers and their users safe. Segment description coming soon! Visit https://www.securityweekly.com/psw for all the latest episodes! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly Visit https://www.securityweekly.com/psw for all the latest episodes! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly Show Notes: https://securityweekly.com/psw-807

Attackers pursue the shortest path to achieve their goals in your app. With a tri-layered security architecture, you can force hackers to crawl through a triathlon in your app. What's in the three layers, to detect attacks sooner, slow attackers down, and stop them fast? Let's take a journey across the three layers and discuss how to gain control of user permissions, secure your cloud computing, and keep your customers and their users safe. Show Notes: https://securityweekly.com/psw-807

Attackers pursue the shortest path to achieve their goals in your app. With a tri-layered security architecture, you can force hackers to crawl through a triathlon in your app. What's in the three layers, to detect attacks sooner, slow attackers down, and stop them fast? Let's take a journey across the three layers and discuss how to gain control of user permissions, secure your cloud computing, and keep your customers and their users safe. Segment description coming soon! Visit https://www.securityweekly.com/psw for all the latest episodes! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly Visit https://www.securityweekly.com/psw for all the latest episodes! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly Show Notes: https://securityweekly.com/psw-807

Attackers pursue the shortest path to achieve their goals in your app. With a tri-layered security architecture, you can force hackers to crawl through a triathlon in your app. What's in the three layers, to detect attacks sooner, slow attackers down, and stop them fast? Let's take a journey across the three layers and discuss how to gain control of user permissions, secure your cloud computing, and keep your customers and their users safe. Show Notes: https://securityweekly.com/psw-807

A recording of an APN November 9th webinar with Hagit Ofran and Yonatan Mizrachi, the co-directors of Peace Now's Settlement Watch Project. 

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In this Interview with my friend Rabbi Yosef GoldmanWe explore his unique Ashkenazi and Mizrachi upbringing.He shares his Rabbinic journey and musical journey, and you'll hear new clips from his upcoming CD Abitah!From singing in the Miami Boys choir as a kid to his upcoming project, Rabbi Yosef is a unique voice in the Jewish world you'll love the depth of his spirit and content.Enjoy!For more on the Holy Sparks Podcastgo to https://www.instagram.com/theholysparkspodcast/and www.holysparks.tvI want to thank our sponsors JTLVgo towww.jttv.tv for 247 Jewish Content and stories that inspireand if you want to make a 100%tax-deductible donation to help produce the Holy Sparks Podcast click this link http://igfn.us/form/haHSSQ

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Legal affairs correspondent Jeremy Sharon and senior analyst Haviv Rettig Gur join host Jessica Steinberg for today's podcast. Sharon explains the background behind Justice Minister Yariv Levin's angry letter send to Attorney General Gali Baharav-Miara, accusing her of a lack of cooperation with him, possibly paving the way to firing the AG. Rettig Gur talks about the reasons behind Levin's letter, why the justice minister is right to be angry, and what that could mean for the coalition and the attorney general's office. Sharon then looks at Supreme Court justice Yosef Elron, a junior justice who unusually submitted his own candidacy for the presidency of the high court, bypassing the usual system. He and Rettig Gur discuss Elron's reasons for making that move, as Elron is the first and only Mizrachi justice on the bench and how that could forward some of the changes Levin has been looking to make in the Supreme Court. Discussed articles include: Justice Elron panned for challenging seniority system for Supreme Court president ‘Unacceptable, unprecedented': Levin slams AG for not representing government in court Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Attorney General Gali Baharav Miara and Justice Minister Yariv Levin during the weekly government conference, held at the Western Wall tunnels on May 21, 2023. (Photo by Yonatan Sindel/Flash90)See omnystudio.com/listener for privacy information.

This and all episodes at: https://aiandyou.net/ .   If you drive by the seat of your pants, listen to our guest Boaz Mizrachi, calling from Israel, where he is co-founder of Tactile Mobility, an autonomous vehicle platform developer that evaluates what a car feels. You base a lot of your driving decisions on how you sense the road through the wheels and transmission, so why shouldn't your AV do so too? This is important when dealing with skidding, for instance. Boaz tells us how that works in fascinating detail and where it sits in the current state of the art in AV platform integration. All this plus our usual look at today's AI headlines. Transcript and URLs referenced at HumanCusp Blog.        

Last month, we sat down with journalist and author Matti Friedman in a Jerusalem studio to talk about Leonard Cohen, the Israel-Diaspora relationship, and the turning point that was the 1973 Yom Kippur War. Selected by Vanity Fair as one of the best books of 2022, Friedman's “Who by Fire: Leonard Cohen in the Sinai,” explores the late poet and singer's concert tour on the front lines of the Yom Kippur War – a historic moment of introspection for the Jewish State that continues to reverberate through events we witness today.  *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  __ Episode Lineup:  (0:40) Matti Friedman __ Show Notes: Listen: From the Black-Jewish Caucus to Shabbat and Sunday Dinners: Connecting Through Food and Allyship How to Tell Fact from Fiction About the Israeli-Palestinian Conflict Live from Jerusalem: Exploring Israel and the Media with Matti Friedman Watch: Should Diaspora Jews Have a Say in Israeli Affairs?  Learn: Four Common Tough Questions on Israel 75 Years of Israel: How much do you know about the Jewish state? Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Matti Friedman: Manya Brachear Pashman:   Matti Friedman has joined us on this podcast multiple times. Last year, he gave us an essential lesson on how to tell fact from fiction about Israel, and when AJC held its global forum in Jerusalem in 2018, he joined us for our first live recording, so I could not pass through Jerusalem without looking him up, Especially after learning that the writer behind Shtisel is adapting Matti's latest book, “Who By Fire” about the late great Leonard Cohen's time on the front lines of the Yom Kippur War. He joins us now in a studio in the Talpiot neighborhood of Jerusalem. Matti, welcome to People of the Pod. Matti Friedman:   Thank you for having me. Manya Brachear Pashman:   So I take it you're a fan of Leonard Cohen, or just as a journalist you find him fascinating? Matti Friedman:   No, of course, I'm a fan of Leonard Cohen. First of all, I'm Canadian. So if you are Canadian, you really have no choice. You have to be a Leonard Cohen fan, and certainly if you're a Canadian Jew. We grew up listening to Leonard Cohen. So absolutely, I'm a big admirer of the man and his music. Manya Brachear Pashman:   What are your favorite songs? Matti Friedman:   Probably my favorite Leonard Cohen song is called “If it Be Your Will." Just a prayer that came out on a Cohen album in the 80s. But I love all the Cohen you know top 10- Suzanne and So Long Marianne, Famous Blue Raincoat and Chelsea Hotel. It's a very long list. Manya Brachear Pashman:   So I should clarify that your book is not a biography of Leonard Cohen. It's about just a few weeks of his life when he came in 1973, during the Yom Kippur War, and these few weeks were a real turning point in his life, also for Israel, but we can talk about that later. But I want to know, why is it important? Why do you think it's important for Leonard Cohen fans, for Jews, particularly Israelis, to know this story about him? Matti Friedman:   I think that those few weeks in the fall of 1973, when Cohen finds himself at the front of the Yom Kippur War, those weeks are really an incredible meeting of Israel and the diaspora, maybe one of the ultimate diaspora figures, Leonard Cohen, this kind of universal poet and creature of the village, and this product of a very specific moment in North American Jewish life, when Jews are really kind of bursting out of the ghetto and entering the mainstream. And we can think of names like Paul Simon and Bob Dylan, even Phil Ochs, and people like that. And Cohen is very much part of that.  And he comes to Israel and meets, I guess the other main trend in Jewish history, in the second half of the 20th century, which is the State of Israel, and Israelis, who are not bursting into, you know, a universal culture in the United States, they're trying to create a very specific Jewish culture–in Hebrew, in this very kind of tortured scrap of the Middle East.  And the meeting of those two sides, who have a very powerful connection to each other, but don't really understand each other. It's a very interesting meeting. And the fact that it happens at this moment of acute crisis, one of the darkest moments in Israel's history, which is the Yom Kippur War, that makes it even more powerful.  So I think if we take that snapshot, from October 1973, we get something very interesting about Israel, and about the Jewish world and about this artist. And in some ways, I think those weeks really encapsulate much of Leonard Cohen's story. So it's not a biography, it doesn't trace his life from birth to death. But it gives us something very deep about the guy by looking at him at this very intense and kind of traumatic moment. Manya Brachear Pashman:   Do you also think it sheds some light on the relationship between diaspora Jews and Israel? And how has that relationship changed and evolved since the 1970s? Matti Friedman:   When Cohen embarks on this strange journey to the war, which, I mean, it's a long story, and I tell it in the book, but it starts on a Greek island or he's kind of holed up. He's in a crisis, and he's unhappy with his domestic life and he's unhappy with his creative life and he kind of needs to escape. So he gets on a ferry from the island and gets on an airplane from Athens and inserts himself into this war, by mistake, not really intending to do it. And he says in this manuscript that he writes about that time, which is unpublished until, until my own book, I published segments of it.  He says, I'm going to my myth home. That's how he describes Israel. He uses this very interesting phrase myth home. And it's hard to understand exactly what he means. But I think many Jewish listeners will understand kind of almost automatically what that means. Israel is not necessarily your home. And it's possible that you've never even been there. But you have this sense that it is your mythical home or some alternate universe where you belong. And of course, that makes the relationship very fraught. It's a lot of baggage on a relationship with a country that is, after all, a foreign country.  And Cohen lands in Israel and has a very powerful, but also very confusing time and leaves quite conflicted about it. And I think that is reflective, more generally of the experience of many Jews from the diaspora who come here with ideas about the country and then are forced to admit that those ideas have very little connection to reality. And it's one reason I think that I often meet Jews here from, you know, from North America, and they're not even fascinated by the country, but they're kind of thrown off by it, because it doesn't really function in the way they expect. It's a country in the Middle East. It's very different from Jewish life in North America. And as time goes on, those two things are increasingly disconnected from each other. Manya Brachear Pashman:   Yeah. Which is something that I think you say, Israelis say repeatedly, that lots of people have opinions about Israel and decisions that are made and how it's run. But they have no idea what life is like here, right? That's part of the disconnect. And the reason why there's so much tumult. Matti Friedman:   Yes, and runs in the other direction, too, of course. Israelis just have less and less idea of what animates Jews in the United States. So the idea that we're one people, and we should kind of automatically understand each other. That just doesn't work anymore. I think in the years after the Second World War, it might have worked better because people were more closely connected by family ties. So you'd have two brothers from Warsaw or whatever, and one would go to Rehovot, and one would go to Brooklyn, but they were brothers. And then in the next generation, you know, their children were cousins, and they kind of knew something about each other, but a few generations have gone by, and it's much more infrequent to find people who have Israeli cousins, or American cousins, you know, it might be second cousins or third cousins, but the familial connections have kind of frayed and because the communities are being formed by completely different sets of circumstances, it's much harder for Americans to understand Israelis and for Israelis to understand Americans. And we're really seeing that play out more and more in the communication or miscommunication between the two big Jewish communities here in the United States. Manya Brachear Pashman:   So this is my first trip to Israel. And many people told me that I would never be the same after this trip. Was that true for Leonard Cohen? Matti Friedman:   I think it was, I think it was a turning point in his life. Of course, I wrote a book about it. I would have to say that, even if it weren't true, but I happen to think that it is true. He comes here at a moment of a real kind of desperation, he had announced that he was retiring from music that year. So he had this string of hits, and he was a major star of the 60s and early 70s. And those really famous Cohen songs that I mentioned, most of them had already come out and he'd been playing at the biggest music festivals at the Isle of White, which was a bigger festival than Woodstock. And he was a big deal. And, and he just given up, he felt that he had hit a wall and he no longer had anything to say. And he was 39 years old. That's pretty old for a rock star. And he was in those days, of course, people are dying at 27. So he kind of thought he was washed up. And he came to Israel. And he writes in this manuscript, this very strange manuscript that he wrote, and then shelved, that he thinks that Israel is a place where he might be able to be born again, or just saying, again, he writes both of those thoughts. And in a very weird way, it happens.  So he's too sophisticated a character to tell us exactly how that happened, or to ever say that he went to Israel and was saved or changed in some way. Leonard Cohen would never give us that moment that of course, as a journalist I'm looking for but they won't give us all we can do is look at the fact that he had announced his retirement before the war, came home from this war very rattled, not at all waving the Israeli flag and singing the national anthem or anything like that, but he came back invigorated in some way.  And a few months after that war, he releases one of his best albums, which is called “New Skin for the Old Ceremony.” Which is a reference, of course, to circumcision, which is itself a kind of wink toward rebirth. And that album includes Chelsea Hotel and Lover Lover Lover and Who by Fire and he's back on the horse and he goes on to have this absolutely incredible career that lasts until he's 80 years old and beyond. Manya Brachear Pashman:   So let's talk about Lover Lover Lover, and the line of that song. You had interviewed a former soldier on the frontlines in the Yom Kippur War. He had heard Leonard Cohen sing, was very moved by that song, which was composed on an Israeli Air Force Base, I believe originally. And then the album comes out and he hears it again. And something is different. The soldier is not happy about that. Can you talk a little bit about how you confirmed that?  Matti Friedman:   Right, so I spent a lot of time trying to track down the soldiers who had seen Leonard Cohen during this very weird concert tour that he ends up giving on the Sinai front of the Yom Kippur War. And it's this series of concerts, these very small concerts, mostly for just small units of soldiers who are in the sand and suddenly Leonard Cohen shows up in a jeep and plays music for them. And it's kind of a hallucinatory scene.  And one of the soldiers told me that he will never forget the song that Cohen sang, and it was on the far side of the Suez Canal. So the Israeli army having kind of fallen back in the first week and a half of the war has crossed the Suez Canal, in the great counter attack that changes the course of the war, and now they're fighting on Egyptian territory. And one night, on that, on the far side of the canal, he meets Leonard Cohen, it's just kind of sitting on a helmet in the sand playing guitar, and he sang a song that would later become famous, but no one knew it at the time, because it had just been written. As you said, it was written for an audience of Israeli pilots at an Air Force base a few weeks before, or a few days before.  And the song's lyrics address the Israeli soldiers as brothers. That's what the soldier remembered. And he said, I'll never forget it. He called us his brothers. And that was a big deal for the Israelis, to hear an international star like Leonard Cohen, say,  I'm a member of this family, and you're my brothers. And that was a great memory. But there's no verse like that in the song Lover, Lover, Lover. And there's no reference at all that's explicit to Israeli soldiers. And the word brothers does not appear in the song. Manya Brachear Pashman: At least the one on the album, the song on the album. Matti Friedman: On the album, right. So that is the only one that was known at the time that I was writing the book. And then I kind of set it aside, I just figured that it was a strange memory that was, you know, mistaken or manufactured. And I didn't think much more about it. But I was going through Cohen's old notebooks and the Cohen archive in Los Angeles, which is where many of his documents are kept. And he had a notebook in his pocket throughout the war, and was writing down notes and writing down lyrics and writing on people's phone numbers. And in in the notebook, I found the first draft of  Lover, Lover, Lover, and this verse, which had somehow disappeared from the song and the verse is a really powerful expression of identification, not uncomplicated identification, but definitely sympathy for the Israelis who was traveling with, he was traveling with a group of Israeli musicians, he was wearing something that looked a lot like an Israeli uniform, he was asking people to call him by his Hebrew name, which was Eliezer Cohen.  So he was definitely, he had kind of gone native. And the verse, the verse goes, ‘I went down to the desert to help my brothers fight. I knew that they weren't wrong. I knew that they weren't right. But bones must stand up straight and walk and blood must move around. And men go making ugly lines across the holy ground.'  It's quite a potent verse. And it definitely places Cohen on one side of the Yom Kippur War. And when he records the song, a few months later, that verse is gone. So he obviously made a different decision about how to locate himself in the experience. And ultimately, the experience of the war kind of disappears from the Cohen story. He doesn't talk about it. Later on, he very rarely makes any explicit reference to it. The Cohen biographies mention it in passing, but don't make a big deal of it. And I think that's in part because he  always played it down.  And when that soldier Shlomi Groner, who I call the soldier, but he's going into his seventies, but you know, for me, he's a soldier. He heard that song when it came out on the radio, and he was waiting for that verse where Cohen called Israeli soldiers, his brothers and the verse was gone. And he never forgave Leonard Cohen for it, for erasing that expression of tribal solidarity.  And in fact, the years after the war, 1976, Cohen is playing the song in Paris, you can actually find this on YouTube. And he introduces the song to a French audience by saying, he admits that he wrote the song in the war in Sinai, and he says, he wrote the song for the Egyptians, and the Israelis, in that order. So he was very careful about, you know, where he placed himself, and he was a universal poet. He couldn't be on one side of a war, you couldn't be limited to any particular war, he was trying to address the human soul.  And he was aware of that contradiction, which I think is a very Jewish contradiction. Is our Judaism best expressed by tribal solidarity, or is it best expressed in some kind of universal message about the shared humanity of anyone who might be reading a Leonard Cohen poem? So that tension is very much present for him and it's present for many of us. Manya Brachear Pashman:   So he replaces the line though with watching the children, he goes down to watch the children fight. Matti Friedman:   So before he erases the whole verse, he starts fiddling with it. And we can actually see this in the notebook because we can see him crossing out words and adding words. So he has this very strong sentence that says, I went down to the desert to help my brothers fight, which suggests active participation in this war and, and then we see that he's erase that line held my brothers fight, and he's replaced it with, I went on to the desert to watch the children fight.  So now he's not helping, and it's not his brothers, he's kind of a parent at the sandbox watching some other people play in the sand. So he's taken a step back, he's taken himself out of the picture. And ultimately, that whole verse goes into the memory hold, and it only surfaces. When I found it, and I had the amazing experience of sending it to the soldier who'd heard it and didn't quite remember the words, he just remembered the word brothers. And over the years, I think he thought maybe he was mistaken, he wasn't 100% sure that he was remembering correctly and I had the opportunity to say, I found the verse, you're not crazy, here's the verse. It was quite a moment for him. Manya Brachear Pashman:   Yeah, confirmation, validation. Certainly not an expression of solidarity anymore, but I read it as an expression of critique of war, right. Your government's sending sons and daughter's off to fight you know, that kind of critique, but it changes it when you know that he erased one sentiment and replaced it with another. Matti Friedman:   Right, even finding the Yom Kippur War in the song now is very complicated, although when you know where it was written, then the song makes a lot more sense. When you think a song called Lover Lover Lover would be a love song, but it's not really if you listen to the lyrics.  He says, “The Spirit of the song may rise up true and free. May be a shield for you, a shield against the enemy”. It's a weird lyric for a love song. But if you understand that he's writing for an audience of Israeli pilots are being absolutely shredded in the first week of the Yom Kippur War, it makes sense. The words start to make sense the kind of militaristic tone of the words and even the kind of rhythmic marching quality of the melody, it starts to make more sense, if we know where it was written, I think Cohen would probably deny. Cohen never wanted to be pinned down by journalism, you know, he wasn't writing a song about the Yom Kippur War. And I don't think he'd like what I'm doing, which is trying to pin him down and tie him to specific historical circumstances. But, that's what I'm doing. And I think it's very interesting to try to locate his art in a specific set of circumstances, which are, the Yom Kippur war, this absolute dark moment for Israel, a Jewish artist who's very preoccupied with his own Judaism, and who grows up in this really kind of rich and deep Jewish tradition in Montreal, and then kind of escapes it, but can never quite escape it and doesn't really want to escape it, or does he want to escape it and, and then here he is, in this incredible Jewish moment with the Israeli Army in 1973.  And we even have a picture of him standing next to general Ariel Sharon, who is maybe the other symbolic Jew of the 20th century, right? You have Leonard Cohen, who is this universal artists, this kind of, you know, man of culture and a kind of a dissolute poet and and you have this uniform general, this kind of Jewish warrior, this kind of reborn new Jew of the Zionist imagination, and we have a photograph of them standing next to each other in the desert. I mean, it's quite an amazing moment. Manya Brachear Pashman:   Yeah. I love that you use the word hallucinatory earlier to describe the soldier coming upon Leonard Cohen in the desert, because it reminded me that it was not Leonard Cohen's first tour of sorts in Israel. He had been in Israel the year before, 1972, gave a concert in Tel Aviv and Jerusalem, very different shows. Can you speak to that? Matti Friedman:   So Cohen was here a year before the war. And what's amazing is that you can actually see the concerts because there was a documentary filmmaker with him named Tony Palmer. And there's a documentary that ultimately comes out very briefly, that is shelved because Cohen hates it, and then resurfaces a couple of decades later, it's called Bird on a Wire. And it's worth seeing. And you can see the concert in Tel Aviv. And then the concert in Jerusalem the next day, which are the end of this problematic European tour, which kind of goes awry, as far as Cohen is concerned.  In Tel Aviv, they have to stop a concert in the middle because there's a riot in the audience and for kind of strange technical reason, which was that the arena in Tel Aviv had decided to keep the audience really far away from the stage and people tried to get close to Leonard Cohen and Cohen wanted them to come closer to the stage because they were absurdly far from the musicians and they tried to move closer but the security guards wouldn't let them and they start, you know, people start fighting, and Cohen's begging them to calm down.  And you can see this in the, in the documentary and then ultimately he leaves the stage, he says, you know, it's just not I can't perform like this, and he and the whole band just walk off the stage, and you get the impression that this country is on the brink of total chaos, like it's a place that's out of control. And then the next day, he's in Jerusalem for the last concert of this tour. And the concert also goes awry. But this time, it's Cohen's fault. And he is onstage, and you can see that he can't focus, like he just can't put it together. And in the documentary, you can see that he took acid before the show. So it might have had something to do with that. But also, it's just the fact that he's in Jerusalem. And for him, that's a big deal. And he just can't treat it like a normal place. It's not a normal concert. So there's, there's so much riding on it, that it's too much for him, and he just stops playing in the middle of a concert. And he starts talking to the audience about the Kabbalah. And it's an amazing speech, it's totally off the cuff.  It's not something that he prepared, but he starts to explain that, in the Kabbalistic tradition, in order for God to be seated on his throne, Adam and Eve need to face each other, or the man and the woman need to face each other in order for the divine presence to be enthroned. And he says, my male and female sides aren't facing each other, so I can't get off the ground. And it's a terrible thing to have happen in Jerusalem. That's what he says. And then he leaves, he says, I'm gonna give you your money back, and he leaves. And instead of rioting, which is what you'd expect them to do, or getting really angry, or leaving, the audience starts to sing, “Haveinu Shalom Alechem,” that song from summer camp that everyone knows, I think they just assume that he would know it.  And in the documentary, you see him in the dressing room trying to kind of get himself together. And hears the audience singing, a couple thousand young Israelis singing the song out in the auditorium, and he goes back out on stage and kind of just beams at that. He just kind of can't believe it, and just smiling out at them. They're entertaining him, but he's on the stage. And they're singing to him, and then the band comes back on. And they give this incredible show that ends with everyone crying. You see Cohen's crying and the band's crying and he says later that the only time that something like that had ever happened to him before was in Montreal when he was playing a show for an audience that included his family. So there was a lot going on for Cohen in Israel, it wasn't a normal place. It wasn't just a regular gig. And that's all present in his brain when he comes back the following year for the war. Manya Brachear Pashman:   Makes that weird decision to get on the ferry, and come to Israel make a little more sense. I had tickets to see Leonard Cohen in 2013. He was in Chicago, and Pope Benedict the 16th decided to resign. And as the religion reporter, I had to give up those tickets and go to Rome on assignment. And I really regret that because he died in 2016. I never got the chance to see him live. Did you ever get the chance to see him live?  Matti Friedman:   I wonder if we should add that to the long list of, you know, Jewish claims against Catholicism, but I guess we can let it slide. I never got to see him. And I regret it to this day, of course, when he came to Israel in 2009 for this great concert that ended up being his last concert here. I had twins who were barely a year old. And I was kind of dysfunctional and hadn't slept in a long time. And I just couldn't get my act together to go. And that's when I got the idea for this book for the first time. And I said, well, you know, just catch him the next time he comes. You know, the guy was in his late 70s. There wasn't gonna be a next time. So it was a real lapse of judgment, which I regret of course. Manya Brachear Pashman:   I do wonder if I should have gone to Rome for that unprecedented moment in history to cover that, kind wish I had been at the show. So you do think that the Jerusalem show played a role in him returning to Israel when it was under attack? Matti Friedman:   Yeah, absolutely. Absolutely. I mean, he had this very again, complicated, powerful, not entirely positive experience in Israel. And he'd also met a woman here. And that also became clear when I was researching the book that there was, there was a relationship that began when he was here in 1972, and continued. He had a few contacts here, and it wasn't a completely foreign place. And he had some memory of it and some memory of it being a very powerful experience. But when he came in ‘73, he wasn't coming to play. So he didn't come with his guitar. He didn't bring any instruments. He didn't come with anyone. He came by himself. So there is no band. There's no crew, there's no PR people. He understands that there's some kind of crisis facing the Jewish people and he needs to be here.  Manya Brachear Pashman:   I interviewed Mishy Harman yesterday about the Declaration of Independence, the series that [the I`srael Story podcast] are doing, and he calls it one of Israel's last moments of consensus. We are at a very historic moment right now. How much did this kind of centrifugal force of the Yom Kippur War, where everybody was kind of scattered to different directions, very different ways of soul searching, very Cohen-esque. How much of that has to do with where Israel is now, 50 years later? Matti Friedman:   That's a great question. The Yom Kippur war is this moment of crisis that changes the country and the country is a different place after the Yom Kippur War. So until 73, it's that old Israel where the leadership is very clear. It's the labor Zionist leadership. It's the founders of the country, Ben Gurion and Golda Meir, and the people who kind of willed this country into existence against long odds and won this incredible victory in the 1967 War. And then it's all shattered by this catastrophe in 1973. And even though Israel wins the war and the end, it's a victory that feels a lot like a defeat, and 2600 soldiers are killed in three weeks in a country of barely 3 million people and many more wounded and the whole country is kind of shocked. And it takes a few years for things to play out. But basically, the old Israeli consensus is shattered. And within a few years within the war, the Likud wins an election victory for the first time. And it's a direct result of, of a loss of faith and leadership after the Yom Kippur War. That's 1977.  And then you have all kinds of different voices that emerge in Israel. So you have, you know, you have Likud. You have the voice of Israelis, who came from the Arab world who didn't share the background of, you know, Eastern Europe and Yiddish and who had a different kind of Judaism and a different kind of Zionism and they begin to express themselves in a more forceful way and you have Israelis who are demanding peace now. You know, on the left, and you have a settlement movement, the religious settlement movement really kind of becomes empowered and emboldened after the Yom Kippur War after the labor Zionist leadership loses its confidence and that's when you really start seeing movements like Gush Emunim pop up in the West Bank with this messianic script and so, so the the fracturing of that that consensus really happens in wake of Yom Kippur war and you can kind of see it in in the music, which is an interesting way of looking at it because the music until 73 had really been this folk music that still maybe the only place that still sees it as Israeli music might be American Jewish summer camp, where it kind of retains its, its, its hold and yeah, that those great old songs that were sung around the campfire and the songs of early Israel and that was very much the music that dominated the airwaves. After the Yom Kippur War, it's different, the singers start expressing themselves a lot less in the collective we and much more in using the word I and talking about their own soul and you hear a lot more about God after 73 than you did before. And the country really becomes a much more heterogeneous place and a much more difficult place, I think, to run and with that consensus, you're talking about the Declaration of Independence. And that series, by the way, Israel Story, which I highly recommend, it's a wonderful series about an incredible document, which we still should be proud of, and which we should pay much more attention to than we do. But when do we have consensus, when we're under incredible pressure from the outside. The Declaration of Independence is signed, you know, as we face the threat of invasion by fighter armies.  So that's basically what it takes to get the Jews to sit down and agree with each other. And, you know, there are these years of crisis and poverty after the 48 war into the 60s. And that kind of keeps the consensus more or less in place, and then it fractures. And we're in a country where it's much easier to be many different things, you know, you can be ultra-Orthodox, and you can be Mizrachi, and you can be gay, and you can be all kinds of things that you couldn't really be here in the 60s.  But at the same time, the consensus is so fractured, that we can barely, you know, form a coherent political system that works to solve the problems of the public. And we're really saying that in a very dramatic and disturbing way in the dysfunction, in the Knesset and in our political system, which is, you know, has become so extreme.  The political system is simply incapable of a constructive role in the society and has moved from solving the problems of the society to creating problems for a society that probably doesn't have that many problems. And it's all a reflection of this kind of fracturing of the consensus and this disagreement on what it means to be Israeli what the meaning of the state is, once you don't have those labor Zionists saying, you know, we are a part of a global proletarian revolution, and the kibbutz is at the center of our national ethos. Okay, we don't have that. But then what is this place? And if you grab 10 Israelis on the street outside the studio, they'll give you 10 different answers. And increasingly, the answers are, are at odds with each other, and Israelis are at odds with each other. And the government instead of trying to ease those divisions, is exacerbating them for political gain. So you're right, this is a very important and I think, very dark moment for the society. Manya Brachear Pashman:   And do you trace it back to that kind of individualistic approach that Cohen brought with him, and that the war, not that he introduced it to Israel, and it's all his fault, that the war, and its very dark outcome, dark victory, if you will, produced? Matti Friedman:   I don't want to be too deterministic about it. But definitely, that is the moment of fracture. The old labor Zionist leadership would have faded anyway. And just looking at the world, that kind of ethos, and that ideology is kind of gone everywhere, not just in Israel. But definitely the moment that does it here is that war, and we're very much in post-1973 Israel.  Which in some ways is good, again, a more pluralistic society is good. And I'm happy that many identities that were kind of in the basement before ‘73 are out of the basement. But we have not managed to find a replacement for that old unifying ideology. And we're really feeling it right now. Manya Brachear Pashman:   Thank you so much, Matti, for joining us. Matti Friedman:   Thank you very, very much. That was great.

Just a few weeks ago, the Mizrachi organization held an inaugural world congress in Jerusalem bringing together Jewish professionals and lay leaders representing Jewish communities from all over the world.  I joined in to find out what was so special about this important conference.

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Mizrachi hatzalah activist and his role in the escape of some Litvish Jews to Japan and Shanghai

When I was in Jerusalem last week sitting shiva for our father, after folks gave their condolences and shared their memories, they would ask me for my take on Israel. The conversation was sobering, making me feel naïve and disconnected from the real Israel that is. Me: In Greater Jewish Boston, we are so excited to be marking Israel at 75. A big contingent from our shul is going to celebrate Israel at 75! A big contingent from the whole Boston Jewish community is going to mark this joyful and incredible milestone! How are you thinking about Israel at 75? Comforters: One of two responses. The less common: “Not on our radar screen at all. We've given it no thought till you just mentioned it.” By far the more common: “I hope we get there. Not clear that we will make it to 75 as one country.” In the shiva house, I had the sinking feeling that there was not one death I was mourning, but two. Something has died in Israel beyond our father – a belief of Israelis in a bright future for Israel. Nothing makes that clearer than two titles of Danny Gordis. When he and his family made Aliyah in the 90s, during Oslo, his first book about Israel was called If a Land Can Make You Cry. The title evoked the pathos, the emotion, the ups and downs, the resilience, but the fundamental hopefulness of a nation whose national anthem is Hatikvah. That title seems long gone. The new title, from his piece this week: Drowning in a Sea of Resentment and Hate, It's Far from Clear that Israel Can Make it Back to Shore. This piece details how numerous tribes within Israel—settlers, Haredis, Israeli Arabs, Palestinian Israelis, Ashkenazi, Mizrachi—feel betrayed (his word) by the state. One can sense this hate in the friction over dedicated war hero pilots who are protesting the erosion of Israeli democracy being called a “pathetic bunch of deserters” by the ruling coalition. What do we do about it? This week Thomas Friedman offered us another sobering essay with a sobering title: “American Jews, You Have to Choose Sides on Israel.” He quotes Rabbi Sharon Brous who speaks of rabbis giving Death by Israel sermons. Is he right? Is our response to this moment to see it as a political fork in the road, and we have to choose, and bear the consequences of our choice? Is there another way to frame and respond to this moment? How does our weekly Torah portion (uncannily, it involves a civil war, a milchemet achim, in the wake of the sin of the golden calf) help us frame this sad and sober moment in the history of Israel? How can we help? Can we take a principled stand in favor of democracy and against Israel becoming an authoritarian regime without checks and balances without adding to the division of this moment?

For this episode Ryan Maughan speaks to Boaz Mizrachi, CTO and Co-Founder, Tactile Mobility. Tactile Mobility has been working in the field of sensor data fusion and analysis to produce advanced data analytics for automotive applications since 2012. The business started when Boaz was trying to develop a method to accurately plan routes and calculate efficiency and realised that by taking existing sensor data streams and combining them he could generate much more accurate models than using traditional mapping methods.The business has now crunched more than 10 million km of data and analysed >100,000 individual trips. The company now works with vehicle OEM's, mapping companies, fleet managers and even municipalities to help them gather better data about their vehicles and roads for a wide range of purposes from the acceleration of development processes, improvement of autonomous driving systems to planning municipal maintenance activities.To find out more about Tactile Mobility and their sensor fusion technology, check out this episode!Boaz Mizrachi LinkedIn profile: https://www.linkedin.com/in/boaz-mizrachi-1a110717a/Tactile Mobility website: https://tactilemobility.comRyan Maughan LinkedIn profile: https://www.linkedin.com/in/ryan-maughan-a2893610/Ryan Maughan on Twitter: https://twitter.com/acexryaneTech49 website: https://www.etech49.comeTech Developments website: https://www.etechdevelopments.com

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The unity government wasn't born yesterday, it has a long history in Israel. Tune in to this ongoing exploration of the evolution of Israel's electoral system to learn about the government shared by ex-underground fighter Yitzchak Shamir and Shimon Peres through the 80s, how it held together Mizrachi pride, religious tension and territorial confusion. A government that withdrew from Lebanon, tamed galloping inflation and faced the First Intifada before being brought down by the infamous "dirty trick." Photo Credit: Israel GPO HARNIK NATI, 03/15/1988 https://creativecommons.org/licenses/by-nc-sa/2.0/legalcode

The unity government wasn't born yesterday, it has a long history in Israel. Tune in to this ongoing exploration of the evolution of Israel's electoral system to learn about the government shared by ex-underground fighter Yitzchak Shamir and Shimon Peres through the 80s, how it held together Mizrachi pride, religious tension and territorial confusion. A government that withdrew from Lebanon, tamed galloping inflation and faced the First Intifada before being brought down by the infamous "dirty trick." Image lic - https://creativecommons.org/licenses/by-nc-sa/2.0/legalcode attribution: Israel GPO HARNIK NATI, 03/15/1988

Donnie Peters and Tim Duckworth return for a new episode of the PokerGO Podcast from the 2022 World Series of Poker. On this episode, Donnie and Tim discuss the Poker Hall of Fame's list of finalists for 2022 with words from Michael Mizrachi, Norman Chad, and Mike Matusow. Then they get into the WSOP $250,000 Super High Roller with Alex Foxen's winner interview before wrapping things up by discussing Donnie's run in the Colossus.