Podcasts about three movements

This week on The Sound Kitchen, you'll hear the answer to the question about the Vatican's cardinal electors. There's The Sound Kitchen mailbag and a salute to mothers, the “The Listener's Corner”, and Erwan Rome's “Music from Erwan”. All that, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winners' names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level” and you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Brother Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Brother Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 26 April, I asked you a question about the late Pope Francis, who'd died earlier that week. As the Vatican prepared to elect a new pope, we published an article about the men who were responsible for electing the next head of the Roman Catholic Church.You were to re-read our article “What happens now after the death of Pope Francis?” and send in the answer to this question: What are the nationalities of the 135 cardinal electors who will elect the next pope?The answer is, to quote our article: “Currently there are 135 so-called cardinal electors, 108 of whom were appointed by Francis. Of these, 53 are from Europe, 20 are from North America, 18 are from Africa, 23 from Asia, four from Oceania, and 17 from South America.”As you know, the cardinals elected Robert Francis Prevost, the first American to hold the post. He took the name Leo XIV as his papal name, and he was formally inaugurated to serve the world's 1.4 billion Roman Catholics on 18 May.In addition to the quiz question, there was the bonus question, which was inspired by the long-running BBC program “Desert Island Discs”. You were to write in with the names of the three records, or audio recordings, that you would take with you to an uninhabited island.Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Christian Ghibaudo from Tende, France. Christian is also the winner of this week's bonus question. Congratulations, Christian,on your double win.Also on the list of lucky winners this week are A. K. M. Nuruzzaman, the president of the RFI Amour Fan Club in Rajshahi, Bangladesh, and Paresh Hazarika, a member of the United RFI Listeners Club in Assam, India, as well as RFI Listeners Club members Shadman Hosen Ayon from Kishoreganj, Bangladesh, and Hans Verner Lollike from Hedehusen, Denmark.Congratulations, winners!Here's the music you heard on this week's programme:  “Mother” by Roger Waters, performed by Pink Floyd; “A Mighty Fortress is our God” by Martin Luther, played by Kaleb Brasee; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and Buenos Aires Symphony in Three Movements by Astor Piazolla, performed by the Radio France Philharmonic Orchestra, conducted by Leonardo Garcia Alarcon.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “EU and UK reunite in London for talks on diplomacy and defence”, which will help you with the answer.You have until 23 June to enter this week's quiz; the winners will be announced on the 28 June podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton

My guest on this episode is francesca ekwuyasi. francesca is a writer, artist, and filmmaker whose first book, the novel Butter Honey Pig Bread, was published in 2020 by Arsenal Pulp. That book won the Writers' Trust of Canada Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers; was shortlisted for the Governor General's Literary Award, the Amazon Canada First Novel Award, and a Lambda Literary Award, and was longlisted for the Giller Prize. In 2021, it was a runner-up on the CBC's Canada Reads competition. Her most recent book is Curious Sounds: A Dialogue in Three Movements, a collaboration with celebrity chef, restaurateur, cookbook author, and visual and recording artist Roger Mooking. That book was published in 2023, also by Arsenal Pulp. Publishers Weekly said about Curious Sounds that “there's a sense of a mind spilled onto the page, with sharp insights scattered throughout. The results are both odd and enchanting.” francesca and I talk about how having her first book on Canada Reads was directly responsible for her second, about how writers should let themselves explore whatever theme or territory has them in its grip, and about how, having written her first novel all over the place and on whatever materials were handy, she has finally discovered the joy of writing at an actual desk. This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus. Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.

The Three Movements of the Church

This week's episode of City Ballet The Podcast is a previously recorded See the Music presentation hosted by NYCB Music Director Andrew Litton. Accompanied by the Orchestra and Solo Pianist Susan Walters, Maestro Litton describes why Tschaikovsky's Piano Concerto No. 2—the score for the Balanchine ballet of the same name—is less frequently performed than his first, despite being beloved by soloists and rich with beautifully romantic flourishes. Balanchine considered Tschaikovsky a "soulmate," a feeling borne out by his ability to make the composer's slightly less-genius works great with his choreography. (15:57) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Piano Concerto No. 2 in G, Op. 44 (1879-80) by Peter Ilyitch Tschaikovsky

City Lights celebrates the publication of "Blessings," a novel by Chukwuebuka Ibeh, published by Doubleday. Purchase here: https://citylights.com/blessings/ Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna's father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school. As he navigates his new school's strict hierarchy and unpredictable violence, Obiefuna both finds and hides who he truly is. Back home, his mother, Uzoamaka, must contend with the absence of her beloved son, her husband's cryptic reasons for sending him away, and the hard truths that they've all been hiding from. As Nigeria teeters on the brink of criminalizing same-sex relationships, Obiefuna's identity becomes more dangerous than ever before, and the life he wants drifts further out of reach. Set in post-military Nigeria and culminating in the Same Sex Marriage Prohibition Act of 2013, "Blessings" is an elegant and exquisitely moving story that asks how to live freely in a country that forbids one's truest self, and what it takes for love to flourish despite it all. Chukwuebuka Ibeh is a writer from Port Harcourt, Nigeria, born in 2000. His writing has appeared in McSweeney's, New England Review of Books and Lolwe, amongst others, and he is a staff writer at Brittle Paper. He was the runner-up for the 2021 J.F. Powers Prize for Fiction, was a finalist for the Gerald Kraak Award, and was profiled as one of the “Most Promising New Voices of Nigerian Fiction” by Electric Literature. He has studied creative writing under Chimamanda Ngozi Adichie, Dave Eggers, and Tash Aw, and is currently a an MFA student at Washington University in St. Louis, Missouri. francesca ekwuyasi is a learner, artist, and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel, "Butter Honey Pig Bread" (Arsenal Pulp Press, 2020). "Butter Honey Pig Bread" was also shortlisted for a Lambda Literary Award, the Governor General's Literary Award for Fiction, the Amazon Canada First Novel Award, and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award. "Butter Honey Pig Bread" placed second on CBC's "Canada Reads: Canada's Annual Battle of the Books," where it was selected as one of five contenders in 2021 for “the one book that all of Canada should read.” francesca's writing has appeared in the Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelain and elsewhere. Her short story, "Ọrun is Heaven" was longlisted for the 2019 Journey Prize. She co-authored, "Curious Sounds: A Dialogue in Three Movements" (Arsenal Pulp Press, 2023), a multi-genre collaborative book with Roger Mooking. Originally broadcast via Zoom on Thursday, July 11, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation/

What was Jesus' Gospel?  What gospel did he preach?  How does it differ from the one being preached today?  How can the three movements of the Gospel help us?

This week, Associate Music Director Andrews Sill invites us to See the Music of Igor Stravinsky's Scènes de Ballet, the eponymous score for Christopher Wheeldon's 1999 work. Sill relates that the piece was composed in 1944 for Broadway impresario Billy Rose, and drew inspiration from both world events and a variety of creative sources—including the ballet Giselle—as with so many of Stravinsky's singular compositions. (12:49) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Scènes de Ballet (1944) by Igor Stravinsky, Performed by Israel Philharmonic Orchestra Who Cares?: The Man I Love (1924) by George Gershwin, Performed by Royal Philharmonic Orchestra Scènes de Ballet (1944) by Igor Stravinsky, Performed by BBC Symphony Orchestra

This week, NYCB Music Director Andrew Litton leads us on a promenade through the Modest Mussorgsky score to Alexei Ratmansky's 2014 ballet Pictures at an Exhibition. Beginning with a little background on the composer's short but complicated life, colored by contemporary critiques of his "disregard" for musical conventions, Litton is joined by Piano Soloist Stephen Gosling as he demonstrates the ways in which Mussorgsky captured the subjects of a beloved artists' paintings in remarkably challenging piano pieces. (23:31) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Pictures at an Exhibition (1874) by Modest Mussorgsky

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In this week's See the Music episode, we revisit a 2013 live presentation with host and Associate Music Director Andrews Sill, exploring Igor Stravinsky's 1945 composition Symphony in Three Movements, the score for the George Balanchine ballet of the same name. With help from the New York City Ballet Orchestra, Maestro Sill highlights the musical "nuts and bolts" of this galvanizing piece, and outlines some of the cinematic and real-world inspirations for its taut construction and powerful impact. (14:39) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky All music performed by New York City Ballet Orchestra

SynopsisOn today's date in 1962, President John F. Kennedy received two memos regarding a dinner party at the White House scheduled the following evening honoring composer Igor Stravinsky and his wife, Vera. The Kennedys were famous for inviting the finest artists and performers to the White House for special presentations. Mrs. Kennedy was a true arts maven, but JFK was not, and needed background information on figures like Stravinsky, which the first memo provided. The Kennedy's social secretary even worked out secret signals and cues for the president when he attended White House recitals so he wouldn't applaud at the wrong time.The second memo informed JFK that after a photo shoot with the Stravinskys, they would join the others invited that evening for cocktails in the Blue Room. After dinner, the 80-year-old Stravinsky expressed his gratitude and told the press that the Kennedys were “nice kids.”Four months after Kennedy's assassination in November 1963, Stravinsky asked poet W.H. Auden for “a very quiet little lyric” that he might set to music in tribute to Kennedy's memory. The resulting work, Elegy for JFK for medium voice and three clarinets, premiered in 1964.Music Played in Today's ProgramIgor Stravinsky (1882-1971) Three Movements, fr Petrouchka; Louis Lortie, piano Chandos 8733

In this  2019 podcast, filmmaker Irene Taylor Brodsky discusses her project "Moonlight Sonata: Deafness in Three Movements," and her commitment to making films accessible to differently-abled audiences.  We talk about her first feature documentary, "Hear and Now," which won the Audience Award at Sundance in 2007 and explored her deaf parents' experiences when they were 65 with cochlear implants and its relationship to her film “Moonlight Sonata," which was partly inspired by her deaf son, Jonas, who was driven to learn to play Beethoven's “Moonlight Sonata”. We discuss the emotional and historical significance of Beethoven's work, particularly how his deafness influenced his compositions. Irene also recounts the unexpected twists during filming, including her father's development of dementia. And she discusses the Reel Abilities Film Festival where her film premiered, her commitment to making her film, as well as others, accessible to the deaf, blind, and differently-abled communities, and her not-for-profit The Treehouse Project and its Accessibility Lab which works to elevate deaf and blind audiences' access to and participation in theatrical independent film.

In this  2019 podcast, filmmaker Irene Taylor Brodsky discusses her project "Moonlight Sonata: Deafness in Three Movements," and her commitment to making films accessible to differently-abled audiences.  We talk about her first feature documentary, "Hear and Now," which won the Audience Award at Sundance in 2007 and explored her deaf parents' experiences when they were 65 with cochlear implants and its relationship to her film “Moonlight Sonata," which was partly inspired by her deaf son, Jonas, who was driven to learn to play Beethoven's “Moonlight Sonata”. We discuss the emotional and historical significance of Beethoven's work, particularly how his deafness influenced his compositions. Irene also recounts the unexpected twists during filming, including her father's development of dementia. And she discusses the Reel Abilities Film Festival where her film premiered, her commitment to making her film, as well as others, accessible to the deaf, blind, and differently-abled communities, and her not-for-profit The Treehouse Project and its Accessibility Lab which works to elevate deaf and blind audiences' access to and participation in theatrical independent film.

Nueva entrega de La Ruleta Rusa, la 44.2023, cuya portada fue lo nuevo de los Sonar de Stephen Thelen, junto al gran David Torn, Three Movements, publicado este 2023. Después re-descubriremos el nuevo trabajo del cantautor Matt Woosey, Compass And The Sand, publicado en 2022. Recordaremos a esta banda de garaje y punk rock, los australianos The Drones, de los que escucharemos su tercer álbum de estudio, Gala Mill, de 2006. Continue reading La Ruleta Rusa 44.2023. Sonar. Matt Woosey. The Drones. Rory Gallagher. Cameron Mizell & Charlie Rauh. Brad. Traffic. at La Ruleta Rusa Radio Rock.

In this first part of a special Hear the Dance episode, host and former NYCB Dancer Silas Farley is joined by dance scholar Jennifer Homans to discuss her recently published biography, "Mr. B: George Balanchine's 20th Century.” Homans describes how her own background as a dancer—including as a student at the School of American Ballet in the 1970s—and a return to Balanchine's works while facing personal loss inspired her lasting interest in the Company's founding choreographer. Farley and Homans dig into Balanchine's Georgian upbringing, the way the hardship and uncertainty of his years in Russia and France shaped his vocabulary, and the spirituality that infuses both his approach to the creative process and to the ballets he choreographed themselves. (1:03:58) Written by Silas Farley Edited by Gus Reed Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky All music performed by New York City Ballet Orchestra Reading List:  Balanchine: A Biography by Bernard Taper George Balanchine: Ballet Master by Richard Buckle in Collaboration with John Taras Balanchine and the Lost Muse: Revolution and the Making of a Choreographer by Elizabeth Kendall George Balanchine: The Ballet Maker by Robert Gottlieb Balletmaster: A Dancer's Vision of George Balanchine by Moira Shearer By With To & From: A Lincoln Kirstein Reader by Lincoln Kirstein, Edited by Nicholas Jenkins Apollo's Angels: A History of Ballet by Jennifer Homans

In this week's See the Music episode, Associate Music Director Andrews Sill provides a taste of history and context for Tschaikovsky's Serenade for Strings, the score of the first ballet George Balanchine choreographed in the United States. Sill discusses the way the composition's symmetries represent an homage to Mozart, and how Tschaikovsky marries "classical forms, folk tunes, and extroverted romantic expression” in the piece, which, combined with Balanchine's choreography, resulted in the iconic ballet beloved by audiences, dancers, and musicians today. (13:14) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky. Serenade for Strings in C, Op. 48 (1880) by Peter Ilyitch Tschaikovsky All music performed by New York City Ballet Orchestra

New York City Ballet's Music Director Andrew Litton returns to host this week's See The Music episode, devoted to Igor Stravinsky's Capriccio for Piano and Orchestra, the score for the Rubies section of George Balanchine's Jewels. Litton describes the captivating details of this composition from 1929, a prime example of the uniquely symbiotic relationship between Balanchine and Stravinsky, with a little help from Solo Pianist Stephen Gosling, who demonstrates some of the most challenging excerpts of the piece. (21:29) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Rubies: Capriccio for Piano and Orchestra (1929) Igor Stravinsky

This lecture discusses key ideas from the ancient Stoic philosopher Seneca's work, On Anger, book 2 It focuses specifically on his discussion in book 2 about his discussion of the three stages or movements involved in the emotion of anger. In the first stage, we grasp an appearance and are affected by it in some manner that can lead to anger. The second stage involves judgement, reason, will, and assent, and we have some control at this point. The third stage is the full emotion of anger, and is at that point outside of the control of the angry person To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Seneca's On Anger - amzn.to/3smh6M8

This week's episode features a special live presentation of See the Music, hosted by Associate Music Director Andrews Sill and Resident Conductor Clotilde Otranto. With a little help from the New York City Ballet Orchestra, they explore the combination of old and new, romantic and acrobatic in Igor Stravinsky's commissioned score for George Balanchine's Agon. As Otranto notes, Agon displays Stravinsky's creativity in “full bloom.” (10:39) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Agon (1953-56) by Igor Stravinsky All music performed by New York City Ballet Orchestra

For the latest See the Music episode, host and Associate Music Director Andrews Sill do-si-dos with George Balanchine's Square Dance. Sills demonstrates with recordings of traditional square dance calls and excerpts from the Vivaldi and Corelli score the ways in which the fiddlers of the former connect with the solo violins of the latter, and how this 1957 ballet contributed to the choreographer's efforts to build a trusting American audience for the classical art form. (15:14) Edited by Emilie Silvestri Music:  Symphony in Three Movements (1945) by Igor Stravinsky. Square Dance (1969) by Al Brundage Concerto Grosso in B Minor, op. 3, no. 10; Concerto Grosso in E Major, op. 3, no. 12 [first movement] by Antonio Vivaldi. Badinerie and Giga from Sarabanda, Badinerie, and Giga by Arcangelo Corelli.  Performed by New York City Ballet Orchestra.  Sarabanda, Giga e Badinerie (Suite for String Orchestra) by Ettore Pinelli (after Corelli). Performed by Zagrebački Solisti. Concerto in B minor, RV 580 by Antonio Vivaldi. Performed by I Solisti Italiani.

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In this episode, Dave and Andrew discuss the first female Pulitzer Prize winner, Ellen Taaffe Zwilich, who wrote a symphony of all things. What will they think about the first symphony to win the prize since Walter Piston's Symphony No. 7 back in 1961?   As promised in the episode, here's Ellen Taaffe Zwilich's appearance in Peanuts. If you'd like more information about Zwilich, we recommend: Julie Schnepel's article "Ellen Taaffe Zwilich's Symphony No. 1: Developing Variation in the 1980s" in Indiana Theory Review Vol. 10 (Spring and Fall 1989): 1-19 Anthony J. Palmer's "Interview with Ellen Taaffe Zwilich" in Philosophy of Music Education Review Vol. 19, No. 1 (Spring 2011): 80-99. Ellen Taaffe Zwilich's website.

Synopsis On this day in 1946, Igor Stravinsky conducted the New York Philharmonic in the first performance of his Symphony in Three Movements, a work inspired in part by World War II newsreels. “Each episode in the Symphony,” Stravinsky wrote, “is linked in my imagination with a specific cinematographic impression of the war. But the Symphony is not programmatic. Composers combine notes—that is all. How and in what form the things of this world are impressed upon their music is not for them to say.” What Stravinsky did say was that images of goose-stepping soldiers influenced its first movement, and its third movement was inspired in part by newsreels of the victorious march of the Allies into Germany. The themes of middle movement, however, had nothing to do with the war, but consisted of bits and pieces Stravinsky salvaged from his unused and unfinished score for the 1943 movie The Song of Bernadette. The producers decided instead to go with a score by Alfred Newman, a more experienced film composer. To Stravinsky's embarrassment, Newman's score for The Song of Bernadette won an Oscar for the Best Film Score of 1943. But Igor needn't have felt too chagrined—his music may have failed in Hollywood, but it triumphed at Carnegie Hall. Music Played in Today's Program Igor Stravinsky (1882-1971) Symphony in Three Movements Berlin Philharmonic; Pierre Boulez, conductor. DG 457 616 Alfred Newman (1901-1970) Song of Bernadette National Philharmonic; Charles Gerhardt, conductor. RCA 184

Join us this Sunday as we continue in our Advent series: Voices in the Darkness. This week, Richard Sandlin preaches from Luke 1.46-55, and invites us to join with Mary in her song of joy at the news that Jesus is coming.

Hear the Dance host and Principal Dancer Jared Angle explores George Balanchine's bombastic and infinitely complex Symphony in Three Movements on this week's episode. Jared speaks with two generations of the ballet's dancers: former NYCB dancer and current School of American Ballet faculty member Susan Pilarre, who originated one of the “five couple” roles in the ballet's 1972 Stravinsky Festival premiere and who has staged the work for several companies; and current Soloist Ashley Laracey, who debuted the lead role in the pas de deux, or what she calls a pas de quatre, just a week after learning she was pregnant with twins. (1:02:26) Written by Jared Angle Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky All music performed by the New York City Ballet Orchestra

City Ballet The Podcast returns for another season of deep dives and candid conversations, beginning with an episode of See the Music devoted to the score for Alexei Ratmansky's 2008 ballet Concerto DSCH. Musical Director Andrew Litton takes us on a tour through the many in-jokes, historical references, and musical cryptograms in Dmitri Shostakovich's “uncharacteristically cheerful” Piano Concerto No. 2. As he demonstrates in various excerpts, the piece is a powerful yet playful love letter between father and son. (21:46) Music: Symphony in Three Movements (1945) by Igor Stravinsky Concerto No. 2 in F Major, Op. 102 (1957) by Dmitri Shostakovich

Psalm 30:4-12Speaker: Dr. Matthew Soper

We have all experienced moments in which we are so immersed in a task that we lose track of time and performance feels effortless. For some, this may occur on the sports field; for others, in the classroom; and still, for others, in the performance hall. Yet, we have likely also experienced the opposite. For many children, the struggle for concentration is probably more prevalent.  Last week, we began a three-part series with Dr. Kevin Majeres. We discussed what anxiety is and how parents can help their sons—and themselves—turn occasions of anxiety into opportunities for growth. This week, we are back with Dr. Majeres to discuss attention and mindfulness. In the episode, Dr. Majeres helps us begin to answer the following questions:  Although we all may know the symptoms, what really is at the heart of attentional issues? What is a distraction? How does it differ from an interruption?  What is occurring physiologically when boys experience attentional difficulties?  What are ways to develop the muscles of attention?  What are common practices that cause attention to atrophy?  Is medicating a good way to approach attentional issues?  What is mindfulness? What are ways for younger children to practice mindfulness?  How does freedom relate to mindfulness?  In the end, mindfulness offers us a doorway into two aspects of freedom that are at the heart of human flourishing. Learning to attend to our work at school helps us to attend to others in society. And, in both instances, learning to attend well is a pathway to love; for what we love captures our attention — what lover does not often find his mind turning to his beloved? — and that to which we attend, we can begin to love.   If education is the turning of a mind, as we hear in the Republic, then mindfulness may well be fundamental to its success. For when one turns toward the truth, he will thereby be ready not only to recognize it but, even more, he will be prepared to fall in love with it.   Chapters 2:05 Introduction and Review of Episode 1 3:55 What is ADD and ADHD? 4:38 The Two Halves of Attention 6:28 Training the Default Mode Network 7:28 The Neuroscience of Attentional Difficulties 7:53 Theta Waves and the Muscle of Attention 9:05 The Three Movements of Attentional Training 9:55 Medication and the Gray Matter 11:13 Are Attentional Difficulties a Fixed Trait? 12:02 What Weakens the Attention 12:45 Video Games 13:25 How Music, Reading, and Work are not like Video Games 14:53 Passive Attention 15:30 Memory and Attention 16:35 The Importance of Imagination 18:01 Strengthening Attention 19:15 Slowing Down and Mindfulness 20:08 The Importance of Order and Predictability 22:15 Silence and Work 22:50 How distractions differ from Interruptions 26:00 Mindfulness for Young Children 30:18 The Golden Hour 31:33 Strategies for a Helping a Reluctant Boy 33:16 Forming the Perimeter 37:33 Mindfulness and Interior Freedom 38:50 The Freedom for Personal Bonds Additional Resources What is a Golden Hour? with Dr. Kevin Majeres and Sharif Younes Back to the Basics: An Intro to OptimalWork with Dr. Kevin Majeres OptimalWork on YouTube Reflections on the Right Use of School Studies by Simone Weil Also on The Forum  From Anxiety to Adventure with Dr. Kevin Majeres Why We Need Exposure to Nature by Eric Heil  Training the Hand to Train the Mind by Robert Grieving  Three Guiding Principles for Homework by Rich Moss

Trinity Sunday Sermon, June 12, 2022 Preacher: Matthew Price

A Pentecost Novena to the Holy Spirit. For in order to pray always, we must pray sometimes.From Revelation 22The Spirit and the bride say, “Come.” Let the one who thirsts come forward and receive the gift of life-giving water.Subscribe to our YouTube channel:https://www.youtube.com/c/SaintJohnPaulIINationalShrine?sub_confirmation=1Stay connected on social media: @jp2shrinehttps://www.facebook.com/jp2shrinehttps://twitter.com/jp2shrinehttps://www.instagram.com/jp2shrine/Visit us at: http://jp2shrine.orgPlan your visit on Trip Advisor: https://www.tripadvisor.com/Attraction_Review-g28970-d254181-Reviews-Saint_John_Paul_II_National_Shrine-Washington_DC_District_of_Columbia.htmlCredits: Adapted from John Paul II's homilies, audiences, and the encyclical Dominum et Vivificantem. Music: Suite in Three Movements, Op. 64 by Cyril Bradley Rootham; Tui Amoris Ignem (Taize). Permission to podcast / stream the music in this service obtained from ONE LICENSE with license # A-726735. All rights reserved.

Jonathan Cross compares recordings of Igor Stravinsky's Symphony in 3 Movements and picks a favourite. The first movement of Stravinsky's Symphony in Three Movements began life as a piano concerto. And in a failed bid to join the ranks of well-paid movie composers in Hollywood where Stravinsky now lived, the second movement, with its prominent harp part, was originally conceived to accompany a vision of the Virgin Mary in the 1943 film Song of Bernadette. Stravinsky's genius was to add a third movement, related to the first, and so create a cohesive, satisfying and brilliant whole despite the disparate origins of its first two parts. He completed the Symphony in 1945 and, despite a deeply felt sense of exile, loss and nostalgia, it's perhaps some of the most American-sounding of Stravinsky's music, capped by a resplendent final chord, straight out of Hollywood.

In this special episode of See the Music recorded live at our Lincoln Center theater, NYCB Music Director Andrew Litton dives into the history of the Felix Mendelssohn score for Balanchine's enchanted ballet A Midsummer Night's Dream. Litton shares excerpts from the music—written 173 years ago, when Mendelssohn was just 17 years old—that encapsulate the young composer's prodigious talent, even in the face of religious persecution in his native Germany where the score was banned for a time, despite its charming, enduringly romantic character. (12:43) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Overture and Incidental Music to A Midsummer Night's Dream, opp. 21 and 61 (1826, 1842) Overtures to Athalie, op. 74 (1845), The Fair Melusine op. 32 (1833), The First Walpurgis Night, op. 60; Symphony No. 9 for strings; Overture to Son and Stranger, op. 89 (1829) by Felix Mendelssohn All music performed by New York City Ballet Orchestra

Associate Music Director Andrews Sill voyages into the beguiling score of George Balanchine and Igor Stravinsky's Orpheus in the latest See the Music episode. As Stravinsky describes, in a 1949 radio interview, Orpheus is a "long, sustained, slow chant," that utilizes ancient modes and inspirations without directly imitating ancient music. With select excerpts and piano demonstrations, Sills describes Stravinsky's use of a "rare form of kleptomania" to create an undeniably modern yet timeless sound. (16:13) Edited by Emilie Silvestri Interview excerpt from "Stravinsky Visits WQXR with Orpheus" by WQXR Features (1949) Music: Orpheus (1947) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky All music performed by New York City Ballet Orchestra.

Tina reads “Three Movements for Opacity” by Sofia Samatar Our full-time voiceover artist reads a mediation on transparency and the opaque by way of Édouard Glissant, translation, sleep rituals and Maud Martha's glitter.   Tank Magazine · Tina reads Three Movements for Opacity by Sofia Samatar

Tina reads “Three Movements for Opacity” by Sofia Samatar Our full-time voiceover artist reads a mediation on transparency and the opaque by way of Édouard Glissant, translation, sleep rituals and Maud Martha's glitter.   Tank Magazine · Tina reads Three Movements for Opacity by Sofia Samatar

On this week's Hear the Dance episode of City Ballet the Podcast, join host Silas Farley for an in-depth conversation with former NYCB Principal Dancer Helgi Tomasson. In Part 1, Tomasson shares his journey from childhood in his native Iceland to joining the Company at age 26. In between, Tomasson auditioned for Jerome Robbins' Ballet USA, gaining a significant fan in the choreographer; discovered the States while on tour with the Joffrey Ballet; danced for six years with the Harkness Ballet; and won the silver medal following an adventure-filled performance at the First International Ballet Competition in Moscow in 1969. Tune in to Part 2 for more of Tomasson's fascinating story. (45:15) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra READING LIST: The Joffrey Ballet: Robert Joffrey and the Making of an An American Dance Company by Sasha Anawalt The Stravinsky Festival of The New York City Ballet Written and Edited by Nancy Goldner Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Somewhere: The Life of Jerome Robbins by Amanda Vaill San Francisco Ballet at Seventy-Five by Janice Ross; Preface by Brigitte LeFévre; Foreword by Allan Ulrich How Helgi Tomasson Reshaped S.F. Ballet to World-Class Renown by Rachel Howard

In Part 2 of this week's Hear the Dance conversation between host Silas Farley and Helgi Tomasson, the two discuss Tomasson's career following his entrance into the Company as a Principal Dancer in 1970. As he shares, originating a role in 1971 in Jerome Robbins' The Goldberg Variations marked a turning point in Tomasson's life; the following year, the original Stravinsky Festival led to two more seminal roles created on the dancer: Balanchine's Symphony in Three and Divertimento from Le Baiser de la Fée. Tomassion describes how his years dancing with NYCB informed both his work as a choreographer and his tenure as the Artistic Director of San Francisco Ballet, on the eve of his retirement from that position. (38:16) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra READING LIST: The Joffrey Ballet: Robert Joffrey and the Making of an An American Dance Company by Sasha Anawalt The Stravinsky Festival of The New York City Ballet Written and Edited by Nancy Goldner Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Somewhere: The Life of Jerome Robbins by Amanda Vaill San Francisco Ballet at Seventy-Five by Janice Ross; Preface by Brigitte LeFévre; Foreword by Allan Ulrich How Helgi Tomasson Reshaped S.F. Ballet to World-Class Renown by Rachel Howard

Sunday night 4/17/22 - Continuing our study through the book of Acts - Sermon titled "Three Movements Of God" - Acts 16:16-40 - Pastor James Eakins

During the second quarter of the night of awakening, the Buddha remembered his previouslives. First one, then two, then five. Soon he stopped counting. Names appeared—and he would say: “That was me.” He saw places—and said: “That was me.” He saw passions flare and fade. He saw people dying—and said: “That was me.” A throng of faces, clothes, towns, animals, merchandise, roads. He went on watching. He had stopped repeating “That was me.” And suddenly he realized he was watching the lives of others. He didn't notice any fundamental difference. He pressed on, amazed, but amazement was a constant in these migrations through time. True, he could no longer say: “That was me.” But was that really so important? He could still recognize the joy—and above all the suffering. The scenes he had lived through and those he had not lay side by side, each attracting the other, like leaves in a pond. The light they emanated fused into one. As soon as the eye retreated, they became a thread of beads, each with a slightly different color, and here and there a small chip.-excerpt from Ka, by Roberto CalassoSupport the show (https://www.paypal.me/apalmr)

Founder of Squat University and physical therapist, Aaron Horschig. The squat is a foundational movement. Aaron shares about developing proper and efficient movement patterns within the squat. There are lots of people who can move weight with a barbell but are your movements maximized for efficiency? Aaron explains how the squat position will affect your Olympic lifts and what to look for to produce optimal results. “If I can build your athletic pyramid wider, I can build it higher. You need a great base first”. (0:00 - 9:50) Squat University (10:29 - 16:58) Techniques and Strategies (17:54 - 22:39) Injuries (24:20 - 31:16 ) Different Approaches (32:10 - 41:00) Three Movements (41:43 - 46:56) Weight Belts (48:13 - 52:45 ) Performance and Well Being 

In this new See the Music episode, host and NYCB Orchestra Music Director Andrew Litton leads us through the history and multi-faceted movements of the music for George Balanchine's La Valse. Choreographed in 1951, the score combines two of Maurice Ravel's compositions: Valses Nobles et Sentimentales and La Valse—a "genius" merging of two interrelated works by Balanchine. Litton is joined by Solo Pianist Alan Moverman, whose piano renditions of excerpts from the score capture its by turns beguiling, bittersweet, and bombastic approaches to the waltz. (26:40) Edited by Emilie Silvestri Music: Valses Nobles et Sentimentales (1911, orchestrated 1912) and La Valse (1920) by Maurice Ravel Symphony in Three Movements (1945) by Igor Stravinsky

Mike Milton seeks to help pastors develop a framework for pastoral counseling using three essential movements to move from spiritual pathology to the cure of souls. --- Send in a voice message: https://anchor.fm/ministryminutes/message Support this podcast: https://anchor.fm/ministryminutes/support

HARLINGEN, Texas - Did you know about the Russia-Paris connection?  According to Russian Pianist, Danil Trifonov, to this day, many building and street signs are bilingual Russian/French.  Trifonov explained this Russian/French connection when I recently spoke to him about his latest release, Silver Age, an homage to music created during this important period in Russian History.Pianist Danil Trifinov's Silver Age album, includes Scriabin's Concerto for Piano and Orchestra in F sharp minor Op.20; Prokofiev's Piano Concerto No.2 in G minor Op.16; and Three Movements from Stravinsky's Petrushka. On the Silver Age album you will also be able to listen to Prokofiev's Sarcasmes Op.17, Piano Sonata No.8 in B flat major Op.84 and the "Gavotte" from "Cinderella" Op.95 No.2.  The album also includes Stravinsky's Serenade.  Go straight to track 14 and listen to my favorite--excerpts from The Firebird.The album is available in double disc and e-album formats.  I think you will enjoy listening to the podcast of my conversation with Russian Pianist, Danil Trifinov.Editor's Note: Credit for the attached photo of Danil Trifonov goes to Dad]rio Acosta.

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Listen to: WORD & SONGS Theme: The Symphony of Salvation in Three Movements with Sr. Lines Salazar, fsp | Daughters of St Paul #WordAndSongs​​​​​​​​​​ #PaulinesRadioPH​​​​​​​​​​ #DaughtersOfStPaul​​​​​​​​​​

A Pentecost Novena to the Holy Spirit. For in order to pray always, we must pray sometimes.From Revelation 22The Spirit and the bride say, “Come.” Let the one who thirsts come forward and receive the gift of life-giving water.Subscribe to our YouTube channel:https://www.youtube.com/c/SaintJohnPaulIINationalShrine?sub_confirmation=1Stay connected on social media: @jp2shrinehttps://www.facebook.com/jp2shrinehttps://twitter.com/jp2shrinehttps://www.instagram.com/jp2shrine/Visit us at: http://jp2shrine.orgPlan your visit on Trip Advisor: https://www.tripadvisor.com/Attraction_Review-g28970-d254181-Reviews-Saint_John_Paul_II_National_Shrine-Washington_DC_District_of_Columbia.htmlCredits: Adapted from John Paul II's homilies, audiences, and the encyclical Dominum et Vivificantem. Music: Suite in Three Movements, Op. 64 by Cyril Bradley Rootham; Tui Amoris Ignem (Taize). Permission to podcast / stream the music in this service obtained from ONE LICENSE with license # A-726735. All rights reserved.

Visit our website BeautifulIllusions.org for a complete set of show notes and links to almost everything discussed in this episodeSelected References:2:19 - The Yankees beat the Indians 1-0 in Game 3 of the 2017 American League Division Series, see “2017 American League Division Series (ALDS) Game 3, Indians at Yankees” (Baseball Reference) and 2017 ALDS Game 3 Highlights3:25 - Boston Red Sox at New York Yankees Box Score, August 2, 20193:34 - Yankee Stadium3:36 - We always park at the Harlem River North Lot, exit 6 off of I-87S (The Major Deegan Expressway)3:55 - It was Adam Ottavino4:52 - Watch Gleyber Torres' Grand Slam vs Red Sox | August 2, 20195:28 - Torres' grand slam leads Yankees to a 4-2 win | Red Sox-Yankees Game Highlights 8/2/19 (YouTube)8:50 - Written in 1908, “Take Me Out to the Ballgame” is the baseball anthem traditionally sung during the 7th inning stretch -  listen to a 1908 recording and watch legendary Cubs announcer Harry Caray famously lead the singing at Wrigley Field9:18 - See “New York Yankees Team History & Encyclopedia” from Baseball Reference, the “History of the New York Yankees” Wikipedia entry, or the “New York Yankees” entry from Baseball Almanac9:45 - Thurman Munson, an avid amateur pilot, died on August 2, 1979 attempting to land his personal plane and crashing short of the runway - see “8/02/1979 - Thurman Munson dies in crash” (SBNation, 2010), “40 years on, Thurman Munson's death remains one of sports' most stunning moments” (Yahoo! Sports, 2019), and “Remembering the Great Thurman Munson 40 Years After His Tragic Death” (How They Play, 2020)10:05 - Watch Billy Martin and Reggie Jackson almost come to blows in the dugout at Fenway Park after Martin pulled Jackson from the game, which the Red Sox won 10-4, see “June 18, 1977: When Reggie Jackson and Billy Martin clashed at Fenway” (Sporting News, 2019) and “New York Yankees at Boston Red Sox Box Score, June 18, 1977” (Baseball Reference)14:44 - The Red Sox beat the Yankees 11-0 on Saturday September 6, 2003 at Yankee Stadium, see “Boston Red Sox at New York Yankees Box Score, September 6, 2003” (Baseball Reference)16:05 - The Yankees didn’t trade for Jason Giambi, they signed him to a seven-year, $120 million dollar free agent contract in December of 2001, see “Giambi tops Yankees' arsenal of new additions” (ESPN, 2001)16:18 - The Yankees traded Alfonso Soriano for Alex Rodriguez in February of 2004, see “Trades Of The Decade: A-Rod For Soriano” (MLB Trade Rumors, 2009) and “The great A-Rod trade robbery” (Bronx Pinstripes, 2020)16:34 - Oriole Park at Camden Yards opened in 1992 and was innovative and influential for being the first of the “retro” style ballparks that , see “Three Movements in New Retro Ballpark Construction” (Ballpark Ratings)20:06 - See Wikipedia’s list of current Major League Baseball stadiums and the slightly out of date article “MLB Ballparks, From Oldest to Newest” (Ballpark Digest, 2017)20:46 - See “The Steroids Era” (ESPN, 2012) and the Wikipedia entry on “doping in baseball”, also check out what is shaping up to be an excellent podcast summation of the era, Crushed from Religion of Sports20:53 - Roger Maris hit 61 home runs in 1961 breaking Babe Ruth’s record of 60 set in 1927, watch the 61st homer with call by the former Yankee shortstop and legendary broadcaster Phil Rizzuto , and see “Roger Maris Breaks the Home Run Record” (History) or “61 Home Runs by Roger Maris” (Baseball Almanac)21:07 - See the “1998 Major League Baseball home run record chase” Wikipedia entry and “The McGwire-Sosa home run chase helped make 1998 one of MLB's wildest seasons ever” (ESPN, 2020)21:10 - The Yankees beat the Red Sox 3-2 at Fenway Park on September 8, 1998, see “New York Yankees at Boston Red Sox Box Score, September 8, 1998” (Baseball Reference)21:44 - Watch Mark McGwire’s 62nd homer of 199822:53 - Listen to Beautiful Illusions Episode 09 - Lying About Santa: Naughty or Nice? from December 202024:38 - The Yankees beat the Red Sox 5-4 in 13 innings at Yankee Stadium on Thursday July 1, 2004, this game is notable for being the famous “Jeter In The Stands” game, and is undoubtedly one of the best Yankees vs Red Sox regular season games of all time, see “July 1, 2004: Best regular season win” (Bronx Pinstripes), “Boston Red Sox at New York Yankees Box Score, July 1, 2004” (Baseball Reference), and watch the Yankees rally and win in the bottom of the 13th28:08 - The 2003 Yankees home opener vs the Minnesota Twins scheduled to be played on Monday April 7, was postponed due to snow and played on Tuesday April 8, the temperature was a balmy 35° at first pitch, the Yankees won 7-3, and Hideki Matsui hit a memorable grand slam in his first game at Yankee Stadium, see “Minnesota Twins at New York Yankees Box Score, April 8, 2003” (Baseball Reference)29:17 - See the referenced "poster" which was indeed created with Microsoft Paint31:27 - The Diamondbacks came back in the bottom of the 9th to beat the Yankees 3-2 in Game 7 of the 2001 World Series, see the winning hit by Luis Gonzalez off of future Hall of Famer, greatest closer of all time, and absolute Yankee legend Mariano Rivera32:08 - See “Baseball History, American History and You” (National Baseball Hall of Fame) and “The National Pastime” (Our Game MLB Blog)33:05 - Watch James Earl Jones in his role as Terence Mann reciting one of the most famous monologues in movie history from 1989’s Field of Dreams, and while you’re at it watch Ray have a catch with his dad, just because...34:06 - See “Why are Sportswriters Whitewashing Baseball’s Dark Secrets?” (The Daily Beast, 2018)34:33 - See “The Legend of Mickey Mantle” (American Heritage, 2019), and with an extreme grain of salt see “Mickey Mantle’s 10 Longest Home Runs” (TheMick.com)34:40 - See “Time in a Bottle” by Mickey Mantle recounting his struggles with alcoholism from the April 1994 issue of Sports Illustrated36:39 - See the 2010 article in Sports Illustrated adapted from her Mickey Mantle biography The Last Boy, by baseball writer and journalist Jane Leavy 42:14 - See “After 1968’s ‘Year of the Pitcher,’ MLB lowered the mound. Now, the league could do it again.” (Washington Post, 2019) and “Four stats that showed why baseball had to lower the mound after 1968” (Cut4, MLB.com)43:27 - The Secret of Our Success by Joseph Henrich43:32 - Listen to Mindscape Episode 128 - Joe Henrich on the Weirdness of the West from January 202144:05 - See “The cultural niche: Why social learning is essential for human adaptation” (Proceedings of the National Academy of Sciences, 2012), “A cultural species: How culture drove human evolution” (American Psychological Association, 2011), and “How Culture Drove Human Evolution” (Edge, 2012)44:42 - Watch “Why chimps don’t play baseball” (Nature YouTube Channel)50:09 - See “Stats to Avoid: Batting Average” (FanGraphs) and “Stat to the Future: Why it's time to stop relying on batting average” (Sporting News)50:16 - See “State of Analytics: How the Movement Has Forever Changed Baseball – For Better or Worse” (Stats Perform) and “Statistics ruined baseball by perfecting it” (The Conversation, 2019)54:02 - The new Yankee Stadium opened in 200955:40 - “My version” of Yankee Stadium was actually the renovated version of the original stadium built in 19231:00 - Listen to Beautiful Illusions Episode 06 - What We Talk About When We Talk About Politics from November 2020 and Episode 13 - What We Talk About When We Talk About Politics Part 2: Just the Facts from April 20201:01:05 - Watch Trumbull, CT win the 1989 Little League World Series by beating Taiwan, 5-2This episode was recorded remotely via Zoom in April 2021The “Beautiful Illusions Theme” was performed by Darron Vigliotti (guitar) and Joseph Vigliotti (drums), and was written and recorded by Darron Vigliotti

Fr. Roger J. Landry Saint Andrew’s Church, Manhattan Leonine Forum NYC Advent Day of Recollection Saturday of the First Week of Advent December 5, 2020 Is 30:19-21.23-26, Ps 147, Mt 9:35-1:1.5-8   To listen to an audio recording of today's homily, please click below:  https://traffic.libsyn.com/secure/catholicpreaching/12.5.20_Leonine_Forum_Homily_1.mp3   The following points were attempted in the homily:  We've been focusing […] The post The Three Movements of Advent, First Saturday of Advent, Leonine Forum Day of Recollection, December 5, 2020 appeared first on Catholic Preaching.

In this episode of the Books of Some Substance podcast, Nick chats with Alexis Marshall, vocalist of the noise rock band Daughters, about Jean Cocteau’s 1929 novel Les Enfants Terribles (or as it is known in its English translation: The Holy Terrors). Topics of discussion include: Marshall's own approach to writing poetry and lyrics, how The Holy Terrors is a direct allegory of Cocteau’s addiction to opium, and how the atmosphere of this book is both nightmarishly dream-like and kinda like the amplified drama of a reality show. Daughters’ latest record, You Won’t Get What You Want, is available via Ipecac Records (editor’s note: It is easily one of my favorites of the 2010s). Alexis Marshall’s new solo single Nature in Three Movements is out now. The Heartworm Reader, Vol. 1 is available today and features a few poems from Marshall (as well as a few from past guest Ross Farrar of Ceremony). Happy reading. Happy listening. Stay surreal out there.

This week’s edition of City Ballet The Podcast is the premiere broadcast of a live See the Music presentation on the score to Balanchine's Brahms-Schoenberg Quartet, recorded on the NYCB stage in 2019. Host and Resident Conductor Clotilde Otrantro walks us through the innovations and themes of Brahms’ original chamber music score, and indicates some of the choices Schoenberg made in the instrumentation for full orchestra in order to maintain the music’s various sombre moods, military vibes, and folk influences. Otranto is joined by the NYCB Orchestra for a number of evocative excerpts, transporting us to the romanticism of the Austro-Hungarian Empire. (13:33) Music: Symphony in Three Movements (1945) by Igor Stravinsky Piano Quartet in G minor, Op. 25 (1861) by Johannes Brahms, arr. by Arnold Schoenberg

City Ballet the Podcast is back with a new season of deep dives into the history and artistry of New York City Ballet. We begin by revisiting our very first See the Music episode to celebrate the premiere of the Digital Fall Season—and the All Balanchine program. NYCB’s Music Director Andrew Litton delves into the background of Bizet’s Symphony in C, a hidden treasure that, 80 years after its creation, found a new popularity with the help of George Balanchine. Litton also sits down with NYCB Orchestra’s principal oboist, Julia DeRosa, to discuss Symphony in C’s iconic oboe solo and the intricacies of playing an instrument that is integral to so many ballet scores. (26:12) Music: Symphony in Three Movements (1945) by Igor Stravinsky Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra.

In this week’s episode of See the Music, NYCB Music Director Andrew Litton introduces us to the score of Jerome Robbins’ In G Major: Maurice Ravel’s Piano Concerto from 1931. With live demonstrations on the piano, Litton explores the American influences and jazzy nuances of this late work from the French impressionist composer, relating which passage he considers “achingly beautiful” and his personal connection to the piece. (24:28) Music:  Symphony in Three Movements (1945) by Igor Stravinsky Piano Concerto in G Major (1928-31) by Maurice Ravel

Peter Whorf talks with Thomas Sondergard who conducts the Detroit Symphony Orchestra in Stravinky’s “Symphony in Three Movements,” Poulenc’s “Les Animaux Modeles,” Debussy’s “La Mer,” and Ravel’s “Piano Concerto for the Left Hand” with pianist Bertrand Chamayou.

Filming the ones that we love and making documentaries about them can be a challenging, but ultimately very rewarding experience. It can be full of emotional pitfalls. It can bring families closer together . And no one knows this better than Academy Award-nominated and Emmy Award-winning director, https://www.imdb.com/name/nm2480339/ (Irene Taylor Brodsky).  We'll speak with Irene on the eve of the release of her latest HBO Documentaries film, https://www.youtube.com/watch?v=jBV43REbk-g (Moonlight Sonata: Deafness in Three Movements). Topics Discussed the profound nature of using documentary as a form of cultural currency how documentary filmmakers are often viewed as altruistic people, but we may be telling these stories for our own self-interest making doc films with your family as main subjects the importance of making the audience the hero of your story   Additional Resources Watch a trailer for Moonlight Sonata: Deafness in Three Movements https://www.youtube.com/watch?v=jBV43REbk-g (https://www.youtube.com/watch?v=jBV43REbk-g)   Sponsors & Thank Yous  ° http://freemusicarchive.org/ (Free Music Archive) – Special Thank You to recording artist, http://freemusicarchive.org/music/Dlay/ (Dlay) who supplied music for this week's episode of TDL. You too can download his music or other artists' music by going to http://freemusicarchive.org/ (Free Music Archive) today!   Subscribehttps://podcasts.apple.com/us/podcast/the-documentary-life/id1112679868 (Apple) | https://open.spotify.com/show/0wYlYHJzyk3Y7fHzDDwvmp (Spotify) | https://www.stitcher.com/podcast/thedocumentarylife/the-documentary-life (Stitcher) |  Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the https://itunes.apple.com/us/podcast/documentary-life-filmmaking-documentary-films-documentary/id1112679868?mt=2 (link) and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!

The best plan is to reject straightway the first incentives to anger, to resist its very beginnings, and to take care not to be betrayed into it: for if once it begins to carry us away, it is hard to get back again into a healthy condition. --- Support this podcast: https://anchor.fm/stoicmeditations/support

Filmmaker Irene Taylor Brodsky grew up with deaf parents. One of her previous films documented her parents getting cochlear implants. Irene Taylor Brodsky explores her son’s deafness, deaf culture and the idea of finding one’s creative voice in her new film: “Moonlight Sonata: Deafness in Three Movements.

In our first See The Music episode, New York City Ballet’s Music Director Andrew Litton delves into the history of Bizet’s Symphony in C, a hidden treasure that, 80 years after its creation, became a star with the help of George Balanchine. Litton also sits down with NYCB Orchestra’s newest principal oboe player, Julia DeRosa, to talk about Symphony in C’s iconic oboe solo and explores the intricacies of playing an instrument that is integral to so many ballet scores. (23:27) Music: Symphony in Three Movements (1945) by Igor Stravinsky Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra.

Documentary Filmmaker Irene Taylor Brodsky is the daughter of two deaf parents and the mother of a deaf son. Clearly she has thought long and deeply about deafness; as she says, “I've never known a life without deafness in it.” Her first feature documentary, the award-winning Hear and Now, told the moving story of Brodsky's deaf parents, their decision in their mid-60s decision to have cochlear implants that allowed them to hear, and the consequences of that decision. In some ways she has returned to that topic with her latest film, Moonlight Sonata: Deafness in Three Movements. It's another family story that centers on her deaf son's desire to play Ludwig von Beethoven's "Moonlight Sonata" interwoven with the story of her father growing old and forgetful, and Beethoven's life the year he was affected by deafness and wrote the iconic sonata. In this podcast, we go behind the scenes of the film with Brodsky and discuss it as a portrait of the place of sound and silence in life.

Documentary Filmmaker Irene Taylor Brodsky is the daughter of two deaf parents and the mother of a deaf son. Clearly she has thought long and deeply about deafness; as she says, “I’ve never known a life without deafness in it.” Her first feature documentary, the award-winning Hear and Now, told the moving story of Brodsky’s deaf parents, their decision in their mid-60s decision to have cochlear implants that allowed them to hear, and the consequences of that decision. In some ways she has returned to that topic with her latest film, Moonlight Sonata: Deafness in Three Movements. It’s another family story that centers on her deaf son’s desire to play Ludwig von Beethoven's "Moonlight Sonata" interwoven with the story of her father growing old and forgetful, and Beethoven's life the year he was affected by deafness and wrote the iconic sonata. In this podcast, we go behind the scenes of the film with Brodsky and discuss it as a portrait of the place of sound and silence in life.

Documentary Filmmaker Irene Taylor Brodsky is the daughter of two deaf parents and the mother of a deaf son. Clearly she has thought long and deeply about deafness; as she says, “I’ve never known a life without deafness in it.” Her first feature documentary, the award-winning Hear and Now, told the moving story of Brodsky’s deaf parents, their decision in their mid-60s decision to have cochlear implants that allowed them to hear, and the consequences of that decision. In some ways she has returned to that topic with her latest film, Moonlight Sonata: Deafness in Three Movements. It’s another family story that centers on her deaf son’s desire to play Ludwig von Beethoven's "Moonlight Sonata" interwoven with the story of her father growing old and forgetful, and Beethoven's life the year he was affected by deafness and wrote the iconic sonata. In this podcast, we go behind the scenes of the film with Brodsky and discuss it as a portrait of the place of sound and silence in life.

Documentary Filmmaker Irene Taylor Brodsky is the daughter of two deaf parents and the mother of a deaf son. Clearly she has thought long and deeply about deafness; as she says, “I’ve never known a life without deafness in it.” Her first feature documentary, the award-winning Hear and Now, told the moving story of Brodsky’s deaf parents, their decision in their mid-60s decision to have cochlear implants that allowed them to hear, and the consequences of that decision. In some ways she has returned to that topic with her latest film, Moonlight Sonata: Deafness in Three Movements. It’s another family story that centers on her deaf son’s desire to play Ludwig von Beethoven's "Moonlight Sonata" interwoven with the story of her father growing old and forgetful, and Beethoven's life the year he was affected by deafness and wrote the iconic sonata. In this podcast, we go behind the scenes of the film with Brodsky and discuss it as a portrait of the place of sound and silence in life.

Irene Taylor Brodsky happens to be an: Emmy and Peabody Award-winning, Oscar-nominated, director, producer, writer, cinematographer, whose documentaries have been shown in theaters, at festivals and on the small screen. Her first documentary feature "Hear and Now" was actually a memoir about her deaf parents. Her mom and dad are back on the big screen as is Irene's son Jonas, in her newest work "Moonlight Sonata: Deafness in Three Movements." This is one very open, very personal conversation with a very accomplished, passionate, creative woman.

Director Irene Taylor Brodsky once again turns the camera on her deaf parents and, now, her 11-year-old deaf son Jonas, who has cochlear implants and is discovering a profound world of hearing—and music in this deeply personal story, Moonlight Sonata: Deafness in Three Movements.  As Jonas learns the first movement of Beethoven’s iconic sonata on the piano, his grandparents, deaf for nearly 80 years, watch with deepening awe what time and technology have bestowed their grandson. But when Jonas struggles with the sound of his mistakes, Beethoven’s own musical journey comes to life in an animated world of watercolor and haunting soundscapes.  As the great composer loses the sense that brought him so much music and fame, Jonas’s grandfather Paul loses his grasp on his mind. Their lives weave a sonata over three centuries, about all we can discover once we push beyond what has been lost. Director Irene Taylor Brodsky joins us to talks about this very personal and deeply affecting tale of three threads that run through her family and the most celebrated deaf musician of all time, Ludwig von Beethoven. Director / Producer / Editor /Cinematographer talks about the personal and professional challenges of focusing on members of her family and how the power of music has resonated brought hope and healing. For news, screening and updates go to: moonlightsonatadoc.com Social Media: facebook.com/moonlightsonatadoc twitter.com/VermilionFilms instagram.com/moonlightsonatadoc

In her new documentary film, director Irene Brodsky follows her son Jonas as he sets out to learn Beethoven's “Moonlight Sonata.” Like the legendary composer, Jonas is deaf, and struggling to live between the worlds of sound and silence.

An award-winning filmmaker on her extraordinary auditory journey - Irene Taylor Brodsky, an Emmy and Peabody Award-winning, Oscar-nominated director, producer and writer has been around profound hearing loss her entire life; both her parents are deaf, and her 13-year-old son also has hearing loss. Falling into a unique group of caregivers known as the sandwich generation, due to the role she has played helping both her parents and her child, Irene has turned this experience into two exceptional documentaries. Her first, the Peabody Award-winning Hear and Now, highlights her parents’ choice to receive Cochlear implants to end lifelong deafness. Her latest film, Moonlight Sonata: Deafness in Three Movements, which debuted at the 2019 Sundance Film Festival and will soon premier on HBO, focuses on hearing loss from the three perspectives of her son, his grandfather, and the immortal composer Ludwig van Beethoven’s during the year he wrote this iconic sonata just as he began to realize he was going deaf. On this segment, Irene and Jane will discuss her films in depth, why Cochlear implants were chosen, what to say to someone struggling with hearing loss or had a loved one struggling, and how to find hope and determination to not only survive but to thrive through any of life’s challenging times. Jane will also be speaking with Jessica Van Auken, a noted audiologist who specializes in treating pediatric and adult patients who utilize Cochlear implants. Aside from hearing loss facts and statistics and the benefits of Cochlear implants, Jessica will also recommend tips and tools for proper noise control and lifestyle choices in order to ensure an ability to hear that avoids becoming lesser than before.

Week 2 of the Poetic Imagination series

Luke 5:1-11

Rev. Peter Jonker leads our Christmas Eve Candlelight Service. This service is broken into three movements that show us how we approach the manger: I. To Come in Haste, II. To Worship, III. To Ponder.

John 8:48-591. We are free from seeking our own glory, v. 50-1 Peter 4:1-52. Death no longer has power over us, v. 51-2 Corinthians 5:1-10“We have no consciousness after you die. For us we fear death because we are born knowing only life. For me, the knowledge that I am going to die creates the focus that I bring to being alive.” -Neil deGrasse TysonSo what can I take away from this passage?a) I was created to live foreverb) in this body I am going to sufferc) its not about being set free (Greek) but about being forever (Christian)c) for the Christian, death is the transition to Lifed) the Holy Spirit resides in us as assurance of these thingse) these truths are intended to encourage mef) to be away from the body is to be with the Lordg) I was created to live a life that pleases Godh) my life on this earth will matter in heaven3. Jesus is the divine son of God, v. 59What does this mean for us...1. We have a God who keep this word2. God has acted personally, at great cost to himself, to do something about our greatest problem. 3. You have a resource you can trust in the Bible.4. Life change is possible. -Acts 3:17-26

Pastor Erica wraps up our Flourishing series with: 1. Shalom and Self-Care 2. Testimony Time (not recorded) 3. Rebuke of Self-Preservation 4. Open time of prayer (not recorded) 5. Creation Care

John 8:39-471. Believe God, v. 39-40-Genesis 15:1-6-Galatians 3:1-92. Love God, v. 41-42Three types of love ...a) eros- romantic love. b) phileo- relational, brotherly love. c) agape- to have an unconditional preference for, to take pleasure in, to prize above other things and be unwilling to abandon or do without. 3. Hears the Word, v. 43-47Questions to think about...Do you believe in God or do you believe God? What is the difference?Which of the three types of love best describes the way you love God?Is the way you love God changing? If so, how?Do the words of God find a resting place in you? Are you most often offended or convicted by the teachings of the Bible? What does that say to you about you? About the Bible?

John 8:31-38 1. Abide “In a nutshell, abiding in Christ means allowing His Word to fill our minds, direct our wills, and transform our affections. In other words, our relationship to Christ is intimately connected to what we do with our Bibles!” -Sinclair Ferguson 2. Know “ginosko”- “to learn to know, come to know, get a knowledge of.” Four things that helps us learn to know... a) affliction- “It was good for me that I was afflicted, that I might learn your statues. The law of your mouth is better to me than thousands of gold and silver pieces.” - Psalm 119:71-72 b) suffering “Although he was a son, he learned obedience from what he suffered.” -Hebrews 5:8 c) modeling d) dialogue “And these words that I command you today shall be on your heart. You shall teach them diligently to your children, and shall talk of them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise. “ -Deuteronomy 6:6-7 3. Freedom Progression of our thoughts about freedom... a) Old Testament- freedom was deliverance from slavery, liberation b) classical freedom- inner freedom for the Stoics who believed in an internal detachment from the world (escapism). For Aristotle and Plato it was external, mainly having to do with political freedom and was experienced in the context of the law. c) cultural freedom-our culture thinks of freedom in terms of a lack of norms, laws or restrictions so people are free to do whatever they want which leads to destruction personally as well as culturally. d) New Testament- the predominant note of the New Testament is freedom in Christ from bondage to sin. Human beings by nature “love darkness” and “hate the light.” Because of this we live in a state of unreality. Throughout the Bible God is simply saying, “Freedom is what you were created for and the by-product of this biblical freedom is human flourishing as well as cultural flourishing." “When we come into bondage to the Word of God we come into freedom, because the Word liberates us from the lustful pull of our own nature, and brings us on, via the pathway of hard obedience, into new realms of living for God. It is the Law of Liberty.” -Alec Motyer ”True freedom is not the liberty to do anything we please, but the liberty to do what we ought; and it is genuine liberty because doing what we ought now pleases us.” -D.A. Carson Questions for reflection… Today we said that abiding in the word means allowing the Bible to fill your mind, direct your will and transform your affections. Of those three, which do you most need the Bible to do right now? What is the hardest thing you’ve been through in this past year and what did you learn from it? Who do you spend time with on a consistent basis that nourishes you spiritually? What would change in the way you thought about Christianity if you believed the the goal for the Christian really was freedom?

Self-described as a psychedelic chamber ensemble for the disobedient and melancholic youth, Milwaukee’s SOCIAL CATERPILLAR—a five-piece project composed of Kyle Smith on guitar and vocals, Eli Smith on Bass, Eric Ash on Violin, K-Rad on Cello, and Whisper Crystal on drums—has been playing and recording a unique style of music together since 2016. Following their debut EP, Welcome to the Petting Zoo, SOCIAL CATERPILLAR have since released a split cassette with fellow Milwaukee artists SNAG titled A Dying Emperor Within a Dying Empire in December, 2017. Their latest work, Motorcycle in Three Movements (to be released on July 13th) is a collaboration with the Denver-based soundscape collective UTAJAHS and the band will embark on a two-week tour in support of the album beginning July 20th. In its acronymic form, S.O.C.I.A.L C.A.T.E.R.P.I.L.L.A.R, as the band often reminds their audience, means “Striving Onward Collectively and Illegally Against the Law Cosmic Art Terminates Every Relation of Power Instantly Limitless Love Amongst Rebellion”. Tune into WMSE for Local/Live on Tuesday, July 10th for a live, on-air set from Milwaukee’s Social Caterpillar. WMSE.org to stream live or in the archives or simply tune your radio to 91.7 FM at the 6 o’clock hour. Local/Live on WMSE is sponsored by Club Garibaldi’s

We are called to walk in Jesus, see and hear what Jesus has for us, and enter into the reality He has for us.

A musical symphony is an elaborate instrumental composition in three or more movements, written for an orchestra and usually of grand proportions and many varied elements.  A movement is a principal...

American Maverick Steve Reich celebrates his 80th birthday in 2016. There's always a pulse at the heart of his music, and his "Three Movements" lets the full orchestra feel the beat.

Join Bernardo Miethe and Andrew Owen as they unpack information about the world of classical music. Designed for musicians and non-musicians alike, this podcast means to expand the knowledge of classical music to our listeners. On this episode we discuss the life of Igor Stravinsky and his Symphony in Three Movements.

The Missional Church – Part 1: The Missional Nature of God week 3 John 3:16, 5:24, 14:26, 17:18, 20:21 Missional Living Homework: What did you do (plan to do) to encourage proximity in your neighborhood? What did you do (plan to do) to encourage presence in your neighborhood? Three Movements in the missio Dei God … Continue reading Participating in the missio Dei →

Tim Keel Three Movements of A Spiritual Life Download mp3

The repertoire for this program—George Balanchine’s Symphony in Three Movements, Helgi Tomasson’s Criss-Cross, and Yuri Possokov’s Francesca da Rimini, represents […]