Podcasts about reddit reddit

Die 35te Episode meiner "(wahre) Reddit Stories Reihe".Diesmal mit 4 Geschichten von Reddit Usern, die ihre Horrorerfahrungen in das Reddit Forum posteten.Viel Spaß beim Hören dieses Reddit Horrorhörbuches!Horror zum Einschlafen Hosted on Acast. See acast.com/privacy for more information.

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3 wahre mysteriöse dämonische Horrorgeschichten von Reddit | Reddit Horror #11 :Hier die Stories zum selber nachlesen :Anstalt:https://www.reddit.com/r/TrueScaryStories/comments/15fp4sw/what_i_found_at_an_abandoned_psychiatric_hospital/ Dämon seid Kindheit:https://www.reddit.com/r/TrueScaryStories/comments/15g2qep/my_jinn_shadow/ Verfluchter Hausmeister:https://www.reddit.com/r/Ghoststories/comments/15erv6h/paranormal_janitorial_job_p1/kleines Trinkgeld: https://paypal.me/FrankGodWhiteBei Fragen: frankgodwhite@gmail.comIch wünsche euch eine Gute Nacht!-------------------------------------------------------------------------------Keywords:horror zum Einschlafencreepypastacreepypasta deutschhorrorhörbuchhorrorhorrorhörspielehorror deutschcreepypasta deutschcreepypasta zum einschlafenhorror deutschgute nacht gute nacht geschichtenhorrorhörbücherhorrorhörspielefränkys horror ecke Hosted on Acast. See acast.com/privacy for more information.

Reddit is a social media website where people with common interests can have conversations by posting comments, videos and images. Posts are grouped into communities, called subreddits, based on different subjects. Thousands of popular Reddit communities, including groups about technology, gaming, and music, locked out their users recently in protest. People who organize the communities, called moderators, are protesting the company's plan to charge for access to its data. Starting next month, Reddit said third-party app developers, people who make apps but do not work for Reddit, will have to pay for its application programming interface (API). It is a programming system that permits a data provider and end-user to communicate with each other.Reddit 是一个社交媒体网站，有共同兴趣的人可以在这里通过发表评论、视频和图片进行对话。根据不同的主题，帖子被分组到称为 subreddits 的社区中。数以千计的热门 Reddit 社区，包括跟技术、游戏和音乐有关的组等最近因其用户被拒之门外以示抗议。组织社区的人，称为版主，正在抗议该公司对访问其数据收费的计划。从下个月开始，Reddit 表示第三方应用程序开发人员，即开发应用程序但不是为 Reddit 工作的人，将不得不为其应用程序编程接口 (API) 付费。它是一个允许数据提供者和最终用户相互通信的编程系统。Reddit plans to charge developers that require higher usage limits $0.24 for every 1,000 API calls or less than $1 per user every month. One such third-party app is the Apollo app. It is popular among Reddit users as a way to get content from the official Reddit page. Apollo said that with their current usage, the charges would cost more than $20 million a year. And the developer added that the costly charges have “made it impossible” to continue offering the service. Christian Selig, the creator of the Apollo app for Reddit, said that the service will close on June 30.Reddit 计划向需要更高使用限制的开发人员收取每 1,000 次 API 调用 0.24 美元或每位用户每月不到 1 美元的费用。一个这样的第三方应用程序叫 Apollo 应用程序。作为从 Reddit 官方页面获取内容的一种方式，它在 Reddit 用户中很受欢迎。阿波罗表示，按照目前的使用情况，每年的费用将超过 2000 万美元。开发商补充说，昂贵的收费“使它不可能”继续提供服务。Reddit 的 Apollo 应用程序的创建者 Christian Selig 表示，该服务将于 6 月 30 日关闭。One of the reasons that Reddit is making the change is generative artificial intelligence (AI). Generative AI can create new content, like images, videos, music, text, or other forms of data. Conversations on Reddit have a lot of data that can be used to train generative AI tools such as ChatGPT. While some of this data can be collected in an unstructured way, Reddit's API makes it easier for companies to directly find and collect the data. Reddit chief executive Steve Huffman told The New York Times in April that Reddit's data “is really valuable.” And he said he does not want to “give all of that value to some of the largest companies in the world for free.”Reddit 做出改变的原因之一是生成式人工智能 (AI)。生成式 AI 可以创建新内容，例如图像、视频、音乐、文本或其他形式的数据。Reddit 上的对话有大量数据可用于训练生成式 AI 工具，例如 ChatGPT。虽然其中一些数据可以以非结构化方式收集，但 Reddit 的 API 使公司更容易直接查找和收集数据。Reddit 首席执行官史蒂夫霍夫曼在 4 月份告诉纽约时报，Reddit 的数据“非常有价值”。他说他不想“将所有这些价值免费提供给世界上一些最大的公司。”Thousands of subreddits, including r/Music, r/gaming, r/science, and r/todayilearned, are protesting the move. They all have more than 30 million followers. Unlike most other social media services, Reddit is heavily dependent on community moderators who police their subreddits for free to deal with offensive or illegal content. And the moderators planned a blackout during which their pages will go private. That means millions of users will be left without access to those communities. Huffman noted the anger among many moderators of Reddit communities. But he said the company cannot let companies use large amounts of its data for free and Reddit needs to be able to support itself.包括 r/Music、r/gaming、r/science 和 r/todayilearned 在内的数以千计的 subreddits 正在抗议此举。他们都拥有超过3000万的粉丝。与大多数其他社交媒体服务不同，Reddit 严重依赖社区版主，他们免费监督他们的 subreddits 以处理攻击性或非法内容。版主们计划了一次抵制，在此期间他们的页面将被私有化。这意味着数百万用户将无法访问这些社区。霍夫曼注意到 Reddit 社区的许多版主之间的愤怒。但他表示，公司不能让其它公司免费使用其大量数据，Reddit 需要能够自给自足。access 访问 I need access to the company's database to complete the project.（我需要访问公司的数据库来完成这个项目。）ap 应用程序 I just downloaded a new app that helps me learn languages.（我刚下载了一个新的应用程序，可以帮助我学习语言。）interface 界面 The new software has a user-friendly interface that makes it easy to navigate.（这个新软件有一个用户友好的界面，方便操作。）generate 生成 The solar panels on the roof generate enough electricity to power the entire house.（屋顶上的太阳能电池板产生足够的电力来供应整个房子。）blackout 停电 There was ablackoutlast night, and we had to use candles for lighting.（昨晚停电了，我们不得不用蜡烛照明。）substitute 替代品 I forgot my lunch at home, so I had to buy a sandwich as a substitute.（我忘记把午餐带在家里，所以我不得不买一个三明治作为替代品。）

为了抗议 Reddit 对其第三方开发者的 API 强行进行收费的决定，美国当地时间 6 月 12 日开始，超过 7000 个子论坛的版主陆续关闭了其所管理版面的外部访问，这个数字大约占总子论坛数的88%，也造成了 Reddit 的大规模宕机。 一个中心化技术架构的平台，用户却有着极大自主权，甚至可以反过来「下线」平台，Reddit 有着浓厚互联网自由主义气息。载入「互联网名人堂」的 Aaron Hillel Swartz 亦曾是他们的股东之一。作为在全球拥有 10 亿用户的论坛，科早的听众对 Reddit 肯定并不陌生，在很多人的心里 Reddit 代表了草根网民的力量、代表了 UGC 模式最成功的案例，但是这次在平台和创作者的角力中出现了这样让人意想不到的对抗。 本期节目 Diane 再次邀请了科技记者、Reddit 的周活跃用户杜晨，聊聊这家拥有 18 年历史却几乎没有盈利的公司是如何走到今天的。 本期人物 丁教，「声动活泼」联合创始人，「科技早知道」主播 杜晨，科技媒体「PingWest品玩」「硅星人」主笔 主要话题 [01:18] Reddit 是一个什么样的互联网物种，为什么全球有 10 亿用户仍然没有盈利？ [12:00] Reddit 子论坛版主自主权居然这么大？ [23:39] YC毕业、根正苗红的 Reddit 的成长史 [37:40] 在治理上去中心化社交网络可持续吗？ [43:24] 太阳底下无新事，平台与内容创作者之间永恒的对抗关系有解法吗？ 延伸阅读 - 往期相关节目：S6E41｜长毛象为何如此吸引年轻一代：因为我的账号你管不着 (https://guiguzaozhidao.fireside.fm/20220140) - Bonus | Bonus: 韭菜大战大空头，我们找来亲历者和金融从业者立体解读 (https://guiguzaozhidao.fireside.fm/2022) - 「The Verge」对于Reddit风波的持续报道：Reddit protest updates: all the news about the API changes infuriating Redditors (https://www.theverge.com/2023/6/8/23754780/reddit-api-updates-changes-news-announcements) - Reddit管理员对此次事件的倡议 (https://www.reddit.com/r/Save3rdPartyApps/comments/13yh0jf/dont_let_reddit_kill_3rd_party_apps/) - 「经济时报」关于Reddit上市的报道：Reddit eyes IPO in second half of 2023: report (https://economictimes.indiatimes.com/tech/technology/reddit-aims-for-ipo-in-second-half-of-2023-report/articleshow/97933655.cms?from=mdr) 注：除特殊说明，以上资料均根据ChatGPT、维基百科、Google Search等搜索结果进行整理，欢迎勘误。 欢迎加入声动胡同会员计划 (https://sourl.cn/iCVg6n) 成为声动活泼会员，支持我们独立而无畏地持续创作，并让更多人听到这些声音。 加入方式 支付 ¥365/年 (https://sourl.cn/ZPb9Dm) 成为声动胡同常住民。加入后，你将会在「声动胡同」里体验到专属内容、参与社群活动，和听友们一起「声动活泼」。 在此之前，也欢迎你成为声动胡同闲逛者 (https://sourl.cn/ZPb9Dm) ，免费体验会员内容、感受社群氛围。 了解更多会员计划详情，我们在声动胡同等你。 (https://sourl.cn/4xPkEf) 使用音乐 Cool Tuxedo - Ava Low 幕后制作 监制：刘灿、闻晓 后期：Luke 运营：瑞涵、Babs 设计：饭团 关于节目 原「硅谷早知道」，全新改版后为「What's Next｜科技早知道」。放眼全球，聚焦科技发展，关注商业格局变化。 商务合作 声动活泼商务合作咨询 (https://sourl.cn/6vdmQT) 关于声动活泼 用声音碰撞世界。声动活泼致力于为人们提供源源不断的思考养料。 - 我们还有这些播客：声东击西 (https://etw.fm/episodes)、What's Next｜科技早知道 (https://guiguzaozhidao.fireside.fm/episodes)、声动早咖啡 (https://sheng-espresso.fireside.fm/)、商业WHY酱 (https://msbussinesswhy.fireside.fm/)、跳进兔子洞 (https://therabbithole.fireside.fm/)、反潮流俱乐部 (https://fanchaoliuclub.fireside.fm/)、泡腾 VC (https://popvc.fireside.fm/)、吃喝玩乐了不起 (https://urbanfloat.fireside.fm/) - 如果你想获取热门节目文字稿，请添加微信公众号 声动活泼 - 如果想与我们交流，欢迎到即刻 (https://okjk.co/Qd43ia)找到我们 - 也期待你给我们写邮件交流，邮箱地址是：ting@sheng.fm - 如果你喜欢我们的节目，欢迎 打赏 (https://etw.fm/donation) 支持，或把我们的节目推荐给朋友 Special Guest: 杜晨.

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In Stores May 20, 2022 - Louis Capet XXVI Records - www.LaserLightShow.ORG + www.LouisXXVI.com - - - WATCH the VIDEO on YOUTUBE - https://youtu.be/gTiMBluENgE Burnin` down the house Burnin` down the house and I feel this rhythm groovin` and I feel your body movin` we`re Burnin` down the house Burnin` down the house and I feel this rhythm groovin` and I feel your body movin` Burnin` People are like houses, some are big and some are small, yeah building up their vices some will stand and some will fall Some of them have windows others – only doors Burnin` down the house Burnin` down the house and I feel this rhythm groovin` and I feel your body movin` we`re Burnin` down the house Burnin` down the house and I feel this rhythm groovin` and I feel your body movin` were Burnin` down the house Burnin` down the house and I feel this rhythm groovin` and I feel your body movin` We`re burnin` down the house for sure Burnin` Burnin` down the house Burnin` Burnin` down the house Burnin` Burnin` down the house

Deutsche Communitys bilden nach Englisch die größte Sprachgruppe auf Reddit Reddit organisiert sich durch Unterforen (sog. Subreddit); im Dez. 2021 ca. 3,2 Mio. Bei Reddit findet sich alles: von Anime bis NFTs, von Krypto bis Dackelzucht, von Sportwetten bis Vogelkunde Reddit wird gelegentlich als Startseite des Internets bezeichnet. Mit seinen …

Horror Narration podcast Reddit Reddit lets not meet The Insomniak Podcast is here to fuel your nightmares, with the best narrations of the Most Scary True Stories You Will Find out there. Stories include personal first person from past and present including Park ranger, Night Shift, Deep Forest Middle Of Nowhere and many more. Get Lost In The World Of Horror As Your Nightmares start here ;)

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

Antriksh Matters: Is Space the Ultimate High Ground?— Aditya RamanathanSeveral of the world's major powers have devoted hard cash and organisational resources to defend their interests in space. Most prominently of the new institutions created is the US Space Force, but its most notable counterpart is the PLA Strategic Support Force (SSF) in China. Even India has created a far more modest Defence Space Agency, though it is hardly comparable to the American and Chinese organisations. While these new institutions have come up, the development of theories of space power is still a work in progress. In 1996, the strategic thinker Colin S. Gray, asked: "Where is the Mahan for the final frontier?" In the quarter-century since, there have been several notable efforts at developing a useful body of theories on space power. Yet despite the growing body of sophisticated literature, all too many observers and practitioners continue to simply define space as the “ultimate high ground” or simply as “high ground”.  Even in India, it’s common to see articles on space power that have titles like “Seizing the Ultimate High Ground” or that  warn readers that “space is becoming the new military high ground that countries want to seize and dominate.”Much of this thinking about the “ultimate high ground” seems to originate from the US, and more specifically, the US Air Force. Its senior officers have cited the idea for decades, and it has remained an organising principle for thinking about space. Even the newly minted Space Force has imported the notion of "high ground" uncritically. As its official 2020 doctrine makes clear:“The value of high ground is one of the oldest and most enduring tenets of warfare. Holding the high ground offers an elevated and unobscured field of view over the battlefield, providing early warning of enemy activity and protecting fielded forces from a surprise attack. Furthermore, forces on elevated terrain hold a distinct energy advantage, increasing the efficiency and longevity of military operations. Finally, control of the high ground can serve as an effective obstacle to an opponent’s military, diluting combat power by forcing the enemy to dedicate time and resources away from the main effort in order to dislodge an entrenched force.”The doctrine is making three propositions. The first of these is that space helps provide early warning and reduces the risk of surprise. This is self-explanatory and hard to contest. It is the remaining two propositions that are more problematic. There is no doubt that “elevated terrain” and “entrenched forces” can confer major advantages in land warfare. But do these apply to space? In a Takshashila discussion document we recently published, Aditya Pareek and I consider the vulnerability of satellites in Earth’s orbital space or “celestial littoral” and argue against the “high ground proposition”:“There is no question that space is an unmatched vantage point from which to observe the earth. However, the celestial littoral lacks the other attributes commonly associated with “high ground” on land. Orbital space offers no natural protection from enemy observation and attack. A satellite cannot “dig in”. This means orbital craft do not enjoy natural cover (some protection from enemy fire) or concealment (protection from enemy observation, but not necessarily enemy fire). In short, satellites in low earth orbit are vulnerable to any adversary with adequate space situational awareness (SSA) and some offensive capabilities. Satellites can only achieve a form of concealment by deceiving adversaries into believing they are something else—a purely commercial craft or a piece of debris—or by being too small to detect, which usually means less than 10 centimetres in size.”Besides deception and miniaturisation, satellites can also park themselves out of range. For example, geosynchronous satellites, which orbit the Earth at an altitude of nearly 36,000 kilometres, cannot be reached by most existing ASAT missiles. However, every orbit involves trade-offs of its own, and emerging capabilities in electronic warfare and directed energy weapons (DEWs) could reduce the advantage of distance in space warfare. Rather than persist with the popular “high ground” idea, we can turn to conceptions of airpower and maritime power for more useful points of departure when thinking about space. More broadly, any conception of space power cannot be purely military, not even when discussed in a military doctrine document. Seen as a source of comprehensive national power, space power encompasses commercial, military and scientific activity in space, as well as all Earth-based activities connected to the use of space. In our document, we define space power as “the ability of a state to leverage its space-related activities to wield influence in international politics.”Strangely enough, the idea of “ultimate high ground” actually understates the importance of space and gets its most basic characteristics wrong. It’s time to recognise the idea is as vacuous as the deepest reaches of interstellar space. You can find our discussion document, hereInfopolitik: Open Source Intelligence & India— Pranay KotasthaneOpen Source Intelligence (OSINT) is having its moment in the sun. DRASTIC's work on the origin of COVID-19 highlighted not just how amateurs can expose the blind spots of government intelligence agencies, but also how OSINT could demolish widely established narratives. Then in June 2021, Decker Eveleth, brought to light China's new missile silos, using just commercial satellite imagery. In addition, an OSINT pioneer Bellingcat was out with a book while The Economist described OSINT as one of the bright sides of the Information Age. Earlier this year, CSIS's (An American think-tank) Technology and Intelligence Task Force recommended that OSINT be elevated as a core "INTs" — at the same level as GEOINT, HUMINT, and SIGINT, complete with a separate intelligence agency of its own.So, this article is my first-cut attempt to understand the promise of OSINT from an Indian perspective.Let's begin with the three functions of intelligence work and try to see where OSINT fits in each of them.Collection. OSINT technically refers to a collection discipline. It refers to using publicly available information once the requirements are specified by the intelligence community's customers. With satellite images being available easily and people leaving vast amounts of digital footprints, OSINT offers a lot of promise as a means of collection. However, what blocks its wider adoption in a government intelligence agency is precisely that it’s publicly available. Mark Lowenthal, an authority on this subject, writes that intelligence agencies share the assumption is that the more secret the information, the more valuable it is. So OSINT is seen as useless by default. Adopting OSINT then becomes a much tougher behavioural problem rather than a technical one.Analysis. This step involves generating insights and recommendations based on information collected by one or more sources. Like with the collection step, the information provided by OSINT is likely to be given less importance over data collected by other 'secret' sources.Operations. In this step, OSINT could be used to expose the adversary's plans or actions with the aim of either discrediting or causing a domestic upheaval in the target country. More realistically, this could be done to weaken the negotiating position of an adversary. But if such an OSINT operation is traced back to the attacking country's government, it faces the risk of being devalued as a disinformation exercise.Taken together, it does seem that OSINT’s importance will only increase in the Information Age. It also becomes apparent that the OSINT modus operandi differs in fundamental ways from that of traditional intelligence agencies. Given this paradox, how can India leverage OSINT for its benefit?In the Indian setup, keeping OSINT distinct from traditional intelligence agencies seems to be a better idea for both. The rigid structures in the old-world agencies might continue to glorify secretly obtained information, relegating OSINT permanently to the sidelines. On the other hand, a stand-alone, non-classified entity whose findings other agencies can choose to use in their analysis might be more acceptable. A third way is to eschew government linkages with private OSINT organisations and instead focus on presenting a united front to the adversary. The flowers of OSINT might well bloom on the fertile soil of social trust.Takshashila is doing a Global Outlook Survey covering domains like India’s bilateral and multilateral engagements, national security concerns, economic diplomacy and attitudes towards the use of force. If this sounds interesting, do click-through to participate.Cyberpolitik #1: China's first move-Sapni G KThe Cyberspace Administration of China (CAC) released the draft "Internet Information Service Algorithmic Recommendation Management Provisions" for public comments on 26 August 2021. Algorithms and data are the fundamental blocks of our increasingly technology-mediated economies. This is one of the first concrete endeavours across the globe to regulate algorithms, positioning algorithm regulation as process or mechanism regulation rather than mere input/output based regulation. Once passed, China can claim to be the first State across the globe to institutionalise algorithm audits at scale.  China’s legal system is undergoing an overhaul to ensure adequate regulation of market players in a technology-mediated society; ranging from antitrust reforms to labour reforms. A common thread runs through these regulations, shifting China's narrative from creating wealth to equitable distribution of wealth and holistically improving the quality of Chinese life. China is eyeing to be the leader in establishing norms for the 21st century, on its way to being a comparable standard for liberal democracies across the world to emulate. Interestingly, this draft, the Personal Information Protection Law, other recent regulatory and enforcement steps are comparable to the steps taken by the USA and the EU. Read together, it signals that vastly different regimes are eyeing the lowest common denominator in the regulation of the internet.Clearly, China seems to be racing ahead to achieve the status of a forerunner at regulation of internet-based technologies. There is an attempt at cementing the claims of international legitimacy and trying to win the tripolar contest of regulation. Regulation of e-commerce with a profound environmental angle has been an EU concern that has been co-opted by the US recently. Similarly, labour rights regulation, particularly in the gig economy, seems to be shifting profoundly towards the welfare model proposed by EU states, but China now takes the lead. With the draft Algorithms regulation getting finalised, China also steps in to pivot the algorithm regulation towards its model of social equity, which can possibly become a standard as ubiquitous as the GDPR. Effective regulation is a great tool for soft power. China's track record on liberty and freedoms reflects in this draft and does not bode well for liberal democracies. These are developments India should watch closely and analyse cautiously. Energypolitik: Photovoltaics – The Next Rare Earths?-Arjun GargeyasWith the effects of climate change managing to wreak havoc across the globe (from the wildfires in Australia and California in 2020 to the wildfires in Greece and Turkey in 2021, along with massive flash floods in Germany and China), the Intergovernmental Panel on Climate Change (IPCC) and its report reaffirmed our worst fears. Attention has turned to the adoption of sustainable and clean energy along with states, both developing and developed, requiring to honour their climate change agreement commitments. This has put photovoltaics (PV) (using solar energy to generate electricity) on the path to becoming one of the most critical and useful technologies for states around the world looking to transition into a majorly renewable energy society. The PV sector shares a striking similarity with that of the rare earth industry a decade back, both with its absolute necessity across renewable energy domains and with China establishing a clear lead over all its rivals in terms of meeting the global demand of PV technology (almost 70% along with Taiwan), solar power generation capacity and the solar power generated in a year. The strategic and sustainable angle to PV technology puts it at the forefront of geopolitical competition, similar to what the rare earth industry still faces. Playing a crucial role in the global semiconductor supply chains too, the PV industry has an opportunity to become an area for potential collaboration between like-minded nations to stymie a single state's hegemony and build an alliance for sharing renewable energy technologies. Investment There has been a consistent increase in investments related to renewable and sustainable energy across the world in the last decade. Solar energy and its benefits have long been discussed and pushed forward, but the sector has yet to take off in the developing countries as it is a long, drawn-out process with the need for a consistent influx of money and natural resources. States with additional funding can effectively create a robust supply chain of PV devices with the help of the comparative advantages of the 'sunshine countries', which have abundant solar capacity and the technologically advanced states that can build devices to harness this raw energy into electricity. Critical Materials Supply ChainsPV technology has a number of critical materials that are required for the manufacturing process. Here is where multilateral forums and groupings, especially the Quad in the Indo-Pacific, can come together on emerging technology such as Photovoltaics to reduce the risks of any bottlenecks in the global supply chains of PV materials. The crystalline Silicon (cSi) technology has dominated the PV technology all these years with the copper indium gallium selenide (CIGS) technology slowly gaining importance in recent times. China absolutely rules the world in terms of Silicon production outpacing rivals consistently. But the up-and-coming CIGS technology utilizes Gallium and Indium for which Australia is one of the world's leading reserves. In terms of solar panel manufacturers across the world, China occupies 7 to 8 slots out of the top 10 in terms of shipments (in GW) due to which the supply chain of solar panels has been concentrated in the hands of the Chinese over a decade and a half. Need for Co-operationThere is always a need to ensure better co-operation between states which can be done by creating interdependencies among them. One of the ways to do that in the renewable energy sector, especially the solar power sector is to build transboundary electric grids which can result in the distribution of PV technology. The creation of smaller grids, such as microgrids, across borders, can help in significant transfer of technology between the developed and developing countries along with utilizing the resources that the other states have to offer. This can also result in the increase of cross border energy trade and can help each country achieve its demand if they are falling short of meeting their own demands. Greater electric interconnections between the states can result in widespread access to PV technology across the world.There is almost a global consensus on the threat of climate change and the need for the reduction in fossil fuel dependencies. The international treaties signed by these nations have clearly outlined the path to transition into a sustainable energy-based society with solar energy at the forefront of it. Photovoltaics, as a sector and its technology, has already shown how necessary it can be in the coming decades. With all countries requiring to honour their commitments to global agreements on climate change and sustainable energy, the PV sector will soon be of immense strategic concern, and each state must ensure its presence and influence in the Photovoltaics industry to protect its own interests and prevent any takeovers of the supply chains of critical technologies.Cyberpolitik #2: Middleware - middle ground or middle-of-nowhere?-Prateek WaghreA recently published paper analysing tweets from Donald Trump’s account that were on the receiving end of policy enforcement from Twitter found that the tweets themselves or related messages continued to spread on Twitter and other platforms.The study categorised the interventions from Twitter in 2 ways. Soft interventions - attaching labels without restriction on interactions (likes, retweets, replies, etc.). And hard interventions - removal or restriction on interactions.On Twitter: Tweets that were labelled spread further than those that were neither labelled nor restricted.On other networks: In general, for posts containing the same ‘messages’, those that were restricted on Twitter spread further those that were labelled or not labelled. But there are some subtleties to highlight (italics indicate quotes from the original paper):Facebook: Messages with/without labels had a similar “average number of posts on public Facebook pages and groups”. Messages that were restricted had “a higher average number of posts, were posted to pages with a higher average number of page subscribers, and received a higher average total number of engagements.”Instagram: On average number the posts, the pattern was similar to Facebook. However, with engagement, there was a difference in that “posts with a hard intervention received the fewest engagements, while posts with no interventions received the most engagements.”Reddit: Reddit doesn’t report engagement numbers in the same way as other platforms, so researchers had to use subreddit size (users) and frequency of posts: “messages that received a hard intervention on Twitter were posted more frequently and on pages with over five times as many followers as pages in which the other two message types were posted.”The authors note that the findings do not necessarily suggest that the ‘Streisand Effect’ was at play, pointing to the exceptional nature of the content/message itself as a possible reason for high engagement.An important takeaway, as Renee DiResta aptly sums up, is “Misinformation is networked, content moderation is not”. It seems obvious from here to suggest that firms operating Digital Communication Networks (DCNs) should collaborate more closely with regard to such enforcement. However, that opens the door to what Evelyn Douek describes as 'Content Cartels' and potentially adds another binary to the DCN governance conversation (e.g. must-carry v/s must-remove, centralised v/s decentralised). But is there a middle ground we can find between these binaries?Unbundling DCNsIn 2020, the ‘Working Group on Platform Scale’ at the Cyber Policy Center, Stanford University, proposed ‘middleware’. By “middleware,” we refer to software products that can be appended to the major internet platforms. These products would interconnect with Facebook, Amazon, Apple, Twitter, and Google APIs and allow consumers to shape their feeds and influence the algorithms that those dominant platforms currently employ. In fact, this approach of ‘unbundling’ DCNs in a way that users can also access them through third party services envisioned to be operating in a competitive marketplace is also apparent in earlier proposals such as magic APIs, protocols-not-platforms and competitive compatibility (I had done a preliminary comparison of them in June as well as a number of questions that still need to be answered).In the context of DCNs, middleware, as proposed, could:(provide) filters for specific news stories and (develop) ranking and labeling algorithms, which are then integrated into the main platformIn addition to user preferences, consumption, middleware could rely on public data sources (RSS feeds, news, etc.) as well as platform-specific data (but not related to the specific user or query/search).Interoperability itself may happen by either consent or decree, though the working group expects that some legislation may be required to ensure that APIs are opened up. They also advocate for the existence of standards or guidelines that middleware companies will have to adhere to. These standards/guidelines can be defined by a regulator or the DCN firms themselves. I think this could be a contentious issue in the future as we dig deeper into questions related to state/regulatory capacity and incentives of firms.The July edition of the Journal of Democracy included a special section titled ‘The Future of Platform Power’ focused on middleware which includes some interesting critique of the approach.Daphne Keller (who proposed Magic APIs, and is optimistic about middleware) poses four questions that need to be addressed:Quality of service: Can middleware companies provide an equivalent or superior experience compared to the incumbents, and can they process the same volumes of data?Business models: How will middleware companies make profits? What incentives do platforms have to share revenues?Curation Costs: Large DCN firms employ/contract a significant number of people in content moderation roles. How can the ‘solved’ aspects of content moderation be replicated so that they can focus on the unique/un-solved aspects?Privacy: Are data generated by interactions in a users’ network available to middleware companies? If yes, there are privacy implications. If no, it limits the utility of middleware solutions and, therefore, their ability to compete with incumbents.Joan Donovan and Robert Faris believe middleware is ‘fragmentation by design’ and question whether it will be lead to outcomes significantly different from the current system. They also raise the concern that middleware could, in theory, exacerbate polarisation. These are recurrent themes in most criticism of the approach. Dipyan Ghosh and Ramesh Srinivasan, like Donovan and Faris, believe the current set of challenges go beyond the narrow, content moderation-focused approach of middleware. Nathalie Maréchal raises the absence of a business model as a red flag:This is essential: Middleware firms will have their own set of incentives and will need to be accountable to someone, be it a board of directors, shareholders, or some other entity. Incentives and accountability both depend on how the “middleware” providers will make money.In a response essay, Francis Fukuyama states:Our working group’s promotion of middleware rests on a normative view about the continuing importance of freedom of speech. Middleware is the most politically realistic way forward.Our Reading Menu:1) [Report] Inside the Shadowy World of Disinformation for Hire in Kenya by Odanga Madung and Brian Obilo2) [Article] This is the real story of the Afghan biometric databases abandoned to the Taliban by Eileen Guo and Hikmat Noori3) [Report] CSIS Technology and Intelligence Task Force’s Maintaining the Intelligence Edge has several recommendations for the future of intelligence agencies in the US.4) [Report] The Economist has a stellar take on how OSINT punctures state monopolies of information and how this is a net positive.5) [Article] Joseph Bernstein’s Harper’s Magazine cover story on the state of disinformation research. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit hightechir.substack.com

Check out the newest ep: "The most suspicious subreddit...." https://www.youtube.com/watch?v=8OC_m-JbN_8 --~-- Another subreddit full of cringe. Childfree reddit is a mess of people arguing why kids are nothing but negative and hating on people who have kids. This show is strictly comedy, harass no one, and have fun on our wild ride every week as we dig deep into the subreddits. Nothing we say is meant to be taken seriously, and everything said is also strictly comedy. Its all in good fun, and good fun alone. Thumbnail by @Alexy_million on insta Watch us on Spotify! https://open.spotify.com/show/4HcQhPR3YYuUp0bycR6OKB Watch us on Itunes! https://podcasts.apple.com/us/podcast/shreddit/id1580144913 Support the show and check out our Patreon! https://patreon.com/shreddit Join the community on discord! https://discord.gg/4UBy3wKsyc Twitter: https://twitter.com/Shreddit_ Watch us be bad at games: https://www.twitch.tv/Shredditoffical Watch Lumia be a cool vtuber: https://www.twitch.tv/lumia_stargazer Edited by NoNeedBruh Shreddit is a satire comedy podcast where we select posts from a specific subreddit and use a lens of satire and a layer of comedy to make a podcast. Since we are a satire comedy podcast, do not go after anyone or any subreddit featured in this comedy satire podcast. How many times can i say comedy satire podcast before people understand we are a comedy satire comedy? The world may never know, but thank you for watching this comedy satire podcast. Sub to this podcast, and leave a like on this podcast, and leave a comment on this podcast for more! And if you enjoy satire comedy podcasts in general, follow us on twitter! A Podcast is a digital audio file made available on the internet for downloading to a computer or mobile device, typically available as a series, new installments of which can be received by subscribers automatically. Satire is the use of humor, irony, exaggeration, or ridicule to expose and criticize people's posts or vices, particularly in the context of contemporary politics and other topical issues Comedy is professional entertainment consisting of jokes and satirical sketches, intended to make an audience laugh. Reddit is a social news website and forum where content is socially curated and promoted by site members through voting. The site name is a play on the words "I read it." Reddit member registration is free, and it is required to use the website's basic features. A post is a piece of writing, image, or other item of content published online, typically on a blog or social media website.

A bola está viva e o Fumble na Net está começando! Neste tricentésimo quinquagésimo segundo episódio, o nosso apresentador de talk show Danillo Batista recebe Ricardo Resende (Black Yellow Brasil) e Mateus Cavalcanti (45 Jardas) pra conversar sobre as perspectivas pro Pittsburgh Steelers 2021! MENCIONADOS NO EPISÓDIO O mesmo time com um elenco piorado? Free Agency e Draft Draftar Najee Harris na escolha #24 é um retorno ao Steelers Football? A confiança em Mike Tomlin A turnê de despedida de Ben Roethlisberger Pontos fortes, fracos e perspectivas para a temporada 2021 A troca de Rashad Coward anunciada no Reddit - Reddit.com 45 Jardas Entrevista: Robert Mays, do The Athletic - 45Jardas.com.br Black Yellow Brasil 200: Steelers Depot (Alex Kozora) - Fumblenanet.com.br Black Yellow Brasil 175: Steelers Depot (Dave Bryan) - Fumblenanet.com.br Black Yellow Brasil 114: Chuck Noll - Fumblenanet.com.br Black Yellow Brasil 115: Bill Cowher - Fumblenanet.com.br Black Yellow Brasil 116: Mike Tomlin - Fumblenanet.com.br Edição: Danillo Batista Assine o Feed e não perca nenhum episódio! https://fumblenanet.com.br/feed/podcast Venha falar de NFL conosco acessando nosso grupo no Telegram! Acompanhe as pílulas de notícias seguindo no instagram: @fumblenanet Siga-nos no twitter: @fumblenanet See omnystudio.com/listener for privacy information.

In this episode Teresa discusses two jokes with Elin. “What did the frog say about the book? Reddit Reddit. And then what did the chicken say? Book! Book! Book! Book!” “What is worse than biting an apple and finding a worm? Finding half a worm!” This episode was recorded November 30, 2020.

www.fanlink.to/End ▶▶▶ Follow Arcadio soundcloud.com/arcadioofficial facebook.com/Arcadio.Official youtube.com/channel/UCylDH9AGyt1FTpk_UFFR2Hw twitter.com/arcadioofficial Arcadio Youtube Playlist from Louis Capet XXVI Records youtube.com/playlist?list=PLksR…uD8SdMGOzpmy0KwxDDc

This podcast was originally recored August 14th, 2020 at an Indie Worldwide live meetup. Louis re Reddit: Reddit hates self-promotion and being sold to, so the key is to be a bit cynical and give things away for free. By posting on Reddit Louis was able to drive hundreds of visitors to his site, drive thousands in revenue, and ultimately got an invitation to interview for a job directly from the director of data science at Shopify.Louis re Facebook: Louis Vieira discusses a technique he developed to drive more traffic by leveraging Facebook's algorithm to make your posts more effective. First you make a teaser post that doesn't hard-sell anything. You want to pick the Facebook groups you post in carefully and align your messaging with that audience. If it's a good post you'll get a lot of engagement off the bat from people who want the offer. Now, tag everyone who commented or liked the post in comments and share the link you are promoting with them. This will drive even more engagement on the post and cause Facebook to promote it more. Finally, edit the original post to include your link.Louis re LinkedIn: To get great leads from LinkedIn you could spend hours searching manually, or you could let Google do the work for you by leveraging an advanced feature called "Google Dorks". Basically, google dorks let you specify in a much more precise way exactly what you want to find. For example, "site:linkedin @gmail" will return only gmail email addresses found on LinkedIn and nothing else. Then you can use any page-scraping tool to gather those results into a spreadsheet for you automatically.You can watch the full recording on YouTube here: https://www.youtube.com/watch?v=QHq3exuFvoU

37m plays on youtube - https://www.youtube.com/watch?v=_MfSaBRtSnw YaSsine DJS - "Skyline" Store Fan Links: https://fanlink.to/YaSsineDJS Louis Capet XXVI Records - www.LaserLightShow.ORG + www.LouisXXVI.com ▶▶▶ Follow YaSsine DJS youtube.com/c/YassineDjs soundcloud.com/yassinedjs instagram.com/yassine_djs ▶▶▶ Louis Capet XXVI Records • Website - www.LaserLightShow.ORG + www.LouisXXVI.com • Amazon - https://www.amazon.com/s?k=louis+capet+xxvi&i=digital-music&dc&ref=a9_asc_1 • Beatport - beatport.com/label/louis-capet-xxvi/66498/tracks • FaceBook - FaceBook.com/KingCapetxxvi • iHeartRadio - https://www.iheart.com/podcast/256-louis-capet-xxvi-music-pub-31068456/ • Instagram - instagram.com/king_recordings • Juno - junodownload.com/labels/Louis+Capet+XXVI • Linkedin - Linkedin.com/company/louis-capet-xxvi • Mixcloud - mixcloud.com/dance-music • Reddit - Reddit.com/user/edm-news • SoundCloud – @Louis-Capet-XXVI • Spotify - open.spotify.com/user/louiscapetxxvi • Tumblr – http://edm-music.tumblr.com • Traxsource - traxsource.com/label/38288/louis-capet-xxvi • Twitter - Twitter.com/LaserLightShow • YouTube - youtube.com/channel/UCQfd3X-KWKR1c2v01kNmOXA?=sub1 • VK (Russia) - vk.com/xxvi_publishing ▶▶▶ Music Genres: • CLASSICAL MUSIC - LaserLightShow.ORG/Classical-Music • DUBSTEP - LaserLightShow.ORG/dubstep • EDM - LaserLightShow.ORG/EDM-Electronic-Dance-Music • FUTURE BASS + FUTURE HOUSE - LaserLightShow.ORG/Future-Bass • HOUSE - LaserLightShow.ORG/House-Music • PSY-TRANCE - LaserLightShow.ORG/Psy-Trance • TRANCE - LaserLightShow.ORG/trance-music.html • VOCALS - LaserLightShow.ORG/Vocals E-Mail - MF@LaserLightShow.ORG Telephone - (215) 888-8080 Send us your Music Demo - info@LouisCapetXXVI.com

The fact that this podcast went off the rails…. Well, you must listen to believe how it all come together. HELP for the fellow industry Peeps: NeonStream APP Talking Dirty with Rebecca Love #233 Virtual contact Epidemic https://www.adultfilmstarnetwork.com/podcast/233talkingdirty/ REDDIT: Reddit.com – use it as an app, use it on a desktop. YES, they have porn, […] The post 234 Whipped Cream VS Cum Burps – Sick Addictions with Joclyn Stone appeared first on Adult Film Star Network.

The fact that this podcast went off the rails…. Well, you must listen to believe how it all come together. HELP for the fellow industry Peeps: NeonStream APP Talking Dirty with Rebecca Love #233 Virtual contact Epidemic https://www.adultfilmstarnetwork.com/podcast/233talkingdirty/ REDDIT: Reddit.com – use it as an app, use it on a desktop. YES, they have porn, […] The post 234 Whipped Cream VS Cum Burps – Sick Addictions with Joclyn Stone appeared first on Adult Film Star Network.

Scott and Wes talk about marketing. Specifically how to do marketing if you’re a developer wondering where to start. Freshbooks - Sponsor Get a 30 day free trial of Freshbooks at freshbooks.com/syntax and put SYNTAX in the “How did you hear about us?” section. LogRocket - Sponsor LogRocket lets you replay what users do on your site, helping you reproduce bugs and fix issues faster. It’s an exception tracker, a session replayer and a performance monitor. Get 14 days free over at https://logrocket.com/syntax Show Notes 7:58 - Personal Branding Build trust and reciprocity Be authentic to yourself and let that carry through in your work. Have the guts to put yourself out there and establish yourself as an expert. Speak at conferences Write blog posts Make YouTube videos Be on podcasts Start your own podcast 14:50 - Running a Business Treat people well. Reward your customers. Don’t punish your users. Have a refund policy. 19:26 - Social Media Don’t push people off a platform. Bring content to them that is tailored for that platform. Get in early, before the platform becomes super crowded. YouTube Quality content through quantity. Write good SEO titles. Tease your paid content or create a free one-off. Don’t expect to make a lot of money, but it can be great for growing a brand. Twitter Be helpful - small, digestible tips and tricks and great for growing a Twitter following. Quality is still the key. Steve Schoger is a great example of consistent, high quality content. Facebook People have other interests besides web development. People like to see into your life. Use Facebook to give people a window into who you are. Reddit Reddit is really difficult. It’s easy to get banned. The best strategy is to not focus on marketing and just try to be helpful. It’s sort of replaced forums and is a great place to build communities around different hobbies. Instagram Recently IG has been blowing up for web developers. Dhanish is a perfect example of how to do Instagram well. 49:55 - Paid Advertising Don’t be sleazy. Ads are good for getting likes and driving some traffic to something, but it takes experimentation to get the best bang for you buck. 54:40 - Email marketing Wes: Email is probably responsible for most of my sales. Keeps people up to date and helpful for promoting new courses. Helpful for figuring out what people want. 59:17 - Partnerships A lot of companies want to partner rather than just sponsor. It can be a great way to fund the creation of products/courses. Affiliate programs are great when they work out. 67:30 - Freebies Giving away free content is a surefire way to get people to pay attention. It’s about giving back to the community as much as marketing your products. ××× SIIIIICK ××× PIIIICKS ××× Scott: Cypress: End to end testing Wes: Audiobook: Own the Day, Own Your Life Shameless Plugs Scott’s New Electron Course Wes’ Advanced React and GraphQL Course Tweet us your tasty treats! Scott’s Instagram LevelUpTutorials Instagram Wes’ Instagram Wes’ Twitter Wes’ Facebook Scott’s Twitter Make sure to include @SyntaxFM in your tweets

Detwntion is inside the Go Hard EP. Blending elements of moombahton, hardcore, future bass, future house, jump style, dark, joy, and adventurous. ▶ Follow Audiotrackerz: - Soundcloud - soundcloud.com/atzoffcial - FaceBook - Facebook.com/AudiotrackerzOfficial ▶ SHOP Audiotrackerz: 7 digital - http://bit.ly/7dauditrkz Amazon - http://bit.ly/audiotrackerz Apple - http://bit.ly/audiotrackrz Beatport http://bit.ly/btprtaudiotrackerz Deezer - http://bit.ly/2HbB6Ma Facebook - facebook.com/AudiotrackerzOfficial Instagram - www.instagram.com/dj.audiotrackerz iHeart Radio - https://ihr.fm/2rzIUgd iTunes - http://bit.ly/audiotrackrz Juno: http://bit.ly/2EYPe5B Napster - http://bit.ly/2J5EqVK Spotify: https://spoti.fi/2qEY7fw TIDAL - http://bit.ly/2He3o8M TraxSource: http://bit.ly/2EWtGXt YOUTUBE - http://bit.ly/adiotrkz

EVE Michelson also known under the name "NO NAME" is a French songwriter - composer - interpreter. While still at college, she began composing at the age of 13, before leaving the school to devote herself passionately to her musical career. Eve then began to dig a spot on the electro music scene, composing many tracks in several musical groups. In 1981, she began with the ANANDA group in electronic music. Then she connects in 1982 with MICKEY FINN and FRAGMATIK, always in the same genre. From 1983 to 1987, she expanded her repertoire with Urgo BENZ composing and interpreting of industrial music. From 1985 to 1988 she was intermingling genres and groups , & also playing tirelessly with FARRAH DIOD OF ANTIFOGS, as electro and industrial. She continues her musical evolution with DA DA DA (electronic music) from 1988 to 1995. From 1995 to today, she is part of NO NAME ERAS HEAD Group, and produces the most extreme hardcore electronic as imaginable on ABLETON and ATARIS synthesizers, with an experimental scientific research approach . It was in 2016 that Eve Michelson decided to continue more actively the genre that is truly part of her deepest me, ELECTRO. Her true roots are influenced by elektro of German robotics, such as KRAFTWERK and industrial NEUBAUTEN. She follows her heart, and of course her boundless inspiration. She develops and leads a new style phenomenon: THE EVOLUTIVE ELECTRO. ▶ Eve Michelson - XXVI - LaserLightShow.org/eve Amazon - http://bit.ly/evemichelson Apple - https://apple.co/2JbSZHv Beatport - http://bit.ly/beatportelectro Deezer - http://bit.ly/2qIsrqq Instagram - www.instagram.com/evemichelson1933 Mixcloud - https://www.mixcloud.com/evemichelson Napster / Rhapsody - http://bit.ly/napsterelectro Pandora - http://pandora.com/artist/eve-michelson/evolutive-electro/ALcr39KxhnVpXr2 Soundcloud - https://soundcloud.com/evemichelson Spotify - https://spoti.fi/2qJw3Zj Tidal - http://bit.ly/2HcYOb3 Traxsource - http://bit.ly/2F0QchH Twitter - https://twitter.com/eve_michelson YouTube - https://youtube.com/playlist?list=PLksR2mIY-PBcHRta9r4UM2QPATCOqoq1x

Episode 58: Disney pulling Beauty and the Beast from Malaysian theaters rather than censor a brief "gay" scene. Bryan reports on his Tinder experiences in the last 2 weeks. Rachael asks what to do when the Trader Joe's guy gives her his phone number and Bryan ties it to Friends. Pete wonders how old to too old to default to crying as an emotional response. What is Reddit's power? Was Amy Schumer's comedy special un-funny because of Reddit? Reddit certainly influenced Pete to cancel his Mass Effect pre-order.

Hi guys and gals, So today on Brain Drain, I get to tell you guys about vaping, what it is, what it means to me, and price points. If you would like to be featured on a future podcast. Email me at production@zomjuice.com Links mentioned Zombie Juice - zomjuice.com Email - production@zomjuice.com Facebook - facebook.com/vapingzombies Reddit - Reddit.com/user/zombiejuiceinc Youtube - https://www.youtube.com/channel/UCq7FBgU4jPIGd6yca4A2g8Q BenSound.com Thank You for Listening. If you like what I do or you have something you'd like to see me change please, contact me on any of the above links, or leave me a comment here. I check these at least once a day every day. Remember Zombies Love you, Monica ~ Zombie Juice Production Manager

Die Shownotes zur Sendung findest du unter www.socialgenius.de/030 Was ist Reddit? Reddit ist eine Social News Plattform auf der Beiträge und Links in sogenannte Subreddits( Kategorien ) geteilt werden können. Die Inhalte werden innerhalb der Subreddits dann je nach Relevanz hoch oder runter gewählt. Hat man einen wirklich spannenden, aktuellen und relevanten Beitrag getätigt wird man unter Umständen sogar auf der "Frontpage des Internets" gefeatured. Als Nutzer hat man die Möglichkeit Subreddits ( bspw. Radsport,Physik oder Earthporn ) zu abonnieren und so themenbezogen die relevantesten Beiträge auf seiner Startseite zu erhalten. Mit 70 Milliarden Pageviews im Jahre 2014 ist Reddit einer der meistbesuchtesten Websiten weltweit und macht es zum perfekten Ort um virale Inhalte unter die Leute zu bringen oder um ordentlich Traffic von Reddit auf eure eigenen Websiten weiter zu leiten. Aber Vorsicht: Sollte euer Content zu gut sein und ihr es auf die Frontpage schaffen, könnte dass euren Servern durchaus das ein oder andere Problem bereiten. Buzzfeed und heftig.co bedienen sich gerne bei Reddit als Contentquelle, mit etwas Glück werden auch eure Inhalte von anderen Seiten übernommen und die Viralität nimmt ihren Lauf. Beachtet bei Inhalten die Ihr einstellt aber immer: Nicht zuviel Eigenwerbung ohne echten Mehrwert für die Community. It’s perfectly fine to be a redditor with a website, it’s not okay to be a website with a reddit account. Unsere 6 Tipps für effektives Marketing auf Reddit Hier in Kurzform unsere 6 Tipps wie ihr Reddit's Community für euch nutzen könnt. 1. Post relevanten Content im passenden Subreddit! 2. Eigenes Subreddit anlegen falls sich noch kein thematisch passendes findet. 3. Nutzerengagment erzeugen (bspw. durch Gewinnspiele) 4. Veröffentliche Unternehmensnews und Termine in der Sidebar 5. Dein Subreddit als Feedback und Supportforum nutzen! 6. Interviews( Ask me anything ) selbst geben oder organisieren.