Podcast appearances and mentions of kevin j anderson

This week on Rush Rash, Chaz and Shatz crack open the Haggis Shack to welcome a true lifer: Rob Silverberg, the driving force behind Midwest RushFest. Before the wheel spins, the guys dive deep into Rob's Rush origin story—Signals and “The Analog Kid” as the gateway, Columbia House confessions, and buying Grace Under Pressure on release day like it was a sacred ritual.From there, it's all about community. Rob walks through the evolution of Midwest Rush Fest—from a heartfelt gathering in 2016 to a full-blown annual celebration at The Pageant in St. Louis. Along the way: Martin Popoff, Kevin J. Anderson, Maya Wynn, Nancy and Judy Peart, Thunderhead, jam sessions, catered dinners, raffle giveaways, and hundreds of Rushians sharing one room where everyone gets the references. As Rob puts it, it's the rare place where you're not the only Rush fan in the room.The conversation detours into serious collector territory—basements lined floor to ceiling, the philosophy of “exhibition, not competition,” and the surreal moment of spotting his own Rush license plate hanging in Ray Daniels' office in Beyond the Lighted Stage. Add 60 live Rush shows, multiple meet-and-greets, and a possible nod of recognition from Geddy Lee, and you've got a résumé that earns its stripes.The wheel lands on Dreamline from Roll the Bones.The trio breaks down the song's urgency, cinematic production, and that unmistakable opening drive. They dig into the themes of youth, motion, and the fleeting nature of time—“we are young, wandering the face of the earth”—and reflect on how the song mirrors the Rush touring life itself: rolling at home when you're on the run.A celebration of fandom, fellowship, and forward momentum—this episode proves that even decades later, the dream is still alive.SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

On this gloriously unhinged episode of Rush Rash, Chaz and Schatz throw all sense of structure out the window and celebrate Haggis Day the only way they know how: by heeding the call of one Steve Brown to invite Paul Beaulieu and make the Haggis Shack the World's Deli in honor of Robbie Burns' Birthday!A full detour involving wild haggis, vegetarian haggis, Robert Burns, bagpipes, kilts, lamb lungs (allegedly), neeps, tatties, whisky gravy, and the eternal mystery of how Scotland continues to function at all. Cultural education may occur. Digestion is discussed. Poetry is threatened and delivered. No empty words here.Once the haggis smoke clears, however, the episode pivots hard into serious Rush business—and there is a lot of it.Steve and Paul unload a whirlwind of updates from the front lines of the Moving Pictures and RushFest universe, including:Massive touring plans and behind-the-scenes realities of running one of the busiest Rush tribute bands on the planetMajor announcements for RushFest Scotland and RushFest Canada, including venues, dates, and an absolutely stacked lineup of guestsAppearances and involvement from Rush inner-circle legends including Terry Brown, Hugh Syme, Kevin J. Anderson, Nancy and Judy Peart, and moreUpdates on Songs for Neil, including upcoming volumes, new contributors, and the staggering amount of money raised for brain cancer researchA brand-new solo piano Rush album in the works, with artwork by Hugh SymeThe return of The Professor whisky with Volume 2 officially on the wayCharity auctions, ticket giveaways, and community-driven fundraising that somehow keep getting bigger, louder, and more meaningfulEventually—because it is Rush Rash—the wheel spins.THIS WEEK'S SONG

Today we continue the Young Jedi Knights series with Shards of Alderaan. The Shadow Academy has been defeated. Now it's time to rebuild the Jedi Temple. While Zekk is no longer under the sway of the dark side, he knows he can't stay on Yavin 4. The only problem is, he doesn't know where he'll go next. Leia's birthday is coming up, and Jacen and Jaina want to get her a special present. And Raynar Thul's life is about to change in ways he could never imagine.

Kevin J. Anderson is one of the rarest of creatives. As a writer, he started from the bottom and worked his way up to become an internationally bestselling author of over 190 books, 58 of which have been national or international bestsellers. He then became a publisher – Wordfire Press. Following this, he co-created the Superstars Writing Workshop. He is now also the director of a Publishing Graduate Program at Western Colorado University—the subject of this interview. Kevin has also been a Writers of the Future judge for over 25 years and a very trusted partner helping with the growth of the Contest.

Kevin J. Anderson is one of the rarest of creatives. As a writer, he started from the bottom and worked his way up to become an internationally bestselling author of over 190 books, 58 of which have been national or international bestsellers. He then became a publisher – Wordfire Press. Following this, he co-created the Superstars Writing Workshop. He is now also the director of a Publishing Graduate Program at Western Colorado University—the subject of this interview. Kevin has also been a Writers of the Future judge for over 25 years and a very trusted partner helping with the growth of the Contest.

Today we continue the Young Jedi Knights series with Jedi Under Siege. The Shadow Academy is coming to attack Yavin 4. It's up to Luke, Tionne, Jacen, Jaina, Tenel Ka, and Lowbacca to hold them off until reinforcements can arrive. Leading the Dark Jedi force on the ground is Zekk, the twins former best friend.

It's that time of year again! Where Ben and Nate take a brief break and give you an episode from our bonus list. If you want to hear this stuff when it comes out rather than over a year (or 2) later, sign up for your patreon! $3 gets you our entire bonus episode library and we're planning on releasing even more this coming year. Check us out!Support the showBlue Sky - https://bsky.app/profile/wordsaboutbooks.bsky.socialDiscord - https://discord.gg/6BaNRtcP8CThreads - https://www.threads.net/@wordsaboutbookspodcastInstagram - https://www.instagram.com/wordsaboutbookspodcastBlog - https://blog.wordsaboutbooks.ninja/

EPISODE 655 - David Boop - Speculative fiction author of sci-fi noir, historical, dark fantasy & the Weird WesternsDavid Boop is a Denver-based speculative fiction author & editor. He's also an award-winning essayist, and screenwriter. Before turning to fiction, David worked as a DJ, film critic, journalist, and actor.David's novels run the gambit, such as the sci-fi/noir She Murdered Me with Science; The Soul Changers, a historical, dark fantasy tie-in to Rippers Resurrected; and the Weird Western mosaic novel, The Drowned Horse Chronicle. He co-authored, with NYT Bestselling author Kevin J. Anderson, a near-future graphic novel series called Travailiant Rising.David edited the bestselling and award-nominated Weird Western anthology series, Straight Outta Tombstone, Straight Outta Deadwood and Straight Outta Dodge City. He's currently working on a trio of Space Western anthologies starting with Gunfight on Europa Station. He's editor on the forthcoming Jack L. Chalker Well World tribute anthology.David is prolific in short fiction with many short stories including media tie-ins for Predator (nominated for the 2018 Scribe Award), Deadlands, Kolchak the Night Stalker, The Green Hornet, and Veronica Mars.He's a summa cum laude Graduate from UC-Denver in the Creative Writing program. He temps, collects Funko Pops, and is a believer. His hobbies include film noir, anime, the Blues and the Old West.https://wolfpackpublishing.com/pages/about-david-boophttps://www.longshot-productions.net/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

KATIE CROSS - BIOGRAPHY Katie Cross is ALL ABOUT writing epic magic and wild places. Creating new fantasy worlds is her jam. When she's not hiking or chasing her two littles through the Montana mountains, you can find her curled up reading a book or arguing with her husband over the best kind of sushi. Visit her at www.KatieCrossBooks.com for free short stories, extra savings on all her books (and some you can't buy on the retailers), and so much more. Mark McWaters has long been a fan of all things that go bump in the night, scratch at the door, or blow cold air on the back of your neck. From a very young age, he carried a pad and pencil around with him, composing poems to give to girls. He devoured all the Hardy Boys and Doc Savage books he could get his hands on and expanded his reading horizons from there. Robert Heinlein, Asimov, and Bradbury, whetted his appetite for Sci-Fi. Ann Rice's Interview With The Vampire blew his mind. A scene from Stephen King's Salem's Lot haunts him to this day. And Watcher by Dean Koontz made him a lifelong fan. He earned an MFA in Creative Writing from the University of North Carolina at Greensboro. Became an award-winning advertising copywriter and creative director and earned enough Clios, Addys, and Communication Arts awards for bragging rights. As a writer, Mark discovered the Florida Writers Association, critique groups and writing competitions. He's won a steady stream of FWA Royal Palm Literary awards for his unpublished short stories and novels. The inspiration behind “Ghost Dog” came while reading entry rules for a magazine looking for unusual spins on traditional horror. Houses, people, dolls, even cars get haunted. So, he thought, why not dogs? Bentley, a West Highland White Terrier who sleeps under Mark's desk while he writes, agreed. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 43rd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book).

SYRACUSE ARTIST WINS INTERNATIONAL ILLUSTRATION CONTEST Upcoming Hollywood Awards Event HOLLYWOOD, CA - Syracuse, Utah artist Tray Streeter is a winner in the L. Ron Hubbard Illustrators of the Future Contest earning him a trip to Hollywood for a week-long master-class workshop, an awards event and his illustration will be published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 42. Tray Streeter grew up in Syracuse, Utah. Like many children, he spent much of his childhood drawing, though he was especially interested in still lifes. That fascination with technique deepened in his teenage years after he received a set of oil paints for Christmas, leading him to study the works of John Singer Sargent and Caravaggio. Portraiture became his passion, one that continues to influence his work today. It was not until adulthood, when he began working digitally, that he turned his attention to sci-fi and fantasy art. The genre offered him the freedom to create artworks that exist beyond reality. Influenced by artists like Frank Frazetta and Alex Ross, he aims to combine both the drama and technique of classical painting with the sleek, contemporary possibilities of digital art. Currently, Tray is attending Weber State University, pursuing a BFA in Art with a 2D emphasis. After graduation, he hopes to continue his studies at the School of the Art Institute of Chicago. Ultimately, he aspires to illustrate for Dungeons & Dragons, work on cover illustration for comics, and develop his own original concepts. The Writers of the Future Contest judges include Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). Following the 1982 release of his internationally acclaimed bestselling science fiction novel, Battlefield Earth, written in celebration of 50 years as a professional writer, L. Ron Hubbard created the Writers of the Future (writersofthefuture.com) in 1983 to provide a means for aspiring writers of speculative fiction to get that much-needed break. Due to the success of the Writers of the Future Contest, the companion Illustrators of the Future Contest was inaugurated five years later. In the 42 years of the Writers of the Future Contest, there have been 571 winners and published finalists. The past winners of the Writing Contest have published 2,000 novels and nearly 6,300 short stories. They have produced 36 New York Times bestsellers, and their works have sold over 60 million copies. In the 37 years of the Illustrators of the Future Contest, there have been 418 winners. The past winners of the Illustrating Contest have produced over 6,800 illustrations, 390 comic books, graced 700 books and albums with their art, and visually contributed to 68 television shows and 40 major movies. The Writers of the Future Award is the genre's most prestigious award of its kind and has now become the largest, most successful, and demonstrably most influential vehicle for budding creative talent in the world of speculative fiction. Since its inception, the Writers and Illustrators of the Future contests have produced 41 anthology volumes

Today we continue the Young Jedi Knights series with Darkest Knight. Lowie takes his friends back to his home of Kashyyyk. He's worried about his sister and wants to help her. Now that Zekk is the Shadow Academy's Darkest Knight, it's time for him to lead his first mission. His target: Kashyyyk's fabrication facilities.

In this episode, Daniel sits down with acclaimed author Kevin J. Anderson for an in-depth conversation recorded live at Comic Con Denmark. Anderson, known for his prolific career across science fiction and fantasy, has written numerous bestsellers as well as novels set in the X-Files, Star Wars, and Dune universes. With 'The X-Files' as the central theme, we dive into his contributions to the franchise—how he approached expanding the mythology of Mulder and Scully on the page, the challenges and opportunities of writing tie-in fiction, why we never got a fourth novel, and what happened to a shelved book idea involving Mulder and a vampire serial killer. Join me as we explore Anderson's process for writing 'The X-Files' and his collaboration with Chris Carter and the team at 1013 Productions. We'll also touch on behind-the-scenes details from his novels Ground Zero, Ruins, and Antibodies. A quick note: This episode was recorded at Comic Con, so there's a bit of background noise — but we hope you'll still enjoy the interview. Special thanks to Kevin J. Anderson for taking time out of his schedule during his visit to Denmark to talk with us.

Thomas Slee. He is officially announced as a winner in our international contest, The Writers of the Future and, as a winner, we'll be flying him to Hollywood for an awards event (April 16, 2026), a week-long, master-class workshop with some of the top names in the industry (Some of our writer contest judges conduct the workshop), and his winning story will be published in L. Ron Hubbard Presents Writers of the Future Volume 42 which has been on bestseller lists numerous times in recent years. Michael T. Kuester is an engineer by day, science fiction writer by night. An avid hiker and cooking enthusiast, Michael is a passionately curious individual, and lives his life by the motto “In the twenty-first century, there's no excuse for an unanswered question”. Over the years he's devoted free time to researching everything from the history of naval warfare to the origins of potato chips. Michael resides in Cincinnati, Ohio, with his partner Jen, their two children, and their freeloader housemate Eddie the Cat. His work will be appearing soon in Analog Science Fiction and Fact, but L. Ron Hubbard Presents Writers of the Future Volume 42 will mark his professional debut. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 43rd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few.

Vi kaster os over den tredje og sidste originale X-Files-roman forfattet af Kevin J. Anderson.  Det er body horror-fortællingen 'Antibodies', eller på dansk 'Antistoffer'. Romanen følger Mulder og Scully, der kommer på sporet af et biologisk eksperiment, som ikke kun har reddet en 12-årig dreng, men også forvandlet en mand til et omvandrende monster. Vi diskuterer romanen i selskab med forfatter Jesper W. Lindberg.

Josie Moore grew up in the valley town of Westfield, Massachusetts with a voice that wouldn't work and a brain filled to bursting. Paranoid by the world and abandoned by those around her, she turned to art in her time of hiding. When she was scared, she wrote about it. When she cried, she drew comforting pictures. With the inability to pinpoint and process her own emotions, she used art and storytelling as her communication, turning her fear into something beautiful. Nowadays, she can finally leave her bedroom, but never without a sketchbook by her side. She attends the University of Massachusetts Dartmouth in hopes of getting her BFA in Illustration. She spends her days doodling elves, bears, and silly little faeries and nights writing, planning, and…hopefully writing some more. Finally having an outlet to put all her obsessive, creative energy, she dreams of one day showing even the deepest crevices of her mind with her odd love stories and twisted mysteries. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 43rd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. Nathan Deiwert, an illustrator led by a desire to craft worlds, creates imaginative creatures and characters that coincide with one another. Deiwert is driven to come up with new ways to develop familiar concepts in the form of paintings, digital illustrations, and visual development. From fear-inducing entities to happy moments, he creates work with thought and explores new ideas. For Deiwert, active research is a considerable portion of the process of the creation of his art; be it artistic influences past and present, anatomy or cultures. His favorite influences are presently Frank Frazetta, Norman Rockwell, N.C. Wyeth and Maxfield Parrish. The Writers of the Future Contest judges include Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few.

This week Brett is joined by guest host Kevin J. Anderson as the futurists have a conversation with science fiction documentary filmmaker Jeffrey Morris on his new documentary reviewing world of Space 1999. We also discuss coming Mars and Moon plans.

Today we continue the Young Jedi Knights series with Lightsabers. Luke knows that the conflict between his Jedi Academy and the Shadow Academy is looming. To get ready for it, he decides it's time for his most advanced students to build their own lightsabers. But tragedy strikes and the four best friends will never be the same.

This week on Epic Realms, bestselling author Kevin J. Anderson joins Nick for a wide-ranging and inspiring conversation. Known for his work on Dune, Star Wars, The X-Files, and DC Comics, Kevin shares stories from his incredible career and his creative process—from his early writing days in Wisconsin to collaborating with legends like Frank Herbert's son Brian Herbert and Rush drummer Neil Peart. They discuss Kevin's latest releases, including Nether Station, a chilling blend of science fiction and cosmic horror from the Weird Tales line, and the newly remastered Terra Incognita fantasy trilogy—complete with its companion rock albums from Roswell 6. Kevin opens up about balancing passion projects, running his publishing imprint WordFire Press, and teaching the next generation of writers. If you love sci-fi, fantasy, or behind-the-scenes stories from one of the most prolific authors in the genre, this episode is not to be missed. Listen now and explore more at EpicRealmsMedia.com Follow Kevin J. Anderson: WordFire.com | Patreon.com/KevinJAnderson

Zach Poulter was raised amidst the sagebrush and potato fields of rural Idaho. His childhood was spent exploring the nearby Snake River, volcanic buttes, sagebrush desert, and the many abandoned homes and vehicles lodged in unexpected places by a catastrophic flood. He now lives the glamorous lifestyle of a middle school band teacher, and also freelances as a saxophonist and composer. When not teaching and making music, he writes all varieties of speculative fiction, with a special affinity for dark, suspenseful fantasy and hopeful horror. Zach lives in Utah with his marvelous wife, four clever children, and not-quite-enough saxophones. Brenda Posey was only three years old when she witnessed aliens invading from the sky over her own front yard. Even though the spaceships turned out to be spotlights on clouds, nothing could dampen her excitement over the question: “What if?” Growing up in Huntsville, Alabama, listening to the earth-rumbling sounds of rocket engines being tested, she dreamed up additional “what ifs.” A few of those questions inspired her to write science fiction short stories in high school and college. “What if” then led her to pursue degrees in both biology and computer science. After working as a researcher and programmer, she left the corporate world to raise two awesome kids with her also-awesome husband. Reading her husband's extensive, slightly dusty library of classic science fiction novels opened a whole new world of “what ifs” for her. She returned to writing, drawing on her background in the sciences to craft her own versions of reality. When not plotting novels and short stories, Brenda can be found rehabbing a mid-century house, forging hot steel into almost-recognizable objects, advocating for Oxford commas, and singing in choir. She continues to watch the skies at night because… well… What if aliens actually show up? The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). Following the 1982 release of his internationally acclaimed bestselling science fiction novel, Battlefield Earth, written in celebration of 50 years as a professional writer, L. Ron Hubbard created the Writers of the Future (writersofthefuture.com) in 1983 to provide a means for aspiring writers of speculative fiction to get that much-needed break. Due to the success of the Writers of the Future Contest, the companion Illustrators of the Future Contest was inaugurated five years later.

Today we continue the Young Jedi Knights series with The Lost Ones. Jacen, Jaina, Tenel Ka, and Lowbacca are visiting Coruscant to see one of the twins' old childhood friends, Zekk. He's a little older than they are and lives in the underbelly of the New Republic capital. But the Shadow Academy comes calling and their friendship will never be the same again.

Roddy Taylor is a former high school science teacher, who decided to become a full-time artist and illustrator. He and his wife moved to Ellensburg six years ago after his son was born and fell in love with the place. Since deciding to go full-time with his art, he has developed his previous love for mythology, nature, and fantasy themes. His most recent accolades involve winning Best of Show at the Kittitas County Fair twice. His work has shown often at Gallery One in Ellensburg, including a solo show in the Fall of 2024. It was a fairly short wordcount bio. Find out more about Roddy at,… RoddyTaylorArt.com The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. HOLLYWOOD, CA - Tooele, Utah artist Ms. Karah Richardson is a winner in the L. Ron Hubbard Illustrators of the Future Contest earning her a trip to Hollywood for a week-long master-class workshop, an awards event and her illustration will be published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 42. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book).

Abu⁠ and ⁠⁠⁠⁠Leo⁠⁠⁠⁠ break down the seven most egregious sins committed by Brian Herbert and Kevin J. Anderson in their Dune novels. They discuss the lack of depth in characters, the absence of subtlety in storytelling, and the overall boring and predictable nature of the plots. They also highlight the stark contrast between Brian Herbert's writing and that of his father, Frank Herbert, emphasizing the failure to capture the complexity and richness of the original Dune series. This episode contains SPOILERS for the Brian Herbert prequel novels House Atreides, House Harkonnen, and House Corrino Get ad-free episodes and bonus content: ⁠⁠⁠⁠https://www.patreon.com/GomJabbar⁠⁠⁠⁠ Say thank you with a tip: ⁠⁠⁠⁠http://buymeacoffee.com/gomjabbar⁠⁠⁠⁠ Watch video versions of select episodes: ⁠⁠⁠⁠https://www.youtube.com/@loreparty⁠⁠⁠⁠ Get yourself some custom-designed Dune swag: ⁠⁠⁠⁠https://www.gomjabbarshop.com⁠ (00:00) Intro (06:59) Sin #7: Bad writing (13:24) Sin #6: No character depth (23:11) Sin #5: Complete lack of subtlety or nuance (30:52) Sin #4: Boring storytelling (39:35) Sin #3: Nothing to say (46:47) Sin #2: Complete disregard of lore (01:05:26) Sin #1: Why are these stories necessary? (01:11:13) Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we continue the Young Jedi Knights series with Shadow Academy. A rival school to Luke's Jedi Academy has been founded, and they've kidnapped three of Luke's students.

Mike Strickland has made a career out of writing everything from marketing copy and finance articles to technical documentation and mobile app messages—and even twenty thousand science fiction-themed trivia questions. Other jobs he's been paid to do include scuba diver, navigator, call center representative, user experience designer, and now, science fiction author. His love of words began with fantasy and sci-fi, where it has now brought him full circle. After a long hiatus from fiction, Mike started writing and publishing again in 2024. A year later, he earned a master's degree in creative writing and won the prestigious Writers of the Future Contest. The story idea for “As Long as You Both Shall Live” was born from a dream two days before the Writers of the Future contest deadline. Mike wrote most of the story on the day of the deadline itself—his most prolific day of writing yet. The inspiration that powered such output focused on this question: “If technology allowed a person's consciousness to be transferred to a virtual environment, disconnected from their physical body, what would happen if that person's body died while their consciousness was in that state?” Mike explores the ethical questions inherent in this premise through the context of a hopeful love story—as all the best stories are told. Kathleen Powell received 18 awards from Writers of the Future before claiming her place in the 2026 anthology—two of them finalist stories. Since winning Writers of the Future, she placed third in the 2025 Baen Fantasy Adventure Award contest. When not writing about changelings or happily reading folklore and fantasy from across the world, she is usually thinking about writing changelings or reading folklore (she also likes tea). The inspiration for her winning story, “Saffron and Marigolds,” came after reading “Circulate” by L. Ron Hubbard in Writers of the Future Volume 39. In that essay, Hubbard writes “And in despair, we wail that there is nothing of interest in our surroundings or in the lives we lead. We say that and we believe it…If we knew our surroundings well enough, we could put them on paper. Someone else comes around, looks us over and studies our environment for a brief period and then goes off to write a novel. Why, we moan, didn't we write that book?” Well, why not? After writing about New York and London and Iowa (they have a tulip festival!), she decided to give writing about a place she knew firsthand a shot. After all, why should faeries and dragons and grand adventures always exist only somewhere “far, far away?” So “Saffron and Marigolds” is based in the little city where she attended college, and features good friends, high stakes, and cheese, because those, after all, are the essentials in any magic story. She hopes the locals will enjoy recognizing a few familiar details, and that readers everywhere will remember impossible adventures aren't always so far away as we might think. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few.

Today SunLit editor Kevin Simpson chats with Kevin J. Anderson about his book "Nether Station." Kevin J. Anderson is a bestselling American science fiction and fantasy author with over 140 books and 23 million copies in print. He is known for co-authoring the Dune prequels with Brian Herbert, as well as Star Wars and X-Files novels, and for original series like The Saga of Seven Suns.See omnystudio.com/listener for privacy information.

How do you weave short stories into a cohesive novel? In this episode, we're thrilled to welcome back award-winning author Martin L. Shoemaker, a “Writers of the Future Volume 31” winner, to discuss his latest novel, “A Fine and Dangerous Season.” Martin shares his unique process of transforming a series of short stories, all written in October 2023, into a gripping, interconnected narrative. From his early success with “Unrefined” to co-authoring “How to Be a Dictator” with Kevin J. Anderson and his novel “Today I Am Carey,” Martin's fourth appearance on our podcast dives deep into the art of storytelling. Learn practical techniques for blending short-form fiction into a novel-length masterpiece and get inspired by his creative journey. Learn more at shoemaker.space/.

How do you weave short stories into a cohesive novel? In this episode, we're thrilled to welcome back award-winning author Martin L. Shoemaker, a “Writers of the Future Volume 31” winner, to discuss his latest novel, “A Fine and Dangerous Season.” Martin shares his unique process of transforming a series of short stories, all written in October 2023, into a gripping, interconnected narrative. From his early success with “Unrefined” to co-authoring “How to Be a Dictator” with Kevin J. Anderson and his novel “Today I Am Carey,” Martin's fourth appearance on our podcast dives deep into the art of storytelling. Learn practical techniques for blending short-form fiction into a novel-length masterpiece and get inspired by his creative journey. Learn more at https://shoemaker.space/.

RUSHFest Canada - Massey Hall - Toronto - August 1 & 2, 2025: Our epic three-hour+ RUSHFest Canada Wrap-Up episode with Moving Pictures Scotland - Steve Brown, Jamie Dunleavey, Eoin De Paor, and event producer and owner of all the instruments Mr. Paul Beaulieu. We go deep with exclusive behind the scenes audio live from the stage on the day of the event.From pre-event jitters to post-show elation, join the Chaz N Schatz for a unique look behind “all-the-world's-stage” as we take you with us backstage with VIP access to all the excitement. You'll hear:Soundchecking from the stage & setting up all the gearAdi Berk's arrangement of Red Sector A featuring Adi, Jacob Moon, and Nina DiGregorioTerry Brown and Kevin J. Anderson topping one another with their personal storiesWhat taking a knee in front of 300 people sounds likeChaz, Schatz & Paul ripping it up on In The MoodPamala Summers' Roll The Bones RapJohnathan Dinklage and his new arrangement of Different StringsAll the behind the scenes scoop to make you never want to produce an event like this yourselfSome good ‘ol fashioned bonus material for those that endure 3 hours  of this podcast! Wait for it…wait for it...you won't be disappointed!THIS WEEK'S SONGThe wheel gives us one we haven't heard in a while - Chain Lightning - from 1989's Presto. Respond - Vibrate - Feed back - Resonate - the song that inspired our Chain Lightning RushieGame! And for that know about this wheel - this is a fitting song from The Wheel direct to Paul, with love and The MaCallan. Paul - you really pulled a rabbit out of your hat with RUSHFest Canada!SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: Schatz's Scratch List ⁠⁠⁠⁠(And say it 5 times fast!)ABOUT THE SHOWRush news, general nonsensical disorderly conduct, lack of regard for correctness or truth, and reckless endangerment of your whole-brain. This is one of two podcasts dedicated to increasing opioid release in your anterior insula, your anterior cingulate cortex (ACC), and your posterior cingulate cortex (PCC), in addition to the basal ganglia and the thalamus...and all that implies.  Blah, blah...RushRash. 

Welcome back to Quest me! The Star Wars Podcast that takes you on a quest through legends and new canon!On this weeks quest we dive in to the Legends series; The Jedi Academy Trilogy  by Kevin J Anderson! We look at how far the #StarWars universe has come since 1994 and what has changed. We also ask the question, "Have we been pronouncing things wrong this entire time?!"Join us live on Saturdays and sometimes Sundays at 9:30pm CST/8:30pm MST to talk about the latest episodes of Andor!YOUTUBE LINKBar Far Away RecipeYavin IV1 oz aguardiente1 oz amaretto1 oz waldmeisterShake with ice and strain into cocktail glass. Garnish with orange peel.Follow Justin on Instagram HEREFollow Phil on Bluesky HERETake a peek at Phils Blog, "The Swords of the Ancients" HEREBe sure to follow Quest Me(TMA) at the links below!Twitter/XFacebookTikTokListen and follow Josh's Pokemon PodcastThe Very Best: A PokecastOpening MusicBrain ImplantClosing MusicBounceThe opinions expressed in this podcast are just that, opinions. Copyright TMA Studios. All Rights Reserved#starwars #starwarsfan #disney #darthvader #jedi #themandalorian #mandalorian #lego #clonewars #cosplay #starwarscosplay #sith #lukeskywalker #marvel #obiwankenobi #starwarsnerd #legostarwars #babyyoda #starwarsmemes #anakinskywalker #lightsaber #bobafett #stormtrooper #art #maytheforcebewithyou #toyphotography #actionfigures #kyloren #starwarsart #starwarstoys

Today we begin the Young Jedi Knights series. Jacen and Jaina Solo are students at the Yavin IV Academy. They've already made one close friend with Tenel Ka, and soon meet another in Lowbacca. The four friends find a crashed TIE Fighter out in the jungle, and things will never be the same again.

HOLLYWOOD - Swansea, Wales, United Kingdom author Joel C. Scoberg is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with eleven other writers and eleven artists at the Taglyan Complex in Hollywood, California on April 10th. His story, "The Stench of Freedom," is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which was officially released on April 22nd 2025. Joel C. Scoberg lives on the beautiful Gower Peninsula in Wales, United Kingdom, with his very supportive wife, two somewhat feral children, and a growing menagerie of animals. He predominantly writes science fiction and fantasy stories, usually at night after his children have gone to bed and before he collapses from exhaustion. His stories have appeared in Daily Science Fiction, Gwyllion Science Fiction and Fantasy, 365tomorrows, and Every Day Fiction. Joel's love of science fiction and fantasy goes back further than his earliest memories. From watching The Never Ending Story so many times he wore out the video, to his family's Christmas tradition of watching the original Star Wars trilogy back-to-back, and discovering The Hobbit on a caravan holiday as a teenager and reading it, utterly mesmerised, in one sitting. He hopes to one day write a story that will equally enthrall a reader and make them fall in love with fantastical characters that, currently, only exist in his head. “The Stench of Freedom” was inspired by the transformational perspective that becoming a parent brings. Joel had long dreamt of becoming a writer, but pursuing a career in law and the long hours that entailed, as well as the fear of ridicule for putting something so personal as your own creation into the world, acted as excuses not to follow those dreams. Then, when his children were born, he realised he could hardly tell them to pursue their dreams if he hadn't done so himself. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. HOLLYWOOD - Mesa, Arizona author Ian Keith is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with eleven other writers and eleven artists at the Taglyan Complex in Hollywood, California on April 10th. His story, "Blackbird Stone," is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which will be officially released on April 22nd 2025. Ian Keith went to philosophy school to learn how to tell the truth, and to law school to learn how to tailor a story to suit any set of appearances. Both trainings have helped him to write fiction, about equally. He lives with his partner and their two children in the Phoenix area, where he works as a ghostwriter. “Blackbird Stone” is his first professional publication. “Blackbird Stone” started as an itch to write about the pigeons, lizards, and rocks that populate suburban backyards in the Southwest. It grew into a love story and a tribute to quirky families when a bachelorette with an addiction to time elbowed her way in at the conceptual stage. The pigeons became blackbirds, the lizards became telepathic, and the stones became eggs to accommodate her.

Steven L. Sears began his career as an actor. He moved on to become a writer, story editor, producer and creator in TV, film, digital media, and animation. He's worked on such TV series as: Riptide, Hardcastle & McCormick, The A-Team, Stingray, Walker-Texas Ranger, The Highwayman, Hollywood Detective, Grand Slam, Jesse Hawkes, Superboy, S.H.E. Spies and other popular favorites.  He produced Swamp Thing for the USA Network, Raven for CBS, Co-Executive Produced Xena, Warrior Princess, co-created and Executive Produced Sheena, and has had many pilot and development deals with various major studios. Steve's animation work includes Itsy Bitsy Spider, Transformers Rescue-Bots, and the short film The Gift of the Hoopoe with legendary director Don Bluth. His prose work includes The Non-User-Friendly Guide for Aspiring TV Writers; the graphic novel Stalag-X with Kevin J. Anderson; stories in such anthologies as Jeff Sturgeon's Last Cities of Earth and Alien Vs. Predators: Ultimate Prey. Steve recently published the short story collection, Tales of the Aboveground/Underground, which I thoroughly enjoyed reading. If you like offbeat stories with a wonderful twist to rival those of the Twilight Zone, I highly urge you to get Steve's book.www.stevenlsears.comhttps://en.wikipedia.org/wiki/Steven_L._Searspondalee.com

HOLLYWOOD - Broomall, Pennsylvania artist David Hoffrichter is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with ten other artists and twelve writers at the Taglyan Complex in Hollywood, California on April 10th. His art is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which will be officially released on April 22nd 2025. David grew up in Broomall PA, right outside of Philadelphia and not too far from several museums that would direct his love of illustration for the rest of his life. David was raised on adventure stories, magical tales of Lions, Dwarves, Elves, and heroes of all ages. The one thing these stories had in common were amazing pictures illustrated by artists who lived very close to where David first learned to love art. From N.C. Wyeth, Howard Pyle, and Jessie Wilcox Smith, to the artistic legends who are alive today. Still brightening the world with every brushstroke they make, David revels in his appreciation of art and how it has shaped his foundation from an early age. David loves to create narrative paintings that tell the stories between the lines. There is a mystery to be found in his works, that represents who he is as an artist, and how he sees the world. He cannot wait to share his world with you. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). devil can ever be justified. “The Rune Witch” is Jefferson's first sale. He hopes you enjoy it. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). Following the 1982 release of his internationally acclaimed bestselling science fiction novel, Battlefield Earth, written in celebration of 50 years as a professional writer, L. Ron Hubbard created the Writers of the Future (writersofthefuture.com) in 1983 to provide a means for aspiring writers of speculative fiction to get that much-needed break. Due to the success of the Writers of the Future Contest, the companion Illustrators of the Future Contest was inaugurated five years later. In the 41 years of the Writers of the Future Contest, there have been 571 winners and published finalists. The past winners of the Writing Contest have published 2,000 novels and nearly 6,300 short stories. They have produced 36 New York Times bestsellers, and their works have sold over 60 million copies. In the 36 years of the Illustrators of the Future Contest, there have been 418 winners. T

On Wednesday April 9, 2025, Mark had a pizza lunch at Lucifers Pizza on Sunset Boulevard in Los Angeles, California. It was a place recommended by friend of the podcast Nikki Guerlain. In addition to agreeing that this was fantastic pizza (with wonderful staff), Mark, Kevin, and Rob had a conversation about Writers of the Future, and various aspects about the business of writing and publishing.   Links of Interest: Robert J. Sawyer's Website Kevin J. Anderson's Website Writers of the Future Website Lucifers Pizza Website Buy Mark a Coffee Patreon for Stark Reflections EP 353 - Tao Wong on The Toronto Indie Author Conference Alex Lifeson's Speech on Behalf of Rush at Rock & Roll Hall of Fame Induction Mark's YouTube channel Mark's Stark Reflections on Writing & Publishing Newsletter (Signup) An Author's Guide to Working With Bookstores and Libraries The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City Only Monsters in the Building The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles Yippee Ki-Yay Motherf*cker: A Trivia Guide to Die Hard Merry Christmas! Shitter Was Full!: A Trivia Guide to National Lampoon's Christmas Vacation   The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0

Delicious soup, fizzz tunes, and Greedo's repeated death, oh my! Shaun Duke and Daniel Haeusser bring back our Star Wars literary podcast, Thrawn and On and On, for an in-depth discussion of Tales from the Mos Eisley Cantina edited by Kevin J. Anderson! Together, they talk about Star Wars anthologies, get deep into the murky depths of Greedo's mind, and explore what works and doesn't work in this classic anthology. Thanks for listening. We hope you enjoy the episode! Show Notes: Don't forget to catch our live format every Friday at 7 PM Central on Twitch at AlphabetStreams! If you have a question you'd like us to answer, feel free to shoot us a message on our contact page. Our new intro and outro music comes from Holy Mole. You can support his work at patreon.com/holymole. See you later, navigator!

Mark has a virtual beer with Kevin J. Anderson while they talk through various aspects about writing and publishing. This episode is from a live chat that was hosted on the evening of Sunday March 16, 2025. This episode is sponsored by Superstars Writing Seminars: Teaching you the business of being a writer which takes place in early Feb 2026 in Colorado Springs, CO and where Mark will be a guest speaker. Use code: STARK100 to get $100 off your registration. In their chat Mark and Kevin talk about: The loss of author and poet Danny Peart, Neil Peart's brother and how the first story Kevin and Neil wrote together named the main character after Neil's brother Mark and Kevin's Rush and beer connection Kevin's "music starter kit" to his grand-kids The significance of the Rush album Grace Under Pressure to both Kevin and Mark How the Columbia Music Record Club is what led to Kevin discovering Rush (because he was looking for sci-fi style album covers and Rush's 2112 jumped out at him) The back-story to Kevin's Terra Incognita novels Writing a novel that was a tie-in to a Rush album How Kevin has been able to leverage Kickstarter to produce products that no New York publisher would likely ever get behind The way a tribute song "No Words" about Neil Peart led to a new friendship and collaboration with Kevin The music behind the Terra Incognita trilogy Kevin's Kickstarter for Terra Incognita funding in 14 minutes, but the ultimate goal of earning back the high investment he has already put into it The number of novels that Kevin has written Benefits of being able to order books directly from the author versus going through the multiple layers of traditional publishing Superstars Writing Seminars, the conference that Kevin, his wife Rebecca, Dave Farland, Eric Flint, and Brandon Sanderson started more than 15 years ago The Masters of Creative Writing with a focus on Publishing that Kevin teaches at Western Colorado University The annual anthology that this program publishes thanks to sponsorship from Draft2Digital The latest musical collaboration Kevin recently announced Kevin coming to Toronto's Massey Hall for RushFest on August 1, 2025 What books Kevin and Mark are currently working on Favorite advice for running a Kickstarter and the real costs of shipping and handling Kevin's love of hiking and dictating when he writes And more . . .   Links of Interest: Kevin J Anderson's Website WordFire Press Kevin's Terra Incognita Kickstarter Western Colorado University Publishing Masters Superstars Writing Seminars Buy Mark a Coffee Patreon for Stark Reflections How to Access Patreon RSS Feeds Mark's YouTube channel Mark's Stark Reflections on Writing & Publishing Newsletter (Signup) An Author's Guide to Working With Bookstores and Libraries The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City Only Monsters in the Building The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles Yippee Ki-Yay Motherf*cker: A Trivia Guide to Die Hard Merry Christmas! Shitter Was Full!: A Trivia Guide to National Lampoon's Christmas Vacation   The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0  

It's Part 2 of my interview with bestselling author Kevin J. Anderson! In this episode, Kevin discusses how he found out he was going to write the novelization for Rush's Clockwork Angels album, working with Neil Peart on the books, his friendship with Neil, his love of Rush's music, and his thoughts on the Clockwork Angels album. Visit wordfire.com for more information on Kevin's work. Get in on Kevin's Terra Incognita and Roswell Six Kickstarter here. Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram and/or TikTok. I'm also on Bluesky now as well. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com. I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more. 

Today we discuss the entirety of Tales of the Bounty Hunters. What we liked, what we didn't like, and everything in between.

My guest for this episode is New York Times bestselling author Kevin J. Anderson, who is firing up a new Kickstarter (see URL below) today to reissue his outstanding Terra Incognita trilogy in special hardcover and bespoke editions. What does this have to do with my record collection? All three of Kevin's novels in the trilogy have a companion album of original progressive rock songs performed by an all-star cast, helping to bring the story to life. The "band" name is Roswell Six, and only two of the albums came out while the books were being released. The third album has finally been completed and may be the best of the bunch. In this first part of my interview with Kevin, he discusses how he became a fan of progressive and what we now call classic rock, the Terra Incognita kickstarter, how he brought his novel/album idea to fruition, why the third album wasn't originally made, how that eventually became a reality, and more. Part 2 will drop next week, in which Kevin discusses his love of Rush, collaborating with Neil Peart on the Clockwork Angels steampunk novels, his love for the Clockwork Angels album, and more. Visit wordfire.com for more information on Kevin's work. Get in on Kevin's Terra Incognita and Roswell Six Kickstarter here. Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram and/or TikTok. I'm also on Bluesky now as well. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com. I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more. 

Abu and Leo discuss Brian Herbert and Kevin J Anderson's 2012 book Sisterhood of Dune, buckle up! Get ad-free episodes and bonus content: https://www.patreon.com/GomJabbar Say thank you with a tip: http://buymeacoffee.com/gomjabbar Watch video versions of select episodes: https://www.youtube.com/@loreparty Get yourself some custom-designed Dune swag: https://www.gomjabbarshop.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we discuss The Last One Standing: The Tale of Boba Fett. This story shows us Boba Fett at several different points in his life: it sees him as a young man before his exile, chasing Han Solo during The Empire Strikes Back, his time at Jabba's Palace during Return of the Jedi, and a much older bounty hunter chasing Kardue'Sai'Malloc and then an older Han Solo.

How can you build a long-term author career with multiple streams of income? How can you use technology for the grunt work and not the fun part of writing? Kevin J Anderson gives his tips. In the intro, has TikTok gone dark? [AP]; BookVault is expanding printing to Australia; GPSR, the EU's new General Product […] The post Building A Long Term Author Business, Dictation, Kickstarter, and Short Story Collections With Kevin J Anderson first appeared on The Creative Penn.

Today we discuss Of Possible Futures: The Tale of Zuckuss and 4-LOM. Zuckuss and 4-LOM are after Han Solo. Unlike the other bounty hunters, rather than chase their query, they decide to head for the Rebellion's rendezvous point and capture him there. In order to be accepted by the Rebellion, they rescue some Rebel survivor's from the Battle of Hoth.

We are just your average married couple who love watching and talking about science-fiction television. The Dune series is a sprawling sci-fi story that has had many film and television adaptations and we're taking a look at them. So join us as we discover the secrets of the spice and the ways of the Worm! This week on the podcast we are discussing Dune: Prophecy “The High-Handed Enemy”It's wormin' time!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn   SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.com FOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

We are just your average married couple who love watching and talking about science-fiction television. The Dune series is a sprawling sci-fi story that has had many film and television adaptations and we're taking a look at them. So join us as we discover the secrets of the spice and the ways of the Worm! This week on the podcast we are discussing Dune: Prophecy “In Blood, Truth”It's wormin' time!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.com FOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.com FOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

We are just your average married couple who love watching and talking about science-fiction television. The Dune series is a sprawling sci-fi story that has had many film and television adaptations and we're taking a look at them. So join us as we discover the secrets of the spice and the ways of the Worm! This week on the podcast we are discussing Dune: Prophecy “Twice Born”It's wormin' time!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.com FOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

We are just your average married couple who love watching and talking about science-fiction television. The Dune series is a sprawling sci-fi story that has had many film and television adaptations and we're taking a look at them. So join us as we discover the secrets of the spice and the ways of the Worm! This week on the podcast we are discussing Dune: Prophecy “Sisterhood Above All”It's wormin' time!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn  SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.com FOLLOW US:Twitter | Facebook | Instagram | Reddit | Bluesky | Tiktok | Tumblr | DiscordLISTEN ON:Apple Podcasts | YouTube | Spotify | Amazon Music / Audible | Simplecast | Goodpods | Podchaser | Podcast Addict | Castbox | iHeartRadio | TuneIn

Abu and Leo break down seven small (and large) details you might have missed in the latest trailer for the upcoming HBO Max original series Dune: Prophecy. They speculate about what we'll see in the show based on the novel it's inspired by, and geek out about the nerdy lore details they hope appear in the show. This episode contains SPOILERS for Brian Herbert and Kevin J. Anderson's prequel book Sisterhood of Dune Get ad-free episodes and bonus content by becoming a Patron Check out the custom-designed Dune swag on our merch store Watch video versions of select episodes on YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

994. This week, I sat down with the prolific "Dune" author Kevin J. Anderson and the famed "Dune" narrator Scott Brick to explore the language challenges in the "Dune" series. Learn how Kevin and Scott navigated Frank Herbert's original vocabulary, stayed true to the cultural influences of the names and terms, and created an extensive pronunciation guide. Whether you're a longtime fan or are new to the series, you'll love Kevin and Scott's stories about the language of "Dune" and its quirky history. Links mentioned in the show: | Edited transcript with links: https://grammar-girl.simplecast.com/episodes/anderson-brick/transcript| Please take our advertising survey. It helps! https://podsurvey.com/GRAMMAR| Grammarpalooza (Get texts from Mignon!): https://joinsubtext.com/grammar or text "hello" to (917) 540-0876.| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio Engineer: Nathan SemesDirector of Podcast: Brannan GoetschiusAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly Hutchings| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.References for the Aging segmentvan Boxtel, W, Lawyer, L. Sentence comprehension in ageing and Alzheimer's disease. Lang Linguist Compass. 2021;e12430.Payne, B. R., Gao, X., Noh, S. R., Anderson, C. J., & Stine-Morrow, E. A. (2012). The effects of print exposure on sentence processing and memory in older adults: Evidence for efficiency and reserve. Aging, Neuropsychology and Cognition, 19(1–2), 122–149.