Podcasts about practical guide

Send us Fan MailYou can leave a cult and still feel trapped in your own head and that's the part nobody prepares you for. I'm joined by author, activist, and longtime cult-recovery educator Chris Shelton to talk about his new book, What Now? A Practical Guide to Life After a Cult, and the real work that starts after you walk out the door.We get into why so many people assume leaving is the finish line, even though it's really step one. Chris breaks down how trauma can stay invisible, how “trauma comparison” derails healing, and why recovery timelines aren't a competition. We also talk about the impact on families and friends who are trying to help someone still inside Scientology or another high-control group, including why yelling “it's a cult” can backfire and what a calmer, smarter approach can look like.Chris shares what surprised him most when studying coercive control academically, especially the crucial differences between ethical therapy and Scientology-style auditing. From there, we shift into practical next steps: Maslow's hierarchy of needs as triage, the importance of a real support system, and why boundaries and critical thinking are essential skills for rebuilding your identity and learning to trust yourself again. If you're searching for guidance on cult recovery, coercive control, religious trauma, or life after Scientology, this conversation offers grounded tools and language you can use immediately.Subscribe for more conversations like this, share the episode with someone who needs it, and leave a review so more people can find the show.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503RSS: https://feeds.buzzsprout.com/2131160.rssYOUTUBE PLAYLISTS:Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-eBNXD...

Dr. Rick and Forrest explore burnout: what it is, why it's so common, and what people can do about it. They begin by framing burnout as largely a structural problem that individuals are forced to manage. They unpack the six major drivers of burnout, why some people are especially vulnerable, and how chronic stress affects the mind and body. They then turn to practical ways to recover more effectively, including psychologically detaching from work, finding more effective forms of relaxation, protecting your own self-concept, and reducing underlying vulnerabilities. Finally, they talk about how we can preserve meaning and agency when we truly can't change our circumstances. Key Topics: 00:00: Intro and burnout as a structural issue 7:20: Six major factors of stress and what to do about them 21:57: Mindfulness, relaxation, and recovery 34:11: Protecting your own self-concept and job crafting 41:46: Reduce vulnerabilities and taking care of yourself 1:04:45: Recap Support the Podcast: We're on Patreon! If you'd like to support the podcast, follow this link. Sponsors If you're ready to simplify the business side of your practice, now is a great time to try SimplePractice. Start with a 7-day free trial, then get 50% off your first three months. Just go to SimplePractice.com to claim the offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shaun has assisted a lot of family offices with establishing their Investment Committee Charter. The document that details the roles, responsibilities, and workings of the Investment Committee. As a member of these groups, he has seen what good looks like. This is another practical guide episode for anyone looking to write one themselves (without AI). Hall Road Investments Pty Ltd ACN 621 299 269 is a Corporate Authorised Representative (CAR No. 001279456) of Non Correlated Advisors Pty Ltd (AFSL No.430126). Shaun Parkin is an Authorised Representative (AR No 001279458) of Hall Road Investments Pty Ltd (CAR No. 001279456) and is authorised to provide general advice to wholesale investors. Nothing in this podcast (Communication) constitutes an investment offering of any kind. This Communication is for informational purposes only. It does not constitute investment or financial advice.  

Working through frustration and anger at revelations from the Fauci hearings. Critical Theory at work in reaction to the Berlin Pride event attack. And President Trump's joke reveals trans inconsistencies.     Recommendations  Bioethics; A Primer for Christians by Gilbert Meilaender  Death and Life in America by Farr Curlin  Segment 1 – Fauci Hearing  World Magazine  Segment 2 – Attack at Berlin Pride Event  First Things article  AP article on WNBA altercation  Federalist article  Practical Guide to Culture  Segment 3 – Revealing Trump Joke  My Gender Dolls  Economist article  GLS livestream  GLS in person event 

Andrew Burt, CEO and co-founder of Luminos, joins Ben Lorica to unpack Luminos's new report, A Practical Guide to Agentic and Gen AI Risk Evals. Subscribe to the Gradient Flow Newsletter

Most people wait until the pain goes away to start living again. Dr. Sean Pastuch says that's backwards — and that the pain was never the real problem.Sean is a chiropractor, the founder of Active Life, and the author of Live More. Hurt Less. He's spent 20 years getting people out of chronic pain without asking them to shrink their lives — from Olympians and CrossFit Games champions to people who couldn't make it up a flight of stairs without running out of breath. In this episode he breaks down why more than 20% of Americans live with chronic aches and pains, why "eat less, move more, don't do it if it hurts" is the worst advice you'll ever get, and the three identities that have to line up before anything actually changes.WHAT WE GET INTO:• Why compromise — not pain — is the real disease• The small, reasonable decisions that quietly shrink your life• Why nothing actually changes between age 39 and 40• The three identities you have to align for change• Setting floors instead of goals (and why five minutes counts)• What 20 years of clinical work taught him about "excuses"CONNECT WITH DR. SEAN PASTUCH:Book: Live More. Hurt Less.: The Practical Guide to Overcoming Chronic Pain and Living an Active Life - https://www.amazon.com/dp/B0H6T3RXPFInstagram: https://www.instagram.com/drseanpastuchWebsite: https://drseanpastuch.com

Why aren't you living the life you want?You may believe you need more money, flexibility, free time, professional success, or opportunities to enjoy new experiences. But pursuing each of these outcomes separately can leave you feeling as if you are always waiting for your real life to begin.In this episode, Case introduces a new model for aspiring entrepreneurs built around three concepts: alignment, aliveness, and progress.Discover how building an online business can help you create a professional life that reflects your ideas, values, and ambitions—and why taking one practical step today can begin changing how you see your future and yourself. To have an enjoyable life  in our global, advanced tech society, create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad.  The path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

In this episode, Kristen is joined by Chris Shelton, a former second-generation cult member and author, who shares how he broke free from decades of cult indoctrination, exposing the psychological tactics of coercive control and the long journey to reclaiming critical thinking and personal freedom.     You'll learn: How love bombing and emotional manipulation are used to recruit people into cults. Why coercive control makes it difficult to question or leave high-control groups. How isolation and black-and-white thinking reinforce cult indoctrination. What finally prompted Chris to question Scientology after decades of involvement. How critical thinking and self-awareness can help people reclaim their freedom Connect with Chris Shelton here: chrissheltonmsc.org   When you purchase Chris Shelton's book through these Amazon affiliate links, you're helping support the podcast at no extra cost to you:   1. Scientology: A to Xenu: An Insider's Guide to What Scientology is All About   2.  What Now?: A Practical Guide to Life After a Cult   Subscribe HERE and get a free 5-day journal to begin closing the chapter on what doesn't serve you and open the door to the real you. Connect with Kristen: Get Kristen's newsletter, packed with tangible tools, resources, and inspiration Watch the episodes on YouTube Follow Kristen on Instagram   Kristen's TikTok   Have Kristen Speak at Your Event  Disclaimer This information is being provided to you for educational and informational purposes only. It is being provided to you to educate you about ideas on stress management and as a self-help tool for your own use. It is not psychotherapy/counseling in any form. This information is to be used at your own risk based on your own judgment. For counseling services near Indianapolis, IN, visit www.pathwaystohealingcounseling.com. Pathways to Healing Counseling's vision is to provide warm, caring, compassionate and life-changing counseling services and educational programs to individuals, couples and families in order to create learning, healing and growth.

If you're a small or mid-sized manufacturer, adopting an agile approach can help you respond to changing customer requirements and fast-moving markets. In this podcast, you'll learn what agile manufacturing is, whether it's a good fit for your business, and how to put it into practice. You can learn more in this episode or read about it on our blog For more information about the MRPeasy software, visit our website: mrpeasy.com

Rebuilding confidence after trauma is possible through gradual, evidence-informed steps that restore self-trust, regulate the nervous system, and help survivors slowly reconnect with their own sense of capability and worth. Learn more and register for the online summit, August 13-14, 2026, at https://hub.htdholisticservices.com/confidencesummit Heal Thrive Dream Holistic Services INC. City: Alexandria Address: 4213 Sonia Ct Website: http://htdholisticservices.com/ Phone: +1 571 409 0998 Email: HealThriveDream@gmail.com

Your blood sugar can look completely normal on paper while your metabolism is quietly unraveling underneath. Insulin resistance often develops a decade or more before a diabetes diagnosis — and by the time it shows up on standard labs, the damage has already been building for years. In this episode, we break down what's actually happening inside the body as cells stop responding to insulin, why this single shift is linked to heart disease, fatty liver, PCOS, cognitive decline, and more, and the early warning signs most people miss — from afternoon energy crashes to stubborn belly fat to waking up hungry at night. We also cover the lab markers that catch insulin resistance years before a glucose test ever will, and a bioregulatory framework for addressing the inflammation, mitochondrial stress, and gut health issues driving it all. Plus, simple things you can start doing today to blunt a glucose spike before it happens. This one's for anyone who wants to get ahead of a diagnosis instead of reacting to one.

This one's for anyone who's had to rebuild a life from nothing and wants a real framework instead of another empty pep talk.More info, resources & ways to connect - https://www.tacosfallapart.com/podcast-live-show/podcast-guests/dr-oluwole-babatundeDr. Oluwole Babatunde lost his mother at seven and his father at thirteen. He grew up largely on his own, sneaking between the homes of people willing to take him in, finishing high school with almost no stable ground under him. Today he's a physician, a PhD in epidemiology, the author of over 60 published papers and an NIH fellow wrapping up his psychiatry residency in South Carolina. This episode is the story of how he got from one point to the other and the framework he built along the way to help other people do the same.That framework is called MAP LAMP and it comes straight out of his book Adapt in Advance. Meaning making, Action, Plan, Learn, Alliance formation, Mission statement and Prayers. Wole walks through each piece with real stories from his own life, not just theory. He talks about the mentor who wrote him letters every week when he had nobody else checking in on him. He talks about waking up at 1am to study during his hardest year of medical school in Nigeria. He talks about the moment in his fourth year of med school when he made the decision that his story would not define him in a negative way and how that single choice changed the direction of everything after it.We get into how he uses Viktor Frankl's work on meaning to process his own losses, why he calls therapy, medication and lifestyle the three legs of the same stool, and why he thinks people wildly underestimate what small daily actions can do for mental health. He walks 10,000 steps a day, listens to a book a week during his commute and still makes time to write inside the pages of physical books when something hits him hard enough. None of it is complicated. All of it adds up.This conversation is for anyone who has been handed a rough start and wondered what to do with it. Wole doesn't offer easy answers or pretend the hard years didn't hurt. He talks openly about grief, about the seasons in his own life that looked a lot like major depression, and about what it actually takes to build a life on the other side of loss without pretending the loss never happened.If you are in a season where things feel shattered, or you love someone who is, this episode gives you language and a framework for rising again that doesn't require you to have it all figured out first.Connect with Dr. Wole Babatunde and grab a copy of Adapt in Advance through the links in the show notes.

You know how it goes in wedding planning. Someone tells you emphatically, you have to do this, or whatever you do, do not do that. And some part of you thinks, noted but we'll do what's right for us.This is one of those episodes.Parts 1 and 2 of this series gave you the honest picture of love hires from the people who see them play out from first light to last song. And this episode, Part 3, is the practical part. 8 wedding vendor roles, what can go wrong when they are filled by someone without experience, who to consider booking instead at different price points, and if you are still going ahead with a love hire anyway, the specific steps to take before the day.You'll learnWhy the timeline your MC has been given is a guide, not a command, and what they actually need to do before making a single announcement.The one DIY makeup product that can ruin your photos without anyone realising until it is too late.What a co-pilot ceremony is in Australia and why it's the only legal path forward in Australia if your person is not an authorised celebrant, plusWhy the DJ is one of the highest-risk love hire roles, and what to do if budget means a professional is not possible.Resources Mentioned:Wilson and Lewis Photography: www.wilsonandlewisphotography.comLuke John Photography: www.lukejohnphotography.comMarried by Jay (Jay Bingle-Brown, celebrant, QLD): www.marriedbyjay.com.auMobile Make Overs Australia (Tallora Dee): www.makeoversaust.com.auTallora's DIY wedding makeup blog: www.makeoversaust.com.au/tips-for-brides/makeup-products-needed-for-diy-wedding-makeupAmuse Event Lighting and Audio Visual (Sam Balfour): www.amuselav.com.auSend Unbridely a 90-second audio message on Speakpipe: https://www.speakpipe.com/unbridelypodcast*The Unbridely Podcast is sponsored by its listeners. When you purchase products or services through links on our website or via the podcast, we may earn an affiliate commission.*------This episode of the Unbridely Modern Wedding Planning Podcast is brought to you by Never Miss Moments Unbridely's recommended wedding guest photo and video-sharing tool. With your unique QR code, your family and friends can quickly, easily and securely share their snaps with you in your personalised online gallery.Visit nevermissmoments.com/unbridely to receive your 10% discount on your gallery.-----Unbridely acknowledges the Traditional Owners of the Land we record this podcast on, the Kaurna People. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures.Support the showFollow us on Instagram: https://www.instagram.com/unbridely/or TikTok: https://www.tiktok.com/@unbridelyEmail the Unbridely Podcast:hello@unbridely.com

Don't resist tough emotions, but don't live there. Provide yourself with more time for REST. Don't stress about productivity at this time. Set FIRM boundaries. Allow space and deal with the withdrawal symptoms. Clear + reset your space. Reflect for future you. Reflect on underlying needs that your choices are compensating for. Show yourself the care + empathy you're saving for your ex. Don't take shit so personally. Allow different timelines + perceptions of the situation to exist. Believe this is all working out for your highest good. Even the painful bits. Focus on controlling YOUR timeline, not theirs.You are worthy of the most amazing, real love. Don't ever settle for less. Read Julie's Medium Blog.Support JULIE (and the show!)Support + get some bonus stuff over on PATREON.Get an occasional personal email from me: www.makeyourdamnbedpodcast.comTune in on INSTAGRAM AND YOUTUBE or TIKTOK.Info on War Tax Resistance.Donate to the Palestinian Children's Relief Fund and the Sudan Relief FundThe opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Support this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

In this podcast, Karen Tynan (Sacramento) and Kevin Bland (Orange County) discuss serious accident-related citations (SARs) under Cal/OSHA, explaining how these citations require a causal nexus between the alleged violation and a serious injury, and how they differ from standard serious violations. Kevin and Karen, who chairs the firm's Workplace Safety and Health Practice Group, cover common scenarios involving lockout/tagout procedures, machine guarding, training deficiencies, and heat illness. They also discuss the elevated penalties associated with SARs and the increasing challenges of settling these cases after California's 2025 audit of Cal/OSHA. The episode offers practical insights for employers on how to defend against SARs and highlights potential implications for workers' compensation claims, civil litigation, and construction prequalification.

Don't resist tough emotions, but don't live there. Provide yourself with more time for REST. Don't stress about productivity at this time. Set FIRM boundaries. Allow space and deal with the withdrawal symptoms. Clear + reset your space. Reflect for future you. Read Julie's Medium Blog.Support JULIE (and the show!)Support + get some bonus stuff over on PATREON.Get an occasional personal email from me: www.makeyourdamnbedpodcast.comTune in on INSTAGRAM AND YOUTUBE or TIKTOK.Info on War Tax Resistance.Donate to the Palestinian Children's Relief Fund and the Sudan Relief FundThe opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Support this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

Throughout most of human history, ordinary people had little opportunity to choose their work, pursue an original idea or build an enterprise of their own. Today, freedom has created an extraordinary opportunity—especially for aspiring online entrepreneurs.In this episode, Case explores how freedom, entrepreneurial capitalism and technological progress opened the marketplace to builders, innovators and problem-solvers.  And why the internet and artificial intelligence have made it possible for one person with a laptop, useful skills and a valuable idea to reach customers around the world.But freedom comes with responsibility. No one owes you customers, attention or success. Entrepreneurs must earn trust, solve real problems, adapt to the marketplace and persist when the original plan does not work.You do not need an office, factory or large team to begin.You need an idea, effort and persistence.The future has always belonged to the builders. The next builder could be you.To have an enjoyable life  in our global, advanced tech society, create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad.  The path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

Alex Morgan founded theautisticwoman.co.uk, the UK's only comprehensive online autism resource written by an autistic woman. Mothertongue: A Meditation on Memory, Truth and Love (Thorn & Haw, 2026), her memoir about spending almost sixty years with undiagnosed autism, was shortlisted in the Northern Writers' Awards. A journalist on national newspapers and magazines for forty years, she blogs about autistic joy on Substack and can also be found on Instagram and Facebook. Her first novel, Tandem (Hookline, 2014), won the Hookline Novel Competition judged by book groups from around the UK, and she co-authored A Practical Guide to Camping (White Owl, 2022). Alex lives with hypermobile Ehlers-Danlos and Mast Cell Activation syndromes. She organises her bookshelves by the colour of the spines and loves pattern, detail and order. When not reading, swimming, rowing or doing yoga, she is working on a second novel. Website: theautisticwoman.co.ukBuy Mothertongue: theautisticwoman.co.uk/books-on-autismSubstack: @theautisticwomanInstagram: @the_autistic_womanFacebook: Alex Morgan – The Autistic WomanThis podcast is for anyone who has ever felt out of the box or isolated by society's expectations. This is a space for creatives going it alone, entrepreneurs, and anyone who feels they are on a different path. Join Caroline as she shares her personal journey and delves into the interconnected experiences of Autism and ADHD as well as creative differences.I believe that our unique story, our lived experiences and the understanding of our mind's unique wiring, are the steps to uncovering our soul's true purpose. This podcast is now a companion to my book, “The Neurodivergent Soul” where I explore the sacredness of difference and the beauty of the neurodivergent mind. Through personal stories, expert interviews, and a deep sense of compassion, you'll find a community of people who truly understand and a path to embracing your authentic self.This podcast is for you if you're looking to:Join a community for creatives, entrepreneurs, and anyone who thinks ‘out of the box.'Find conversations on Neurodivergence and difference.Learn how to use your unique wiring for a purposeful life.Visit Middle Earth Medicine to learn more and connect with me, Caroline.The views expressed by guests on this podcast are their own and do not necessarily reflect my perspectives. My aim is to create a space for open enquiry, diverse experiences, and thoughtful conversation. As always, I invite you to reflect on what resonates, question what doesn't, and trust your own wisdom.Your donations directly fuel the growth of this podcast! They allow me to bring in even more wonderful and inspiring guests, expanding my reach to uplift even more listeners. Please show your support and become part of the magic! Donations of any amount are deeply appreciated. You can make a secure donation through PayPal using the link below.Every contribution, big or small, makes a difference! paypal.me/carolinecarey60 Thank you for your support in spreading the light of soul journeys. Hosted on Acast. See acast.com/privacy for more information.

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Too many young people are getting a "desiccated" education – narrow, information-transfer schooling optimised for exams. In this episode, James and David are joined by Liz Robinson and Sarah Seleznyov of Big Education – the "feisty little multi-academy trust" behind School 21, School 360 and Surrey Square – to make the case for something bigger: an education of the head (academic learning), heart (wellbeing and relationships) and hand (creativity and skills). The conversation centres on the new book from the Rethinking School project, A Practical Guide to a Big Education: Balancing Head, Heart and Hand, edited by Sarah Seleznyov and Robert Lobatto – a collection of chapters written by school leaders and teachers who are actually doing this work, each paired with a vignette from another school and reflective questions to help you find your own way in. Not a recipe book, but an invitation to be a little bit braver. In this episode we explore: -Why pedagogy was written out of the Curriculum and Assessment Review – and why curriculum, pedagogy and assessment have to change together ("if you only pull one string in the marionette, it jerks") -England's uniquely narrow definition of curriculum and learning – and how it compares with models from around the world -What Big Education is, and what an education of the head, heart and hand actually means -The Milburn report on youth unemployment – and why the problems start in Year 1, not at upper secondary -Liz's "soapbox rant": Every Child Matters, extended schools, co-located services – and what was lost when it was all set on fire -Think systemically, act systematically: systems thinking, design thinking and vertical slice change teams Authentic leadership: vulnerability, ego, the kelp metaphor – and why Liz is learning to bring "Lizzie" to work -Being evidence-informed: why data is richer than numbers, the trouble with RCTs and the EEF toolkit, and engaging with research and in research -Interdisciplinary project-based learning – and the jaw-dropping story of the Ofsted inspector who withheld 'outstanding' because children didn't know their learning was called history -Can we teach and assess transferable competencies? And do we have to trade exam results for a broader education? (Spoiler: no) -Lessons from curriculum reform in Scotland, Wales and British Columbia – why transforming practice takes time, investment and serious professional development -Why we need revolution, not evolution About the guests Liz Robinson is co-founder and CEO of Big Education. She became a headteacher at 29, leading Surrey Square Primary in south London for many years, and created the Big Leadership Adventure. She advocates for – and models – an authentic, reflective and relational approach to leadership. Sarah Seleznyov is Strategic Project Lead at Big Education and leads the Rethinking School project. She has worked in London schools for over 25 years as a deputy head, school improvement consultant and teaching school director, and previously led research-informed leadership programmes at the UCL Institute of Education. Her research specialism is Japanese lesson study. Links Get the book: A Practical Guide to a Big Education: Balancing Head, Heart and Hand – https://www.bloomsbury.com/uk/practical-guide-to-a-big-education-9781801997928/ Big Education: https://bigeducation.org The Rethinking School project (subsidised places available – get in touch!): https://bigeducation.org/rethinking-school/ Rethinking Assessment: https://rethinkingassessment.com Support the show This podcast is brought to you by Crown House Publishing. Get 20% off all titles at https://www.crownhouse.co.uk with the promo code REPOD20 (excludes bundles and existing promotions). Become a patron at https://www.patreon.com/repod or make a one-off donation at https://www.buymeacoffee.com/repod – and help us keep these conversations coming.

How many ways are there to earn money?If you are building an online business, you are already preparing to put your ideas, skills, and effort to work. But are you also putting your money to work?Earning money is only the beginning. You also need to know how to keep it and give it an opportunity to grow.In this episode, Case explains the time value of money—the principle that money available today can be worth more than the same amount received later because today's money has time to earn interest or investment returns.Discover how compound growth, inflation, opportunity cost, debt, and present versus future value can influence your personal finances and online business decisions. You'll also learn practical strategies for saving consistently, putting a percentage of your business profits to work, catching up if you started late, and overcoming the emotional barriers that keep many people from taking control of their money.Building an online business is only part of creating financial security. You must also know how to keep and grow the value you create.Note: this episode presents general financial education and is not financial advice. Research your options and consult a qualified financial professional when appropriate.To have an enjoyable life  in our global, advanced tech society, create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad.  The path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

In a book she co-edited, “A Practical Guide to Cyber Insurance for Businesses,” Lauren Godfrey, partner, Constangy, Brooks, Smith & Prophete, discusses cyber insurance, including evolving threats and data-driven underwriting and claims.

The Queen Mothers of Ghana asked Leah Penniman whether it was true that American farmers plant seeds without prayer, song, or gratitude — then said: 'That's why you're all sick. You treat the earth as a commodity, not as a living relative.' That one sentence is the heart of this episode. Leah Penniman — Black Kreyol farmer, co-founder of Soul Fire Farm, and author of Farming While Black and the new anthology Black Earth Wisdom — joins Care More Be Better to explore George Washington Carver as the forgotten godfather of regenerative agriculture, the shared root of human supremacy and White supremacy, the term food apartheid and why it matters more than food desert, the returning of 258 acres to the Mohican Nation, Dijor Carter's grandmother's spirit rising through his feet in the mud at Soul Fire Farm, and the sit spot practice anyone can start today. COMPLETE BLOG & TRANSCRIPT: https://caremorebebetter.com/listening-to-earth-wisdom-with-leah-penniman/ 03:03] - Gathering Different Voices For Farming While Black [05:58] - Immersing Into The Spirit Of Nature [18:25] - Returning Earth's Ownership To Earth Itself [28:15] - Most Notable Voices In Farming While Black [43:05] - Difference Between Food Apartheid And Food Desert [50:23] - Why Climate Justice Requires Deferring To Nature [54:10] - Why You Should Get A Plant Friend [57:08] - Get In Touch With Leah [58:09] - Discussion Wrap-up And Closing Words About Guest: Leah Penniman is a Black Kreyol farmer, mother, activist, author, scientist, earth-lover, and African Traditional Priest who has been tending the soil and organizing for a racially just food system for 30 years. She serves as Co-Founder and Farm Director at Soul Fire Farm in Grafton, New York, an Afro-Indigenous training farm dedicated to food and land sovereignty. Leah's books, Farming While Black: Soul Fire Farm's Practical Guide to Liberation on the Land (2018), Black Earth Wisdom: Soulful Conversations with Black Environmentalists (2023), and Children of the Land: A Soul Fire Farm Parenting Guide (2027) are love songs for the land and her people. Guest LinkedIn: https://www.linkedin.com/in/leah-penniman-6839025a/ Guest Website: https://soulfirefarm.org Guest Social: https://www.facebook.com/soulfirefarm/ https://www.instagram.com/soulfirefarm/ https://www.youtube.com/channel/UCz3Bs3G0GkDR83JSxF4C5Eg https://www.instagram.com/leahpenniman/ https://www.facebook.com/leah.penniman Additional Resources Mentioned: BIONEERS KEYNOTE: Leah Penniman – Free the People! Free the Land! BOOK: Black Earth Wisdom: Soulful Conversations with Black Environmentalists by Leah Penniman BOOK: Farming While Black by Leah Penniman BUILD A GREENER FUTURE with CARE MORE BE BETTER Together, we planted 36,044 trees in 2025 through our partnership with ForestPlanet. We screamed past our goal of planting 20,000 trees thanks to subscribers like you! CAUSE PARTNER: If you value open dialogue, sustainability, and social equity, I invite you to support our new cause partner — Prescott College. To learn more about this effort and to support the show, visit: https://caremorebebetter.com/support/ Follow CARE MORE BE BETTER on social media: YouTube: https://www.youtube.com/c/caremorebebetter TikTok: https://www.tiktok.com/@caremorebebetter Instagram: https://www.instagram.com/caremorebebetter Facebook: https://www.facebook.com/CareMoreBeBetter LinkedIn: https://www.linkedin.com/company/care-more-be-better Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Finding podcast sponsorships can feel impossible when everyone tells you to chase bigger download numbers first. The morning show cast and crew sit down with sponsorship strategist Losh Moodaley to discuss why audience trust, engagement, and genuine relationships matter more than raw reach when building brand partnerships. The conversation covers how to identify the right sponsors, use AI to research potential companies, build meaningful connections before making a pitch, and create opportunities that go beyond traditional CPM advertising. By the end, you'll have a practical roadmap for securing podcast sponsorships, even if you're running a smaller niche podcast.Episode Highlights:[01:20] Meet Losh Moodaley[04:15] Why CPM Is a Trap[08:14] A Local Sponsorship Strategy That Works[10:47] Partnerships Start with Trust[13:46] Sponsor Fit and Outreach Volume[20:02] How to Prove Your Audience's Value[23:29] Metrics That Matter Beyond Downloads[26:40] Warm Outreach and Building a Media Kit[31:12] Using AI to Research Companies[34:23] Red Flags and Sponsor Fit Signals[38:51] Warm Engagement Before the Pitch[45:37] Follow-Ups That Close Sponsorship DealsLinks & Resources:Connect with Losh Moodaley:https://www.linkedin.com/in/loshm13/Losh's Article on Podcast Sponsorship:https://www.thepodcasthost.com/monetisation/how-to-find-and-contact-podcast-sponsors/Feature Your Podcast on the Podcasting Morning Show:https://PodcastingMorningShow.com/spotlightThe Podcasting Morning Show:⁠⁠www.podcastingmorningshow.com⁠⁠Ways to Watch or Listen:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.podcastingmorningshow.com/joinus/Meet the PMS Cast and Crew:⁠⁠https://podcastingmorningshow.com/people⁠⁠Join The Empowered Podcasting Facebook Group:⁠⁠www.facebook.com/groups/empoweredpodcasting⁠⁠⁠Book A Free Call With Marc:https://calendly.com/ironickmedia/freestrategycallApplication To Submit Your Show For Evaluation:⁠⁠⁠⁠⁠https://podcastingmorningshow.com/eval⁠⁠Powered by⁠⁠⁠ ⁠iRonickMedia.com⁠⁠⁠⁠ and⁠ ⁠ContentCreatorsAccountant.com⁠⁠Send in your mailbag questions:⁠⁠⁠⁠ https://www.podcastingmorningshow.com/contact/⁠⁠⁠⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Show? Send me a message on PodMatch, here:https://podmatch.com/hostdetailpreview/1729879899384520035bad21b

What's the difference between a bundle, a box set, an anthology, and a collection? How can being part of an anthology be creatively interesting and useful for marketing? With Jamie Ferguson In the intro, Amazon Kindle increases the 70% royalty share; audiobook marketing tips (Voices by InAudio); The Builder's Creed [Seth Godin]; Future Vision XPrize; Researching the dark side of travel [Anna Sayburn Lane]; Photos from Bruges @jfpennauthor; Bones of the Deep: A Thriller – J.F. Penn. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes The difference between bundles, box sets, anthologies, and collections Why a multi-author project means lots of people promoting the same book, not just you How to find and pitch for anthology opportunities, and what editors look for in a contributor Contracts, rights, and royalty splits explained for short fiction Why Kickstarter and special print editions are changing the anthology game Inkwren, the publishing management tool Jamie built for backlists and anthologies You can find Jamie at JamieFerguson.com. Transcript of the interview ith Jamie Ferguson Jo: Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. Just for context too, one of my short stories, “The Dark Queen”, is in the Amazing Monster Tales: Into the Briny Deep anthology. So I'm excited to talk about this today. Welcome to the show, Jamie. Jamie: Thanks for having me, Jo. Jo: Lots to talk about. But first up— Tell us a bit more about you and how you got into writing and self-publishing. Jamie: Well, I wanted to be a writer since I was at least six, maybe before then. So it was just something I always wanted to do, but I always did it on the side. I had a year, many years ago, where I was really busy with work, and I just felt like I didn't write anything the entire year, and I thought, “I'm going to give it up.” Then the next year—that was 2011—I started seeing more about self-publishing, and that really invigorated me and made me feel like, “No, why am I giving up something I've wanted to do since before I went to school?” So I got back into a novel I had worked on years before. I went to a writing workshop with Dean Wesley Smith up in Oregon, back in the day, and then I had my energy back. I've been writing ever since. Still on the side, unfortunately, but someday. Jo: Hopefully! Tell us a bit more about what kind of genres you write. Because balancing your own books with also doing these anthologies and things is quite difficult. Jamie: Yes, it definitely is. I'd say I primarily write contemporary fantasy, but I'll write anything in any genre if I'm really excited about it. I also have a soft spot for Westerns. They take a little more time because I like to research all the facts, but those are really fun to write. Creating anthologies on your own is actually quite a bit of work. One of the things I also do is work with two other authors, DeAnna Knippling and Tami Veldura, and create more anthologies with them. That's really fun because then we can each take a different piece. There's also always somebody to talk to, as opposed to doing it on your own. Jo: Let's start with the terminology, because I definitely struggled with this, and I think people still do. We've got bundles, we've got box sets, we've got anthologies, we've got collections—and are these in ebook, audiobook, or print? Can you start by explaining what all of these words actually mean? Jamie: Yes. In my book I actually use the term “multi-author collection” or “multi-author project”, because there are so many different permutations and it does get confusing. From my perspective, I think of a bundle as a collection. It could be a collection of ebooks. Technically it could be a collection of print books, although people generally use “box set” for that—but then a box set can also be a box set that's all ebooks. An anthology, I usually use for something that's a collection of short stories where there's an editor who's actually edited all the stories. I have had stories in anthologies where somebody didn't edit them, and they would technically be called a curator. So it is definitely confusing. I have not done anything with audio collections, but that certainly is another area that I actually think is pretty interesting. Jo: I also think that a single author… so I've done a short story collection, but an anthology is multiple authors. Is that right? Jamie: Yes. Jo: I think when I came into the indie space, there were a lot more multi-author… we all called them box sets back in the day, when it was just ebooks, right? And now we can actually do boxed sets with boxes through things like BookVault. So it feels like the term “box set” has also gone out of fashion. So if people listening are thinking of doing any of this, you do have to figure out what is the thing you might be signing up for. So let's talk about the multi-author projects, as that's where you specialise. What are the benefits for an author to be involved in a multi-author anthology project? Jamie: The biggest benefit is that you are one of multiple people promoting the same project, whether it's print or ebook or whatever. If I put out a short story collection on my own, I'm the one promoting it, and maybe I can get a couple of other people to write about it, but it's really just me. If I'm part of an anthology with 15 other authors, that's 15 other people who are promoting the same project. That's more newsletters, more Facebook posts, maybe something on their Patreons, whatever it is. You get more synergy, and you get more touch points with potential readers. Then hopefully that translates into sales as well. So that's definitely the biggest part of it—the promotion. Then I also personally really enjoy these types of collections because it's just fun to work with other people. There's a nice energy when everybody's like, “Oh, I put this in my newsletter, and I put this here, and I put this here,” and you feel like you're part of something bigger than just your own piece. Jo: What about the creative benefits? Especially with short stories, often people will write them for a collection or for an anthology project. Jamie: Yes. I've definitely written some stories that I never would have thought I'd write, because somebody I knew asked if I would be interested in being in their collection—whether it's an ebook bundle or a print anthology. So at least for me, that's been really fun. One of the ones that stands out is that I was asked to be in a dinosaur collection once, and I was like, “I don't write dinosaur stories.” And then I did. I set a dinosaur story in London, and it was really fun to write, and I never would have come up with that in a million years. Jo: Let's say we've got 12 authors. They've all written short stories, and now it's in this anthology. But what is the market for these kinds of things? Have you found that there is a readership for short story anthologies that carries over to the author's longer work? Jamie: There is. I like to think of it as: if I have a story in a collection or an anthology—whether it's one I'm editing or somebody else is editing—that's one more place for people to find me. A lot of times anthologies will take reprints as well, like your story. “The Dark Queen”—that was a reprint. We asked if you'd be interested in participating in the Amazing Monster Tales series. And I actually really like printing stories again that have already been published, because there are a lot of stories out there that can be hard to find. Or if it's an older book. I have one author I've known for, like, 30 years. I reprinted one of her stories that was originally published in, I think, 1999, and the anthology it was in was out of print. You couldn't find it, and it was a fantastic story. So it's fun to be able to give new life to those stories and give them more opportunities, and also just have more ways for people to find you. Jo: Yes, I definitely think it's a long game. I don't think appearing in a short story anthology in one particular month is going to mean that your whole back collection just sells, right? Jamie: No, definitely not. It's more about avenues to be found. I know there have been some anthologies that have made quite a bit of money, but in general you're probably not going to make as much money, but you will have those extra places for people to find you. Jo: I always feel like yes, there is maybe a small amount of money, but it is more about almost a marketing thing in itself. So let's say an author is listening and they're like, “Do you know, this sounds like a great idea.” How can they pitch for things like this? How do they find out about opportunities, or get noticed to be asked? And what are the expectations for them? Jamie: The biggest thing is networking. There used to be a couple of opportunities where you could make people aware that you had stories that you were interested in potentially having picked up for something. I'm not aware of anything like that now. When I create a collection, I have a mailing list that I send out, and it includes authors I've published before. It includes a couple of extra people who somehow found my mailing list. And I'll publish, like, “Here's what I'm doing.” There are also authors I've met at writing workshops. I've been able to read some of their work, I'll approach them and say, “Hey, I really liked such and such a story. Would you be interested in writing for this?” Then there are a couple of other websites, like Duotrope, and places that advertise markets and calls for submissions. Jo: Yes, I've found them also on small presses that do these kinds of projects. They often put up one call for submission a month or something, and you can write for their particular thing. In general, the short story markets are the places to keep an eye on. Jamie: Yes, definitely. Jo: If an author wants to pitch to have their story as part of an anthology, do you want to know things like platform, or is it just the story itself? Jamie: I personally look at the author's platform. I do make exceptions—there are actually two authors I've worked with a couple of times who don't have websites. They are people I know personally and they are very, very good writers, so I'll make an exception for things like that. But otherwise, if somebody submitted a story to me and I didn't know that person, I would check out their website, I would check out their social media, I would see what else they had done. Part of what you're doing when you're creating a collection is thinking not just about how you, as the person organising this, will promote the collection, but how the authors who are participating will help promote it as well. If it's somebody who has a lot of fans, even if they're not very active on social media, that can help a lot too. There are a lot of different factors, though. Jo: So then talk us through the project timeline. How long do things take, and what sort of involvement do the authors have along the way? Because it's a lot to juggle. Jamie: Yes, it is a lot to juggle. I can give you an example with the Monster Tales series. We'll come up with an idea, and we also like to try to get the artwork done early on in the process. We don't need it that soon, but it's really great to have that taken care of. We'll contact authors. I think for this one we used my mailing list, but we've also contacted a number of people individually that we know who write the style of stories we like. Then, as the submissions come in, we usually wait until we have a nice chunk of them to start going through, and then we'll pick some right away. Sometimes it'll be like, “Oh my gosh, of course we want this story,” and we'll wait to fill out the other slots. Then we'll negotiate sometimes. Sometimes it's like, “I want this story.” “Well, I want this other story.” And we have to figure out how the word count works. Once we finalise the stories, then usually what happens with that anthology is that DeAnna—who is a very, very good editor—will make the first editing pass, and then I'll make the second. And now Tami's involved, so Tami will make the third, and then we'll iterate. Once all three of us have gone through the first time, then we'll send the story back to the author for edits. So the most the author has to do for most of the process is just wait for us to edit their story, and then work on their edits and get them back. Then, once we get closer to launch, we'll give them information about what we're going to do. For example, we're going to launch the next issue with a Kickstarter. So our authors know that we have a Kickstarter coming, and we'll give them more information as we get closer to the actual launch date. Jo: So how long might an author expect before their work is out there? Jamie: It really varies. I've had some collections published very quickly—let's say a couple of months. Some have taken longer just because somebody ends up having some life issue and things get delayed. So I'd say ideally it would be more like three to nine months. Jo: Yes, I think… depending on the— Jamie: —collection and the complexity. Jo: Yes, exactly. Jo: And you did mention word count there. Just give us a range of what word count you like to get. Jamie: So these days I'm shooting for between 75,000 and 80,000 for the total word count for a collection. That includes the stories, but it also includes the opening, the introduction. For one we're working on now, we're going to have some interstitials, where we have little bits of things we're going to write in between each story. So that's the overall size of the collection. I'll keep track of the word count as the stories come in, and then as we edit the stories, sometimes they grow, sometimes they shrink. Sometimes that's a big enough difference where we're like, “Okay, we need one more story to fill it in.” But that's the target. Jo: And how much for each individual story? Jamie: That varies. I've done a bunch of different things. These days, what I'm advertising is between 3,000 and 8,000 words. I also always tell people: if you're outside this range on either side, just check with me, and if it's something that's really an excellent fit for the book, I'll make an exception. The one that's coming out, I think we have a 1,500- or 2,000-word story that was just amazingly perfect for what we wanted. There was another story, actually I think it was the issue that you were in, that was at least 12,000 words, but it also was a perfect fit for the theme. So I will make exceptions, but within reason. I wouldn't put a novella inside an anthology, because then you'd have a 22,000-word story next to a 3,000-word story, and I personally feel like that's really jarring for the reader. You don't want to go from something super short to something super long. It just doesn't feel like it flows well to me. Jo: No, absolutely. Jo: We'll come back to the making of it because you mentioned some really interesting things there. But just on the contractual side—a lot of indie authors don't necessarily do any publishing contracts for their work, unless it's signing the terms and conditions when uploading on Amazon or Kobo. So tell us a bit about the contract side. What rights are we talking about here? Any red lines in contracts around this kind of thing? Jamie: For contracts, I would recommend people read Kristine Kathryn Rusch's posts on this. She is way more informed about this than I ever will be, so when I have questions, I'll look at her posts. I've asked her a couple of questions. What we're doing for the Amazing Monster Tales… this is the first time that I've actually had authors sign contracts. Prior to this, I've used PubShare, which handles royalty splits and all of that, and that was really great. We want to do direct sales and Kickstarters and have lots of other options. So we did put together a contract this time. I'd have to pull it up, but I think we asked for first worldwide rights in English—I'm getting the terminology wrong here—but that was basically it. Jo: Or, I guess, reprint rights if the story's already been licensed. Jamie: Correct. We have two contract templates, one for original stories and one for reprints. We made sure to make that distinction, because it is definitely a distinction. In the book by Kristine Kathryn Rusch—it's called Closing the Deal… on Your Terms—I highly recommend that for anybody interested in learning more about contracts. Jo: Yes, that's great. And just for people listening: when you said you didn't have contracts before, you just used PubShare. So in that way, the author still retained the rights and you just split the royalties—it was more of a co-writing thing. Jamie: Correct. When you publish stories through PubShare, the author signs an agreement with PubShare, and then I, as the editor or organiser, would also sign a separate agreement. So each of us has an agreement with PubShare. We don't have agreements with each other, if that makes sense. Jo: Yes, so it's very different to move into Kickstarter. So tell us about what you're now moving into. Jamie: Well, Kickstarters are a new world for me personally. I have many friends who have had Kickstarters. I've supported Kickstarters. I watch them. But it's something where I'm very happy to have two partners who have done Kickstarters before. I'm not sure how many Tami's done—I think Tami's done the most at this point. So this is all new to me. But it's very exciting. At this point we have a backlist, so part of the plan, for the Monster series, is to offer issues one through four as part of the rewards when we launch issue number five. That's really exciting, because I never had a backlist like that before. Jo: Yes, and in fact the money is in the backlist, as ever, and those add-ons or bundles as part of Kickstarter are great. So are you going to do special print editions, or is it digital only? Jamie: We are talking about special print editions. You mentioned BookVault earlier—we've been looking at BookVault. Our other anthology series that hasn't come out yet will also launch with a Kickstarter. It's dragon-themed, and Tami actually did the cover work, which is beautiful. BookVault just gives you so many options that we never had before, so I'm very excited about that. Jo: Yes, I think it's a really good idea. I did gorgeous hardbacks for my solo author collection, so I think it's a great idea. So from the publisher side, let's come back to that. You've mentioned you have to write things like an introduction and interstitials, and you're trying to balance the stories. What are some of the other things that people might think about if they want to organise their own anthologies? Jamie: Oh gosh, where to start? There's the basic setting up of the anthology, so you have to define the table of contents. You might get a bunch of stories that are really awesome, and you might have to tell somebody who has a wonderful story—and maybe even who's a good friend of yours—that you're going to pass on it because their story doesn't fit with all the other stories. Every time I have to do that, I feel kind of bad. But being on this side, it's really interesting to see how you can tell which stories fit together and which don't. There's also the editing process, which can be a lot of work. Part of what I like about working with Tami and DeAnna is that DeAnna really loves editing. I feel like I'm a good editor, and I can do it, but for me it's more of a job. For DeAnna, she loves it, so she does the bulk of the editing, which is great. When I do it on my own, I feel like it's a task I have to do. There's lots of cat-herding. Sometimes people take a while to get their edits back. Sometimes they have life events, and you have to delay things because you're waiting on them. There are all the little tiny pieces of organising things—like, if you're reprinting stories, you need to make sure you get the copyright attribution correct. A lot of times I'll have to go and look up where something was originally published. An author might say, “Oh, it was published in this year,” and I'm like, “Okay, actually it was published in this other year, by this other publication first.” So I'm trying to be organised there. henT one of the things that very infrequently—I think it's only happened to me twice—every once in a while, you're in the middle of editing a story and you have to pass on it, even though you've already accepted it, because the editorial vision and the author vision for the story are not the same, and you can't reconcile that. Jo: I think that's really interesting, because so much of what you're talking about there—you mentioned vision—it's almost taste. You're saying which stories fit. It's not just a case of, I don't know, a pirate anthology and then picking 10 stories about pirates, right? You seem to be thinking about this in a more artistic way. So can you talk a bit more about that? How do you decide on a theme, and then how do you know that a story doesn't fit? Jamie: In the beginning, I was not this selective. In the beginning I'd say, for example, “Hey, I'm putting out a collection about fairies. Give me a fairy story,” and that was it. As I've edited the stories, it's become easier to see how things fit. So, for example, if I have 10 stories in an anthology and I have an 11th story, and they have different tones—let's say the 11th story is really funny and all the other stories are very serious—then that would be a fit thing. That's not necessarily taste; it's just that you don't want one funny story if everything else is really dark and scary or serious. As far as picking a theme, the theme could be very broad. With this dragon anthology we're working on, we decided we wanted it to be called A Hoard of Books. So the theme was: has to have dragons, has to have books, and that's pretty much it. And then we were like, “Let's just see what we get.” We were very surprised at what we got. We thought we'd have more serious stories, and it turned out most of them were very light-hearted and really fun. And we're like, “You know what? That actually changes the way we're looking at the whole series,” because we did not expect that. With the monster series, we'll pick a theme. So, for example, the next issue is Monsters in Love, and for those it's more like, let's just see what happens. Sometimes I'll have a more specific theme. The next anthology I'm publishing on my own is called Fairy Bargains, and I wanted people to obviously have fairies, but I wanted there to be something related to the mythology and lore of having a bargain with a fairy—and there's a lot of stuff about that. So for some things like that, when I put out a call, I'll provide information. I might say, “Here's a link to a Wikipedia article. Here's some mythology that might be helpful for you,” just because I want things to stick a little bit more to the theme itself. Whereas with Monsters in Love, there's a very wide range of stories, and that was very fun to work through. Jo: Oh, yes. There's a lot of monster, on the spicy side as well. But were you doing a clean Monsters in Love, as opposed to in lust? Jamie: Yes, this is a clean one. That's pretty funny. But boy, when you give authors the room for these types of things, you get all kinds of stories, and it is super fun to work with those collections. Jo: As you're talking, I definitely want to do more short stories. It's really interesting, because you can actually generally get paid more for a first print—first print rights on a short story—but I often want to just publish it myself. Then I was really happy to be in yours, because it was a reprint anyway. So I was like, well, there's absolutely nothing to lose if it goes in as a reprint. So these things can be really interesting. Talking of the finance from your side of things: you have a small press and you're doing this publishing yourself, but you're paying all these authors and doing a lot of work. So how does it work as the publisher, in terms of these anthologies, financially? Jamie: With the ones we've published so far, because we've gone through PubShare, it's been a royalty split. As the editors, we would take a percentage, and then we pay for the artwork, and of course all of our time. I think what we were doing there was saying 70% of the royalties would be split equally between all of the authors and the stories. So, for example, if I had a story as well, I would get part of the author split—the same percentage as everybody else in the collection—in addition to the editor split. For what we're doing now, we've changed this a little bit, and I believe we said 60% goes to the authors, and then we're going to keep a share of the proceeds for the business because we want to be able to pay for the artwork out of the business account. We want to pay for advertising, whatever we need to do—like setting up our store, or if we wanted to invest in anything, we want to be able to do that as the business, as opposed to it just being us doing this on our own. We're just trying to treat it a little bit differently. Jo: And I know it's so much work—a crazy amount of work. How many anthologies and books do you have to do in a year to make it worthwhile financially? Jamie: Oh, I don't know. I would say, unless you get an opportunity—like, for example, to have an anthology in a story bundle or something like that—you may not break even. But if you're going to do this, do it more for the marketing, do it more because you enjoy it. Now, going forward, I think that will change, because we are looking at Kickstarters, we are looking at direct sales. We're very motivated to try to make this more of a business thing than a fun side project. So, ask me in a year. Jo: Yes, hopefully more. I do think Kickstarter is great for short stories. I actually buy quite a few collections on Kickstarter. I think they're actually really hard to discover through, say, Amazon—it's a place that is quite hard to identify short stories. Whereas I've found I've bought collections on Kickstarter because there's so much more of a sales page—there's so much more rich media that tells me how I'm going to feel about the stuff. I've bought short story anthologies and collections from people I don't know. So I think it's a really good thing to do. There is an audience there. Jamie: Yes, definitely. And it does feel like the anthologies on Amazon don't sell as well—you don't make as much as you used to. I've been doing this for, well, gosh, 10 years now, and I feel like the sales numbers on Amazon in the past year were noticeably lower than they would have been six or eight years ago. So I am very excited about Kickstarter. Plus, Kickstarter just feels really fun. You're not just throwing your book up; you also have all the extra stuff with the page, you have the rewards, and it just feels really exciting. Jo: No, I agree. I really love it. I didn't do it for a long time, and now I just love it. Jo: So, staying with the publisher side of things— Any practical formatting and production tips? Because in these types of projects, all kinds of people just send you different stuff. Jamie: I have a style guide. So whether it's me or it's the group project, once all the edits are complete, I'll do a formatting pass, and I'll make sure I use curly quotes and the same em dash format and everything, just so everything in the book is formatted the same way. Every once in a while there's an author who has something particular that they want, and I can work around that, and that's fine. I also work with a lot of Canadian authors, and I'll let them keep their Canadian spellings. I don't think everybody does that, but I feel like that's their voice in a way, so I don't correct those. I might check some things there. I think the formatting is important—it makes things look better if everything has the same style. Then I use Vellum, which makes things really easy. I love Vellum. Because I publish so many authors at this point, I have a Vellum file where I store their biographies and their links, so when I publish a new anthology I'll just go grab, say, Jo's “about the author” page from that collection and put it into the new file. Then I also track when the last time was that I checked with the author about their biography. If it's been more than a year, I'll check in with them and say, “Hey, do you have an updated biography you want me to use? Here are your links—do you have any different links now?” So that makes it a lot easier from the formatting standpoint. Jo: And you mentioned Vellum—having done box sets on Vellum, you can just drag a whole book in there if you want to do a three-book box set, or three short stories, whatever. It's much easier to just drag things in, and it makes it easier to format. So I would say to people: you don't need to worry too much about that. There are lots of things that can help you. But even with doing the print stuff for the Kickstarter—people have opinions, don't they? So in terms of authors' opinions and managing—you mentioned herding cats—how do you manage all of that side of things? Jamie: I haven't actually had a lot of trouble with that. The authors I've worked with seem to feel like they gave me their story, and then once the edits are out of the way… I haven't had anybody have any issues with the covers. Usually they love the covers, especially for the Monster series. So, no problems there. Jo: Oh, that's good. Well, I would say a tip would be to make sure you're communicating, if you're somebody who's organising. So talk a bit about communication. Jamie: Communication is very important. What I try to do is send regular updates, especially if I'm in the middle of edits or working on something and I'm not ready to launch. I'll send an update email out to the authors and just say, “Here's what's going on, here's what the plan is.” Or if the plan has to change, if the launch date has to change for some reason, I'll let the authors know about that. Actually, with the upcoming Monsters in Love issue, we were originally not going to do a Kickstarter. That was a late decision, so I contacted all the authors and said, “We've changed our plans. We're going to launch this with a Kickstarter. Please confirm that you're okay with this.” One author was not comfortable with the Kickstarter idea, so he pulled his story, and then we found a replacement story for that. But I just feel like the communication piece is really essential. It's really important for the authors to know what's going on. Jo: Yes, absolutely. So, we've talked about how marketing is a good thing, in terms of there being lots of people marketing. How are you effectively marketing these kinds of books, as the premise is quite different to a single author project? Jamie: Right. There's the usual—write a release post, write posts on social. I do additional things, so I'll publish what I call a story spotlight for each story in the anthology. That's just where I talk a little bit about the story, I provide an excerpt, and then I provide the author's bio and links to find them. Those are really great, because they're very quick to put together. The hardest part is getting a short excerpt that shows enough about the story to be engaging. But that really isn't that much time, either. Then those are also nicely evergreen. I've actually searched for authors before, when I'm trying to research them for an interview, and I've found my own spotlight posts and my own interview posts with authors come up at the top of the list, which is kind of funny. I also do interviews with as many of the authors in a collection as are willing to participate. Sometimes people just don't have the time—I don't make this required—but I usually get 80 to 90% of the authors participating. So, for example, this year I'm in a couple of bundles on StoryBundle, and I'm doing interviews for people there. It's also really fun, and you're not paying for advertising—you're just creating something that the authors are excited about and they want to share. So it promotes the collection, but it also promotes the author, which I find really nice. It's a nice networking thing too, and I'm happy if someone wants to interview me. It's like free publicity for each person, in addition to the collection. Jo: I love that you've used the word “fun” quite a lot, which I find amazing. You're obviously a super collaborative person. I've co-written a number of books— I've been part of some collections, and I really think that there are two personalities. One is like me, where we really love the creation stuff and the publishing stuff, but we're hyper-controlling. And then someone like you—you're very collaborative, and you're doing such a great job. To people listening, I would say: if you're more like me, don't organise an anthology. What you want is Jamie, or somebody who actually finds it fun to organise a big group of authors. Jamie: Yes. It is definitely interesting working with other partners in this, because when I publish an anthology on my own, I make all the decisions. I pick the artwork, I pick the theme, I do everything, I decide the table of contents. But when you're working with other people, you do need to negotiate. So we've had a couple of times where it's like, “I want this story.” “Well, I want this other story, I don't like the story that you want.” And so we have to barter, in a way. Aside from that, it is nice, because you get to split up the tasks. I could focus on things like the organising—I do the Vellum files, I do the final cover and everything. For the Kickstarters, actually, Tami's got more expertise, so Tami's going to be working on the Kickstarters for our collections together. If I had to do all this on my own, it's a ton of work. It's a ton of work. So it is nice to split it up. Jo: And of course, one of the things is managing so many moving parts—and you've actually built a tool to manage all this. So tell us a bit about that tool, and how it might be useful for people with big backlists as well as anthologies. Jamie: I built what I think of as a publishing management application. The original idea is that, for years and years, I wanted a software tool that would do catalogue management, because I was managing my own catalogue, and I was also managing—at this point I've published at least 20 anthologies, so that's a lot of authors. Then last summer, I had an author who I'd published a number of times, who was going to, I think, WorldCon, and she asked if I could give her covers for five anthologies she'd been in, so that she could make some promotional material. I was like, “Oh, sure, I can do that.” And then I was like, “Well, wait a second—is this in Notion?”—because I started trying to use Notion last year—”or is it in a spreadsheet?” It turned out her information was in, like, three different places, and I had to work to pull it together. And then I was like, “You know what? That's it. I'm just going to finally write this application.” So Inkwren manages your stories. As an author, I can manage my stories—I can track which are published, which are drafts, which are just ideas. I can track my publications. From the publisher standpoint, it's really helpful, because I can track each anthology I've published and what I'm working on. I can track the edits, I can track the contracts. I can upload contract templates—so we talked earlier about the original and reprint contract templates that I use. I upload those, and they have placeholders in them. When I generate the actual contract, the author's name will replace the placeholder—I'll have the text “author name” in the contract template, and it'll get replaced by, like, “Joanna Penn” or whatever. So that saves a lot of time. Then I also added in task tracking, because I started to feel like, well, now all my stuff is in one place, but my tasks are somewhere else. So now I can associate tasks with a publication. For example, for the book I'm working on right now, I know which tasks I need to do for the cover, and which for the interior, and everything. I have a template of tasks. Then I can also track tasks related to promotions. For example, the story bundle I'm promoting right now, I have a task for each interview I'm doing with the authors, and I have a calendar view. I can see when I'm going to publish them and know that they're all spread out. It saves me so much time, and it's so much easier. Jo: I do think building tools when you actually need the tool yourself is very useful. Just say the name again, and spell it out for people. Jamie: It's Inkwren. My own personal publishing company is Blackbird Publishing, and I wanted something related to birds and writing. So I came up with Inkwren, which is I-N-K-W-R-E-N, and it's just inkwren.com. Jo: And it is available for other people to potentially buy and use? Jamie: Yes, it is. Jo: Well, I think that's super useful, because it's very hard when people are starting out and they think, “Oh, I've only got one book—why would I need any kind of tool to manage it?” But over the years, your backlist grows, especially with short stories. So I love that you've built this, and there's probably more that you can add over time as you expand the business yourself. So much potential. So we are at the end. Where can people find you and your books and everything you do online? Jamie: My author website is JamieFerguson.com. And then, obviously, I mentioned Inkwren earlier. My publishing company is BlackbirdPublishing.com. And then the projects I'm doing with Tami and DeAnna—we have a couple of websites, but the easiest way to find us is our press, which is BorogrovePress.com. Jo: Fantastic. Well, thanks so much for your time, Jamie. That was great. Jamie: Thanks, Joanna.The post Bundles, Box Sets and Anthologies With Jamie Ferguson first appeared on The Creative Penn.

Pastor Chad teaches that true success comes not from pursuing power or outward achievement, but from living a life that reflects God's character. Drawing from Proverbs 3, he explains that God's favor follows those who demonstrate steadfast love, faithfulness, humility, and genuine goodness. Using biblical examples such as Ruth, he shows that loyal love and integrity position believers to receive God's blessing, while pride, cynicism, and a mocking spirit repel God's favor. He concludes by challenging listeners to focus less on appearing successful and more on allowing the Holy Spirit to transform their character, trusting that when they pursue God's way, His favor and lasting success will naturally follow.

Many aspiring entrepreneurs believe they need a better idea, more followers, more experience, or more confidence before they can build a successful online business.But what if the real issue isn't any of those things?What if money simply follows value?In this episode, we explore a practical entrepreneur's version of the Law of Attraction and why income is directly connected to the value you deliver to real people with real problems.Our discussion will help you understand:Why some products attract customers and others don't The relationship between value, need, and income Why followers and likes don't necessarily translate into revenue The six major categories of value customers willingly pay for How to identify your strongest opportunity in the global marketplace A practical framework for increasing the attractiveness of your business If you're building an online business and wondering why growth feels difficult, this episode may completely change how you think about money, customers, and entrepreneurship.To have an enjoyable life  in our global, advanced tech society, create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad.  The path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

Kimchi One from Brightcore – Health Starts in the GutGet 25% off – Use Code: FLYOVER at https://www.mybrightcore.com/flyoverOr call (888) 315-8404 for up to 50% OFF your order and Free ShippingOn the Flyover Conservatives Show, Pastor Michael Clary joins David and Stacy Whited to expose what he calls “Loser Theology” — the mindset that has trained Christians to confuse meekness with weakness, humility with passivity, and faithfulness with retreat. In this bold conversation, Clary breaks down why the modern church has produced weak men, silent Christians, and a passive response to cultural threats, including Islam, progressivism, and woke ideology. He explains why “the meek shall inherit the earth” does not mean Christians are called to be doormats, how the Prodigal Son story has been used to shame faithful believers, and why the church must recover a vision of righteous strength, public courage, and high-agency Christianity. This episode will challenge what many Christians have been taught about weakness, power, masculinity, and the role of believers in the public square.TO WATCH ALL FLYOVER CONTENT: www.theflyoverapp.com Follow and Subscribe on YouTube: https://www.youtube.com/@TheFlyoverConservativesShow To Schedule A Time To Talk To Dr. Dr. Kirk Elliott Go To ▶ https://flyovergold.comOr Call 720-605-3900 ► Receive your FREE 52 Date Night Ideas Playbook to make date night more exciting, go to www.prosperousmarriage.comPastor Michael ClaryWEBSITE: https://www.losertheology.comSUBSTACK: https://www.dmichaelclary.comCHURCH: https://www.christthekingnky.comMichael Clary is the Lead Pastor of Christ the King Church in Fort Thomas, Kentucky, and the author of Loser Theology. He is a pastor, writer, podcaster, and cultural commentator who focuses on Scripture, theology, culture, politics, biblical anthropology, and Christian courage. Clary earned his Master of Divinity from the Southern Baptist Theological Seminary and planted Christ the King Church after moving to Cincinnati in 2008. He is also the author of God's Good Design: A Biblical, Theological, and Practical Guide to Human Sexuality and hosts the Plain Speech Podcast and Current Reality Podcast. Through his writing and ministry, Clary calls Christians to reject passivity and recover a bold, faithful, high-agency vision of Christianity for all of life.

Dasa and Andy lay out two different ways of playing golf: one that is playing in True Gravity, and another that leads to Frustration, Pain, and Suffering.

Learn how to build a successful myopia management program with practical strategies for myopia control, including MiSight contact lenses, Stellest spectacle lenses, orthokeratology, and atropine. Explore clinical protocols, axial length monitoring, pricing, parent education, and team implementation.

4th of July safety tips for crowds, grills, and fireworks: scout exits, pack a kit, plan a sober ride, and treat burns right. The post 4th of July Safety Tips: A Practical Guide appeared first on Mind4Survival.

Are you trying to build a new future while carrying an old identity?In this episode, we explore why so many people stay trapped in careers they dislike, lifestyles they have outgrown, and habits that no longer serve them. We discuss the hidden cost of living in the past, why old stories become self-imposed limitations, and how entrepreneurs create transformation by focusing on who they are becoming instead of who they used to be.ACTION PLANIntroduce yourself through your goals Create a future vision Build evidence Spend less time consuming stories Ask daily: "What would the person I want to become do next?"Get ready to stop looking backward and start building forward because the future isn't asking what happened to you.It's asking who you're becoming.To have an enjoyable life  in our global, advanced tech society, create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad.  The path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

Send us Fan MailWINNING BY SOWING THE SEEDS OF EMPOWERMENTInterviewee Leah Penniman and Fairfax criminal lawyer Jonathan Katz are good friends with Jon's essential peace teacher (and prior Beat the Prosecution podcast guest) Jun Yasuda, whose beautiful peace pagoda is less than two miles from Leah's Soul Fire Farm. Leah's story is one of never giving up nor giving in, which is also essential for criminal defense. She experienced substantial racism while growing up, and kept persevering, including with learning about farming. Long ago, Leah, her husband and children lived in an Albany food desert, and ultimately, she and her husband bought the farmland that is now Soul Fire Farm. Leah did not stop at merely opening a farm, but has a nonprofit to assist lower income people with food, and welcomes countless people to learn about self empowerment and farming. Leah tells some captivating stories, including about African women who would braid seeds into their hair, to have them available for planting in the event they were forced into slavery. Leah does not candy coat the hurdles in life, the history of racism (including in farming), and the continuing racism found too extensively in society. She recognizes those hurdles and continues persevering. Leah's thoughts on helping criminal defendants, are, aptly, for them to remember that they and all beings are sacred. I recommend donating to Soul Fire Farm, and reading Leah's books Farming While Black- Soul Fire Farm's Practical Guide to Liberation on the Land, and Black Earth Wisdom: Soulful Conversations with Black Environmentalists (2023). Coming next is Children of the Land: A Soul Fire Farm Parenting Guide, authored by Leah and her child Neshima. Here is the video version of this episode. Here is the Apple podcast version. This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://KatzJustice.com or contact us at info@KatzJustice.com, 703-383-1100 (calling), or 571-406-7268 (text).  If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

Why do billionaires often pay lower tax rates than working Americans? In this episode of the Sunlight Tax Podcast, I sit down with tax policy expert and professor, Ray Madoff, to explore how income, wealth, and inheritance are taxed in the United States, and why the current system often favors the ultra-wealthy.We discuss wealth inequality, estate taxes, billionaire tax strategies, and the most promising proposals for tax reform. If you've ever wondered how the tax code shapes who builds wealth in America, this conversation offers a clear and accessible look at what a fairer tax system could look like.Also mentioned in today's episode:02:30 Background on Professor Ray Madoff and her work05:40 How the tax system favors the wealthy07:19 The impact of growth in stock value and tax treatment09:02 Living off wealth, not income10:04 Inheritance, gifts, and the lack of taxation12:15 The estate tax and loopholes16:20 Public perception and fairness in the tax system17:21 How the wealthy avoid taxes: borrowing against assets23:02 Political feasibility of tax reforms25:46 Wealth taxes and their challenges29:56 Legal and constitutional issues with wealth taxes31:46 Potential benefits of well-designed tax policiesIf you enjoyed this episode, please rate, review and share it! Every review makes a difference by telling Apple or Spotify to show the Sunlight Tax podcast to new audiences.About Professor Ray D. Madoff:Ray D. Madoff is a professor at Boston College Law School and the cofounder and director of the Boston College Forum on Philanthropy and the Public Good. She is the author of Immortality and the Law: The Rising Power of the American Dead and lead author of The Practical Guide to Estate Planning. Her writing has appeared in The New York Times, The Wall Street Journal, The Washington Post, and The New York Review of Books, among other outlets.Episode Links:Professor Ray Madoff's Book: The Second Estate: How the Tax Code Made an American AristocracyMy FAQ page on how to Tax the RichGet my Tax Help on SubstackGet your FREE visual guide to tax deductionsOrder my book: Taxes for Humans: Simplify Your Taxes and Change the World When You're Self-Employed Get full access to Taxes For Humans at sunlighttax.substack.com/subscribe

Micah 6:8 Matthew 5:13-16

In this episode of Sunday School Choice, host Nathan Sanders interviews Trevin Wax, VP for Research and Resource Development at the North American Mission Board and co-author of The Education Reformation. They discuss the importance of Christian education, the role of churches in starting schools, and practical steps for pastors and churches to engage in Christian education and the cultural significance of these efforts.

Emily Lampkin is a highly sought-after speaker, author and advisor, known for empowering women leaders in corporate, non-profit, education, and political sectors to hone their skills and maximize opportunities. With a pragmatic style and actionable advice, she has trained thousands of women globally through her dynamic, one-of-a-kind “Women Leaders Series” workshop. The Women Leaders Series is the culmination of more than 25 years of experience advising women leaders on ways they can perfect their skills to maximize opportunities. Emily has trained thousands of women across the country and the world. Recognized as one of Washington, DC's most respected connectors, Emily has worked in American politics for thirty years.  Her passion is electing more women to office. Emily excels at threading policy and cultural priorities into communications that resonate. A frequent media contributor on major TV networks, radio, podcasts and social platforms, Emily is committed to building a multi-decade pipeline of diverse female leaders. She speaks at universities and schools, including Georgetown University and the London School of Economics, inspiring the next generation of women. Emily's book, Duct Tape and White Lies: A Woman's Practical Guide to Success (March 3, 2026), speaks directly to women who have built successful careers, spent decades caring for others, and are now ready to redefine what fulfillment and leadership look like in this next chapter. It is based on her Women Leaders Series workshop.Emily serves as a member of the U.S. Department of State Speakers Program, collaborating with U.S. embassies and working with a number of international women's organizations to train women globally to assume leadership roles. A proud St. Louis native and University of Missouri graduate, Emily lives in Virginia with her husband and three children.In this episode, we discuss:Why so many successful women feel stuck — and why it's normalHow caregiving and ambition can coexistRedefining success later in life without starting overHow women can give themselves permission to pursue what's nextLearn more and follow Emily:https://www.emilylampkin.com/https://www.linkedin.com/in/emilylampkin/https://www.facebook.com/emily.k.lampkin

What if the key to success isn't doing more—but avoiding what leads to the opposite of success?In this episode, we explore the powerful mental model of Inversion Thinking, popularized by the late Charlie Munger. Instead of focusing on what to do, you'll learn how identifying and eliminating self-sabotaging habits can transform your life.If you've ever felt stuck in your online business, relationships, health, or career, this episode gives you a simple but powerful framework to regain control and make meaningful progress.ACTION PLANDefine one area of your life where you want to startList the behaviors that could take you down the wrong roadIdentify what you are doing nowReplace the unfavorable behaviors with opposite actionsTo have an enjoyable life  in our global, advanced tech society, you have to create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad...the path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

How do everyday residents guide how our community grows and thrives? Joanna Reese shares her experience serving on a local board and how you can join a board or commission, too.Episode Resources:Official Website for the Greenville County Redevelopment AuthorityGreenville County Boards and Commissions Vacancies and ApplicationsGreenville Housing Fund Initiatives and DataHUD Community Development Block Grant (CDBG) Program OverviewSimple Civics:Simple Civics: Greenville County is a project of Greater Good GreenvilleGet in touchSupport Simple Civics with a tax-deductible contributionSign up for the Simple Civics newsletter.View our entire catalogueSimple Civics: Greenville County is produced by Podcast Studio X.

Emotional intelligence isn't about feeling more — it's about reading what your emotions are already telling you and choosing what to do with that information. What You'll Learn in This Episode Why the popular definition of EQ — stay calm, be empathetic, don't get triggered — describes outcomes but misses the actual skill underneath Why emotions are information, not instructions, and what that reframe makes possible What the gap between stimulus and response is, and why expanding it is the core of emotional intelligence The crucial difference between emotional regulation and suppression — and why confusing the two leads people to either perform calmness or numb out How high EQ shows up concretely in relationships, leadership, decision-making, and self-trust Five practical starting points for building emotional intelligence that don't require overhauling your personality The four most common EQ mistakes, including performing EQ while still being reactive underneath Episode Timestamps [00:00] Introduction and hook [01:00] Why emotional intelligence is so often misunderstood [03:00] Emotions as information, not instructions [05:00] The gap between stimulus and response [07:00] Regulation vs. suppression — and why they're not the same thing [09:00] What high EQ actually looks like in relationships, work, and decisions [11:00] How to build emotional intelligence practically [13:00] Common EQ mistakes and how to avoid them [14:30] Key takeaways and close Keep Exploring If this episode resonated, these are worth your time: Mind & Inner Life Pillar — The full framework for developing the inner awareness that makes every other part of a well-lived life possible → optyoumize.com/mind-and-inner-life Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. Apple Podcasts · Spotify · Amazon Music · YouTube Leave a Review →

Cory Doctorow, guy who coined the term enshittification, has been eviscerating Big Tech oligarchs for many years. He's now turning his razor-sharp mind onto one of our most/least favorite topics: AI. His new book, The Reverse-Centaur's Guide to Life After AI, is in many ways a practical guide for how to resist (actually resist, not just feel-good resist) the biggest financial scam in human history. Cory joins us to discuss what we should be really protesting when we protest AI. (And, at the end, we make sure to touch on his idea that Democrats should start preparing to prosecute the fascists who have so desperately got it coming, a.k.a., the Nuremberg Caucus.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Psychiatric meds can feel like a maze when someone is trying to get sober and also sleep, focus, and stop panic spirals all in the same week. We made this updated, practical overview to simplify psychopharmacology for addiction treatment and recovery, using plain language and real clinical decision-making instead of jargon or hype.We start by clearing up a viral rumor and then zoom out to how medications are actually created: research pathways, FDA indications, “me-too” drugs, and why off-label prescribing is so common in psychiatry. From there, we walk through the major medication classes and what they are truly used for, including antidepressants (SSRIs, SNRIs, mirtazapine, bupropion), anxiety and insomnia options that are less risky in recovery, and the basics of antipsychotics and mood stabilisers for severe symptoms like psychosis and bipolar disorder. We also touch on pharmacogenomics testing such as GeneSight and why individual response can still require careful trial and adjustment.Because addiction medicine demands extra caution, we spend real time on benzodiazepine risks, why Z-drugs like Ambien can be problematic, and what we reach for instead when someone needs immediate anxiety relief while antidepressants take weeks to work. We wrap with a clinical case that shows how we prioritise conditions, pick meds that can treat more than one target, and avoid starting too many at once.If this helps you, subscribe, share it with a colleague, and leave a rating or review so more people can find the show.To contact Dr. Grover: ammadeeasy@fastmail.com

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsCore historical / comparative sourcesEncyclopaedia Britannica. “moon worship.” Good for the broad comparative frame: lunar symbolism, death-rebirth, hunting vs. agrarian patterns, and why the moon is sometimes male and sometimes female.Encyclopaedia Britannica. “The moon,” in Nature Worship: Celestial Phenomena as Objects of Worship or Veneration. Good for lunar phases, magical timing, menstruation/tides, dangerous dark days, eclipse anxiety, and symbolic variation.Encyclopaedia Britannica. “Celestial phenomena as objects of worship or veneration,” in Nature Worship. Useful for the broader claim that many hunting and gathering societies, and some pastoral and royal cultures, conceived the moon as male.MesopotamiaOracc / Ancient Mesopotamian Gods and Goddesses. “Nanna-Suen.” Best core reference for the identity, names, and cultic status of the Mesopotamian moon god.Encyclopaedia Britannica. “Sin.” Best quick reference for Nanna/Sin as moon god, his bull symbolism, Ur, fertility functions, and Nabonidus.Encyclopaedia Britannica. “Enheduanna.” Useful if you want to reference the priestly/literary world attached to the cult of Nanna at Ur.EgyptEncyclopaedia Britannica. “Khonsu.” Strong for Khonsu as youth, moon god, Pyramid Text background, and Karnak.Encyclopaedia Britannica. “Thoth.” Strong for Thoth as moon god of reckoning, learning, writing, and later Hermetic importance.The Metropolitan Museum of Art. Collections and bulletin material on Iah / Osiris-Iah and Egyptian lunar symbolism. Best for the more specialized lunar material beyond Khonsu and Thoth.Levant / Anatolia / Near EastEncyclopaedia Britannica. “Yarikh.” Best starting point for the Ugaritic / West Semitic moon god and the Nikkal marriage material.Encyclopaedia Britannica. “Kushukh.” Best for the Hurrian moon god, oath function, iconography, and Hittite adoption.Encyclopaedia Britannica. “Religions of the Hittites, Hattians, and Hurrians,” in Anatolian religion. Best broad source for Arma and the Hittite/Luwian/Hurrian lunar world.Encyclopaedia Britannica. “Men.” Best source for the later Anatolian moon god, iconography, and possible tie to Mao.ArabiaEncyclopaedia Britannica. “Arabian religion.” Good for the broad astral background of pre-Islamic Arabian religion.Encyclopaedia Britannica. “Pre-Islamic deities,” in Arabian religion. Essential for Wadd, ʿAmm, Ḥawl, and for correcting outdated claims about Almaqah and Syn.India and IranEncyclopaedia Britannica. “navagraha.” Good for Chandra/Soma in astrology and lived Hindu cosmology.Encyclopaedia Britannica. “nakshatra.” Best for lunar mansions, lunar months, and Chandra's mythic/calendar role.Encyclopaedia Britannica. “soma.” Essential for Soma as sacred drink and later lunar identification.Encyclopaedia Iranica. “Māh Yašt.” Best specialist source for the Iranian moon, lunar phases, and the “seed of the Bull” symbolism.Northern / Eastern EuropeBritannica Kids / Students. “Sól and Máni.” Good clean source for the Norse sibling pair and the male moon.Encyclopaedia Britannica. “Mēness.” Best source for the Baltic moon god, renewal, prayer, and agricultural strength.Encyclopaedia Britannica. “Slavic religion: Folk conceptions.” Essential for the masculine Slavic moon, kinship language, and lunar veneration.JapanEncyclopaedia Britannica. “Tsukiyomi.” Best short source for Tsukuyomi as moon god.Encyclopaedia Britannica. “Izanagi.” Useful for the birth of Tsukuyomi from purification and the Shintō context.Encyclopaedia Britannica. “Ukemochi no Kami.” Best source for the separation myth involving Tsukuyomi and Amaterasu.Indigenous / circumpolar traditionsEncyclopaedia Britannica. “Oral literatures,” in Mythologies of the Indigenous Peoples of the Americas. Best broad source for the Arctic male moon pursuing his sister the sun.Encyclopedia.com. “Igaluk.” Useful specialist entry for the Inuit moon god story.MesoamericaEncyclopaedia Britannica. “Aztec religion.” Best for the Teotihuacán fire myth and Tecciztécatl becoming the moon.Susan Milbrath. “The Moon in Meso-America.” Oxford Research Encyclopedia of Planetary Science (2020). Best specialist source for masculine moon material in Central Mexico and broader lunar roles in Mesoamerica.Qabalah / Jewish mysticism / occult sourcesHistorical Jewish mysticismEncyclopaedia Britannica. “sefirot.” Best concise source for the sefirot, including Yesod as “foundation.”Encyclopaedia Britannica. “Jewish mysticism,” in Judaism. Good for the broader Kabbalistic context.My Jewish Learning. “What Are the Sefirot?” Good readable support source for explaining sefirot on air.Western esoteric / occult QabalahDion Fortune. The Mystical Qabalah. Weiser, 2000. Strongest single occult source for Yesod as astral foundation, imaginal reservoir, and “treasure house of images” current.Aleister Crowley. 777 and Other Qabalistic Writings of Aleister Crowley. Weiser, 1986. Best for formal occult correspondences, including the Yesod-Moon scheme.Aleister Crowley. Magick Without Tears. New Falcon, 1991. Useful for Crowley's practical Qabalistic framing.Lon Milo DuQuette. The Chicken Qabalah of Rabbi Lamed Ben Clifford. Weiser, 2001. Good modern, readable summary of Yesod in Western occult terms.Israel Regardie. The Tree of Life: A Study in Magic. Weiser, 1972. Strong for Golden Dawn style Yesod/astral-plane framing.Gareth Knight. A Practical Guide to Qabalistic Symbolism. Weiser, 2001. Very useful for Yesod symbolism and the broader Tree of Life structure.Science / symbolism supportNASA Science. “Moon Phases.” Best source for the simple but important physical point that moonlight is reflected sunlight.NASA Science. “Eclipses.” Useful if you want a clean science-side reference when talking about eclipses before contrasting that with mythic fear and ritual response.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

In this episode I am once again joined by Leigh Brasington, Buddhist meditation teacher and author of “Right Concentration, A Practical Guide to the Jhanas”. This episode begins with a brief comment from Leigh about his appearance in “Ep329: Enlightened Politics” in which he explored the relationship between Buddhism and political ideology. After that we discuss Leigh's new book “On the Way to the Far Shore”, his commentary on the Pārāyanavagga, chapter five of Suttanipāta, one of the earliest sutta collections in the Pali canon. The text takes the form of a question and answer session with the Buddha himself and evidences nascent forms of the doctrines of the four noble truths and the path of gradual training. Leigh considers the pros and cons of formal study of the Pali language, explains the ways in which English translations can be misleading, and muses on why so few Buddhist converts read their own scriptures. Leigh also reveals how his Dzogchen practice helped him understand early Buddhist doctrine, gives advice about how to internalise intellectual ideas through meditation practice, and shares how a profound experience of the nature of mind changed his life forever. … Video version: www.guruviking.com Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics Include: 00:00 - Intro 01:17 - Can there be an enlightened tyrant? 02:49 - Anyone can perform enlightened activity 04:20 - Why Leigh wrote On the Way to the Far Shore 08:13 - Wrestling with the Pali sutta 09:07 - Leigh's training the the Pali language 11:18 - Struggles to learn foreign languages 12:37 - Is training as a scholar worth it? 14:36 - 4 categories of Pali suttas 17:05 - Why Leigh won't pursue a PhD 19:17 - Why don't Buddhists read the Pali canon? 23:14 - Diving into the the Pārāyanavagga, book five of the Suttanipāta 27:50 - Vedanā and āsava - don't believe the English translations 29:44 - Literal vs meaning translations + implications of grammar 33:40 - Q&A with the Buddha 36:20 - Questions the Buddha refuses to answer 37:46 - Experiencing the world raw 42:27 - The most important insight 44:22 - How to really gain insight 45:24 - Leigh's Dzogchen practice 46:14 - Leigh's mind blowing experience of the nature of mind 51:28 - After effects of Leigh's epiphany 53:56 - Integrating vs losing an insight 55:04 - How to keep an insight fresh 56:31 - How to regard the world so you are not seen by the King of Death 59:17 - How to become “ever mindful” 01:01:30 - This is a different kind of book 01:02:41 - The roots of the Four Noble Truths and the gradual training 01:05:13 - Will Leigh start a Pali sutta discussion group? 01:07:14 - Man in the Light of History of Religion 01:10:02 - Scripture as literature or an instruction manual? 01:12:32 - Leigh's advice for approaching difficult books 01:13:46 - What do the suttas say about the brahmavihārās? … Previous episodes with Leigh Brasington: - https://www.guruviking.com/search?q=brasington To find our more about Leigh Brasington visit: - http://www.leighb.com/ For more interviews, videos, and more visit: - https://www.guruviking.com Music ‘Deva Dasi' by Steve James

Jeremy David Engels, PhD, is a Liberal Arts Professor of Communications and Ethics at Pennsylvania State University.  He is an author and longtime teacher of mindfulness, meditation, and yoga.  A former student of Thich Nhat Hahn, he is dedicated to bringing the practice of mindfulness to democracy, and the practice of democracy to mindfulness.  He is an award winning scholar, and has published numerous books and articles about democracy, community building, deliberation and peace including Living Namaste (2026, Inner Traditions--which is the subject of this podcast), On Mindful Democracy (Parallax 2026--the subject of EOTR episode 337); The Ethics of Oneness:  Emerson, Whitman, and the Bhavagad Gita (UChicago 2021); and The Art of Gratitude (SUNY Press 2018) For more information about Professor Engels, please see his website: https://jeremydavidengels.com or reach out to him directly at jde13@psu.edu IG:  @jeremy_david_engels This podcast is available on your favorite podcast feed, or here:  https://endoftheroad.libsyn.com/episode-348-professor-jeremy-engels-living-namaste-a-practical-guide-to-mindfulness-yoga-and-building-community Have a blessed weekend and

For many aspiring entrepreneurs, one question keeps coming up:Should I keep the security of my job, or should I build something of my own?This is a decision that can linger for years. You collect a paycheck, receive benefits, and follow a predictable path. At the same time, you can't stop thinking about the online business idea, online platform, service, product, or community you wish you were building.In this episode, we challenge one of the biggest assumptions in modern career thinking: that employment is safe and entrepreneurship is risky.What if both paths involve risk?What if the real question is not whether risk exists, but whether you're willing to accept the consequences of doing nothing?Your Action Plan - Learn:• Why job security may be more fragile than most people realize• The hidden risks of depending on a single source of income• Why entrepreneurs think differently about security and opportunity• How to evaluate the true cost of staying where you are• The five fears that keep aspiring entrepreneurs stuck• A practical framework for deciding whether entrepreneurship is right for youThis episode is about understanding your options, thinking strategically about your future, and recognizing that there is no risk-free path in life.Because one day, the greatest risk may not be starting an online business.The greatest risk may be realizing you never tried.To have an enjoyable life  in our global, advanced tech society, create value.  To have the business, career, finances and lifestyle you desire, follow a proven path that has delivered in good times and bad.  The path of entrepreneurship. And online entrepreneurship is the fast track for aspiring entrepreneurs.Learn the skills, access the resources and be inspired to live the life of your dreams right here on the Ready Entrepreneur podcastTo find more resources, strategies and ideas for aspiring entrepreneurs visit the Ready Entrepreneur website: https://www.readyentrepreneur.com/To download a free guide for Preparing to Become an Online Entrepreneur, click here:  https://www.readyentrepreneur.com/start/You can get an exclusive discount on the ebook and audiobook version of Recast: The Aspiring Entrepreneur's Practical Guide to Getting Started with an Online Business click here: https://www.caselane.net/recastConnect with CaseFacebook: @readyentrepreneurHQ Instagram: @readyentrepreneur Twitter X: @caselaneworld Pinterest @caselane 

Today, on Karl and Crew, we continued our weekly theme, “Chivalry.” Dr. Jonathan Griffiths joined us to talk about biblical masculinity, pointing to Jesus as the perfect example of strength and humility while explaining how the Holy Spirit transforms men from the inside out to serve their families and others well. Jonathan serves as President of Heritage College and Seminary and also leads Encounter the Truth. Junior Ziegler joined us to talk about biblical manhood, explaining how men can reject passivity and toxic masculinity by leading through sacrifice, serving others, confronting sin with grace, and pursuing what God has called them to build. Junior is the Lead Teaching Pastor at The Bridge Community Church in the Chicagoland area and is the author of "The Manual: A Practical Guide to Manhood" Homer Eshel joined us from Israel to share why many Israelis are deeply concerned about a possible deal with Iran, explaining the distrust toward Iran’s promises while pointing to Israel’s need for prayer and trust in God’s protection. Omer is the CEO and Co-founder of The Bible Comes to Life Travel and Educational Center. You can hear the highlights of today’s program on the Karl and Crew Showcast. If you're looking to hear a particular segment from the show, look at the following time stamps:Jonathan Griffiths [ 38:50 ]Junior Ziegler [ 27:42 ]Homer Eshel [ 06:39 ]Caller Segment [ 11:09 ]Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

Anthropic, the company that built Claude, just accidentally published the full source code of their most important product. And it was their second data exposure in five days. What does this teach every organization buying AI tools right now? Kip Boyle shares the best takeaways from CRO's AI governance training and explains why the risk of AI isn't the AI itself. Your host is Kip Boyle, CISO with Cyber Risk Opportunities.   Subscribe to Inflection Point -- https://cr-map.com/inflectionpoint/ SecureWorld AI Security PLUS course -- https://www.secureworld.io/events "Gears Don't Guess: The Executive's Practical Guide to Thriving in the Face of AI Hype and Risk" (forthcoming book, Fall 2026) AIR-MAP AI Risk Assessment -- https://air-map.io

Matthew 22:15-22

All Home Care Matters and our host, Lance A. Slatton were honored to welcome Cory Fosco as guest to the show.   About Cory Fosco: Cory Fosco is the author of The Question of When: A Practical Guide to Knowing When It's Time for Assisted Living, Memory Care, or Skilled Nursing. Cory has spent 34 years in long-term care, beginning in social work and admissions and now working in healthcare technology. He is also the author of the chapbook Empty Streets (Alien Buddha Press, 2024), which contains a Pushcart Prize-nominated story, and his short work has appeared in Superstition Review, Hippocampus, and other publications. Cory holds an MA in Creative Nonfiction from Northwestern University and a BA in Creative Writing from Loyola University Chicago. Cory lives in Chicago with his wife Cyndi.