Podcasts about secret passages

Send us a textHello and welcome to You Heard it Here Last, where we talk about news, you've already heard.https://www.belloflostsouls.net/2024/11/its-canon-baldurs-gate-3-brings-dd-to-the-vatican.htmlThis week is starting to feel a little cold in the underworld. You see Mike and I grew up during the Satanic Panic years, where D&D was seen as the gateway to hell. They even made movies about how it would drive you crazy…thanks Tom Hanks for that one.So to hear that Larian Studies has sold 2 copies of Baldur's Gate 3 to the Vatican is … chilling.I mean we gotta talk about this one.[Gang]https://www.rascal.news/a-new-print-magazine-for-fans-of-classic-rpgs/Secret Passages is an Old School RPG and Oldhammer print magazine that is crowdfunding right now. That's right, you heard me an actual print magazine. This plans to be a quarterly print publication that focuses on the old rpg's and wargames that we grew up on. A throwback. Now I love this idea, but is this useful or just nostalgia for nostalgia's sake.[Gang]

In Monaco every year the likes of the NFL, Premier League and the NBA, get together with all of the major broadcasters at Sportel to work on the deals that shape the media industry. On this episode of StreamTime Sports co-hosts Nick Meacham and Chris Stone are joined by technology editor Steve McCaskill as he shares his insights from this year's event. Key talking points - What are the biggest whispers regarding the future of sports media values - Why Javier Tebas and LaLiga believe big tech is responsible for piracy - What to make of Two Circles continued growth with acquisition of Spring Media - Why the sports media industry is paying more attention to technology and innovation - Can rugby be a needle moving piece for Premier Sports

HEADLINES: KoJC base a maze of secret passages | August 31, 2024Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe Visit our website at https://www.manilatimes.net Follow us: Facebook - https://tmt.ph/facebook Instagram - https://tmt.ph/instagram Twitter - https://tmt.ph/twitter DailyMotion - https://tmt.ph/dailymotion Subscribe to our Digital Edition - https://tmt.ph/digital Sign up to our newsletters: https://tmt.ph/newsletters Check out our Podcasts: Spotify - https://tmt.ph/spotify Apple Podcasts - https://tmt.ph/applepodcasts Amazon Music - https://tmt.ph/amazonmusic Deezer: https://tmt.ph/deezer Stitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein #TheManilaTimes#KeepUpWithTheTimes Hosted on Acast. See acast.com/privacy for more information.

Dave's not here. Or is he? (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Big chief woolly Jeff Lynne spins a Native American legend. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

A girl kidnaps The Beatles and lures a lonely boy to her yard. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Jeff Lynne squeezes his bird until it goes BIRBIRBIRBIR.... (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's the story of the breakup of a legendary comedy team, and the tearful reunion. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

The Idle Race hops a Russian moonship to go home. Cover art by Kristine Sejersdal. (Song Facts music, "Secret Passages", from Hooksounds.)

It's a bouncy sea shanty with a grim ending. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

This time tomorrow you will have heard this episode at least once. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's not who you think it is. Plus, the return of a FTM podcast contributor!! (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's the B-side that reminds us to listen to the A-side. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's the second single from the second Idle Race album! Or it's just a single that opened the next Idle Race album. Plus, another ELO-ey song from Al Findlay! (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Honestly, can Liberty do anything right with The Idle Race? Plus, an ELO-ey song from Al Findlay. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Yet again, the wrong single by The Idle Race was released. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

There's something in the way The Move moves in this song. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's Penny Lane on a very gloomy day. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

There's only one way to back up what she says. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Who doesn't like pie? (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Uncle Mom wants you to get out of her life. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Yessiree, things are lookin' up for ol' Gil this time! (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

The Erics blow their stacks about The Idle Race. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Here it is! The Idle Race's first big hit! If anyone at Liberty Records had a friggin' brain in their heads. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Our Christmas gift to you this year are the episodes covering the songs on Side 3 of Out of the Blue stitched together in one episode. If ELO can repackage the old stuff a million times over, why not us? (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Two men in their 50s talk about the toys they like. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

"Birthdays are hell!" -Frank Burns, 1952 (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's the B-Side that should've been an A-side that could've been a hit. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Things get wild in the final mix of the single. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

We made it through the rain, and now we hit the sunshine by finishing  this live EP. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Does this song continue the trend of haphazard noise on this live EP? (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Happy Helloween, O children of the night! To sanctify the arrival of the dismal months, we are busting out of our clear acrylic cube to bring you a BRR Special Event! Welcome to GOODNIGHT, LADIES, Part 1, in which we step into the depths of Alan Moore and Eddie Campbell's legendary graphic novel, From Hell—technically not a Lynch property, although we will be exploring several points of contact, including a fateful meeting at the Gull & Elephant. In this stroll through the nightmares of 1880s Whitechapel, Jennifer dissects the deep disorientation; Damon summons the spirit of anarchy; Jonathan maps the links between The Ripper's London and the Lynchverse; and Colin invites you into secret association! Keep your eyes peeled out there, friends! LISTEN: Apple Podcasts | Google Podcasts | BuzzSprout | Spotify | RSS | and more!

Stephanie Knows Love and The Move, but not The Who. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Becoming a Rock 'n' Roll star is as easy as 1-2-3 NBC! (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Things will get better in the morning sunshine. Just ask Nosferatu. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Feeling a bit off? Maybe sharing a room with Roy Wood at the Cherry Blossom Clinic will cure what ails ya! (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

The Outer Realm Welcomes Dennis Stone Discussion: America's Stonehenge!! Dennis Stone, owner of the enigmatic America's Stonehenge, located in southeastern New Hampshire. Dennis Stone is the president of America's Stonehenge. He graduated from Daniel Webster College in 1977 with a degree in Aviation Management, and was a full-time commercial pilot for over 35 years before his retirement in 2016. America's Stonehenge was opened to the public in 1958 by Dennis's father, Robert Stone. Dennis has been involved with America's Stonehenge for most of his life and has always had a fascination with archaeology and archaeoastronomy. Since retiring, Dennis has found many serpentine walls and spirit windows throughout the site, among other new discoveries. He has taken numerous courses and traveled extensively to ancient sites both in the U.S. and internationally. His family includes his wife Pat, his son Kelsey, and his daughter-in-law Katherine. His hobbies include traveling, boating, and classic cars The Site: Was this about the first place in the Americas where Native peoples engineered stone chambers and walls, or were they built by people from the Old World? Radiocarbon dating and students from Harvard and Penn State's astronomy depts confirm that the ceremonial centre and alignments were built about 2000 BC. This is long before Columbus so were people from the Old World sailing to America? There is evidence: the ibex petroglyph looks more like an African antelope than a North American white tailed deer. The corbelled ceiling is similar to Ireland's Newgrange and Scotland's Maes Howe tumuli. Why does it seem like the site was suddenly abandoned? There is almost no evidence of it being used as a necropolis. What was its function? What role do the alpacas play at the site? This site was featured on the inaugural season of Scott Wolter's "America Unearthed." Since then, it was covered by "Ancient Aliens" and on "The Holtzer Files." "The X-Files" did a show based on America's Stonehenge. It is believed that Lovecraft's "The Dunwich Horror" is also based on Dennis' property. There are a variety of ways to go with this subject. Links: WEBSITES http://www.stonehengeusa.com/ http://stonehengeusa.com/ Social Media: http://www.facebook.com/StonehengeUSA Media: We have been on many shows starting with 1970s " The UnXplained " on NBC with Rod Serling and Arthur C Clark, 1976 "In Search of " on ABC with Leonard Nimoy and Hans Holtzer ( directed this episode), 1988 A&E show with Edward Mulhare, 1996 C span Yellow Schoolbus, 2001 History Channel "Secret Passages " , 2001 History Channel " History's Mysteries " with Arthur Kent, 2001 Travel Channels Wierd Places, 2010 Travel Channel ,Wierd or What" with William Shatner, 2013 History Channel "America Unearthed" with Scott Wolter, 2020 Travel Channel " The Holtzer FIles " eith David Schrader, and most recently 2021 Science Channel " The Holtzer FIles ". The last on Science Channel was " What on Earth ".

Roy Wood gets by with a little help from Santa Claus. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

If you don't do the things I like, I got a babe waiting outside for me. That's love, baby...That's love. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

The Move coasts on their recording of this '30s hit from the '50s. (Song Facts music, "Secret Passages" from Hooksounds.) 8-Track CLICK provided by Benjamin Stewart. Donate to the podcast through Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's another useless information packed episode, including Mark C. Wilson's epic story about how he became an ELO fan! (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Moby Grape want to get high with a grandmother. I have no idea what The Move want to do with her. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

“Secret Passages” I couldn't wipe the image of Joel out of my head; I had been cisited in my dreams by just about everyone I had been writing about of course, lately—though I hadn't particularly been writing about anyone or anything at all, at least enough that it would believe me to coincide with any of my dreams—but it was rarest of all to have a dream about Joel, and even though I had spent hours consciously and unconsciously listening to his music, he would rarely show up in my dreams at all—perhaps because I did my best not to pay him, his career, or his presence at all too much attention; I kept myself from really exploring his celebrity persona as much as I had allowed myself to with anyone else; indeed, Joel to me has become just such as a shadow figure, his deadmau5 my imaginary friend, and after what had happened with Sonny, and nearly again with Dillon, I obstinately shielded myself from Joel, whoever he was or might have been besides deadmau5, who had been one of the masters in my choice of study anyway, for years now— I did as little research on the actual man a human and humanely possible, often skirting around the minicule details of whatever came forth in the crevices of something I needed to know; how a certain sound was made, a plug in I might have been able to get my hands on- or even, hardware I might one day be able to afford. I had become ibsessed with synthesizers, knowing that to achieve the sound I wanted, I would have to spend time in a room much like Joel's studio—a place, of course, I never had envisioned my actual self in, but had projected to build a world where someday I might even have a studio of my own. Still, here I was, sexually charged after two days off with a sedentary roommate—which meant I had been unable to forge any kind of sexual release for just about 38 hours, a dangerous mark for the beast like Goddess who felt trapped inside me; it had been years since my last actual sexual experience—and even longer since the last satisfactory one—and now, just a week into my 30th year the raging hormones found their way into a painful and prudent sexual energy in all sorts of ways—from the attention I attracted at the gym—unwanted attention at best—but still attention that made its way into building up into a painful wedge inside my body that no amount of lifting, crunches, or machine could seem to penetrate—the frustration typically settling into some other confusing form of emotion, a sexual tension that I knew only the touch and shape of a man could take from me. I knew immediately that it was the Eye of Desire that looked at Joel—and though my dream the night before hadn't been sexual at all—which I at least remembered, frustrated by being unable to remember anything about the dream at all besides Joel, particularly his face—and upon waking, it couldn't shake the thought on him from my mind. I knew undoubtedly that my cellibacy was to blame for the onslaught of fantastical creations my mind would bring about in the form of fantasy for Sonny, Dillon, or Joel respectively—and though I found myself quite captivated and attracted to Joel, it was by complete accident that I had found myself to be so. It was all Beyond out of my control, anyway, but I found myself excruciatingly angry to have been allowed by some cosmic wave to become so attracted to these men—this figures, musical icons, celebrities—the legends of a culture I felt so strongly attached to and apart of, made out to be Godlike creatures — and they were. Whatever threshold they had crossed to ascend into the upper realms and into an entirely seperate dimension from my own, I realized I, too, wanted to cross—and perhaps it wasn't just the fame supposed riches (as by now I knew that one's status did not always reflect financial health or stability—that bankruotcy was in fact a thing, and that everything, especially in the world of wealth, is not always as it seems), or celebrity status of these figures which had persuaded the fickle and fragile sexual beast from its chambers— the the remarkable and distinguished amount of intelligence it takes to create such that I found as masterpieces of art, and even—encapsulated pieces of history, coded and decoded extra terrestrial knowledge of space, time, and conciousness—folded neatly into the precise and profound heartbeats, breaks, and melodies I found as guiding light. Joel was different—and though his deadmau5 had found it's way into my concious bbeing perhaps even just before Skrillex, it would be a long time before I actually paid it any attention or gave it any depth—now, fast forward some 15 years and every little thing I had taken in of the man had started to unravel in my mind and make sense, only met with the frustration of my aging and own sexuality rapidly re-emerging— I found it irritating to be so deeply attracted to someone whose music I had grown an attachment to; it was his body type that played on inclinations I had kept since my youth and had yet to be shaken; I had always preferred slim and sleek, perhaps because I had always been quite the opposite—however, now—having shaped my body body into a delicate and veluptous very womanly figure—but there were greater questions lurking in my psyche—what made up this triple-threat of figures, none of whom I would have been drawn to or found considerately attractive, let alone even been made aware of—if it weren't for music. I had discovered upon leaving my marriage—no matter how fragile and broken my mind might have been—that my sapiosexuality, as I would learn later it was called, had become the driving force in what dominated what I was attracted to—-and though I had left my marriage beaten, battered, and subconsciously or even quite actively, just needing to be plunged with the biggest possible dick I could find, I settled somewhere between the alluring call of “The Saviour's Syndrome”, a case of what may have been open-ended Stockholm, and of course— my aversion to anything black or brown, which I blamed predominately on my own pseudo-scientific theory of “Genetic Attraction”, a theory which focuses on the concious and subconscious sexual attraction which acts as a resistance to pass on certain genetic traits or the effect of such traits—being attracted to one thing or another, an evolutionary phenomenon within our species which progresses our evolution by varying gene pools into post-raciality; Personally speaking, my own resistance to pass on skin that would be considered “too dark” to be considered ideal, and although the standards of beauty by the media's eye had given us all the illusion of change and inclusivity—I found that even so, the darkest skinned girls were always in the back—even in media that was black-owned and black-operated—the colorism within the black community making their blatent preference of “light skins” so apparent that to be so sexually attracted to another dark-skinned person for be became impossible—and as my sexuality continued to bloom Ali bf side my biological function to successfully procreate and give birth to offspring which would excel and surpass the greatest of achievements, perhaps it was this Genetic Attraxtion which created this conundrum of circumstance that I now found myself in; having left a marriage because I had to, and wanting nothing more than to be remarried—having my unchangably crucial run-in with Sonny/Skrillex at the peak of its breaking point, still in the fragile enough state of mind that though I had finally fallen out of love with Jon, who aroused me not only with the sweet softness of his voice, his dark and broken heart, his long hair, dreamy brown eyes, and sleek, skinny frame—his sweet kisses, bold gestures, and striking charisma— his teaching spirit, clever inventions, and bizzare kinks and fetish es, all of which had decimated and bedazzled me into a frazzled heap of unrequited love and desire that would last years, finally culminating in a suicide attempt—of course, not because of him, really, just a lack of love itself, the menacing and manipulation, mind games and psychological torture which had resulted from my final withdraw from my marriage—an attempt to move acros town and split custody 50/50, or rather 60/40–and my ex's insecurity and small pride creating the barrier bwreeen one timeline and another, the obstacle course for which I would have to maneuver to break myself free from whatever loveless curse it was—and of course, just two weeks later—entering what I would one day consider to be called the realm of the dead, where I met Sonny, and his Skrillex began to fall away into pieces at the foundation—with Love at the helm, and the rest of the story to be unfolded with time. I had never cared much for deadmau5, and only considered myself a fan after learning to mix house music, which everyone seemed to be making, and though I had always really wanted to make dubstep, even engineering my own drama and tastes into a sub genre, “Surfatep”, which Would Merge the beloved sounds of the classic and surf rock that I found myself drawn to from an early age— with the grunge and dubstep that I would later find to pique my interest via Rusko, and later even Skrillex, as I became emerged into the rave culture and dance music—in those days, the only “black girl” to be seen for miles anywhere amongst the often exclusive crowds of the DJ world, which I nearly as quickly excited as I had entered, disregarding my own tastes for those of my ex's, whom I had met at age 19, and still over 300 or so pounds, malleable, not quite changing my own taste to fit his, but putting my preferences aside—EDM became my guilty pleasure, something I would listen to alone, or with friends. Now, as I sidelined nearly anything I was interested in at all to offset my google algorithm from eating me alive, I tried to wrap my mind around Google never listing either Skrillex, Dillon, or Joel under the “Influenced By” column, curiosities in my mind boggling my very inquisitive senses, that seemed to create quite the uncomfortable itch —as perhaps was any of thier music was programmed to do; hypnotize me—the opposite sex— into wanting and needing sex with them—‘need' being an exaggerative term for the inibility I found to become attracted to or settle for anything “less”, Sonny having set the bar high, but by now having noticed that it wasn't just status, fame, wealth, materials, or even the ability to create music that I loved—the attraction respectively to any man had to have had something to do with the vibration, which of course translated indefinitely into the music they created—but the incredible circumstance was this; that either way, I found myself to be genetically attracted to their bodies, and not just thier minds—realizing that I often wished for them as peasants such as I—a complete impossibility, as the energies which they had embodied were inevitably destined for all of the attention, fame, wealth, and status that each of them had garnered—today, it was Joel that created the blossoming atrocity in my depths that rendered me illusive to the world, an almost useless center of energy which at the very least has pursued es me into breaking the cyclical patterns that had been trapping me in circles since arriving at the Raddison, another establishment which had left me fighting with empathy, and though it had in itself presented a massive opportunity for recovery, i had still becomes ravaged with a mild depression, struggling with time management and of course, bad finances. It had been weeks now that I struggled to find the focus and energy I knew was needed to thrive—it was hours away to any reputable gym, and though I fixated on training early enough in the day to be able to do whatever I wanted or needed with the rest of it, I never had the energy to be up and out by 5 AM as I wanted; in fact, it seemed no matter what i did, I was being drained of my energy—as If like gasoline my power was being siphoned with a hose; I searched everywhere for motivation, to no avail. Suddenly I was back online; I had perceptively re-attached my belied that “gym every day” and “gym every other day” were entirely two different worlds, and so had pressed myself to find somewhere to go urgently, as the Sun was already beginning to set on another new York day, once which I hadn't even seen—it had been a tubulent night before, full of dreams I couldn't decipher, awakened by the high pitch ringing of an off kilter fire alarm, and awoken from a deep sleep even through the sanctity of my earbuds by my roommate taking on the phone—something I often let slide, but this morning had awoke with a fiends anger; she had disrupted my peaceful rest too much entirely with her blatent laziness, and this morning inwas indeed miserably irritable. I hated being back online, but I was looking for something, it seemed—I didn't know why. Usually, the odd remix, a free sound pack, or even an automated email from Dillon Francis's marketing team, which nonetheless would usually put a smile on my face—but today, it was at least a laugh, if even from my very own self that prompted me to do something I would have never normally even done—open an email from LinkedIn, which I hated almost as much as any other social media— maybe even more—but the opening lines of a post by Insomniac, which had been lingering on the forefront of my mind for annundertermined amount of time, however long enough for it to be a spectacle; the Insomniac Logo itself at times standing out to me more so than just fade into the background of my mind, the ink on my upper wrist for some reason a sacred marker I would most the time forget was there, but lately handy quite been able to. “A message from the founder…” blah blah blah—something about Pasquale Rotella, who I had become moderately obsessed with, or at least intrigued by, after a final lesson in frequenting the front row of any MainStage had resulted in seeing one another almost eye to eye, had I not just purchased a pair of beautifully rhinestone embellished hombre-tinted sunglasses, to replace the ones I had originally worn to go with my outfit, that has broken just moments before—glasses I had worn to hide the monsterous streams of crocodile tears fitting for the swamplike backdrop of the strange and unamusing EDC Orlando, at which I worked quite dillegently and desperately to lay get the beginning of The Festival Project—which had, admittedly after the latest run-in with Sonny/Skrillex, taken a formidable hault, if not entire backseat, as my emotions and spirituality collided into the smoldering dumpster fire of obsirdity and confusion, which I at least hoped Skrillex would find to appease his Quest. I giggled, as I had always found Pasquale to be hilarious—some sort of keeper of secrets, the ringmaster of the world's circus — a gatekeeper to the great unknown: a time traveler of remarkable wit—I scoffed at having to enter a password, and enter a security code: I hated being back online, but here had given myself purpose; hopefully the passage would inspire something greater than just to middle my insecurities frittering away my day writing about the music producers I had dreamed up—a posthumous and unforgiving Hell in which the only thing I craved were men I couldn't touch—a wasteland of invariable differences, influenced and inapired by life itself and yet underhandedly taught the mastery of such by those of which I fawned for; Here I was, chasing my fleeting dream like a kite in the sky, perhaps even with Rotella himself at the spindle. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

“Secret Passages” I couldn't wipe the image of Joel out of my head; I had been cisited in my dreams by just about everyone I had been writing about of course, lately—though I hadn't particularly been writing about anyone or anything at all, at least enough that it would believe me to coincide with any of my dreams—but it was rarest of all to have a dream about Joel, and even though I had spent hours consciously and unconsciously listening to his music, he would rarely show up in my dreams at all—perhaps because I did my best not to pay him, his career, or his presence at all too much attention; I kept myself from really exploring his celebrity persona as much as I had allowed myself to with anyone else; indeed, Joel to me has become just such as a shadow figure, his deadmau5 my imaginary friend, and after what had happened with Sonny, and nearly again with Dillon, I obstinately shielded myself from Joel, whoever he was or might have been besides deadmau5, who had been one of the masters in my choice of study anyway, for years now— I did as little research on the actual man a human and humanely possible, often skirting around the minicule details of whatever came forth in the crevices of something I needed to know; how a certain sound was made, a plug in I might have been able to get my hands on- or even, hardware I might one day be able to afford. I had become ibsessed with synthesizers, knowing that to achieve the sound I wanted, I would have to spend time in a room much like Joel's studio—a place, of course, I never had envisioned my actual self in, but had projected to build a world where someday I might even have a studio of my own. Still, here I was, sexually charged after two days off with a sedentary roommate—which meant I had been unable to forge any kind of sexual release for just about 38 hours, a dangerous mark for the beast like Goddess who felt trapped inside me; it had been years since my last actual sexual experience—and even longer since the last satisfactory one—and now, just a week into my 30th year the raging hormones found their way into a painful and prudent sexual energy in all sorts of ways—from the attention I attracted at the gym—unwanted attention at best—but still attention that made its way into building up into a painful wedge inside my body that no amount of lifting, crunches, or machine could seem to penetrate—the frustration typically settling into some other confusing form of emotion, a sexual tension that I knew only the touch and shape of a man could take from me. I knew immediately that it was the Eye of Desire that looked at Joel—and though my dream the night before hadn't been sexual at all—which I at least remembered, frustrated by being unable to remember anything about the dream at all besides Joel, particularly his face—and upon waking, it couldn't shake the thought on him from my mind. I knew undoubtedly that my cellibacy was to blame for the onslaught of fantastical creations my mind would bring about in the form of fantasy for Sonny, Dillon, or Joel respectively—and though I found myself quite captivated and attracted to Joel, it was by complete accident that I had found myself to be so. It was all Beyond out of my control, anyway, but I found myself excruciatingly angry to have been allowed by some cosmic wave to become so attracted to these men—this figures, musical icons, celebrities—the legends of a culture I felt so strongly attached to and apart of, made out to be Godlike creatures — and they were. Whatever threshold they had crossed to ascend into the upper realms and into an entirely seperate dimension from my own, I realized I, too, wanted to cross—and perhaps it wasn't just the fame supposed riches (as by now I knew that one's status did not always reflect financial health or stability—that bankruotcy was in fact a thing, and that everything, especially in the world of wealth, is not always as it seems), or celebrity status of these figures which had persuaded the fickle and fragile sexual beast from its chambers— the the remarkable and distinguished amount of intelligence it takes to create such that I found as masterpieces of art, and even—encapsulated pieces of history, coded and decoded extra terrestrial knowledge of space, time, and conciousness—folded neatly into the precise and profound heartbeats, breaks, and melodies I found as guiding light. Joel was different—and though his deadmau5 had found it's way into my concious bbeing perhaps even just before Skrillex, it would be a long time before I actually paid it any attention or gave it any depth—now, fast forward some 15 years and every little thing I had taken in of the man had started to unravel in my mind and make sense, only met with the frustration of my aging and own sexuality rapidly re-emerging— I found it irritating to be so deeply attracted to someone whose music I had grown an attachment to; it was his body type that played on inclinations I had kept since my youth and had yet to be shaken; I had always preferred slim and sleek, perhaps because I had always been quite the opposite—however, now—having shaped my body body into a delicate and veluptous very womanly figure—but there were greater questions lurking in my psyche—what made up this triple-threat of figures, none of whom I would have been drawn to or found considerately attractive, let alone even been made aware of—if it weren't for music. I had discovered upon leaving my marriage—no matter how fragile and broken my mind might have been—that my sapiosexuality, as I would learn later it was called, had become the driving force in what dominated what I was attracted to—-and though I had left my marriage beaten, battered, and subconsciously or even quite actively, just needing to be plunged with the biggest possible dick I could find, I settled somewhere between the alluring call of “The Saviour's Syndrome”, a case of what may have been open-ended Stockholm, and of course— my aversion to anything black or brown, which I blamed predominately on my own pseudo-scientific theory of “Genetic Attraction”, a theory which focuses on the concious and subconscious sexual attraction which acts as a resistance to pass on certain genetic traits or the effect of such traits—being attracted to one thing or another, an evolutionary phenomenon within our species which progresses our evolution by varying gene pools into post-raciality; Personally speaking, my own resistance to pass on skin that would be considered “too dark” to be considered ideal, and although the standards of beauty by the media's eye had given us all the illusion of change and inclusivity—I found that even so, the darkest skinned girls were always in the back—even in media that was black-owned and black-operated—the colorism within the black community making their blatent preference of “light skins” so apparent that to be so sexually attracted to another dark-skinned person for be became impossible—and as my sexuality continued to bloom Ali bf side my biological function to successfully procreate and give birth to offspring which would excel and surpass the greatest of achievements, perhaps it was this Genetic Attraxtion which created this conundrum of circumstance that I now found myself in; having left a marriage because I had to, and wanting nothing more than to be remarried—having my unchangably crucial run-in with Sonny/Skrillex at the peak of its breaking point, still in the fragile enough state of mind that though I had finally fallen out of love with Jon, who aroused me not only with the sweet softness of his voice, his dark and broken heart, his long hair, dreamy brown eyes, and sleek, skinny frame—his sweet kisses, bold gestures, and striking charisma— his teaching spirit, clever inventions, and bizzare kinks and fetish es, all of which had decimated and bedazzled me into a frazzled heap of unrequited love and desire that would last years, finally culminating in a suicide attempt—of course, not because of him, really, just a lack of love itself, the menacing and manipulation, mind games and psychological torture which had resulted from my final withdraw from my marriage—an attempt to move acros town and split custody 50/50, or rather 60/40–and my ex's insecurity and small pride creating the barrier bwreeen one timeline and another, the obstacle course for which I would have to maneuver to break myself free from whatever loveless curse it was—and of course, just two weeks later—entering what I would one day consider to be called the realm of the dead, where I met Sonny, and his Skrillex began to fall away into pieces at the foundation—with Love at the helm, and the rest of the story to be unfolded with time. I had never cared much for deadmau5, and only considered myself a fan after learning to mix house music, which everyone seemed to be making, and though I had always really wanted to make dubstep, even engineering my own drama and tastes into a sub genre, “Surfatep”, which Would Merge the beloved sounds of the classic and surf rock that I found myself drawn to from an early age— with the grunge and dubstep that I would later find to pique my interest via Rusko, and later even Skrillex, as I became emerged into the rave culture and dance music—in those days, the only “black girl” to be seen for miles anywhere amongst the often exclusive crowds of the DJ world, which I nearly as quickly excited as I had entered, disregarding my own tastes for those of my ex's, whom I had met at age 19, and still over 300 or so pounds, malleable, not quite changing my own taste to fit his, but putting my preferences aside—EDM became my guilty pleasure, something I would listen to alone, or with friends. Now, as I sidelined nearly anything I was interested in at all to offset my google algorithm from eating me alive, I tried to wrap my mind around Google never listing either Skrillex, Dillon, or Joel under the “Influenced By” column, curiosities in my mind boggling my very inquisitive senses, that seemed to create quite the uncomfortable itch —as perhaps was any of thier music was programmed to do; hypnotize me—the opposite sex— into wanting and needing sex with them—‘need' being an exaggerative term for the inibility I found to become attracted to or settle for anything “less”, Sonny having set the bar high, but by now having noticed that it wasn't just status, fame, wealth, materials, or even the ability to create music that I loved—the attraction respectively to any man had to have had something to do with the vibration, which of course translated indefinitely into the music they created—but the incredible circumstance was this; that either way, I found myself to be genetically attracted to their bodies, and not just thier minds—realizing that I often wished for them as peasants such as I—a complete impossibility, as the energies which they had embodied were inevitably destined for all of the attention, fame, wealth, and status that each of them had garnered—today, it was Joel that created the blossoming atrocity in my depths that rendered me illusive to the world, an almost useless center of energy which at the very least has pursued es me into breaking the cyclical patterns that had been trapping me in circles since arriving at the Raddison, another establishment which had left me fighting with empathy, and though it had in itself presented a massive opportunity for recovery, i had still becomes ravaged with a mild depression, struggling with time management and of course, bad finances. It had been weeks now that I struggled to find the focus and energy I knew was needed to thrive—it was hours away to any reputable gym, and though I fixated on training early enough in the day to be able to do whatever I wanted or needed with the rest of it, I never had the energy to be up and out by 5 AM as I wanted; in fact, it seemed no matter what i did, I was being drained of my energy—as If like gasoline my power was being siphoned with a hose; I searched everywhere for motivation, to no avail. Suddenly I was back online; I had perceptively re-attached my belied that “gym every day” and “gym every other day” were entirely two different worlds, and so had pressed myself to find somewhere to go urgently, as the Sun was already beginning to set on another new York day, once which I hadn't even seen—it had been a tubulent night before, full of dreams I couldn't decipher, awakened by the high pitch ringing of an off kilter fire alarm, and awoken from a deep sleep even through the sanctity of my earbuds by my roommate taking on the phone—something I often let slide, but this morning had awoke with a fiends anger; she had disrupted my peaceful rest too much entirely with her blatent laziness, and this morning inwas indeed miserably irritable. I hated being back online, but I was looking for something, it seemed—I didn't know why. Usually, the odd remix, a free sound pack, or even an automated email from Dillon Francis's marketing team, which nonetheless would usually put a smile on my face—but today, it was at least a laugh, if even from my very own self that prompted me to do something I would have never normally even done—open an email from LinkedIn, which I hated almost as much as any other social media— maybe even more—but the opening lines of a post by Insomniac, which had been lingering on the forefront of my mind for annundertermined amount of time, however long enough for it to be a spectacle; the Insomniac Logo itself at times standing out to me more so than just fade into the background of my mind, the ink on my upper wrist for some reason a sacred marker I would most the time forget was there, but lately handy quite been able to. “A message from the founder…” blah blah blah—something about Pasquale Rotella, who I had become moderately obsessed with, or at least intrigued by, after a final lesson in frequenting the front row of any MainStage had resulted in seeing one another almost eye to eye, had I not just purchased a pair of beautifully rhinestone embellished hombre-tinted sunglasses, to replace the ones I had originally worn to go with my outfit, that has broken just moments before—glasses I had worn to hide the monsterous streams of crocodile tears fitting for the swamplike backdrop of the strange and unamusing EDC Orlando, at which I worked quite dillegently and desperately to lay get the beginning of The Festival Project—which had, admittedly after the latest run-in with Sonny/Skrillex, taken a formidable hault, if not entire backseat, as my emotions and spirituality collided into the smoldering dumpster fire of obsirdity and confusion, which I at least hoped Skrillex would find to appease his Quest. I giggled, as I had always found Pasquale to be hilarious—some sort of keeper of secrets, the ringmaster of the world's circus — a gatekeeper to the great unknown: a time traveler of remarkable wit—I scoffed at having to enter a password, and enter a security code: I hated being back online, but here had given myself purpose; hopefully the passage would inspire something greater than just to middle my insecurities frittering away my day writing about the music producers I had dreamed up—a posthumous and unforgiving Hell in which the only thing I craved were men I couldn't touch—a wasteland of invariable differences, influenced and inapired by life itself and yet underhandedly taught the mastery of such by those of which I fawned for; Here I was, chasing my fleeting dream like a kite in the sky, perhaps even with Rotella himself at the spindle. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

Hey, everybody, let's get Eddie Cochran and have funtime time on the weekend! And a peak at a new Expanded Episode feature, "ELO Origin Stories" where fans tell the tale of how they became ELO fans.(Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

One last time...not the Styx album. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

This old house comes down with or without a hippy in it. (Cover art by Thomas Walsh) (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon: https://www.patreon.com/ELOPod PayPal: eloftmpodcast@gmail.com Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

This week in songs too British for America. Enjoy listening on your mobile while driving your lorry to the pub for some spotted dick. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon: https://www.patreon.com/ELOPod PayPal: eloftmpodcast@gmail.com Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

The lesson: Drunk driving leads to being Christlike. (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order to... P.O. Box 1932 Superior, AZ 85173.

It's a fire brigade staffed with Eddie Cochran, The Move, KISS, and The Sex Pistols. (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order to... P.O. Box 1932 Superior, AZ 85173.

Everybody needs a hobby to keep from going loopy. (Song Facts music, "Secret Passages" from Hooksounds.) (Cover art by Elijah Olson) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

Everybody's fakin' it in Life's magazine! (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order to... P.O. Box 1932 Superior, AZ 85173.

Rick Springfield sings about a son being molded into his father. Plus Billboard Bungles Beethoven. (Song Facts music, "Secret Passages" from Hooksounds.) (Cover art by Elijah Olson) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

The Idle Race take a crack at doing a Move song. (Even though The Idle Race recorded it first.) (Song Facts music, "Secret Passages" from Hooksounds.) (Cover art by Elijah Olson) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

In case you thought stalking and kidnapping were bad dating tips, there's this... (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

It's the '60s. Let's take our shirts off, and run through the flowers in the rain. Or get bored, and read a comic book. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. https://www.patreon.com/ELOPod P.O. Box 1932 Superior, AZ 85173.

Don't stop the train, I wanna get off. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Unless you have tinnitus. Then you hear the grass screaming. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Roy Wood's autobiographical song? (Cover art by Elijah Olson) (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Your friend needs to take a long nap. This song should help with that. (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Tugging along to another song by The Chads. (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order to... P.O. Box 1932 Superior, AZ 85173.

Most people call them The Chads, but they're really the first group Jeff Lynne recorded with. (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order to... P.O. Box 1932 Superior, AZ 85173.

Keep going, avert your eyes, and definitely plug your ears. (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order to... P.O. Box 1932 Superior, AZ 85173.

Mike Sheridan's Lot hit gold!!! And nobody hears it. (Song Facts music, "Secret Passages" from Hooksounds.) (Cover art by Elijah Olson) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

Welcome Mike Sheridan and The Lot to the Rainbow Room at the beautiful Fon du Lac, Wisconsin Holiday Inn! (Song Facts music, "Secret Passages" from Hooksounds.) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

Copying The Beatles didn't work, so Mike Sheridan and the band try a new gimmick to sell records: Amputation! (Song Facts music, "Secret Passages" from Hooksounds.) (Cover art by Elijah Olson) https://www.patreon.com/ELOPod Or check or money order with your email address to P.O. Box 1932 Superior, AZ 85173.

Weekends are lonely when you're gigging around town with your band. (Cover art by Elijah Olson) (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. https://www.patreon.com/ELOPod P.O. Box 1932 Superior, AZ 85173.

We tried The Beatles, let's give The Four Seasons a whirl. (Cover art by Elijah Olson) (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

It's The Beatles! No, it's Mike Sheridan and The Nightriders! No, it's...I'm not sure. But it is "Fabulous." (Song Facts music, "Secret Passages" from Hooksounds.) Donate to the podcast through Patreon. Patreon...https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Was this about the first place in the Americas where Native peoples engineered stone chambers and walls, or were they built by people from the Old World? Radiocarbon dating and students from Harvard and Penn State's astronomy depts confirm that the ceremonial centre and alignments were built about 2000 BC. This is long before Columbus so were people from the Old World sailing to America? There is evidence: the ibex petroglyph looks more like an African antelope than a North American white tailed deer. The corbelled ceiling is similar to Ireland's Newgrange and Scotland's Maes Howe tumuli. Why does it seem like the site was suddenly abandoned? There is almost no evidence of it being used as a necropolis. What was its function? What role do the alpacas play at the site? This site was featured on the inaugural season of Scott Wolter's "America Unearthed." Since then, it was covered by "Ancient Aliens" and on "The Holtzer Files." "The X-Files" did a show based on America's Stonehenge. It is believed that Lovecraft's "The Dunwich Horror" is also based on Dennis' property. There are a variety of ways to go with this subject. Links: WEBSITES http://www.stonehengeusa.com/ http://stonehengeusa.com/ Social Media: http://www.facebook.com/StonehengeUSA Media: We have been on many shows starting with 1970s " The UnXplained " on NBC with Rod Serling and Arthur C Clark, 1976 "In Search of " on ABC with Leonard Nimoy and Hans Holtzer ( directed this episode), 1988 A&E show with Edward Mulhare, 1996 C span Yellow Schoolbus, 2001 History Channel "Secret Passages " , 2001 History Channel " History's Mysteries " with Arthur Kent, 2001 Travel Channels Wierd Places, 2010 Travel Channel ,Wierd or What" with William Shatner, 2013 History Channel "America Unearthed" with Scott Wolter, 2020 Travel Channel " The Holtzer FIles " eith David Schrader, and most recently 2021 Science Channel " The Holtzer FIles ". The last on Science Channel was " What on Earth ".

This week's episode heard exclusively at https://www.patreon.com/ELOPod on October 29th! (Song Facts music, "Secret Passages" from Hooksounds.) P.O. Box 1932 Superior, AZ 85173.

Can we access the Prefect's Bathroom & use the Secret Passages located in Hogwarts Castle? Let's discuss on Hogwarts Legacy Podcast! --- Support this podcast: https://podcasters.spotify.com/pod/show/hogwarts-legacy-podcast/support

Most people call them Jeff Lynne's first band, but they're really called The Chads. (Song Facts music, "Secret Passages" from Hooksounds.) This is a free sample episode of what you'll get when you subscribe to the podcast at https://www.patreon.com/ELOPod P.O. Box 1932 Superior, AZ 85173.

Secret corridors, hidden rooms, and trapdoors are the stuff of adventure and romance. Egyptian pyramids riddled with underground chambers and booby traps. An English country house with a priest hole and a trick bookcase. A speakeasy with a sliding panel that leads to a brothel and a gambling parlor. Who wouldn't want to go exploring?! And where would Gothic storytelling be without the secret passage in Horace Walpole's 'The Castle of Otranto?' Or the hidden door to the attic in 'Jane Eyre' that's protecting an epic secret? If your childhood was shaped by reading the enchanting adventures in 'The Secret Garden' and 'Alice's Adventures in Wonderland,' or by solving the mystery of 'The Hidden Staircase' with Nancy Drew, this show is for you. In this episode, we discuss an amazing book heist from an ancient French monastery, debate if Ben Franklin was a werewolf hunter, get lost in the Mansion on O Street, and daydream about living in the New York Public Library. Then we recommend great books that lured us into magical portals, dangerous tunnels, secret passages, and other hidden spaces that prove irresistible.  Here are the books we discuss in the show: A Dangerous Collaboration by Deanna Raybourn https://bit.ly/3cLkQm3 The Ten Thousand Doors of January by Alix E. Harrow https://bit.ly/3AGfsJ7 Tunnel 29 by Helena Merriman https://bit.ly/3Ry21li Underground by Will Hunt https://bit.ly/3CQjyB5 The Kingdoms by Natasha Pulley https://bit.ly/3TG18ZR For more on the books we recommend, plus the other cool stuff we talk about, visit show notes at http://strongsenseofplace.com/podcasts/2022-09-12-secret-passages Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can follow us at: Our web site at Strong Sense of Place Patreon Twitter  Instagram Facebook

We've already given you some information into what "the inside" can look for people and how it can function. This episode we talk about the creation of our inside and the magic that happens there! This podcast may contain themes of trauma, flashbacks, self-harm, and suicidal ideation. This podcast was produced using Anchor. We would love to hear from you, but for real. Email us at mypuzzlepiecespodcast@gmail.com. --- Support this podcast: https://anchor.fm/mypuzzlepieces/support

This week on Back Issue Bloodbath, Andrew and Petula give their review of Secret Passages 1985 - 1986! The post Back Issue Bloodbath Episode 338: Secret Passages 1985-1986 appeared first on Geek Hard.

This week on Back Issue Bloodbath, Andrew and Petula give their review of Secret Passages 1985 - 1986! The post Back Issue Bloodbath Episode 338: Secret Passages 1985-1986 appeared first on Geek Hard.

Subscribe to the channel : @muhammadanway Android App - https://play.google.com/store/apps/details?id=com.nurmuhammad.muhammadanway IPhone App - https://itunes.apple.com/us/app/muhammadan-way/id1244297852?mt=8 Facebook - https://facebook.com/shaykhnurjanmirahmadi Donate - https://muslimcharity.com Website - https://nurmuhammad.com TV Show - https://huberasul.net The Noble Naqshbandi Order proudly presents the ancient Islamic teaching and realities of the Prophetic Kingdom. Known as the Muhammadan Reality Mawlana Shaykh Hisham Al Qabbani Representing the Sultan al Awliya of The Naqshbandiyya Order Mawlana Shaykh Muhammad Nazim al Haqqani Shaykh Sayed Nurjan MirAhmadi student of the way The Seekers of The Heart, The Lovers of the Prophetic Reality As ancient as time itself, seek to be a servant of the light and lovers. Naqshbandi, Qadiri, Chistiyya, Shadiliya, Rifai, Inyat Khan, Alawi and many more All are the Muhammadan Representatives to Creation https://nurmuhammad.com is pleased to present the Muhammadan TV. Network Donations https://muslimcharity.com to support These works https://nurmuhammad.com Shaykh sayed nurjan mirahmadi

Sheeply Horned Witch Romi by Yoichi Abe from Seven Seas, TMNT Annual 2022 by Juni Ba and Ronda Pattison from IDW, Chivalry by Neil Gaiman and Coleen Doran from Dark Horse, G.I. Joe: A Real American Hero Saturday Morning Adventures #2, more King of Spies, Gary Panter's Crashpad from Fantagraphics, Frankenrocker and the Jailbait Punks #1 by Roel Torres and Lukasz Kowalczuk from Bad Kids Press, World War Three: Battle Over Hokkaido #1 from Motofumi Kobayashi from Antarctic, The Final Night, X-Men by Jonathan Hickman Omnibus, Marauders #1, The Return of the Killer, more Secret Passages and What If We Were by Axelle Lenoir, plus a whole mess more!

Manga-O-Rama: Kamen Rider: The Classic Collection by Shotaro Ishinomori from Seven Seas and Dandadan by Yukinobu Tatso from Shonen Jump, patron questions, Secret Passages 1985-1986 by Axelle Lenoir from IDW/Top Shelf, Rogues #1 by Joshua Williamson, Leomacs, and Matheus Lopes, Hulk: Grand Design #1 by Jim Rugg, Superman: Red and Blue, X-Men-O-Rama: Immortal X-Men #1 and X-Men: Red #1, plus a whole mess more!

It's Tuesday, and y'all know what that means; it's time for new books, and a look at the events happening this week!   Events this week: Tuesday, March 22nd: David Putnam, in conversation with Matt Coyle  Wednesday, March 23rd: Alex Segura, in conversation with Rob Hart  Thursday, March 24th: Kelly Barnhill  Thursday, March 24th: Sara A Mueller, in conversation with Marina J Lostetter  Friday, March 25th: Young Adult Book Club  Saturday, March 26th: Gareth L. Powell, in conversation with J. Dianne Dotson  Saturday, March 26th: Imperial Beach Library Presents - Alana Quintana Albertson   New this week:  The Bone Orchard by Sara A. Mueller  Suicide Kings by Stephen Blackmoore  Last God Standing by Michael Boatman  Curfew by Jayne Cowie  Destiny of the Dead by Kel Kade  A Radical Act of Free Magic by H.G. Parry  Kingdoms of Death by Christopher Ruocchio  The City of Dusk by Tara Sim  Beat the Devils by Josh Weiss  The Shadow Glass by Josh Winning  Renegade by Nancy Allen  A Harmless Lie by Sara Blaedel  Portrait of an Unknown Lady by Marina Gainza, translated by Thomas Bunstead  Her Last Affair by John Searles  A Sunlit Weapon by Jacqueline Winspear  A Safe House by Stuart Woods  Wings of Ebony by J. Elle  On This Unworthy Scaffold by Heidi Heilig  Kiss & Tell by Adib Khorram  Remember Me by Estelle Laure  Remember Me Gone by Stacy Stokes  Wrath & Mercy by Jessica Rubinkowski  Okoye to the People by Ibi Zoboi, illustrated by Noa Denmon  Dark Stars: New Tales of Darkest Horror by John F.D. Taff  Savvy Sheldon Feels Good as Hell by Taj McCoy  Troublemaker by John Cho  We Dream of Space by Erin Entrada Kelly  Revenge of the Beast by Jack Meggitt-Phillips, illustrated by Isabelle Follath  Field Guide to the Supernatural Universe by Alyson Noël  Tales from Harrow County: Fair Folk by Cullen Bunn, illustrated by Emily Schnall and Tyler Crook  Secret Passages by Axelle Lenoir  The Country Without Human Vol 2 by Iwatobineko  Gunbured x Sisters vol 1 by Wataru Mitogawa  The Haunted Bookstore - Gateway to a Parallel Universe by Shinobumaru, illustrated by Munashichi  Catch These Hands! by Murata  My Badly Drawn Life by Gipi    Subscribe to the SciFi & Fantasy Book Crate or the Cozy Mysteries Book Crate now! You can now find us on Patreon! Unlock exclusive content by subscribing today! Special thanks to Austin Farmer for letting us use the track "Kill the Farm Boy", from his album Bookshelf Symphony Orchestra!  Send us your questions to mystgalaxypod@gmail.com Follow us on Twitter, Instagram, Facebook,  YouTube, and TikTok!  And support the store by ordering books at mystgalaxy.com!

 LISTENSlip into the walls with the Old Guys as they watch over everything. From sliding walls to pivoting bookcases to secret compartments and hidey-holes, the OGs are all over it. Also, SAVE YAKOV! Who is the real heart of the show? Truman Capote gets that sweet, sweet nose-sugar cash. Priest holes are cool? Wait! There's actually something INSIDE Mt. Rushmore? That's not movie BS? Shawn says "secret area" and Eric doesn't giggle. Finally... who gave Twizzlers the best ad ever? The walls have eyes! All things Old Guys: https://linktr.ee/ogwltJoin the conversation (and see our artifact album) on our Facebook: facebook.com/oldguyswholovethings and talk to us via email: oldguyswholovethings@gmail.comFind Shawn online: http://www.gruegallery.com  and  https://www.shawndooleyart.com and http://www.dooleyfreelancedesign.comFind Eric online:  https://beacons.page/ericpschwartz (all music by Eric)Additional sound effects from https://www.zapsplat.com

It's December, and Lincoln is excited for Christmas. We all got our first gift of the month in our Spotify Wrapped! Lincolns wife didn't get one and it's pretty funny as to why.The boys touch on movie set working conditions, Skip the Dishes year end review for Alberta, and what they would have in their dream houses. Listen to find out what that is! Folllow us on Instagram: http://Instagram.com/limpoticushttps://instagram.com/a_b_o_m_b

"Now, Season 2 of Secrets of Harridge House begins..." The new season begins one month after the events of the 1st season finale. Cate is missing after being framed for her husband's murder. Issy and Drew are dealing with their mother's and grandfather's estates. Sandra is trying to get her hands on Josiah's journal. And in the meantime, Josiah himself has returned... but not as he had planned... and is Sandra's unwitting prisoner. Sadly, Secret Passages is not returning, as longer episodes now fill the space it occupied at the end of each episode. Favorite characters return, and new characters start joining the show with this episode. Season Two will run for 13-weeks on Sunday nights and Friday nights, with each episode coming to podcasts on Saturdays. Written by Cody Lindenberger. Directed by Jeff Basa. Produced by Jeff Basa, Joe Bly, Heidi Hampton and Scott Young. Sound Editing and Sound Engineering by Joe Bly. Music by Mike & Linda Badinger, Big Fig Music. Drew's ringtone by Aiden Hale. A production of KNVC 95.1 FM, Proscenium Players, Inc. and The Diaz Brothers. Series created by John Adams and Scott Young. CAST: Cary Hampton as Issy, Asher Killian as Drew, Heidi Hampton as Sandra, Asher Honor Hwang as Blake, Rachel Anderson as Linda, Anita Kelley as Roxie, Michon Chandler as Olivia, Mark Helton as LB Brandon Jr, Cody Lindenberger as Richard, Justin Clouser as Josiah, Geoff Moore as Deputy Ben, Ben Johnson as Sheriff Wingard, Melanie Johnson as Donna, Dick Van Buskirk as LB Brandon Sr, Darla Bayer as Alma, Kyle Littlefield as Dave and Michelle Calhoun as The Announcer. Some sound effects used in this production were obtained and licensed through Envato/AudioJungle, Soundelux/Todd-AO via Sounddogs, and the following creators on freesound.org: Figowitz, Svennsound, Proxima4, User389799, soundslikewillem, cbakos, crz1990, pogmothoin, and Irissie16. For more information, visit our websites and social media: http://www.knvc.org http://www.secretsofharridgehouse.com http://www.facebook.com/harridgehouse http://www.instagram.com/secretsofharridgehouse "Please don't reveal the Secrets of Harridge House..." Copyright 2021 KNVC 95.1 FM, Proscenium Players, Inc. and The Diaz Brothers. All rights reserved.

Charlie and Pasi Ilmari Jääskeläinen (The Rabbit Back Literature Society; Secret Passages In A Hillside Town) discuss dreams that become literature - vampires; books where words and plot points change in a sort of book plague; secret passages that wipe your memory, and many more - writing a book that's difficult for a reader to work out and not knowing yourself what the answer is, creepy and traumatic fictional games, and issuing an alternative ending to your novel in a brand new publication. Please note if you have children around that we mention people sitting together without any clothes on. Some podcast apps do not show description links properly unless the listener subscribes to the podcast. If you can't click the links below and don't wish to subscribe, copy and paste the following address into your browser to access the episode's page on my blog: http://wormhole.carnelianvalley.com/podcast/episode-33-pasi-ilmari-jaaskelainen Tips to unlock the secrets in The Rabbit Back Literature Society Wikipedia's article on Jules et Jim Wikipedia's article on 2046 Wikipedia's article on In The Mood For Love Wikipedia's article on My Neighbour Totoro Question Index 01:38 How has being a literature teacher influenced your writing? 02:54 What is your role when it comes to translation; do you work with the translators? 05:03 'Nosterafu' is used in both The Rabbit Back Literature Society and Secret Passages in a Hillside Town - you're interested in vampires? 11:29 What is the importance to you of the Finnish title, Lummiko and Nine Others? 13:27 Would it be right to say you're interested in folklore? 15:11 Why did you want Rabbit Back to be difficult to understand? 16:39 You say you yourself don't know what happened to Laura White. Do you have a preference in regards to readers' interpretations? 20:03 You've got this book 'plague' where words and plots change. Where did you get the idea? 24:32 Where is The Game from? 31:22 The idea of a 'cinematic life' in Secret Passages - where did that come from? 34:49 How did you choose the films that you refer to? 36:30 Why did you use the Famous Five? 37:49 Is Ollie's lack of use of his son's name (in terms of the third person narrative) important to the plot? 39:35 Secret Passages has two endings - is there one you prefer? 41:19 What are you writing at the moment? Purchase Links The Rabbit Back Literature Society: Amazon UK Amazon US Amazon Canada Waterstones Hive Barnes & Noble IndieBound Secret Passages In A Hillside Town: Amazon UK Amazon US Amazon Canada Waterstones Hive Barnes & Noble IndieBound Chapters Indigo I am an IndieBound affiliate and earn a small commission on qualifying purchases. Photograph used with the permission of the author.

A high school rumor and a love of stories that stretch the imagination introduces SECRET PASSAGES. Follow along on Instagram and Facebook (@secret.passages.pod). Get in touch at https://www.secretpassagespodcast.com/. Researched, written, and produced by E.S. Rodenbiker. Cover art by @game.of.pricks.

We're watching the Ten Lil' Grifters Job, joined by Emily and Jordan, we're talking about Murder Mysteries, Secret Passages, and Nate in the Library with the Wrench.We Also Discuss how Gregatron has fallen, Emilyscream will now lead the Decepticons, the Indie videogame Final Fantasy XIV, trance/trans music, you need oxygen to live, Jordan's (a different one) cover of Transgender Dysphoria Blues, Earth Australia, hey kinda weird how the cat in Disney's Cinderella is named Lucifer, Robin says “Fuck Batman”, this show is darker than Batman, Fabby-Ann's Tile Matchmaking game, the strawmanning of the Union boss by the coward John Rogers, Beck's Daughter is acting at a twelve, Murder Mystery Home-onculus, ‘Lite Treason', ur a blizzard Harry, Pirates of the Post-Depp universe, a sneeze lead to restarting the call, Emily says “Fuck Batman”, Fabby-Ann's Handcuffs story, bacon wrapped things, we might have made a “Bonano Phone” joke before, the show's two (2) references, capitalism kills our dream of secret passages, Sex Gundam, we restrain ourselves from making bondage jokes, Emily sings the “Big Wolf on Campus” theme, we forget that “Topping/Bottoming” was originally coined by gay men.Recommendations:Lesbians on Ecstasy (band)She/Her/Hers (Twitter Post)Jessie Cooper's Creepy Critter's PodcastTales of Vesperia Definitive Edition

Special guest Justin Jacobs joins the guys to talk winning 10k prize, new build, and many other iRacing topics. Come join us in the lounge! Check out our new Show Notes here : http://bit.ly/iRLP_SN

The SAG crew tells the stories of their very favorite Christmas presents