Podcasts about San Gabriel Valley

In this special World Cup edition of SGV Connect, Damien Newton talks with Foothill Transit Communications Director Felicia Friesema about how transit agencies across Los Angeles County are preparing for the 2026 FIFA World Cup. Friesema explains Foothill Transit's role in supporting Metro's operations at SoFi Stadium, including lending buses for shuttle service between Union Station and the stadium. She encourages San Gabriel Valley residents to use the Silver Streak and other transit connections to reach World Cup matches, noting that transit will play a critical role in moving tens of thousands of spectators. The conversation also explores the behind-the-scenes planning required for a global event, with Friesema describing months of coordination, training, and security preparation involving Metro, Foothill Transit, and other agencies. The discussion then shifts to broader transit topics, including rising gas prices, ridership growth, long-term budgeting challenges, and Foothill Transit's proposed changes to commuter express service. Newton and Friesema also discuss recent improvements to the regional fare system, including contactless credit card payments, the impact of the A Line extension into the eastern San Gabriel Valley, and the surprising success of Foothill Transit's temporary "Line 6-7" shuttle connecting the La Verne A Line station with Fairplex during the Los Angeles County Fair. Throughout the conversation, Friesema emphasizes the importance of flexibility, regional coordination, and adapting transit service to changing travel patterns across Southern California. Damien Newton: As mentioned in the intro, I'm here with Felicia Friesema of Foothill Transit. This is our unofficial, quasi-official World Cup edition of the SGV Connect podcast and Streetsblog coverage. This podcast is going up on Friday, the day of the first World Cup game in Los Angeles: the United States versus Paraguay. There's been a lot of press about how people are getting to the stadium, the cost of parking, and all of those sorts of issues. But we wanted to highlight that it is easy and possible to take transit to the games, no matter where you're coming from. As we've mentioned before, I live in West Los Angeles. On Monday, we're planning to go to a parking lot in Santa Monica and take the bus directly to the game—a game that I still only give about a 50 percent chance of actually happening. But we're not talking about Santa Monica today. We're talking about the San Gabriel Valley. So again, I'm here with Felicia. Why don't we talk a little bit about service from the San Gabriel Valley to SoFi Stadium in Inglewood? How is that all going to work? What's the expectation, and what are we hoping to see? Felicia Friesema: Well, I think it's really important that people understand how critical transit is going to be for making these matches work. When you start seeing Caltrans signs on the freeway encouraging people to take transit to the matches at SoFi, it tells you how important transit is to making the whole experience happen. FIFA has some very strict rules about tailgating—as in, you're not allowed to do it—so it takes away some of the benefits of driving to the stadium that some people enjoy. Foothill Transit is lending 10 buses to Metro to help operate the shuttle trips originating from Union Station and heading to SoFi Stadium. The best way to get from the San Gabriel Valley to Union Station and then take those shuttles is to ride the Silver Streak. It runs very regularly—every 15 minutes during the week and every half hour on weekends. It's a pretty reliable service. You can visit foothilltransit.org and get all your trips itinerized. I don't know if that's a word. Did I just make up a word? Damien Newton: I don't know. All words are made up. Felicia Friesema: I'm only the communications director, you know. Damien Newton: Doesn't Thor say that in one of the Marvel movies? Someone tells him he made up a word and he responds, "All words are made up." Felicia Friesema: Right. One thing I do want to note, though: for the shuttles going into SoFi, there won't be fare collection on the buses themselves. Spectators can pay in one of two ways. They can purchase parking online in advance, which includes shuttle service, or they can pay on site using mobile fare-payment validators that will be stationed near the shuttle boarding queues. Passengers will pay before they board the bus. It's a little different from how we're normally doing things, but it's something people should be aware of. Damien Newton: We've seen Metro do this for other major events, and even private shuttle operations. When you're trying to move 30,000 people by bus for a special event, sometimes there are different procedures for boarding and exiting. It's good for people to know ahead of time so they can plan accordingly. Do you know of other Foothill Transit employees who are planning to attend the games? Is this something people have talked about at the staff level? Like, "I'm going to the game and here's how I'm getting there." Felicia Friesema: Honestly, the biggest thing is that we all have our favorite teams, right? But most of our participation is making sure the service happens without a hitch. Our role is making sure service is delivered safely and securely, and that coordination with Metro is clear, concise, and effective. It's more about enabling other people to have a great experience. We'll mostly be listening from the sidelines while making sure everyone else can get there. Damien Newton: One thing I've always wondered about these major events, where your agency has such an important support role, is whether there's an extra level of excitement in the planning process—or whether it's more intense because there are so many additional details to work through. Felicia Friesema: FIFA—and subsequently the Olympics—are really their own category when it comes to this kind of planning. We've been meeting with Metro weekly for months to work through the logistics of serving the matches. The level of preparation, planning, security awareness, and training for operators, dispatchers, and security staff is well beyond what would normally happen for something like Rose Bowl shuttle service. We have the Rose Bowl service down to a science. We know exactly how it works. But the World Cup requires a much more detailed operational plan. I don't know that I'd call it anxiety, but it's definitely more intense. Damien Newton: That was probably the wrong word. Felicia Friesema: Yeah. Damien Newton: I should have made a word up. Felicia Friesema: Exactly. It's more intense. When you have an event as visible and heavily attended as the World Cup, everything operates at a different level. Not that we don't pay attention to those things for local events—we absolutely do—but this is bigger in every way. More people, more excitement, more moving parts. The good thing is that Metro has done a phenomenal job laying the groundwork for all of us to succeed. We're really grateful for that.

Send us Fan MailKeegan Fong is the founder and owner of Woon, a homestyle Chinese food restaurant and packaged goods line based in Los Angeles. Raised in the Pasadena area, he worked professionally in apparel marketing before transitioning full-time to the culinary industry. Woon initially launched as a pop-up noodle stand in 2014 to share the original recipes of his mother, Julie Chen, also known as Mama Fong. The family-backed venture grew to open its first brick-and-mortar restaurant in Historic Filipinotown in 2019, followed by a second location in Pasadena in 2025, while also expanding its distribution of sauces and pantry staples nationwide. This episode details the evolution of Woon from a temporary food cart into a multi-location restaurant brand and retail packaged goods company. The discussion explores Keegan's professional background in brand building and how those storytelling skills were applied to launch and scale a food business. Key topics include the logistics of scaling family recipes for high-volume commercial kitchens, transitioning from a single brick-and-mortar space to a multi-unit operation, and developing a nationwide consumer packaged goods line for retail distribution. For San Gabriel Valley viewers, this conversation highlights a local business owner who grew up in the region and recently expanded his operations back into Pasadena. The guest's audience will gain insight into the behind-the-scenes mechanics of keeping a family-oriented food brand authentic while managing rapid business growth. Additionally, individuals searching for real-world case studies on restaurant entrepreneurship, career pivots, and scaling retail pantry items will find practical insights into building a brand centered around cultural heritage. To stay updated on the stories of entrepreneurs, leaders, and creators across the region, subscribe to the MySGV Podcast. If you found value in this discussion about family business and operational scaling, please share this episode with a friend or a fellow food enthusiast._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us Fan MailRyan Ching is a Hawaii-based entrepreneur, chef, and social media storyteller who co-founded Ry's Poke Shack on the North Shore of Oahu in 2021 alongside his wife, Khannie. Originally trained as an architect with a doctorate in architecture from the University of Hawaii, he pivoted to the food industry during the pandemic. His restaurant utilizes a customized, made-to-order preparation method inspired by his grandfather's traditional techniques. This approach earned the establishment a spot on Yelp's Top 100 Local Businesses in the United States and a featured segment on Netflix's Street Food: USA series. The business has since expanded outside of Hawaii, opening Southern California locations in Huntington Beach and Pasadena.This episode covers Ryan's career transition from architectural design to restaurant ownership and the daily operational philosophy behind his fresh poke service. The conversation details the growth of Ry's Poke Shack from a single local setup into a multi-state brand, focusing heavily on its expansion into the San Gabriel Valley marketplace. Key topics include leveraging social media platforms to build brand equity, managing supply chains across different regions, and maintaining quality standards while scaling a family business model.For San Gabriel Valley viewers, this episode provides a behind-the-scenes look at a business that recently established a local footprint in Pasadena. Ryan's established audience will gain insight into the business logistics and personal motivation driving the brand's growth beyond the shores of Oahu. Additionally, individuals searching for information on restaurant expansion strategies, culinary entrepreneurship, or authentic Hawaiian food culture will find clear, practical examples of how a modern brand scales without losing its traditional foundations.Subscribe to the MySGV Podcast to stay updated on the stories, leaders, and businesses moving into the San Gabriel Valley. If you found this conversation insightful, please share the episode with a friend, neighbor, or fellow food enthusiast.You can watch this Yelp Top 100 News Feature to see the broadcast coverage of Ryan's restaurant earning its national business ranking._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

What does true community recovery look like one year after disaster strikes—and how can we ensure that no one gets left behind?In this episode, our host Dr. Salvatrice Cummo, sits down with Anish Saraiya, Director of Altadena Recovery and Deputy Supervisor for Planning and Development with the Los Angeles County Board of Supervisors. With a background in civil engineering and public infrastructure, Anish shares firsthand-insights on what recovery looks like one year after the devastating Los Angeles fires of 2025.Together, they explore equitable and inclusive approaches to rebuilding—especially for those often left behind, like renters, working class families, and multi-generational homeowners. The conversation delves into how systems can better serve communities in crisis, the vital role of coalition-building across public, private, and nonprofit sectors, and the unique contribution of community colleges like PCC in preparing the workforce for recovery-related jobs.You'll learn:How inclusive recovery efforts must address the needs of renters, working-class families, and multigenerational households often left behindThe evolution of rebuilding strategies: moving from disconnected systems to unified plans, with all utilities coordinated before home construction beginsHow Pasadena City College and other community colleges serve as agile partners for workforce training and immediate response following disastersWhy building inspection, project management, and skilled trades are high-demand careers in the regional reconstruction effortsThe crucial role of listening to diverse community voices and tailoring recovery solutions to meet distinct constituent needsAbout the Guest:Anish Saraiya serves as the Director of Altadena Recovery for Los Angeles County Supervisor Kathryn Barger. In this role, he leads community-focused initiatives centered around public infrastructure and public policy, aimed at enhancing resilience, rebuilding and recovery of the unincorporated Altadena community.Prior to his current position, Saraiya served as Supervisor Barger's Planning and Public Works Deputy and Senior Advisor on land use planning, development, public infrastructure, environment and sustainability, and housing. In this capacity, he played a pivotal role in shaping policies and programs that balance growth with environmental stewardship, addressing the needs of both urban and rural communities within the Fifth Supervisorial District.Before transitioning into public policy, Saraiya worked as a Civil Engineer for Los Angeles County Public Works. There, he specialized in transportation planning and traffic engineering, contributing to the development of infrastructure projects that improved mobility and safety across the County.Saraiya earned his degree in Civil Engineering from California State Polytechnic University, Pomona, equipping him with a strong technical foundation that has informed his work in both engineering and public policy.Born in Dallas and raised in the San Gabriel Valley, Saraiya has deep ties to the Los Angeles area. Outside of his professional endeavors, he is an avid sports fan and dedicates much of his time to coaching his children's sports teams, fostering a sense of community and teamwork.Engage with us:LinkedIn, Instagram & Facebook: @PasadenaCityCollegeEWDJoin our newsletter for more on this topic: ewdpulse.comVisit: PCC EWD websiteMore from Anish Saraiya & Los Angeles County Board of Supervisors:Website - https://bos.lacounty.gov/LinkedIn - @anishsaraiya & @lacountybosInstagram - @lacountybosPartner with us! Contact our host Salvatrice Cummo directly: scummo@pasadena.eduFind the transcript of this episode herePlease rate us and leave us your thoughts and comments on Apple Podcasts - we'd love to hear from you!

Send us Fan MailKaren Cheung Lee grew up in the San Gabriel Valley alongside her three sisters, raised in the community where her family built the local restaurant Sam Woo. In her early adulthood, she worked in the events and hospitality industry and helped launch the restaurant's San Gabriel location. She later transitioned into a corporate career for ten years to focus on raising her two daughters. Now, as her father prepares for retirement, Karen has returned to the family business to learn its daily operations and carry the establishment's legacy forward.This episode covers Karen's journey through the hospitality industry, her corporate career, and her eventual return to operations at Sam Woo. The conversation focuses on the realities of running a family-owned business, the personal sacrifices required to sustain a local brand, and the perspective shift that occurs after starting one's own family. Karen also shares her current efforts to learn every facet of the restaurant's management as she prepares to guide it into the future.For viewers in the San Gabriel Valley, this episode offers an inside look at a restaurant that has been a community staple for decades. Karen's audience will find value in her honest reflection on balancing corporate work, motherhood, and family expectations. Additionally, anyone searching for real-world insights on business transitions and legacy preservation will benefit from her practical breakdown of taking over a long-standing brand.To hear more stories from local leaders and business owners, subscribe to the MySGV Podcast. If you enjoyed this conversation, please take a moment to share the episode with a friend or a fellow food enthusiast._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us Fan MailParamveer Bedi is an entrepreneur in the San Gabriel Valley and one of the owners of Bhanu Indian Cuisine & Market. Located in San Gabriel, the business was originally established by his father and aunt with the goal of providing authentic Indian food and culture to the local community. The establishment operates as both a sit-down restaurant and a specialized marketplace, offering a wide range of traditional Indian spices, lentils, and imported goods.This episode explores the history of Bhanu's and how Paramveer is continuing the business legacy alongside his cousin. The conversation covers the origins of the business as a catering service and its growth into a prominent physical storefront on Rosemead Boulevard. Key topics include the importance of family collaboration, the challenges of maintaining multi-generational standards, and the dual nature of managing a retail grocery store while running a full-service restaurant.For San Gabriel Valley residents, this episode offers an inside look at a long-standing family business that has become a regional staple. Viewers interested in entrepreneurship will find value in the discussion on legacy management and the evolution of a community-focused brand. People searching for information on authentic Indian cuisine and specialty grocery resources in Southern California will learn about the history and mission that define this local establishment.Subscribe to the MySGV Podcast to stay connected with the local stories and businesses shaping the San Gabriel Valley. If you enjoyed this conversation, please share the episode with others who appreciate the food and cultural diversity of our community._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

From a controversial mayor pleading guilty in California to an explosive South Carolina redistricting battle and renewed fears of foreign influence—this episode dives into claims of political corruption, national security concerns, and a GOP civil war unfolding in real time.

Send us Fan MailThee Sawadwid is the chef and owner of Fillet Sushi, located in Old Town Monrovia. Raised in Thailand, he transitioned into the culinary world through a deep respect for Japanese discipline and craftsmanship. His path into the profession was defined by hands-on practice and experience in high-level kitchens, including training at Matsuhisa Beverly Hills, rather than formal culinary schooling. Together with his wife and partner, Lin Sawadwid, he has established a dining experience centered on intentional hospitality and technical precision.This episode explores the journey of launching and operating Fillet Sushi in the heart of the San Gabriel Valley. Thee discusses his culinary philosophy, which prioritizes balance, consistency, and restraint over excess. The conversation covers the practicalities of maintaining long-term standards, the importance of a calm dining environment, and his approach to thoughtful evolution. This philosophy honors Japanese foundations while allowing flavor and harmony to lead the way. He also shares the challenges of navigating growth with humility alongside Lin, who oversees the restaurant's operations.For viewers in the San Gabriel Valley, this episode provides an inside look at the dedication required to run a successful independent business in Monrovia. The guest's audience and those interested in the culinary arts will find value in his perspective on self-taught mastery and the discipline of sushi. People searching for insights into restaurant management and Japanese food culture will benefit from Thee's breakdown of how he balances traditional roots with a modern, community-driven business model.To hear more stories from local leaders and innovators, subscribe to the MySGV Podcast. If you found this conversation insightful, please share this episode with a friend or fellow food enthusiast._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us Fan MailGeorge Dera is the owner of Wahib's Mediterranean Express, a restaurant located in San Gabriel, California. Born in Zahle, Lebanon, Dera moved to Glendora, California, at the age of 14 and has remained a resident of the city since his arrival. Today, he operates his business while residing in Glendora with his wife, Aileen, and their two children, focusing on traditional hospitality and fresh ingredients.This episode explores the history and values behind Wahib's Mediterranean Express, focusing on the transition from Lebanese traditions to the Southern California business landscape. Dera discusses the importance of authentic recipes, the role of family in his operations, and how his upbringing in Zahle influenced his approach to service. The conversation also highlights the specific Mediterranean dishes that define the restaurant's menu and its connection to the local community.For viewers in the San Gabriel Valley and those interested in the regional culinary scene, this episode provides an inside look at a local staple. It offers valuable insights for food enthusiasts searching for authentic Mediterranean dining and for individuals interested in the immigrant entrepreneurial experience in California. By bridging the gap between Lebanese heritage and local service, Dera's story resonates with anyone looking to understand the intersection of culture and commerce in the SGV.If you enjoyed learning about the flavors and history of Wahib's Mediterranean Express, please subscribe to the podcast and share this episode with others. Your support helps us continue to highlight the stories and businesses that shape our community._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Spirit Airlines announced its closure after over thirty years of providing budget airfare; its last flight to Los Angeles touched down last night. Residents across the San Gabriel Valley rallied today against a battery storage project in the City of Industry. Former Snapchat buildings on the Venice Boardwalk is now a pop-up art space. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

First, Damien Newton and David Diaz discuss the Living School Yards program in El Monte, which aims to transform school yards into greener, safer spaces. The first completed project includes planting 46 new trees, creating outdoor classrooms, and installing play areas. Student input was crucial in the design process. You can read a transcript of the podcast, here. You can find out more about this weekend's Green School Tour, here. Next, Chris talks with Dr. Bri Serrano, a candidate for Covina City Council District 5 in the 2026 election, emphasized his commitment to affordability, transparency, and safety. He criticized the city's use of Flock cams and proposed a ban on city employees serving as federal agents. Serrano highlighted his slate's commitment to grassroots funding, with an average donation of $206. He addressed mobility issues, advocating for better bus routes and safer bike lanes. Serrano also criticized the proposed battery energy storage system's proximity to residential areas and recreational facilities.  You can read a transcript of the podcast, here. Streetsblog's San Gabriel Valley coverage is supported by Foothill Transit, offering car-free travel throughout the San Gabriel Valley with connections to the A Line Stations across the Foothills and Commuter Express lines traveling into the heart of downtown L.A. To plan your trip, visit Foothill Transit. "Foothill Transit. Going Good Places."Sign-up for our SGV Connect Newsletter, coming to your inbox on Fridays!

Send us Fan MailArmando De La Torre Jr. is a Los Angeles–born restauranteur, entrepreneur, and artist known for creating and developing Guisados, Georges Burger Stand, and Playita Mariscos. A graduate of Loyola High School and Loyola Marymount University, where he studied Business Law and Marketing, he began his career path toward law before shifting into the restaurant industry. In 2011, he co-founded Guisados in Boyle Heights with his father, building a taqueria centered on homestyle braises and fresh handmade corn tortillas. He later expanded his work by acquiring and revitalizing Georges Burger Stand and opening Playita Mariscos in Silver Lake.In this episode, Armando shares the story behind launching Guisados in Boyle Heights and growing it into a multi-location restaurant group. He discusses the development of Georges Burger Stand and the concept behind Playita Mariscos, along with the operational realities of running multiple restaurant brands in Los Angeles. The conversation also explores his work as an artist, including designing menus, merchandise, and brand identities, as well as his creation of G's on Sunday, an automotive lifestyle brand that collaborates with major partners and hosts community events.This episode offers value for San Gabriel Valley viewers and greater Los Angeles audiences interested in restaurant ownership, food culture, and creative entrepreneurship. It highlights the evolution of well-known LA food concepts rooted in Boyle Heights and expands into how branding, art, and community engagement intersect within the hospitality industry. For listeners searching topics like starting a restaurant, scaling food businesses, or building a multi-brand presence in Los Angeles, Armando's experience provides a detailed, real-world perspective.If you enjoy conversations with Los Angeles founders and creators shaping the local food scene, subscribe for more episodes and share this with someone interested in restaurants, entrepreneurship, and creative work._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us Fan MailAaron (Phu) Luong was born in Hong Kong under British rule and immigrated to the United States at a young age. He grew up in Rosemead and Monterey Park, later attending San Gabriel High School, where he balanced academics, extracurriculars, and Taekwondo, earning his black belt in his sophomore year. He went on to graduate with a double major in Business Management and Supply Chain Management. Today, he owns and operates Aloha Food Factory in Alhambra, a 30-year Hawaiian restaurant originally founded by Auntie Betty.In this episode, Aaron shares his experiences growing up in a traditional immigrant household, navigating bullying, and finding structure through training and discipline. He talks about setbacks during his school years, his time in Taekwondo, and the path that led him through college and into the workforce. The conversation also covers pivotal moments in adulthood, including legal challenges, personal struggles, and the shift toward personal growth. Aaron also discusses taking over Aloha Food Factory during the pandemic and the operational challenges he faced, from redevelopment threats to infrastructure issues.This episode offers insight into the realities of growing up in the San Gabriel Valley while navigating identity, responsibility, and resilience. For SGV viewers, it highlights the story behind a longstanding local restaurant and the effort required to sustain it. For listeners interested in personal development, discipline, and entrepreneurship, Aaron's experiences provide a grounded perspective shaped by real events and decisions.If you enjoy stories rooted in the San Gabriel Valley and conversations about growth and accountability, subscribe for more episodes and share this with someone who would connect with Aaron's journey._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Program consultant Tom Dovka advises Phil to knockoff the hillbilly “San Gabriel Valley” references. Plus Larry, Gloria Grover and cats! Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Send us Fan MailMarcel Rene Michel is a Southern California native born in Bellflower and raised in Hacienda Heights, with roots in Guadalajara and Colima, Mexico. A first-generation Mexican American, Marcel attended Don Bosco Tech Institute and later built a career in corporate recruiting, working with major companies including ARYZTA, Hasbro, Red Bull, and Disney. His professional journey spans sales, recruiting, and leadership, shaped by early experiences in programs like Profit Techniques and a strong foundation in personal development.In this episode, Marcel shares his journey from navigating identity growing up in the San Gabriel Valley to building a career in corporate America, and ultimately pivoting into entrepreneurship. He talks about the lessons he learned in sales and recruiting, the impact of being furloughed from Disney during the 2020 pandemic, and how that moment led him and his wife to start cooking for friends and family. What began as a small effort grew into catering opportunities, a spot at Smorgasburg, and eventually opening a brick-and-mortar food business in Pasadena.This conversation highlights the resilience and adaptability that define many SGV stories. For local viewers, Marcel's experience reflects the diverse cultural upbringing of the area and the realities of career pivots in uncertain times. For his audience and aspiring entrepreneurs, this episode offers a grounded look at building something from scratch, embracing failure, and staying committed to long-term growth.If you enjoyed this episode, make sure to subscribe, share it with your community, and follow along for more stories from the San Gabriel Valley and beyond._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

News outlets in Los Angeles have been reporting on an epidemic of eye-biting flies in the San Gabriel Valley this year. And there is a human-feeding fly infestation, but reports incorrectly identified the species. Our guest from the SGV Vector Control District joins us to set the record straight on what's attacking us, and what can be done about it.

Send us Fan MailShelly Lin is the co-founder of Coconut & Co., a San Gabriel Valley business built around natural, high-quality drinks and desserts that are inclusive, health-conscious, and made for everyone. Born and raised in Medan, Indonesia, Shelly grew up surrounded by rich culinary traditions and a family that instilled in her a deep sense of discipline, independence, and compassion. She co-founded Coconut & Co. alongside her best friend Carmen, bringing those same values into everything they create and serve.In this episode, Shelly shares the story behind Coconut & Co., from its roots in Indonesian culture to the philosophy driving every ingredient choice they make. She talks about growing up with a father who taught her self-reliance and a mother who modeled quiet resilience, and how both shaped her approach to business and community. She and Carmen built Coconut & Co. on a simple but firm belief: that food and drinks should be real, honest, and accessible to all, with no shortcuts and no compromises.For SGV viewers, this is a story about a neighbor who turned a lifetime of values into a local business worth knowing. For anyone searching for inclusive, natural dessert and drink options in the area, Coconut & Co. is exactly the kind of place this episode will make you want to visit. And for anyone building something from scratch with a best friend, Shelly's story is both grounding and genuinely inspiring.If this episode resonated with you, subscribe to the MySGV Podcast and share it with someone who loves discovering local SGV businesses rooted in culture and community._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

VALUE FOR VALUE Thank you to the Bowl After Bowl Episode 431 Producers: Boolysteed, Salty, ChadF, Eddie Money, piranesi, makeheroism PO Box 410154 Kansas City, MO 64141 Intro/Outro: Monin - Unity FIRST TIME I EVER... Bowlers called in to discuss the First Time They Ever been in a studio. Next week, we want to hear about the First Time YOU Ever touched a soundboard. TOP THREE 33 Trump approval slips to 33% in new survey (The Hill) Feds want Taxstone to serve additional 33 months in prison for jail smuggling operation (Complex) St. Charles, Illinois men accused of taking upskirt videos of 33 women, 2 girls (CBS News) BEHIND THE CURTAIN Man busted at MIA before boarding flight to London with 36 pounds of weed in luggage, cops say (NBC) Suspect's toilet couldn't handle marijuana he tried to destroy with deputies outside (WSBTV) Michigan marijuana industry files another lawsuit to stop 24% wholesale tax (WWMT) Missouri Attorney General cracks down on 33 unlicensed cannabis retailers (FOX) METAL MOMENT Sir RevCyberTrucker brings Tommy Johansson's cover of ABBA's Waterloo. Follow along with his shenanigans over at @SirRevCyberTrucker@noauthority.social ON CHAIN, OFF CHAIN, COCAINE, SHITSTAIN Google Paper quantum attack (Bloomberg) Breaking Bitcoin with quantum may be easier than thought, with Taproot partly to blame, Google says (CoinDesk) Bitcoin stocks rise, oil slides, after report of Iran's (CoinDesk) Clark Moody Dashboard New Hampshire's Bitcoin-backed municipal bond moves closer with Moody's rating (Bitcoin Magazine) Maine bitcoin ATM scam victims urged to seek refunds before April 1 (WABI) Pokemon Go users trained the next generation of killer robots (The Rage) FUCK IT, DUDE. LET'S GO BOWLING! San Gabriel Valley sees early surge of tiny black flies that bite human eyes (ABC) Florida man risks body to protect car in hailstorm (Weather) 2 delivery robots crash into CTA bus shelters days apart; 1 incident caught on camera (CBS) Diaper-wearing monkey tries to enter Michigan home (UPI) California man gets 6 years in prison after sneaking into woman's house, suck her toes (The Independent) Brazilian rainbow boa at British college gives virgin birth a second time (UPI) Meteorite hunters descend on Ohio to find space rock fragments (YouTube / FOX) Bald eagle rescued from alligator-filled Florida canal after crash-landing (FOX) Ohio woman reunited with dog after 9 years (FOX) Florida man leaves AA, does coke, smokes pot, drinks,  crashes through airport gate, tried to steal plane... (Not the Bee)

Send us Fan MailT.D. Tran, also known as Thuy Dan Tran, is the Yelp Community Director for the San Gabriel Valley, where she helps connect people, spotlight local businesses, and celebrate the depth and diversity of SGV. She has become a recognizable force in the region through community building, local partnerships, and curated experiences that bring residents and business owners together in meaningful ways. Yelp's own community coverage credits TD with leading SGV focused events and local features, while outside profiles highlight her passion for helping people discover what makes a community feel alive. In this conversation, TD shares how her path into community work was shaped by her upbringing as a first generation Vietnamese American raised in Wisconsin. In an interview profile, she explains that community programs played a major role in her childhood and helped shape her understanding of support, belonging, and opportunity. She also points to her family's restaurant roots and her love for gathering people as key influences behind the work she does today. A major part of TD's impact in the San Gabriel Valley has been her leadership within Yelp's local ecosystem. Public coverage shows her tied to SGV food and culture features, local campaigns, and business centered events, while a 2023 event listing identified her as Yelp's Senior Community Manager for San Gabriel Valley. Those roles reflect the same core mission: creating visibility for small businesses, building trust with locals, and making it easier for people to engage with the region in a more personal way. This episode is for anyone interested in community building, local business support, event production, food culture, and the stories that shape the San Gabriel Valley. TD Tran brings a thoughtful perspective on what it means to build real connections, champion neighborhood identity, and create spaces where people feel seen, welcomed, and inspired to participate. _______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

NA bottle shops have become an integral part of the moderation movement. After a creative career in video and production, Obreanna McReynolds and her husband Dean Peterson took a leap in 2024 to open what is now Los Angeles' largest non-alcoholic bottle shop. In this conversation, we explore how Burden of Proof became a cornerstone of the San Gabriel Valley, moving beyond the binary of "sober vs. drinker" to create a premium retail experience for all.We dive into topics ranging from the strategic choice of South Pasadena as a hub for the movement, to the complexities of navigating California's evolving hemp-derived beverage regulations. Obreanna also shares her vision for the next iteration of the store, and how she curates a world of adaptogens, nootropics, and premium NA wines for a diverse neighborhood clientele.Key Takeaways from our conversation:NA For All. Why Burden of Proof isn't about condemning alcohol, but providing a sophisticated alternative for those looking to drink less, not just those who don't drink at all.Navigating the Functional Universe. Are customers more focused on flavor profiles, or specific physiological effects through botanicals and adaptogens?The Small Business Tightrope. Balancing the intimate feel of a neighborhood shop with pursuing growth amid shifting economics of the niche non-alcoholic market.NA Wine, Anyone? Why Obreanna sees this category as particularly poised for growth.Mentioned in this episode:Burden of ProofWe'd love your feedback!

LAUSD joins the fight to hold social media companies accountable for the negative effects on children. What to do about the pesky black flies in the San Gabriel Valley. Hollywood is mourning the loss of an actor with memorable roles in movies like "Top Gun" and "Back to the Future". Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

A recap of some of yesterday’s No Kings protests across Southern California. A new family support group for Mandarin-speaking families in San Gabriel Valley debuts tomorrow. Dodger baseball comes to the city of Ontario. The Pacific Palisades gets back its hometown paper. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Tim Conway Jr Show Hour 3 (3.27) Tim Conway Jr. checks in on Southern California’s beautiful weather with rain on the way and talks about the Oscars leaving the Dolby Theatre for the L.A. Live complex in 2029. Then the crew dives into hilarious audio of a woman trying to deny she was driving during a Zoom court appearance while talking to a judge, along with a disturbing story about painful eye-biting flies invading foothill communities in the San Gabriel Valley. Tim also covers the rising cost of scrotoplasty, Paul McCartney’s new album at age 83, a Sherman Oaks toy store getting vandalized twice in one week, and the deadly tourist helicopter crash on Kauai. To top it off, Conway asks AI whether tourist helicopters put extra stress on aircraft components — and gets a very unsettling answer. #TimConwayJr #SoCalWeather #Oscars #ZoomCourt #SanGabrielValley #PaulMcCartney #ShermanOaks #Kauai #HelicopterCrash #AINews See omnystudio.com/listener for privacy information.

On this episode of The LA Food Podcast, Luca checks in from Las Vegas in full Uncut Gems mode while Father Sal returns for a chaotic, no-holds-barred Q&A episode.You asked, we answered. We're talking everything from which LA food influencers are completely full of shit, why certain “terrible” restaurants stay packed, and how to actually navigate tipping culture in 2026, to deeper cuts like underrated LA chefs, Mexican breakfast standouts, and whether LA food media ignores entire regions of the city. We also get into real-life dilemmas like bad restaurant recommendations, ordering disasters, and yes, Luca's advice on finding a wife.On Chef's Kiss / Big Miss, the biggest stories in LA food get the treatment. A San Gabriel Valley institution is forced to pull its iconic stinky tofu after neighborhood complaints, sparking a larger conversation about culture, identity, and who gets to “smell” in Los Angeles. The Horses saga returns as Will Aghajanian denies the now-infamous cat-killing allegations in a bizarre and headline-grabbing interview. Meanwhile, the Noma Los Angeles fallout continues to spiral, with conflicting accounts around a viral abuse story complicating an already explosive situation. Plus, we break down the wild new Dodger Stadium menu, including bone marrow tacos and loco moco, and highlight Night Out for No Kid Hungry, one of LA's biggest food events of the year. (Use code LUCA20 for a discount!)In Part 2, we're joined by world-class pizza chef Daniele Uditi live from Pizza Expo in Las Vegas. We dive into his latest project, Lele Dinner Club, and get into a full-on pizza myth-busting session. Should pizza have no flop? Is Neapolitan pizza supposed to be soupy? And are people crazy for expecting a dollar slice to still cost a dollar?If you care about LA food, pizza culture, or just want brutally honest takes on the restaurant world, this one's for you.--Also don't forget you can discover amazing wines by subscribing to MVA.wine - use code LAFOOD for $50 off the first collection (first 20 listeners only!)

Send us Fan MailSandra Y. Gomez is the co-owner of Moffett's Chicken Pie Shoppe, a beloved San Gabriel Valley restaurant with over 50 years of history in the community. A Baldwin Park native and graduate of Baldwin Park High School, Sandra brings a background in Human Resources from her time at Alhambra Unified School District to her role running the family business. In 2024, she made the decision to step away from her HR career to focus on the restaurant full time alongside her husband and family.In this episode, Sandra shares the story behind Moffett's deep roots in the SGV, what it's been like to take on ownership without prior restaurant experience, and how her HR background shaped the way she leads her team and serves her guests. She opens up about the sacrifices her family made along the way, the role faith and culture have played in her life, and what it means to carry forward a legacy that spans generations.This conversation is for anyone in the San Gabriel Valley who has walked through the doors of Moffett's, and for anyone who has ever taken on something bigger than themselves out of love for family. Sandra's story reflects the kind of quiet, committed work that keeps community institutions alive — and it's a reminder of how much local businesses mean to the neighborhoods they've served for decades.If this episode resonated with you, subscribe to the MySGV Podcast so you never miss a story from the community. Share this one with someone who loves the SGV or knows what it means to carry on a family tradition._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send a textYamato Miura is a Tokyo born entrepreneur and restaurateur whose path to hospitality has been anything but ordinary. Before building one of the most respected Japanese restaurant groups in Southern California, he moved alone to the United States as a teenager, trained in performance and action work, and later competed in kickboxing. That background of discipline, risk, and precision now shows up in the way he builds restaurants, brands, and guest experiences. In this conversation, Yamato shares how his early life in Japan, his family's deep roots in the performing arts, and his years in combat sports shaped the way he thinks about excellence, presentation, and resilience. He also talks about his entrepreneurial journey, including launching Bun Geiz Corporation and growing from ramen and izakaya concepts into a hospitality group known for serious craftsmanship and a clear point of view. Bun Geiz now includes concepts such as DTLA Ramen, Izakaya Tonchinkan, Sushi Kisen, Miura Beverly Hills, Sushidokoro Miyama, and Sumibi Yakitori Kidori. A major part of Yamato's story is Sushi Kisen in Arcadia, which presents itself as Arcadia's first Edomae style sushi restaurant and has earned recognition from both the Michelin Guide and the Los Angeles Times. His Beverly Hills project, formerly known as Sushi Yamamoto and now operating as Miura, continues that pursuit of high level Japanese dining with an intimate omakase experience rooted in Edomae sushi, kaiseki, and seasonality. This episode is for anyone interested in Japanese food culture, restaurant ownership, entrepreneurship, branding, and the mindset required to build something lasting. Yamato Miura's story brings together Tokyo tradition, Los Angeles hospitality, martial discipline, and a relentless commitment to authenticity._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

The Gary & Shannon Show Hour 3 (03.11) – Gary’s upcoming colonoscopy sparks jokes, slow TV trends explode online, and the show continues covering breaking developments from the Temple Israel shooting in Michigan.• Shannon jokes about Gary’s upcoming “first professional” colonoscopy, while the show reacts to early reports that the Temple Israel shooting suspect is dead with no major casualties reported.• The rise of “slow TV” livestreams, which have surged over 3,000% since 2019, inspires Shannon’s idea for a live camera on Gary’s couch.• In #WhatsHappening, Gary & Shannon discuss LiveNation backlash over alleged ticketing tactics, oil prices climbing toward $95 per barrel, and a viral clip involving Bill and Hillary Clinton in New York.• Breaking news continues with a CHP pursuit in the San Gabriel Valley, involving a suspect reportedly inhaling balloons.• Authorities provide further updates from Temple Israel, confirming the suspect was killed and a security guard likely prevented a much larger tragedy.See omnystudio.com/listener for privacy information.

Send a textAnthony Ma is an award winning actor, filmmaker, and voiceover artist from Arcadia, California whose career spans television, film, animation, dubbing, and directing. On screen, he has appeared in series including Scandal, S.W.A.T., This Is Us, Mom, Dear White People, NCIS: LA, The Mentalist, Castle, Shameless, and more. Beyond acting, he has built an impressive voice career across animation, Korean and Japanese dubbing, video games, and audio dramas.In this conversation, Anthony shares the journey behind his work as a storyteller and creative whose mission goes beyond performance. His voice credits include Blue Eye Samurai, Her Blue Sky, Marry My Husband, Bloodhounds, Pachinko, and First Love, showing the range and adaptability that have made him a sought after talent across multiple mediums. As a filmmaker, he also wrote and produced Chinese Antique, created the feature Elevator, and was part of Staycation, which premiered at the final LA Film Festival and received the LA Muse Fiction Award.A major focus of this episode is Anthony's directorial debut short, God & Buddha Are Friends, a film inspired by childhood experience that explores faith, family, culture, and identity through a distinctly San Gabriel Valley lens. The short won Best Narrative Short and Best Short Screenplay at the Studio City International Film Festival and also screened at the Los Angeles Asian Pacific Film Festival, CAAM Fest, and HAAPIFEST.Anthony also talks about community, representation, and his work co founding and leading the Taiwanese American Film Festival from 2017 to 2019. At the heart of everything he does is a desire to tell bold, human stories about the many layers of Asian American life, with honesty, depth, and humor. This episode is for anyone interested in acting, filmmaking, voiceover, Asian American storytelling, and what it takes to build a creative life with purpose._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Het was een drastisch experiment. Een nieuwe natie beginnen met een tot in de puntjes uitgevoerde trias politica, 250 jaar geleden de meest moderne theorie van de Franse politieke filosofie. De Amerikanen durfden het aan, ze begonnen een republiek met een gekozen volksvertegenwoordiging, een gekozen staatshoofd van beperkte termijn en met onafhankelijke rechtspraak en een Hooggerechtshof. Vader des vaderlands George Washington werd dat staatshoofd, boven de partijen en gespeend van persoonlijke ambitie. Die volksvertegenwoordiging werd meteen gekozen, tussen november 1788 en maart 1789. Het experiment werd zonder omhalen concreet gemaakt en uitgeprobeerd. Lukte dat? Hoe dan? Merk je daar nu nog wat van? Is die volksvertegenwoordiging van toen nog herkenbaar in het huidige Huis van Afgevaardigden? Hoe werkt dat parlement in de dagelijkse praktijk? Jaap Jansen en PG Kroeger duiken daar in met Pirmin Olde Weghuis, die in 2015 als jong medewerker op Capitol Hill rondliep en zo een blik kon werpen in die machinekamer van een wereldmacht, in dat hart van de historie van die 250 jaar oude democratie. *** Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. *** Pirmins cheffin was een levende legende. Grace Napolitano was al in de 80 en vertegenwoordigde haar San Gabriel Valley in California al decennia. Noordwest van Los Angeles was haar district gevuld met suburbs met in meerderheid Latino-kiezers. Elke twee jaar kon zij als Democraat op hen rekenen bij weer een volgende herverkiezing. Als stagiair uit Nederland kon Pirmin overal rondkijken, assisteren bij contacten met dat district en Napolitano’s kiezers en zo de sfeer en dagelijkse werkzaamheden van het Huis meebeleven. En hij ontmoette ook andere legendes, zoals de rechterhand van Martin Luther King, ooit een rebelse studentenleider: John Lewis, de man van “Make trouble, good trouble.” Het Huis – samen met de Senaat het Congres - is een volwaardig deel van de trias en heeft een eigen kiezersmandaat. Al vanaf dag één was het een door en door politieke arena, ook al beriep men zich steeds op 'bipartisanship' en 'nationaal belang'. In het Huis wordt geknokt met machtsmiddelen. Bovendien is het Huis - anders dan in Europa gebruikelijk - de maker van de federale begroting. De speaker bezit hier de macht over de schatkist, niet de president! En de zittingstermijn van twee jaar dwingt de leden van het Huis permanent hun district en de achterban daar alle aandacht te geven. Pirmin Olde Weghuis zag ook dat in de praktijk. In de 250 jaar historie is veel veranderd, niet in het minst de locaties en faciliteiten van het Huis. Maar het opvallendst is toch hoe wéinig er veranderd is. Veel van de zeden, begrippen en machtsfactoren zijn nog altijd achttiende-eeuws en grijpen terug naar het bewind van legendarische voorzitters en Huis-leden die een groot stempel drukten op de geschiedenis van de democratie. De eerste speaker, Frederick Muhlenberg, zette al direct de toon bij het door en door machtspolitieke invullen van deze functie. Hij was politiek leider van de meerderheid van de nieuwgekozen leden én de voorzitter die de orde en agenda van het Huis bewaakte. Dat is sindsdien nooit meer veranderd. De meest legendarische parlementariër was niet een van de speakers, maar een voormalig president. Alleen John Quincy Adams werd na zijn termijn als president (1824-1828) lid van het Huis en excelleerde in wetgeving en strijd tegen de slavernij en voor de burgerrechten. 'Old man eloquent' stierf in zijn bankje tijdens een vergadering in 1848. Andere speakers waren minstens zo effectief en machtig. Henry Clay was bijvoorbeeld ook nog Senator, Minister van Buitenlandse Zaken en de grote inspirator van Abraham Lincoln. En een groot gokker, overigens. Nicholas Longworth was fameus om de elegante, moeiteloze manier waarmee hij de macht van de speaker over het Huis onaantastbaar wist te maken. "Een Tsaar, maar je had dat niet door." Fameuzer was nog dat hij trouwde met ‘de prinses van Washington DC', presidentsdochter Alice Roosevelt. Zij werd bijna honderd, ontmoette meer presidenten dan wie ook, was berucht om haar scherpe tong, machtige netwerk en als de ontdekker van Richard Nixon. Niemand was vaker en langer speaker dan 'Mister Sam'. Sam Rayburn was van 1913 tot 1961 lid van het Huis, invloedrijk wetgever voor de modernste infrastructuur en 17 jaar lang de speaker. Franklin Delano Roosevelt had ontzag voor hem, wist ook hoe loyaal hij was, wist van zijn onkreukbare integriteit en hoe hij de grootste staatsgeheimen - zoals de bouw van de atoombom - kon wegmoffelen in de begroting. Rayburn was een van de zeer weinigen die precies wist wat hier geprobeerd werd te ontdekken en te realiseren. Zijn protegé - net als hij uit Texas - was Lyndon Johnson, wiens carrière hij tot zijn dood met alle middelen bevorderde. Ale speakers na 'Mister Sam' zijn diens discipelen gebleken. Tip O'Neill in zijn openlijke machtsstrijd met zowel partijgenoot Jimmy Carter als met opponent Ronald Reagan. Nancy Pelosi als eerste vrouw die bijna zo lang als Rayburn diende en wier greep op het Huis en de president bijna zo legendarisch werd. De MAGA-speakers van nu kunnen niet in hun schaduw staan. Dat eigen mandaat binnen de trias politica hebben zij bijna geheel verspeeld. Ook daarom zullen de 'midterms' van november zo cruciaal blijken. *** Verder luisteren 250 jaar Verenigde Staten 281 - Fourth of July: Amerika reisgids voor politieke junkies https://art19.com/shows/betrouwbare-bronnen/episodes/d1f6fb79-49b3-456e-a7b3-b09ddf2a5ae8 382 - 250 jaar Verenigde Staten: de Boston Tea Party https://art19.com/shows/betrouwbare-bronnen/episodes/c44ec04f-9408-41be-b5e3-3fab8905ab66 519 - Thomas Jefferson, de revolutionaire schrijver van de Onafhankelijkheidsverklaring https://art19.com/shows/betrouwbare-bronnen/episodes/62bc338c-78f6-4cba-a7ab-1718ce679e81 459 – Rolmodel George Washington https://art19.com/shows/betrouwbare-bronnen/episodes/92f012be-cd93-4928-b3b3-5bef409c6bca 397 - Benjamin Franklin, Zijner Majesteits meest loyale rebel https://art19.com/shows/betrouwbare-bronnen/episodes/18e40074-a4f4-4752-8dc9-6fbdaf8c91f0 513 – Tanks rollen door Washington DC, 250 jaar US Army https://art19.com/shows/betrouwbare-bronnen/episodes/d60c7997-538c-4064-a0fc-b21dd2e2478d 494 - Trumps aanval op de geschiedenis en de geest van Amerika https://art19.com/shows/betrouwbare-bronnen/episodes/ec4b170a-05a9-4af3-9010-c0986376dd3a 142 - De smerigste verkiezingscampagnes in de Amerikaanse geschiedenis https://art19.com/shows/betrouwbare-bronnen/episodes/2975aea6-29e6-4756-acfa-b331cbcf4f0c Grote parlementariërs 473 - 2025. 200 jaar John Quincy Adams president https://art19.com/shows/betrouwbare-bronnen/episodes/1aeb5474-57fe-49a8-a98a-d014372079c3 475 – Trumps rolmodel Andrew Jackson https://art19.com/shows/betrouwbare-bronnen/episodes/06d493a9-b8fd-4fb9-a125-6399192697c0 481 - Donald Trumps nieuwe idool William McKinley, ‘de tarievenkoning’ https://art19.com/shows/betrouwbare-bronnen/episodes/018eaa63-b81a-4b17-9342-e98ee53bf516 221 - Madam Speaker: de spijkerharde charme van Nancy Pelosi https://art19.com/shows/betrouwbare-bronnen/episodes/e8781d8f-a367-4df5-9459-ab071fb9e4ac 472 - Winterboekeneditie - Nancy Pelosi 'The Art of Power' https://art19.com/shows/betrouwbare-bronnen/episodes/8c25a5e4-9cee-4656-b226-8cbbb6f2c6a5 319 - Lyndon B. Johnson, politiek genie en manipulator van de buitencategorie https://art19.com/shows/betrouwbare-bronnen/episodes/a333928b-67b0-4639-bf0e-349f28d0ae9d 202 - 4th of July: Joe Biden in het spoor van LBJ https://art19.com/shows/betrouwbare-bronnen/episodes/ec961d35-9624-4d6a-ad5d-8d9c6148ed49 *** Tijdlijn 00:00:00 – Deel 1 00:45:57 – Deel 2 01:02:51 – Deel 3 01:38:21 – Einde See omnystudio.com/listener for privacy information.

Send a textOn this episode of the MySGV Podcast, I sit down with a Temple City raised creative who turned a lifelong love of food and travel into a full time career behind the camera and on the page. We talk about how growing up in the San Gabriel Valley shaped his palate, his point of view, and the way he tells stories that feel both personal and cinematic.He shares the pivot from advertising art direction and digital design into commercial and editorial work centered on food, travel, cocktails, portraiture, interiors, and lifestyle. We get into what it actually looks like to bet on your taste, build a portfolio, and keep showing up until your work starts landing in the rooms you once only studied from the outside.This conversation also goes deeper than gigs and gear. We talk about Cantonese Chinese and Laotian heritage, identity, and how culture shows up in the dishes we crave and the memories we chase. His work has earned recognition from the James Beard Foundation in both photography and writing, and his images and stories have appeared in major publications across food and travel media.If you love the SGV, care about craft, or you are considering your own leap into a creative career, this episode will hit. Watch the full interview, then check out his work and writing, and follow along on Instagram at @dylanjho_______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

In this week's SGV Connect, Damien Newton speaks with Habib Balian, CEO of the Foothill Gold Line Construction Authority, about the recent extension of the A Line into the San Gabriel Valley and plans for the next phase to Claremont. Since opening in September, the extension has seen steady ridership and strong community support, restoring passenger rail service to parts of the valley for the first time in decades. Balian said the project has provided a much-needed alternative to the congested 210 Freeway and has improved transit connections, including better bus integration with Foothill Transit and easier access to major colleges along the corridor. The conversation then turns to the proposed Pomona-to-Claremont extension. After high bids under the traditional design-build model, the agency shifted to a Construction Manager at Risk (CMAR) approach to reduce contractor risk amid economic uncertainty. Parsons has been hired to complete final design, with construction anticipated to begin in early 2028. Beyond mobility, Balian emphasized economic impacts, including transit-oriented development, job creation, and an estimated $500 million in economic output during the first three years of operations. Cities along the corridor are planning housing and development near stations in anticipation of the extension. A lightly edited version of the transcript can be found below. Streetsblog's San Gabriel Valley coverage is supported by Foothill Transit, offering car-free travel throughout the San Gabriel Valley with connections to the A Line Stations across the Foothills and Commuter Express lines traveling into the heart of downtown L.A. To plan your trip, visit Foothill Transit. "Foothill Transit. Going Good Places."     Transcript Damien Newton: Welcome to our annual update. I'm joined again by CEO Habib Balian. Thank you for being here. When we spoke last April, the latest extension of the Gold Line — now the A Line — hadn't yet opened. Since then, it launched in September and has been operating for several months. Let's start with how the rollout and handoff to Metro have gone. Habib Balian: Since April, we've held station dedications and worked closely with Metro to transition the line into full service. The opening ceremony drew hundreds of officials and supporters. Ridership has been steady, and the response has been very positive. It's been nearly 75 years since passenger rail served parts of the San Gabriel Valley, so this offers a real alternative to the 210 Freeway. Metro has operated the line since September, and we're pleased with how things are progressing. Newton: Turning to the next extension, from Pomona to Claremont — bids came in high under the design-build model. Why change approaches? Balian: Design-build has served us well for two decades, but contractors are increasingly risk-averse, especially given tariffs and market uncertainty. That risk translated into higher bids. We've pivoted to a Construction Manager at Risk model. Parsons will complete the design to 100 percent over the next 18 months. A contractor will then review constructability and pricing, allowing us to move toward construction in early 2028 with greater cost certainty. Newton: Rail projects aren't just about transportation. We've seen improved bus coordination and major transit-oriented development along the corridor. You recently released a report on the economic benefits of the Claremont extension. Balian: Yes. Development around stations in Pasadena, Monrovia, Azusa, and beyond has been significant. Cities are planning housing and mixed-use projects near stations, often years in advance. Beyond development, construction has created thousands of jobs. During operations, we project nearly $500 million in economic output within the first three years. The line also uniquely connects numerous colleges — from Pasadena City College to Azusa Pacific and the Claremont Colleges — making it an important educational corridor. Newton: What happens first once construction begins? Balian: The corridor is about 100 feet wide and currently includes Metrolink and freight tracks. Early work will involve relocating those tracks to make room for two new light-rail tracks, along with bridge construction and right-of-way improvements. Track installation will follow. Newton: Final thoughts? Balian: Awarding the design contract is our immediate priority. We expect to select a CMAR contractor this summer and begin construction in January 2028. It's a billion-dollar project with four bridges and significant regional impact. Cities want this line, and we're eager to deliver it. Newton: Thanks again for the update. We look forward to talking next year as construction moves closer.      

Dr. Katie Chu shares her journey from 30 years serving an immigrant community in the San Gabriel Valley to rediscovering purpose after COVID, divorce, and isolation. She breaks down how she “cleared the noise” through therapy tools, healthier friendships, and firmer boundaries—and how one bold decision created a ripple effect into a breakout year of creativity. Katie also unpacks the heart behind Chewie's Bold Move, the music and lullabies tied to her books, and her big vision for a future “living masterclass” leadership retreat at sea. Connect with Katie, get the books and hear the music: https://chuonwhatmatters.com/ Instagram: @katiewchu LinkedIN: https://www.linkedin.com/in/katiechuod/ ---------------------- Go to MacuHealth.com and use the coupon code PODCAST2024 at checkout for special discounts Let's Connect! Follow and join the conversation! Instagram: @aaron_werner_vision

Send a textDeja Fabro brings big energy, sharp observations, and fearless vulnerability to this episode of the MySGV Podcast. She is a stand up comedian and expressive storyteller who uses self deprecating humor to talk about mental health, infertility, everyday struggles, and the weird little moments of modern life that somehow hit all of us at once. If you love comedy that makes you laugh and think, this conversation delivers.In our long form interview, we get into Deja's journey back to the spotlight and why stand up finally became the path in January 2024. She shares how five years of infertility and a major surgery reshaped her life, and how writing and humor helped her survive a season that felt heavy and isolating. Her gift is the way she can make space for the hard stuff while still keeping it human, relatable, and genuinely funny.Deja performs across Southern California from Los Angeles to San Diego, and she is a regular at the legendary Ice House in Pasadena, one of America's longest running comedy clubs and a true San Gabriel Valley staple. We also talk about what it takes to build confidence on stage, how she crafts material from real life, and how comedy can be both a release and a form of hope.Watch this full episode if you want an honest conversation about chasing the dream, finding your voice, and turning pain into purpose without losing your sense of humor. Follow Deja on Instagram at @deja.giggles and stay connected with the MySGV Podcast for more long form stories from the San Gabriel Valley._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send a textIn this episode, I sit down with David Marquez, a San Gabriel Valley native who grew up in San Gabriel and built a career around the thing he has always loved most, food. We talk about how the SGV shaped his palate, why Los Angeles is one of the best food cities in the world, and how travel and culture keep pushing his curiosity.David shares his path from more than 15 years in digital marketing to betting on himself after losing his long time job in 2015. That career shakeup led to GoldeLineLA, his Instagram blog that started by spotlighting restaurants and bars along the Gold Line route and eventually opened doors to deeper work with small businesses in the LA food scene.We also get into the pivot that changed everything. In 2023 he finally stepped in front of the camera to create food videos, his audience took off, and in 2024 he made the leap to become a full time food content creator. David talks about building momentum, creating consistent content, and what it is like collaborating with major brands while still staying true to his voice.On top of all that, David is a husband and a proud dad of twin boys, and he shares how fatherhood, fitness, and real life priorities shape how he works and why he creates._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send a textIn this episode, I sit down with Thomas Liu, an entrepreneur whose story includes the messy parts people usually skip. He talks openly about growing up bouncing between schools, dealing with bullying and identity struggles, and how he made wrong turns that eventually forced him to look in the mirror and decide who he wanted to become.Thomas walks me through the shift from chaos to clarity and what it looked like to scrape through graduation, put himself through college, and start building something real. Alongside his wife Jasmine, he launched his first boba business, BYOB A Boba Co., while still in school, and he shares the pressure and purpose behind betting on yourself before you feel ready.We also get into the businesses that followed, including Loose Leaf, And Broth, and Gold Banh, and why storytelling, culture, and real ingredients matter to him. Thomas breaks down how his brands evolved and how he thinks about building a team, building a product, and building a reputation in a crowded space.Now as a husband and father of two, Thomas reflects on accountability and what it means to show up differently, not just for business, but for family and self respect. This conversation is about growth, ownership, and staying real about the journey.________________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textIn this episode, I sit down with D. Michael Hamner, FAIA, an architect, educator, and longtime community leader whose story starts in East Los Angeles and runs straight through Montebello and the University of Southern California. We talk about what it means to build a career that blends design, teaching, and service, while staying rooted in the communities that shaped you.Michael shares his journey as a professor at East Los Angeles College, where he has helped generations of students transfer into accredited architecture programs and build real careers in the field. We get into what makes architectural education work for students who do not follow a traditional path, plus why mentorship and standards matter in creative industries.We also talk about his professional work as a licensed architect and principal of a family run practice with his architect wife, along with his years of civic service in Monterey Park on the Design Review Board and Planning Commission. Michael breaks down how design decisions impact real neighborhoods, and what he has learned from decades of reviewing projects that shape a city's identity.And because this is MySGV, we get into basketball too. Michael has coached for decades across multiple levels, including years at Schurr High School, and he shares what coaching taught him about leadership, consistency, and building people, not just teams.________________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textIn this episode, I sit down with Emanuel Griffin, the founder of Heart2Soul Legacy, an organization built to help people navigate life's toughest transitions through coaching, facilitation, and leadership developmentEmanuel shares how his background in theology and his real world work inside the prison system, treatment centers, and with at risk youth shaped the way he communicates. He has a gift for making complicated ideas simple, practical, and usable right away.We talk about identity, belief systems, and what it looks like to create space for healing, especially for people carrying pressure, pain, or responsibility. Emanuel also breaks down the leadership work he does with couples, groups, and communities that want to rebuild trust, restore direction, and move forward with clarity.If you are in a season of change, recovery, or reinvention, this conversation will hit home. Emanuel brings authenticity, structure, and vision, and he keeps it grounded in what works when life gets real.______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Mexico is at the crossroads of an elite culinary destination and extreme social and economic injustice. The corporate takeover of Mexico's food sector has polarized the nation's diets and food systems. In our latest, we talk with Prof. Enrique Ochoa (@EC8A82) about his latest book, "Mexico Between Feast and Famine," and how food in Mexico encapsulates the contradictions and social inequity happening there. Bio//Enrique C. Ochoa is Professor of History and Latin American Studies at California State University, Los Angeles. A native of Los Angeles, he grew up in the San Gabriel Valley and received his B.A., M.A., and Ph.D. degrees in History from UCLA. He's author of “Feeding Mexico: The Political Uses of Food Since 1910” and most recently “Mexico Between Feast and Famine: Food, Corporate Power, and Inequality." -------------------

A union representing 31,000 Kaiser nurses and health care workers is set to start an open-ended strike tomorrow morning. Demonstrations are taking place across Southern California after federal agents shot and killed a second protester in Minnesota on Saturday. And how a San Gabriel Valley community came together to push back on a controversial project. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Send us a textIn this episode, I sit down with Dr. Alex Cheah, a plastic surgeon who grew up in the San Gabriel Valley and took a long road through elite training before bringing his work back to Southern California. We talk about his early years in the SGV, how sports shaped his discipline, and why he always felt pulled toward a career that combined precision, results, and service.Alex walks me through the evolution of his medical path, from thinking he would pursue other surgical specialties to discovering plastic surgery and realizing it matched both his technical standards and his creative eye. He breaks down what people misunderstand about plastic surgery, how reconstruction and aesthetics overlap, and why the best outcomes should look natural and intentional.We also get into the patient side of the work, including trust, communication, and what it means to carry the responsibility of someone choosing you for a life changing procedure. Alex shares how he approaches facial aesthetics, rhinoplasty, breast surgery, body contouring, liposuction, fat transfer, and non surgical options like injectables in a way that prioritizes balance over trends.If you are curious about modern plastic surgery, the natural results movement, or what it looks like to build a medical career and still come home to the SGV, this conversation is thoughtful, detailed, and grounded in the real story behind the work.________________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textIn this episode, I sit down with Manuel “Mano” Agulian, known to many as Pastor Mano, a Pasadena based pastor who leads the Armenian Christian Outreach at PazNaz and serves in Armenian Ministries. We talk about his story of leaving Beirut, Lebanon and coming to the United States during the civil war, and how that journey shaped his faith, his family, and the way he thinks about purpose. We also get into what long term ministry looks like when you are trying to reach and build up the next generation. Pastor Mano shares how ACOP focuses on Armenian youth and families and the different ways they build community, including sports, music, and even motorsports ministry. We also explore his other world as a mechanical engineer and longtime car builder, and how craftsmanship, discipline, and persistence show up in both the garage and ministry. ______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Andy covers breaking news as a bomb squad responds to a suspicious device in the San Gabriel Valley, then shares a deeply touching story about his late father and his battle with pancreatic cancer. The show also brings hope with a promising new drug being tested at Penn, updates on Santa Ana winds, and Andy’s dive into a Facebook group for radio folks. Plus, a moving tribute to the legendary Sam Rubin, highlights from Nikki Glaser’s Golden Globes opening monologue, a cross with George Noory, and a look at Jim Harbaugh’s Chargers managing just three points.See omnystudio.com/listener for privacy information.

Think about the histories of your family or memories from your past. What if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? Tonight's edition of APEX Express features three filmmakers who created magical realism short films centering AAPI women. Listen to directors Cami Kwan, Dorothy Xiao, and Rachel Leyco discuss their films and experiences behind the scenes with host Isabel Li. Cami Kwan: Website | Instagram | Seed & Spark Dorothy Xiao: Website | Instagram  Rachel Leyco: Website | Instagram   Transcript 00:01 [INTRO] Isabel: You're tuned into Apex Express on KPFA. Tonight's edition is all about stories. Think about the histories of your family or memories from your past. Now, what if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? I'm your host, Isabel Li, and today we have three very special guests, Cami Kwan, Dorothy Chow, and Rachel Leyco. All of them are AAPI filmmakers who received the Julia S. Gouw Short Film Challenge grant from the Coalition of Asian Pacifics and Entertainment and have created short films featuring AAPI stories with magical realism. My first guest of the night is Cami Kwan, a Chinese-American director specializing in stop-motion animation who directed the short film Paper Daughter.  Hi Cami, welcome to APEX Express!  Cami: Hello, thank you so much for having me. Isabel: How do you identify and what communities do you consider yourself a part of?  Cami: So I identify as a queer Asian American woman um and I am a descendant of immigrants, of Chinese immigrants. um Then the communities that I am part of, part of the queer community, part of the Los Angeles community, part of the Chinese American and Asian American community, part of the mixed race community and part of the stop-motion animation and independent artist community.  Isabel: I'm so excited to talk to you about your upcoming short film, Paper Daughter, a gothic stop-motion animated Chinese-American fairy tale about a young woman grappling with the guilt of using the identity of a deceased girl to immigrate to the US via Angel Island in 1926, which is such a fascinating concept. Can you tell our listeners a little bit about how you came up with this story and the historical specificity behind it?  Cami: Absolutely, yeah. So like I mentioned, I'm the child of immigrants, descendants of immigrants rather. So my great grandparents immigrated to the US from China. My great grandfather came over in 1916 and my great grandma came over in 1926. And so I've always grown up knowing the story of Angel Island and knowing the story about the paper sons and paper daughters who had to find any way into the United States that they could. And so they were forced to, you know, take on the identities of other people. And those stories have always stuck with me, you know, like it's very personal. Angel Island means a lot to me and my family. And just the extreme measures that people have always had to take just for the chance at a better life have always been really meaningful to learn about. just the like, I'll use romances in like the art movement, like romantic. It's very romantic and kind of fairy tale-ish, the idea of having to take on a new identity and pretend to be somebody that you're not. And often those identities would be people who had passed away, and then those families had then sold those identities or given those identities to new people. And so it's so interesting the idea of being like the last person to know somebody so deeply, but you'll never get to meet them and you'll never be able to thank them or repay what they sacrificed for your future. And that's kind of how I feel as a descendant of immigrants. The sacrifice that my family made for me was made so long ago that there's no way for me to ever pay it back. And I didn't really get a say in whether I received that sacrifice or not. And I think a lot of descendants of immigrants kind of have to struggle with this. What does it mean for us to be given this new chance at the cost of somebody who came before us? And so that's all of that kind of rolled up into this 14-minute film. Isabel: You describe your film as being in a gothic style? Can you describe what this looks like and why gothic?  Cami: The subject matter is just so naturally gothic. It's dealing a lot with death and a lot with guilt and those big capital R romantic subjects and stuff. My day job, my day-to-day job is working in stop-motion animation directing mostly like children's series and mostly toy related stuff. And so I spent so much of my time in the happy brighter like birthday party storyline kind of like space. But what really made me want to be a filmmaker in the first place were all these like heavier themes, these bigger themes, films by Guillermo del Toro and like Tim Burton and Henry Selig and Hayao Miyazaki and all of those kind of have this like gothic edge to them. And so that's like a story that I've been a type of story I've been wanting to tell for about a decade now.  Isabel: Stylistically, how does this show up in your film? So I imagine darker colors or do you have a visual like preview for us?  Cami: it is a little bit in the darker color space, but it's still very colorful despite all that. It's moody more so than dark, I would say. um We have a lot of like light and dark themes, a lot of like shadow. stuff and um a lot of magical realism, which is where that fairy tale aspect kind of comes in, because you're dealing with things that are so abstract, like guilt and sacrifice and wearing the identity of somebody else, that there's no literal way to convey that. Well, there are literal ways to convey that, but none of those literal ways I feel fully convey the emotional weight of everything. And so we've gone in this very magical realism space where people are tearing information out of these booklets that contain information about the person they're supposed to be and creating these paper masks out of them. And so yeah, there's this whole like magical aspect that tends to be kind of darker. There's imagery of just like being consumed by the identity that you're just supposed to temporarily wear. And there's a lot of like, yeah, there's a lot of darkness in those themes, I think.  Isabel: Wow, that's so interesting. I'd love to learn more about stop motion. What does stop motion make possible that isn't as easily accomplished through other forms of filmmaking? Cami: Yeah, I think the reason why I'm drawn to stop motion, what I stop motion makes possible is like a universality of just like a human experience because with other kinds of animation and other kinds of filmmaking, like there is kind of like an opacity to like how it's made. There's this this veneer, this magic to it, and there's that magic to stop motion too. But the difference between all of those and stop motion is made out of like everyday materials. It's made out of fabric. using paper. We're using clay. We're using materials that people have encountered in their day-to-day lives. And like, that's the one thing that we are all guaranteed to have in common is that we live in a material world and we encounter these textures and materials around us. so by like taking such a specific story and trying to convey such universal themes, it really like behooves us to be using like um a medium that is as universal as stop motion is. So I think that's like the big thing that stop motion unlocks for us. Plus also story-wise, like it's very paper centered, paper daughter, they're tearing paper strips, they're making paper masks. So like physically using these paper textures adds a lot to our world. um And I think working in stop motion gives you a degree of control that live action doesn't give you because we're creating. all of our characters, all of our sets by hand, which gives us so much of a say over what they look like and what they convey based on how they're constructed and stuff. And that's just a degree of communication that nothing else brings.  Isabel: I love that this is a magical realism film and you mentioned Guillermo del Toro. I know that in your campaign trailer, you featured Pan's Labyrinth, which is my all-time favorite movie.  Cami: Me too! Isabel: Yeah! How exactly did you come up with this specific blend of history and fantasy for your film?  Cami: I think that it's almost a natural human instinct to kind of have history and fantasy. Like, that's all that histories are, just stories told to us. And it's just being less literal about it and really leaning into the metaphors that we might use to convey the emotional realities of those histories, right? And so I feel like Del Toro does that a lot with his work. And Miyazaki as well does a lot of that with his work. So much of it deals with unpacking like World War II and things like that. And that's something that I've always just personally been drawn to. Even as a kid, my dream jobs were archaeologist or animator. And so here I kind of get to like do a little bit of both of those, know, like using the magic of animation to make history feel a lot more present and tangible and like emotionally relevant, which is It's really quite poetic to be able to be telling this story right now because it's going to mark the 100 year anniversary of my great grandmother's immigration to the US. I think we are due for an examination of immigration in our country. And I'm very interested to see how people respond to the questions that this raises of how different is the immigrant experience 100 years later. Have we gotten better? Have we gotten worse? Like I would posit it's perhaps worse now than it was then, but I'm really hoping to like, yeah, bring that reality into a more approachable space. And I feel like having that blend of magic and history just makes it a little bit more approachable than telling it in a literal way, you know? Isabel: Those are some great questions to ask. And on that same note, I'm interested in the specificity of Angel Island as well. What types of research did you do to produce your film?  Cami: Oh, gosh, I read every book I could find about it. have… How many books were those? Oh, my gosh, I want to say, like, not as many as I want there to be, you know? Like, Angel Island is not as well covered in history as places like Ellis Island, and there's a lot. to unpack as to why that may be, especially like the racial aspect of it. But I probably read about a dozen different books to prepare for this film. One of the most concrete and useful books that I read is a book called Island, and it's a collection of the poems that are carved into the walls of the men's barracks that remain on Angel Island. And those poems are a huge part, perhaps, the reason why Angel Island has even been preserved as a historical landmark. And so um the three authors went to great pains to replicate these poems, translate them into English, and provide a lot of historical context for the different topics of the poems. And there's a lot of like first-hand testimony from people who immigrated through Angel Island that they interviewed and included in this book. And so I do think that that book, Island, is like the primary source of most of my research for it. Everything else is more like quantitative history and quantitative data. Oh, also The Chinese in America by, I believe it's Iris Chang, that it's not just about Angel Island, but I read that and that gave me a much better understanding about like the place that Chinese immigrants have in American history. Because when I was a kid, like I really only ever learned about great grandma came over through Angel Island and now we're American and we live in America. But our history, as far as I was ever taught, begins and ends with us entering the United States. And so reading um the Chinese in America gave me a much broader understanding about, like, why did we leave China in the first place? And like, what has it meant for us to be in America as Chinese people since then? Yeah, all that came out of like in 2020 and 2021 when the rise of anti-Asian hate crimes were kind of coming about. I personally had to have a huge reckoning with like my racial identity and like how that has impacted like my experience growing up as a mixed-race person who's pretty perceivably Asian and all that stuff. So it was a really whole circle broad situation. Oh, I want to do a quick shout out to the Angel Island Immigration Station Foundation. They were very generous with their time and they answered a lot of my questions and sent me a lot of archival images from Angel Island. So I want to thank them so much for their help in the research process of this.  Isabel: Oh, wow. How fascinating. Did you have any expectations on how the production process was going to go? And now that you're on the other side of it, what are your reflections?  Cami: I had no expectations as to whether we were going to get outside funding or not. Like I, I'm not an experienced or adept grant applicant. Like, it was really just because this was the right kind of project to fit with those kinds of grants. So I had no expectations there. So I am beyond thrilled to have received the support from Cape and Janet Yang and Julia S. Gouw and Shorescripts that we've received, like beyond thrilled for that. So that exceeded all of my expectations. um But as far as how the actual production has gone, the fabrication and the animation and the post-production, that's all stuff that I'm extremely familiar with. Again, that is my day-to-day life, that is my job, that is like what I have done for the last eight years at my studio, Apartment D.  So that all went pretty much as I hoped and expected that it would, but here on the other side, the one thing that has surprised me about it was how much love all of the artists put in this project because like we've said so much in this conversation, there's so much specificity to this. This is about my great grandma. This is about my family and my feelings about being a descendant of immigrants. It's so specific that I wasn't sure how emotionally it would resonate with anybody else that wasn't me or wasn't part of the AAPI community, you know?  But every single person — doesn't really even matter if they were Asian, doesn't really even matter if they have a specific connection to immigration — every artist that I asked to join me on this project, I immediately understood what it meant and understood what we were trying to say. And they put so much love into it. And like, we all put a lot of love into everything we do. It's stop motion. It's like, you don't do this unless you love it, you know, because you certainly are not doing it for the money or anything. um everyone was just so…I'm gonna say careful, but I don't mean careful like cautious. I mean careful like full of care. And I did not expect that and I am so grateful for it. Yeah, looking back, it's just so precious and so tender and like I'm so fortunate to have had the crew with me that I had to make this film.  Isabel: That's so lovely. What are you most excited about upon completing your film?  Cami: I'm just excited to share it with the world. I'm so proud of it. It is truly, and I'm not just saying this because it's my baby, but it is very beautiful and it is very special. For a lot of us, one of the first times that we've been able to be in charge of our own departments or to make the decisions that we wanna make and tell things, do things, show things the way that we think they should be done. And so it's kind of significant for many of us to have this film come out and to be received. What I want people to take away from it is an appreciation and a gratitude for everything that has had to happen for us to be where we are now. And I also really want people to take away the unconditional love that has occurred for us to be in the country that we have and to be the people that we are. Every single person is where they are. doesn't matter if you're in America or anywhere else, like we are all here because of the sacrifices that were made by the people who came before us. And those were all made out of unconditional love. And that's like, I want people to come away from this film remembering that our country is built on the unconditional love and sacrifice from people who came before us. And then wanting to give that unconditional love and sacrifice to everybody who's gonna come after us. Isabel: Such an amazing message. And I know that there's still lots to do and you still have a lot to celebrate with your upcoming film and with the festival circuit with Paper Daughter. But looking ahead, do you have any plans of what you want to do after the short film?  Cami: Yeah, I would love to bring it into a feature. There was so much that we had to cut out to make this film. On one hand, I'm glad that we cut out what we did because I think the film as it is, is like so tight and so like airtight and good and perfect and sparse in a really nice way, but we don't even get to delve into life before Angel Island. It begins and ends on the island, and I would love to explore the stories that brought this all about and the stories that come after. So bringing this up into a feature version and getting that in front of people would be amazing. And I have a couple other short film and feature film and script ideas that I would like to start working on as well. I've kind of really, I'm really grooving on the like Asian early Chinese American history. um So most of them are going to be set in California and focus on like Chinese immigrants and their role in the founding of America. um I'm really excited for the like, after all the film festivals, I really want this film to end up in classrooms. And I even just the other day like I have a friend who's a third and fourth grade teacher and she showed it to her class and then the students asked me questions about Angel Island and about animation. if this can play any part in helping to spread the story of Angel Island and the people that immigrated through there, like that's all that I could ever want from this. So I'm really excited for that.  Isabel: That's wonderful. I'll put your website, social media and seed and spark page for Paper Daughter up on kpfa.org so our listeners can learn more about this stop motion film and get updates for how they can watch it. I can't wait to see it when it comes out. And Cami, thank you so much for joining me on Apex Express today.  Cami: Of course, thank you so much for having me. It was a great, great time talking with you.  Isabel: You just heard Cami Kwan talk about her film Paper Daughter. On Apex Express tonight, we have two more special guests who made magical realism short films. Next up is Dorothy Xiao, who made the film Only in This World. She's a Los Angeles-based award-winning filmmaker who likes to create grounded family dramas with a hint of fantasy.  Hi, Dorothy. Welcome to APEX Express.  Dorothy: Hi. Thanks for having me!  Isabel: Of course! Thank you for coming here. My first question for you is actually quite broad. How do you identify and what communities are you a part of?  Dorothy: Oh, that is a good question. I think in a broader sense. I would say, obviously, I identify as an Asian American. um But I think, like, for me, because I grew up in the 626 or the San Gabriel Valley, I grew up with a lot of people who looked like me. So I think I didn't truly identify as being Asian or had awareness of my identity until later on when I went to college. And then I took Asian American Studies classes and I was like, oh, wow, I'm Asian. Or like, what does it mean to be Asian? You know, like, I think I, at that time, prior to recognizing and understanding what it meant, and also even to be a minority, because at that, like I said, growing up in 626, even going to UCLA, where I'm surrounded by a lot of Asians, I never really felt like a minority. But I think it was really after graduating where I, depending on the spaces that I would enter into, especially in the film industry, I was learning like, oh, yeah, I am a minority and this is what it feels like. And prior to that, I think I just identified as being a daughter of immigrants. And that still is very strongly the case just because I grew up listening to so many stories that my parents would tell me, like coming from China, growing up like they grew up in China during a completely different time. I can't even imagine what it would be like living in the way that they did, you know, during the Cultural Revolution, under communism, in an intense way where they were starving, all this political stuff. But yeah, a second gen or for a lot of people, first generation, daughter of immigrants, of parents who decided that they wanted to make a better life for their kids out here in the States. I think that I want to stand by me saying that I don't feel like I am, I don't really want to identify as only just single categories all the time, just because within each community, could be, you could have nuances, right? Because I am a woman, but I'm also like a woman who doesn't want children, you know, and there was just so many different things of how I identify. So hard for me to categorize myself like that. But they are, there are tidbits of different communities. Like I still identify, identify as Asian American. I identify as a daughter of immigrants. I identify as a female filmmaker and yeah. And a business owner, I guess. Yeah.  Isabel: Right. Yes. Thank you for that nuanced answer. You know, it's so fascinating because I was reading about your work and you have worked in animal research administration and an afterschool program and even web development for nonprofits. How did you get into writing and directing?  Dorothy: Yeah. So after graduating college, I was definitely in a place where many, I'm sure, fresh grads understand what we call the quarter life crisis, where we don't know what we wanna do with our lives. And I was working at UCLA because that was the only job that I could get out of college for an animal research administration office. And really, I worked for them as a student. So I was like, well, it makes sense to have that be my full-time job, because you're in a place where you don't have skills. So how do you get a job if you don't have skills? That weird silly catch-22 situation. So I studied psychology in undergrad because my goal was to become a therapist. I wanted to work with Asian and Asian immigrant communities to help them with mental health because there's such a stigma attached to it. And being somebody who found mental health really important and also found that it was a really great way to understand myself. I wanted to work with, I guess, the people of my community. But at that time, I realized that there's still a stigma attached to mental health and it's really hard to get people to even go to therapy. Like living with my parents, it's really difficult. I cannot ever convince them to go. um And so I had pivoted into, or at least I discovered this filmmaking competition and ended up just like making a film for fun with a couple of friends, random people that um were not in film at all. And I had a lot of fun and I realized that we could actually create stories talking about things that are very similar to mental health or could provide that catharsis and validation that you could probably get in a session, in a therapy session. And it's not clinical at all. It's not as clinical. So, you know, on all those different jobs that you mentioned, they're all day jobs, know, animal research administration and then working for an after school program. That was me still trying to figure out how to be a filmmaker on my weekends. I still needed a day job. I didn't have the luxury of going to film school. So I would work at different places that gave me the flexibility of having a day job. But then also I had free time during the weekend to just make films with my friends, make friends films with people like my mom, who was one of my first actors earlier on. Love my mom. She did not do the greatest in my film, but I love her for being there for me. But yeah, like the different organizations or just jobs that I worked for were all really good in terms of providing me management skills and also communication skills because I worked in different industries, you know, and so at the end of the day, it all culminated in me at my current place. Like I am a freelance filmmaker and I also run my own video production company. So um becoming a writer, I mean, being a writer director is my main identity as a filmmaker. However, I don't think you could be a good writer-director if you don't have life experience. And having all those different jobs that I've had provided me with a lot of varied life experience and I interacted with a lot of different people, many different personalities.  Isabel: Yeah, no, I love that. So you grew up in Alhambra, which I'm familiar with because I too grew up in the San Gabriel Valley. How would you say that growing up in Alhambra has shaped you as an artist?  Dorothy: Alhambra is really special, I feel like, because in the San Gabriel Valley, there are many cities like this. You have Chinese people who can actually get by without ever having to learn English. And the same goes for Latin communities as well. And, you know, I have aunts and uncles who lived in Alhambra for years and never learned how to speak English. So I think it's like, what's so special about it, it feels like a safe space for a lot of immigrant communities. And then my parents being immigrants from China. living in Alhambra was a place where they could feel safe and feel connected to the people that they left behind in another country. And so being a child of immigrants, a daughter of like an Asian American, like a Chinese American growing up in Alhambra, I definitely felt like I grew up with a lot of people who were similar to me. know, we were like a lot of times the first American born children of our families even, and it was, we had to essentially understand what it meant to be Asian versus American and all of that.  But I think like being in Alhambra, I never felt like I wasn't seen, or at least I never felt like I was a minority. I think I mentioned this earlier, in that growing up in Alhambra, you do see a lot of people who look like you. And I have a lot of friends in the film industry who have moved out to California because they grew up in towns where they were like one, the only person, the only Asian person in their school or whatever. And I didn't have that experience. So for me, it was really special just being able to have a whole group of friends where there's a bunch of Asians. And we all spoke different languages. Like I had a lot of friends who were Cantonese speakers, but I'm a Mandarin speaker, but it was just really cool. It was like going to your friends' places and then you have aunties. So it's almost like having more family. You could feel like you have more aunts and uncles that will feed you all the time because that is the way they show love, right?  Isabel: Oh, certainly. I think there's so many stories in multicultural places like Alhambra. And speaking of which, you did in your film Only in This World. It's about an empty nester who has to face her ex-husband's mistress in order to summon her daughter back from the afterlife, which is featured in the 2025 Silicon Valley Asian Pacific Film Festival in Sunnyvale. Congratulations on such a beautiful film. I will say that I am a huge fan of magical realism, and Only in This World has some magical elements to it. So I'd love to get to know, how did you come up with this specific plot and characters that make up this film? Dorothy: Yeah, and thank you for wanting to talk about this one. It's a special story to me just because it is, I think it's the first film that I've made where I just decided to incorporate elements of where I grew up. And so Only in This World is inspired by my mom and her Tai Chi group at our local park, so Alhambra Park. My mom would go to do Tai Chi every morning for years. And in Alhambra, actually, as I mentioned, because there are so many immigrant communities, many of the immigrant communities tend to stay together with the people who speak their language. So Chinese people usually stick together with the Chinese speakers, Spanish speakers stick together with the Spanish speakers. You don't see a lot of mingling or intersectionality. But one of the special things that I saw with my mom's Tai Chi group was that they were not just Chinese people or Asian people, but there were Latino people in their group as well. And so even though they couldn't speak the same language, they would show up and still do Tai Chi every morning because it was a matter of doing something together. And so I love that a lot. And I wanted to tell a story about just older women who are finding friendship because I think that's really important in older age and in these groups because you see that a lot of the people in these Tai Chi groups are even the ones, not just Tai Chi groups, but there are dancers in the park, you know, like you'll see them in the mornings, not just in Alhambra, but in Monterey Park, all the different parks, open spaces, they'll have little dance groups.  A lot of the people who are part of those groups happen to be seniors, and I think it's just because they don't have work, they don't have children, they're lonely. And so…I think it's really important to be aware that where friendship or loneliness is actually an epidemic in the senior community. And it's really important to providing good quality of life is to just have them have that connection with other people. And seeing that in my mom, because my mom is getting older, having her be part of that community was what kept her happier. And so, yeah, and also my mother-in-law is Colombian. And she's done Tai Chi before as well with her group in Rosemead. And so I just was like, well, I'm part of a multicultural family. I want to tell a multicultural family story. Yeah, in terms of the magical realism element, I thought a lot about just how my family, if our house has ever burned down, the things that they would take out are our photos, the print four by six, like, you know, just the print photos because they're just so precious to them. There's something about hard copy pictures that is so special that digital photos just can't take over. Like there is an actual energy to how a photo is made or even like back then when we used to use film, there's energy that's required to actually create photos. And so, you know, I wanted that to be the power that powers this magical scanner where energy is taken from the picture and then you have the ability to bring someone you love back from the afterlife. And I really love grounded magical realism because I think it just makes difficult things a lot easier to understand when you add a little bit of magic to it, a little bit of fantasy.  Isabel: Yeah, magical realism is such a special genre. What part of the production process that you find the most profound?  Dorothy: I think it was just really my gratitude in how much my family came together for me and also just like the people of this team, know, like there were, I think one major situation that I can think of that I always think is really funny was, um so we filmed at my mother-in-law's house and my husband, Diego, was also working on set with me. He is not in the film industry. He's a software engineer manager. He's like in tech, but he is one of my biggest supporters. And so…when we were like, yeah, can we film at your mom's house? He was like, okay. But he had to end up being the, quote unquote, location manager, right? Because the house was his responsibility. And then, and he was also my PA and he was also DIT. Like he would be the one dumping footage. He did everything. He was amazing. And then ah one day we found out that his neighbor was actually doing construction and they were hammering. It was like drilling stuff and making new windows. They were doing new windows. And we were just like, oh, like, how do we get them to, like, not make noise? And so, and they don't speak English. And so we were like, oh crap, you know. So like, unfortunately, my producers and I don't speak Spanish, like we're all just English speaking. And then I did have Latinos working on my set, but they, you know, they had other jobs. I wasn't going to make them translate and do all that other stuff. So then Diego so kindly went over and talked to them and was like, essentially we set up. They were totally cool about it. They were like, yeah, okay, you're making a film. then whenever you're rolling sound, we'll just like prevent, like not hammer. And then so Diego is sitting outside with a walkie and talking to the first AD and other people inside the house, because we're all filming inside. don't know what's going outside. And then so like, we would be rolling, rolling. And then um the workers, I think his name was Armando, are like…whenever we cut, Diego would hear it through the walkie and he'd be like, Armando, okay, you're good to go. You can drill. Armando would drill. And then when we're going, and we'd be like, I'm going for another take. And then Diego would be like, Armando, please stop. So it was so nice of them to be willing to accommodate to us. Because you hear a lot of horror stories of LA productions where neighbors see you're filming something and they'll purposely turn on the radio to make it really loud and you have to pay them off and whatever. And in this case, it wasn't it was more like, hey, like, you know, we're making a movie and they were so supportive and they're like, yeah, totally. This is so cool. We will definitely pause our work, our actual work and let you roll down during the brief period. So we're really grateful. We definitely brought them donuts the next day to thank them. But that was just something that I was like, oh yeah, like I don't think I could have pulled that off if I didn't have Diego or if the fact, if it wasn't for the fact that these were the neighbors, know, that we were filming at someone's house and the neighbors already had a relationship with the people who lived here.  Isabel: Wow, that's really adaptable. And I'm so glad that went well for you. Dorothy, you've directed 13 films by now. Have you ever seen one of your films resonate with an audience member that you've interacted with in the past?  Dorothy: So there was this one short I had done a couple years ago called Tarot and it came at a time when I was struggling with the idea of whether or not I wanted to have kids and many of my friends are off having their first or second kids, you know, and so I never really wanted to be a mom, but then I have a partner who I can see being a great father, so I'm more open to the idea of being a mother, but it was still something I was conflicted about. And so I put this all into a short film, just my feelings of how my identity would change if I were to become a mom, because I've read so much about that. I found a Reddit thread one day where people were just talking about how being a mother is hard. And they openly stated how much they hated it. And it's okay to feel that way. And I wanted to put those feelings into this film to just put it out there like, hey, like if you don't like being a mom, even though you love your kid, you could still hate having that identity and be lost about, and it's okay to be lost or not sure about who you are. And so it was a really short film and it ended kind of open ended. It was like five minute film, so it didn't have like a full ending, but it was an open ended ending. And then afterwards I had a bunch of people come up. I had people who were parents, not just mothers, like even, or like fathers who had just had their first kid who were coming up and telling me like, oh, I totally identify. I understand that struggle of learning about who your new identity is after you've had a kid. And then I had people who were child free who were coming to me and saying like, yeah, this is a similar feeling that I've had about whether or not I should have any kids. Because, you know, as women, we have a biological clock that ticks. And that's something I feel frustrated about sometimes where it's really because of my body that I feel pressured to have a kid versus wanting to have one because I want one. And so that was a story I wanted to, or just something I wanted to put into a film. Yeah, and I also had another person come up and tell me that they were like, this was something I felt, but I never really openly talked about. And so I resonated a lot with this and it just helped basically articulate or helped me identify like, oh, I totally feel this way. And so that was really validating to me as a filmmaker because my goal is to reach others who don't feel comfortable talking about certain things that they tend to hide because I have a lot of those types of thoughts that I might feel ashamed or embarrassed to share. But then I put it into a story and then it makes it more digestible and it's like, or it's more, it's entertaining. But then like the core message is still there. And so people watch it and if they feel that they can connect to it, then I've done my job because I have resonated with somebody and I've made them feel seen. And that's ultimately what I wanted to do when I wanted to be a therapist was I just wanted to make people feel seen. I wanted to make them feel connected to other people and less lonely because that's something that I also have struggled with. Yeah, so filmmaking is my way of putting something small out there that I feel and then finding other people who feel the same way as me. And then we can feel validated together. Isabel: Ah yes, that is the power of film, and Dorothy's work can be viewed on her website, which I'll be linking on kpfa.org, as well as her social media, so you can get new updates on what she is working on. Dorothy, thank you so much for joining me on APEX Express today!  Dorothy: Thank you! Thank you for having me, it was so great to meet you!  Isabel: That was Dorothy Xiao, our second guest for tonight's edition of Apex Express, featuring magical realism AAPI filmmakers. Now time for our final guest of the night, Rachel Leyco, who is a queer, award-winning Filipina-American filmmaker, writer, actress, and activist. We'll be talking about her upcoming short film, Milk & Honey.  Hi Rachel, it's such an honor to have you here on APEX Express. Rachel: Hi, thank you so much for having me.  Isabel: How do you identify and what communities do you consider yourself a part of?  Rachel: Yeah, I identify as a queer Filipina-American. Isabel: So we're here to talk about your short film, Milk & Honey, which is about an ambitious Filipina nurse who leaves her family behind in the Philippines to chase the American dream in the 1990s and facing conflicts and hardships along the way. How did you come up with this specific 90s immigration story?  Rachel: Yeah. So Milk and Honey is inspired by my mom's immigrant story. you know, that's really her true story of coming to America in the early 1990s as a very young Filipina nurse while, and also a young mother and leaving behind her daughter, which was me at the time. um you know, following her journey in the film though fictionalized, a lot of the moments are true and there's a lot of exploration of assimilation, cultural barriers, loneliness and the emotional cost of pursuing the American dream.  Isabel: Yeah, when I read that synopsis, I immediately thought of this short film could totally be something that's feature length. How did you sort of this story to something that is like under 15 minutes long?  Rachel: Yeah, so I wrote the short film script first. And actually, you know, this is a proof of concept short film for the feature film. I actually wrote the feature film script after I wrote the short because there was just so much more I wanted to explore with the characters and the story. It definitely couldn't fit into a short film, though I have that short film version. But there was just so much richness to my mom's story that I wanted to explore, so I expanded into a feature. So I do have that feature film version, which I hope to make one day. Isabel: And you mentioned that this film is inspired by your mom's story. Is there any other sort of research that you did into this story that really helped you write? Rachel: Yeah, one of the main reasons I wanted to write the story, I mean, there's many reasons, but one is because there, if you ask the average American or the general public, they won't really know why there are so many Filipino nurses in the healthcare system. Because if you walk into any hospital, you'll see a Filipino nurse, more than one for sure. ah so I was really curious about the history. ah Having my mom as a nurse, my sister's also a nurse, I have a lot of healthcare workers around me. I grew up with that. I, you know, growing up, I also didn't really know or learn Filipino American history because it's not taught in schools. And I, you know, I took AP US history and didn't learn anything about, you know, my culture and our history. It's, not in the books at all. And it wasn't until like my early twenties that I was really curious about my roots and my upbringing and what it means to be Filipino-American specifically. And so um I really went into like a deep dive of just researching Filipino-American history. And specifically last year, I had been wanting to tell a story about a Filipino nurse because of my proximity to it with my mother. And you know, myself being an artist, being a filmmaker in the industry, there's so many medical shows out there, like, know, Grey's Anatomy, that's been long running, but very, very few, and rarely do we see Filipino nurses at the forefront and at the center of those stories. um You know, rarely are they series regulars. You know, sometimes they'll feature a Filipino nurse for like one episode or two and, you know, a recurring or a side character, but Filipino nurses are never the main character, never the series regular. And so that was another big driving force for why I wanted to make this story. And, you know, really making my mom's character the center of it. And so as far as like research, too, I definitely interviewed my mom and I asked her to just tell me her her entire story and specifically why she even wanted to move to the United States because she could have stayed in the Philippines or she could have moved somewhere else. um she saw a newspaper or her friend actually at the time when she was in a nursing school, a friend of hers saw an ad in the newspaper that America was sponsoring nurses. And so she had it in her mind already like, oh, yeah, I've heard of America. I've heard of the United States that it's, you know, there's better opportunities for me there. And at the time she had just had me. And so she had, you she's a young mother. She's trying to take care of her baby, her newborn. And so, you know, she had her eyes set on moving to the United States and that's kind of how her journey happened. And on top of that, I also did my own research on you know, our history, I watched this really amazing documentary um by Vox. It's on YouTube. It's all about why there are so many Filipino nurses in America. And it really just ties back to U.S. colonization. And after World War II, was so many, there was big nursing shortage in the United States. you know, white Americans did not want to, you know, fill that role. So they turn to Filipino women to fill the gap.  Isabel: Yeah, was there something special about the production process that looking back, you would want to replicate in the future or that really speaks to you?  Rachel: Absolutely. um Yeah, mean, definitely this experience and a lot of the people that I brought on to this project, I want to continue to make films with them and continue to make art with them because um I'm just so proud of the team that we put together. Everyone was so passionate and they knew how important the story was. They also had their own special connection to the material that they brought so much heart and passion into the film. that really comes through in the project. so like a lot of the people I brought onto this film, I want to continue to make art with them forever. That's one thing that I'm really, really grateful for, because I got to work with some really awesome people that I had never worked before or I had been wanting to work with. And so it was such a great opportunity that was given to me to be able to connect with such amazing and talented AAPI creatives in my circle.  Isabel: Yeah, I saw on your Instagram page for the film that you shot this film in both Los Angeles and Austin, Texas. Have you ever done a production where you had to sort juggle two different sets in two very different locations? And how was that entire process?  Rachel: Yeah, that was really, it was really fun. It was my first time being able to film in two different cities, let alone like two different states, really. A lot of my past projects have just been, you know, shooting it with the resources that I had that were available to me. You know, usually like my past short film, Thank You for Breaking My Heart, that I did last year, we shot all of it in one location, which was of course like, know, that is something that's really impressive in and of itself, of course. But, you know, because of the bigger budget that we had for Milk and Honey, I really wanted to challenge myself with this. And I really advocated for filming a part of the film in Texas because it is set in Texas. I was raised there. That's where my mom was placed when she, because how the process goes is, you know, she applied for the nursing sponsorship and then they placed them in certain areas. And so she was placed in El Paso, Texas at the time. And so that's where I also grew up. So I set the film there and I really advocated for filming in Texas because I wanted the film to have that feeling of the environment and atmosphere of Texas. um And so we shot some exteriors there for like this really fun Texas montage where you can really like feel that the character is there in, you know, in that heat, the Texas heat. So that was really, that was really fun. And I, you know, we shot, we shot two days in LA and we shot half a day in Austin, Texas. And we hired a second unit in Texas, because, you know, again, like, even though we had a really good budget, was still, you know, it was still pretty small. So I wasn't able to, you know, fly my LA crew over there. um So what we did was we just hired a second unit crew in Austin, Texas, and they were amazing. And most of them were queer, non-binary filmmakers. And it was just such a fun, intimate crew that you know, we just breezed by and had such a great time shooting that.  Isabel: That's wonderful. As a director, what inspires you and what are some of your filmmaking influences?  Rachel: Yeah, I mean, I'm constantly inspired by, you know, new films, filmmakers that I've seen, em particularly for Milk and Honey. I um so the film is, you know, this grounded drama, but there are a lot of moments of magical realism that I mix into it. love magical realism. love one of my favorite movies is Eternal Sunshine of the Spotless Mind. It's such a beautiful film, also very grounded, but it's filled with all of this, you know, magical realism, surrealism. And so I infused that into, you know, Milk and Honey, which was really fun and a challenge to execute. But yeah, and some other filmmakers and creatives that I'm inspired by are Ava Duvernay. think her work is just incredible and also just an incredible artist overall. I love the kind of work that she does because it comes from such a deep place. And I love that she can combine art with politics and social justice as well. Isabel: I also love that you said in your one of your project funding descriptions that you use your art as your act of revolution, which is so relevant given that, you know, in our current state of, you know, our administration is silencing and suppressing voices of our immigrant communities. And how do we as filmmakers, as artists, what does that revolution and representation mean to you as a filmmaker and artist?  Rachel: I truly believe that that art is our act of revolution and just merely creating the art is that act in and of itself. We don't have to do more than that as from, in my opinion, as an artist, because the mere fact of us existing as artists, existing, myself existing and creating the work and having the work exists out there and putting it out. The most powerful thing that an artist can do is to make their art and share it with the world. And after that, just let it go, you know, forget about how it's going to be received. Forget about like, you know, the critics and, and, and the, you know, self doubt you may have and all of those things, because yeah, it's going to come. I think especially in the landscape of, like you said, of where we're at right now with our current administration and you know, just who knows what's going to happen in the next few years, but also in the face of like AI and technology and all of that, I think all we can really do as artists is to, in order for us to change the system is we have to be the change, right? And in order for us to be that change is just to continue to tell our stories and stay authentic to ourselves. Because I think that's also what a lot of people out there are really craving right now. People are craving authentic, real stories by people that we really don't get to see or hear their stories very often. And so um that for me is something that fuels me and my artistry every day.  Isabel: Very well said and a great reminder to all of us artists out there to keep making our art. What do you hope for audiences to take away when they watch your film?  Rachel: What I hope for audiences to get out of watching the film, well, one, at the core of it is a mother-daughter story. And I also did it to honor my mother and her sacrifices and her story. So I hope that, one, audiences will, you know, maybe reflect on their relationship with their mother and… um think of ways to honor their mother and their family and their ancestry as well. And another thing is to really think about what the American dream means to you, because that was another driving force for me with the film is it's called Milk & Honey because a lot of immigrants coined Milk & Honey as America's milk and honey as this like land of abundance, land of opportunity and you know, this is a, this is a place for creating a better life for ourselves. But I, for me, as I've grown up and as an adult now, really looking at like, well, what does the American dream mean to me? Is that still true to me? Do I still think the U S is a place where I can, where I can build a better life? Is it a place of abundance and something in the film, a big theme in the film is where Cherry's character scrutinizes that dream and thinks for herself, like, is the American dream worth it? And what does the American dream actually mean to me? What is the definition of that? So I think that's a big thing I would love audiences to also take away from it, you know, asking themselves that question. Isabel: That's a great thought to end on. I'll be including Rachel's social media and website on kpfa.org as usual so you can see if Milk and Honey will be screening in a film festival near your city during its festival run. Well, Rachel, thank you so much for joining me on APEX Express today. Thanks so much for having me. I really enjoyed it. Please check our website kpfa.org to find out more about magical realism in AAPI stories and the guests we spoke to. We thank all of you listeners out there. Keep resisting. Keep organizing. Keep creating and sharing your visions with the world. Your voices are important. APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Cheryl Truong, and Isabel Li. Tonight's show was produced by me, Isabel Li. Thanks to the team at KPFA for their support. Have a great night. The post APEX Express – 1.08.26 – Magical Realism and AAPI Short Films appeared first on KPFA.

Send us a textIn this episode, I sit down with Edward Maldonado, better known as Coach Buck, the owner of Marathon Batting Cages in South El Monte. We talk about his coaching journey and what it means to build athletes the right way, with patience, consistency, and real belief in the kid standing in front of you.Coach Buck shares what he looks for when a player walks into the cage for the first time, how he simplifies the game for young athletes, and why confidence often shows up before the stats do. We get into the difference between quick tips and long term development, plus how coaches and parents can stay aligned when a player hits a rough stretch.We get into some of the difficulties that he's experienced growing up and building the business he has today. We also talk about training culture, what productive reps actually look like, and how to create an environment where baseball and softball players want to keep showing up and putting in work. If you care about youth sports, mentorship, and community based coaching, this conversation delivers practical takeaways without the fluff.If you are in the San Gabriel Valley and you have a player who wants to improve their swing, sharpen their approach, and train with purpose, Coach Buck breaks down the mindset that helps athletes level up and stay in love with the game.____________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textIn this episode, I sit down with Lupita Ramirez and Dennis Ramirez, the husband and wife team behind Think, Create & Connect, Inc., a family owned creative marketing agency that helps businesses strengthen their online presence through brand strategy, social media management, and creative campaigns.We talk about what it takes to elevate a brand when you are busy running the day to day of your business. Dennis shares how he thinks about brand identity, marketing strategy, and consistent messaging so businesses can show up clearly and build trust over time.Lupita breaks down the connection side of marketing and why community relationships still matter, especially for local entrepreneurs. We also get into the community work she's involved in, including supporting local business networks and hosting events that help organizations build awareness.If you run a small business and you want practical insight on marketing, branding, and relationship building that leads to real growth, this conversation will give you a clear next step and a better way to think about your business online.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textIn this episode, I sit down with Shaunt Der Ohannesian, the son of Shahan Der Ohannesian and part of the family behind Lee's Hoagie House in Pasadena. Lee's has become a true neighborhood staple, and Shaunt now helps run day to day operations while carrying forward what makes the place feel like home. Shaunt opens up about his journey through addiction, and how the loss of his best friend became the turning point that helped save his life. He gets vulnerable about the darkest stretch of that season and what it took to climb out, rebuild trust, and start showing up for his future with real intention.We also talk about family, legacy, and what it means to return to the business with a new mindset. If you've ever eaten at Lee's, you know the magic: the way the team remembers people, the warmth in the room, and the feeling that you're not just another order. Shaunt shares what it's like to keep that standard alive while growing into his own role alongside his dad. This is one of those conversations that sticks with you. You've got to tune into this episode.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textHere's the story of a producer, creative, father, and entrepreneur who blends music, storytelling, and authentic Hawaiian food. Born and raised in Pepe‘ekeo, Hawai‘i and rooted in values of aloha and community, he moved to the San Gabriel Valley in 2008 to pursue audio engineering. An internship with Doggystyle Records opened doors to collaborations with Snoop Dogg, Kendrick Lamar, and Jay Rock. By 2015 he began releasing instrumental music, earning over 2 million streams and a loyal following in the lofi and chillhop space.In 2022 he joined the Lone Lobos Podcast as producer and on-air contributor alongside Cobra Kai's Xolo Maridueña and Jacob Bertrand. The show has since amassed millions of streams and partnered with brands like Netflix, Sony, and San Diego Comic-Con. We dig into the craft behind consistent content: building audience, managing partnerships, and keeping creative energy high across music and podcasting.His love for food traces back to Hawai‘i and a family heritage that's Hawaiian, Puerto Rican, and Japanese. Inspired by his grandmother's pasteles and his parents' home cooking, he worked with East Los Musubi in El Sereno starting in 2015 and launched Unreal Poke in December 2023—a Native Hawaiian-owned pop-up rooted in food activism and cultural authenticity. In its first year, Unreal Poke served at 80+ events including Smorgasburg LA, 626 Night Market, and 88Rising's Head in the Clouds Festival.Fatherhood sits at the center of it all. Since 2011 he's focused on raising his son with traditions passed down through food and story. This episode covers the journey from studio sessions to street food, how to build a values-driven pop-up, and what cultural integrity looks like in both music and cuisine. Keywords: Hawaiian food, Native Hawaiian-owned, poke pop-up, lofi, chillhop, Doggystyle Records, Snoop Dogg, Kendrick Lamar, Jay Rock, Lone Lobos Podcast, Smorgasburg LA, 626 Night Market, Head in the Clouds, East Los Musubi, San Gabriel Valley.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

The Cinematography Podcast Episode 337: Eric Lin and Lyle Vincent Rosemead tells the tragic, true story of Irene (Lucy Liu), a terminally ill single mother, and her son, Joe (Lawrence Shou). As Joe battles schizophrenia and urges toward violence, Irene is left isolated from her Chinese American community in Southern California, facing impossible choices without a safety net. After decades behind the camera, director Eric Lin connected deeply with the personal nature of Rosemead. He grew up in Southern California and frequently visited the San Gabriel Valley, where the film takes place. Producer Mynette Louie, who he'd know since NYU Film School, sent him the script, and Eric decided to take it on as his first directorial feature. “I've shot a lot of features and I've been side by side with directors, watching how difficult it is to make a feature,” he says. “The thing that sort of lured me into the director's chair was that it's a story that I felt like I'd never seen before on screen.” Recognizing the film's nuanced demands, Eric knew he didn't want to pull double duty as cinematographer. Instead, he asked Lyle Vincent, another NYU alum with whom he shared a cinematic shorthand. “Knowing what a DP does, especially on a film like this, where I felt like I had to be so present, that would be a fatal mistake,” Eric explains. Lyle appreciated the trust, describing Eric as a director who “is extremely visual and who has amazing visual references and language.” Together the two shotlisted and discussed each scene emotionally and visually. To capture the film's emotional landscape, Lyle chose a subjective camera style. Handheld camerawork and portrait lenses help mirror Joe's psychological state and the looming sense of danger. Using E-series anamorphic lenses, he created a shallow depth of field that softened the background, forcing the viewer's focus onto the characters. This gritty reality contrasts sharply with Joe's memories of the idyllic time he spent with his parents in a hotel. His flashbacks are rendered in warm tones, evoking a surreal, dreamlike nostalgia. See Rosemead in theaters. Find Eric Lin: Instagram @holdtheframe Find Lyle Vincent: Instagram @lylevincent SHOW RUNDOWN: 01:38 Close Focus 13:20-01:03:54 Interview 01:04:13 Short ends 01:13:09 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Send us a textHere's the story of a first-generation Chinese American filmmaker whose roots in Alhambra and the San Gabriel Valley shape every frame she makes. With a psychology degree from UCLA and a name honoring her parents' immigration lawyer, she crafts grounded family dramas with a hint of fantasy—stories of resilience, friendship, and hope drawn from the immigrant communities she grew up around.She's directed 13 short films and contributed to more than 30 film and video projects with companies like CBS, HBO, and Disney. Along the way she earned recognition in industry pipelines and competitions, including the CBS Leadership Pipeline Challenge and the 2023 CAPE Julia S. Gouw Short Film Challenge (presented by the Coalition of Asian Pacifics in Entertainment and Janet Yang Productions).In this episode, we dig into process and pathway: moving from idea to script to screen, casting authentically, building a crew, and translating lived experience into universal cinema. We talk festivals and funding, pitching and partnerships, and how a filmmaker balances creative voice with the practical realities of producing in Los Angeles and the SGV.If you care about Asian American stories, indie filmmaking, or turning personal history into powerful narrative, this conversation is for you. Keywords: Chinese American filmmaker, San Gabriel Valley, Alhambra, UCLA, independent film, short films, women in film, Asian American stories, CAPE, CBS Leadership Pipeline, representation, immigrant family drama, Los Angeles filmmaking.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Send us a textHere's a conversation with a restaurant growth operator who's spent 20+ years at the intersection of dining, loyalty, and partnerships. From helping launch LivingSocial's first outside sales footprint to expanding Square's Caviar gourmet delivery in Downtown LA, he's now at Rewards Network, where he runs dining programs for major brands across airlines, hotels, and wireless. The focus: predictable traffic, measurable spend, and cash flow that helps restaurants grow.We break down how these dining programs actually work—enrollment, card-linked offers, and the data that proves incremental visits—plus the funding model where Rewards Network pre-purchases members' meals up front to inject capital into restaurants. Expect practical tactics on filling seats, lifting average check, and turning occasional diners into regulars through A/B-tested offers and localized campaigns.His path runs from Phoenix to Pasadena to North Hollywood, with stints in Carlsbad, Del Mar, and Leucadia along the way. A Northern Arizona University grad with post-grad business coursework at Pasadena City College, he moved to Pasadena in 2002 to work at Charter Media and spent eight years there. He's a Burbank Chamber member, a longtime restaurant partner to owners across LA, and a dad to a Pasadena-born son—plus an outdoors guy who camps on his own three acres near Flagstaff.If you're a restaurant owner or marketer, this episode is a playbook: how to evaluate dining rewards, negotiate terms, track true lift vs. cannibalization, and stack channels (delivery, loyalty, email, social) for sustainable growth. Keywords: restaurant marketing, dining rewards, card-linked offers, customer acquisition, loyalty ROI, restaurant funding, Caviar, LivingSocial, Rewards Network, Pasadena, San Gabriel Valley.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com