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4 episodes with Lonely Woman
4 episodes with Lonely Woman
2 episodes with Lonely Woman
2 episodes with Lonely Woman
3 episodes with Lonely Woman
2 episodes with Lonely Woman
With so many dozens of albums over so many wildly disparate eras, it can take a lifetime to truly get your arms around Bob Dylan. On this episode, Kirk is joined by two guests who have spent their lifetimes doing exactly that. Matt Sitman and Sam Adler-Bell, in addition to co-hosting the terrific political history podcast Know Your Enemy, are both lifelong Dylan fans. This spring, they came on the show to give listeners a tour of Dylan's many eras, and to give newcomers a place, or places, they might start getting to know him better.DYLAN SONGS DISCUSSED, IN RELEASE CHRONOLOGY“Blowin in the Wind” and “Corrina, Corrina” from Freewheelin' Bob Dylan, 1963 (and as sung by Peter, Paul and Mary)“Like A Rolling Stone,” “Just Like Tom Thumb's Blues,” “From a Buick 6” from Highway 61 Revisisted, 1965“Subterranean Homesick Blues,” “Mr. Tambourine Man,” and “Outlaw Blues” from Bringing it All Back Home, 1965“Rainy Day Women #12 & 35” and “Pledging My Time” from Blonde on Blonde, 1966“All Along the Watchtower” and “I'll Be Your Baby Tonight” from John Wesley Harding, 1967“Lay, Lady, Lay” and “Girl from the North Country” (with Johnny Cash) from Nashville Skyline, 1969“Knockin' on Heaven's Door” from Pat Garret & Billy The Kid Original Soundtrack, 1973“Forever Young” from Planet Waves, 1974“Tangled Up in Blue” from Blood On The Tracks, 1975“Hurricane” and “Romance in Durango” from Desire, 1976“Changing of the Guards” from Street-Legal, 1978“Serve Somebody,” and “Do Right to Me Baby (Do Unto Others)” from Slow Train Coming, 1979“Saved” from Saved, 1980“The Groom's Still Waiting At the Alter” and “Lenny Bruce” from Shot of Love, 1981“Pressing On” and "Solid Rock" live in Toronto, 1980“Neighborhood Bully,” “Jokerman,” “Sweetheart Like You” from Infidels, 1983“Dark Eyes” from _Empire Burlesqu_e, 1985“Brownsville Girl” from Knocked Out and Loaded, 1986“Sylvio” from Down In The Groove, 1988“Everything Is Broken” and “Most of the Time” from Oh Mercy, 1989“Hard Times” from Good As I Been to You, 1992“Train of Love,” Johnny Cash tribute, 1999“Pay In Blood” from Tempest, 2012“I'm A Fool To Want You“ by Frank Sinatra, Jack Wolf, and Joel Herron from Shadows in the Night, 2015, and as recorded by Frank Sinatra“Polka Dots and Moonbeams” by Jimmy Van Heusen and Johnny Burke, from Fallen Angels, 2016“How Deep is the Ocean” by Irving Berlin from Triplicate, 2017“I've Made Up My Mind to Give Myself to You” from Rough and Rowdy Ways, 2020ALSO DISCUSSED/REFERENCED:The Know Your Enemy episode about Dylan's The Philosophy of Modern Song"Moonlight Mind" by Will Epstein and High Water from Crush, 2016"Lonely Woman" by Ornette Coleman from The Shape of Jazz to Come, 1959"Rainy Day Women #12 & 35" as recorded by Tom Petty and the HeartbreakersSam's review of A Complete Unknown in The NationBob Dylan: Expecting Rain websiteEpisode one, "Weather”, from Dylan's radio show Theme Time Radio Hour, featuring Muddy Waters on "Blow Wind, Blow”Audio from D.A. Pennebaker's 1967 documentary Bob Dylan: Don't Look BackAudio from Scorses's 2005 documentary No Direction Home: Bob DylanGUEST MUSIC PICKS:Sam: Lucinda Wiliams, Car Wheels on a Gravel Road, 1998Matt: Willie Nelson, Across the Borderline, 1993----LINKS-----
Howdy folks it's the first new episode since 2023!!!Featuring:Booker Little/"Moods In Free Time"/Out Front/1965World Saxophone Quartet/"Touchic"/Live in Zurich/1984Edmund Hall Swingtet/"It's Been So Long"/Complete BlueNote Sessions/1944Clifford Jordan/"Laconia"/Cliff Craft/1957Sam Most/"The Humming Blues"/Flute Flight/1976Frank Wess+Frank Foster/"Dill Pickles"/2 Franks Please/1956Noble Sissle Orchestra/"Loveless Love"/ST/1930Ornette Coleman/"Zig Zag"/Empty Foxhole/1966Lester Bowie/"Lonely Woman"/Fast Last!/1974Sonny Rollins/"The Most Beautiful Girl in the World"/Tenor Madness/1956Nina Simone/"Mood Indigo"/Little Girl Blue/1957
It is a busy episode this week with us watching pretty much all the new stuff the that the streaming services have to offer. We start with Sky Cinema release, taking a new slant on the vampire myth with 'The Radleys', then its onto Netflix to cast eyes over Anna Kendrick debut flick as director, true life horror 'Woman Of The Hour'. We get to the cinema to watch sequel to horror juggernaut from a few years ago 'Smile 2', and we finish with more streaming offerings with romantic drama 'Lonely Planet', sequel to surprise Spanish hit 'The Platform 2' and we finish with Prime Video offering comedy crime caper 'Brothers' Hosted on Acast. See acast.com/privacy for more information.
Sintonía: "Dot 2" - Gonzales"Song X" - Kyrie Kristmanson; "Needle In The Hay" - Mélissa Laveaux; "Revue Noire" - Nicolas Repac; "Ghana Blues" - Toto Bona Lokua; "Alegría" - Batida; "Sintiendo" - Bomba Estéreo; "Point Of No Return" - The Funkees; "Esclavo moderno" - Manuel Alvarez y sus Dangers; "El sonerito" - Michi Sarmiento; "Manicero" - Familia Atlantica; "Lonely Woman" - Misja Fitzgerald Michel; "The End Of A Love Affair (ft. Billie Holiday) - Nicolas Repac; "Ma-Ma FC" - Ballaké Sissoko & Vincent Segal Escuchar audio
Ornette Coleman set the jazz world ablaze with the release of his first recording “Something Else” in 1958. Ironically, so many of the innovations he introduced to the music have become so ingrained over the passing years, it's difficult to believe his music was so controversial at the time. His conception of free jazz influenced mainstream jazz musicians like Sonny Rollins, John Coltrane and Jackie McClean, to name just a few, who adopted parts of his so-called “harmolodic system” to their own music. We'll play many of his compositions that have become jazz standards, including "Lonely Woman", "The Blessing", "Turnaround" and many others from this creative artist.
In this episode, we're talkin' about SAX, BABY. Phoebe saw a concert that blew her high mind and now we're diving deep into all things saxophone, including a special LIVE musical performance. Plus! Small Business Time brings us Mary Jane Art Company @maryjaneartcomany & @cutielilglass (cutielilglass.com). Featured saxophone performers: 1) Cole Stone-Frisina (@colesfsax) with Christeene, 2) Daniel Haligan (@imdannykosmo) https://youtu.be/yLdRzesJjlA?si=fvLOUmVjn6Sc_m3g 3) Moon Hooch https://youtu.be/wwBhxBBa7tE?si=TBt04CARXa01YftB 4) Ornette Coleman, ‘Lonely Woman' https://youtu.be/OIIyCOAByDU?si=Cjtr8u35dcnP4nOX 5) ‘Young Americans' https://youtu.be/iO6OvHxD_m8?si=IYHugzS2XoVMGujz ---- Our Slashtag.orgsies: www.stonerchickspodcast.com Become a Patron! patreon.com/stonerchicks Grace Penzell (@gracepenzell), Phoebe Richards (@27phoebe27), Kayla Teel (@kayla_teel), and Stephani Thompson (@fannytragic). Instagram: @stonerchickspodcast Facebook: Stoner Chicks Podcast TikTok: @broccolibroads Email: stonerchickspodcast@gmail.com Snail Mail: PO Box 80586, Seattle, WA 98108 --- Edited by German at YPEditor.com; Theme Song by Jessica DiMari; Cover Art by Ben Redder, AJ Dent, and Kayla Teel
This episode, Eamon & Merlin talk the newest episode of The Real Housewives of Atlanta where Sheree's sip & see is for more than just Mecca, while Drew and Ralph continue to make things awkward for all of us. Also, a new episode of Real Housewives of New York City that sees Brynn get flirty, Sai get hungry, and Erin get upstaged by an Antarctic bird. No seriously. And finally, a new episode of The Real Housewives of Orange County where Shannon's fiesta falls apart, and she handles it just how you would expect. We are Eamon and Merlin, a queer married couple from Texas living in Pittsburgh, PA. We love reality television, wrestling, drag queens, and pretty much anything that can be called even kinda gay. A Gay & His Enby is a podcast where we talk about everything we love in terms of media and pop culture; everything thats gay and gay adjacent; basically all the conversations we have in our living room we are now putting in front of a microphone and on the internet for you. We have launched our MERCH STORE! We are so excited to bring you these designs, all made by Merlin, commemorating some of our favorite iconic moments! Shop now at https://AGayAndHisEnby.Threadless.com Every week, we have the pleasure and privilege of recording from Sorgatron Media Studios in Pittsburgh. Our theme song is Pulsar by Shane Ivers which you can find at https://www.silvermansound.com All of our social media can be found at our linktree: https://linktr.ee/agayandhisenby In recent years, states have pushed forward a record number of bills that attack LGBTQ rights, especially transgender youth. The current obession with Drag Queens is no exception. This is a thinly veiled attempt to outlaw gender expressions that do not fall within the cisheteronormative guidelines. Please consider donating to one of the following charities to help make the US a safer place for Queer folks to live in peace. American Civil Liberties Union (https://www.aclu.org/issues/lgbtq-rights) Trevor Project (https://give.thetrevorproject.org/give/63307/#!/donation/checkout) PFLAG (https://pflag.org/donate/) True Colors United (https://my.truecolorsunited.org/give/107399/#!/donation/checkout) OutRight International (https://outrightinternational.org/take-action/give) Lambda Legal (https://support.lambdalegal.org/site/Donation2;jsessionid=00000000.app30130a?df_id=6680&mfc_pref=T&6680.donation=form1&NONCE_TOKEN=D3311163DF16F06EEA5520010BAF90B5) GLBTQ Legal Advocates & Defenders (https://donate.glad.org/give/123741/#!/donation/checkout?c_src=webheader) Human Rights Campaign (https://give.hrc.org/page/118560/donate/1?ea.tracking.id=or_gnr_hrc_homepage2022) It Gets Better Project (https://give.itgetsbetter.org/give/250737/#!/donation/checkout)
This episode, Eamon & Merlin talk the newest episode of The Real Housewives of Atlanta where Sheree's sip & see is for more than just Mecca, while Drew and Ralph continue to make things awkward for all of us. Also, a new episode of Real Housewives of New York City that sees Brynn get flirty, Sai get hungry, and Erin get upstaged by an Antarctic bird. No seriously. And finally, a new episode of The Real Housewives of Orange County where Shannon's fiesta falls apart, and she handles it just how you would expect. We are Eamon and Merlin, a queer married couple from Texas living in Pittsburgh, PA. We love reality television, wrestling, drag queens, and pretty much anything that can be called even kinda gay. A Gay & His Enby is a podcast where we talk about everything we love in terms of media and pop culture; everything thats gay and gay adjacent; basically all the conversations we have in our living room we are now putting in front of a microphone and on the internet for you. We have launched our MERCH STORE! We are so excited to bring you these designs, all made by Merlin, commemorating some of our favorite iconic moments! Shop now at https://AGayAndHisEnby.Threadless.com Every week, we have the pleasure and privilege of recording from Sorgatron Media Studios in Pittsburgh. Our theme song is Pulsar by Shane Ivers which you can find at https://www.silvermansound.com All of our social media can be found at our linktree: https://linktr.ee/agayandhisenby In recent years, states have pushed forward a record number of bills that attack LGBTQ rights, especially transgender youth. The current obession with Drag Queens is no exception. This is a thinly veiled attempt to outlaw gender expressions that do not fall within the cisheteronormative guidelines. Please consider donating to one of the following charities to help make the US a safer place for Queer folks to live in peace. American Civil Liberties Union (https://www.aclu.org/issues/lgbtq-rights) Trevor Project (https://give.thetrevorproject.org/give/63307/#!/donation/checkout) PFLAG (https://pflag.org/donate/) True Colors United (https://my.truecolorsunited.org/give/107399/#!/donation/checkout) OutRight International (https://outrightinternational.org/take-action/give) Lambda Legal (https://support.lambdalegal.org/site/Donation2;jsessionid=00000000.app30130a?df_id=6680&mfc_pref=T&6680.donation=form1&NONCE_TOKEN=D3311163DF16F06EEA5520010BAF90B5) GLBTQ Legal Advocates & Defenders (https://donate.glad.org/give/123741/#!/donation/checkout?c_src=webheader) Human Rights Campaign (https://give.hrc.org/page/118560/donate/1?ea.tracking.id=or_gnr_hrc_homepage2022) It Gets Better Project (https://give.itgetsbetter.org/give/250737/#!/donation/checkout)
But most of the episode is us talking about Star Wars
Train Wreck of the Day Wednesday 7/19/23
The word "homosexual" was first uttered on American television on the night of October 21st, 1963. The show was Breaking Point, a drama series set in a psychiatric hospital. The episode was a confronting take on sexual harassment and toxic masculinity that directly posed the question to its audience: "What is a man?" Despite network objection, this milestone in queer history happened solely because of the determination of the show's producer: George Lefferts. This show was just one of many socially conscious, thoughtful and progressive projects from Lefferts, a man whose long life was defined by his writing and his deep empathy for others. In 1960, he spent hundreds of hours interviewing everyday women about their problems for a groundbreaking show called Special for Women. But it was in radio that he'd really cut his teeth in the early days, working on dramatised science fiction shows like Dimension X and X Minus One in the 1950s. In 1953, he worked with Frank Sinatra on a noir drama series for NBC Radio, Rocky Fortune. Together, they came up with a wacky noir premise for which almost every episode followed the same formula: Rocky is unemployed. Rocky gets a new job. It all goes wrong for him in some way, and he ends up implicated in a murder. Rocky talks his way out of it and catches the killer. Rocky ends up unemployed again. The show was not a hit at the time, and decades of Sinatra biographers have dedicated one or two pithy sentences to it at most. Today, with every episode widely available online in the public domain, Rocky Fortune sounds different. This week on SUDDENLY, we listen to two full episodes of the show plus one of To Be Perfectly Frank, Sinatra's other NBC show from the same period that saw him in the role of DJ. Looking at the work of Lefferts, Ernest Kinoy and Norm Sickel, we attempt to put Rocky Fortune in his proper context - and reclaim him as a hero for the marginalised, for women, and for the unemployed. Selected works of George Lefferts: * Dimension X: "The Professor Was a Thief" (1950) Radio episode, adapted from a story by L. Ron Hubbard. Available on Spotify, YouTube, Internet Archive. * Rocky Fortune (1953-54) Complete radio series available on Spotify, YouTube, Internet Archive. * X Minus One: "The Defenders" (1956) Radio episode, adapted from a story by Philip K. Dick. Available on Spotify, YouTube, Internet Archive. * World Wide '60: "The Living End" (1960) TV film about senior citizens, cast with nursing home residents. Lost or unavailable. * Special for Women (1961) TV series, either unavailable or lost. Book of original scripts available to read in full on Internet Archive. One episode, "The Lonely Woman", is available on film at the Library of Congress in Washington DC. * Breaking Point: "The Bull Roarer" (1962) First use of the word "homosexual" on TV. Watch the full episode on YouTube. * Teacher, Teacher (1969) TV movie about an underqualified and ill-tempered teacher taking on the education of a disabled child. Watch on YouTube. * Family Album, U.S.A. (1991) Sitcom designed for English learners. Complete video series available on YouTube. Norm Sickel was a writer active in 1950s American radio. He wrote banter for Sinatra's 15-minute DJ series, To Be Perfectly Frank. Later, he wrote for Rocky Fortune, apparently at Sinatra's request. His episodes were among the most dramatic and socially conscious of the series. They differed in tone considerably from the comedic noir that Rocky Fortune became most known for. Later, his poems inspired the 1956 instrumental album Frank Sinatra Conducts Tone Poems of Color. Little else seems to be publicly known about Sickel. If you have any more information on what else he might have done creatively or where he ended up, we'd be interested in hearing from you. Join the Australian Unemployed Workers' Union (AUWU) at their website, or follow them on Twitter. AUWU member Jeremy Poxon is also a great Twitter follow to keep up with the latest around Australia's corrupt and cruel welfare regime. CONTACT: SUDDENLYPOD AT GMAIL DOT COM @SUDDENLYPOD on TWITTER / INSTAGRAM / MYSPACE / ODNOKLASSNIKI / YOUTUBE Donate to the show @ ko-fi.com/suddenlypod
Patrick adds a song to the Perfect Pop list. And it doesn't have words! Or guitars! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
In this episode, I weigh in on the loneliness epidemic I see in our personal development industry. Despite sister gatherings and moon circles, I believe most women continue to feel very very alone and I share why I think that is. To connect with Nadia on IG: @nadiamunla For Embodiment + Relationship Resources: nadiamunla.com For coaching/teaching/speaking inquiries: Email: info@nadiamunla.com
Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Coleman, Ornette. “Lonely Woman.” The Shape of Jazz To Come. Atlantic Records, 1959. CD. LP. Zero Boys. “Civilization's Dying.” Vicious Circle. Nimrod Records, 1982. Vinyl. LP. Wonder Stuff, The. “Will the Circle be Unbroken.” Welcome to the Cheap Seats. Polydor Records. 1992. 2CD. EP. Circle Jerks. “World Up My Ass.” Group Sex. Porterhouse Records, 1980/2000. Vinyl. LP. Pearl Jam. “Spin the Black Circle.” Vitalogy. Epic Records, 1994. CD. LP. Dag Nasty. “Circles.” Can I Say? Dischord Records, 1986. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.
Playlist: Scott Macleod - Straight AheadAnglagard - Ur VilandeJacula - Ano DemoniAnxtron - Furry Creatures From Alpha CentauriStrawbs - AutumnApogee - The Border of AwarenessRobert Diack - LaundAqua - Tempest/No More LoveArabs in Aspic - Siseneng/Come to MeVan Der Graaf Generator - La RossaArcabuz - GeishaArco Iris - Suite Numero 1Forbidden Dimension - Dig that Crazy GraveStill Depths - Music For the Lonely Woman
She was talking about children in the school how they have hard today meeting all the evils there is in this world and time.
She was talking about children in the school how they have hard today meeting all the evils there is in this world and time.
Nick Nixon - A Habit I Can't Break ( Mercury )Webb Pierce - Heartaches Are For Lovers Not Friends ( Decca )Paul Simmons - Crying In My Sleep ( Mid Land )Tony Booth - When A Man Loves A Woman ( Capitol )Louvin Brothers - While You're Cheating On Me ( Capitol )Red Simpson - Country Western Truck Drivin Singer ( Capitol )Del Reeves - Good Time Charlie's ( United Artists )Johnnie & Jack - Happy Lucky Love ( RCA )Little Leon Payne - Hard Row To Hoe ( Geneni )Vipers Skiffle Group - Don't Rock Me Daddy O ( Capitol )Earl The Pearl Roberts - Ecstasy ( Watonka )Uncle Rufus Brewster - The Great Hillbilly King Riley Puckett ( Country Boy )Ron Van Horn - Don't Let Your Lovelight Outshine Your Headlights ( Royal American )Norma Jean - Heaven Help The Working Girl ( RCA )Dee Mullins - War Baby ( Plantation )Keith Whitley - On The Other Hand ( RCA )Wynne Stewart - Ol What's Her Name ( Capitol )Mike Call - Undoing What He's Done ( Relco )Wayne Raney - Mail Order Heart ( Starday )Tennessee Ernie Ford - The Devil Ain't A Lonely Woman's Friend ( Capitol )Support this podcast at — https://redcircle.com/thehonkytonkjukebox/exclusive-content
Nuestra portada fue el nuevo trabajo de Bugge Wesseltof, el estupendo y reflexivo Be Am, recientemente publicado este 2022. Escuchamos después al guitarrista suizo Dave Gisler junto a su trío en éste Zurich Concert, publicado en 2020. Nuestro Clásico de la Semana fue The Modern Jazz Quartet de los que escuchamos Lonely Woman, publicado en 1962. También disfrutamos de la parte 2 del volumen 13 de Spiritual Jazz, estupendos volúmenes recopilatorios del sello londinense JazzMan. En nuestra sección Jazz en Español, por fin tuvimos la oportunidad de escuchar uno de los últimos trabajos del contrabajista y compositor Manel Fortia, Arrells, que publica a finales del 2021 junto a sus Libérica, para Segell Microscopi. Y cerramos con el positivo mensaje del guitarrista neoyorkino Oz Noy y Snapdragon, publicado en 2020. Que lo disfrutéis!
Nuestra portada fue el nuevo trabajo de Bugge Wesseltof, el estupendo y reflexivo Be Am, recientemente publicado este 2022. Escuchamos después al guitarrista suizo Dave Gisler junto a su trío en éste Zurich Concert, publicado en 2020. Nuestro Clásico de la Semana fue The Modern Jazz Quartet de los que escuchamos Lonely Woman, publicado en 1962. También disfrutamos de la parte 2 del volumen 13 de Spiritual Jazz, estupendos volúmenes recopilatorios del sello londinense JazzMan. En nuestra sección Jazz en Español, por fin tuvimos la oportunidad de escuchar uno de los últimos trabajos del contrabajista y compositor Manel Fortia, Arrells, que publica a finales del 2021 junto a sus Libérica, para Segell Microscopi. Y cerramos con el positivo mensaje del guitarrista neoyorkino Oz Noy y Snapdragon, publicado en 2020. Que lo disfrutéis!
We are a family-run international ministry with television, print and online programs designed to guide you through the Bible in one year. From social issues and apologetics to theology, history and science, our mission is to educate, edify and encourage the believer to actively engage with God's Word in all ways.
"Lonely Woman" Naked City: Naked City (Elektra Nonesuch, 1990) Naked City era, ni más ni menos, que un supergrupo integrado por John Zorn, Bill Frisell, Fred Frith, Joey Baron, Wayne Horvitz, Yamatsuka Eye. El tema es la celebérrima composición de Ornette Coleman. La fotografía de la portada del disco fue tomada por Arthur H. Fellig, más conocido como Weegee. Joan Cortès seleccionó una exposición del fotógrafo y a John Zorn en la sección 365 razónes para amar el jazz: https://www.tomajazz.com/web/?p=32008 Aunque su primera obra ya daba pistas acerca de sus siguientes grabaciones con temas como "Punk China Doll", era a su vez un homenaje al cine negro, al punk, al jazz... Este grupo fue algo así como una batidora que le sirvió a John Zorn para experimentar con las limitaciones de un grupo con una formación más propia del rock, y con una formación de músicos de primer orden. Por otra parte, es curioso que un artista como John Zorn llamase la atención de una discogáfica como Nonesuch, en la que llegó a publicar tres grabaciones, todas ellas más que recomendables. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.
We are hard-wired for relationship, to be loved and accepted. In "Encounter With a Lonely Woman", Pastor Dave Gustavsen walks us through Jesus' encounter a woman, who assumed the answer to her loneliness was romantic love. Discover more about the search for love, the limits of love, and the deepest love that is available to all people.Pastor Dave Gustavsen | October 3, 2021#thechapel #thechapelnj #onlinechurch #churchonline #love #relationships #loneliness #marriage
Bläserreim zu Folge 38 Singt dir dein Vater ein Schlaflied zur Nacht, Klopft auch die Mutter ans Türchen nun sacht, singen gleich beide das Lied im Duett, so hörst Oktaven du bei dir im Bett. Video: Steven Tailor mit Skytrain und Tenorsaxofon: Over the Rainbow https://www.youtube.com/watch?v=yifqWsbe8WY Weitere Songs mit Oktave beginnend: Alice in Wonderland, It's Only a Papermoon, Lonely Woman von Horace Silver. Von mir gibt es im Tailor Realbook Melting Ten Times Faster. Aus dem gleichen Buch hört ihr „Bossa Nova Luna“ mit Posaune und Altsaxofon im Oktav-Abstand. Freut euch auf weitere Folgen „Physik im Blick“. Welche Songs kennt ihr mit Oktave? wind@barockundjazz.de Empfehlt diesen Podcast weiter: linktr.ee/steven.tailor
Join us as we learn about a Jesus and the Lonely Woman!
| Oscar Peterson | There is no greater love | Joe Pesci | Baby Girl | Sarah Vaughan | Just a little lovin | Pau Anka | Eyes Without a face | Dave Pike | Catin Latin | Horace Silver | Lonely Woman | Rodriguez | Sugar Man | Dr John | Right Place | Level 42 | 43 | Incognito | Walking On Wheels | Steely Dan | I got the news
In today's episode: Mendelssohn's concert overture ‘The Hebrides' goes under the microscope, Tim unwraps the musical history of the Olympic Games and Sam chats to Andrew Moore, Head of Music at the Edinburgh International Festival.Listen along with the score of the ‘Hebrides' overture: https://www.youtube.com/watch?v=jJt8nW2sURE …Music referenced;'Colourful', produced by Ryosuke Imai, UTA, Sunny Boy and Jun'Mentre dormi' from Vivaldi's L'Olimpiade, performed by Christopher Lowrey and Voices of Music'Olympische Hymne' (‘Olympic Hymn') by Richard StraussDmitri Shostakovich's Festive Overture in A Major, performed by the Royal Stockholm Philharmonic Orchestra under Yuri TemirkanovGeorge Gershwin's Rhapsody in BlueMendelssohn's ‘The Hebrides' performed by Wilhelm Furtwangler and the Berlin PhilharmonicOrnette Coleman's ‘Lonely Woman'…Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/
On the back of Saint Maud's BAFTA nominations and Morfydd's nomination for the EE BAFTA Rising Star Award, we bring you a special bonus interview with the lead actor from Saint Maud, Morfydd Clark, who delivers one the most astounding performances of the year. You can vote for the BAFTA Rising Star Award HERE. Listen to our deep dive episode on Saint Maud HERE. Watch Anna's video essay on Saint Maud, "God's Lonely Woman", HERE. Produced and presented by Anna Bogutskaya. ***The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism.Find out more about our projects here: thefinalgirls.co.ukFollow us on Twitter, Instagram and Facebook. Support us on Patreon. Subscribe to our newsletter for a weekly dose of curated horror treats.Follow Anna on @annabdemented and Olivia is on @livihowe
En este episodio: #NarcoReport con todo lo relacionado al arresto de Emma Coronel, esposa del Chapo Guzman; repasamos las recientes actividades del grupo terrorista Boko Haram en Nigeria; y un análisis de la politica exterior de la Administración Biden para el Medio Oriente, el informe sobre la muerte de Khasshoggi y el bombardeo a Siria.
For over 1000 years, poetry has remained one of the most important traditions of Persian culture. So when, in the mid-twentieth century, a young woman emerged with a voice that spoke with a whirlwind of desire, a voice yearning with love, intimacy, and insight well beyond her years, the establishment was shaken. With a tumultuous love life that saw her become one of Iran's most controversial and scandalous public figures, Farrokhzād suffered under the glaring public eye. But she was also a mother, a filmmaker, and a visionary. Despite her poetry being banned for more than a decade after the Iranian Islamic Revolution, today she is seen as one of Iran's most revered poets, a woman with the audacity to speak taboos in a revolutionary form.Join us for the last episode of Season Four as we explore one of the most extraordinary poets of the twentieth century. Selected ReferencesDehghan, Saeed Kamali. “Former lover of the poet known as Iran's Sylvia Plath breaks his silence.” The Guardian, Mon 13 Feb, 2017. https://www.theguardian.com/books/2017/feb/12/forough-farrokhzad-iranian-poet-ebrahim-golestan-slyvia-plathForugh Farrokhzad: The Rebel Poet of Iran, http://farrokhzadpoems.com/Forugh Farrokhzad. 2018. https://www.forughfarrokhzad.org/index1.htmGhasemi, Parvin, and Farideh Pourgiv. "Captivity, Confrontation, and Self‐Empowerment: identity in Forugh Farrokhzad’s poetry." Women's History Review 19.5 (2010): 759-774.Hillmann, Michael C., A. Lonely Woman. "Forugh Farrokhzad and Her Poetry." Washington DC: Mage Publishers (1987).Milani, Farzaneh. "Love and sexuality in the poetry of Forugh Farrokhzad: A reconsideration." Iranian Studies 15.1-4 (1982): 117-128.Radjy, Amir-Hussein. “Overlooked No More: Forough Farrokhzad, Iranian Poet Who Broke Barriers of Sex and Society.” New York Times, Jan 30, 2019. https://www.nytimes.com/2019/01/30/obituaries/forough-farrokhzad-overlooked.htmlZubizarreta, John. "The woman who sings no, no, no: Love, freedom, and rebellion in the poetry of Forugh Farrokhzad." World Literature Today 66.3 (1992): 421-426.If you want to support Deviant Women, follow us on: PatreonTwitter @DeviantWomenFacebook @deviantwomenpodcastInstagram @deviantwomenpodcastDeviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging. See acast.com/privacy for privacy and opt-out information.
Lonely Woman de Casimir Liberski Trio sur l’album Brussels 2020The Philosopher de Ezra CollectiveOddity de Alper Yilmaz sur l’album Clashes90 Degrees de Yazmin LaceyPlay Mass de Sons of Kemet sur l’album Lest we forget what we came here to doFinger Mood de Tree60Freedom de Ilhan Ersahin sur l’album Istanbul SessionsHey Pachuco! de Royal Crown RevueEtcetera […] L’article Jazz Story | Émission du 22 septembre 2020 est apparu en premier sur Radio Campus Tours - 99.5 FM.
In this week's episode we're featuring a 1978 album for Texas icon Red Steagall: "Hang On Feelin'". Recorded and released during a period of continued commercial decline, "Hang On Feelin'" was Steagall's last outing for ABC/Dot Records. That commercial decline does not translate to a decline in quality however, and fans of traditional country and western swing will find plenty to like. Based in Nashville for much of the 70s, this record has backing from many of Music City's top flight sidemen but as usual for Texas Red, there's a definite Lone Star flavour. We could've featured the whole album this week (it's that good), but just a few of the highlights include a Jim Glaser cut (the album was recorded at Glaser Sound Studio) on "Sittin' In An All Nite Cafe"; the dark single "The Devil Ain't A Lonely Woman's Friend"; a wistful cowboy's recollection in "About Horses And Wars" and the self-explanatory "All I Knew To Talk About Was Texas". If Red Steagall ever put out a bad record, this wasn't it.
Episode 1: You Are Not the Only Lonely Woman Looking for a Friend Friending is a no-nonsense, all-practical, sometimes hilarious podcast show that helps women cultivate healthy female friendships in these modern times. Join the Friending Squad Facebook Group! Learn more about Noelle and Friending: www.noelleprhodes.com Contact Noelle through email. Follow Noelle on Instagram. Follow Friending on Instagram. Support the show through Patreon or Listener Support. Leave a review on iTunes. Check out www.anchor.fm --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/friending/message
Por Pachi Tapiz. "Lonely Woman" Chris Pasin: Ornettiquette (Planet Arts) Chris Pasin, Karl Berger, Ingrid Sertso, Harvey Sorgen, Michael Bisio, Adam Siegel Tomajazz: © Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120.
Limehouse Blues-Liza- Lonely Woman.-JAZZANIVERSARIO.-Count Basie & Sarah Vaughan 1960.-CONCIERTO DE VERANO.-43 FESTIVAL DE JAZZ DE VITORIA.-GREGORY PORTER
In episode 8's Deep Listening session we dig into Ornette Coleman's haunting composition, "Lonely Woman", off his 1959 release, The Shape of Jazz to Come.
Lonely Woman.-JAZZANIVERSARIO.-Julian Priester-1960-Keep Swingin'.-JAZZACTUALIDAD.BERTRAND KIENTZ-SUNDUST-FESTIVAL CICUS 2019 PROG.Nº 617.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Lonely Woman” JAZZ RECUERDO ANIVERSARIO.- Julian Priester-1960-Keep Swingin' Sello: Riverside Records ?– RLP 12-316 Formato: Vinyl, LP, Album, Mono País: US Fecha: 1960 Género: Jazz Estilo: Hard Bop PistasOcultar Créditos A1 24-Hour Leave Written-By – Jimmy Heath 7:00 A2 The End Written-By – Julian Priester 3:48 A3 1239A Written-By – Charles Davis (2) 3:03 A4 Just Friends Written-By – John Klenner, Sam M. Lewis* 3:47 B1 Bob T's Blues Written-By – Julian Priester 3:57 B2 Under The Surface Written-By – Julian Priester 4:21 B3 Once In A While Written-By – Bud Green, Michael Edwards (3) 5:18 B4 Julian's Tune Written-By – Julian Priester 4:16 Compañías, etc. • Recorded At – Reeves Sound Studios Créditos • Bass – Sam Jones • Design – Harris Lewine, Ken Braren, Paul Bacon (2) • Drums – Elvin Jones • Engineer – Jack Higgins • Photography By – Lawrence Shustak* • Piano – Tommy Flanagan • Producer, Liner Notes – Orrin Keepnews • Tenor Saxophone – Jimmy Heath (tracks: A1, A2, A4, B2, B3) • Trombone – Julian Priester Julian Priester (nacido el 29 de junio de 1935) es un trombonista de jazzestadounidense. [1] A veces se le atribuye "Julian Priester Pepo Mtoto". Ha jugado con Sun Ra , Max Roach , Duke Ellington , John Coltrane y Herbie Hancock . Priester asistió a la escuela secundaria DuSable de Chicago , donde estudió con Walter Dyett . En su adolescencia jugó con artistas de blues y R&B como Muddy Waters y Bo Diddley , y tuvo la oportunidad de tocar con músicos de jazz como el saxofonista Sonny Stitt . A principios de la década de 1950, Priester era miembro de la gran banda de Sun Ra , grabando varios álbumes con el grupo antes de salir de Chicago en 1956 para hacer una gira con Lionel Hampton y se unió a Dinah Washington en 1958. Al año siguiente se estableció en Nueva York y se unió al grupo dirigido por el baterista Max Roach, quien lo escuchó tocar en el álbum de Philly Joe Jones , " Blues for Dracula " (1958). Mientras jugaba en el grupo de Roach, Priester también grabó dos álbumes como líder, Keep Swingin ' y Spiritsville , ambos grabados y lanzados por Riverside. (este último por su filial Jazzland) en 1960. Priester grabó dos álbumes con el trompetista Booker Little en 1961, en el frente y Booker Little y Amigo (también conocida como Victoria y dolor ), la primera también cuenta con Roach, y Priester participaron en las sesiones de John Coltrane 's Africa / Brass álbum, el cual fue grabado en el mismo año. Abandonó la banda de Roach en 1961, y entre entonces y 1969 apareció como sideman en los álbumes de Freddie Hubbard , Stanley Turrentine , Blue Mitchell , Art Blakey , Joe Henderson , McCoy Tyner , Johnny Griffin ySam Rivers . En 1969, aceptó una oferta para jugar con Duke Ellington 's Big Band, y él se quedó con ese conjunto de seis meses antes de salir en 1970 para unirse a la pianista Herbie Hancock ' s fusión sexteto. Después de dejar el Hancock en 1973, Priester se mudó a San Francisco, donde grabó dos álbumes más como líder: Love, Love en 1974 y la Polarización de 1977 . En 1979 se unió a la facultad de Cornish College of the Arts en Seattle, donde enseñó composición de jazz, performance e historia hasta que se jubiló en 2011. [2] En la década de 1980, se convirtió en miembro del quinteto de Dave Holland y también regresó a la banda de Sun Ra para algunas grabaciones. La década de 1990 vio la adición de Charlie Haden 's Liberation Music Orchestra a su horario. Priester fue co-líder con el baterista Jimmy Bennington en "Portraits and Silhouettes", que recibió una mención de honor en "Best Recordings of 2007" de All About Jazz New York, que culminó con la presencia de los dos músicos en el 30 Festival Anual de Jazz de Chicago. Priester también se presenta en el álbum Monoliths & Dimensions de la banda de drones de metal Sunn 0)), lanzado en mayo de 2009. Sus principales contribuciones fueron a la canción final del álbum, "Alice"Alice Coltrane . Además de enseñar y hacer giras, Priester continúa grabando álbumes bajo su propio nombre. Lanzó Hints on Light and Shadow (con Sam Rivers y Tucker Martine ) en 1997 y lo siguió en 2003 con In Deep End Dance . JAZZ ACTUALIDAD.- Esta semana tendremos a BERTRAND KIENTZ-SUNDUST Sundust Sundust es un conjunto de ocho temas compuestos para crear un ambiente sonoro dando especial importancia a las melodías. Es por ello que la fusión del sonido de la guitarra, el saxofón y en dos ocasiones el trombón, es omnipresente. Es importante recalcar que durante el proceso de composición ya se tenía en cuenta el sonido tan personal de VictorJimenez. Se trata de una propuesta dirigida hacia el público y no un ejercicio técnico e intelectual de música para músicos. Sundust ha sido compuesto en un mes y está pensado como un todo. Aunque los temas sean de estilos diferentes, proponen un viaje en el que se va bailando del jazz a músicas sudamericanas (bolero, samba), africanas e incluso recogiendo influencias de la música clásica y del rock. La armonía y el ritmo realzan el aspecto melódico con una gran fuerza impuesta por intérpretes de la talla de MarianoSteimberg, Alessandro Cesarini y Albert Palau. El nombre Sundust (Polvo de sol) es un mensaje existencialista a la vez que racional para contestar parcialmente a la gran pregunta: ¿Quien soy? Una metáfora que da su nombre también a uno de los temas del disco; un tema alegre y rápido que da ganas de bailar y de disfrutar de la vida. Bertrand Kientz, Guitarra Mariano Steimberg, Drums Alessandro Cesarini, Contrabajo Albert Palau, Piano Victor Jimenez, Saxo Temas Sundust - Petite valse - Barrocosa - Naimi - Rockamatic - Agyemang - Bigramexperience - Crossed Trading Blues Y para terminar lo vamos hacer con lo va acontecer en el 22 FESTIVAL DE JAZZ DE LA UNIVERSIDAD DE SEVILLA./ASSEJAZZ. Este año 2019 el festival ha encontrado un nuevo emplazamiento, tanto espacial como temporal, será el CICUS y el inicio del verano lo que marque este hecho novedoso. El mes de junio marca el inicio del momento con mas calor del año como la música que proponemos. El damero del CICUS como espacio elegido para los conciertos dará además el pistoletazo de salida del programa anual de las noches de verano en la Universidad de Sevilla. La idea fundamental en esta ocasión es hacer que el Jazz Festival Universidad de Sevilla-Assejazz sea un proyecto cercano, un lugar de encuentro entre los músicos y los aficionados y para ello este año queremos contar con la mayor parte de músicos que está y son en la ciudad. Se empezó con la presentación del cartel el pasado día 17 de junio será la Sursonora Big Band creada en los talleres del CICUS gracias a la inestimable sabiduría de Nacho Botonero aunque en esta ocasión fué su director Javier Rodríguez también tuvo lugar el concierto final de taller del taller de voz de Assejazz impartido por Natalia Ruciero. Haremos un impás hasta el martes día 25 donde convocamos a todos los músicos de jazz que quieran participar en una sesión improvisada de combos al azar, lo hemos llamado Assejazz play jazz estamos todos invitados. El día 26 la Assejazz Big Band nos prepara un concierto basado en el trabajo de gran banda que durante el año se ha preparado dentro de la asociación. A Partir del día 27 tienen lugar los conciertos profesionales con músicos de reconocido prestigio. Eva Fernández Trío día 27 Cromatic Vortex día 28 ,Sebastián Chames día 29 y Andalucía Big Band con Abdú Salim el día 30. Jueves 27 de junio EVA FERNÁNDEZ TRÍO Eva Fernández / saxo Josep Munar / guitarra Enric Fuster / batería. La cantante y saxofonista Eva Fernández presenta “Yo pregunto” y lo anuncia como primer proyecto liderado por ella misma, reafirmando su compromiso con la sensibilidad y la creatividad al hacer música. Este nuevo trabajo discográfico deja de ser un conjunto de “standards”, como en los anteriores discos en los que ha participado, para dar paso a la creación y así poder empezar a tejer su propio discurso. “Los poemas que forman este disco resonaron tan fuerte cuando los leí que tuve que empezar a cantarlos“ escribe la artista en la contraportada del disco. Eva Fernández forma tándem compositivo con Josep Munar, guitarrista de la formación, para musicar estos poemas, unidos per la premisa estilística ”menos es más”. Munar a la guitarra y Enric Fuster a la batería, son los compañeros de viaje de Fernández en este espectáculo. yo pregunto “Has vivido como un golpe en la frente que tus ojos tus manos tu sexo tu blando corazo?n habi?a que tirarlos habi?a que llorarlos habi?a que inventarlos otra vez.” Julio Corta?zar (Para leer en forma interrogativa) Julio Corta?zar, Alfonsina Storni, Alejandra Pizarnik y Alfonso Costafreda firman los poemas elegidos y han inspirado muchas respuestas a este “Yo pregunto”. Viernes 28 de junio CROMATIC VORTEX Igor Lumpert / tenor saxophone / compositions Aruán Ortiz / piano / compositions Masa Kamaguchi / contrabajo Chad Taylo / drums / percusión. Sábado 29 de junio SEBASTIÁN CHAMES QUARTET Presentando Willie Jones III and Justin Robinson Justin Robinson / saxo alto Sebastián Chames / piano Rubén Carles / contrabajo Willie Jones III / batería El pianista argentino Sebastián Chames nos trae su cuarteto, que incorpora a dos figuras estelares americanas nivel, el baterista Willie Jones III y el saxofonista alto Justin Robinson. Domingo 30 de junio ANDALUCÍA BIG BAND Dir. Abdú Salim “Los integrantes de la big band han hecho madurar durante los últimos cinco años, a fuerza de vocación y rigor, un proyecto solvente bien capaz de afrontar, no sólo el repertorio clásico, sino los nuevos arreglos y composiciones de directores invitados.” - Alberto Marina (Díario de Sevilla) . JAM SESSIONS días 27, 28 y 29 de junio en CICUS una vez concluido el concierto. La entrada será libre hasta completar aforo. TALLER Música y movimiento para niños: Leslie Ann Jordan Taller de Música y Movimiento para Niños es una acercamiento a las herramientas para desarrollar capacidades musicales tales como el ritmo, la entonación, la coordinación y la improvisación a través del movimiento y los instrumentos de pequeña percusión, y de una forma lúdica y práctica. Las actividades fomentan el trabajo en equipo. Se utiliza formas no tradicionales de notación musical para entender cómo medir el tiempo así como dramatizaciones, músicogramas, y coreografías. Dirigido a niños entre 3 y 9 años. No son necesarios conocimientos previos sobre música para participar en el taller. Horario: de 3 a 5 años de 18:00 a 18:45h de 6 a 9 años de 19:00 a 20:00h EXPOSICIÓN Imágenes de Jazz en Sevilla Antonio Torres Olivera y Gracia Gata Desde el día 17 de junio hasta el 4 de julio en CICUS Antonio Torres Olivera / Gracia Gata CINE Y JAZZ Patio del CICUS. La entrada será libre hasta completar aforo. Día 1 de Julio Ascensor para el cadalso de Louis Malle música de Miles Davis Día 2 de Julio Blow-up de Michelangelo Antonioni música de Herbie Hancock Día 3 de Julio Sonidos en B/N por Gurugú Sax Todos los conciertos darán comienzo a las 22h Los conciertos de los días 27 ,28, 29 y 30 tendrán un precio de 12€ / 6€ (comunidad universitaria y socios de Assejazz) El resto son de entrada libre hasta completar aforo.
When Tessa Souter was 28 years-old, she discovered that her birth father was not white and Spanish, but black and from Trinidad. The 12 beautiful songs on her new album, Picture in Black and White, carry listeners along on Tessa’s heartfelt journey as she explores her identify and newfound relationships. Picture in Black and White was named a top ten Jazz Record of the Year by the London Sunday Times magazine. Tessa will perform on Wednesday, April 10, at Blues Alley in D.C., and on Friday, April 12, at Bar 55 in New York. Her five albums can be purchased on Amazon or from her website, www.tessasouter.com. Charlene Giannetti, Editor of Woman Around Town, talks with Tessa about her career and her new album before the jazz vocalist’s upcoming performances. The podcast includes some of Tessa’s music – an excerpt from the title song, and “Lonely Woman,”which Tessa discusses during the podcast.
This isn't your run-of-the-mill funny jokes podcast - this is next level! Featuring a cast of characters, and highly produced storytelling, DSC's Joke of the Day is reminiscent of old-time radio, except a lot more funny and slightly inappropriate.
Modern Jazz Quartet, le Feu et la Glace "Wintertale", par le Modern Jazz Quartet M.J.Q. Trois initiales qui résonnent encore dans les salles de concert les plus prestigieuses du monde entier. Et évoquent l'un des petits ensembles les plus élégants et célébrés du genre: le Modern Jazz Quartet. A son origine, la rencontre du feu et de la glace, du vibraphoniste Milt Jackson et du pianiste John Lewis. L'un apportant son énergie exubérante et l'autre sa rigueur issue de sa formation classique. De la fusion de ces deux éléments nait un style musical emblématique du "third stream", la troisième voie inédite entre jazz et classique. Mais le MJQ n'était pas non plus insensible aux évolutions les plus récentes, comme en témoigne l'album Lonely Woman qui a placé Ornette Coleman sur la carte du jazz. Le groupe se sépare après un concert d'anthologie au Lincoln Center de New York en novembre 1974. Le Modern Jazz Quartet, retour sur un monument du jazz. Etagère n°6… Boite n°2… Dossier MJQ1962… Modern Jazz Quartet, le Feu et la Glace.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Danski saxófónleikarinn Steen Vig og Bluesicians flytja lögin Memphis Blues, Foo Foo Blues, Copenhagen hip hop, Tee, We Sure Do Need Him Now og Kansas City Man Blues. Kvintett saxófónleikarans Rocky Boyd flytur lögin Stella By Starlight, Why Not?, West 42nd Street, Avars og Ease It!. Kvintett píanóleikarans Horace Silver flytur lögin Song For My Father, Calcutta Cutie, The Natives Are Restless Tonight, Que Pasa, Lonely Woman og The Kicker.
Danski saxófónleikarinn Steen Vig og Bluesicians flytja lögin Memphis Blues, Foo Foo Blues, Copenhagen hip hop, Tee, We Sure Do Need Him Now og Kansas City Man Blues. Kvintett saxófónleikarans Rocky Boyd flytur lögin Stella By Starlight, Why Not?, West 42nd Street, Avars og Ease It!. Kvintett píanóleikarans Horace Silver flytur lögin Song For My Father, Calcutta Cutie, The Natives Are Restless Tonight, Que Pasa, Lonely Woman og The Kicker.
Asher Tobin Chodos’ adventurous arrangement of Ornette Coleman’s Lonely Woman places a quartet of jazz soloists within a symphonic context. Just as innovator Coleman sought to reframe jazz conventions in an idiosyncratic style, so Chodos’ arrangement seeks to reposition this 1959 work in a modern idiom, one that embraces and even expands upon the challenges of a composition that, in Chodos’ words, “occupies a middle ground between specificity and discrepancy.” Most importantly, this new take on a classic preserves the beauty and immediacy of Coleman’s original. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33857]
Asher Tobin Chodos’ adventurous arrangement of Ornette Coleman’s Lonely Woman places a quartet of jazz soloists within a symphonic context. Just as innovator Coleman sought to reframe jazz conventions in an idiosyncratic style, so Chodos’ arrangement seeks to reposition this 1959 work in a modern idiom, one that embraces and even expands upon the challenges of a composition that, in Chodos’ words, “occupies a middle ground between specificity and discrepancy.” Most importantly, this new take on a classic preserves the beauty and immediacy of Coleman’s original. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33857]
Asher Tobin Chodos’ adventurous arrangement of Ornette Coleman’s Lonely Woman places a quartet of jazz soloists within a symphonic context. Just as innovator Coleman sought to reframe jazz conventions in an idiosyncratic style, so Chodos’ arrangement seeks to reposition this 1959 work in a modern idiom, one that embraces and even expands upon the challenges of a composition that, in Chodos’ words, “occupies a middle ground between specificity and discrepancy.” Most importantly, this new take on a classic preserves the beauty and immediacy of Coleman’s original. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33857]
Asher Tobin Chodos’ adventurous arrangement of Ornette Coleman’s Lonely Woman places a quartet of jazz soloists within a symphonic context. Just as innovator Coleman sought to reframe jazz conventions in an idiosyncratic style, so Chodos’ arrangement seeks to reposition this 1959 work in a modern idiom, one that embraces and even expands upon the challenges of a composition that, in Chodos’ words, “occupies a middle ground between specificity and discrepancy.” Most importantly, this new take on a classic preserves the beauty and immediacy of Coleman’s original. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33857]
The key theme of A LINE BROKEN is the recognition that eventually all lines break, and that this is certainly true of human lives. While acknowledging the darkness implicit in that statement and reflected in several of the concert selections - for example, Courtney Bryan's remarkable "As Yet Unheard" and Ornette Coleman's discomfiting jazz tone poem "Lonely Woman" - there are also offerings of light. Rand Steiger's "Template for Improvising Trumpeter & Orchestra" and Gabriel Fauré's "Requiem" (so uncharacteristically gentle an example of that form) both celebrate music as an expression of the life-force and a means to transcend the darkness. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33165]
The key theme of A LINE BROKEN is the recognition that eventually all lines break, and that this is certainly true of human lives. While acknowledging the darkness implicit in that statement and reflected in several of the concert selections - for example, Courtney Bryan's remarkable "As Yet Unheard" and Ornette Coleman's discomfiting jazz tone poem "Lonely Woman" - there are also offerings of light. Rand Steiger's "Template for Improvising Trumpeter & Orchestra" and Gabriel Fauré's "Requiem" (so uncharacteristically gentle an example of that form) both celebrate music as an expression of the life-force and a means to transcend the darkness. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33165]
The best and most frequently played tracks of 2017 on Free Association, including both national and local artists. This episode will be released in three parts on the Free Association podcast. Original air date: December 15, 2017 Tangles, Arto Lindsay Cuidado Madame Northern Spy Records A Taste for Blood, Future Carnivores Post-Tension / Pretension Boy Girl Boy Girl Records Quatere, Mario BatkovicMario Batkovic INVADA Records A Trick of the Light, Chilly Gonzales & Jarvis CockerRoom 29 Deutsche Grammophon (DG) The Bed We Made, Nels ClineLovers Inauguration Day, Andrew SternSlow & Alone Lonely Woman, Bill OrcuttBill Orcutt Palilalia The Tearjerker Returns, Chilly Gonzales & Jarvis CockerRoom 29 Deutsche Grammophon (DG) Tearjerker, Chilly Gonzales & Jarvis CockerRoom 29 Deutsche Grammophon (DG) The Gate, BjorkNowness The First Hippie on the Moon, Pt 2, Cuddle Magic Ashes/Axis Northern Spy Records Next Time, Laura Marling Semper Femina More Alarming Records Keeping You Alive, Larkin Grimm Chasing an Illusion Northern Spy Records
Das Stück "Lonely Woman" auf dem Album "The Shape of Jazz to Come" von Ornette Colman wies dem polnischen Trompeter Tomasz Stanko den Weg, seine eigene Musik zu machen.
Tercera entrega dedicada a Albert Mangelsdorff en MPS. En el programa suenan las grabaciones "Eternal Rhythm" de Don Cherry; Zurich International Festival All-Stars (con músicos como Dexter Gordon, Don Byas, Art Farmer o Slide Hampton) realizando una versión de "Lonely Woman" (arreglada por George Gruntz) que aparecía en la grabación "From Europe With Jazz"; el tercer disco es "Open Space" de The Down Beat Poll Winners In Europe en el que participaban, además de Mangelsdorff, Daniel Humair, John Surman, Francy Boland, Niels Henning Oersted-Pedersen, y la vocalista Karin Krog. HDO es un audioblog editado, producido y presentado por Pachi Tapiz. Toda la información en http://www.tomajazz.com/web/?cat=13298
Tea for One/孤品兆赫-75, 摇滚/Neil Young-Lonely Woman & Cinnamone Girl 微信订阅号：【孤品兆赫】微博（新浪/腾讯）：【孤品兆赫】本期更新一期摇滚乐，听几首加拿大民谣摇滚歌手Neil Young的曲子。Tracklist1. < Cinnamon Girl > -- Neil Young & The Crazy Horse, 19692. < Don't Cry No Tears > -- Neil Young & The Crazy Horse, 1975 3. < I Wonder > -- Neil Young, 1964 4. < Hello Lonely Woman > -- Neil Young, 1965 5. < Baby What You Want Me to Do > -- Neil Young & The Crazy Horse, 1996 6. < Peace and Love > -- Neil Young & Pearl Jam, 1995 7. < My Heart > -- Neil Young & The Crazy Horse, 1994
Female big band singers form the 1930s and 1940s, including: Edyth Wright, Ella Fitzgerald, Kitty Kallen, Blanche Calloway, June Christy, Jo Stafford and Ivy Anderson. Songs include: It Don't Mean a Thing, If It Ain't Got That Swing, It's Been a Long, Long, Time, Skylark, The Music Goes Round and Round, The Dipsy Doodle and Lonely Woman.
Conversación con el pianista Agustí Fernández. El improvisador mallorquín ha disfrutado de la posibilidad de desarrollar una 'carta blanca' en el club Jamboree de Barcelona y en él ha contado con músicos contrastados como Mats Gustafsson y Liba Villavecchia o que viven sus primeros años de carrera como Ramón Prats o los componentes del Free Art Ensemble. En esta edición de "Club de Jazz" del 8 de mayo de 2013 contrastamos además con Fernández las opiniones sobre el free jazz de Brian Eno recogidas por el diario 'El País', también los prejuicios de público y crítica respecto de la libre improvisación. Todo eso regado con música del Free Art Ensemble, la Barry Guy New Orchestra o su trío junto a Barry Guy y Ramón López. Vuelve "La duda permanente" de Ferran Esteve con "Continuum", disco del pianista cubano David Virelles. "desde mi cadiera" con Jesús Moreno se pone muy clásico con el "Lonely Woman" de Ornette Coleman. En los "Ritmos Latinos" de Anxo indagamos en el homenaje al "Kind of Blue" de Omar Sosa con ""Eggün". Alberto Varela rinde tributo en el "Jazz Porteño" al pianista Gerardo Gandini, recién fallecido, con música de sus "Flores negras (Postangos en Rosario II)" de 2004. Y en el "Tren Azul" de Luis Díaz García, "Search for the new land", el trabajo que en 1964 registró el trompetista Lee Morgan junto a Wayne Shorter, Herbie Hancock, Grant Green, Reggie Workman y Billy Higgins. Toda la información y derechos: http://www.elclubdejazz.com
Conversación con el pianista Agustí Fernández. El improvisador mallorquín ha disfrutado de la posibilidad de desarrollar una 'carta blanca' en el club Jamboree de Barcelona y en él ha contado con músicos contrastados como Mats Gustafsson y Liba Villavecchia o que viven sus primeros años de carrera como Ramón Prats o los componentes del Free Art Ensemble. En esta edición de "Club de Jazz" del 8 de mayo de 2013 contrastamos además con Fernández las opiniones sobre el free jazz de Brian Eno recogidas por el diario 'El País', también los prejuicios de público y crítica respecto de la libre improvisación. Todo eso regado con música del Free Art Ensemble, la Barry Guy New Orchestra o su trío junto a Barry Guy y Ramón López. Vuelve "La duda permanente" de Ferran Esteve con "Continuum", disco del pianista cubano David Virelles. "desde mi cadiera" con Jesús Moreno se pone muy clásico con el "Lonely Woman" de Ornette Coleman. En los "Ritmos Latinos" de Anxo indagamos en el homenaje al "Kind of Blue" de Omar Sosa con ""Eggün". Alberto Varela rinde tributo en el "Jazz Porteño" al pianista Gerardo Gandini, recién fallecido, con música de sus "Flores negras (Postangos en Rosario II)" de 2004. Y en el "Tren Azul" de Luis Díaz García, "Search for the new land", el trabajo que en 1964 registró el trompetista Lee Morgan junto a Wayne Shorter, Herbie Hancock, Grant Green, Reggie Workman y Billy Higgins. Toda la información y derechos: http://www.elclubdejazz.com
Columbia University, Louis Armstrong Jazz Performance, Fall 2012
piano- Sam Reider, drums- Vicente Hansen, bass- Avi Allison
Concierto y entrevista con Han Bennink. En esta edición de "Club de Jazz" del 14 de noviembre de 2012 (emitida a partir del 15 con motivo de la Huelga General) escuchamos la actuación que el veterano baterista holandés ofreció en el Festival Periferias 13.0 de Huesca (27 octubre 2012) y la entrevista que realizada minutos antes en camerinos. Además: Ferran Esteve "Made Possible" su sección con el último trabajo de The Bad Plus; Joe McPhee edita 31 años después una versión del "Lonely Woman" de Ornette Coleman y Jesús Moreno la presenta "desde mi cadiera"; el "Tren Azul" de Luis Díaz García recupera el primer disco de Bill Evans Trío, "New Jazz Conceptions", publicado en 1956; Anxo nos ofrece una mirada a "Todas sus grabaciones", la de Los Canarios; en el "Jazz Porteño" de Alberto Varela, el espléndido encuentro entre el saxofonista Javier Girotto, el acordeonista Luciano Biondini y el Ensamble de Paolo Silvestri. Toda la información y derechos: http://www.elclubdejazz.com
Concierto y entrevista con Han Bennink. En esta edición de "Club de Jazz" del 14 de noviembre de 2012 (emitida a partir del 15 con motivo de la Huelga General) escuchamos la actuación que el veterano baterista holandés ofreció en el Festival Periferias 13.0 de Huesca (27 octubre 2012) y la entrevista que realizada minutos antes en camerinos. Además: Ferran Esteve "Made Possible" su sección con el último trabajo de The Bad Plus; Joe McPhee edita 31 años después una versión del "Lonely Woman" de Ornette Coleman y Jesús Moreno la presenta "desde mi cadiera"; el "Tren Azul" de Luis Díaz García recupera el primer disco de Bill Evans Trío, "New Jazz Conceptions", publicado en 1956; Anxo nos ofrece una mirada a "Todas sus grabaciones", la de Los Canarios; en el "Jazz Porteño" de Alberto Varela, el espléndido encuentro entre el saxofonista Javier Girotto, el acordeonista Luciano Biondini y el Ensamble de Paolo Silvestri. Toda la información y derechos: http://www.elclubdejazz.com
JW Playlist 17th July 2012 1 – Sami Dee & The Flamatic Orchestra – “We’re From Chicago” – MED 2 – Chino – “Is It Love?” – Basement Boys 3 – Carolyn Harding – “Pick It Up” (Sean McCabe Remix) – King Street 4 – Neddy Smith – “Give It Up” – Delirium 5 – Alex Millet feat Cinnamon Brown – “Never Give Up On Love” (Sean McCabe Deepa Vocal) – Room Control 6 – Victor John Junior – “2012” (Remixes) – Craic House 7 – Mr A.L.I. – “Cigars & Cocktails” (Short Mix) – Adaption Music 8 – DJ Romain & Dave C – “Cos It’s Alright” – Room Control 9 – Black Haze Express – “Won’t Nobody Listen?” – Clintone 10 – Andy Crown – “Why Do I Love You?” (DJ Redd Greg Edit) – Apollo 11 – Gwen McCrae – “90% Of Me Is You” (DL Edit) – Cat CDR White 12 – Klevakeys feat Diamondancer – “Raising Vibrations” – House Keys 13 – Groove Assassin feat Tantra Zawadi & Dana Byrd – “African Sunrise” – Gotta Keep Faith 14 – Collective Spirits – “Spirit Of Africa” – Do It Now Recordings 15 – Melchyor A – “Lonely Woman” – Razana Productions 16 – Ned Doheny – “To Prove My Love” (Deadly Sins Rare Edit) – CBS CDR White 17 – Don Downing – “Dreamworld” – Roadshow 18 – The Originals – “Don’t Stop Now” – Tamla Motown 19 – David Ruffin – “My Whole World Ended The Moment You Left Me” – Tamla Motown
http://www.djshirshnev.com Скачать можно только тут!!!EXLUSIVE FROM (Dj Shirshnev&Alex Menco)!Оставляйте ваши комментарии. FULL 320!Enjoy!Special For Promo DJ !С 23 Февраля!!!
http://www.djshirshnev.com Скачать можно только тут!!!EXLUSIVE FROM (Dj Shirshnev&Alex Menco)!Оставляйте ваши комментарии. FULL 320!Enjoy!Special For Promo DJ !С 23 Февраля!!!
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