Podcasts about war memorial auditorium

Rocket City meets Music City as we talk with Olivia Christian, Marketing Director for tvg hospitality – a hospitality group that focuses on fan and artist experiences. Olivia tells us all about tvg's flagship and first U.S. venue, The Orion Amphitheater in Huntsville, AL, which is an 8,000 capacity greek-inspired amphitheater which opened in spring 2022. In addition to hosting many national touring shows, the venue focuses on being the “third space” for people (after home and work) with a huge focus on community and cultural events, sustainability practices, and hospitality for everyone visiting. The venue's focus on sustainability includes zero waste to landfills, a reusable cup program (reused over 500,000 cups since opening!), and allowing water bottles with water stations throughout the venue. They also have an artist garden with fruits, vegetables, and herbs that are used as garnish for drinks and used in food as well as a special bar named “Carbon” which donates $1 from every purchase to Tennessee Riverkeeper to protect rivers by enforcing environmental laws and educating the public. We chat with Olivia about her history in live events, which includes runs at Ryman Auditorium, War Memorial Auditorium, Tennessee Performing Arts Center, and promoter National Shows 2 (NS2). Enjoy this fun, informative episode that's sure to inspire you to follow your passion, buck venue stereotypes, and have a greater appreciation for a good marketing mix.Olivia Christian: LinkedIn | Emailtvg hospitality: Facebook | Instagram | LinkedInThe Orion Amphitheater: Facebook | Instagram ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

On this episode of the SeventySix Capital Sports Leadership Show, Wayne Kimmel interviewed Bryce Hollweg, COO of the Florida Panthers. Hollweg was named the Chief Operating Officer of the Florida Panthers in July 2022 after serving as the organization's Executive Vice President since April 2021. Hollweg oversees the organization's arena operations, food & beverage services, live entertainment, technology and the Panthers IceDen practice/recreational facility. He also oversees the War Memorial Auditorium revitalization in Fort Lauderdale. Prior to joining the Panthers, Hollweg worked for the Aquilini Investment Group, serving as the Director of Information Technology for the Vancouver Canucks, and later, the Vice President & Managing Director for PH Restaurants LP, operating 55 Pizza Hut and 12 Dairy Queen franchise locations in British Columbia, Canada. Following his graduation from the United States Military Academy at West Point, where he earned a Bachelor of Science in Management and Captained the Army West Point NCAA D1 Hockey Team, Hollweg served 10 years as a US Army Officer. His military career included assignments in Belgium, Germany, Afghanistan and South Korea, and culminated as a Professor of Military Science and Leadership at Embry-Riddle Aeronautical University in Daytona Beach, Florida. He received his Master of Arts in Information Technology Management from Webster University and Executive Leadership Certificate from Cornell University. Hollweg currently resides in Fort Lauderdale with his wife, Margaret. Bryce Hollweg Social Media: LinkedIn: https://www.linkedin.com/in/bryce-hollweg-0180a852/ Instagram: https://www.instagram.com/brycehollweg/ Florida Panthers Social Media: LinkedIn: https://www.linkedin.com/company/florida-panthers/ Instagram: https://www.instagram.com/flapanthers/ X: https://twitter.com/FlaPanthers

"From Chicago to Egypt: Collecting Dead Memorabilia and Memories with Jay Blakesburg"Larry Mishkin features a nostalgic recounting of a Grateful Dead concert from March 11th, 1993, at the Rosemont Horizon in Rosemont, Illinois. The discussion covers various aspects of the event, including the venue's challenges, the band's performance, and reflections on specific songs played during the show. Larry also touches on recent music events, such as Phil Lesh and Friends' performances and upcoming Phish summer tour dates. It also highlights an exhibition by photographer Jay Blakesburg and his collection of Grateful Dead memorabilia, along with personal anecdotes related to Dead history.  Grateful DeadMarch 11, 1993 (31 years ago)Rosemont HorizonRosemont, Illinois (Chicago)Grateful Dead Live at Rosemont Horizon on 1993-03-11 : Free Borrow & Streaming : Internet ArchiveFinal night of 3 show run March 9 – March 11 (Tuesday – Thursday)  INTRO:                  Help On The Way                                Track #1                                :20 – 2:06                                 Released on Blues For Allah (1975)                                Played 111 times                                First time:  June 17, 1975 at Winterland, S.F.                                       Last time:  June 22, 1995 at Knickerbocker Arena, Albany, NY       SHOW No. 1:      When I Paint My Masterpiece                                Track #6                                1:36 – 3:12                 "When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971. Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar, appeared on Bob Dylan's Greatest Hits Vol. II, released November 17, 1971, with Russell credited as the producer.             Dylan and The Band performed the song together live, in the early hours of January 1, 1972, at a New Year's Eve concert by The Band; a recording was released as a bonus track on the 2001 CD reissue of The Band's live album Rock of Ages. Douglas Brinkley, while interviewing Dylan for the New York Times in 2020, noted that "When I Paint My Masterpiece" was a song that had grown on him over the years and asked Dylan why he had brought it "back to the forefront of recent concerts". Dylan replied, "It's grown on me as well. I think this song has something to do with the classical world, something that's out of reach. Someplace you'd like to be beyond your experience. Something that is so supreme and first rate that you could never come back down from the mountain. That you've achieved the unthinkable. That's what the song tries to say, and you'd have to put it in that context. In saying that though, even if you do paint your masterpiece, what will you do then? Well, obviously you have to paint another masterpiece". According to his official website, Dylan played the song live 182 times between 1975 and 2019.[4] Five live performances of the song from Dylan's 1975 Rolling Thunder Revue tour were released on the box set The Rolling Thunder Revue: The 1975 Live Recordings in 2019. The live debut occurred at the War Memorial Auditorium in Plymouth, Massachusetts on October 30, 1975 and the most recent performances occurred on the Rough and Rowdy Ways World Wide Tour in 2023. Played 146 timesFirst: June 13, 1987 at Ventura County Fairgrounds, Ventura, CALast: July 9, 1995 at Soldier Field, Chicago My favorite Dylan cover.  Would rotate in first set with other Dylan covers including Queen Jane Approximately, Stuck Inside of Mobile With Memphis Blues Again and Desolation Row.            SHOW No. 2:      So Many Roads                                Track #7                                :39 – 2:21                 So Many Roads was first performed by the Grateful Dead on February 22, 1992. It was then played regularly through to the last performance of the song on July 9, 1995. In total the song was played just over 50 times.Jerry Garcia spoke about So Many Roads in an interview with Dave DiMartino in 1992;“It's Hunter writing me from my point of view, you know what I mean? We've been working together for so long that he knows what I know. The song is full of references to things that have to do with me.... “....Hunter is the only guy that could do that. He can write my point of view better than I can think it, you know what I mean? So that's the kind of relationship we have. And he frequently writes tunes from my point of view that are autobiographical. There actually biographical I guess. He's the one writing them, but even so they express my point of view - and more than that they express the emotional content of my soul in a certain way that only a long-term and intimate relationship with a guy as brilliant as Hunter coughs up ... I can sing that song, feel totally comfortable with it.” Robert Hunter's comments on the origins of this song in the notes in Box Of Rain: Lyrics 1965-1993; “One afternoon, Jerry was playing some unstructured changes on the piano. Figuring they might be forgotten otherwise, I clicked on my tape recorder. Ten years later I found the tape and listened to it, liked it, and set these words to it. Listening to the pitifully recorded and time-degraded tape, Jerry protested that, although he liked the words, his changes were not very good and unfinished besides. This didn't seem to be the base and I requested that he at least give it a run through. The result was one of the better received new GD songs and one that almost got away.” Never released on a Dead studio album but was a centerpiece of the Dead's first Box Set:  So Many Roads, 5 disc retrospective of the band from 1965 to 1995. Many commentators said this was the best one ever.  When I saw the show, we were still just all hearing the song fort the first few times and getting used to it.  Over time, it has become a favorite thanks to Hunter's lyrics and Jerry's playing and singing. Very emotional.    SHOW No. 3:      Iko Iko                                Track No. 9                                4:04 – 5:38                 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts.             The story tells of a "spy boy" (i.e. a lookout for one band of Indians) encountering the "flag boy" or guidon carrier for another "tribe". He threatens to "set the flag on fire". Crawford set phrases chanted by Mardi Gras Indians to music for the song. Crawford himself states that he has no idea what the words mean, and that he originally sang the phrase "Chock-a-mo", but the title was misheard by Chess Records and Checker Records president Leonard Chess, who misspelled it as "Jock-a-mo" for the record's release.             The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko". In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko".  Second set opener.  From intro, it was hard to tell if they were going into Women Are Smarter to Iko.  Really enjoyed Women Are Smarter, but always extra happy when it turns out to be Iko. Great version.  Jerry very energetic and really getting into it.                 Played 185 times                First: May 15, 1977 at The Arena in St. Louis                Last: July 5, 1995 at Riverport Amphitheater in St. Louis (first and last time in St. Louis!!)                 SHOW No. 4:      Space                                Track #15 (note that there are 2 “Space” tracks, this is the first one, Track 15)                                4:25 – 5:42 (The Island – Ken Nordine)                               Ken Nordine (April 13, 1920 – February 16, 2019) was an American voice-over and recording artist, best known for his series of word jazz albums.[2] His deep, resonant voice has also been featured in many commercial advertisements and movie trailers. One critic wrote that "you may not know Ken Nordine by name or face, but you'll almost certainly recognize his voice.”             In 1955, he provided the voiceover on Billy Vaughn's version of "Shifting Whispering Sands", which peaked at number 5 on the Billboard Hot 100. He subsequently attracted wider attention when he recorded the aural vignettes on Word Jazz (Dot, 1957). Love Words, Son of Word Jazz (Dot, 1958) and his other albums in this vein feature Nordine's narration over cool jazz by the Fred Katz Group featuring Chico Hamilton recording under an alias.             Nordine began performing and recording such albums at the peak of the beat era and was associated with the poetry-and-jazz movement. However, it has been observed that some of Nordine's writings "are more akin to Franz Kafka or Edgar Allan Poe" than to the beats.[8] Many of his word jazz tracks feature critiques of societal norms.[9] Some are lightweight and humorous, while others reveal dark, paranoid undercurrents and bizarre, dream-like scenarios. Nordine's DVD, The Eye Is Never Filled was released in 2007.[9]Nordine hosted the weekly Word Jazz program on WBEZ, also carried on other stations, from the 1970s for over forty years.In 1990, Nordine was approached by Jerry Garcia of The Grateful Dead to be the anchor for their New Year's Eve radio broadcast from Oakland, California.[13] For the broadcast he recorded some improvisations with Garcia, drummer Mickey Hart and Egyptian musician Hamza El-Din.[13] This subsequently led to an album Devout Catalyst, released on the Grateful Dead's own label in 1991[13] and Upper Limbo in 1993[14] and an appearance with the band live at a show at Rosemont, Illinois, in March 1993.            Ken Nordine died February 16, 2019.                OUTRO:                Days Between                                Track No. 18                                4:51 – 6:51                 “Days Between,” a late song in the Robert Hunter / Jerry Garcia songbook, was perhaps their last collaboration on a big, significant song, one that ranks with “Dark Star” and “Terrapin Station” as ambitious and intentionally grand. (I was talking the other day with a friend, about Garcia's playing and songwriting, and the thought came up that Garcia, like few others, was unafraid of grandeur, and could successfully pull it off. Same with Hunter.)            It appeared like the ghostly ships it describes, as if gradually from a fog and only slowly revealing itself as something very big, towering above everything around. It's hard to say it any better than Phil Lesh did in his autobiography, Searching for the Sound:“Achingly nostalgic, ‘Days Between' evokes the past. The music climbs laboriously out of shadows, growing and peaking with each verse, only to fall back each time in hopeless resignation. When Jerry sings the line ‘when all we ever wanted / was to learn and love and grow' or ‘gave the best we had to give / how much we'll never know,' I am immediately transported decades back in time, to a beautiful spring morning with Jerry, Hunter, Barbara Meier, and Alan Trist—all of us goofing on the sheer exhilaration of being alive. I don't know whether to weep with joy at the beauty of the vision or with sadness at the impassable chasm of time between the golden past and the often painful present.”            Each verse in the song contains fourteen lines, and each evokes a different season of the year, although not in sequence. The first verse contains the lines “Summer flies and August dies / the world grows dark and mean.” I can't hear that line without thinking about August West, in Wharf Rat, and, by extension, Garcia himself. “The singing man is at his song / the holy on their knees.” Who is the singing man, if not Garcia, when it comes to Hunter and his words?                Played 42 times by the band, always in the second set, almost always out of drums                First:  February 22, 1993 at the Oakland Alameda County Coliseum in Oakland, CA                Last:  June 24, 1995 at RFK Stadium, Washington, D.C. This was just the second time it was ever played “Gave the best we had to give, how much we'll never know” No chorus in this song, just verses that keep building on each other. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Burt Bacharach Tribute Start Name Artist Album Year Comments Magic Moments Jean Martyn On Top Of The World 2-6 Wurlitzer, Rye College, Rye, East Sussex; ex-Palace Cinema, Tottenham 3:07 The Story Of My Life Phil Kelsall Unforgettable Hits Of The '50s [Conifer CD] 1988 3-14 Wurlitzer, Tower Ballroom, Blackpool 4:31 Make it easy on yourself Nigel Ogden Bacharach & David Songbook [Castle Pulse PDSCD 588] 2004 3-14 Wurlitzer, Tower Ballroom, Blackpool 8:30 Twenty-Four Hours From Tulsa Nigel Ogden Bacharach & David Songbook [Castle Pulse PDSCD 588] 2004 3-14 Wurlitzer, Tower Ballroom, Blackpool 11:56 Anyone Who Had a Heart Arnold Loxam BBC Broadcast: Gaumont State, Kilburn 1964-03-21 1964 4-16 Wurlitzer, Gaumont State Theatre, Kilburn, London 14:39 Wives and Lovers Ashley Miller At the War Memorial [HMR Productions 1061] 1977 3-16 Möller, War Memorial Auditorium, Trenton, NJ 18:09 (They Long To Be) Close To You Ralph Wolf Holiday For Pipes [Concert Recording CR-0093] 4-22 Wurlitzer, Old Town Music Hall, El Segundo, CA 21:13 A House Is Not A Home John Lauter Private Recording 3-23 Wurlitzer, Stahls Automotive Museum, Chesterfield, MI 25:28 Trains and boats and planes Nigel Ogden Bacharach & David Songbook [Castle Pulse PDSCD 588] 2004 3-14 Wurlitzer, Tower Ballroom, Blackpool 29:12 What's New Pussycat? Leon Berry Leon Tames The Lion [Audio Fidelity LP] 1973 2-7 Wurlitzer, Berry Residence; ex-Eltovar/Lake Theatre, Crystal Lake (Chicago) IL (1929), enlarged from original 4 ranks. 33:00 The Look Of Love Steve Hubble Moving On 2019 Yamaha Genos 36:54 What The World Needs Now Is Love Klaus Wunderlich Hammond Fireworks, Vol 2 [Bell BLR 89 103] 1970 Hammond, Wersi, Lowrey, Moog, Mini-Moog 40:16 Alfie Mark Laflin A Handful Of Keys 2012 3-9 Wurlitzer, Neuadd Pendre, Tywyn, Wales; ex-Granada Cinema, Woolwich (1937), plus Orchestral Oboe 44:34 Do You Know The Way To San Jose? Dave Fredericks Bold Brave Organ Extravaganza [Gulco 803N-6437] 1969 Gulbransen Pacemaker 2104 47:32 I Say A Little Prayer Johnny Kemm Latin Days [Concert Recording CR-E069] 1968 Lowrey H25R-2 50:30 I'll Never Fall In Love Again Jonas Nordwall Plays The Paramount [Gamba JN-102] 4-20 Wurlitzer, Paramount Theatre, Portland, OR 52:52 This Guy's In Love With You John Seng Seng Rediscovered [HP3001] 1970 4-19 Howell-Wurlitzer, St. Mary of the Lake Seminary, Mundelein, IL 54:56 Raindrops Keep Fallin' On My Head Reginald Dixon At The Movies [EMI One-Up OU 2132] 1976 3-13 Wurlitzer, BBC Playhouse, Manchester 58:51 That's what friends are for Chris McPhee Introducing Chris McPhee 1992 Lowrey Heritage; recorded by Wayne Bertram to Sony PCM, direct from organ output 62:11 South American Getaway Dennis James At The Movies Volume 2 [DJP 106] 4-34 Robert Morton, Ohio Theatre, Columbus, OH

Pipe Organ Plus Name Artist Album Year Comments The Vatican Rag Scott Harrison, Mark Page Kingston Keys 2010 4-21 Wurlitzer, Kingston City Hall (formerly Moorabbin), Victoria, Australia; ex-State Theatre, Melbourne; Mark Page, piano Time And Time Again Rob Richards, Ralph Wolf Together Again... For The Very First Time 4-74 Wurlitzer & Bosendorfer Imperial Grand Piano, Nethercutt Collection, San Sylmar, CA The Surrey With The Fringe On Top Ron Curtis Sunrise Serenade [Crystal CRY 3012] 1972 4-10 Compton, plus upright piano, Paramount Organ Studio, Bolton; Dave Roberts on drums. Bluesette Rob Richards Fusion 1986 4-34 Wurlitzer, Senate Theatre, Detroit, MI; Yamaha FX-20; Sept 5-6, 1986 I Can't Get Started Ashley Miller, Joseph Scannella At the War Memorial [HMR Productions 1061] 1977 3-16 Möller, War Memorial Auditorium, Trenton, NJ; Joseph Scannella, trumpet Und jetzt: Franz Doelle! 2 Teil Adolf Steimel, Organum-Orchester Adolf Steimel und sein Organum-Orchester [1939 + 1940] [EMI Electrola IC 038 15 6290 1 M] 1940 Welte Philharmonic Organ plus orchestra, Carl Lindström Recording Company, Schlesische Strasse (i.e. Silesian Street), Berlin Frasquita Serenade Rob Richards & Alex-Zsolt Nethercutt Duets [Alex Zsolt Ministries] 2010 4-74 Wurlitzer, Nethercutt Collection, Sylmar, CA, plus Bosendorfer grand piano Ob-La-Di, Ob-La-Da Trio con Brio In The Key Of Three 2007 3-26 Robert Morton, Residence Paul Van Der Molen; console ex-Lowe's Kings Theatre, Brooklyn, New York; plus 2 Allens Looking Around Simon Gledhill, Richard Hills Private 2014 4-22 Compton, plus Melotone, Holbeach, Lincolnshire (David Shepherd); theme of 1952 BBC TV show "The Appleyards)

ECW is back with their 2nd-ever PPV : Hardcore Heaven. The Main Event is a 3way Dance for the ECW Heavyweight Championship : Terry Funk (c) v Shane Douglas v Sabu Also on the card : Taz v Candido, Lawler v Dreamer (Match of the Night!), Dudleys v PG-13 and RVD v Al Snow in a 'Monday Night Rules' match..whatever that means. This event took place in Ft. Lauderdale, Florida in the War Memorial Auditorium..1800 fans.

Julien Baker "Something"Will Johnson "Just to Know What You've Been Dreaming"Brittany Howard "He Loves Me"Mattiel "Guns Of Brixton"Slim Dunlap "Radio Hook Word Hit"Drag The River "Kelly Country"Swamp Dogg "Total Destruction To Your Mind"Margo Price "Stone Me"Wilco "Box Full of Letters"Laura Marling "A Hard Rain's A-Gonna Fall"Chris Knight "Mexican Home"John Prine "The Late John Garfield Blues"Wilco "Passenger Side"Lianne La Havas "Paper Thin"Taj Mahal "She Caught the Katy (And Left Me a Mule to Ride) - Taj Mahal"Bessie Jones "O Death"Bonnie Raitt "What Is Success [Remastered version]"John Lee Hooker "Sittin' In My Dark Room"Grateful Dead "Brown-Eyed Women (Live at War Memorial Auditorium, Buffalo, NY 5/9/77)"Alex Chilton "Devil Girl"Sid Selvidge "Walkin' Down Beale Street"Otis Redding "Nobody's Fault But Mine"FIONA APPLE "Shameika"Patterson Hood "Come Back Little Star"Bob Dylan "False Prophet"Shannon & the Clams "The Boy"Gillian Welch "Ginseng Sullivan"Willie Nelson "Black Night"James Cotton "River's Invitation"Cedric Burnside "Ain't Gonna Take No Mess"Ray Wylie Hubbard "Wanna Rock and Roll"Sam Doores "Other Side of Town"Lucinda Williams "Concrete And Barbed Wire"Lucero "Noon As Dark As Midnight"The Handsome Family "Everything that Rises Must Converge"Cory Branan "The Corner"Aimee Mann "Nothing Is Good Enough"Jason Isbell And The 400 Unit "Overseas"Wilco "At My Window Sad And Lonely"Guy Clark "Instant Coffee Blues"Nikki Lane "I Don't Care"Charlie Parr "True Friends"Marah "The Apartment"Nirvana "Where Did You Sleep Last Night"

One of our favorite interviews this past year was a conversation with Robert Randolph, fresh off his “Brighter Days” album. As you’ll hear, Robert is both confident and energetic -and a tremendous amount of fun. While we were doing the interview in the lobby of Nashville’s War Memorial Auditorium, the venue’s staffers asked to shoot streaming video for Facebook as… Read more The post Show 41 – The Genre-Defying Music of Robert Randolph appeared first on Americana One.

Tami Neilson is a dynamic artist on stage, but the challenge is to capture that excitement in the recording studio. In this edition of Americana One, Tami talks about her new album Chickaboom! in a highly entertaining conversation at War Memorial Auditorium in Nashville. Read more The post Show 40 Tami Neilson’s explosive “Chickaboom!” appeared first on Americana One.

Music of the 1920s ~ 1929 #1 Name Artist Album Year Comments Great Day! Lyn Larsen Vintage Classics Vol 2 - Renaissance [Musical Contrasts CD] 1975 5-21 Wurlitzer, William P Brown Residence, Phoenix AZ Yours Is My Heart Alone (aka You Are My Heart's Delight) Gaylord Carter Golden Memories [Film Technology Co. Cassette] 1986 4-22 Wurlitzer, Sargent-Stark residence, Hollywood Hills, CA Baby, Oh Where Can You Be? Jim Riggs Paramount On Parade [RTR 103C] 1989 4-26 Wurlitzer, Paramount Theatre, Oakland, CA Louise Dudley Savage The Compton Organ At Home [Cassette DS3] 3-19 Compton plus Melotone, David Shepherd Residence, Holbeach, Lincolnshire Siboney Jesse Crawford The Early Years [Piping Hot PH2008] 1931 4-21 Wurlitzer, Paramount Theatre Studio, New York Stardust Ashley Miller, Joseph Scannella At the War Memorial [HMR Productions 1061] 1977 3-16 Möller, War Memorial Auditorium, Trenton, NJ; Joseph Scannella, trumpet The Wedding of the Painted Doll Reginald Dixon Mr. Blackpool [Columbia SXC1587] 1964 3-14 Wurlitzer, Tower Ballroom, Blackpool Ain't Misbehavin' Gerald Shaw 1964-1966 [Organ 1st CD] 1964 4-37 Christie, Odeon/Regal Cinema, Marble Arch, London Am I Blue? Al Bollington Serenades In Blue [Decca DL 4423] 1963 Tip-Toe Through The Tulips Rob Richards Now Playing - Rob Richards at the Mighty Wurlitzer Organ 4-37 Wurlitzer, El Capitan Theatre, Hollywood, CA

Colombian mixed martial artist the Colombian Warrior Danny Chavez (8-3) will headline the upcoming XFN event alongside Felipe Vargas (4-0) December 15, 2018 at the upcoming XFN fight card at the War Memorial Auditorium in Fort Lauderdale. The Roman Show spoke to Chavez days away from his fight. He said he feels confident that his training has been the best one yet. Host Rodolfo Roman also discussed last weekends UFC 231 results, WWE's TLC pay-per-view and more. Follow us on our socials: Facebook, Twitter, Instagram, Youtube and visit our website.

Jim Casey talks with Levi Hummon about: being born and raised in Nashville watching the city change over his 27 years growing up with a successful songwriting father, Marcus Hummon being influenced by all genres of music, including the Ramones and the Clash the homegrown singer/songwriters coming out of Nashville, including Thomas Rhett and Tucker Beathard studying sculpture and painting in college before transitioning to music building a songwriting catalog by co-writing with his dad stepping away from his record deal with Big Machine finding his voice, both literally and figuratively releasing his new six-song EP, Patient opening shows for Dwight Yoakam, Kelsea Ballerini, Sam Hunt and more hitting the road, including a stop at War Memorial Auditorium on Dec. 6 for the Nashville House Concerts the non-profit his mother Becca Stevens started called Thistle Farms Show Participants: Levi Hummon Jim Casey, NCD editor in chief

Jim Casey talks with Dillon Carmichael about: growing up in the small town of Burgin, Kentucky his musical pedigree, including uncles John Michael Montgomery and Eddie Montgomery getting offered a publishing deal as a 17-year-old moving to Nashville as a 19-year-old working with producer Dave Cobb on his debut album, Hell on an Angel, which was released on Oct. 26 writing or co-writing eight of the 10 songs on the new album creating a traditional-sounding record making his Grand Ole Opry debut on Aug. 21 performing more than 100 dates this year playing the Nashville House Concerts at War Memorial Auditorium on Nov. 1 Show Participants: Dillon Carmichael Jim Casey, editor of NCD

This is a very special edition of Blame Your Brother.  We were voted one of the best podcasts in Nashville in the Writer’s Poll of the Nashville Scene’s Best of Nashville.  Since we came in 3rd, we were invited to attend the Best of Nashville event in Nashville at the War Memorial Auditorium.  During the actual event, we stepped outside with microphones and recorded this special episode. We talk about the event itself, our attire, State Troopers harassing black people, and how awesome our listeners are to vote for us in this contest.  We also find time to talk about some current news including Donald Trump, Kanye West, Elizabeth Warren, and Transgender Harassment.  Somehow we find time to squeeze in a Dear John segment as well. Check out this shorter episode and enjoy!       The post Episode 113 – Live from Best of Nashville appeared first on BLAME YOUR BROTHER .

South Florida's Barrington Hughes is set to be part of the first War Games in the sunshine state in over ten years. Hughes will be part of the War Games match at MLW return to the War Memorial Auditorium, September 6. Tickets are on sale at www.mlw.com.  Hughes will team up with John Morrison, Tommy Dreamer, Kotto Brazil, and Shane Strickland vs Sami Callihan, Jimmy Havoc, Abyss and The Death Machines. The Roman Show also talks All In Pay-per-view, Melina's potential WWE return, Tyrone Woodley title defense against Darren Till, Paul Logan wanting to fight in the UFC and more. Follow us on our socials: Instagram, Twitter, Facebook, Youtube and visit our website.

"The Queen Of Pompano" Chasity Martin joins the show. She discusses her upcoming bout on October 19th at War Memorial Auditorium in Fort Lauderdale. She explains how she plans to improve to 5-0. Why has she had such a long layoff since her last fight? Will she be more active in the next 12 months? Plus did fighting in her hometown live up to expectations? She also discusses her goals to use boxing as a tool to send a message and what cause is near and dear to her heart.

From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America's musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 79, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin' Cousins.” He played on such landmark albums as Bob Dylan's Nashville Skyline and tried his hand at producing on the Youngbloods' Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South's Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. The CDB will perform 100 concert dates this year including performances on the Grand Ole Opry. The band's latest release, "Off the Grid - Doin' It Dylan," features 10 Bob Dylan songs by the CDB, and is their first CDB studio release since 2007. “I love what I do,” says Charlie of his 50-plus years in the music business. “I look forward to entertaining people. When show time gets here, I'm ready to go, ready to go play for them. It's a labor of love. I just thank God I make a living at what I enjoy doing.”-2- Whether performing in the hit 80s movie Urban Cowboy, singing on Easter Sunday at his local church or leading an all-star cast at one of his famed Volunteer Jams, Charlie just exudes joy whenever he steps on stage and he's always been quick to provide a platform for other artists to shine. In 1974 he invited some friends to join him at Nashville's War Memorial Auditorium for an all-star concert he dubbed The Volunteer Jam. The event continued for years and was broadcast in the U.S. and internationally. Over the years, the Jam featured a diverse line up that included Willie Nelson, Ted Nugent, Roy Acuff, Stevie Ray Vaughn, Crystal Gayle, James Brown, Emmylou Harris, Amy Grant, George Thorogood, Kris Kristofferson, Little Richard, Tammy Wynette, Alabama, Oak Ridge Boys, B. B. King and the Allman Brothers. As diverse as his live shows have always been, his discography has also reflected Charlie's love of multiple genres. In 1994 he released his first Christian album, The Door, on Sparrow Records. The album won the Gospel Music Association's Dove Award for Best Country Album and “Two Out of Three” was named video of the year by the Christian Country Music Association. In 1997, Sony Wonder released Charlie's first children's album, “By The Light of The Moon: Campfire Songs and Cowboy Tunes'. An astute businessman as well as talented musician, Charlie launched Blue Hat Records in 1997 with his longtime personal manager David Corlew. Over the past 15 years, the label has released such memorable albums as Blues Hat, Tailgate Party, Road Dogs, Fiddle Fire: 25 Years of the Charlie Daniels Band and his first bluegrass album 2005's Songs From the Longleaf Pines and 2007's album Deuces, featuring duets with Brad Paisley, Gretchen Wilson, Bonnie Bramlett, Travis Tritt, Dolly Parton, Vince Gill,...

Happy St. Patrick's Day! This week we have a fine request from a great friend of the Deadpod for a show from March 31st, 1973 - Buffalo N.Y. You really never go wrong with a show from that year so I'm happy to oblige.. we'll hear set 1 this week. While there are many great highlights here, overall I simply love the sound of Garcia's guitar. Watch out for Donna on Playin' In the Band ;) War Memorial Auditorium, Buffalo NY (3/31/73) Mississippi Half-Step The Race Is On Sugaree Mexicali Blues Box of Rain Tennessee Jed Jack Straw Big Railroad Blues El Paso Row Jimmy Looks Like Rain They Love Each Other Playing in the Band You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod031717.mp3 Thank you so much to my friends whose support of the Deadpod makes it possible each week.. :)

Joseph Pearce, Director of the Center for Faith and Culture and Writer-in-Residence at Aquinas College, addresses the graduates at the 2015 Commencement Ceremonies at the War Memorial Auditorium in downtown Nashville. Mr. Pearce pondered the pervasive belief that religion is inimical to science.

This week's Deadpod has been on my request list for quite awhile, and in reviewing that list I decided it was time to pull it out. This show comes to us from April 15th, 1983 at the War Memorial Auditorium in Rochester NY. There seems to be lots of good memories of this show, and while I don't think it was their strongest outing of the year, it is an enjoyable and generally wellplayed performance I think you'll enjoy. A Shakedown opener is always a great way to start out a show and we're treated to a good one here. Brent's keyboards add a nice, uptempo feeling here and Jerry does a great job with his leads and vocals - listen for how he changes the words at one point. 'My Brother Esau' follows in the second slot - a strange position for this number, I think, and frankly I think it takes the band a bit to work into the emotional feel of this number, following Shakedown. I enjoy this number, but to my ears there's a bit of dissonance here. A nice Brown-Eyed Women follows, but it is marred by microphone problems which steal from us Jerry's first couple verses. Little Red Rooster has the additional Brent verses that often popped up during this period. Dire Wolf follows, a personal favorite, then Lazy Lightnin'->Supplication, followed by a nice set ending Deal.  We'll hear set 2 next week,    War Memorial Auditorium, Rochester, NY (4/15/83) Shakedown Street My Brother Esau Brown Eyed Women Little Red Rooster Dire Wolf Lazy Lightnin' Supplication Deal   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod040315.mp3     Thanks for picking this up and for your kind support! You're the best!    

Fight Time 20 Rio vs Carrillo se dará a cabo este viernes 29 de Agosto en el "War Memorial Auditorium" en una noche llena de acción y una celebración especial. Fight Time 20 marcara el cuarto aniversario de Fight Time Promotions. Hablamos con Karla sobre la historia de la compañía y lo que este evento se significa. También hablamos sobre la pelea estelar cual será por el titulo de los pesos ligeros, las lesiones que nunca faltan, lo que nos espera esa noche y mucho mas.

With KISSMAS in July just around the corner, we'll be knee-deep in the Hottest Band in the Land when Independence Day rolls around but we still wanted to celebrate America's birthday. We decided to do our Patriotic duty and spin some rock songs about America this week.  Before we get down to business, we name Jay Hardman Geek of the Week for his hilarious response to a "Pick Your Poison" question on the Decibel Geek facebook fan page that pertains to some of Metallica's more "experimental" projects. Chris attended the Geoff Tate-led version of Queensryche's performance at War Memorial Auditorium in Nashville. In this review, you'll hear his thoughts on the band's performance, concert attendence (or lack thereof), and his memories of the meet & greet after the concert.  We kick off our ear-bleeding tribute to America with some love for the USA from a Canadian as Sebastian Bach performs 'American Metalhead' from 2007's Angel Down album. The Offspring are well-known for their tongue-in-cheek, silly tracks from the 90's. However, there's more to this band if you dig a little deeper. We take a listen to the title track from 1998's Americana album. Only in America would someone name themselves Jizzy Pearl. Love/Hate remains a criminally underrated gem of a band from Hollywood. We feel it our patriotic duty to give Jizzy and company their just due and spin the title track from 1992's 'Wasted in America' album. Next up is a track about America that got this British hard rock band in quite a pickle during a festival show in England. British metalheads took it upon themselves to shower Def Leppard with bottles of urine during their performance at the Reading Festival in England. We take a listen to 'Hello America' from the On Through the Night album. Before we get back tot he music, Chris reads some hilarious Letters to the Editor from a 1989 Hit Parader magazine.  Up next is another rock artist that doesn't get near enough attention from the music buying public. Lizzy Borden has been doing his shock rock show for 30 years. We take a listen to 'American Metal' from 1985's Love You to Pieces album. We go from Def Leppard telling America 'Hello' to Blackie Lawless and WASP bidding the Land of the Free adieu with 'Goodbye America' from 1995's Still Not Black Enough album.  It wouldn't be a patriotic Decibel Geek show without a little KISS. To get you primed for next month's KISSMAS festivities, we spin 'All American Man' from the studio side of Alive II. In 90 episodes (so far), we've never played anything by The Runaways. That changes this week as we take a listen to 'American Nights' from their 1976 self-titled debut album. A true transplanted American is Lemmy of Motorhead. Always a fixture of L.A.'s Rainbow, Lemmy has written a number of songs about America. We spin 'Stone Deaf in the U.S.A' from 1987's Rock n Roll album. Closing out the show is the lyrical genius of one, Alice Cooper. 1982's DaDa album has gone down in history as a piece of work that is not in Mr. Cooper's memory banks due to the high volume of alcohol consumption going on at the time. Aside from that, he had a spark of brilliance when he penned a patriotic song that extols on the joys of wonder bread, the A-team and waitresses that love to flirt. A perfect way to cap off our tribute to America.  Buy Music! Sebastian Bach The Offspring Love/Hate Def Leppard Lizzy Borden WASP KISS The Runaways Motorhead Alice Cooper Contact Us!   Rate, Review, and Subscribe in iTunes Join the Fan Page Follow on Twitter E-mail Us Comment Below   Call us on the Hotline! (540) DBGeek - 1 or (540) 342-3351

Transmitting live from Fort Lauderdale's War Memorial Auditorium, we bring you live updates before Fight Time 7 "The Return" of UFC veteran Din Thomas. Call in live to participate. We will be giving free tickets away. Don't miss it. Tune in while driving to the arena.

On this episode of The Roman Show, we discuss the news in MMA and Fight Time Promotions Fight Time 6 happening August 19 at the War Memorial Auditorium in Fort Lauderdale.