Podcasts about stuck inside

Stuck Inside a Potential Serial Killer's Home [Spotify Ad]Approached in the Woods (7:10)Narrowly Escaped Crime of Passion (11:16)Easter Man Stalker (27:59)Someone had a Key to our Hotel Room (33:55)Crazy Boyfriend says "You're Dead" (37:37)

Pastor Blake kicks off a new sermon series, "Found," and today we'll be looking at 3 ways to move from being stuck inside to reaching people the outside. Thank you for enjoying this life changing message from The Breeze Church. We pray this moves you closer to Jesus and encourages you.

On this episode of the Awayken Space podcast I dive into becoming aware that you're stuck inside of a f*cked up box from bullshit intergenerational super ego black or white thinking.

SICK AND STUCK INSIDE by 101.9POR

Do you think it will make it to next week? We're finding out what crazy things people have got stuck in their bodies inspired by Producer Maddie's experience. Wippa starts a crusade against thick-heeled sneakers, finding out how the team treats AI & Fitzy witnessed an arrest at his local gym!See omnystudio.com/listener for privacy information.

  Dr. Jeff Hutchinson joins host Dr. Edith Bracho-Sanchez to talk about what to do when your family is stuck inside. He suggests activities for kids of all ages to beat cabin fever but also says parents should cut themselves some slack. Not every moment needs to be productive, he reminds us, so be open to moments of low-key connection, creativity, relaxation and memories made in the “in between.”   

It's one of those days—you're stuck inside with the toddlers, and the energy is building. Whether it's bad weather, a sick day, or just life, being indoors all day can feel like a marathon. In this episode, we're diving into how to make the most of it with creative activities, sanity-saving strategies, and mindset shifts that will help you thrive, even when chaos is brewing.We share our favorite go-to activities to burn energy (hello, obstacle courses and dance parties), quick craft ideas that don't require a trip to the store, and how to keep toddlers entertained without losing your mind. We're also spilling on what NOT to do—because let's be real, we've all learned a few lessons the hard way.But it's not just about keeping the kids busy. We're tackling the mental side of long days indoors and sharing mindset shifts that can transform the way you approach the chaos. From letting go of perfection to embracing the small, meaningful moments, this episode is packed with actionable tips and laughs along the way.What We Cover in This Episode: Easy, mess-free indoor activities your toddlers will actually enjoy. Creative ways to burn energy without stepping outside. Common mistakes parents make on indoor days (and how to avoid them). Sanity-saving strategies to keep you grounded. Powerful mindset shifts to help you embrace the ups and downs of parenthood.Join the official Mom Group Chat Facebook group: Mom Group Chat | FacebookKeep up with the Moms and join the conversation on our socials:Instagram: @‌momgroupchatTikTok: @‌momgroupchatQuestions/comments/need to vent? Email us at momgroupchat@gmail.com

When this week's guest, musician/music historian Matthew Sabatella discovered Harry Smith's 'The Anthology Of American Folk Music' in the late 90s, it literally changed the direction of his own musical journey. This amazing collection of recordings made and issued from 1926 to 1933 by a variety of performers got under his skin, and eventually moved him to found Ballad of America, Inc., a nonprofit organization with a mission to preserve and celebrate music from America's diverse cultural history. Songs discussed in this episode: Henry Lee - Dick Justice;  Sir George - Matthew Sabatella; Old Lady & The Devil - Bill & Belle Reed; White House Blues - Charlie Poole & The North Carolina Ramblers; Tenting On The Old Camp Ground - Matthew Sabatella and the Rambling String Band; Memory Coast - Matthew Sabatella; House Carpenter - Bob Dylan; The House Carpenter - Clarence Ashley; Ommie Wise - G. B. Grayson; John Hardy Was a Desperate Little Man - The Carter Family; Casey Jones - Grateful Dead; Kassie Jones - Furry Lewis; Brilliancy Medley - Eck Robertson; Mountain Banjo - Rhiannon Giddons; Acadian One-Step - Joseph Falcon; Present Joys - Alabama Sacred Harp Singers; Judgement - Sister Mary Nelson; I Wish I Was a Mole in the Ground - Bascom Lamar Lunsford; Stuck Inside of Mobile With the Memphis Blues Again - Bob Dylan; Way Down the Old Plank Road - Uncle Dave Macon; Spike Driver Blues - Mississippi John Hurt; Going Up The Country - Canned Heat; Fishing Blues - Henry Thomas; This Old Hammer - Matthew Sabatella and the Rambling String Band

Airplanes aren't the only ones flying around at the airport. Birds often get stuck inside the terminal, and they can be a challenge to get out.

- Burglars should probably do some research on what they are stealing, but they try to steal it, huh?

In the show today, Clint has a taste of his own medicine and has a go and "sorry who's this" game. Dan has the new features on the iPhone and how it could be a cheaters best friend. AI can create your favourite songs into your favourite genres. 

Button in the ear? Something else? Tuesday 09/17/24

The band embarks on tour, only to be overwhelmed by feelings of inadequacy when measuring up to their fellow touring bands. Meanwhile, one of their tour mates achieves sudden and remarkable success on the road.Tune in next Wednesday for the next chapter in this six-part miniseries.This show is brought to you by Manhead Merch https://www.manheadmerch.com/Even If It Kills Me is a FANG workshop productionWritten and Narrated by Aaron JoyProduced by Jon Lullo and Brendan WalterFeaturing original music by Alex DezenOriginal theme by Matt McGinleyevenifitkillsmepodcast.comfangworkshop.comalexdezen.commattmcginleymusic.comSocialized Pepsi by The Loyalist | https://soundcloud.com/the_loyalist_officialMusic promoted by https://www.free-stock-music.comCreative Commons / Attribution 3.0 Unported License (CC BY 3.0)https://creativecommons.org/licenses/by/3.0/deed.en_USHosted by Ausha. See ausha.co/privacy-policy for more information.

Discovering squirting, a misplaced squirt, a misplaced condom and some trippy mind games… This “OMG” round of Girl Boner sex and relationship stories features:   Lala, of Lala's Bedtime Tales Nicoletta Heidegger, LMFT, of Sluts and Scholars Makenzie Mizell, media producer Carly, of Aurore And August   Check out Afternoon Delight: https://nazanin-moali.mykajabi.com/offers/ESbAz2o5/checkout   Explore the latest specials at The Pleasure Chest! IG: @GirlBonerMedia  TikTok: @GirlBonerRadio  FB: @MyGirlBoner  augustmclaughlin.com/girlboner    patreon.com/girlboner   Hosted and produced by August McLaughlin  

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

We finally take a look at the current ADP for positional players and decide if we like where they currently are or if we are waiting for the dip. It's the fantasy football stock market!!!

‘Stuck Inside My Mind'Freestyle improve poetry. Watch the video on Instagram, and read the full poem here.Current offerings:- Hunt Your Own Shadow: free 12 week email course- Insight Timer: guided audio courses & free meditations- Skillshare: video courses on personal development- How To Get Your Sh!t Together: the last self-help book you will ever read- Bound To The Wings of a Butterfly: best selling poetry collection- How To Write Evocative Poetry: a guidebook for unlocking creativity- 1 on 1 Coaching & Mentoring: Video Calls & Voice/Text CoachingWeb: zachary-phillips.comSocial: @zacpphillips

A sexual health nurse reveals the wildest things she's seen in the ER. Listen Live on the Nova Payer Follow us on Instagram - TikTok - FacebookSee omnystudio.com/listener for privacy information.

In honor of the upcoming St. Patrick's Day I decided to bring you a St. Patrick's day Dead concert - this one is from March 17, 1988 at Oakland California.  The first set, which we will hear this week, features a nice opening 'Hell In A Bucket'  into a fine 'Sugaree'. Another highlight is the first 'Memphis Blues' without Bob Dylan. 'Row Jimmy' and a nice 'Let It Grow' finishes the first set. I'll bring you the second set next week..                                                                                                                                                                                                                      Grateful Dead Henry J. Kaiser Convention Center Oakland, CA 3/17/1988 - Thursday      One      Hell In A Bucket [5:57] > Sugaree [9:42]   New Minglewood Blues [1] [7:12]   Ramble On Rose [6:33]   Stuck Inside of Mobile With The Memphis Blues Again [8:23]   Row Jimmy [8:04]   Let It Grow  [10:51]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod031524.mp3   Have a safe and happy St. Patrick's Day!

"From Chicago to Egypt: Collecting Dead Memorabilia and Memories with Jay Blakesburg"Larry Mishkin features a nostalgic recounting of a Grateful Dead concert from March 11th, 1993, at the Rosemont Horizon in Rosemont, Illinois. The discussion covers various aspects of the event, including the venue's challenges, the band's performance, and reflections on specific songs played during the show. Larry also touches on recent music events, such as Phil Lesh and Friends' performances and upcoming Phish summer tour dates. It also highlights an exhibition by photographer Jay Blakesburg and his collection of Grateful Dead memorabilia, along with personal anecdotes related to Dead history.  Grateful DeadMarch 11, 1993 (31 years ago)Rosemont HorizonRosemont, Illinois (Chicago)Grateful Dead Live at Rosemont Horizon on 1993-03-11 : Free Borrow & Streaming : Internet ArchiveFinal night of 3 show run March 9 – March 11 (Tuesday – Thursday)  INTRO:                  Help On The Way                                Track #1                                :20 – 2:06                                 Released on Blues For Allah (1975)                                Played 111 times                                First time:  June 17, 1975 at Winterland, S.F.                                       Last time:  June 22, 1995 at Knickerbocker Arena, Albany, NY       SHOW No. 1:      When I Paint My Masterpiece                                Track #6                                1:36 – 3:12                 "When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971. Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar, appeared on Bob Dylan's Greatest Hits Vol. II, released November 17, 1971, with Russell credited as the producer.             Dylan and The Band performed the song together live, in the early hours of January 1, 1972, at a New Year's Eve concert by The Band; a recording was released as a bonus track on the 2001 CD reissue of The Band's live album Rock of Ages. Douglas Brinkley, while interviewing Dylan for the New York Times in 2020, noted that "When I Paint My Masterpiece" was a song that had grown on him over the years and asked Dylan why he had brought it "back to the forefront of recent concerts". Dylan replied, "It's grown on me as well. I think this song has something to do with the classical world, something that's out of reach. Someplace you'd like to be beyond your experience. Something that is so supreme and first rate that you could never come back down from the mountain. That you've achieved the unthinkable. That's what the song tries to say, and you'd have to put it in that context. In saying that though, even if you do paint your masterpiece, what will you do then? Well, obviously you have to paint another masterpiece". According to his official website, Dylan played the song live 182 times between 1975 and 2019.[4] Five live performances of the song from Dylan's 1975 Rolling Thunder Revue tour were released on the box set The Rolling Thunder Revue: The 1975 Live Recordings in 2019. The live debut occurred at the War Memorial Auditorium in Plymouth, Massachusetts on October 30, 1975 and the most recent performances occurred on the Rough and Rowdy Ways World Wide Tour in 2023. Played 146 timesFirst: June 13, 1987 at Ventura County Fairgrounds, Ventura, CALast: July 9, 1995 at Soldier Field, Chicago My favorite Dylan cover.  Would rotate in first set with other Dylan covers including Queen Jane Approximately, Stuck Inside of Mobile With Memphis Blues Again and Desolation Row.            SHOW No. 2:      So Many Roads                                Track #7                                :39 – 2:21                 So Many Roads was first performed by the Grateful Dead on February 22, 1992. It was then played regularly through to the last performance of the song on July 9, 1995. In total the song was played just over 50 times.Jerry Garcia spoke about So Many Roads in an interview with Dave DiMartino in 1992;“It's Hunter writing me from my point of view, you know what I mean? We've been working together for so long that he knows what I know. The song is full of references to things that have to do with me.... “....Hunter is the only guy that could do that. He can write my point of view better than I can think it, you know what I mean? So that's the kind of relationship we have. And he frequently writes tunes from my point of view that are autobiographical. There actually biographical I guess. He's the one writing them, but even so they express my point of view - and more than that they express the emotional content of my soul in a certain way that only a long-term and intimate relationship with a guy as brilliant as Hunter coughs up ... I can sing that song, feel totally comfortable with it.” Robert Hunter's comments on the origins of this song in the notes in Box Of Rain: Lyrics 1965-1993; “One afternoon, Jerry was playing some unstructured changes on the piano. Figuring they might be forgotten otherwise, I clicked on my tape recorder. Ten years later I found the tape and listened to it, liked it, and set these words to it. Listening to the pitifully recorded and time-degraded tape, Jerry protested that, although he liked the words, his changes were not very good and unfinished besides. This didn't seem to be the base and I requested that he at least give it a run through. The result was one of the better received new GD songs and one that almost got away.” Never released on a Dead studio album but was a centerpiece of the Dead's first Box Set:  So Many Roads, 5 disc retrospective of the band from 1965 to 1995. Many commentators said this was the best one ever.  When I saw the show, we were still just all hearing the song fort the first few times and getting used to it.  Over time, it has become a favorite thanks to Hunter's lyrics and Jerry's playing and singing. Very emotional.    SHOW No. 3:      Iko Iko                                Track No. 9                                4:04 – 5:38                 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts.             The story tells of a "spy boy" (i.e. a lookout for one band of Indians) encountering the "flag boy" or guidon carrier for another "tribe". He threatens to "set the flag on fire". Crawford set phrases chanted by Mardi Gras Indians to music for the song. Crawford himself states that he has no idea what the words mean, and that he originally sang the phrase "Chock-a-mo", but the title was misheard by Chess Records and Checker Records president Leonard Chess, who misspelled it as "Jock-a-mo" for the record's release.             The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko". In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko".  Second set opener.  From intro, it was hard to tell if they were going into Women Are Smarter to Iko.  Really enjoyed Women Are Smarter, but always extra happy when it turns out to be Iko. Great version.  Jerry very energetic and really getting into it.                 Played 185 times                First: May 15, 1977 at The Arena in St. Louis                Last: July 5, 1995 at Riverport Amphitheater in St. Louis (first and last time in St. Louis!!)                 SHOW No. 4:      Space                                Track #15 (note that there are 2 “Space” tracks, this is the first one, Track 15)                                4:25 – 5:42 (The Island – Ken Nordine)                               Ken Nordine (April 13, 1920 – February 16, 2019) was an American voice-over and recording artist, best known for his series of word jazz albums.[2] His deep, resonant voice has also been featured in many commercial advertisements and movie trailers. One critic wrote that "you may not know Ken Nordine by name or face, but you'll almost certainly recognize his voice.”             In 1955, he provided the voiceover on Billy Vaughn's version of "Shifting Whispering Sands", which peaked at number 5 on the Billboard Hot 100. He subsequently attracted wider attention when he recorded the aural vignettes on Word Jazz (Dot, 1957). Love Words, Son of Word Jazz (Dot, 1958) and his other albums in this vein feature Nordine's narration over cool jazz by the Fred Katz Group featuring Chico Hamilton recording under an alias.             Nordine began performing and recording such albums at the peak of the beat era and was associated with the poetry-and-jazz movement. However, it has been observed that some of Nordine's writings "are more akin to Franz Kafka or Edgar Allan Poe" than to the beats.[8] Many of his word jazz tracks feature critiques of societal norms.[9] Some are lightweight and humorous, while others reveal dark, paranoid undercurrents and bizarre, dream-like scenarios. Nordine's DVD, The Eye Is Never Filled was released in 2007.[9]Nordine hosted the weekly Word Jazz program on WBEZ, also carried on other stations, from the 1970s for over forty years.In 1990, Nordine was approached by Jerry Garcia of The Grateful Dead to be the anchor for their New Year's Eve radio broadcast from Oakland, California.[13] For the broadcast he recorded some improvisations with Garcia, drummer Mickey Hart and Egyptian musician Hamza El-Din.[13] This subsequently led to an album Devout Catalyst, released on the Grateful Dead's own label in 1991[13] and Upper Limbo in 1993[14] and an appearance with the band live at a show at Rosemont, Illinois, in March 1993.            Ken Nordine died February 16, 2019.                OUTRO:                Days Between                                Track No. 18                                4:51 – 6:51                 “Days Between,” a late song in the Robert Hunter / Jerry Garcia songbook, was perhaps their last collaboration on a big, significant song, one that ranks with “Dark Star” and “Terrapin Station” as ambitious and intentionally grand. (I was talking the other day with a friend, about Garcia's playing and songwriting, and the thought came up that Garcia, like few others, was unafraid of grandeur, and could successfully pull it off. Same with Hunter.)            It appeared like the ghostly ships it describes, as if gradually from a fog and only slowly revealing itself as something very big, towering above everything around. It's hard to say it any better than Phil Lesh did in his autobiography, Searching for the Sound:“Achingly nostalgic, ‘Days Between' evokes the past. The music climbs laboriously out of shadows, growing and peaking with each verse, only to fall back each time in hopeless resignation. When Jerry sings the line ‘when all we ever wanted / was to learn and love and grow' or ‘gave the best we had to give / how much we'll never know,' I am immediately transported decades back in time, to a beautiful spring morning with Jerry, Hunter, Barbara Meier, and Alan Trist—all of us goofing on the sheer exhilaration of being alive. I don't know whether to weep with joy at the beauty of the vision or with sadness at the impassable chasm of time between the golden past and the often painful present.”            Each verse in the song contains fourteen lines, and each evokes a different season of the year, although not in sequence. The first verse contains the lines “Summer flies and August dies / the world grows dark and mean.” I can't hear that line without thinking about August West, in Wharf Rat, and, by extension, Garcia himself. “The singing man is at his song / the holy on their knees.” Who is the singing man, if not Garcia, when it comes to Hunter and his words?                Played 42 times by the band, always in the second set, almost always out of drums                First:  February 22, 1993 at the Oakland Alameda County Coliseum in Oakland, CA                Last:  June 24, 1995 at RFK Stadium, Washington, D.C. This was just the second time it was ever played “Gave the best we had to give, how much we'll never know” No chorus in this song, just verses that keep building on each other. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Need some new indoor activities for kids? Are you completely out of ways to keep your little ones busy while winter's cold and icky weather continues to drag on? Bundling up and going outside is worth the trouble, when you can make it happen—but when you can't, here's how to make those long and boring days inside more fun. Amy and Margaret discuss: The "third quarter phenomenon" How to change things up to create new experiences out of old toys for kids Listener tips for keeping kids occupied on cold, rainy, or snowy days Here are links to some of the things mentioned in the episode: Elmo checks in on all of us this week: Elmo on Twitter / X Watch this interview with Elmo and his dad Louie on TODAY Nathan Smith and Gro Mjeldheim Sandal for Astronautics: "The third-quarter phenomenon: the psychology of time in space" We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: https://www.whatfreshhellpodcast.com/p/promo-codes/ mom friends, funny moms, parenting advice, parenting experts, parenting tips, mothers, families, parenting skills, parenting strategies, parenting styles, busy moms, self-help for moms, manage kid's behavior, teenager, toddler, baby, tween, child development, family activities, family fun, parent child relationship, decluttering, kid-friendly, invisible workload, default parent, activities for kids, fun activities for kids, winter activities for kids, indoor activities for kids Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny talks about pigs on Jenny's Been on Reddit, Dave's Dirt, & More!

Big Vic is back to recap, review, and dissect the most perfect film ever created, My Best Friend's Wedding.1997, My Best Friend's Wedding. Available on Netflix, YouTube, and PrimeEpisode available on YouTube, Spotify, and Apple**Editor's note: While Big Vic is right about most things, she was incorrect in her assessment that the wedding gown in the opening number of MBFW is the same as Rachel Greene's gown in the FRIENDS pilot. Dear Abby, I'm Stuck Inside the Opening Credit Sequence of My Best Friend's Wedding: https://www.newyorker.com/humor/daily-shouts/dear-abby-help-im-trapped-inside-the-opening-credit-sequence-of-my-best-friends-wedding00:15 The Pact to marry by 287:31 Michael's Gaslighting11:18 Miss Kimberly Wallace19:58 Karaoke Scene24:56 Jules' Deception29:56 George to the Rescue43:50 Jules crosses the line48:49 Bittersweet Ending1:03:18 Alternate Ending_____GIVEAWAY: WIN A FREE BRIDAL PREP PLANNER!!!Youtube Subscribers & Podcast Listeners are invited to enter our monthly giveaway!Simply screenshot your follow, subscribe, rating, review, and/or episode download, and send to adriana@the-pre-nup.com! Every screenshot is an additional entry. Good luck!! Didn't win the giveaway? All entrants get 10% off at the end of the month!Tik TokInstagram10% OFF Your Custom Wedding AccessoriesThe Perfect Wedding GiftPerfect Wedding Skin PrepYour Full Wedding WardrobeMy Fav Bridal SetsDISCLAIMER: Some links provided are affiliate links. Purchasing products from the links provided will potentially earn me a commission with NO charge to you. This allows me to continue providing free content for you. Thank you for your support! XO

In this podcast episode, DJ talks with Kaley Metler, a fitness enthusiast and youth sports program organizer from Canada. Listen in as Kaley shares her experiences encouraging kids to engage in outdoor activities, especially during cold weather and as she expresses the importance of community involvement in homeschooling. Stay tuned because Kaley discusses the need for parents to be proactive in fostering outdoor play for their children, even in winter and shares insights into her fitness programs, including activities like skating, tobogganing, and creative games, while highlighting the positive impact on children's physical health, mental well-being and confidence levels. TIMESTAMPS• [3:40] Kaley talks about the  winter activities for homeschoolers in Canada, including skating and tobogganing.• [10:12] DJ & Kaley emphasize building community through outdoor play. • [20:41] Kaley highlights the importance of allowing children to explore and play, making them the best athletes and businessmen/women in the future. • [22:29] DJ & Kaley discuss childhood freedom and safety; and kids finding ways to socialize and have fun despite distance and transportation challenges.For more information on the Imperfect Heroes podcast, visit: https://www.imperfectheroespodcast.com/Connect with Us!DJ Stutz -Website: https://www.littleheartsacademyusa.com/Facebook: https://www.facebook.com/littleheartsacademy/Instagram: https://www.instagram.com/littleheartsacademy/YouTube: https://www.youtube.com/channel/UCOpphCRklDJiFXdS76U0LSQRumble: https://rumble.com/v449rkoDJ Stutz Booking Link: https://bookme.name/ImperfectheroespodcastCICERONE MASTERS Link: https://www.littleheartsacademyusa.com/courses/cicerone-mastersONE ON ONE COACHING Link: https://www.littleheartsacademyusa.com/courses/one-on-one-coaching-bundleKaley Metler - Website: https://www.kjstransformationfitness.com/Instagram: https://www.instagram.com/kjs_transformation_fitness/Facebook: https://www.facebook.com/transformyourbody22LinkedIn: https://www.linkedin.com/in/kaley-metler/YouTube: https://www.youtube.com/channel/UCC0XRvERYCAHWvJn3Ej6KRAPinterest: https://www.pinterest.ca/coachmetler/Episode 91 with Tyson Wright Link to news story https://www.youtube.com/watch?v=gHtEWz_U4boLink to Dad builds snow hill. https://www.youtube.com/watch?v=lQM-ArFgzX0

want to hear FULL EXCLUSIVE episodes?linktr.ee/alexasmrtalksa bad rainstorm means you and your roommate are stuck inside tonight. you've haven't really hung out one on one like this before and she's getting really flustered... actually, she has something she wants to confess...**FOR ENTERTAINMENT PURPOSES ONLYALL VOICES 18+**want to hear the FULL EXCLUSIVE episodes?linktr.ee/alexasmrtalksfeeling generous and want to leave a tip? your support helps me make the best audios I can! https://ko-fi.com/alexsounds******script: moiediting: moiVO: moi******#asmrgirlrfiend#f4a #tomboygirlfriendthanks guys :3luv AlexSupport the show

What did you get stuck inside you?  Confessions of a Stripper Triggered! What are you living without? Worst opening linesSubscribe on LiSTNR: https://play.listnr.com/podcast/mike-e-and-emmaSee omnystudio.com/listener for privacy information.

A live episode from our channel we did the day before Thanksgiving this year with our friends Joe Mayo, and Beatley Tone.  

See omnystudio.com/listener for privacy information.

You Have What Stuck Inside You & Kat's A.D.D

Intro song: Rainy Day Women #12 & 35 by Lenny KravitzAlbum 7: Blonde on Blonde (1966)Song 1: Stuck Inside of Mobile With the Memphis Blues AgainSong 2: Leopard-Skin Pill-Box HatBonus song: Visions of JohannaSong 3: One of Us Must Know (Sooner or Later)Album 8: The Basement Tapes (1975*)Song 1: Million Dollar BashSong 2: Please, Mrs. HenrySong 3: Clothes Line SagaOutro song: You Ain't Goin' Nowhere by Brett Dennen

Happy November babesssss! This episode is a wild one and we'll be discussing A LOT including: Fake brother and sister relationshipsPeriods .. we don't just bleed, our uterus basically falls out (the lining)Shoutout to my uterus My toxic ex Demonic spermThe time I got a condom stuck inside of me9 most frequently asked questions about sex6 Emails from a stalker? Lesbian virginity vs hetero virginity Is drake racist & will we ever be bestiesQuestions Article: https://www.futureofpersonalhealth.com/sexual-wellness/the-9-most-frequently-asked-sex-questions-answered/Want some advice or to share a fun sex story? Submit your questions & stories to theloveatiyaexperience@gmail.com & I'll be sure to read them on upcoming episodes! Pleasure Positive Playlist & Email Sign Up: https://www.loveatiya.com/signup For Sex Toys & Books: https://www.shopsedure.com/ USE THE CODE LOVEATIYA for 15% offInstagram: @loveatiyaTikTok: @iloveatiya & @loveatiyaYouTube: iloveatiyaWebsite: Loveatiya.comFor Hair & Skincare: https://loveatiya.com/ethereal For Jewelry: https://www.imanijewelry.com/ For Herbs: https://heavenhighnyc.com/ 

From Our YouTube channel. We discussed our thoughts on the 12 Minute Documentary for 'Now and Then' with Beatley Tone.  

A team of doctors performed tests on the alien bodies found in Mexico. Dieter leaves the show to use the bathroom. Man rips off his shirt during an altercation at a golf course. A jail in Pennsylvania accidentally released a murderer. People are saying an AIDS memorial looks like a human body part. How many Americans go to the hospital for a foreign object stuck inside themselves? Rumble makes a statement about Russell Brand's content on their platform. Strange coincidence that the Taco Bell Cantina closed after JLR bought lunch Friday.

Our 6th Episode of the monthly show we do with Beatley Tone and Joe Mayo.  We take Q & A's from our viewers/listeners.  

Our monthly live series over Youtube with fellow Beatle people Joe Mayo and Beatley Tone.  Originally streamed 25th June 2023. 

In this one, I sit down with the world's No.1 Marketing Expert Dan Kennedy in his office, at his home in Cleveland. I flew there for the day to prepare for our big event together and we talk openly about the future of PT... How PTs have become a "second class citizen" in health care ... and the "Darwinian consolidation" that PTs need to be aware of where the big hospital systems are trying to buy out the small independents (and make it impossible for those left to compete). This takeover is real, it's happening all across the country and it's a huge threat to small independent practices like yours. We talk about the strategy you need to adopt if you want to avoid being "swallowed up" and be one of the remaining "independent and successful" PT Practices as well as why even if others lower their prices, or accept lower reimbursements, you CAN NOT do the same thing for the SAKE OF YOUR PATIENTS, your staff and your SANITY. ​*Note: You can also WATCH this episode on my YouTube channel: @ThePaulGough https://youtu.be/U2dJg-mrmOQ (The title of the video is the same as this podcast episode - why not subscribe to my channel when you get there?) A big reason to watch it as well as listen? You'll get to see inside Dan's famous basement, where he conducts all of his meetings, writes his books, and meets with clients. The 2-day Mastermind with Dan takes place in Cleveland on July 8-9th. Book your seat here: www.paulgough.com/dan 

Our 4th installment of this series that we do monthly on YouTube with our friends MeanMrMayo and Beatley Tone.  We ask one question each, then kick it to the audience.  Fun format.  Video version if you audiophiles are interested.    

סוגרים השבוע הלילה כאשר מצוות נחת הרוח מובילה אותנו אל ניו אורלינס של לפני 47 שנים.  אל יום 3 במאי 1976!  אל היכל וורהאוס!  אל דילן וחבורתו הכבירה!  אל סופו של הרולינג ת'אנדר רוויו! באורח פלא מצא מצאנו בארכיון המאובק את הקלטות הבוטלג מהופעה היסטורית זו. די נדיר לגלות הקלטות, שלא ראו אור באופן רשמי, באיכויות שכאלו. מרפא לנפש בימים אלה, ובכל ימות השנה.1. Mr.Tambourine Man2. Love Minus Zero - No Limit3. Maggie's Farm4. Mozambique5. Isis 6. Knockin' on Heaven's Door 7. Shelter From The Storm 8. Rita Mae9. Stuck Inside of Mobile with The Memphis Blues Again

Hello audio faithful.  A bonus episode for y'all.  Yesterday (30 April) we hosted another installment of the monthly series "Stuck Inside These 4 Walls" on our YouTube channel with fellow YouTubers Beatley Tone and Mean Mr. Mayo.  This one was live so we fielded questions from the audience this time.       

We're bringing you a special meditation from another podcast that Dan is a fan of – and where he's been a guest. It's called The Science of Happiness, and it's hosted by the great Dacher Keltner, a psychologist and author who has been on this show many times. Every other week, his show releases guided practices called Happiness Breaks. And the one we're dropping here for you is led by Dekila Chungyalpa, founder and director of the Loka Institute at the Center for Healthy Minds. This meditation is about connecting with nature, and it's from a series on The Science of Happiness about climate hope. About The Science of Happiness:What does it take to live a happier life? Learn research-tested strategies that you can put into practice today. Hosted by award-winning psychologist Dacher Keltner. Co-produced by PRX and UC Berkeley's Greater Good Science Center.For more on the upcoming climate hope series on The Science of Happiness, click here. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 We are going to stick with the late 80's this week as we feature a show from the Rosemont Horizon on April 15, 1988.  I believe this is the only Scarlet>Fire opener the boys ever played, which immediately makes the radar go up that we're in for a good show. I don't think this one disappoints. Weir slows things a bit with a 'Walkin' Blues' but Jerry follows with the always favorite 'Candyman'. Brent then goes into an unusual bluesy 'Louie, Louie' which flows really nicely into the uptempo 'Cumberland Blues'  Weir sings the Dylan  'Stuck Inside of Mobile With the Memphis Blues Again' which goes into a nice uptempo 'Deal' to close the set.      Grateful Dead Rosemont Horizon Chicago , IL 4/15/1988 - Friday One     Scarlet Begonias [6:44] > Fire On The Mountain [9:16] Walkin' Blues [6:30] Candyman [7:11] Louie Louie [4:07] > Cumberland Blues [5:07] Stuck Inside of Mobile With The Memphis Blues Again [7:57] > Deal [7:29] You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod042123.mp3  "Lotta poor man make a five dollar bill  Will keep him happy all the time Some other fellow's making nothing at all And you can hear him cry"    

This week on Bad Behavior: Writer and Comedian Jo Firestone (The Tonight Show with Jimmy Fallon, ZIWE, Dr. Gameshow) assesses product-obsessed boys, loosely inspired by her Brooklyn-based comedy show “Butterboy,” on a scale from Heaven to Hell. Plus, she'll share a morally ambiguous story about a scary apartment entrance and the email sent to her landlord. Will Jo be deemed good or bad? Connect with Bad Behavior: Instagram | TikTok | Sterling and Blair on Instagram | Sterling and Blair on TikTok Original music by HoliznaCC0 and Ketsa. Licensed under Creative Commons: By Attribution 4.0 License.

Timecodes: 00:00:00 Start 00:13:26 Succession SPOILER ALERT 00:20:25 Darren Rough / Succession analogy 00:23:04 Charles Barkley got soap stuck up his a** 00:30:19 Feits doesn't understand how babies don't fall out of women 00:36:38 How does a mirror see the egg tik tok 00:36:58 https://www.tiktok.com/@dr.emzieees/video/7218778404101967146?lang=en 00:39:20 Feits f***ed up in The Dozen 00:43:54 Snapping your Banjo String......... 00:51:53 Feits' golf game 00:54:01 Out of Order 00:56:27 AITA - Work Stickers 01:06:00 Video Voicemails 01:29:07 Interview Preview: Ben Schwartz +++++++++++++++++++++++ Pirate Water: Go to drinkpiratewater.com to find pirate water in a location near youYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Westeros PD has a new secret weapon in solving the case, Dr. Lord Varys, forensic detective, coming to CBS Thursdays this fall! Join Erik the Troubadour as he spreads misinformation about jazz ballad nomenclature, rodent reproductive cycles, squire job requirements, and the proper descriptors for ultimate British quaintness. All this, plus special guest The Oklahoma Kid. (The Oklahoma Kid appears courtesy of Pretzels, America's Bread.)The Opening Act is…Barkeep, a Pod of Your Finest Draft Hail (Cthulhu)The Topic on Tap is…Is that Valyrian Steel You Stabbed Me in the Back With, or are You Just Unhappy to See Me? The Closer is…Drink Me a MixThe Flavor and Flow is…Now is the Winter of Our This ContentThe Equation is...(((((((1x2) cubed)/4)x5)-6)+7)-8) times (((((((1x2) cubed)/4)x5)-6)+7)-8)The “You're Stuck Inside” is…Directed by Luke WarmThe “The Force is Inside” is…Also directed by Luke WarmThe “Enjambment” is…Once again, directed by Luke WarmThe Porn Opera is…You guessed it, directed by Luke WarmFind us at gadzooksanerd.com/meowHear the Music at gadzooksanerd.com/fieldsContact us at gadzooksanerd@gmail.com

What happens when those random thoughts are left unchecked, allowed to preoccupy your thoughts? Do you engage them? Do you leave them alone? Why are they there in the first place? Today Chris and Christina explore the answers to these questions and give some insight into what is really going on when we get stuck inside your own thoughts.

Watch Along on YouTubeAre you looking to gain insight into how to work with trauma? Join us this week as we are excited to feature a special guest, Tanya Wishlove, a highly-experienced therapist specializing in a breakthrough therapy called Somatic Experiencing.Tanya teaches us about the somatic approach to working with trauma, which is based on a multidisciplinary approach that includes physiology, psychology, biology, neuroscience, indigenous healing practices, and medical biophysics. Tanya discusses the key components of Somatic Experiencing, such as how it assesses where people are stuck in the fight, flight, or freeze response and sets conditions to help the nervous system complete those responses.She talks about how it helps to reintegrate trauma physiology as life energy, and the importance of building resilience and resource in trauma work. She also explores the language of the nervous system, the importance of co-regulation, and how to recognize when you are getting too involved with a client.Don't miss this amazing opportunity to learn from an experienced therapist about the body-focused approach to healing trauma. Listeners will gain valuable insight into how to work with trauma, and how to orient towards pleasure and resources to create a sense of safety and space.Find Out More About Tanya:Website: https://kelownatraumatherapy.janeapp.com/locations/ktt-tanya-wishlove/book#/staff_member/7/bioLearn More About Switch Research:Website: https://switchresearch.org/Instagram: @switchresearchDisclaimer: Therapy Talks does NOT provide medical services or professional counseling, and it is NOT a substitute for professional medical care.

Shin Yu Pai is a poet and the host of the KUOW podcast The Blue Suit.

Our host Lewis checks in this week from the Home of the Blues, Memphis, Tennessee! We're recording this week's episode in the parking lot of Sun Studios. Sun Studios has produced some legendary, great music. Countless hits. Midterm elections were this week and all the news coverage of it has been people standing in line. Even though people are standing in line to vote, our host reminds you that you need to give people a reason to vote! One political party comes up with solutions they can't explain. The other political party wants to keep their good ideas a secret. It's important to vote. It matters. Lewis is sick of people saying that George Carlin didn't vote. How do you know that to be true? He could just be saying that because he's George and he is a comedian! But then again, voting probably did genuinely bother him a lot. Lewis had an extra day to spend some time in Memphis. If he's being honest, he ordered enough BBQ to feed a family of six. Also, if you're ever in Memphis, you need to visit the civil rights museum. It will be one of the most extraordinary experiences you can ever have. It's crazy that they don't want to teach about civil rights history in school. Kids need to learn about this.  Our host's next stops in his tour are in Georgia and North Carolina. As always, our host reminds us that we take care of each other. It's the most important thing we can do for one another.  This week's live rants were filmed at Austin City Limits at the Moody Theater in Austin, Texas and the Majestic Theater in Dallas, Texas.  For advertising opportunities email: advertise@thelaughbutton.com  SUBMIT RANTS TO LEWIS https://www.lewisblack.com/live Lewis' Grammy-nominated special, "Thanks For Risking Your Life" is available now! https://tlbrecords.lnk.to/LewisWE SUBSCRIBE TO THE RANTCAST https://www.lewisblacksrantcast.com https://thelaughbutton.podlink.to/Ran... FOLLOW LEWIS https://www.lewisblack.com  https://www.instagram.com/thelewisblack https://twitter.com/thelewisblack https://www.facebook.com/thelewisblack https://www.youtube.com/OfficialLewis... Learn more about your ad choices. Visit podcastchoices.com/adchoices

So many updates.

We are opening a can of worms with this one! Over 120 comments submitted as of this podcast being uploaded. DM your answers to @johnjayvanes! We want to hear from you!TODAY ON THE SHOW, we are BACK from vacation this week to catch up on all the juicy gossip with the world and each other. Kyle has a GBG like no other, Johnjay uncovered a relic from his past, and we even had a surprise appearance from an old cast member! FIND OUT WHY AND WHAT THE BIG NEWS IS AND SO MUCH MORE TODAY ON JOHNJAY & RICH!