Podcasts about zoom h4

Tout est dit dans le titre. Ils l'ont fait ! Depuis qu'Olympus a quitté la scène, on attendait le grand retour de l'accessibilité dans le monde des enregistreurs audio numériques. Et voilà que Zoom arrive avec sa gamme « Essential » et un guide vocal intégré qui change la donne. Franchement, chapeau aux Japonais : une fois de plus, ils montrent qu'on peut mêler technologie de pointe et accessibilité pour tous. Dans cet épisode, je te propose une première prise en main, avec la mise en route de l'appareil et un tour d'horizon des fonctionnalités principales. Convaincu, voici le lien de ma page de référencement de mon matos : https://dpkprod.eu/configson/ Ici, le lien de Zoom pour tout récupérer : https://zoomcorp.com/fr/fr/enregistreurs-portatifs/handheld-recorders/h4essential/H4essential-support/ Un gros Big Up pour Mathieu M, qui m'a fait une démonstration du Zoom H4, et en plus, je l'ai gardé

We chatted with Cork musician and artist bÚkl about the challenges of making music and getting it heard in 2025, as well as the joys of being based in the People's Republic Cork. See more about them here bukl.bandcamp.com Who are we talking to, is it a logical journey to what you do now? bÚkl is my artist name. Pronounced like 'buachaill'. I love Irish but we've always been in a bit of a twilight zone with it, and that's ok. I grew up in Myrtleville, Cork, by the sea. Music was always exciting to me ever since my Dad played me 'Live and Let Die' by wings on our turntable when I was around 5. I think it is a logical journey, even if I went about it arseways. I've been playing guitar, singing and writing songs and poetry since my early teens, and I have a degree in Music. In college I learned how to produce music with a DAW and MIDI. But I struggled for a few years mentally after leaving college. I stopped playing music and was afraid to leave my house. So music was shelved for a while, but thankfully I was able to revive myself and get back into it. Working in a record store with a very supportive boss was a huge help. I never stopped listening though. At the same time, mental health issues like anxiety and depression don't mix well with social media, so that part is tricky if I want to try to promote my stuff. bÚkl - Eclipsed (Official Music Video) bÚkl coming through from Cork What music did you love as a kid? It varies quite a bit. I liked the boy and girl bands in the late 90s, Boy zone and Spice Girls, when I was about 5-8, also the charting dance stuff like ATB and Dario G a bit after that. Then my parents got Sky and I discovered Kerrang TV at about 12. I was mesmerized by rock and metal, it was the best thing I had ever heard. I think the first song I loved on Kerrang was 'Links 1234' by Rammstein. The video with the ants vs the termites is still vivid in my head. Then I bought my first CD with my own money from Ray in MusicZone in 2001 after he opened that year in Carrigaline. I wasn't allowed to get Limp Bizkit because of all the language so I got The Offspring, 'Conspiracy of One's instead, which has less language! What are you working on musically now? At the moment, I'm rehearsing with my friend and colleague, Young Adam, to put the bÚkl music together in a live setting. We work with backing tracks and a loop pedal. Two guitars. I haven't played live in nearly 10 years so my confidence isn't great, but we're enjoying our jam sessions, so fingers crossed. I'm also going through my old recording devices and transferring riffs and song ideas to my laptop so I can flesh them out and record them in future. Do you feel it is easier or harder to create music now? I suppose it's easier for people to create music now because of how technology has progressed and that we have so many devices with recording capabilities. But I think if you have the passion you'll always find a way. I remember saving up for a camcorder when I was around 10 so I could make home movies. When I was about 14 I used a karaoke machine that we had to record songs simply at home on cassette. I got a Zoom H4 recorder in college. And in recent years I've used the DAW Reaper which is very reasonably priced compared to other options. And how about to create awareness and a buzz about what you have made? I have mixed feelings on this because there is more indie music out there now than ever and nearly everyone is on social media, where you can reach a lot of people. But it can be difficult to break through the fog. Also I find social media tough mentally, you never know what odd responses you'll receive from people, or if you'll receive any response at all! A lot of the time people are kind but the rare digs can stick in your head. But I think if you work at building a good following on your platform of choice it can be rewarding in the long run. What are the pros and cons of being based in Cork for a musician? There are plenty of music heads here who ap...

Жизнь как синусоида, Паузы становятся длиннееЗаписываюсь на Zoom H4, интересненько. Поликлиники как отдельный вид психологического давления. Жилье и ремонт, как это совместить? Да и вообще кто мы и куда мы все идем?

Kafanski Histi u KRK rotaciji (2+1). Bez tonca, Galeba i kormilara. Iskreno, mogli smo i bez njega, ali bilo bi veoma pogrešno ne pozvati ljude na Derbi. Trajanje: 77 minuta ---------------------------------- Pokrenuli smo PATREON, pa ko želi sada može da časti za neko pivo, dodatne sadržaje i/ili tehničke popravke na podcastu: www.patreon.com/pfchisterical A ima i opcija za direktne donacije: paypal.me/partizanhisterical ---------------------------------- HISTI RADIO MIX br. 87 www.youtube.com/watch?v=dnIk0TLCZ…XHKYEBQ2rdf8BKxb6 Twitter: www.twitter.com/pfchisterical Instagram: www.instagram.com/pfchisterical/ Youtube: www.youtube.com/c/PartizanHistericalPodcast podcast.rs/show/histerical/ NAPRED PARTIZAN! NAPOMENA: Ovo je "uradi sam" podkast u kome navijači Partizana razgovaraju o zbivanjima u svom voljenom klubu. Izneta mišljenja i stavovi su lični, kafanski, i ne predstavljaju stavove bilo koje navijačke grupe, frakcije, dela uprave, radne ili druge organizacije. Nismo insajderi, eksperti, sportski radnici. Apsolutna vernost, ne apsolutna istina. Trudimo se da jezik koji koristimo bude fin književni - možete ga čuti na svakom stadionu i u svakoj sportskoj hali. Cover foto: FK Partizan Majstor zvuka: N/A Realizacija: Slavko Tatić, gajtan, štap, kanap, Zoom H4, Draganov WhatsApp & Histi

Niklas har varit och spelat live för första gången på den mysiga lilla festivalen Hogstarocken med sitt projekt Enfin som han har tillsammans med Sven Fredrik. Jouni ska snart göra livepremiär med sitt projekt Ulvtharm i Tyskland och vi pratar lite om förberedelser och tankar kring livespelandeLänklista:1.) Hogstarocken - https://www.instagram.com/hogstarocken_/2.) Enfin - https://album.link/s/3vzOjJsSLXRQu8oWscUCbg3.) Ulvtharm - https://linktr.ee/ulvtharm4.) MOTU Ultralite mk5 - https://motu.com/en-us/products/gen5/ultralite-mk5/5.) APC 40 mk1 - https://www.soundonsound.com/reviews/akai-apc406.) Tower Transmissions X - https://towerpromotions.bigcartel.com/product/tower-transmissions-x7.) VCV rack - https://vcvrack.com/8.) Zoom H4 essentials - https://zoomcorp.com/en/us/handheld-recorders/handheld-recorders/h4essential/ Hosted on Acast. See acast.com/privacy for more information.

La quedada de junio es una quedada especial de gadgets. Se hicieron las siguientes preguntas: Preferencias de usar un iPhone en versión Pro sobre una versión estándar. Cómo eliminar modos de concentración de iOS. Grabación pausada en un solo archivo con la grabadora Zoom H1. Uso de un dispositivo externo para controlar un iPhone mediante gestos sin tocarlo. Temas tratados: Mesa de mezcla de audio Mahono AME2A. Nueva función de descripción de imágenes en las gafas de movilidad NIIRA. Nueva actualización y conexión a internet en las gafas NIIRA. Grabadoras de voz Zoom H1 y H4 serie Essentgials. Teléfono de escritorio con tarjeta SIM de móvil. Enlaces de interés: Mesa de audio Mahono AME2A En Amazon Enlace a Mesa Mahono AME2A en Amazon Grabadora Zoom H1 Essential en Amazon. Enlace a grabadora de voz Zoom H1 en Amazon. Grabadora Zoom H4 en Amazon. Enlace a grabadora de voz Zoom H4 en Amazon Cable Ugreen para conexión de micrófono a mesas, doble splitter, en Amazon: Enlace a cable Ugreen divisor de micrófon y auricular en Amazon Teléfono de escritorio Sunydog con tarjeta de móvil. Enlace a teléfono de escritorio con tarjeta de móvil Sunydog Artículo en SucDePoma con un análisis de las gafas NIIRA de Eyesynth.  

Dans ce podcast, nous vous proposons une présentation de l'enregistreur audio Zoom H4 Essential qui dispose d'un guide vocal qui permet à des personnes aveugles de l'utiliser. Liens utiles Zoom H4 Essential sur Amazon. Page officielle des téléchargements pour le Zoom H4 Essential. Le petit frère Zoom H1 Essential sur Amazon. Le grand frère Zoom H6 Essential sur Amazon.

Listen to this sweet whisper and mouth sounds ASMR trying Zoom H4! Hosted on Acast. See acast.com/privacy for more information. --- Support this podcast: https://podcasters.spotify.com/pod/show/jiom4/supportAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Neste episódio levei o meu Zoom H4 para o centro da cidade de Curitiba. Mais exatamente para a Rua 24 de Maio com a Sete de Setembro. Então venha participar de mais uma experiência imersiva. Durante a minha breve caminhada pelo centro eu comento um estudo muito interessante realizado pelo Spotify chamado de "Fan Study". Você pode ver mais detalhes do estudo neste link aqui: https://br.blog.anchor.fm/spotify-podcast-fan-study ACADEMIA DO PODCAST: Conheça a nossa comunidade de Podcasters: https://escoladopodcast.com/academia

Neste episódio eu faço um novo teste com o meu Zoom H4 caminhando no parque vista Alegre por entre a natureza e o canto dos pássaros captados por este incrível gravador profissional de mão. Você também irá ouvir o som de uma pequena cascata e o caminhar dos meus passos sobre a grama. Venha comigo nesta pequena viagem imersiva. Coordenada GPS do parque no Google: https://goo.gl/maps/Q7jrBqXSjhMAa5B7A ACADEMIA DO PODCAST: Conheça a nossa comunidade de Podcasters: https://escoladopodcast.com/academia

Composition by Eric Powell.  "My goal in creating Please_wait was to embrace the theme of "obsolete sounds" on as many levels as possible. After selecting the sound of a Siemen's ventilator–a rather rattly, yet sustained sound, I decided to use that everyday whirr to create a lush, choral, drone-y piece. I felt the best way to do that was to combine the fan sound with some kind of chime or bell. I happened to have a couple salvaged rotary telephone bells (another obsolete sound) in my studio, and I composed the piece using a now-obsolete computer and software system–a circa 2007 iMac running Logic Pro 8 with a c.2005 Zoom H4 as the recording device/audio interface. Obsolescent sounds meet obsolescent technology.  "Please_wait uses convolution reverb to play the sounds of the ventilator 'through' the sounds of the telephone bells. In addition to this process, I used a small amount of pitch shifting and amplitude control to shape the piece. However, I didn't edit or trim any of the recordings, as I wanted the piece to explore how the handling sounds (i.e. switching the technology on or off) found in both the source recordings, and my recordings of the telephone chimes--something I think many field recordists choose to remove from their files as 'unwanted' sounds, yet are in fact a big part of how we hear our recording technology--would interact in the convolution process. The end result is a little unsettling, I know. Part of my love for this piece comes in how the harmonics of the two telephone bells grind up against each other as they vibrate through the sound of the ventilator: drifting from tonal conflict, to resolution, and back again.  "As a last step in embracing old or disappearing sounds, I bounced/rendered the piece out in .mp3 format before upconverting it into .wav. An intentional move to capture some of the unique lossy characteristics of a disappearing format." This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

In this episode, Jay covers the PPP payback and what our economics are currently looking like amidst the COVID-19 pandemic. Jay recorded his episode on a Zoom H4 microphone. All mixing was done in Garage Band. All samples and audio files are license/royalty free, and authorized for download while edited with additional tracks.

Soundscape of the Climate Strike rally in Queen’s Park Toronto (Provincial Legislature) and the march on Friday Sep 27 2019. Listen here (5m37s 13mb): Best listened to with headphones. Equipment and software: Zoom H4, Windows 10, Audacity 2.3.2, Hauwei P30 (for photos). A companion to Ninja’s Rebel Matters podcast episode number 228: 1 2 3 … Continue reading Rebel Notion No. 9 – 0018 – Toronto Climate Strike Soundscape Sep 27 2019

Tjädern och dess spelplatser är ständigt aktuella i skogsdebatten. Fågeln är skygg på spelplatsen och om det avverkas för mycket i närheten minskar antalet spelande tuppar ofta. Samtidigt så är upplevelsen av ett större tjäderspel kanske den största naturupplevelsen som den svenska skogen har att erbjuda. Följ med Johanna Sköld från Naturpodden ut till en spelplats med runt 12 spelande tuppar i en ö av lite äldre skog mitt i ett landskap av kalhyggen och ungskog. I avsnittet hör du delar av låten “Snowmen” av Kai Engel (CC BY) nedladdad från freemusicarchive.org. Alla ljud utöver musiken och jingeln (av Daniel Schrire) är inspelade på plats med Telingas Sound Scape Microphone och två parabolmikrofoner, en med XLR-koppling till en Zoom H4 och en med 3,5 jack till en Olympus LS14. Stort tack till Johanna Sköld, vad roligt att det gick så bra!

Enjoy my awesome conversation with Evo Terra, host of Podcast Pontifications, and podcast strategist who has been podcasting since Oct. 14, 2004! He's the 40th podcaster EVER!!! And he's also the head honcho at Simpler Media Productions. We discussed TONS including: The real history of the beginnings of podcasting! Shure SM7b Fethead Zoom H6 Mac Mini 2018 Hindenburg Journalist Pro iZotope RX 6 Waves Sibilance plugin Dealing with sibilance with EQ On location recording with lavaliers (SM93's), Zoom H4, H6, and SM58’s Visiting France, Copenhagen, Belgium, England, Italy, Bangkok, Thailand, Hong Kong, Australia Thanks for sharing so much, Evo! DID YOU KNOW........We exist for the purpose of helping you, so please comment below with any questions or remarks. We appreciate you listening. Want to Start a Business or Have a Career as a Podcast Producer/Engineer? Listen and Subscribe in Apple Podcasts, Spotify, Google Podcasts, iHeartRadio, Stitcher, TuneIn, Android, RSS, Email

Andrew and Jay get everyone caught up on upcoming projects, Jay's new business, and focusing on negative criticism. Please enjoy our mini episodes and don't forget to subscribe. Visit our home at www.andrewwyoung.com to get the full scoop. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

we're back at it after the short break of Jay getting his business up and running and Drew finishing up some screenplays and his book. There is going to be a new element added to our episodes, where we break down scripts from the films that we've loved from our childhood. We will be exposing the scenes, snappy dialogue, and plot twists that never made it to the big screen. We may even chime in on potential alternate endings, our theories on why the gems were cut, and much more. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

Flute 360 | Episode 19: “Recordings” (24:04) In today’s episode, Heidi talks with audio and video engineer, Eric Jay Begay. She asks him questions in regards to the recording process. Questions include topics such as recording equipment, the venue, microphone placement, and more! Episode 19 – Main Points: Recording Equipment: (3:42) Focus Rite (5:30) Zoom H1 (6:35) Zoom H4 (6:35) Rode NT5 (8:11) Sony Handycam (9:32) Canon T7i (10:02) Equipment Summation: (11:42) Rode NT5 (Approximately $400) Zoom H1 (Approximately $100) Ribbon Microphones (Price Varies) (12:59) The hall space / venue (13:14) Microphone placement (16:01) Get professional help, if need be. (19:42) Upwork (21:18) Episode 19 – Resources Mentioned: See main points Eric Jay Begay’s E-mail: ericjaybegay@gmail.com Heidi Kay Begay’s E-mail: heidikaybegay@gmail.com Heidi Kay Begay’s Website J&K Productions’ Website

(Some adult language) Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. In this episode, Jay and I talk political issues, our upcoming script and a whole lot of smack. PC Culture can be killing innocent careers because it can often be difficult to understand where a joke stems from. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

In this episode, Drew covers points and gives updates from his new book. Don't take for granted the ones you love and no matter how difficult life gets, the first thing we can do, is be nice to each other. Yeah, I know it sounds ridiculous, but what's so hard about not taking your pain out on other people? It's important to have positive outlets, positive relationships, and positive daily habits. Don't do what I did, and end up living couch to couch and in your car, while racking up mountains of debt. Please, enjoy this episode. I usually shut off the background music, but I left it on today. The Glitche Mob "Between Two Points" Nothing But Thieves "Trip Switch" Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

(Some adult language) Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. In this episode, Jay and I talk political issues, our upcoming script and a whole lot of smack. Don't get suckered into social relationships because you feel obligated to do so. If you don't like someone, don't waste your time on them. At all. None. People that bring you down are artificial sweetners. They're cancerous. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

(Contains some adult language)Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. In this episode, we talk about balancing dad brain and work brain, Drew's latest set, The troll on Jay's business ad, and more. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

(Contains some adult language)Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. Let's get Topical, Topical. Listen along as we talk our movie, Mudvayne, family and more. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

(Some adult language) Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. In this episode, Jay and I talk political issues, our upcoming script and a whole lot of smack. As parents and husbands, we pretty much just swim in chaos and get interrupted often. Don't worry, we're courteous enough to edit that stuff out for you. The trash talk afterwards; however, is saved and left over. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. What a great time reminiscing about the things that got us here. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

Följ med oss ut till tjäderskogen! Här får du själv höra skogens alla ljud i slutet av april när tjäderspelet är på sin topp. Vi har spelat in en spelande tjädertupp med en Telinga SSM-mikrofon kopplad till en Olympus LS14. Vid ett tillfälle hoppade tuppen upp på den välkamouflerade mikrofonen vilket också hörs i inspelningen. Tjädrarnas kvällsrapar och vingbullar tillsammans med en fågelkör av rödhakar, gärdsmygar, koltrast och dubbeltrast och mycket mer spelades in med en Pro-8 parabolmikrofon från Telinga kopplad till en Zoom H4. Om du vill veta mer om tjäderspelet så rekommenderar vi en genomlyssning av avsnitt 57 där Maria Brandt är på tjäderspelet för första gången tillsammans med Mats Wilhelm, naturfotograf, som var där redan för trettio år sedan.

(Some adult language)Drew and Jay want to bring you a variety of mini podcasts that range from tidbits of silliness, different perspectives, their upcoming feature length script, and so much more. In this episode mini episode we discuss the Space Farce, Father's Day, and our day to day stupidity. Jay get's pessimistic about the Krak Box. Check them out at www.krakbox.com. Drew get's a new picnic table and Jay is a material girl. Cover Art made with open source imagery in the app Adobe Spark. All audio recorded in Garage Band. SFX for intro from the app Big Bang! Drew records on Zoom H1 microphone Jay records on Zoom H4 microphone

Följ med ut på skogsäventyr! Maria Brandt, naturvägledare på Biotopia, har aldrig varit på tjäderspel. Emil V. Nilsson, producent på Naturpodden, har försökt placera gömslen rätt sedan 2011 på ett tjäderspel inte så långt från Uppsala. Naturfotografen Mats Wilhelm har varit på samma tjäderspel redan för trettio år sedan, men sedan dess har spelcentrum flyttat sig långt in i skogen. Hör Maria och Mats berätta om sina upplevelser direkt från gömslet och hör tjäderspelets alla märkliga ljud, inspelade med Telingas SSM-mikrofon och deras pro-X parabolmikrofon. Du får också höra Daniel Schrire och Emil när de sätter ut gömslet, en månad innan spelet sätter igång.  I avsnittet hör du låten "Americana Falls" av Kirk Pearson and BIT (CC BY) nedladdad från freemusicarchive.org. Ljuden är inspelade med Telingas SSM-mikrofon och en Olympus LS-14 samt PRO-8 MK2 parabolmikrofon och en Zoom H4.

Det här är ett specialavsnitt av Naturpodden med nästan enbart naturljud. Här kan du få höra Dalbyvikens ljudlandskap från eftermiddagen den 12 maj, du hör mänskliga röster, klockan i Dalby kyrka som ringer, men sedan tar naturens ljud över allt mer. Sävsångare och sävsparv sjunger envist, några skäggmesar flyger förbi, en vattenrall grymtar missnöjt när några grågäss flyger över under vilt kacklande. Längre fram på kvällen hör du vassångarens smattrande ljudmatta och den småfläckiga sumphönans monotona vissling. Och basen då? Jo, du får höra hur rördrommen låter på riktigt nära håll som med pumpande bastoner fyller viken med ljud. Ljuden är inspelade med Telingas SSM-mikrofon och en Olympus LS-14 samt PRO-8 MK2 parabolmikrofon och en Zoom H4.

Wie du weißt, ist das Mobile Podcasting eines der Themen für 2018 bei mir. Es liegt daran, dass ich viel auf Konferenzen bin, bzw. für Konferenzen gebucht bin. Ich bin also auf der Suche nach dem richtigen Mikrofon, dass mir auch in lauten Umgebungen erlaubt, gute Interviews und spontane Sessions aufzunehmen. Das geht leider mit meinem Lieblings-Mikro ZOOM H2n nicht, weil es für laute oder geräuschintensive Umgebungen nicht geeignet ist. Ich hatte das Rode Reporter* und das Rode NT-G2* zusammen mit dem Zoom H4* als Recorder im Test, aber es hat mir nicht so zugesagt. Also musste eine neue Lösung her...

Nick mentioned The Last PodcastHe uses a Zoom H4 and Garage Band to record and edit his podcasts and musicHe can be found on Twitter hereCrush Hour podcast can be found hereThe Playgrounders can be found on YouTube here, or Soundcloud here.try{if (typeof(lpcurruser) == 'undefined') lpcurruser = ''; if (document.getElementById('lpcurruserelt') && document.getElementById('lpcurruserelt').value != '') { lpcurruser = document.getElementById('lpcurruserelt').value; document.getElementById('lpcurruserelt').value = ''; } if (typeof(lpcurrpass) == 'undefined') lpcurrpass=''; if (document.getElementById('lpcurrpasselt') && document.getElementById('lpcurrpasselt').value != '') { lpcurrpass = document.getElementById('lpcurrpasselt').value; document.getElementById('lpcurrpasselt').value = ''; } var lploc=1;var lponlyfill=1;(function() { var doc=document; var _u=null; var _p=null; var body=doc.body; if (lploc==3 && body.className.indexOf('squarespace-login')>=0) { var inps =doc.getElementsByName('password'); if (inps.length>0) { _p =inps[0]; } inps =doc.getElementsByName('email'); if (inps.length>0) { _u =inps[0]; } if (lpcurrpass && _p) { _p.value = lpcurrpass; } if (lpcurruser && _u) { _u.value = lpcurruser; } } })();lpcurruser = ''; lpcurrpass = '';}catch(e){}try{if (typeof(lpcurruser) == 'undefined') lpcurruser = ''; if (document.getElementById('lpcurruserelt') && document.getElementById('lpcurruserelt').value != '') { lpcurruser = document.getElementById('lpcurruserelt').value; document.getElementById('lpcurruserelt').value = ''; } if (typeof(lpcurrpass) == 'undefined') lpcurrpass=''; if (document.getElementById('lpcurrpasselt') && document.getElementById('lpcurrpasselt').value != '') { lpcurrpass = document.getElementById('lpcurrpasselt').value; document.getElementById('lpcurrpasselt').value = ''; } var lploc=2;var lponlyfill=1;(function() { var doc=document; var _u=null; var _p=null; var body=doc.body; if (lploc==3 && body.className.indexOf('squarespace-login')>=0) { var inps =doc.getElementsByName('password'); if (inps.length>0) { _p =inps[0]; } inps =doc.getElementsByName('email'); if (inps.length>0) { _u =inps[0]; } if (lpcurrpass && _p) { _p.value = lpcurrpass; } if (lpcurruser && _u) { _u.value = lpcurruser; } } })();lpcurruser = ''; lpcurrpass = '';}catch(e){}

Wind chimes in the backyard and strong winds usher in an eventual evening autumn storm.   Best listened to in a quiet room with headphones. Listen here (3m55s  7mb):   Equipment:  Zoom H4  

Unless your entire cast are working remotely, you’re going to need a place to record your Audio Dramas. There’s no ‘one size fits all’ answer here, and there are a lot of factors that come into play. You’ll have many things to take into consideration regardless of where you plan to set up your ‘studio’, and that’s the purpose of this episode.Recording at HomeYou need to decide if you’re purely focused on recording voices, or if you’re working ‘around the mics’If it’s the former, you’ll want sound dampened conditions. This will benefit your audio quality in post-production.Are you setting up a permanent or semi-permanent studio?External walls can be an issue. Is your neighbour a drummer?Windows – do you have a busy road or environment outside?Does the floor creak when you walk around?Internal noise, are you in cupboard with boiler or gas meter?Other noises around the home, like the fridge. Try Ric Viers car keys tip.Equipment – Focusrite Scarlett 2i2, or for multiple actors, M-Audio M-Track 8, SM58 microphones.Field/Location RecordingThe great outsdoors are free to use. Working on location offers a great natural soundscape built in to your recordings.Choose sites with your ears, not your eyes.Take as many provisional sound samples as you can.Roads – look for natural barriers (trees, conifer hedgerows)Site visits – consider midweek and weekend differences.Weather – how exposed are you?Cheap or affordable gear – Zoom H1, ATR3350 lav mics (upgrade to Zoom H4 or recorder with ¼” inputs for more control)Hiring a Studio or Rehearsal SpaceCosts money, but can give session a sense of professionalism. What should you consider?Does it have a dead room or sound dampened conditions?Does hire include engineer?Does hire include equipment?Is there a band playing in the room next door?Equipment – vocal condenser micsOther OptionsSchool, college, community center, churchAlso mentioned in this episode.Alien: Out of the Shadows, We’re Alive: Lockdown, Archive 81, The Longest Podcast In The World.

Hello good people of Earth. Here you will find a podcast in which, for the first time, we record using microphones on the Zoom H4. Unfortunately, the device shit the digital bed (…with zeros, ones, AND number twos…) on the first recording. But we persevered and got a good conversation signed, sealed, and delivered. Furthermore, we figured out a low budget method of sound-boarding (…it’s like water boarding but for your ears and, perhaps, not so tortuous…) and music-playing with Jen connecting her phone to our bluetooth speaker then putting her microphone next to said speaker. It’s an indication of things to come when we can afford proper microphones, integrated hardware and software, and our own recorder. Given our standard vocal mics (…borrowed from a cappella groups past, thank you very much M.L. and Evolushun…), Jen needed to remember to always hold the thing like an ice cream cone, or, better yet…well, a penis. As one’s head moves, so must one’s microph…allus. Additionally, Kate thought the mics were laser lights. So that was fun times. So what about the booze?! Greg has Southern Tier Compass, and gives it a resounding thumbs up. It is bottle conditioned imperial sparkling ale brewed with rose hips and citrusy hops. Fun, huh? ABV: 9.0% Very fun! Jen enjoys Lagunitas Hop Stoopid, which is the best cheapest IPA on the market by fucking far. Don’t let the “cheapest” dissuade you, it stands up to much more expensive beers, but it’s in the vicinity of $5 for a 22 ounce bottle at our local grocery store. This has become our “go to” IPA. So what about the episode?! We explore locals ordering “Eye-talian” food using a pseudo-accent at the Olive Garden; Paul McCartney whoring himself out to play shitty, uncreative chords under Kanye West’s auto-tuned vocals (Four Five Seconds, click at your own risk, particularly if you have even a modicum of respect for Sir Paul); Greg’s preference for Yoko Ono over Kanye West (…who seems to be Paul McCartney’s Yoko Ono…); and the wonderful & hilarious Sister Veronica-Pooh Nash Poleate with her sound advice (ambiguity intended) for Summer beach vacationers. The featured intro music is composed and performed by a dear friend R.J. It’s called “I Can Read Your Mind.” The outro music is the “That’s the Shark’s House” remix, brilliantly done by Brett from LA. Nothing like a good viral video remix to get you in the mood for fun! So listen, and have some. Fun, that is. And booze. (BTW, we did not heed Sister Poleate’s advice and obviously did not get ate up by a shark during our recent vacation to South Cackalacka, though we spent plenty of time in the ocean.) -G

Story: "The Juniper Tree" by The Brother's GrimmGenre: Fairytale, ClassicRating: PG A jealous step-mother murders her son and none suspect her . . . ----more---- Credits:The Juniper Tree by Jacob and Wilhelm Grimm (The Brothers Grimm) Support us on Patreon Sound Effect Attribution: cajo, IFartInUrGeneralDirection, digifishmusic, urupin, hanstimm, Ephemeral_Rift, davilca, dobroide, Vampirella17, scarbelly25, Zoom H4, Lunardrive, malexmedia, mredig, lonemonk, lewisisminted, krissyeliot, DaveHammond, higginsdj, JoelAudio, zmb94, Mediapaja2009, spukkin, sebastianlund, RutgerMuller, juskiddink, barrigan, m_O_m, oniwe

Hi, and welcome to the Open Licensed Music Podcast, the show where we highlight music from artists who let you share their music.  I'm Ralph Wacksworth, and today's episode is featuring ambient environment sounds.SpringCreekinForest (0:39 @ 0:11)LargeStreamOverLoginForestMarch (1:05 @ 0:49)Stream (2:16 @ 1:53)quiet_stream (0:32 @ 4:06)Stream running out into the sea (0:15 @ 4:36)rollingsurfmix (3:01 @ 4:47)harbor waves calm 01 (7:28 @ 7:42)Ocean Waves (1:14 @ 14:58)Waves in sea (1:32 @ 16:01)Waves (1:28 @ 17:25)That was SpringCreekinForest and LargeStreamOverLoginForestMarch by kvgarlic, Stream by bspiller5, quiet_stream by miregrobar, Stream running out into the sea by kiefspoon, rollingsurfmix by klangfabrik, harbor waves calm 01 by klankbeeld, Ocean Waves by ciccarelli, Waves in sea by Zoom H4, and finishing up was Waves by Beedy.  All ten sounds in this set are available from FreeSound and are licensed under the CC0 license.This week's episode is entirely CC0-licensed.  You should really check it out - it's a very cool extremely permissive license that I'm a huge fan of which, in my opinion, is very much underused.  I've linked to it in the notes for this episode.  The artists this week deserve some major kudos for taking open licensing that far.Quiet Spring Woodland Ambience (0:59 @ 19:49)DeepWoodsBirdApril142012 (2:42 @ 20:43)forest spring birds windy 3bft 1pm (9:40 @ 23:19)SummerInsectChorus (1:20 @ 32:54)chimes_part_3 (0:17 @ 34:09)Muchty Chimes x3 (8:16 @ 34:15)That was Quiet Spring Woodland Ambience by ecfike, DeepWoodsBirdApril142012 by kvgarlic, forest spring birds windy 3bft 1pm by klankbeeld, SummerInsectChorus by kvgarlic, chimes_part_3 by dADDoiT, and finishing up was Muchty Chimes x3 by 3bagbrew.  All six sounds in this set are available from FreeSound and are licensed under the CC0 license.Today's app-of-the-day is Stellarium, a really nice star map and planetarium program.  Set your location, time and date you want to view from, and it'll show you what's visible in the sky and where it is.  It can tie in with computerized telescopes to aim them, it can show you where satellites and the International Space Station are, and you can even connect it to projectors if you want to build a full planetarium.  It's just a really cool program.  It's available for Linux, Mac OS X, and Microsoft Windows.  Check it out today at stellarium.orgNow for a very short noncommercial break from one of our nonsponsors, which was interesting to try and round up under a CC0 license, followed by more sounds.031_sound_must_be_free_militant (0:02 @ 43:43)freesoundfreesoundfreesound (edited) (0:20 @ 43:45)Thunderstorm Crescendo (3:11 @ 43:47)Thunderstorm, rain and thunder in the french countryside during the summer (2:00 @ 46:53)2009 07 17 Thunderstorm in Berlin (7:20 @ 48:47)That was 031_sound_must_be_free_militant by freesound, a chunk of freesoundfreesoundfreesound by stomachache, Thunderstorm Crescendo by tehspaz, Thunderstorm, rain and thunder in the french countryside during the summer by felix.blume, and finishing up was 2009 07 17 Thunderstorm in Berlin by faruku.  All five sounds in this set are licensed under the CC0 license.So, that's all for today.  Remember - piracy of commercial music only proves your dependence on that model and justifies further censorship and restriction.  So don't pirate it - replace it with something better.  Listen to open licensed music, donate to the artists behind it, go to concerts, and buy music from artists whose record labels don't see you as their enemies.  Support artists where your support actually counts.This episode was made using Gentoo Linux, Xubuntu Linux, Audacity, Audacious for organizing playlists, and Leafpad for notes, and is licensed under the Creative Commons CC0 license.  Feel free to give it to your friends, or if you didn't like it, your enemies.  Links to the songs in this podcast are available on the website.  Listen in next time for some funny music.  See 'ya!Download MP3 To the extent possible under law, Ralph Wacksworth has waived all copyright and related or neighboring rights to Episode 35: Ambient Environments. This work is published from: United States.

Ity finally happened. We lost a recording. We were recording the episode covering The one with the List, the eigth episode of season 2. Josh over jesticulated and knocked the Zoom H4 of the desk and half the episode was lost. So, the fist half is the second take. The rules of podcasting mandate that we say the lost portion was awesome and unbelievablely funny. Don't worry though, We have a new full epsode for you, lost recording or not. Melissa and Josh discuss making a list to come to a decision, and what you should do with that list. HINT: Throw it away! We mock the idea of Mocklate. Then everything works out for Ross and Rachel... for a whole 45 seconds. Making this episode of Friend the most Empire Strikes Back of all that we have watched so far. You can reach us at theonewirthpodcast@gmail.com or call 316-361-6081. The episode ends in celebration because KSGooner gave us our third review in the iTunes store. Thanks KSGooner, we really appreciate it.

You may need to turn up the volume this week as the recording is a little quiet. I would like to blame the ZOOM H4, but it was all my fault. Don't worry next week everything will be back to normal. Still, this is a great episode because it is the first Thanksgiving episode. Please send email to theonewithpodcast@gmail.com. 

It’s time to get started in podcasting. I start off talking about headsets in general - Plantronics do nice ones. DISCLOSURE: Most of the links to purchase are AFFILIATE LINKS. I’ll get a commission if you end up buying the product. This helps me to feed my children. If you don’t want his to happen just use Google. For a good condenser microphone – take a look at the Samson C01U. Get it from Dolphin Music (UK). The Blue Snowball is another condenser microphone worth considering. You can buy this from Apple Store (UK), Dolphin Music (UK). Both these mics plug straight into your computer via USB. I talk about the Shure SM58 - this is a popular, robust dynamic microphone (It’s the one I use on this podcast). Bear in mind with this mic that you’ll need something to plug it into - it has an XLR plug that won’t plug directly into your computer. You’ll need an XLR to USB interface, a mixer or a separate audio recorder with XLR inputs such as the Zoom H4. Purchase the SM58 from Dolphin Music (UK).

Back to “A Trio of Podcasts” Read Curtis Fox’s Manifesto: “On Podcasting” A Favorite Episode of Nick’s: Aftermath From the company headquarters of Aftermath, Inc., amidst a strip of bland office buildings in Chicagoland, Tim Reifsteck makes his living cleaning up after the darkest side of human society. I chose this episode because it definitely illustrates a lot of my favorite editing tricks. Produced with Laura Kwerel. About Love & Radio A large part of Love & Radio’s style has been inspired by watching too much television and too many movies. In those visual mediums, the editor acts as a kind of character–every editing choice is right there on the screen. But in radio, we’re both blessed and cursed with an ability to hide the entire editing process: whole phrases are moved around, breaths are added and taken away, and the whole time our listeners are kept in the dark. These days, I’ve been primarily focused on figuring out how to translate some of those visual editing ideas into a non-visual medium. To that end, I try to make my edits obvious and sometimes rough and intrusive. I’ll intentionally cut out room tone, or add coughs, lip smacks, and other audible detritus to indicate when an edit has taken place. Another trick is to end a region by “fading up” instead of fading out–depending on your ambience, it creates a neat sort of reverse-cymbal crash sound and gives a nice subtle pop. It’s a lot like turning the seams inside out on a piece of apparel. Phil Dmochowski, who helped produce several episodes last year, once said public radio needed to take more cues from glitch hop. That statement has always stuck in my brain. I’m not where I’d like to be in that respect, but I always try to keep in mind what a radio interview would sound like if it were edited by Prefuse 73. Tech Info for Love & Radio I use an HHB Flashmic, but more recently have been using a Zoom H4. The Flashmic is undoubtedly better, but I love working in stereo. Most phone interviews are done with a Broadcast Host. Voicemails are recorded using simplevoicebox.com. Related Links Love & Radio

Back to “A Trio of Podcasts” Read Curtis Fox’s Manifesto: “On Podcasting” A Favorite Episode of Nick’s: Aftermath From the company headquarters of Aftermath, Inc., amidst a strip of bland office buildings in Chicagoland, Tim Reifsteck makes his living cleaning up after the darkest side of human society. I chose this episode because it definitely illustrates a lot of my favorite editing tricks. Produced with Laura Kwerel. About Love & Radio A large part of Love & Radio’s style has been inspired by watching too much television and too many movies. In those visual mediums, the editor acts as a kind of character–every editing choice is right there on the screen. But in radio, we’re both blessed and cursed with an ability to hide the entire editing process: whole phrases are moved around, breaths are added and taken away, and the whole time our listeners are kept in the dark. These days, I’ve been primarily focused on figuring out how to translate some of those visual editing ideas into a non-visual medium. To that end, I try to make my edits obvious and sometimes rough and intrusive. I’ll intentionally cut out room tone, or add coughs, lip smacks, and other audible detritus to indicate when an edit has taken place. Another trick is to end a region by “fading up” instead of fading out–depending on your ambience, it creates a neat sort of reverse-cymbal crash sound and gives a nice subtle pop. It’s a lot like turning the seams inside out on a piece of apparel. Phil Dmochowski, who helped produce several episodes last year, once said public radio needed to take more cues from glitch hop. That statement has always stuck in my brain. I’m not where I’d like to be in that respect, but I always try to keep in mind what a radio interview would sound like if it were edited by Prefuse 73. Tech Info for Love & Radio I use an HHB Flashmic, but more recently have been using a Zoom H4. The Flashmic is undoubtedly better, but I love working in stereo. Most phone interviews are done with a Broadcast Host. Voicemails are recorded using simplevoicebox.com. Related Links Love & Radio

Once again I'm starting another module. This one is called Cinematic Storytelling and its about using visuals to tell the story. The final product for this class is either a script, if we're creating a narrative film, or a documentary proposal.I just got a Zoom H4 and I have few things to say about it. I'm using it for the next few episodes, so you can expect me to update my impressions.We've learned some important details about the requirements for our final project. More importantly the class is given a couple of writing exercises that, for me at least, releases me from writer's block. It all comes down to collecting ideas and then refining them until they're in sharp focus.Grammar Girl has a great episode on writing tips and dealing with writer's block. Check out episode 56. I like this show because it's interesting and practical. I learn a lot about writing clearly and it's pretty painless.I also heard on a recent episode of Digital Production Buzz a link to an HD Production Workflow Tips. This is a great show to listen to if you want to know what other people are doing in digital video production right now. I haven't had a chance to review the tips yet, but the guy who produced it sounded experienced and knowledgeable.

Welcome to episode #72 of Six Pixels Of Separation - The Twist Image Podcast. This one is chock full of audio comments covering everything from tools that will make Marketers more efficient to insights on how to choose the best portable digital studio. We also take a look at how Google is redefining brands and when online social networks work best. Enjoy this conversation... Here it is: Six Pixels Of Separation - The Twist Image Podcast - Episode #72 - Host: Mitch Joel. Running time: 42:24. Audio comment line - please send in a comment and add your voice to the audio community: +1 206-666-6056. Please send in questions, comments, suggestions - mitch@twistimage.com. Hello from Beautiful Montreal. Subscribe over at iTunes. Comments are now live on the new Blog - sixpixels.com/blog. Facebook Group - Six Pixels of Separation Podcast Society - please join (we have over one thousand members). Have you checked out my other Podcast, Foreword Thinking - The Business And Motivational Book Review Podcast - sponsored by HarperCollins Canada? IAB Canada - Interactive Advertising Bureau - Social Media Marketing full-day seminar: Montreal, Quebec - October 10th, 2007. InfoPresse – Chris Anderson event – Wired Magazine – The Long Tail. New Sony Vaio Laptop – VGN TZ160C. Windows Vista or the laptop - the obvious issues are there. Hoping that CastBlaster works with Vista. Greenfields Report – Bernard Goldbach – Podcasting.ie. Audio Comment – Tim Coyne – The Hollywood Podcast. Audio Comment - Dave Delaney – Two Boobs And A Baby Plus – BarCamp Nashville - Dave Made That. Jott. TwitterGram. PodCamp Boston 2 - over 1000 participants. Audio Comment – Bryan Person – Bryper – New Comm Road. Dove Evolution. Dove Onslaught. Text comment from Ryan Karpeles. M-Audio MicroTrack. Edirol R-09. Zoom H4 and H2. Six Points of Separation – Six Things To Look For In A Portable Audio Recorder – Inspired by the Portable Media Expo and Ryan Karpeles: Portable Studio. Microphone. Battery. Memory card. Portability. Output. Six Pounds Of Sound - C.C. Chapman - Accident Hash - Managing The Gray.  Slau - Cold One. Please join the conversation by sending in questions, feedback and ways to improve Six Pixels Of Separation. Please let me know what you think or leave an audio comment at: +1 206-666-6056. Download the Podcast here: Six Pixels Of Separation - The Twist Image Podcast - Episode #72 - Host: Mitch Joel. Tags: bernard goldbach bryan person castblaster cc chapman chris anderson dave delaney dave made that dove evolution dove onslaught foreword thinking hollywood podcast iab canada infopresse itunes jott long tail marketing podcast maudio microtrack mitch joel new comm road podcamp boston six pixels of separation social media marketing sony vaio vgntz160c tim coyne twittergram windows vista zoom h2 zoom h4

In today's show I play around a bit with the Zoom H4 recorder. I mention that there are 3 setting for volume. You can adjust many increments in addition to those three. I mention that if you have an issue with finding a quiet area, you already do. It's called YOUR CAR. I like the Zoom H4, I like its size, its battery, and the ability to record from XLR and 1/4." It has built in compressors and automatic recording level. I compare it to the Marantz MD660. The Zoom H4 doubles as a portable recorder AND a USB interface for recording. It also has a built in 4track recorder (great for musicians working on songs). The Zoom H4 is roughly $300. The Marantz MD660 is closer to $600 Last 5 in 5 From Brian and www.dimacast.com Blowing Smoke (google could not find this pdcast) Accidental Creativehttp://www.samedaymusic.com/mc--518373 Today in iPhonewww.todayiniphone.com The Rogues Galleryhttp://www.thedividingline.com/rg Podholes http://www.podholes.com/ Intro from Big Al Wagner of www.projectstudionetwork.com one of my favroite podcasts. Other sites MentionedQuiet Study Area www.quietstudyarea.com

Today I exposure my mistake using voiceemotion.com to record Kevin Bromber from Nowlive.com so instead of embarrassing myself, (and the fact that Skype broke down), I used my "recount" of the interview with Kevin. We also get a last 5 in 5, and I announce some future shows. Opening From Gary of www.podcastpickle.com LAST 5 IN 5 Courtesy of Fred Castaneda http://folkloricomusicdance.blogspot.com www.strugglingentrepreneur.com 1. The Morning Announcements2. Marketing Online Live www.marketingonlinelive.com3. Podcast Tools www.podcastools.com 4. Podcasting Underground www.podcastingunderground.com 5. Podcast Secrets (Premium). (check out www.secretswithdave.com ) Dave Talks About his conversation with Kevin Bromber The CEO and founder of www.nowlive.com (this was lost due to operator error). A new service that you can use that (as a Marquee user ) you can get high quality phone calls recorded (pricing on a case by case basis). Of course, I could avoid all of this by using (you guessed it www.nowlive.com ) Other Sites MentionedBrian Dima and the Dima Cast www.dimacast.com Voice Emotion Software www.voiceemotion.com Nowlive.com www.nowlive.com Coming in Future Shows:"Podpausing'Review of the Behringer Podcast KitReview of a Zoom H4.

Cette semaine au Québec en Baladodiffusion, je vous parle des entreprises qui sont mal répertoriées sur le web. Faites le test vous-même en tapant « Fromage le p'tit Québec » dans Google et constatez où le site du Québec en Baladodiffusion se situe par rapport au p'tit Québec sur Kraft.ca Voyez le ZOOM H4, visitez […] The post QuebecBalado021 | Les entreprises sont mal repertoriees sur Internet appeared first on Le Québec en Baladodiffusion.

powered by ODEO Direct link to mp3 file Show notes: Bernie’s on the road, driving back from Long Island. On his way to getting lost in Connecticut, he talks about garage bands, classical recitals, Anna Nicole, and the Zoom H4 recorder. By the way, how long IS Long Island? Derek K. Miller- Fakeout Ruby James- Famous Song Secondhand Serenade- Half Alive Paul [...]

News, a Celebrity Interview, a PSN Gear Review, we tweak the Stupid Knob and we have a special lava lamp edition of Viewer Mail! News: Waves Announces MaxxVolume Plugin Alesis Introduces The CD Twin LE Smart Loops Launches SL Hit Tracks Digital Music Mentor Software Tex-Mex 'Bebop Kid' Freddy Fender has passed away at just 69 years old. His hits included Before The Next Teardrop Falls and Wasted Days and Wasted Nights, which rose to No. 1 on the country chart and top 10 on the pop chart that same year, while his songs Secret Love and You'll Lose a Good Thing also hit No. 1 on the country charts. He won a Grammy for Best Latin Pop Album in 2002 for La Musica de Baldemar Huerta. He also shared in two Grammys: with the Texas Tornados, which won in 1990 for best Mexican-American performance for Soy de San Luis, and with Los Super Seven in the same category in 1998. Freddy also appeared in the 1987 motion picture The Milagro Beanfield War," directed by Robert Redford. In February 1999, he was awarded a star on the Hollywood Walk of Fame. http://www.FreddyFender.com Celebrity Interview: In part three of a three-part interview with Mike Schettler of Hit Street Records and Shortler Studios in Spokane, Washington, Al talks with Mike about mastering your tracks. Izotope Ozone UPDATE: The little mics from Naiant.com we talked about last week are out of stock until the first week in November. Gear Review: Zoom H4 Handy Recorder Edirol R-09 Recorder Viewer Mail - Special Lava Lamp Edition: Michael: Lava Lamp In A Fender Guitar Caleb Hawkins Tim Burgess Crazy Joe: SurfLounge.com Liner Notes David "SpoonZ" Spooner: Lava Lamp Screensaver Crazy Joe's Studio Answer To Last Week's Trivia Question: Q: While playing at Hollywood's Palladium in 1972, the guitarist in Chuck Berry's backup band was replaced by another one waiting backstage. The new musician played so loudly that Berry stopped in the middle of a song and asked the first guitar player to come back out. Who was the guitar player he kicked off the stage? A: Keith Richards! This week's one and only correct answer came from Ed Kachajian. Ed takes home a copy of Guitar And Drum Trainer courtesy of Ryan Smith over at RenegadeMinds.com. See you next week! Tags: music recording studio home studio project studio mixing protools plugin digidesign frappr creative commons digidesign guitar and drum trainer ssl solid state logic vst lava lamp ultramaximizer alesis led zeppelin the who sublime van halen freddy fender before the next teardrop falls wasted days and wasted nights secret love you'll lose a good thing la musica de baldemar huerta texas tornados soy de san luis los super seven the milagro beanfield war robert redford zoom handy recorder h4 edirol jimi hendrix michael dorr chuck berry keith richards