Podcasts about afro brazilian

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(01:05) Quevedo, 'NI BORRACHO'(05:12) Joey Quiñones, 'In a Soul Situation'(12:34) Carolina Mama, 'Amina'(15:41) Elipsis, 'Elipsis'(19:32) Da Cruz, 'Som Sistema'(23:56) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(00:55) Quevedo, 'NI BORRACHO'(05:02) Joey Quiñones, 'In a Soul Situation'(12:24) Carolina Mama, 'Amina'(15:31) Elipsis, 'Elipsis'(19:22) Da Cruz, 'Som Sistema'(23:46) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Diverse Voices Book Review host Hopeton Hay interviewed Johnny Lorenz, translator of the Brazilian novel THE FRONT by Edimilson de Almeida Pereira. Set in Brazil, the novel follows an unnamed narrator standing in line, using memory, poetic language, and philosophical reflection to confront hunger, racism, and the everyday violence of social systems. In the interview, Lorenz said he was inspired to translate more of the literary work of writers of color to speak to the moment after the rise of Black Lives Matter protests against the murder of George Floyd.About Johnny Lorenz:Johnny Lorenz is a poet, translator, and scholar, and a professor of English at Montclair State University. He has translated several major works of Brazilian literature, including novels by Clarice Lispector and Itamar Vieira Junior, and focuses on bringing Afro‑Brazilian and diasporic writers to English‑language readers.About Author Edimilson de Almeida PereiraEdimilson de Almeida Pereira is a Brazilian poet, scholar, and novelist whose work engages Afro‑Brazilian history, philosophy, and myth. 

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this engaging conversation with Dr. Steven Engler, we explore esoteric traditions, mystical experiences, and how spiritual meaning shows up across cultures and belief systems. Dr. Engler is a Professor of Religious Studies in the Department of Humanities at Mount Royal University, whose work bridges scholarship, lived experience, and cross-cultural inquiry. His research spans fieldwork with Afro-Brazilian and esoteric spirit-incorporation traditions in Brazil, as well as methodological and theoretical approaches to understanding religion, spirituality, and meaning-making. Dr. Engler's work also examines how concepts like tradition, lived religion, and esotericism shape both personal experience and broader cultural narratives. Beyond his research and teaching, Dr. Engler is a co-editor of leading journals and book series in religious studies and has closely analyzed the academic landscape of religion and spirituality in Latin America. Click play to uncover: How people's stories reflect the beliefs of their respective traditions.  The ways that belief makes a difference in experience.  Experiences that have impacted Dr. Engler's perspective. You can find more about Dr. Engler here!

In episode #90, we explored one of the most revered albums in Brazilian music history. Recorded live between January 3rd and 6th, 1966, Os Afro-Sambas has endured decades of change and upheaval in Brazil's musical landscape. The unlikely duo behind it—Baden Powell, a 24-year-old virtuoso guitarist of poor Afro-Brazilian origins, and Vinícius de Moraes, 51, celebrated white-diplomat songwriter of Garota de Ipanema and Chega de Saudade—first met in a Rio nightclub in 1961. Widely regarded as the first album to fuse bossa nova's signature instruments—guitar, bass, flute—with Afro-religious rhythms, Os Afro-Sambas was born after Baden traveled to Bahia to conduct extensive research in candomblé temples.Recorded in a basement studio in downtown Rio during a torrential rainstorm, the sessions help explain why Vinícius' vocals sometimes sound notably nasal. Or, according to various legends, perhaps because they reportedly went through more than 2,300 bottles of whisky over those four days of recording. In this episode, we took a deep dive into the album's history, analyzing its lyrics, music, and the context of its creation, including audio excerpts from interviews and documentaries.Among the videos I have shared in this episode:Baden Powell plays on the TV show Ensaio - TV Cultura (1967) Baden Powell plays "Tempo de Amor" for Saravah documentaryBaden & Vinícius play Berimbau/Canto de Ossanha (1979)Follow our updated playlist on Spotify: "⁠Soundtrack: Brazuca Sounds⁠". Every song we've ever playedon the show!

In the beginning, there was nothing but air. The supreme being breathed upon it, and the air became water. Air and water moved together, forming mud. Seeing its shape, the supreme being breathed again – and life began. Today, we'll be exploring this creation story – born of Afro-Brazilian philosophy – forged under conditions of extreme violence, displacement, and resistance. During the transatlantic slave trade, more than four million Africans were forcibly taken to Brazil – far more than were sent to the United States. They brought with them their gods, their rituals, and their philosophies. Despite sustained efforts to suppress them, these traditions not only survived, but developed into sophisticated systems of thought that remain living practices today. We'll be exploring these traditions with José Eduardo Porcher Assistant Professor of Philosophy at the Federal University of Rio Grande do Sul in Brazil. José is currently Director of the Spiritual Realities, Relationality, and Flourishing: Brazilian Contributions to Philosophy of Religion project, and has been centrally involved in a number of major research initiatives examining alternative approaches to philosophy of religion – including the John Templeton funded project Expanding the Philosophy of Religion by Engaging with Afro-Brazilian Traditions. In this episode, we'll explore the Afro-Brazilian religious tradition of Candomblé: its account of creation, its distinctive conception of God and the deities, and its striking vision of a world enchanted by a vital life-force that flows through people, objects, nature, and the divine. We'll ask what it means to live in a world where gods possess human bodies, where objects can be sacred, and where divinity is powerful yet limited. And we'll consider what these traditions might teach us about evil, responsibility, nature, and how to live well in a world that is far stranger than Western philosophy ever thought.   This episode is produced in partnership with The Global Philosophy of Religion Project at University of Birmingham, funded by the John Templeton Foundation. Links José Eduardo Porcher, Webite José Eduardo Porcher, Afro-Brazilian Religions (Book)

Episode 37 - A clap, a Slap and a StompWhat actually is musical time? In this episode, Steve kicks off 2026 with the first four days of his “12 Days of Listening” mini-series — all about pulse, groove, and how our brains latch onto patterns (sometimes to our advantage, sometimes not).Then we jump to Wilton's Music Hall (January 2025) for a live guest spot from Aluá Nascimento — Brazilian percussionist, multi-instrumentalist, and former STOMP cast member — starting with a trumpet + pandeiro duet on “Brazil” and expanding into body percussion, Afro-Brazilian rhythm traditions, and the wonderfully low-tech joy of making music out of whatever's around.Along the way, Aluá talks about growing up around capoeira, how culture and history shaped these sounds, and demonstrates instruments including berimbau (musical bow), caxixi (shaker), and pandeiro — with a bit of audience participation thrown in too.In this episodeA practical listening upgrade: pulse vs rhythm (try it while walking)“The pocket”: groove as micro-timing, not just the patternWhy your brain is basically a pattern-hunting drummerShared time / entrainment: why humans sync up (and why it matters in music)Live at Wilton's: trumpet + pandeiro on “Brazil”Aluá's story: capoeira roots, Afro-Brazilian traditions, and the STOMP yearsInstruments you'll hear: body percussion, pandeiro, berimbau, caxixi (and more)Find AluáInstagramBeat Goes On (bio + workshops)Watch: Aluá Nascimento & Helene Jank – Body Music (YouTube)Also in this episodeSteve mentions Episode 36 (breaking down how the My Friend Maisy theme was made)Wilton's Music Hall shows: 24th January — kids/family show at 2pm, evening show at 7pmSupport the showExplore episodes, transcripts, and more: originofthepieces.comJoin the Patreon: patreon.com/StevePrettyOnTheOriginofthePiecesIf you enjoyed this one, share it with a musically curious human (it helps more than you'd think)Stay musically curious! Hosted on Acast. See acast.com/privacy for more information.

In the beginning, there was nothing but air. The supreme being breathed upon it, and the air became water. Air and water moved together, forming mud. Seeing its shape, the supreme being breathed again – and life began. Today, we'll be exploring this creation story – born of Afro-Brazilian philosophy – forged under conditions of extreme violence, displacement, and resistance. During the transatlantic slave trade, more than four million Africans were forcibly taken to Brazil – far more than were sent to the United States. They brought with them their gods, their rituals, and their philosophies. Despite sustained efforts to suppress them, these traditions not only survived, but developed into sophisticated systems of thought that remain living practices today. We'll be exploring these traditions with José Eduardo Porcher Assistant Professor of Philosophy at the Federal University of Rio Grande do Sul in Brazil. José is currently Director of the Spiritual Realities, Relationality, and Flourishing: Brazilian Contributions to Philosophy of Religion project, and has been centrally involved in a number of major research initiatives examining alternative approaches to philosophy of religion – including the John Templeton funded project Expanding the Philosophy of Religion by Engaging with Afro-Brazilian Traditions. In this episode, we'll explore the Afro-Brazilian religious tradition of Candomblé: its account of creation, its distinctive conception of God and the deities, and its striking vision of a world enchanted by a vital life-force that flows through people, objects, nature, and the divine. We'll ask what it means to live in a world where gods possess human bodies, where objects can be sacred, and where divinity is powerful yet limited. And we'll consider what these traditions might teach us about evil, responsibility, nature, and how to live well in a world that is far stranger than Western philosophy ever thought. This episode is produced in partnership with The Global Philosophy of Religion Project at University of Birmingham, funded by the John Templeton Foundation. Links José Eduardo Porcher, Webite José Eduardo Porcher, Afro-Brazilian Religions (Book)

West Oakland artist Nia Cephas came up with a word that encompasses her cultures, spirituality, and connection with people: Cosmicpolitan. That's also the name of her debut album. Nia's music reflects both her African American and Afro-Brazilian roots. Her songs range from being a testament of survival to an invitation to just feel free. KALW's Sights and Sounds Show host, Jenee Darden, spoke with Nia about the life experiences that inspired “Cosmicpolitan.” Here's an excerpt of that interview.

Best Travel ESIM, that has been amazing for me: $27 a month, unlimited data, 100+ countries = pangia pass Use my link for 10% off: https://pangiapass.com/a/bold Find Me Here: https://linktr.ee/bold.perceptions Travel / Lifestyle Consultation, DM Me On Instagram: bold_perceptions Subscribe to win a free flight.... when I hit 5k subscribers I will buy a random person a one way flight to experience solo travel themselves. & I will help you plan the adventure. ~ Northeast Brazil, or O Nordeste, is a captivating frontier for travelers and nomads seeking an authentic, sun-drenched alternative to the more Westernized south. The region is a sensory explosion of Afro-Brazilian culture, colonial architecture, and some of the world's most stunning coastlines. For digital nomads, the primary pros are the remarkably low cost of living (often 30-50% cheaper than São Paulo) and a year-round tropical climate. You can live a high-quality lifestyle in coastal cities like João Pessoa, which is frequently cited as one of the safest and most affordable capitals, or Maceió, famous for its neon-blue urban lagoons. For those seeking a social hub, Pipa has emerged as the region's premier nomad village, offering a "barefoot luxury" vibe with reliable fiber-optic internet, boutique coworking spots, and a thriving international community of surfers and remote workers. However, the region presents distinct cons that require a bit of "street smarts" and preparation. Safety is a variable concern; while smaller towns like Itacaré or Jericoacoara feel relatively secure, larger hubs like Salvador and Recife have high inequality and areas that demand constant vigilance, especially at night. Infrastructure can also be "patchy" once you leave the main state capitals; while 5G and fiber are common in cities, rural beach towns may suffer from occasional power outages or fluctuating Wi-Fi. Additionally, the language barrier is significant—English is rarely spoken outside of high-end tourism, so learning basic Portuguese is almost mandatory for daily life. Despite these hurdles, for the nomad who prioritizes cultural depth, world-class kitesurfing, and a slower "manana" pace of life, the Northeast offers a soulfulness that the more polished southern cities often lack. Top Destinations for Nomads: Pipa (RN): The best "community" vibe with established nomad infrastructure. João Pessoa (PB): Best balance of safety, cost, and city amenities. Jericoacoara (CE): Ultimate "off-grid" feel (sand streets) but now has good fiber internet. Salvador (BA): The cultural heart of Brazil; best for history, music, and food. ~ #travel #travelblogger #nomad #digitalnomad #brazil #recife #fortaleza #joaopessoa #brasil

Jaciara is a transracial/international adoptee. She was adopted from Brazil in 1985 when she was 11 months old and raised in Northern California by a Jewish single parent mother, in a small and very minimally diverse town. Jaciara has obtained her Master's degree in Social Work and her bachelor's degree in Psychology. She currently works as a medical social worker in a hospital and has been in this field for many years. Jaciara has also worked in the field of adoption/foster care at various capacities for 10 years, and recently has begun a new part-time role as a Court Appointed Family Engagement Specialist. She has been a panelist on numerous adult adoptee panels, has co-developed and presented training curriculum utilizing both her lived and professional experience on the multi-layered experiences and nuances in transracial placement/adoption. She has also created educational curriculum for adoptee youth teaching mindfulness practices, as well as sharing learned life lessons and hardships from her lived experience in effort to provide the support and knowledge she so greatly wished to have had when she was younger. Jaciara has also independently provided 1:1 mentorship primarily to teenage adoptees including extending support/guidance to their adoptive parent(s). Jaciara is a member of the Board of Directors for S.P.A.C.E. (School of Performing Arts and Cultural Education) a well-known organization in her hometown that she actively participated in as a youth; she holds the position as the Chair of the board's Cultural Education Committee. Outside of her professional work, her most cherished and beloved hobby is Samba dance; and she is a principal dancer on a award winning Samba team. For Jaciara, Samba has been her most steady connection to her Afro-Brazilian roots.Resources/References: https://youtu.be/dmfxulaeMZI?si=exMTT3VX9SZkqXuB http://www.radiocurious.org/2015/03/31/bayer-jaciara-jaciara-bayer-transracial-adoptions-and-white-privilege/ https://www.patreon.com/c/adopteelandMusic by Corey Quinn

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

Hear award-winning travel creator Nicole Phillip share stories of immersing in Afro-Brazilian history, music and culture. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Nicole Phillip returns to The Maverick Show and records this episode in person with Matt in Rio after spending two weeks together in Brazil.  Nicole is fresh off winning her award for the 2025 Social Media Video of the Year at the Black Travel Film Festival for her video on Reggaeton's Panamanian roots.  She reflects on the entire Black Travel Summit, the Afrofuture-themed Awards Gala, and why winning this award was such an emotional moment for her.  Nicole also pulls back the curtain and breaks down the biggest leverage points for how she was able to build 350,000 social media followers in just 2 years. She then talks about her trip to Panama where she created the video, as well as her trip to the Dominican Republic, and what some of her biggest lessons were from both places.  Next, Nicole shares her first impressions of Brazil and describes the day she spent touring a favela.  She also talks about spending time in the Madureira neighborhood—the beating heart of Black Carioca culture—both on a daytime tour and partying in the streets at 2am.  Finally, Nicole shares her experience in Sao Paulo visiting a Quilombo and diving into Black history there.  FULL SHOW NOTES INCLUDING DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE.  ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

Gareth Doherty, Associate Professor of Landscape Architecture at Harvard's Graduate School of Design and an affiliate at the Department of African and African American Studies, discusses his most recent book, Landscape Fieldwork: How Engaging the World Can Change Design. He tells us a fascinating story about the secret gardens, islands of green, that he wrote about in the chapter "Gathering Leaves: Urban Ecologies of Afro-Brazilian Sacred Groves.

Francisco Casaroti is a lifelong martial artist, teacher, and cultural ambassador with nearly three decades of experience in the Afro-Brazilian art of Capoeira. Born and raised in Brazil, Francisco's journey through movement, rhythm, and expression began at a young age — shaping not only his martial path but also his understanding of community and culture. ... Francisco Casaroti – Capoeira Arte – Ep244

Today I welcome my dear sister Ju Brunnquell back to This Cosmic Life. We open a living conversation on the language of the Orishas, the art of offerings as mandala, and how mediumship, music, and movement become bridges between worlds. Ju shares her path through Santo Daime to Umbanda, what it meant to be “caught” by mediumship, and how archetypal forces like Eshu and the Boiadeiros teach protection, surrender, and right timing.This is a tender invitation to feel first, understand later, and let devotion become the way we walk, speak, and listen.In This EpisodeWhat the Orishas are as archetypal forces of nature and how they appear across traditionsThe African diaspora in Brazil and the weaving of Umbanda with Spiritism and ChristianityMediumship as a pedagogy of the body — vibration, sensation, vision, and discernmentEshu as opener of the roads and guardian at the crossroadsOfferings as poetry and mandala — moving intention from the mental to the materialThe Boiadeiros (Wranglers) as humble guides of faith, simplicity, and steady actionParallels with Tibetan Buddhist offering practice and daily devotionJu is an ordained Priestess of Sacred Umbanda, initiated by Alexandre Cumino at Colégio Pena Branca in São Paulo. She is also a Fire Alchemist through the same lineage and an Alchemist of Exú, initiated by Fátima Saraceni. Deeply rooted in the mysteries of Exú, Pombagira, and the healing forces of Obaluaê, Ju channels transformative teachings through ritual, voice, and presence.She is the founder of Escola do Pentagrama, a spiritual school dedicated to autonomy, oracular wisdom, and the living language of the Orixás offering e-books, courses, and meditations to seekers and make Afro-Brazilian spirituality accessible across the worlds. → Explore her work or join her next offering at: ⁠escoladopentagrama.com⁠Tara Samadhi, a sound mystic, astrologer, and devotional guide weaving together True Sidereal wisdom, plant medicine, and the sacred currents of sound. This Cosmic Life is my soul altar — a space for sacred dialogue, mystical study, and remembering ourselves as divine.More at: ⁠tarasamadhi.com⁠Ways to walk deeper with us:Share this episode with someone who is waking up to their spiritual force.Leave a review to support the temple of voice. Subscribe to This Cosmic Life for more transmissions.

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Backstage Bay Area – Episode with Amaro FreitasGuest: Amaro Freitas, acclaimed Brazilian jazz pianist and composerHost: Steve RobyEpisode Highlights:Introduction to Amaro Freitas, his Afro-Brazilian roots, and his unique approach to jazz piano.Amaro discusses his musical beginnings in Brazil, learning piano in church, and the influence of family and local musicians.Deep dive into Amaro's rhythmic style, blending African, Brazilian, and jazz traditions.Influences: Amaro shares how Chick Corea and other jazz legends shaped his sound and creative process.Stories from Amaro's career, including memorable performances and personal encounters with Chick Corea.Discussion of Amaro's latest album, "Y'Y," inspired by the Amazon, nature, ancestry, and the power of water.Exploration of the track "Encantados," its roots in Afro-Indigenous legends, and the spiritual connection between music, nature, and humanity.Amaro's approach to live performance, improvisation, and adapting his set for intimate venues like the Joe Henderson Lab at SF Jazz Center.Preview of upcoming shows in San Francisco, including details on setlists, improvisation, and audience interaction.Featured Tracks:"Y'Y" (title track)"Encantados"Upcoming Events:Amaro Freitas performing solo at the Joe Henderson Lab, SF Jazz Center, San Francisco.Four shows: Friday, October 24th & Saturday, October 25th, 7:00 PM and 8:30 PM.Tickets and info: sfjazz.orgLinks:Amaro Freitas Official WebsiteSF Jazz Center TicketsConnect:Follow Backstage Bay Area for more artist interviews and behind-the-scenes stories.Share the episode and join us at SFJAZZ

Listen to an interview with Brazilian musicians Magary Lord, Juliana Ribeiro, Márcio Pereira, and Indianapolis' Lasana Kazembe. They recently performed at Indy Jazz Fest as part of “Jazz Meets Samba : An Afro Brazilian Journey.” Magary Lord is a Brazilian singer-songwriter and percussionist from Salvador, Bahia, known for blending Afro-Brazilian rhythms with broader global influences.Magary Lord has performed internationally and won top honors in Salvador's Carnaval and collaborated with artists including Seu Jorge.  Juliana Ribeiro is a Brazilian singer, composer and historian from Bahia whose work draws deeply from Afro-Brazilian musical traditions. Ribeiro has performed on major stages across Brazil, released critically-acclaimed albums like “Preta Brasileira.” Márcio Pereira is a guitarist, composer, arranger, and music professor from Salvador, Bahia. Trained both in his hometown and in New Orleans, Pereira developed a distinctive style that fuses Afro-Bahian rhythms with blues and jazz influences. Lasana D. Kazembe, Ph.D., is an award-winning educator, poet, spoken-word artist, and scholar based in Indianapolis. Kazembe has produced multimedia works including “The Voodoo of Hell's Half-Acre”, and "Paul Robeson: Man Of The People”, which merge poetry, music, and performance.

Moorings: Voyages of Capital across the Indian Ocean (U of California Press, 2025) follows sailors from the Gulf of Kachchh in India as they voyage across the Indian Ocean on mechanized wooden sailing vessels known as vahans, or dhows. These voyages produce capital through moorings that are spatial, moral, material, and conceptual. With a view from the dhow, the book examines the social worlds of Muslim seafarers who have been rendered invisible even as they maneuver multiple regulatory regimes and the exigencies of life, navigating colonialism, neoliberalism, the rise of Hindutva, insurgency, climate change, and border regimes across the ocean. Based on historical and ethnographic research aboard ships, at ports, and in religious shrines and homes, Moorings shows how capitalism derives value from historically sedimented practices grounded in caste, gender, and transregional community-based forms of regulation. Nidhi Mahajan is Associate Professor in the Department of Anthropology at the University of California, Santa Cruz. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Moorings: Voyages of Capital across the Indian Ocean (U of California Press, 2025) follows sailors from the Gulf of Kachchh in India as they voyage across the Indian Ocean on mechanized wooden sailing vessels known as vahans, or dhows. These voyages produce capital through moorings that are spatial, moral, material, and conceptual. With a view from the dhow, the book examines the social worlds of Muslim seafarers who have been rendered invisible even as they maneuver multiple regulatory regimes and the exigencies of life, navigating colonialism, neoliberalism, the rise of Hindutva, insurgency, climate change, and border regimes across the ocean. Based on historical and ethnographic research aboard ships, at ports, and in religious shrines and homes, Moorings shows how capitalism derives value from historically sedimented practices grounded in caste, gender, and transregional community-based forms of regulation. Nidhi Mahajan is Associate Professor in the Department of Anthropology at the University of California, Santa Cruz. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Encountering Race in Albania: An Ethnography of the Communist Afterlife (Cornell University Press, 2025) is the first book to interrogate race and racial logics in Albania. Chelsi West Ohueri examines how race is made, remade, produced, and reproduced through constructions of whiteness, blackness, and otherness. She argues that while race is often limited to Western processes of modernity that exclude Eastern Europe, racialization processes are global, and the ethnography of everyday Albanian socialities makes visible how race operates. Historical and political science frameworks prevail in the study of post-Cold War East European societies, yet as West Ohueri shows, anthropological and ethnographic knowledge can equip scholars to ask questions that they might otherwise not consider, illustrating how racialization is ongoing and enduring in a period that she terms the communist afterlife. Encountering Race in Albania, through the unexpected optic of Albania, a small, formerly communist country in Southeast Europe, offers significant insights into into broader understandings of race in a global context. Chelsi West Ohueri is Assistant Professor of Slavic and Eurasian Studies at University of Texas, Austin. Her work focuses on ethnographic studies of race and racialization, belonging, marginalization, and medical anthropology, primarily in Albania and Southeast Europe. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Encountering Race in Albania: An Ethnography of the Communist Afterlife (Cornell University Press, 2025) is the first book to interrogate race and racial logics in Albania. Chelsi West Ohueri examines how race is made, remade, produced, and reproduced through constructions of whiteness, blackness, and otherness. She argues that while race is often limited to Western processes of modernity that exclude Eastern Europe, racialization processes are global, and the ethnography of everyday Albanian socialities makes visible how race operates. Historical and political science frameworks prevail in the study of post-Cold War East European societies, yet as West Ohueri shows, anthropological and ethnographic knowledge can equip scholars to ask questions that they might otherwise not consider, illustrating how racialization is ongoing and enduring in a period that she terms the communist afterlife. Encountering Race in Albania, through the unexpected optic of Albania, a small, formerly communist country in Southeast Europe, offers significant insights into into broader understandings of race in a global context. Chelsi West Ohueri is Assistant Professor of Slavic and Eurasian Studies at University of Texas, Austin. Her work focuses on ethnographic studies of race and racialization, belonging, marginalization, and medical anthropology, primarily in Albania and Southeast Europe. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Encountering Race in Albania: An Ethnography of the Communist Afterlife (Cornell University Press, 2025) is the first book to interrogate race and racial logics in Albania. Chelsi West Ohueri examines how race is made, remade, produced, and reproduced through constructions of whiteness, blackness, and otherness. She argues that while race is often limited to Western processes of modernity that exclude Eastern Europe, racialization processes are global, and the ethnography of everyday Albanian socialities makes visible how race operates. Historical and political science frameworks prevail in the study of post-Cold War East European societies, yet as West Ohueri shows, anthropological and ethnographic knowledge can equip scholars to ask questions that they might otherwise not consider, illustrating how racialization is ongoing and enduring in a period that she terms the communist afterlife. Encountering Race in Albania, through the unexpected optic of Albania, a small, formerly communist country in Southeast Europe, offers significant insights into into broader understandings of race in a global context. Chelsi West Ohueri is Assistant Professor of Slavic and Eurasian Studies at University of Texas, Austin. Her work focuses on ethnographic studies of race and racialization, belonging, marginalization, and medical anthropology, primarily in Albania and Southeast Europe. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Encountering Race in Albania: An Ethnography of the Communist Afterlife (Cornell University Press, 2025) is the first book to interrogate race and racial logics in Albania. Chelsi West Ohueri examines how race is made, remade, produced, and reproduced through constructions of whiteness, blackness, and otherness. She argues that while race is often limited to Western processes of modernity that exclude Eastern Europe, racialization processes are global, and the ethnography of everyday Albanian socialities makes visible how race operates. Historical and political science frameworks prevail in the study of post-Cold War East European societies, yet as West Ohueri shows, anthropological and ethnographic knowledge can equip scholars to ask questions that they might otherwise not consider, illustrating how racialization is ongoing and enduring in a period that she terms the communist afterlife. Encountering Race in Albania, through the unexpected optic of Albania, a small, formerly communist country in Southeast Europe, offers significant insights into into broader understandings of race in a global context. Chelsi West Ohueri is Assistant Professor of Slavic and Eurasian Studies at University of Texas, Austin. Her work focuses on ethnographic studies of race and racialization, belonging, marginalization, and medical anthropology, primarily in Albania and Southeast Europe. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Show NotesBackstage Bay Area welcomes the vibrant Afro-Cuban duo, OKAN—Elizabeth Rodriguez and Magdelys Savigne—for an inspiring discussion about music, identity, and resilience.In this episode, host Steve Roby dives deep with OKAN as they share:Their humble start at making music in a Toronto basement and finding their creative voices.The meaning behind the name "OKAN" and how honoring their roots and heart shapes their sound.Balancing life as musicians, partners, and parents on the road—including stories of their young son joining them on stage.Collaborating with Brazilian multi-instrumentalist Munir Hossn on their new single "PomPom" and exploring the unique process of blending Afro-Cuban and Afro-Brazilian influences.Their songwriting process, the importance of supporting women composers, and how spiritual well-being and self-love fuel their art. The making of their Juno-winning album "OKAN Tumi," and a sneak peek at their upcoming, more digitally influenced fourth album.What to expect at their upcoming SF Jazz shows—featuring new music, dance floor energy, and a family affair on stage.Tune in for exclusive tracks, behind-the-scenes stories, and a celebration of music that unites cultures and generations.Featured Music:"Pompom" (with Munir Hossn)"OKAN Tumi"“Me Merezco” – Exclusive previewUpcoming Shows:Catch OKAN at SF Jazz's Joe Henderson Lab for four shows over two nights—details and tickets are available at sfjazz.org. For more music and tour dates, visit okanmusica.com.Listen now for a journey of heart, rhythm, and the power of believing in your own voice.