Podcasts about Blue Dress

Today we are joined by Daria Burke, an award-winning business leader, investor, speaker, and now author. She is here to discuss her memoir, Of My Own Making, which is about how she healed from childhood trauma to build her life. Daria talks about how systemic and personal harms are intertwined, how she engaged with leading experts in the fields of trauma work, and her shift from survival to success.The Stacks Book Club pick for May is Devil in a Blue Dress by Walter Mosley. We will discuss on Wednesday, May 28th with Kara Brown returning as our guest.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/5/14/ep-371-daria-burkeConnect with Daria: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on The Stacks, we're talking with screenwriter and producer, Kara Brown. She shares what she looks for when adapting a book to the screen, and the key to making sure an adaptation is a success. We also discuss Kara's love of massive tomes, the three writers that inspired her career, and her problematic fave.The Stacks Book Club pick for May is Devil in a Blue Dress by Walter Mosley. We will discuss on Wednesday, April 30 with Kara Brown returning as our guest.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/5/7/ep-370-kara-brownConnect with Kara: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

     This week- a pair of films about people dragged into tangled webs of conspiracy.     Rollie Taylor is the best practical effects artist that has ever been. When he's approached by an agent from the Department of Justice, he takes up the challenge of staging the assassination of an organized crime informant in public. Soon Rollie finds himself on the run from his employers with a trail of collateral damage and the NYPD detective at his heels. Will Rollie clear his name? What actually was the point of this elaborate scheme? Will Detective McCarthy realize he's too old for this shit? A surprise hit that generated a sequel film and continued with a TV series- F/X (aka Murder by Illusion).     Summer 1948. Ezekiel "Easy" Rawlins, an African-American veteran and homeowner in Watts, has been laid off from his job at Champion Aircraft and needs money quickly to make his mortgage. His friend, Joppy, introduces him to DeWitt Albright, a white private investigator. Albright explains he needs Easy's help finding the missing fiancé of a Los Angeles mayoral candidate. Before long, bodies start piling up and Easy has the police eyeing him hard. His only hope is to call in his old friend, Mouse, a man with tendencies toward deadly violence. Will Easy find the missing woman? Why did she take off and who exactly is so desperate to find her? Based on the first book in Walter Mosley's phenomenal series of hardboiled mysteries, Devil in a Blue Dress.   Join us, won't you?   Episode 411- The Mouse and the Snitch

Grateful Dead Hell in a Bucket > Sugaree 15:43 12-29-1988 Oakland Coliseum Grateful Dead Greatest Story Ever Told > 3:51 09-09-1987 Providence RI Grateful Dead Devil With a Blue Dress > 2:10 09-09-1987 Providence RI Grateful Dead Good Golly Miss Molly > 0:46 09-09-1987 Providence RI Grateful Dead Devil With a Blue Dress > 1:06 […]

The Movies That Made Me: Season 2: Episode Sex: The Dirty Dozen   From forbidden love to BDSM, prison bars to the hoods of cars, femmes fatales to buttoned up Englishmen...   Out of Sight with George Clooney and Jennifer Lopez, Devil in a Blue Dress with Denzel Washington and Jennifer Beals, My Beautiful Laundrette with Daniel Day Lewis and Gordon Warnecke, Go Fish with Guinevere Turner and VS Brodie are some of the erotically charged movies that DIDN'T make the cut   NOW find out the 12 Movies which Pippa Evans and Luke Sorba DID choose as they count down Cinema's Sexiest Scenes in "The Movies that Made Me Season Two, Episode Sex: The Dirty Dozen!" (contains adult themes).   BONUS: Producer's Pick   Host: Luke Sorba @LukeSorbaLabour (X) Guest: Pippa Evans @iampippaevans (Instagram) Producer: Andrew Paine @ItPainesMe (Bluesky)  

This week we talk about book and game pairings. If you like these games you might like these books! Errata: Sam said The Monsters We Defy by Justina Ireland and she meant to say by Leslye PenelopeWhat We're PlayingMonster Hunter WildsAssassin's Creed Shadows*Call of Duty: Black Ops 6What We're ReadingThe Poppy War by R.F. KuangA Glimmer of Death by Valeria Wilson WesleySunrise on the Reaping by Suzanne CollinsWhat We're DrinkingMARS the Y.A. Japanese WhiskeyCold brew coffee with cold foamWhat We PairedJordyn1. The Devil in the White City by Erik Larson and The Devil in Me by Supermassive2. Three Dark Crowns by Kendare Blake and Queen by Midnight published by Derrington Press3. The Hunger Games by Suzanne Collins and Orwell Keeping an Eye on You by Osmotic Studios4. The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton and What Remains of Edith Finch by Giant Sparrow5. The Looking Glass Wars by Frank Beddor and Lies of P by Round8 StudiosSam1. Parable of the Sower by Octavia Butler and Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah and Freedom Wars Remastered by Bandai Namco2. Trail of Lightning and Storm of Locusts by Rebecca Roanhorse and Monster Hunter Wilds by Capcom (Middle Grade: Race to the Sun by Roanhorse and Monster Hunter Stories 1&2 by Capcom)3. The Poppy War by R.F. Kuang and Avowed by Obsidian4.What the River Knows by Isabel Ibanez and Tomb Riader by Crystal Dynamics 5. Ophie's Ghosts by Justina Ireland and The Monsters We Defy by Leslye Penelope and Spiritfarer by Thunder Lotus GamesSam's Honorable Mentions1. Devil in the Blue Dress by Walter Mosley and L.A. Noire by Team Bondi2. Dread Nation by Justina Ireland and The Poisons We Drink by Bethany Baptiste and South of Midnight by Compulsion Games *Code received for streaming and review purposes

"I DIED?!?!" We are here with Tony-nominated actor, L. Scott Caldwell. You Might Know Her From Insecure, Lost, The Fugitive, Bad Monkey, How to Get Away with Murder, Waiting to Exhale, The Net, Soweto Green and the Broadway production of Joe Turner's Come and Gone. L. Scott gave us all the scoop on acting opposite Crystal the Monkey in Bad Monkey, bringing her personal story to Rose's story on Lost, and working with August Wilson on the Broadway production of his 1988 play Joe Turner's Come and Gone. All that, plus being killed off as Molly's mom on Insecure (she forgot!), working with Uta Hagen and the Negro Ensemble Company, and what she learned from Joe Pantoliano on the set of The Fugitive. L. Scott was a total dream and we hope you love it as much as we did!  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Rob Lowe as Stone Phillips and Shaggy Sarah Michelle Gellar as Posh Spice (Chris Kattan as Mel Be) and Debbi Matanopolous The Curious Case of Natalia Grace made into a mini-series with Ellen Pompeo called Good American Family Anne currently binging 2 seasons of Making a Murderer on Netflix  Parker Posey in The Staircase  True Crime Con featured Jon Benet Ramsey's father was the keynote speaker My Favorite Murder We tried to convince Jiggly Caliente to do Lorena Bobbit on Snatch Game Cult-y video Damian sent Anne on TikTok We are currently reading Sarah Schulman's books: People in Trouble, Stagestruck L Scott plays Jodi Turner Smith's grandmother in Bad Monkey Fear of cats: Ailurophobia Had a chemistry test with Crystal the monkey L Scott played Molly's mom, “CeeCee” on Insecure  Dies in A Million Little Pieces, The Gridiron Gang, Insecure Played Rose Nadler of Rose and Bernard on the phenomenon known as Lost Co-starred in big 90s movies like The Fugitive, Devil in a Blue Dress, The Net, Waiting to Exhale Aggie Rodgers was the costume designer for The Fugitive Richard Jordan dies while shooting of The Fugitive  and was replaced with Jeroen Krabbé Soweto Green written by Mfundi Vundla NEC: Negro Ensemble Company Was named “Nombula” = bringer of the rain Won a Tony for her role In Joe Turner's Come and Gone on Broadway  A Play of Giants at Yale Rep 1984  NEC members: Barbara Montgomery, Frances Foster, Michele Shay, Adolph Caesar, Graham Brown, Charles Brown, Samm-Art Williamson OG company: Hattie Winston, Judyann Elder, Rosalind Cash, Denise Nicholas,  Men: Norman Bush, Allie Woods, Robert Hooks,  NEC: The Room and it moved to Broadway the next year Uta Hagen promoted some movie called The Other on Mike Douglas show Got injured going toe to toe with Viola Davis in How to Get Away with Murder Has played a judge, lawyer or doctor more times than she can count Tom Petty music video for “Don't Come Around Here No More” and Genesis “Land of Confusion” video with giant Reagan puppets  

This is the second of two episodes in which we look at films in which Denzel Washington is a lawman of some kind. We start with the 1995 neo-noir Devil in a Blue Dress, directed by Carl Franklin and co-starring the likes of Don Cheadle and Jennifer Beals. It's a period piece, set in post-WW2 California, and it deals with a man looking for a job but finding a mystery instead. Stay tuned--in Part 2 we look at 2003's Out of Time (not to be confused with 1987's No Way Out, which has a few plot similarities.)

Recorded in early March 2025; here is our breakdown of the slick and incredible 1995 film, ‘DEVIL IN A BLUE DRESS'. Join us for our pop culture news and weekly recommendations segments, located at the top of the show as per usual. We hope you enjoy and thank you for listening! Mixed and edited by: Wesley Swanson.

We continue our topic month with a look at the Fridging trope. Carla from Bed, Wed, or Behead and Tiff join Erin to discuss their earliest memories of this trope, some of the worst examples, why it persists, and its harmful effects. Trigger warnings: sexual assault, racism, misogyny, homophobia. This episode contains spoilers for Se7ven, Supernatural, Buffy the Vampire Slayer, Angel, Dexter, The Crow (1994), Scream, Austin Powers, Devil in a Blue Dress, Luther, The Dark Knight, and Friday the 13th. Want to participate in our Marathon Streaming Event on May 10th? Fill out this Google Form: https://forms.gle/iAYjRFMfYzAhATwS9. Please consider donating to these two GoFundMe campaigns for relatives of frequent panelist Tiff who were impacted by the LA fires: https://gofund.me/e4918cf7 and https://gofund.me/23d8e6b8. For excellent bonus content and ad-free versions, please support us on Patreon: https://www.patreon.com/itsafandomthingpod. You can follow us on Facebook: facebook.com/itsafandomthingpod Twitter: @fandomthingpod Instagram: @itsafandomthingpod Discord: https://discord.com/channels/1042986989349257216/1042987584151879762 You can follow Fergie on TikTok: https://www.tiktok.com/@schroederandfergs Cover art by Carla Temis. Podcast logo by Erin Amos. Consider becoming a Patreon supporter of Portia Burch: https://patreon.com/portia_noir?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link and White Woman Whisperer: https://patreon.com/whitewomanwhisperer?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link. Are you looking to buy some shirts that make a difference? Check out Wear the Peace: https://wearthepeace.com/pages/collections?utm_source=Klaviyo&utm_medium=flow&utm_klaviyo_id=01J35XBQFAPE052R8E3A4140TSkx=vpLEr9K3aUVqJ0N-d6KKWR608od7avLWJ2fXcHbEPI.U45QAK. Join the Here4TheKids Substack: https://here4thekids.substack.com/. To order the book, "White Women," click here: https://www.race2dinner.com/white-women Learn more about your ad choices. Visit megaphone.fm/adchoices

Bryan is fresh from an NYC haircut giving him Elizabeth Taylor spider bangs. Erin missed LA’s Frieze Art Fair, but rediscovered the 1995 Denzel Washington film Devil in a Blue Dress. Erin discusses the GOP obsession with increasing the U.S. birth rate. Bryan reviews the data showing the number of Americans identifying as LGBTQ+ has risen to 9.3%, tripling over the last 12 years. For this week's bonus This New Thing We're Doing! visit www.patreon.com/attitudesSee omnystudio.com/listener for privacy information.

It's been 10 years since the world debated if the dress was black and blue or gold and white. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wondered what a Serbian Shortcake is? Or what Grizzly Adams brother from the city looked like? Perhaps you were wondering about the quality of Video Game TV shows. Well what if I told you that the Blue Dress or White Dress argument was nothing more than a test of how to control what we all see (it's true*), well we get into all of that and so much more. Take a listen and we hope you enjoy the conversation as much as we did!#charliechaplin, #osmondbrothers, #busterkeaton, #divebar, #theylive, #grizzlyadams, #bluedressorwhitedress, #trafficcourt, #watermark, #humanity, #bluetoothdevice

Sharai and Trent are finally leaving Denzel's World but not before watchingDevil in a Blue Dress.Our art was created by Jed Martin. Check out his work at jedmartincreative.com.Music Credits: Composed/Produced by LaRob K. Rafael. LaRob K. Rafael, piano/vocals, Jackson Kidder, bass, and Tiana Sorenson, vocals.Want More Time On Fierce Street? Then check out the links below!Follow all of our social media at ⁠⁠⁠https://allmylinks.com/anightmareonfiercestreet⁠⁠⁠ Subscribe to our Patreon for exclusive content and merchandise at ⁠⁠⁠https://www.patreon.com/anightmarefierceonfiercestreet

Walter Mosley is the author of 60 critically-acclaimed books, translated into 25 languages. He has had several of his books adapted for film and tv including Devil in a Blue Dress, Always Outnumbered, Always Outgunned, and The Last Days of Ptolemy Grey starring Samuel Jackson. He was a writer and an executive producer on the John Singleton FX show, “Snowfall” and filming has just completed on his “Man in My Basement,” starring Willem Dafoe and Corey Hawkins.He is the winner of an O. Henry Award, The Mystery Writers of America's Grand Master Award, a Grammy®, several NAACP Image awards, PEN America's Lifetime Achievement Award. the Robert Kirsch Award from the Los Angeles Times Festival of Books and the Distinguished Contribution to American Letters Award from the National Book Foundation.In 1998, Mosley and the City University of New York created The Publishing Certificate Program. Created to address the critical issue of diversity in the book publishing industry, the program brings together the rich variety of racial, ethnic and cultural experiences of the students of CCNY with professionals in the industry who provide courses in core principles and skills needed to begin careers in the book industry.Facebook Page: https://www.facebook.com/WalterMosleyAuthor/Website: https://www.waltermosley.com/Mentioned in the Podcast:Crime Writers of Color: https://www.crimewritersofcolor.com/City College of New York Publishing Certificate Program: https://english.ccny.cuny.edu/publishing-certificate-program/Eleanor Taylor Bland Award for Emerging Crime Writers of Color: https://www.sistersincrime.org/page/EleanorTaylorBland*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgInstagram: https://www.instagram.com/sincnational/Bluesky: https://bsky.app/profile/sincnational.bsky.socialThreads: https://www.threads.net/@sincnationalFacebook: https://www.facebook.com/sistersincrimeTikTok:: https://www.tiktok.com/@sincnationalThe SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

In the second half of our episode, Denzel returns to the United States, and to New York City for Inside Man (2006), a Spike Lee joint. This is a crime thriller that has Denzel's character matching wits with a bank robber. There are lots of twists and turns and you're never sure who the titular "inside man" is until you're very close to the end—although there are lots of breadcrumbs to help you figure it out. If, that is, you know how to read them. COMING ATTRACTIONS: From the modern-day pieces of today's episode, we're going to jump to a period piece. Devil in a Blue Dress (1995) is set in post-war California. There's a mystery to be solved, and Denzel's the man to solve it. Finally, we wrap this package up with Out of Time (2003), which returns Denzel to the present day, but he's back in a tropical (well, subtropical, anyway) location to solve a murder before it can be pinned on him. Join us, won't you?  

On this episode, we dig into the chilling story of a young boy whose family unwittingly inherited a sinister presence in their Jacksonville condo. What began with the discovery of a forgotten Ouija board spiraled into years of inexplicable encounters, spectral apparitions, and a deepening obsession with the supernatural. As the years passed, the hauntings followed, pushing the boundaries of belief and fear.   Through vivid recountings of terrifying apparitions, unsettling voices, and relentless pacing in the night, we explore the psychological and paranormal implications of one man's lifelong connection to the otherworldly. Could his curiosity have opened a door that can never be closed?

On this episode, we dig into the chilling story of a young boy whose family unwittingly inherited a sinister presence in their Jacksonville condo. What began with the discovery of a forgotten Ouija board spiraled into years of inexplicable encounters, spectral apparitions, and a deepening obsession with the supernatural. As the years passed, the hauntings followed, pushing the boundaries of belief and fear.   Through vivid recountings of terrifying apparitions, unsettling voices, and relentless pacing in the night, we explore the psychological and paranormal implications of one man's lifelong connection to the otherworldly. Could his curiosity have opened a door that can never be closed?

Dare we say "neo-noir"?In post-war Los Angeles, Ezekiel Rawlins is just trying to keep a roof over his head. Soon, a job opportunity presents itself that will change his life forever. In his first of two appearances this month, Denzel brings Walter Mosely's Easy Rawlins to the screen. Although it deviates from the novel in some places, the plot unfolds in a crafty, writerly style. Oh man, who am i writing for? Don Cheadle steals the show in this one as Mouse. Lisa Nicole Carson (Coretta) blew us away in her limited screen time. And Barry Shabaka Henley is perfect as the Woodcutter. Outro: Marysue performing Devil with a Blue Dress On

Comentamos el disco 'Violator' de Depeche Mode, con Lucila Zetina como invitada. Lucila Zetina es una referente de la radio alternativa en México. Empezó como locutora en la emisora Rock 101 y actualmente presenta el programa ‘Polaroid 105' de Reactor 105.7 FM. En esta cuarta parte hablamos de: La música y la letra de las tres últimas canciones del disco: «Policy of Truth», «Blue Dress» y «Clean». Los videoclips de «Enjoy the Silence» y «Policy of Truth». La sensibilidad de Martin Gore como compositor y su habilidad para combinar luces y sombras. La lealtad de los fans de Depeche Mode. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

Com diu el gran Tomeu Penya, tothom, si fa no fa, conviu amb els seus dimonis interiors, i tamb

We're celebrating Black History Month with Carl Franklin's Devil in a Blue Dress, an atmospheric film noir that's equal parts mystery and social commentary. Denzel Washington leads a powerhouse cast in this thriller that captures the essence of both the genre and the era!For exclusive episodes and content, check out A Film By... Podcast on our Patreon with a FREE 7-day trial. You can also sign up as a free member! Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Originally scheduled on January 2nd but delayed due to technical issues.   Walter Mosley Walter Mosley and Richard Wolinsky, 2009. Walter Mosley in conversation with Richard Wolinsky and Richard A. Lupoff, recorded June 23, 1996 in the KPFA studios while on tour for the novel, “A Little Yellow Dog.” He also discusses his first mainstream novel, “RL's Dream” and the film version of “Devil in a Blue Dress.” Today, Walter Mosley is one of America's leading authors. He is best known for his series of mystery novels featuring the characters of Easy Rawlins and Mouse. To date, there are now twenty non-series novels by Walter Mosley, the most recent titled Touched, published in 2023, Along with three Fearless Jones novels, six Leonid McGill mysteries, three Socrates Fortlow books, three books in the Crosstown to Oblivion series, three books in the King Oliver series, plus two graphic novels, two plays, and six works of non-fiction. Always Outnumbered became a television film in 1998 starring Laurence Fishburne. Devil In A Blue Dress, is to date, the only Easy Rawlins mystery adapted for film.  In 2022, Samuel L. Jackson starred in a TV miniseries titled The Last Days of Ptolemy Gray, based on Walter Mosley's book, and primarily written by Walter Mosley. At present, an adaptation of his novel The Man in My Basement is in post-production. The next Easy Rawlins novel, Farewell Amethystine was published in June 2024. This interview was digitized, remastered and edited in December, 2024 by Richard Wolinsky. It has not been heard in 25 years. This is the second of five interviews, to date, with Walter Mosley. Complete Interview.   Tony Hillerman (1925-2008)​​​ Tony Hillerman (1925-2008), in conversation with Richard Wolinsky and Richard A. Lupoff, recorded January 30, 1997 while on tour for his Leaphorn/Chee novel, “The Fallen Man,” the twelfth book in the series. Hillerman, who died in 2008 at the age of 83, wass a  master of the detective genre and an important writer in detailing life on the Navajo reservation. His several novels featuring Navajo police officers Joe Leaphorn and Jim Chee have been acclaimed for their accuracy and for their ability to combine Navajo history and thought into strong plot-driven novels. There are four interviews with Tony Hillerman in the Probabilities and Bookwaves archive.  This third interview, was recorded on January 30th, 1997 in the KPFA studios while he was on tour for his novel, The Fallen Man, the twelfth in the Leaphorn Chee series. Iin the interview, he also discusses his 1995  stand-alone novel, Finding Moon, This interview was digitized, remastered and edited in November, 2024, and not heard for over a quarter century. Complete Interview   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Cancelled: Our Class, February 13- 23, Strand. Aurora Theatre  The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Some Like It Hot, January 7-26, Orpheum. See website for shorter runs: Mean Girls, Beetlejuice, Dog Man: The Musical. The Golden Girls Live: The Christmas Episodes, thru Dec. 22, Curran. See website for complete listings.. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Gutenberg! The Musical, January 17 – 26, 2025, Warren Theatre, Sonoma State University. Club Fugazi. Dear San Francisco ongoing.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread  Upcoming: Pilgrimage by Humaira Ghilzai and Bridgette Dutta Portman, co-produced with Z Space. New Threads Staged Reading Series: Oriental, or 1001 Ways to Tie Yourself in Knots by Evren Odcikin Hillbarn Theatre: Daisy by Sean Devine, January 23 – February  9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Theatre Company Waste by Harley Granville-Barker,  Feb. 6 – March 2, 2025. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Deep Inside, Tonight by the Kinsey Sicks, December 4 – January 5. Oakland Theater Project.  A Thousand Ships by Marcus Gardley, World Premiere, December 13 – January 5. Flax Art & Design. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. 22nd SF Sketch Fest, January 16 – February 2. See website for other events. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Waitress, November 21, 2024 – January 18, 2025. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for upcoming schedule. Shotgun Players.  Thirty Six: Do You Like What You See by Leah Nanako Winkler. November 18 – January 4, extended. South Bay Musical Theatre: Urinetown,  January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Czar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   . The post January 9, 2025: Walter Mosley – Tony Hillerman appeared first on KPFA.

This week's episode is a callback to our beloved 100 Years, 100 Snubs May miniseries: Mitchell Beaupre joins us to talk about 1995's Devil in a Blue Dress! Carl Franklin emerged with the indie success of crime thriller One False Move and moved onto studio filmmaking with Devil in a Blue Dress, starring Denzel Washington as a veteran hired … Continue reading "324 – Devil in a Blue Dress (with Mitchell Beaupre!)"

Walter Mosley and Richard Wolinsky, 2009. Walter Mosley in conversation with Richard Wolinsky and Richard A. Lupoff, recorded June 23, 1996 in the KPFA studios while on tour for the novel, “A Little Yellow Dog.” He also discusses his first mainstream novel, “RL's Dream” and the film version of “Devil in a Blue Dress.” Today, Walter Mosley is one of America's leading authors. He is best known for his series of mystery novels featuring the characters of Easy Rawlins and Mouse. To date, there are now twenty non-series novels by Walter Mosley, the most recent titled Touched, published in 2023, Along with three Fearless Jones novels, six Leonid McGill mysteries, three Socrates Fortlow books, three books in the Crosstown to Oblivion series, three books in the King Oliver series, plus two graphic novels, two plays, and six works of non-fiction. Always Outnumbered became a television film in 1998 starring Laurence Fishburne. Devil In A Blue Dress, is to date, the only Easy Rawlins mystery adapted for film.  In 2022, Samuel L. Jackson starred in a TV miniseries titled The Last Days of Ptolemy Gray, based on Walter Mosley's book, and primarily written by Walter Mosley. At present, an adaptation of his novel The Man in My Basement is in post-production. The next Easy Rawlins novel, Farewell Amethystine was published in June 2024. This interview was digitized, remastered and edited in December, 2024 by Richard Wolinsky. It has not been heard in 25 years. This is the second of five interviews, to date, with Walter Mosley. The post Walter Mosley, “A Little Yellow Dog” and “RL's Dream”, 1996 appeared first on KPFA.

"I believed somehow that I could live through this bad dream I was having." For Episode 341, Brandon and Thomas close our Noirvember with DEVIL IN A BLUE DRESS. Listen as they talk about the original novel, the casting process, how history impacted the overall world of the movie, and what landmark court case partially caused the film's disappointment at the box office.  DISCLAIMER: Thomas was traveling this week, so his set-up was a bit different, and his audio was rougher in the show's first half due to computer issues.  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - Movie Musicals -  (00:00:10) Recap of LA Noir Month (00:03:36) Intro to Devil in a Blue Dress (00:07:43) How Devil in a Blue Dress Got to Production (00:17:07) Favorite Scenes (00:33:21) On Set Life - (01:04:58) Aftermath: Release and Legacy (01:08:47) What Worked and What Didn't (01:12:56) Film Facts (01:19:40) Awards (01:20:22) Final Questions on the Movie (01:26:38) Final Questions on the LA Noir Genre (01:32:20) Wrapping Up the Episode (01:34:58) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

In this episode, we dive deep into Carl Franklin's 1995 neo-noir classic Devil in a Blue Dress, based on Walter Mosley's celebrated novel. Starring Denzel Washington as Ezekiel "Easy" Rawlins, this film blends gripping mystery with a vivid portrayal of post-war Los Angeles. Through an analysis of the film's rich cinematography, atmospheric score, and powerful performances (including Don Cheadle's scene-stealing turn as Mouse), we explore how Devil in a Blue Dress reinvents the noir genre. Join us as we uncover what makes this film a timeless gem and why Easy Rawlins deserves a place alongside iconic noir detectives. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. --- Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support

On episode 262 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Jay Ledbetter to give their thoughts on Gladiator II and discuss their Top 5 Denzel Washington performances. Big weekend at the movie as audiences around the world got to see the long awaited Wicked Part 1 and Gladiator II. Before the guys get into their thoughts on Ridley Scott's latest, Ryan shares his reactions to Wicked Part 1, and why for him, the film is mostly frustrating experiences with a couple of good performances in it. After that, Ryan and Jay dive right into Gladiator II, a film over twenty years in the making, as Scott dives back into the world he created in 2000's Best Picture winning epic. Much like the original, the film is a tale of revenge, centered around a main character looking to take on not just the ones of betrayed him, but the most powerful of Rome, leading to bloody battles and political intrigue around every corner. The boys were mixed on it, with Jay not being as positive on the film as Ryan is, with the totality of the conversation focusing on the film's script, Scott and his team's craft of recreating Rome, if Paul Mescal is a “movie star,” and Denzel Washington's incredible performance. Once they are done reviewing the film, the episode shifts solely to Washington, one of the greatest movie stars of all time and his magnificent, celebrated career. The two time Oscar winner has built a career on and off screen that rivals many legendary actors and actresses. And after covering plenty of his films on Director Watch this year, Ryan and Jay give out their Top 5 Denzel Washington performances. The films discussed ranged from Remember the Titans, Malcolm X, Man on Fire, He Got Game, Crimson Tide, The Tragedy of Macbeth, Roman J Israel, Esq., John Q, Training Day, Philadelphia, Glory, Devil in a Blue Dress, and more. A fun, extensive dive into a career of one of the best to ever do it, and we hope you enjoy it. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h11m. We will be back next week for a retrospective of the 67th Academy Awards, covering the films of 1994. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Max and Evan are discussing Noirvember. The term Noirvember was coined by writer Marya E. Gates in 2010 to designate the month of November as a time for spotlighting film noir. Max and Evan share some of their favorites from the 40s and 50s era of Noir, a review of the neo-noir 'The Devil in the Blue Dress', and reviews of more recent TV shows and movies like Disclaimer, Heretic, and Conclave.  If you are interested in watching film noir, the Criterion Channel and Kanopy are great streaming resources.  Website: https://itsthepictures.libsyn.com/ itsthepictures.substack.com Download the episode today and tweet at Max and Evan (@itsthepicpod). Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.  Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under Creative Commons Attribution Noncommercial (3.0) Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778  Additional comments? Email us: itsthepictures@gmail.com

Christian Self Control   |   1 Corinthians 10:1-22  |   Series: Living by Love   |   Sam Holm, Lead Pastor   |   Preached 11-03-24 10:45am   Tag: 1 Corinthians 8-10, Division, Love, Knowledge, Faith, Freedom, Food, Others, Witness, Conduct, Gospel, Wisdom, Community, Rights, Rituals, Blue Dress, Yanny, Cybertruck, Football, Idolatry, Lords Supper

Christian Self Control   |   1 Corinthians 10:1-22  |   Series: Living by Love   |   Sam Holm, Lead Pastor   |   Preached 11-03-24 10:45am   Tag: 1 Corinthians 8-10, Division, Love, Knowledge, Faith, Freedom, Food, Others, Witness, Conduct, Gospel, Wisdom, Community, Rights, Rituals, Blue Dress, Yanny, Cybertruck, Football, Idolatry, Lords Supper

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 70 of the Director Watch Podcast, the boys discuss the next film in their Carl Franklin series, Out of Time (2003). After the box office failure of Devil in a Blue Dress, and making a Meryl Streep movie (One True Thing) and a standard legal thriller starring Ashley Judd and Morgan Freeman (High Crimes), Carl Franklin's last feature film was his last effort at trying to make a entertaining popcorn films starring Denzel Washington, Out of Time. What sounds like an interesting premise of a small town cop racing against the clock when the woman he is seeing ends up the prime murder suspect in his area of Florida, with the team investigating the crime run by his ex-wife (Eva Mendes). In what feels like a discount Tony Scott film, Franklin isn't able to elevate the movie beyond just being a decent film that Denzel carries to the finish line. Ryan and Jay talk about their thoughts on the film, diving into some heavy Jimmy Buffett references, Dean Cain's filmography, the illogical ending of the film, how much they've loved talking about Denzel Washington films this year, the sad reality behind where Franklin's career is now, as well as give their ranks of the films within this short but important series. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h03m. The guys will be back next week to begin their series on the films of Krzysztof Kieślowski with a review of his film, The Double Life of Veronique. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

We made it to the end! Henry comes to Fullerton to make sure Catherine got home safe and to explain his father's poor behavior. Feelings are shared, and bows are tied. Thanks for sharing this unexpectedly long journey with us! What should we read next?  What we're reading/watching/listening to: Pride and Prejudice Seek and Find, Retold by Sara Powell, Illustrations by Amanda Enright; Think Like a Pancreas: A Practical Guide to Managing Diabetes with Insulin by Gary Scheiner MS; Great Expectations by Charles Dickens; Devil in a Blue Dress by Walter Mosely HELP THE RASHID FAMILY ESCAPE GAZA: https://gofund.me/d31deff8 We have a twitter!  We have a TikTok!  Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 69 of the Director Watch Podcast, the boys discuss the next film in their Carl Franklin series, Devil in a Blue Dress (1995). Following the massive success of One False Move, Franklin turned down the opportunity to work on bigger studio films to adapt a neo-noir mystery thriller based on the popular series of books by Walter Mosley. With an Oscar winning star, Denzel Washington, on the poster to go along with an impressive ensemble cast around him, detailed production design and world building within the script, this movie was destined to be the start of a new Hollywood movie series. But sadly, we never go to see more stories of Easy Rawlins on the big screen, with the film earning a cult status since its release, becoming another gem in Franklin's filmography. Ryan and Jay break down their thoughts on the film, the history behind the making of this movie, their continued love for Denzel, the amazing performance from Don Cheadle, the film's SAG nomination, the racial dynamics of the film, and answer why they think audiences didn't connect with it when it came out. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h43m. The guys will be back next week to conclude their series on the films of Carl Franklin with a review of his film, Out of Time. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Note: I revisited a chat with the amazing Walter Mosley from 2021. Celebrated author, Walter Mosley, took a timeout to chat with me about how he didn't write a sentence he liked until age 35, the sprawling muse of Los Angeles, and his conflicted feelings after winning a big National Book Award. “Write your truth, and believe in it. And if your mother doesn't like it ... too bad.” – Walter Mosley Walter is the first Black man to receive the National Book Foundation's Medal for Distinguished Contribution to American Letters for lifetime achievement in writing. The critically acclaimed author, playwright, screenwriter, and producer has written over 60 books including fiction (literary, mystery, and science fiction), writing guides, memoir, a YA novel, has won dozens of prestigious awards (including an Emmy), and been translated into 25 languages. His bestselling historical mysteries feature infamous, hard-boiled detective "Easy" Rawlins, a black PI living in the Watts neighborhood of LA. Blood Grove (Easy Rawlins Book 15) is the latest in that series and described as "... a novel of vast scope and intimate insight, and a soulful call for justice by any means necessary." Walter's work has also been adapted for film and TV including Devil in a Blue Dress (starring Denzel Washington, Don Cheadle and Jennifer Beals) and the HBO production of Always Outnumbered (starring Laurence Fishburne and Natalie Cole). Preview a sample of a podcast at the break from this week's sponsor Look Closer: The Found Fiction Podcast, more at foundfiction.org. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Walter Mosley and I discussed: His winding career path How the apex of post-hippie Los Angeles, California affected his writing What it was like to work with the late, Oscar-nominated filmmaker John Singleton (Boyz N the Hood) Why you need to read your drafts out loud And more! Show Notes: WalterMosley.com Walter Mosley Amazon author page Writing Los Angeles: A Literary Anthology: A Library of America Special Publication (Amazon) Roger Zelazny Amazon author page Walter Mosley on Facebook Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 68 of the Director Watch Podcast, the boys discuss the first film in their Carl Franklin series, One False Move (1992). Much like Terrence Malick, the subject of the last Director Watch series, director Carl Franklin came out of the AFI Conservatory ready to take the world on fire as a force behind the camera. In his first couple of films, he was taken under the wing of producer Roger Corman, who saw something in a young Franklin and gave him the necessary experience to then make something of his own. By the early 1990s, when the American indie film era was beginning, Franklin made one of the most vital crime thrillers of the decade with One False Move, a film centered around a small town sheriff waiting for three killers to enter his town, with a connection to who they are leading to a dangerous conclusion. With a script written by Billy Bob Thornton and Tom Epperson, Franklin was able to tap into the insecurities of being in a small town position as a police officer, the danger of being a fugitive on the run, and the racial dynamics (and insecurities) at the heart of the story. Ryan and Jay break down Franklin's early work, their thoughts on the overall film, Bill Paxton and Cynda Williams' performances, the film's shocking ending, the tragic final shot of the film, Thornton's career as a writer, and how influential a movie like this was for the decade. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h53m. The guys will be back next week to continue their series on the films of Carl Franklin with a review of his film, Devil in a Blue Dress. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this episode of the Running Wine Mom podcast, host Samantha Cieslinski welcomes Cathy Pedrayes, a social media influencer known for her safety and security tips. They discuss various topics including personal reflections, parenting challenges, fitness, and the journey of becoming a social media influencer. Cathy shares insights on the importance of online safety for children, common safety tips, and how to balance serious topics with fun in content creation. The conversation highlights the significance of being informed and proactive in both parenting and personal safety.Chapters00:00 Introduction and Background02:48 Influencers and Accurate Safety Information06:00 The Challenges of Balancing Work and Parenthood09:18 Fitness and Health13:44 Family and Parenting Styles16:47 Advice for Parents20:54 Journey to Becoming a Social Media Influencer22:43 The Story Behind the Blue Dress and Pearls25:59 Transitioning from QVC to Social Media28:05 Teaching Children about Online Safety33:40 Balancing Seriousness and Fun in Content43:56 Fact-Checking and Context in the Digital World46:13 Future Projects: Back-to-School Data Privacy and MoreKeep in Touch:@cathypedrayesFollow Cathy on Tik Tok@therunningwinemom_

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Send us a Text Message.A LEGENDARY ACTOR'S SPOTLIGHT!This week on the Gimme Three Podcast, co-host Bella Efstratis is joined by actor, filmmaker, & writer Trey Armstrong to celebrate his favorite actor of all time, Denzel Washington.Trey recommends a brilliant variety of three incredible Denzel Washington films:First, we have Tony Scott's standout 1995 war thriller, Crimson Tide, featuring a young and powerful Denzel Washington going toe-to-toe with the legendary Gene Hackman.Next, we dive headfirst into Joel Coen's 2021 Shakespeare adaptation, The Tragedy of Macbeth, showcasing Denzel's Oscar-nominated performance as the titular character.Finally, we go back to 1995 for Trey's favorite Denzel film and one of his all-time best performances, as Easy Rawlins in Carl Franklin's neo-noir mystery thriller, Devil in a Blue Dress.Throughout these films, Denzel's remarkable talent and versatility shine as he dominates every scene and proves he can truly do it all.In this episode, Trey and Bella praise these three cinematic gems, discuss the state of the film industry, and share what our generation (Gen Z) wants to see in theaters. They just don't make movies like these anymore, so this is a call to action: Give us more Crimson Tides, and, most importantly, more Devil in a Blue Dress!As this is just the beginning of Denzel's brilliant filmography, expect more Denzel content to come in the future...So let us know what you think of this episode & tell us which three Denzel Washington films you'd like to see in the next episode!Support the Show.Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Welcome to the.... Paul N Mary show!! The boyz are back and this week they chop it up about some major sports flops and social media trolls. Not sure if the boyz mentioned it but PnMerch is live and all links are below!! Like always, light yours, cuz imma light mine!! IG- https://www.instagram.com/pnmpodcast/ TWITTER- https://twitter.com/_pnmpodcast YOUTUBE- https://www.youtube.com/channel/UC2s1Ye1OZGxaGQ0IjAFUT1A? WWW.PNMPODCAST.COM --- Support this podcast: https://podcasters.spotify.com/pod/show/pnmpodcast/support

This week, we're joined by the other co-author of the must-read new book “Corpses, Fools and Monsters: The History and Future of Transness in Cinema”; film critic Caden Mark Gardner discusses the cinema of 1995, including such now-classics as “Safe,” “Heat,” and “Devil in a Blue Dress.”  For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

For more from Doug, subscribe to Canon+: https://mycanonplus.com/

This week we're going back to 1940s LA with Devil in a Blue Dress! Join us as we learn about Black homeownership in midcentury Los Angeles, Charlotta Bass and The Eagle, postwar jobs, and more! Sources: Kelly Simpson, "The Great Migration: Creating a New Black Identity in Los Angeles," PBS, available at https://www.pbssocal.org/history-society/the-great-migration-creating-a-new-black-identity-in-los-angeles Marques Augusta Vestal, "Black Housing Politics in 1940s South Los Angeles," MA Thesis, 2014, UCLA. Available at https://escholarship.org/content/qt1ns4f6z6/qt1ns4f6z6_noSplash_4f334160f70a9138a0db208ee1b4aa2c.pdf?t=nlk3x9#:~:text=Nearly%2040%20percent%20of%20blacks,than%20ten%20percent%20in%20Chicago.&text=Angeles%20newspaper%20the%20Liberator%2C%20Jefferson,greatest%20state%22%20for%20African%20Americans. Ryan Reft, "Segregation in the City of Angels: A 1939 Map of Housing Inequality in LA," PBS, available at https://www.pbssocal.org/shows/lost-la/segregation-in-the-city-of-angels-a-1939-map-of-housing-inequality-in-l-a Black Los Angeles: 1930-2020. ArcGIS StoryMap. Available at https://storymaps.arcgis.com/stories/dfd7cd4341a6493fa6cf38633333cece Los Angeles Sentinel, ProQuest Historical newspapers  David L. Clark, "Los Angeles: Improbable Los Angeles," in Sunbelt Cities: Politics and Growth Since World War II, eds. Richard M. Bernard and Bradley R. Rice (University of Texas Press), https://www.jstor.org/stable/10.7560/775763.14 Arthur C. Verge, "The Impact of the Second World War on Los Angeles," Pacific Historical Review 63, no.3 (1994): 289-314. https://www.jstor.org/stable/3640968  Regina Freer, "L.A. Race Woman: Charlotta Bass and the Complexities of Black Political Development in Los Angeles," American Quarterly 56, no.3 (2004): 607-32. https://www.jstor.org/stable/40068236  Rodger Streitmatter, "Charlotta A. Bass: Radical Precursor of the Black Power Movement," Raising Her Voice: African-American Women Journalists Who Changed History (University Press of Kentucky, 1994). https://www.jstor.org/stable/j.ctt130jn0r.12  Democracy Now! "Before Kamala Harris, There Was Charlotta Bass: Remembering First Black Woman to Run for VP in 1952," YouTube, https://youtu.be/Hlkw24ifqdk?si=0IlaNF9cVbKqEBEQ   Julian Kimble, "Devil in a Blue Dress: Crossing the Line," The Criterion Collection, July 20, 2022, https://www.criterion.com/current/posts/7873-devil-in-a-blue-dress-crossing-the-line   Dan Kois, "The 1990s Denzel Mystery That Should've Launched a Franchise," Slate, https://slate.com/culture/2022/07/carl-franklin-interview-devil-in-a-blue-dress-and-denzel-washington.html  Will Fancher, "The Untold Truth of Devil In A Blue Dress," Looper, August 6, 2022, https://www.looper.com/955040/the-untold-truth-of-devil-in-a-blue-dress/  https://www.rogerebert.com/reviews/devil-in-a-blue-dress-1995 

Today on Art of the Cut we speak with the editing team of the Apple TV Plus show, The Morning Show. We're speaking with Carole Kravetz Aykanian, Plummy Tucker, ACE, and Henk Van Eeghen, ACE. Carole's work includes features like The Little Prince, Out of Time, High Crimes, and Devil in a Blue Dress. Also TV series including Dirty John, Ballers, and The Affair.  Plummy was last on Art of the Cut to discuss editing the feature film Destroyer. Other features include The invitation and Aeon Flux, and documentary work like Alex Gibney's Client 9. Her other TV work includes Yellowjackets and Power. Henk won an ACE Eddie for editing About Sarah, was nominated for three Emmys, including two for Lost, for which he was also nominated for two more ACE Eddies and then won an Emmy for Lost. His other work includes the TV series Watchmen and Fargo. You can follow along with this podcast, reading the transcript and checking out the great visual support, like trailers, clips and other images at: borisfx.com/blog/aotc.

One False Move & Devil in a Blue Dress. This week, we discover the poetic genius of neo-noir director Carl Franklin. We finish up the episode in Part 2 with a deep dive into the commentary tracks for these fantastic films. Hosted on Acast. See acast.com/privacy for more information.

One False Move & Devil in a Blue Dress. This week, we discover the poetic genius of neo-noir director Carl Franklin. Hosted on Acast. See acast.com/privacy for more information.

We head into the “eye of the storm” as MSNBC legal analysts Andrew Weissmann and Mary McCord explore the nature of Stormy Daniel's testimony in depth, and why her credibility is less at issue than that of others who facilitated the hush payments to her. Then, they turn their prosecutorial expertise to understanding why the defense's mistrial motion was denied by Judge Merchan. And lastly, Andrew and Mary detail what to glean from Judge Cannon's indefinite postponement of the classified documents trial in Florida.

THE DREAM, THE BLUE DRESS, IN THAT HOUSE, GRANDMA'S PHONE, THE UNWANTED VISITOR Hosted on Acast. See acast.com/privacy for more information.

Larz and Carz immediately break down the warbly world according to Rachel Savannah Leviss, recapping episode one of her new "Rachel Going Rogue" podcast. They also discuss Selena Gomez's latest drama involving Kylie Jenner and Timmy Chalamet, and Selena's desperate need for a friendtervention. Then the RHOSLC ladies head to the Big Apple for the first part of the season 4 reunion. Monica is in the hot seat and (at times) proves herself to be a formidable villain in her reunion debut. Lisa muses on her Native New Yorker brashness, Meredith continues to play the denial game, Whitney updates us on her marriage, and Angie and Monica square off over Gay Husband Gate.Listen to this episode ad-free AND get access to weekly bonus episodes + video episodes by joining the SUP PATREON.Be cheap as hell and get full-length videos of the pod for free by subscribing to the SUP YOUTUBE.Relive the best moments of this iconic podcast by following the SUP TIKOK. Hosted on Acast. See acast.com/privacy for more information.

After Dark with Hosts Rob & Andrew – We explore the unsettling connections between Jeffrey Epstein, a former president, and the controversial blue dress. Unpacking the political scandal and societal decay, We question the legal accountability and critique liberal policies. As we delve into Epstein's lavish yet tawdry lifestyle and alleged suicide, we aim to shed light on the broader implications of such high-profile controversies in our...