Podcasts about carol clover

Programa conducido por Darío Lavia y Chucho Fernández.Ilustraciones: James Arthur O'Connor, George Innes, Nikolai Astrup, John Williams Waterhouse, D. Vetter, George Mullins, John Skelton, Marion Quimb.Fotogramas: "Halloween" (1978) de John CarpenterActo I: "Tiempo de matar" de Jesús Palacios por Darío Lavia 0:02:10Bitácora 1: Tres Noches de brujas con horror telefónico 0:06:56La risa, remedio infalible por Chucho Fernández 0:09:13Bitácora 2: Estreno de "Halloween" en Argentina 0:11:15Acto II: "Su cuerpo, en sí mismo" de Carol Clover por Querelle Delage 0:12:48Reporte de un Time Traveler: Tres primeros estrenos de John Carpenter en Argentina 0:21:12La risa, remedio infalible por Chucho Fernández 0:22:34Bitácora 3: Tres meses en salas del centro de Buenos Aires 0:24:13Acto III: "Paperbacks from Hell" de Grady Hendrix por Darío Lavia 0:27:03 "Halloween" de Curtis Richards por Chucho Fernández 0:30:41 Cortinas: Music used: "CHAOS WALKING" composed and produced by "Vivek Abhishek"Music link: https://www.youtube.com/watch?v=7UOltoHoR8QMusic used: "THE SILENT HILL" composed and produced by "Vivek Abhishek"Music link: https://www.youtube.com/watch?v=Yj9GvZdj5a0Music used: "The Dark Forest" composed and produced by "Vivek Abhishek"Music link: https://www.youtube.com/watch?v=3agbTAU68jcMusic used: "THE CRAFT" composed and produced by "Vivek Abhishek"Music link: https://www.youtube.com/watch?v=JZyrVjS27swMusic used: "Ghost of the Lake" composed and produced by "Vivek Abhishek"Music link: https://www.youtube.com/watch?v=jYbff6fqgusSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPHFollow on Facebook : https://bit.ly/33RWRtPTributo Narciso Ibáñez Mentahttps://www.instagram.com/narciso_ibanez_menta/Querelle Delagehttps://www.instagram.com/queenquerelle/Imdbhttps://www.imdb.com/title/tt36689232/Web de Cineficción⁠http://www.cinefania.com/cineficcion⁠/Fan Page de Cineficción⁠https://www.facebook.com/revista.cineficcion/

Welcome to Camp Bloodbath!

Carol Clover and the psychology that uniquely belongs to the Female Revenge Fantasy. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠ |⁠⁠⁠⁠⁠⁠⁠ Check out our ⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠ All music and sound by Mannequin Uprising. --- Send in a voice message: https://podcasters.spotify.com/pod/show/terrortalk/message

Who's ready for two cinematic slashers?! Break into film theory and kill counts while talking about the history of LAST HOUSE ON THE LEFT (1972) and YOU'RE NEXT (2011) on this episode of Splice & Splatter. Listen as hosts Al & Siena talk Jeremy Allen White look-alikes, Carol Clover's Final Girl Theory, and why condoms are the ultimate human intestines dupe!Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferEnjoy full length video episodes exclusively on patreon.com/grrm and on Youtube at www.youtube.com/@SpliceSplatterPod

Bring Me The Axe! concludes its exploration of the Halloween legacy just in time for Halloween with an epic-length love letter to John Carpenter, Debra Hill, and their landmark creation. Halloween represents a major paradigm shift in horror movie and sets the pace for every horror movie that came in its wake. It's elegant. Every piece of the production is working in perfect harmony with the other pieces. The end-product is greater than the sum of its parts. It is a perfect horror movie and it's not surprising in the least that everyone is still obsessed with it. Trailer: https://www.youtube.com/watch?v=T5ke9IPTIJQ Men, Women, and Chainsaws by Carol Clover: https://amzn.to/3QjtV5h Halloween Unmasked: https://open.spotify.com/show/6nwME42dhsc04T0KFzvGgB?si=434ac60f2c88482f --- Send in a voice message: https://podcasters.spotify.com/pod/show/bring-me-the-axe/message

Here's some money, go see a Porn War. This week we're going on a field trip to Times Square with Nona Willis Aronowitz, author of Bad Sex, to learn about Deep Throat, “porno chic,” and the unresolved feminist battle over whether to eradicate pornography or make more of it. Digressions include Carol Clover, this discovery of the clitoris, and Harry Reems (Joel Reems' distant cousin).Here's where to find Nona:WebsiteBad Sex (book)Support us:Bonus Episodes on PatreonBonus Episodes on Apple PodcastsDonate on PaypalBuy cute merchWhere else to find us:Sarah's other show, You Are Good [YWA co-founder] Mike's other show, Maintenance PhaseLinks:https://www.theothernwa.com/http://patreon.com/yourewrongabouthttp://apple.co/ywahttps://www.teepublic.com/stores/youre-wrong-abouthttps://www.paypal.com/paypalme/ywapodcasthttps://www.podpage.com/you-are-goodhttp://maintenancephase.comSupport the show

In which CJ makes her glorious return to the podcast to talk the origins of the horror genre, the fraughtness of belief, Frankenstein, Hell Houses, and more. Recommendations from this episode: Men, Women, and Chain Saws: Gender in the Modern Horror Film by Carol Clover and the 2001 documentary, Hell House. Want to help beat some tools for war into tools for plants? Help fund Corey's blacksmith shed here: https://gofund.me/497a4487 Feeling sympathy pains for that grad school/under-employed life? Support us on Patreon: https://www.patreon.com/wthiap. Have thoughts about what we said, want to send us a reading list, or, apparently, give us ideas about Patreon tiers? Email us at wtheckisapastor@gmail.com. Like Twitter? We do too, we guess. Find us under the handle @wthisapastor. And follow us and our larger network, Disruptive Disciples, on facebook: https://www.facebook.com/DisruptiveDisciples/. The What the Hell is a Pastor theme song is written by Jo Schonewolf, performed by Jo Schonewolf (she's so sorry) and Ian Urriola, featuring vocals from Paul Urriola and produced by Paul Urriola.

For the full episode go to patreon.com/whatsthatfrom Intro: Merfermin, Harlan Williams, Anthony Clark, Montell Williams, Punchline, Taylor Negron, Emmy Rossum, Schmitts Gay. Truck Torrence, 100% Soft. Neurosis (band), Mastodon, Steve Martin on the banjo, 30 Odd Foot Grunts, Russell Crowe, Austin Texas, Return of Bruno with Bruce Willis, Jeremy Renner, Jeremy Renner music, Jeremy Renner app, Jeremy Renner National Lampoon's Senior Trip, Jeremy Renner, Matt Frewer, Max Headroom, Angelyne, fame and wealth and vanity and hubris and egomania in Hollywood, Jeremy Renner, therapy sessions, therapy scolding, Bill Burr, Sandra Bernhardt, Paul Mooney, Taylor Negron, Worst Gig Ever podcast, The Last Boy Scout, Graf Orlock, Aristocrats, Saw, With Gourley and Rust, horror movies in the theater, mushy cgi, Gladiator, Ridley Scott, Oscars, Coen Brothers, Raising Arizona, film scenes the become tropes, overdone jokes, “check please,” Loaded Weapon, John McClane, parody of comedies, parody of parodies, Spaceballs, Aliens parody, WB Michigan J Frog, The State taco mailman, reenacting sketch for youtube, The State skits and stickers, replacing music for the DVD, Cannonball, Led Zeppelin, Killing Joke, theme songs, Wonder Years, Bosom Buddies, commercial parodies, Crumbelievable, Genesis “One More Bite” Jack in the Box, boring you to sleep, Norse mythology, Busy town city planning children's book, New Yorker Shouts and Murmurs, tv while working, Dr. Pimple Popper, DVD extras, Rules of Attraction with Carrot Top, Conan the Barbarian, John Milius, Arnold Schwarzenegger, John Carpenter & Kurt Russell, The Limey, Steven Soderbergh, PT Anderson, Sleepaway Camp, Carol Clover, Armageddon, Criterion, Matt Berry, Kill the Wolf, Garth Marenghi, dated sketch, Travel Man, Richard Ayoade, Best Movies Never Made, Heat Vision and Jack, Pacific Dining Car. Support the show (https://www.patreon.com/whatsthatfrom)

We promised you an episode on Dark Romance and truthfully we're pretty proud of how well we've delivered. We've got Kenya Goree-Bell, Nisha Sharma, Joanna Shupe and Jo Brenner with us today to dig deep on this subgenre that we don't read regularly. We are endlessly grateful for their guidance through this end of the romance pool! We talk about what makes a romance “dark,” about how dark romance differs from morality chain and taboo romance, and about why dark romance resonates with so many readers. Oh, and yes, if you're curious, we fill your TBR pile (obvi). Stay tuned at the end of the episode for additional reflections from Sarah & Jen.CONTENT NOTE: Because Dark Romance can include all sorts of problematic content, we don't shy away from many of those topics in this episode. Proceed with caution, both in listening and in reading.Our next read along, sometime in July, is Cat Sebastian's wonderful Unmasked by the Marquess. Get it at Amazon, Apple Books, B&N, Kobo, or Bookshop.org. Thank you, as always, for listening! Please follow us on your favorite podcasting app, and if you are up for leaving a rating or review there, we would be very grateful! Show NotesWelcome our panel of dark romance experts: Kenya Goree-Bell, Nisha Sharma, Joanna Shupe, and Jo Brenner.The hallmarks and tenets of Dark RomanceAll dubious consent and non-consent romance is dark romance (although not all dark romance has dubcon or nonconsensual elements).It's about what the HEA is made up of: If the non-aggressor or non-villian moves into the dark (rather than pulling the other into the light), then it would qualify as dark romance.Often the aggressor/villain is static, while the non-aggressor finds their light or strength in the new world they exist in. This person does all the work and learns how to navigate a life around the aggressor and their world. These are not stories of love redeeming, but rather of learning to find love and happiness with the person (people) in front of you.The characters are suffering from current or past psychological or physical trauma. The non-aggressor represents the last bits of humanity that the aggressor has to hold on to. Dark romance explores a relationship where only one person has strains of humanity and the impact it has on a person without it.The evil and violence of the aggressor must take place on the page.Some Terms we'll use on this episodeConsensual non-consent (non-con): is when romantic partners engage “in behaviors that may include role-playing nonconsensual behaviors, or may involve negotiating sexual behaviors where one partner agrees to give up consent during certain behaviors or relationships.” This can include fantasizing about rape and kidnapping, and lots of women have complicated feelings about these fantasies. Dubious consent (dub-con): is the gray area between full, enthusiastic consent and rape. A person hasn't give outright consent to having sex and might not consider it rape; however, some other factor prevents them from saying no. The Aggressor: rather than use hero/heroine, Jo started using aggressor and non-aggressor as a way of talking about chracters who exhibit very non-heroic behavior. The skin suit: What Jen calls the experience of reading a book where she wants more distance between herself and the main characters.The Murder Meal: Sarah noticed that a common trope of dark romance is a meal where blood is shed and people still continue to eat.Notes and Other LinksYou may have listened to our Morality Chain episode, where we made a graphic explaining how it differs from dark romance. Next month, Nikki Sloane will join us to discuss taboo romance. It's not Mordor unless you're a hobbit. Sarah is not opposed to elevensies, so it's fine.Earlier this year, there was a Saturday Night Live skit about women watching The Murder Show. Why do women like reading about serial killers? Did you see this essay in Slate about a woman who thinks she slept with a man who went on to be a serial killer?Game of Thrones and it's penchant for sexual violence is still influencing pop culture. The only thing that's forbidden in dark romance is cheating, which shows how firmly these books are rooted in the romance genre, as compared to the rampant cheating by male characters The Godfather and other mafia movies, but this is often rooted in obsession rather than a belief in monogamy. While there's very little (possibly no) research on readers of dark romance, but there's lots of research on the horror genre. Sarah's friend Micol Ostow, who writes YA horror recommended this essay about the "spectacle of the ruined body." Meanwhile, Jen follows Becky Spratford, a librarian and horror expert, who says that one thing romance and horror have in common is they are both “genres of emotion.”There's some research on horror and spoilers from Jonathan Leavitt & Nicholas Christenfeld which indicates that spoilers might allow people to enjoy a story more fully. Perhaps dark romance readers, regardless of what terrible things happen, can safely continue reading because they know there will be an HEA.Why do we like to watch and read media where characters are undergoing trauma? In The Paradox of Horror: Fear as a Positive Emotion, Katerina Bantinaki explains how readers experience reading about fear and trauma. Related: [(Why) Do You Like Scary Movies? By G. Neil Martin. A highly gendered kind of world exists in many m/f Dark Romances, and the article Her Body, Himself: Gender in Slasher Films by Carol Clover explores how similar themes play out in horror movies. As Nisha said, there are queer and polyamarous dark romance and a few the panel recommends are Soul Survivor by Daniel de Lorne, the Wicked Villains Series by Katee Robert, Trouble or the Darkness trilogy by Nora Ash, and Manipulate by Pam Godwin.Stockholm Syndrome isn't real, quelle surprise, but it still a popular idea in pop culture of all kinds. Many dark romance novels show characters using extreme or maladaptive coping strategies in an attempt to heal themselves or others without the help of therapists or medicine, a particularly American problem since so few people have adequate (if any) coverage for mental health.Dark romance runs long, they're all “Zack Snyder cut” books. We speculated that there are two reasons for the length of many of these books: 1) The books are long because the trauma on page must have an equal or greater redemption arc. Readers must believe that the non-agressor has fully accepted the bad deeds of the aggressor in order to believe the HEA. 2) Many of these books are on KU, which means authors are getting paid by the page. Like Charles Dickens, the incentive is to write longer to increase their pay.

Summer reading kicks off! Katie and Sally discuss Sam Kieth's “The Maxx” (1993–1998). CW: sexual violence. Topics discussed include the comics code, Carol Clover, Green Lantern #54, Camille Paglia, Vaughn Bodē, Mannerism, the time KoRn visited the Mütter Museum, Zero Girl, Elektra: Assassin, and more. Next time: “The Drifting Classroom Vol. 2.” Follow us on Instagram @thicklinespod.

This week, we covered Halloween, from our Horror Franchise Showdown in October, with Harris of Harris’ Hot Takes! We start the episode talking about ski lift accidents and bleak video games and then open up a discussion about Halloween (1978) and Halloween (2018) and whether or not Michael Meyers being virtually unkillable is successful or a part of the franchise that is no longer satisfying. We also discuss the way slasher movies have changed since the first Halloween to the most recent one and talk about Carol Clover’s essay on The Final Girl. We mourn our favorite bisexual couple, Vicky and Dave, debate about the meta-humor in newer slashers since the Scream franchise, and so much more this week on ‘Bitch, Why?’.Be sure to leave us a review and email us at b.tchwhy@gmail.com if you have a topic you want us to cover (or just to say hi)! We’ll read them on the pod!Follow the Pod:@bitchwhypodcast on Instagram@bitchwhypodcast on TwitterFollow Neeta:@neeta_thadani on Instagram@neeta_thadani on TwitterFollow Gaia:@gaiaroseriver on Instagram@gaiariverrose on InstagramFollow Jillian:@thewritethingtosay on Instagram@no_chill_jill on InstagramFollow Cameron:@michael.camazon on InstagramSnacks:Kabhi Khushi Kabhie GhamNeeta's Bollywood FavesWhere the Water Tastes Like WineThe Tragedy & Triumph Behind Atlanta's Woodruff Arts CenterQueen's GambitThe Tragedy on Gondola IIFrozen (2010)Resources:Anna and the ApocalypseBury Your GaysHalloween TimelineHer Body, Himself: Gender in the Slasher Film

Andy and Alyssa read Goosebumps #20: The Scarecrow Walks at Midnight. They discuss "real America," some major #ClassStruggleWatch, the fear of inanimate objects, Jeepers Creepers (2001), grimoires, The Visit (2015), allergies, My So-Called Life, The Haunting of Hill House (1959), organized labor, the horror of ageing, disability, coleslaw, Scary Stories to Tell in the Dark (1981-91), and Carol Clover's "Men, Women, and Chainsaws." // Music by Haunted Corpse // Follow @saypodanddie on Twitter and Instagram, and get in touch at saypodanddie@gmail.com

Andy and Alyssa read Goosebumps #15: You Can't Scare Me! They talk animal ethics, Stephen King's IT, lazy teachers, You're Next (2011), the politics of school lunches, excellent dog representation, cryptozoology, haunting historical legacies, The Lodge (2019), folk horror, Heathers (1988), pranks gone too far, creature features, Carol Clover, Edgar Allan Poe's "The Tell-Tale Heart," and the Goosebumps Universe of Monsters. Andy also gives a "We Didn't Start the Fire"-style breakdown of 1993-1994. // Music by Haunted Corpse // Follow @saypodanddie on Twitter and Instagram, and get in touch at saypodanddie@gmail.com

Miss Jaye is back with yet another episode of Janessa After Dark's spine-tingling horror-themed Series 2 - and the interview for this episode is absolutely iconic! First though, Miss Jaye talks a little bit about the "first girl." Not to be confused with the final girl, a well-known slasher trope that was initially defined by Carol Clover in her book MEN, WOMEN, AND CHAINSAWS, the first girl is the first big on-screen kill by a killer in a slasher franchise, and really helps set the tone for how the killer operates and what the film is going to be about - things that impact the series through subsequent sequels. In addition to discussing the first girls form the "big three" slasher franchises (HALLOWEEN, FRIDAY THE 13TH, and NIGHTMARE ON ELM STREET), Miss Jaye also connects them back to the first iteration of the slasher motif, Hitchcock's PSYCHO, as well as the British film PEEPING TOM that came out the same year. And Miss Jaye's very special guest for this episode is the "first girl" from the HALLOWEEN franchise: Sandy Johnson, who played Judith Myers in John Carpenter's HALLOWEEN! They talk about her role in that film as well as her appearance in Playboy, her new love of conventions, and her other film work! It's a great conversation between two fabulous broads, so don't miss a moment!

The final girl trope has become synonymous with the horror genre. We take a closer look at the trope and the woman who coined the phrase, Carol Clover

In this episode Ash and Jon discuss the oft referenced classic of spooky academia, Men, Women, and Chainsaws by Carol Clover and as a bonus, they deliver the grisly post-mortem of the Žižek - Peterson debate. To hear all of our Arcane Book Club of Horrors episodes in full, creep on over to our Patreon page and join the SPINEGANG at https://patreon.com/horrorvanguard

In 1970, when Chancellor Carol Christ joined UC Berkeley's English department as an assistant professor, only 3% of the faculty on campus were women. “I always felt like a pioneer, in part, because I’m of the generation of the feminist revolution,” says Christ.In this Fiat Vox podcast episode, Christ and her longtime friend and colleague Carol Clover, a professor emerita in Scandinavian studies and film studies, discuss what it was like for women in the academy 50 years ago and how it’s changed, what makes a strong leader — and offer advice to the next generation of Berkeley women.See photos and read the transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

May and special guest, Gabi, discuss the Final Girl trope, a term coined by horror theorist Carol Clover in 1992. The trope involves the final female character in a film left to her own devices to confront the (usually male) killer, especially against the backdrop of her own trauma. Both of them chose two different films to examine in closer detail about how the Final Girl manifests and the codes in its messaging. In this episode, May and Gabi discuss these aspects as well as Black Christmas, Ginger Snaps, The Descent, and Cabin in the Woods. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The final girl trope has become synonymous with the horror genre. We take a closer look at the trope and the woman who coined the phrase, Carol Clover.

How better to celebrate our last episode of Nuclear Winter than at Party Beach? Surely nothing can go wrong at Party Beach? Right? ...Right?Host segments: Heck's Angels; Scooby-Dooing this shit; sand in your tender bits; My Favorite Ford Fairlane; drunks, teenage girls, and out-of-towners; no boys allowed; Angry Dome presents Carol Clover; tantric rants; Those Were the Days; sometimes a wiener's just a wiener; The RZA ft. Tom Waits.Please find us on social media, and remember to like, share, rate and subscribe. Email is solmatespodcast@gmail.com.Thanks to Brian Whitehead for the Angry Dome Drop!

How better to celebrate our last episode of Nuclear Winter than at Party Beach? Surely nothing can go wrong at Party Beach? Right? ...Right?Host segments: Heck's Angels; Scooby-Dooing this shit; sand in your tender bits; My Favorite Ford Fairlane; drunks, teenage girls, and out-of-towners; no boys allowed; Angry Dome presents Carol Clover; tantric rants; Those Were the Days; sometimes a wiener's just a wiener; The RZA ft. Tom Waits.Please find us on social media, and remember to like, share, rate and subscribe. Email is solmatespodcast@gmail.com.Thanks to Brian Whitehead for the Angry Dome Drop!

Loomis has located his stolen station wagon and Laurie heads to the Wallace house, and I discuss Carol Clover's take on the Final Girl.

For the second installment of our miniseries on horror, we're diving into Scream, Wes Craven's mid-nineties masterpiece. Featured in this ep: foreplay, the ouroboros of self-awareness, and whether your boyfriend is going to kill you (he is). You can read Carol Clover's "Her Body, Himself" here: http://users.clas.ufl.edu/burt/paranoid70scinema/HerBodyHimself.pdf

Talking Mark Edmundson’s book “Nightmare on Main Street”, Carol Clover’s concept of “psychosexual fury”, and what we want from a slasher film; trusting in authority figures to save you, cosplaying Michael Myers and the Joker, and assuming danger is nearby (with special guest Lito Velasco, AKA the_shape_of_fear_cosplay). Meanwhile, Annie and Laurie arrive at their babysitting gigs.

James and Chelsea talk Final Girls, Carol Clover, and chainsaw dicks. Piece about how the final girl theory holds up/examples of more modern final girls: https://medium.com/@TheFilmJournal/updating-the-final-girl-theory-b37ec0b1acf4 Piece about European horror/how European horror is extremely different in terms of subtext and female characters; why the Final Girl theory is very American http://offscreen.com/view/feminismandhorror History of boys wearing dresses/"breeching" https://www.stuffmomnevertoldyou.com/blogs/when-little-boys-wore-dresses.htm

Bill speaks with critic and author Alexandra Heller-Nicholas about her many pursuits, from co-founding Fiend Magazine and writing books like RAPE-REVENGE FILMS and FOUND FOOTAGE HORROR FILMS to editing for Senses Of Cinema and co-curating the Pioneering Women program on Australian women filmmakers of the 1980’s and 1990’s. Topics covered include: Carol Clover, Plato’s Cave, date movies, masks, MEGAN IS MISSING, writing and editing tips, Hal Hartley, THE STENDHAL SYNDROME, Graveyard Shift Sisters and the predatory behavior of Pepé Le Pew. Visit Alexandra Heller-Nicholas’s official site: Alexandra Heller-Nicholas   Visit Alexandra Heller-Nicholas’s site Generation Starstruck, focusing on Australian women’s filmmaking made between 1980-1999: https://generationstarstruck.tumblr.com/   Visit Alexandra Heller-Nicholas’s Amazon author page: https://www.amazon.com/Alexandra-Heller-Nicholas/e/B0050PI6V0/ref=sr_ntt_srch_lnk_1?qid=1520336609&sr=8-1   Watch this panel on cinephilia, featuring Alexandra Heller-Nicholas, Jonathan Rosenbaum, David Jenkins, Conor Bateman and Cerise Howard: https://www.youtube.com/watch?v=XyCOFM66Ns8   Visit the online film journal Senses Of Cinema: http://sensesofcinema.com/ Hear Alexandra Heller-Nicholas on The Cinephiliacs: http://www.thecinephiliacs.net/2017/03/episode-90-alexandra-heller-nicholas-ms.html Buy the Region B Arrow Video edition of Brian De Palm’s CARRIE, featuring audio commentary by Alexandra Heller-Nicholas and Lee Gambin: https://www.arrowfilms.com/product-detail/carrie-blu-ray/FCD1686 Read Daphne du Maurier’s THE BLUE LENSES: http://moellerlit.weebly.com/uploads/1/0/2/4/10248653/shorts_--_the_blue_lenses_dumaurier.pdf Read a roundtable discussion conducted by Alexandra Heller-Nicholas on LOST GIRLS: https://fourthreefilm.com/2017/05/lost-girls-a-jean-rollin-roundtable/ Read Alexandra Heller-Nicholas on Andrzej Zulawski: https://overland.org.au/2016/02/andrzej-zulawski-and-the-powerlessness-of-language/ Read Alexandra Heller-Nicholas' celebrated essay on MAD MAX: FURY ROAD: https://overland.org.au/2015/05/furious-and-furiosa/ Hear Alexandra Heller-Nicholas on the Plato’s Cave radio program: https://www.rrr.org.au/program/plato-s-cave/ Visit the official site of Graveyard Shift Sisters: http://www.graveyardshiftsisters.com

This week Dave is living out his podcasting fantasies as he gets to discuss the feminist slasher parody "The Slumber Party Massacre" again, but this time with 3 young women as Lauren, Aly, and Nat join him to talk about things like male gaze, voyeurism in horror, impotence, and phallic symbols. I'm sure he'll mention Carol Clover at least once.

In our first episode of Haunted Love Radio, we head to the southern-fried backwoods of Texas for a discussion of Texas Chainsaw Massacre before browsing the meat case at Zach Gristle's Butchery in a throwback E.C. Tales from the Crypt comic strip from the 1950s. Eat up, kiddos! Primary texts: Texas Chainsaw Massacre, dir. Tobe Hooper (1974) "T'aint the Meat...It's the Humanity," Tales from the Crypt #16, Al Feldstein and Jack Davis (1952) Further Reading: Chainsaw Confidential, Gunnar Hansen (2013) Men, Women and Chain Saws, Carol Clover (1993, reissue 2015) Demon Theory, Stephen Graham Jones (2006) Seduction of the Innocent, Dr. Frederic Wertham (1954) The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America, David Hajdu (2008) You can follow us on Twitter @HauntedLovePod or email us at hauntedloveradio@gmail.com. Our icon is by the lovely Sophie McMahan. You can buy her work here: https://www.etsy.com/shop/DreamingOfJohnny And learn more about her art here: http://sophiemcmahan.com/home.html Intro music: "At the Devil's Ball," performed by Maurice Burkhart (1913) Transition music: "That Syncopated Boogie-Boo," performed by The Premier Quartet (1913)

Vi bjuder in författaren Mats Strandberg för att prata om homo, bi, trans och queer i skräckfiktionen. Tomas behöver titta fokuserat för att se homosexundertexten i A Nightmare on Elm Street 2 och Lars berättar om Jönköpings svar på Buffalo Bill. Vi pratar också om: Cirkeln, Sara Bergmark Elfgren, Twin Peaks, I Am Legend, Richard Matheson, Ring, Fredagen den trettonde, Carol Clover, Men Women and Chainsaws, Bram Stoker, Dracula, Oscar Wilde, Dorian Greys porträtt, Sheridan Le Fanu, Carmilla, Hammer Films, Selma Lagerlöf, Mary Shelley, Frankenstein, Robert Louis Stevenson, Dr Jekyll & Mr Hyde, Nosferatu, Friedrich Wilhelm Murnau, Clive Barker, Hellraiser, Nightbreed, Cabal, Kyrkogårdens hemlighet, The Scarlet Gospels, Bret Easton Ellis Podcast, American Psycho, Tommy Berggren, Noll att förlora, Glamorama, Alexandro Amenabar, The Others, Tesis, The Innocents, Henry James, The Turn of the Screw, Truman Capote, Poppy Z Brite, Exquisite Corpse, Drawing Blood, Lost Souls, Dennis Cooper, Sleepaway Camp, Psycho, Cherry Falls, Insidious 3, Javier Botet, Rec, Mama, Johan Hilton, Monstret i garderoben, Anthony Perkins, The Conjuring 2, Jonas Gardell, När lammen tystnar, Thomas Harris, Jonathan Demme, Basic Instinct, Philadelphia, Rocky Horror Picture Show, Tim Curry, Shirley Jackson, The Haunting of Hill House, Rebecca, Russ Tamblyn, Besökarna, Motion Picture Production Code, pre-code, Freddy’s Revenge, Never Sleep Again, Mark Patton, Freddy Mercury, Rob Halford, Judas Priest, Jakob´s Ladder, Anne Rice, En vampyrs bekännelse, Tom Cruise, Brad Pitt, Antonio Banderas, Christian Slater, Peter Kostenniemi, American Horror Story, Penny Dreadful, Josh Harnett, Thirty Days of Night, Ryan Murphy, Färjan, Hemmet, Rövsvett, Hunger Games, Exorcisten, Henrik Jonsson, Pax, Siri Hjorton Wagner, Mattias Skoglund och De dödas röster. Nostalgi, löst tyckande och akademisk analys I en salig röra.

Vi firar sommarlovet genom att lista tretton saker vi tycker är värda att prata om i fråga om världens bästa slasherserie. Både Tomas och Lars glömmer bort att kommentera Kevin Bacons ypperliga birollsinsats i originalet från 1980, men förutom samtliga tolv delar av Fredagen den 13:e pratar vi också om: Victor Miller, Sean S. Cunningham, Halloween, Carol Clover, Men Women and Chainsaws, Laura Mulvey, Harry Manfredini, Hajen, Scream, Wes Craven, The Shining, A Nightmare on Elmstreet, Alice Cooper, Titta Dom Snackar, Daniel Garptoft, Hannibal Lecter, Jokern, Batman, Kane Hodder, Betsy Palmer, Crispin Glover, Corey Feldman, Adrienne King, Amy Steele, Tom Fridley, Lion, Ac/Dc, Psycho, Paramount, James Bond, Tom Savini, The Burning, MPAA, Terminator 2, Mortal Kombat, Freddy Krueger, Crystal Lake Memories, Prowler, It Follows och den lokala jönköpingslegenden Svarta Damen. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Vi trevar oss fram bland slasherfilmens synbart formulaiska konventioner. Tomas reviderar sin bild av Jason Vorhees och Lars gör sitt bästa för att förankra genren hos Agatha Christie. Vi pratar också om: Fredagen den 13, Halloween, Motorsågsmassakern, Texas Chainsaw Massacre, The Burning, Sleepaway Camp, A Nightmare on Elm Street, Terror på Elm Street, Hellraiser, Clive Barker, Carol Clover, Psycho, Peeping Tom, Agatha Christie, Tio små negerpojkar, Scream, Candyman, Jag vet vad du gjorde förra sommaren, The Prowler, House on Sorority Row, Black Christmas, Daniel Garptoft, Pojken med guldbyxorna, My Bloody Valentine, Prom Night, Edward Munch. Nostalgi, löst tyckande och akademisk analys i en salig röra.