Podcasts about Limey

I haven't seen this movie in 20 years. Does it hold up? Let's find out!LIWstudios.com

Movie of the Year: 1999The Limey (feat. Adam Kempenaar from Filmspotting)Why The Limey Still Packs a PunchIn this episode of Movie of the Year, the Taste Buds turn their sights on The Limey (1999), Steven Soderbergh's sharp revenge thriller about grief, family, and memory. Mixing classic crime tropes with experimental editing, The Limey is both a gripping noir and an impressionistic meditation on loss. With Terence Stamp delivering a career-defining performance, the film remains one of Soderbergh's most daring works.1960s vs 1990s in The LimeyAt the heart of The Limey lies a conversation between two eras. Terence Stamp's Wilson—a hardened ex-con from the swinging London of the 1960s—arrives in neon-soaked Los Angeles of the 1990s to uncover the truth about his daughter's death. The Taste Buds discuss how the film contrasts the ideals, aesthetics, and morality of these decades, using Wilson's journey as both a cultural clash and a generational reckoning.Steven Soderbergh's Directing Style in The LimeyKnown for pushing boundaries, Steven Soderbergh infuses The Limey with fractured editing, nonlinear storytelling, and the haunting use of flashbacks. The Taste Buds break down how these stylistic choices elevate a standard revenge plot into a hypnotic piece of cinema. They also explore how The Limey connects to Soderbergh's other 1999 classic, Out of Sight, and how his experimental style paved the way for his 2000s successes.Family, Revenge, and The Limey's Emotional CoreWhile The Limey is structured like a thriller, its true heartbeat lies in themes of family and redemption. Wilson's grief over his daughter and his desperate search for answers give the film unexpected emotional weight. The Taste Buds explore how family drives the story forward, turning vengeance into something deeply human and heartbreaking.Guest Panelist: Adam Kempenaar from FilmspottingJoining this week's episode is Adam Kempenaar, host of the long-running podcast Filmspotting. Adam brings decades of cinephile experience and critical insight to the discussion, offering a deeper look at Soderbergh's influence and the lasting cultural relevance of The Limey. His perspective helps connect the film to both classic noir traditions and contemporary cinema.Listen to Filmspotting here!Bonus Segment: 10 Things I Hate About You (1999)The Taste Buds balance The Limey's brooding intensity with a bonus discussion of 10 Things I Hate About You, the teen comedy that reimagines Shakespeare for the 1990s. They break down the film's clever script, breakout performances from Heath Ledger and Julia Stiles, and how it epitomizes the teen movie boom of the decade. Together, the two films showcase the remarkable range of 1999 cinema.FAQ About The Limey Podcast EpisodeWhat is The Limey (1999) about?The film follows Wilson (Terence Stamp), an ex-con who travels to Los Angeles to investigate his daughter's mysterious death.Why is Steven Soderbergh's style in The Limey unique?Through nonlinear editing, impressionistic flashbacks, and tonal shifts, Soderbergh transforms a revenge story into an artful meditation on grief and memory.Why is family important in the film?Wilson's pursuit of justice is rooted in his...

Are you a maker or a taker?  We've made nothing but the good stuff on this episode: automaker OEs forgetting who owns the cars they sold (you) and taking away the performance over the phone (and forgetting the rules of Right-To-Repair as outlined by champs like Steve Wozniak and the federal case against John Deere).  Speaking of tractors, we've got a study of the big-head elitist media whackos at NPR who are either pretending they just discovered tractor pulling or they're actually that clueless.  There's also the new measurement of horse-pounds (when HP and FT-LBs ain't enough), Camping World's big American flags and even bigger FU to every city that complains about 'em, some thoughts about the hazards of folks who break into your country being allowed to drive 40,000lb not-very-guided cruise missiles, and some great video of a small Philippines Coast Guard cruiser outsmarting two Chinese warships into ramming each other. Backing it all up - literally and metaphorically - is The Prodigy and a proper Excellent Weirdo RIP for classic English acting oddball Terrence Stamp (if you haven't seen him in "The Limey", you're missing out - dude could act, and that movie's got fire and some high-Q ass-kicking).

Are you a maker or a taker?  We've made nothing but the good stuff on this episode: automaker OEs forgetting who owns the cars they sold (you) and taking away the performance over the phone (and forgetting the rules of Right-To-Repair as outlined by champs like Steve Wozniak and the federal case against John Deere).  Speaking of tractors, we've got a study of the big-head elitist media whackos at NPR who are either pretending they just discovered tractor pulling or they're actually that clueless.  There's also the new measurement of horse-pounds (when HP and FT-LBs ain't enough), Camping World's big American flags and even bigger FU to every city that complains about 'em, some thoughts about the hazards of folks who break into your country being allowed to drive 40,000lb not-very-guided cruise missiles, and some great video of a small Philippines Coast Guard cruiser outsmarting two Chinese warships into ramming each other. Backing it all up - literally and metaphorically - is The Prodigy and a proper Excellent Weirdo RIP for classic English acting oddball Terrence Stamp (if you haven't seen him in "The Limey", you're missing out - dude could act, and that movie's got fire and some high-Q ass-kicking).

The Limey, Soderbergh's 1999 Terrence Stamp starring crime drama, gets our deep dive treatment this week, whilst in the main reviews we cover Caught Stealing, Toxic Avenger, and Thursday Murder Club. Throw in film news, neat things and chat to round things off.Get In TouchBlueSky @filmfileuk.bsky.socialMastodon @filmfileuk@mastodonapp.ukTwitter (because we refuse to call it X) @FilmFileUKInstagram FilmFileUKYoutube https://tinyurl.com/yv5skc42Email podcast@filmfile.uk

Terence Stamp passed away on August 17, 2025.Recorded a decade earlier, this episode is both a time capsule and a tribute to a legendary actor, artist, and seeker.On July 26, 2015 in London, Etan Ilfeld sat down with Stamp for an intimate and wide-ranging conversation. Best known for films such as Billy Budd, The Collector, Superman II, and The Limey, he spoke candidly about his life on and off the screen—his collaborations with icons like Marlon Brando and Laurence Olivier, his reflections on figures from Winston Churchill to the Queen Mother, and his years of spiritual exploration in India and beyond.He also shared insights on health, discipline, voice, and the daily practices that shaped his outlook—wisdom later distilled into his memoir The Ocean Fell into the Drop, published by Watkins.This conversation is shared in memory of an extraordinary artist and human being.

Crossroad City, losing the balance, a haunted Hunter, some recent news, a radioactive Red Lobster, a recipe from Sammy, a first class Stamp (these jokes can just write themselves sometimes, right?), a couple of driven yet destructive directors, book talk, a slow burn strange little new thriller, and wrapping it up with a little Elliott Smith. Stuff Mentioned: Late Night With David Letterman (November 19, 1987 https://www.youtube.com/watch?v=gcf-u2LdjiI), Dan Tana's (9071 Santa Monica Blvd, West Hollywood, CA 90069), Superman II (1981), Billy Budd (1962), Teorema (1968), Blonde Redhead "Pier Paolo" (1997), Blonde Redhead Fake Can Be Just as Good (1997), The Adventures of Priscilla, Queen of the Desert (1994), The Limey (1999), Hide Sushi (2040 Sawtelle Blvd, Los Angeles, CA 90025), Leo Tolstoy War and Peace (1867), Richie Valens "La Bamba" (1958), La Bamba (1987), Sharp Corner (2024), Results (2015), That '70s Show (1998-2006), The Year Without a Santa Claus (1974), The Wizard of Oz (1939), Chitty Chitty Bang Bang (1968), Heatmiser "Somebody to Lose" (1994), and Heatmiser Cop and Speeder (1994).

En efemérides recordamos a Daniel Rabinovich, vino Mery Linares y nos trajo un melodram de la era pre código: "La reina Cristina" (1933) y cerramos con "The Limey", a propósito del fallecimiento de Terence Stamp.

On this episode Matt and Jon discuss Nobody 2, KPop Demon Hunters, Alien: Earth, South Park and Absolute Batman, while Jon starts Superman: The Animated Series and Twisted Metal, while Matt remembers Terence Stamp (1938-2025) by checking out The Limey, as well as saw Pedicab Driver. Five by Five Takes on KPop Demon Hunters: https://youtu.be/9hS8xeLVZ8k?si=4qH8qoxbwgXmz6oM Twitter, or X or whatever (For Now): https://twitter.com/Jonwahizzle Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

We remember British actor Terence Stamp, who died last week at age 87. He starred in the film The Limey, as an ex-con out for revenge, and in The Adventures of Priscilla, Queen of the Desert as a transgender performer on the road with a lip-synch club act. Stamp got his start in the '60s, starring in the films Billy Budd, Far From the Madding Crowd and The Collector. Stamp grew up in a working class cockney neighborhood and as a teenager, when he let it be known he wanted to be an actor, his father told him, "People like us don't do things like that." He spoke with Terry Gross in 2002.Also, film critic Justin Chang reviews the new hit horror film Weapons.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a textAn Italian smoker and a vegan vanguard are stranded on a deserted island, hunted by a deadly Monster with TSLs and two giant bowling balls between his legs. The two must work together before they get caught in the Monster's deadly rocky overhang! On Episode 682 of Trick or Treat Radio we discuss the Indonesian film Monster Island from director Mike Wiluan! We also talk Rasputin's junk, what makes for a great monster movie, and movies that say the titular line! So grab your monster island survival kit, kneel before VOD, and strap on for the world's most dangerous podcast!Stuff we talk about: Friday the 13th, Texas Chainsaw Massacre, Halloween, horror video games, John Carpenter, Compass International Pictures, titular lines, Star Wars Radio Drama, Perry King, Mandella Effect, Dan Ackroyd, Brock Peters, The Beastmaster, John Amos, Teaching Mrs. Tingle, Universal Soldier: The Return, The Erotic Rites of Countess Dracula, Exorcist The Beginning, Open Water, Shakes the Clown, Piranha 3D, Miesha Collins, Amy Adams, Smallville, Meghan Ory, John Glover, James Marsters, Smallville, Peter Horton, Children of the Corn, Fade to Black, John Noble, Fringe, Ray Wise, Big Ass Spider, Jeepers Creepers 2, Robocop, Swamp Thing, Sylvester McCoy, Dracula, Anthony Ainley, Blood on Satan's Claw, The Land That Time Forgot, Tom Dugan, Andre Morell, Mummy's Shroud, H.P. Lovecraft, Re-Animator, Color Out of Space, Robert Z'Dar, Rasputin's Junk, Liam Neeson, John Hammcock, Leslie Nielson, The Naked Gun, RIP Terence Stamp, General Zod, The Limey, Priscilla Queen of the Desert, Young Guns, Jack O'Halloran, Sarah Douglas, Superman II, Chris O'Donnell, Al Pacino, Raven J, Retro Retro Retro, shooting ranges, Monster Island, Mike Wiluan, Indonesian Horror, Timo Tjahjanto, The Night Comes For Us, Revenge of the Creature, Creature From the Black Lagoon, Fisher Price My First Predator, The Phantom, Billy Zane, Island of the Fish Men, Sergio Martino, Scottish Cottage, Rocky Overhang, Going Ape!, Greasy Strangler, Bolo Yeung, The Great International Travel Off, Alter Man, Joe Hill, Jocelin Donahue, Abraham's Boys, Natasha Kermani, “Boys, it's like balls.”, and kneel before VOD!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

We remember British actor Terence Stamp, who died last week at age 87. He starred in the film The Limey, as an ex-con out for revenge, and in The Adventures of Priscilla, Queen of the Desert as a transgender performer on the road with a lip-synch club act. Stamp got his start in the '60s, starring in the films Billy Budd, Far From the Madding Crowd and The Collector. Stamp grew up in a working class cockney neighborhood and as a teenager, when he let it be known he wanted to be an actor, his father told him, "People like us don't do things like that." He spoke with Terry Gross in 2002.Also, film critic Justin Chang reviews the new hit horror film Weapons.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

pWotD Episode 3029: Terence Stamp Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 573,971 views on Sunday, 17 August 2025 our article of the day is Terence Stamp.Terence Henry Stamp (22 July 1938 – 17 August 2025) was an English actor. Known for his sophisticated villain roles, he received various accolades including a Golden Globe Award, a Cannes Film Festival Award, and a Silver Bear as well as nominations for an Academy Award and two BAFTA Awards. He was named by Empire as one of the 100 Sexiest Film Stars of All Time in 1995.After training at the Webber Douglas Academy of Dramatic Art in London, Stamp started his acting career in 1960 in the Wolf Mankowitz production of This Year Next Year at the West End's Vaudeville Theatre. He was called the "master of the brooding silence" by The Guardian. His performance in the title role of Billy Budd, his film debut, earned him an Academy Award nomination for Best Supporting Actor and a BAFTA nomination for Best Newcomer. Associated with the Swinging London scene of the 1960s – during which time he was in high-profile relationships with actress Julie Christie and supermodel Jean Shrimpton – Stamp was among the subjects photographed by David Bailey for a set titled Box of Pin-Ups. He starred opposite Christie in Far from the Madding Crowd (1967) and also had a leading role in Ken Loach's drama Poor Cow (1967) and in Pier Paolo Pasolini’s Teorema (1968).Stamp gained wider fame for his role as archvillain General Zod in Superman (1978) and Superman II (1980). For his leading role in The Adventures of Priscilla, Queen of the Desert (1994) he earned BAFTA Award and Golden Globe Award nominations. He then starred in The Limey (1999), earning an Independent Spirit Award nomination. His other films included Wall Street (1987), Young Guns (1988), Star Wars: Episode I – The Phantom Menace (1999), The Haunted Mansion (2003), Elektra (2005), Wanted (2008), Get Smart (2008), Yes Man (2008), Valkyrie (2008), Big Eyes (2014) and Last Night in Soho (2021).This recording reflects the Wikipedia text as of 02:14 UTC on Monday, 18 August 2025.For the full current version of the article, see Terence Stamp on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joey.

Send us a text01 The Limey and Editing ChoicesVanessa and Eric embark on a journey into the world of films with a new Strange Aeons Radio series, The Filmmaker's Forge.In this premiere episode, they delve into the art of editing and explore the concept of taking risks in editing and the creative process. Support the showSubscribe to us on YouTube: https://www.youtube.com/channel/UC8iW_sKFj0-pb00arHnFXsAFacebook: https://www.facebook.com/StrangeAeonsRadioInstagram: https://www.instagram.com/strangeaeonsradioksar/

Yeah, like we weren't going to go over two and a half hours on FULL FRONTAL. Following the generational run of OUT OF SIGHT, THE LIMEY, ERIN BROCKOVICH, TRAFFIC, and OCEAN'S ELEVEN, Steven Soderbergh did what anyone would do: he shot a semi-improvised ensemble Hollywood satire on a consumer grade digital camera. The result, FULL FRONTAL, is a fascinating film about connection, mediation, performance, and the film industry, so who better to talk about it with than our Hollywood bigwig buddy, filmmaker and producer Chadd Harbold? This is a really good one, folks - don't sleep on it! Further Reading: "Digital Release: Steven Soderbergh's Full Frontal" by Lawrence Garcia "Just Like A Movie: Full Frontal As Postmodern Love Story" by Daniel McKleinfeld "Soderbergh Lets It All Hang Out: Full Frontal at 20" by Craig J. Clark Further Viewing: BAMBOOZLED (Lee, 2000) STAR WARS: EPISODE II - ATTACK OF THE CLONES (2002)   Follow Chadd Harbold: https://x.com/chaddwithtwoDs https://vimeo.com/chaddharbold   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

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In today's episode of the Atheist Experience, Forrest Valkai and Objectively Dan, sort through calls of AI, logical fallacies, and apocalyptic dream interpretations. No circular arguments made today!Chidumebi in PA asks how to combat religious students that insist on AI reliance to justify the Bible. It is important to teach children how to search and explain why there is bias behind some of the input. These models are designed for good output, not accuracy. Be sure they understand what material they will need to know as a requirement, regardless of their personal beliefs or use of AI language models. What is the student supposed to do if they end up in a career they do not know how to do as a result of their reliance on AI?Mike in SC, thinks that AI can replace atheists but not theists because it can do anything atheists can do by using less resources. What is your understanding of the massive centers needed to support AI? If the soul is a factor, how do you explain an AI video that turns people to Christ? It is odd that you believe the actions of human beings that are atheists can be reduced down to a chat box. If dogs don't have souls, is it cool that we just replace all dogs with AI? Our lives are more than just a sum of our labor and we find this conclusion dehumanizing. Herman in Canada has massive observations of “things begotting things” so therefore there must be a creator. It is important to point out that energy has not been created. What created the actual creator of the universe? How do you know that the reality of physics was exactly the same just before the big bang? If everything is contingent on something, what would a world that was not created look like?Luc, a Catholic in Canada, explains his different perception in the prime mover argument and that is that rules need rulemakers. Why are the rules of nature excluded from this argument? We do not need to provide evidence for not believing in something. What evidence do you have that everything needs a rule maker? Of these two things, which is the more reliable pathway to truth; evidence or faith? Why is it good enough for you when the Catholic Church says something? We are not expected to just believe a thing because a teacher told us to; we must do the work/tests, and experiments to learn this stuff.Prophet Daniel from Australia, believes there is one god for the entirety of existence and the interpretation of dreams made in the Book of Daniel prove his existence. How do you think this story has been adapted to meet the events that actually transpired? Why would this book be a reliable source when Daniel speaks with a dragon?Jamie the Blind Limey, our backup host joins to close out the show and offer some post thoughts on some of the calls. Thank you for joining us this week and we will see you next time!Become a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.

In 1999, Steven Soderbergh pushed his formal experimentation even further, rendering a straightforward revenge tale into a modernist masterpiece. In the process, the Terence Stamp/Peter Fonda joint THE LIMEY examines memory, the legacy of the 60s, and inaugurates Sodie's obsession with Cockney rhyming slang. Film writer and podcaster and UK resident Elena Lazic joins us to get limey! Good ep! Further Reading: Getting Away With It by Steven Soderbergh Set the Night on Fire: L.A. in the Sixties by Mike Davis & Jon Wiener Hollywood from Vietnam to Reagan by Robin Wood "Steven Soderbergh on the 20th anniversary of The Limey" by David Fear Commentary track with Steven Soderbergh and Lem Dobbs Further Viewing: POINT BLANK (Boorman, 1967) POOR COW (Loach, 1967) EASY RIDER (Hopper, 1969) GET CARTER (Hodges, 1971) VANISHING POINT (Sarafian, 1971) APRÈS MAI (Assayas, 2012)   Follow Elena: https://x.com/elazic https://linktr.ee/Animus_mag Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Movie of the Year: 1999The Movies Are Chosen!64 Movies Enter, Only 16 Survive—Which 1999 Classics Make the Cut?1999 was a landmark year in film history, and the Movie of the Year podcast is here to determine the greatest movie of 1999. In this second part of our 1999 intro, the Taste Buds continue their tournament-style bracket to narrow 64 iconic films down to a powerful Sweet 16. If you're a fan of The Matrix, Fight Club, The Sixth Sense, or The Blair Witch Project, you won't want to miss what survives—and what doesn't.Missed Part I? Listen to the 1999 Intro, Part I to hear how we cut 96 movies down to 64.What Happens in This EpisodeUsing a mix of cultural impact, critical acclaim, personal bias, and how much a film's reputation has grown over time, the hosts battle through each matchup in a chaotic and often hilarious 64-seed bracket. There are no guests this time—just the regular crew unleashing their strongest takes and wildest arguments.Expect passionate defenses (Ryan refuses to let The Limey go quietly), surprise eliminations (can The Mummy survive the critics?), and more than one heated debate over what makes a movie "worthy" of lasting recognition. With unpredictable outcomes and sharp opinions, this is a high-energy episode full of movie love, bracket strategy, and very little agreement.What's at StakeBy the end of this episode, only 16 films will remain in the race to be crowned the best movie of 1999. The choices only get harder from here as we move closer to naming our official Movie of the Year.TL;DRThe Movie of the Year podcast cuts the 64 best films of 1999 down to a Sweet 16 in this intense, bracket-style elimination episode. Laughs, hot takes, and heartbreak guaranteed.Support the ShowIf you love movies from 1999 or just enjoy strong opinions and smart comedy, subscribe to the podcast and leave a review on Apple Podcasts or Spotify. Sharing the episode also helps us grow and keeps the bracket battles coming.

The Limey was 170th highest grossing movie of 1999, finishing just one spot ahead of cult favorite Jawbreaker Released October 8th in just 17 theaters and going on to make $3.2 million on a $10 million budget, The Limey was directed by Steven Soderbergh, just on the verge of his first major commercial successes (Erin Brokovich and Traffic, both released on opposite ends of 2000) and following another acclaimed crime caper, 1998's Elmore Leonard adaptation Out of Sight. Featuring a tour-de-force performance from Terrence Stamp,  The Limey crosses genre boundaries, it also straddles the line between Soderbergh's smaller, more risk-taking films (like sex, lies, and videotape and Schizopolis) and his bigger, more ambitious ones (like Traffic and Ocean's 11). In this episode, John and Julia are joined by filmmaker, podcaster, and Steven Soderbergh fan Devan Scott joins John and Julia to discuss 1999's best crime thriller/comedy/tone poem. Devan is on Bluesky @dagscott.

High anxiety, some wisdom from Kris Kringle, keeping things cool, suicide kills, a little tribute to Nicky Katt, missing Adrienne Shelly, and getting my shit together. Stuff mentioned: Laura Branigan "Gloria" (1982), Santa Claus Is Comin' to Town (1970), Maury Laws & Jules Bass "Put One Foot in Front of the Other" (1970), Gloria Gaynor "I Will Survive" (1978), Dazed and Confused (1993), The Limey (1999), Andy Warhol's Frankenstein (1974), Andy Warhol's Dracula (1974), Insomnia (2002), Trust (1990), Simple Men (1992), Waitress (2007), Boston Legal (2004-2008), and Lynn Smith "NIcky Katt, a Go-To Guy With a Can-Do Attitude" (Los Angeles Times, August 1, 2002 https://www.latimes.com/archives/la-xpm-2002-aug-01-wk-smith1-story.html).

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From 'Sex Lies and Videotape' to 'Black Bag' (which is now available on VOD), we rank every single Steven Soderbergh movie, plus a few of his miniseries and a short film. Hosted by Brad Garoon & Jake ZieglerCovering, in chronological order:Sex, Lies, and Videotape (1989), Kafka (1991), King of the Hill (1993), The Underneath (1995), Schizopolis (1996), Gray's Anatomy (1996), Out of Sight (1998), The Limey (1999), Erin Brockovich (2000), Traffic (2000), Ocean's Eleven (2001), Full Frontal (2002), Solaris (2002), Ocean's Twelve (2004), Eros/Equilibrium (2024) Bubble (2005), The Good German (2006), Ocean's Thirteen (2007), Che (2008), The Girlfriend Experience (2009), The Informant! (2009), And Everything Is Going Fine (2010), Contagion (2011), Haywire (2011), Magic Mike (2012), Side Effects (2013), Behind the Candelabra (2013), Logan Lucky (2017), Unsane (2018), Mosaic (2018), High Flying Bird (2019), The Laundromat (2019), Let Them All Talk (2020), No Sudden Move (2021), Kimi (2022), Magic Mike's Last Dance (2023), Command Z (2023), Full Circle (2023), Presence (2024), Black Bag (2024)0:00 Introduction2:12 40-3013:08 29-2024:29 19-1036:55 9-1#georgeclooney #merylstreep #michaeldouglas #juliaroberts #bradpitt #catherinezetajones #mattdamon

ep 317Enemies  Aired March 16, 1999  IMDB Summary  As Faith attempts to seduce Angel and steal his soul, the Mayor summons a dark-magic demon to finish the job.  Directed by: David Grossman Written By: Joss Whedon, Douglas Petrie, Jane Espenson  Connect with us  Instagram www.instagram.com/themistergordo_pod  Tik Tok @themistergordopodcast Email themistergordopod@gmail.com

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Unlock the secrets behind Steven Soderbergh's groundbreaking career and discover how his latest film, "Presence," transcends traditional genres. This episode of "Excuse the Intermission" features Max's spoiler-free impressions and explores the film's extraordinary writing and performances, alongside Soderbergh's voyeuristic style. We also examine his innovative techniques, like shooting with an iPhone, and reflect on how he single-handedly reshaped filmmaking with his unique editing style in classics such as "The Limey."Our journey through Soderbergh's eclectic filmography offers insights into his unmatched versatility, from the cultural phenomenon of "Ocean's Eleven" to the introspective "Sex, Lies, and Videotape." Whether it's crime, heist, or drama, Soderbergh's character-driven narratives consistently redefine cinematic storytelling. As we prepare for a film draft that categorizes his diverse works, we celebrate his ability to both capture critical acclaim and appeal to a broad audience, despite not being a typical box-office magnet.Beyond film, Soderbergh's ventures into television with "The Knick" and movies like "Kimmy" demonstrate his talent for balancing intimate stories with grand narratives. Our discussion covers everything from his adaptation of "Solaris" to the thought-provoking thriller "Side Effects," emphasizing Soderbergh's skill in handling a wide array of genres. Join us for a lively analysis of his enduring impact on the art of filmmaking, and don't miss our humorous contemplation on creating a Hall of Fame for potential alien visitors, sparking a light-hearted end to our episode.Send us a textSupport the show

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In this 90 Minutes or Less Spotlight episode director Steven Soderbergh talks to Sam about his new movie Presence (85 mins). The Ocean's Eleven, Magic Mike, and The Limey filmmaker also talks about his approach to directing, and how he made Presence.  Presence was written by David Koepp and stars Lucy Liu, Julia Fox, Chris Sullivan, and Callina Liang. It's in cinemas from today, 24 January.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a top at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest Blue Sky:  @90minfilmfest.bsky.social We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star Steven Soderbergh. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

Wilson (Terrance Stamp) is a career criminal from the UK who is now coming to Los Angeles to find out about what happened to his daughter (Melissa George) who just tragically died in a car accident....or did she?  Her father suspects that she might have been murdered and he suspects that it might have been her wealthy, older record executive boyfriend Terry played by the late, great Peter Fonda.  Along the way, Wilson recruits help from two local actors (Lesley Ann Warren, Luis Guzman) who were friends with his daughter and what results is a stylish, somewhat time-bending revenge thriller which received significant acclaim when it was first released twenty five years ago.  Directed by Oscar-winning legend Steven Soderbergh at the peak of his powers (right between Out of Sight and Erin Brockovich), just tell them that WILSON IS COMING!!!!Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Videodrome Review starts at: 1:16:52 Movie Recap: Wicked (2024) The Limey (1999) Fire and Ice (1983) The Good the Bad and the Ugly (1966) Duck, You Sucker! (1971) Support: patereon.com/notforeveryone Drink more coffee: https://www.foxnsons.com/  PROMOCODE: NFE

The First Part in Steven Soderbergh's Whistleblowers Trilogy A divisive audio commentary track for THE LIMEY provides some amusement for one host and despair for another as two children of the 90s try and define what the 60s icons Terence Stamp and Peter Fonda mean to them. The answer? Not much but this movie is cool. Catchup on last year's Movie Book Club from Quentin Tarantino's CINEMA SPECULATION! Follow along at our Patreon page as once a month (although sometimes more) we read AND watch films from 1999 for BEST MOVIE YEAR EVER by Brian Raftery! Threads/Twitter/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Tanner learned a valuable lesson this episode. Don't judge a movie by its title. Matt, on the other hand did not.

Show notes upon receipt.Become a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.

Send us a textWelcome back to The Fixate & Binge Podcast, for the fifth episode of a new 10-part series on underappreciated films.Spanning over 55 -years of forgotten Hollywood gems, join Joe for every episode as he discusses in depth his selection of five films that are worth rewatching or even viewing for the first time!Part 5 of this 10-part series the following films are reviewed:THE GAME (1997) Starring Michael Douglas, Sean Penn, Deborah Kara UngerFESTEN (or, THE CELEBRATION) (1998) Starring Ulrich Thomsen Henning Moritzen, Thomas Bo LarsenA SIMPLE PLAN (1998) Starring Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent BriscoeWAKING NED DEVINE (1998) Starring Ian Bannen, David Kelly, Fionnula FlanaganTHE LIMEY (1999) Starring Terence Stamp, Peter Fonda, Luis Guzman Joe also gives a **SPOILER-FREE** reaction to Tim Burton's latest -- BEETLEJUICE BEETLEJUICE -- and also offer his impressions on Netflix's latest viral actioned, REBEL RIDGE .The hope of this podcast is to engender a greater appreciation of the magic of moviemaking and how far the film industry has come in the preceding decades.Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

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We're on a brief hiatus this week, so we've plundered the Legends Vault for some appropriate loot to tide you over. Before we score Guy Ritchie's second film, Snatch, we're giving you our review of his first.  This week we're talking about Lock, Stock and Two Smoking Barrels, also one of our Legends of ‘99, the movie that launched the acting careers of Jason Statham and Vinnie Jones, began the directing careers of Guy Ritchie and Matthew Vaughn, spawned a short-lived TV series, and, along with The Limey, is the second Legend of ‘99 to heavily employ Cockney rhyming slang. Join us as we have a butcher's at this farcical tale of four friends, two guns, and a whole lot of mistaken identity.   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

To be addedBecome a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.

To be addedBecome a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.

To be addedBecome a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.

To be addedBecome a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.

Recorded in front of a LIVE studio audience in Austin, TX at the freethought library!Become a supporter of this podcast: https://www.spreaker.com/podcast/talk-heathen--3195702/support.