Podcast appearances and mentions of Anthony Clark

When we say the name “God”, have we assumed too quickly that we know what we mean? We use that word quite regularly, without much strain or prolonged consideration, as if the meaning of the word were self-evident. But what if you had to explain – indeed, translate – the word “God” into a language that had no such concept? That would force you, I think, to really reckon with what you mean and what you assume when you use that word: the name, “God”. That is not merely an intellectual exercise; that was in fact the experience of the 16th and 17th Century Jesuit missionary, Matteo Ricci. His primary mission was to China, where he strove to bring and share the Gospel of Jesus Christ to those who often had not only a different language but also a different imaginary landscape than that which European Christians were accustomed to.In our episode today, the eminent scholar of the Sino-Western Exchange, Professor Anthony Clark, talks with me about Matteo Ricci, evangelization, inculturation, and the legacy of dialogue. Anthony Clark is Professor of Chinese History at Whitworth University, where he also holds the Edward B. Lindaman Endowed Chair, and he directs the Oxford Lewis-Tolkien Program, the Rome History and Culture Program, the area of Asian Studies, and the Study in China Program. He joins me today, in studio, while visiting Notre Dame to deliver a lecture titled “In the Footsteps of Dialogue: China and the Legacy of Matteo Ricci.” Follow-up Resources:Find out more about Professor Anthony Clark at his website: https://anthonyeclark.squarespace.com/China's Saints: Catholic Martyrdom During the Qing (1644–1911), by Anthony Clark“China's Religious Awakening after Mao,” by Ian Johnson, article in Church Life Journal“Religion in China, with Ian Johnson,” podcast episode via Church Life TodayChurch Life Today is a partnership between the McGrath Institute for Church Life at the University of Notre Dame and OSV Podcasts from Our Sunday Visitor. Discover more ways to live, learn, and love your Catholic faith at osvpodcasts.com. Sharing stories, starting conversations.

In this episode we discuss being a nosty girl, what came first the awful husband or the awful husband show, go-to flaves for sparkling water, our cool new cartoon character Black Cherry, robots taking our jobs, recognizing AI animals, sitcoms joking about postpartum, cool girls eating baby food, drawing a penu on your buddy's face, the "crazy sister" archetype, and SO MUCH MORE!!!

Independent analyst Anthony Clark assesses the recent rally and the likelihood of it persisting.

Kieran Witthuhn from Anchor discusses Renergen's quarterly update and Spar's 47-week performance ahead of their closed period. Independent analyst Anthony Clark assesses the recent rally in local small caps and whether value remains. Rudi Bodenstein from Stonehage Fleming explains the benefits of offshore trusts.

Stephen Grootes speaks to Anthony Clark, independent analyst at Small Talk Daily, and Gundo Maswime, lecturer at the University of Cape Town, about the crippling effects of South Africa's lack of infrastructure on businesses, shedding light on the challenges entrepreneurs face in the country.See omnystudio.com/listener for privacy information.

Stephen Grootes talks to with Professor Keith Engel, highlighting Gordhan's transformative impact on the South African Revenue Service (SARS) as a world-class, independent institution.  In other interviews on this episode on The Money Show, Anthony Clark, analyst at Small Talk Daily, unpacks the implications of their ongoing "chicken war” between Country Bird and Quantum Foods. See omnystudio.com/listener for privacy information.

Stephen Grootes speaks to Anthony Clark, an analyst at Small Talk Daily, to delve into the intense rivalry between Country Bird and Quantum Foods, two major players in the South African poultry industry, and provide expert analysis on the implications of their ongoing "chicken war".See omnystudio.com/listener for privacy information.

Dr. Anthony Clark explores similarities and differences between Buddhist doctrine and Catholic theology, and how they've diverged through ambitious ecumenism and modern secularism.

Dr. Anthony Clark discusses differences between Buddhist doctrine and Catholic theology and how their distinctiveness has been obscured by ambitious ecumenism and modern secularism.

CEO Johnny Copeland ‘must have worked his slide rule and done his magic as to what would've been best for the underlying union shareholders and HCI, and long-term shareholders in the company, and decided to do a carryover': Independent analyst Anthony Clark.

Here's a mindset shift to think about: in our relationships, are you fighting to grow or fighting to win? Are you trying to learn something new about yourself? Or, are you making your partner a loser? I never even thought about that concept before interviewing the Amazing Clarks! Honestly, that was my favorite gem, but this episode of Podcasting Is the New Kink! is filled to the brim with them so I hope you are ready to take notes. This is part 2 of my interview with Melanie and Anthony.We talk:What has changed since they got married - 0:10Being a complete and fulfilled person on your own - 8:09Having a beautiful story about your partner - 16:53Going within ourselves instead of blaming our partners - 26:07Being attracted to each other to trade gifts - 31:03Their whale story - 43:01How being triggered affects all the past versions of ourselves - 51:10And more!Check out "The Amazing Clarks" on their website and Instagram. And listen to their podcast!If you're interested in becoming a life coach, click here to check out their coaching academy.Episode ReferencesCrack the Code: The Secret to Achieving your Happily Ever After by Melanie and Anthony Clark Do you love Podcasting Is the New Kink! and want to support us? Then become contributor now! https://plus.acast.com/s/podcastingisthenewkink. Hosted on Acast. See acast.com/privacy for more information.

How important is vulnerability in an intimate partnership? Simply put, "vulnerability is where the good stuff is." When you are vulnerable with your partner, you give them a chance to choose you. You give your relationship a chance to grow stronger. And you give yourself a chance to heal.Now this is something I've always "kind-of" known, but after speaking with "The Amazing Clarks," I am 100% advocating for it! Melanie and Anthony Clark are truly amazing, and in this episode of Podcasting Is the New Kink! you will see why.We talk:How their coaching business came to be - 1:48The night they met - 9:13How my partner and I started dating - 17:46The importance of vulnerability - 23:51Characteristics that are vital in a partner - 37:35Role fluidity in partnership - 45:19And more!Check out "The Amazing Clarks" on their website and Instagram. And listen to their podcast!If you're interested in becoming a life coach, click here to check out their coaching academy.Episode ReferencesCrack the Code: The Secret to Achieving your Happily Ever After by Melanie and Anthony ClarkS3 E17 Pink Lady and Partner on why love alone is not enough! Do you love Podcasting Is the New Kink! and want to support us? Then become contributor now! https://plus.acast.com/s/podcastingisthenewkink. Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, I have Writer/Showrunner Max Mutchnick from Will & Grace, The Wonder Years, and many many more. Tune in as we talk about his journey as a writer and what some of his creative goals and hopes are for the future.Show NotesMax Mutchnick on IMDB: https://www.imdb.com/name/nm0616083/Max Mutchnick on Instagram: https://www.instagram.com/maxmutchnick/?hl=enMax Mutchnick on Twitter: https://twitter.com/MaxMutchnickMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMax Mutchnick:By the way, I think Miley Cyrus is the only sitcom actor who is able to move the needle. They push you during sweeps. Can you get a Shatner? If we could get Shatner on Big Bang. I know we'll write, that's probably not a good example because it probably worked. But for the most part, shows just get what they get. They always get what they get. It doesn't matter. These co-stars and these, none of that mattered,Michael Jamin:Right?Max Mutchnick:Is it funny? And do you like the people? Do you like the people? Do you like what? They like the world of it?Michael Jamin:You're listening to, what the Hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity. I'm talking about writing, and I'm talking about reinventing yourself through the arts.Hey everyone, welcome back to another episode. Today, I have a wonderful guest that no one deserves to hear. And yet, as a gift, if you're driving your car, pull over, you're going to want to hear this guy, this man and his writing partner, they are responsible for literally one of the biggest hits in the modern era. I'm talking about Will and Grace. This is the co-creator of Will and Grace Max. Much Nick, but lemme tell you what else he's done. All right. It's not just that. I'm going to run through his profile for a second and then I promise I'll let him get a word in edgewise. One word's Dennis Miller show. He was right around the Dennis Miller Show, the Wonder Years Good advice, the single Guy Dream on co-creator of Boston Common Co-creator of Good Morning, Miami Co-creator of Twins, co-creator of Four Kings. This guy's got a lot of work done. Shit, my dad says. Co-creator, partners co-Creator clipped, co-creator, and of course Will and Grace Max, welcome to the show. And let me tell you why this is so meaningful to me to have you hereMax Mutchnick:And me too, just to get an award in.Michael Jamin:Okay? I wonder if,Max Mutchnick:And by the way, those credits were in no particular order.Michael Jamin:Well, it is the IMDB order.Max Mutchnick:It's a weird order, but I'm still thrilled to be here. So I'm going to let you keep going because I like all this.Michael Jamin:Everyone loves having smoked Blunt.Max Mutchnick:It's fantastic.Michael Jamin:Let me tell you why it's so meaningful, because one of the very first jobs I had in Hollywood, I was a PA on a show called Hearts of Fire a max, and his partner writing partner David, were, I don't know if you guys were staff writers or story editors,Max Mutchnick:I think on Hearts of Fire, we were staff writers. I think we were staff writers. Yeah.Michael Jamin:So I'd get you lunch. That's basically it. But you guys were, you guys were so kind. You always let me in. I come into your office, you'd invite me into your office, which to me felt like a big deal. And you guys were both, to me, you were the epitome of what a comedy writer is supposed to be like larger than life, charismatic, funny, ball busting, but also just, I don't know, just energetic and enthusiastic and bursting with creativity and to be around you guys threeMax Mutchnick:Seconds away from tears at all times.Michael Jamin:Yeah. Oh yeah, thatMax Mutchnick:Too. But I mean, we maybe didn't show that to you, but again, I hate to interrupt you when you're saying all this nice stuff.Michael Jamin:Well, I do remember one time, David, I was sitting with you and he's like, what have you heard? I'm like, what have I heard? What do you hear? I'm like, dude, you guys are the only people who talk to me. What have I heard? Nothing.Max Mutchnick:That's so good. What have I heard? And I was listening to you, and by the way, it gives me nothing but joy to be here, and I have to do full disclosure. So I start watching you and listening to you, and this is what happens when you get to be 40 57. I said, I'm like, I know him. I have a feeling of love for him. I do not know how we know each other. It's so funny. I couldn't remember the show that we worked on. I couldn't remember the show we worked on. And then I heard you talking about Mike and Maddie. Yes. The other day. And it was, which isn't on my IMDB page.Michael Jamin:It is. I skipped over it. I didn't want to embarrassMax Mutchnick:You. Yeah, no, I'm glad that we can talk about that too. But it all started at Hearts of Fire.I mean, it's just unbelievable. And that was such an incredibly formative time, and it's so interesting to me that you had this experience of us is mean, and by and large, that's what we are. I mean, I always look back on life and I reflect on it, and I'm always happy when I look back on the things that I've done and where I've been and where I'm going and all that stuff. But today, not so much. What do you mean? Well, it's like I'm saying, when I'm in the moment of today, a lot of times I really can get wrapped up in being depressed about the business and where things are. And I am starting to say things that like old people say, and I don't want to, because I always thought I would never do that. I would never say the business isn't like it used to be. But I'mMichael Jamin:Surprised you even feel that way. You've already accomplished so much. I don't think I would ever get to your level of success. I would've stopped long before.Max Mutchnick:I mean, that's nice. And I know that there are people who are in my position who feel like they've done it. And definitely the collision of a career and social justice, which kind of took place with Will and Grace, the idea that we did this thing and that it had a reverberation on another level should be enough. But I am still a guy with ambition and drive, and I still feel like I have more to say, and I'm not spoiled in that sense. I really don't want to be done at this age. And if anything, my ego is in a better place because I can even fantasize about the idea of being in a room that I wasn't running, which is crazy because that's in the middle of my career when it's at that really hot space. It's like, oh no, I could never be in a room that I wasn't in charge of. But that's not how I feel so much. But theMichael Jamin:Hours are so long and exhausting and you're like, sure, I'll work till two in the morning every night. Well,Max Mutchnick:I couldn't. That's the one thing I would don't feel like that is something that ever needs to be the case. I'm way into having dinner with my family, and I feel like it's after 10:00 PM it's diminishing returns. I actually think after 8:00 PM it's diminishing returns because emotionally you get so your skin starts to break out. You're eating out of styrofoam, and it's just not, it's so bad for where you are. You have to just love the fucking show you're on. Can I say bad word? YouMichael Jamin:Can say, sure. You can say show.Max Mutchnick:You have to love where you are so much to be working late or own. ButMichael Jamin:How did you keep, were the hours good on Will and Grace?Max Mutchnick:Yes. Because we've run a meritocracy and we always have, and that is the best idea will out. So I don't care if it comes from a LB like Michael Jamin or if it comes from John Acquaintance, wherever the best idea and wherever the most honest idea that's organic to the characters comes, and that's the one we're going with. And I'm very, I think one of the things you master or you have to master to be a showrunner that works well and runs a tight ship is the ability to say no quickly and without a lot of ting. So I'm going to say no, and I'm going to say it quickly, and it's going to feel like it hits you hard, and maybe it does. But in order for us to run a tight ship, that's just the way that it has to go. Famously, one of the best showrunners of all time, David Crane, I guess really, it was very democratic and everybody got to talk and pitch, and he didn't cut things off fast. I mean, sometimes there's a German there and you've got to find it and tease it out and stuff like that. But for the most part, immediately, no, that's not the way that we're going. And no, that's not the way the character.Michael Jamin:And they had long hours in that show,Max Mutchnick:Very, very long hours. They famously worked really late. And I was also listening to you the other day talk about those schools of,Michael Jamin:And that's what I was going to get to.Max Mutchnick:Yeah. And you could say that you talked about, there's the Friends school. I think there's also the Diane English strain. Did you mention that one?Michael Jamin:No, I did. I only really mentioned the one that I thought I came from, I think I came from, which was Frazier. Cheers Taxi. Right.Max Mutchnick:And I call that that's the David Lloyd's, I mean,Michael Jamin:And Chris Lloyd, yeah. Okay. What would you say your lineage would be then? And do you agree with that?Max Mutchnick:Yes, I did. I agreed with everything you said. I mean, my lineage is actually, it's a must see TV sound. It's an NBC, it comes down, but that's really the friend sound. And I come from that because my first real job was on Dream on which Martin David created. And then I came in late. David and I came in late on that show, but I also come from the Diane English School because Michael Patrick King was such a giant influence in my sound,Michael Jamin:And that was good advice or whatMax Mutchnick:Good advice. But he had come from Murphy Brown. Right, of course. So if you worked at Murphy Brown, you prayed at the altar and English. I mean, but those friends people, they just spawned so much, soMichael Jamin:Much. But you don't run the show the way they did, though.Max Mutchnick:Not at all. No, not at all. Yeah. We learned as much on shows from what not to do than from what to do. The benefit of being on shows where there, it's just, and I'm not using David Crane as an example because I've never been in a room with him, but we have been in rooms where either we weren't used or there was just endless talk that went absolutely nowhere and the decisions weren't made to just, that's good. That's it. Put it up on the board. You can get there very fast and not like there is a famous school that I don't want to talk about that it's good enough. It's good enough. It's good. Enough's not what I'm talking about. I don't do, it's good enough. But there is a world of shows that's run with that ethos.Michael Jamin:See, I thought one of the first, the advice that we got when we started running shows was I think it was Steve Levitan who said, just pick away, even if it's wrong, pick away. Yes. Or you lose the room.Max Mutchnick:Yes. I mean, it's like you can fu around forever about, oh, what you want to do with your life. I don't necessarily know that this was what I was going to do, but it happened and I went for it, and I got rewarded at a certain point. I feel like if you get rewarded in something that you're doing within six months to 12 months, stay there.Michael Jamin:Were you running a show that wasn't your own, it was your first job at, or No,Max Mutchnick:I'm I'm rare. I'm rare in that regard that I was at Emerson in college, and my dear friend was a comic named Anthony Clark. And Anthony called me and said, they're making shows now in la and there's a company that's very focused on writers who have strong relationships with standup comics. And the company was Castle Rock. And Larry David was just making Seinfeld at that time. And the guy that ran the company with Rob Reiner was a wonderful man named Glenn Paddick. And he gave us our first break, but we had to go into Warren Littlefields office as these young guys and argue for why would I ever give a show on this golden network to two guys that have never done the job before? You've never run a show.Excuse me. I was on single guy. So I mean, I had worked, but I had never run a show. The first time I ran a show and I wasn't even close to running a show. I was a co-producer. And I went in there and I said to him after I got David Cohan a white shirt with a collar like, you have no idea. The Prince of a collar and a what? The difference that it makes put on a goddamn buttoned up shirt. And we go and we sit in there and I say to Mr. Littlefield, who I owe a great deal to, if you give me the keys to the car, I promise not to scratch the car. And if I scratch the car, you can take the keys away. You can bring in whoever you want. They can oversee me, but just give me, literally give me a week, give me a show, and I already know what to do and not to do, and I'll run this thing the right way.Michael Jamin:Wait, this was before you wrote the pilot? This was just to get the chance to,Max Mutchnick:We had written the pilot and they wanted to make it. Oh, okay. And then they said to our agents, or they said to Glenn Pad, Nick, these guys have no experience. You've got to go get showrunners. And I was just so anti the idea that someone was going to creatively be open, and I asked for the meeting and I begged him, and I kind of tell that story. And the whole truth of that story is a day or two before he went to our agent and said, I want someone at that table read who runs a show. I want an experienced showrunner in case at the pilot table read, they fall apart. And God bless the writing team of Roberto, Roberto Bebe and Carl Fink, even Fink, I think. And I could be getting that wrong, and I hope someone calls us out on it. But anyway, those guys were so cool. And they sat at the table read, and we got our notes, and then they walked up to us on the stage where we were shooting the show on Radford, and they were like, you got this boys, we'll see you later. And we never saw again. Really. And then we were show running.Michael Jamin:Did you bring top heavy writers to the firstMax Mutchnick:David's sister who wasn't the superstar,Michael Jamin:Right. That she's nowMax Mutchnick:WasMichael Jamin:I'm talking about your first staff I'm talking about.Max Mutchnick:Yes, I know. Yes. Really. And I don't know who the third one was. I remember there being, it was a mini room before. It was self-imposed before it was imposed on us. And it was just this very tiny group because David and I didn't know how to ate and do all that. And we figured we would do all of the heavy lifting, which was not possible. And we eventually brought in Carrie Lizer, but we started with a very, very tiny group of writers and just crawled our way through.Michael Jamin:Wow. Yes. It's cool. Should we spend the next 59 minutes talking about the single guy, or should we continue talking aboutMax Mutchnick:Your No, no. Can't talk about that show. But it was really cool to work with Ernest Borgne, and I'll just put it to you. Yes. What is the, I'm going to ask you a trivia question.Michael Jamin:JohnnyMax Mutchnick:What?Michael Jamin:Johnny was his name?Max Mutchnick:Yes. Wasn't it? Yes. I went to high school with him, so that's not, and his dad was Johnny Silverman's father was David Cohen's rabbi in real life. Oh, wow. But I mean, we lived in an industry town. That's what it was. But no, Ernest Borg nine, in addition to having a wife that was a cosmetics had of cosmetics Dynasty, Tova nine was the name of all the lotions and potions. Earnest Hemmingway, little known Borg. What?Michael Jamin:Borgnine, not Hemmingway. Not Hemmingway.Max Mutchnick:Shit, that would be so bad. Ernest Borgne had the best collection of what? Does anybody knowMichael Jamin:Doug?Max Mutchnick:No, no, no. He had a good one though.But moving on, he had the best collection of Abraham Lincoln memorabilia because on the weekends, he used to go to Beacons moving and he would sell off the dregs of whatever was left in a truck that people didn't pick up. And one time he went and he bought a painting, and it was of Abraham Lincoln, and he takes it to wherever, Sotheby's or Heritage, whatever he did. And it turns out to be one of only two portraits ever painted of Abraham Lincoln while he was in office. Wow. That started this epic collection. We've digressed into such boring stuff. And I blame you. IMichael Jamin:Blame you. I brought up,Max Mutchnick:You're running this room. You could cut me off at any point.Michael Jamin:No, I could not. But let me ask you this, though. You've created so many shows, and obviously the writers are the same. So what is it, why was Will Grace, why that one not the other ones? Why was that one that blew up?Max Mutchnick:Well, I think I have a glitch in my casting programming. I didn't know to second guess myself in the way that I did after Will and Grace. I mean, it's a great question because it is the thing that, if anything, it could be a regret in my life. It's that I haven't made great decisions at crunch time andMichael Jamin:Wait, so you think it was casting decisions, you think, but you don't get to catch.Max Mutchnick:You put it on the page, and then it's these brilliant actors that have to operate in a medium that's not respected, but possibly the hardest form of acting. And there are very, very few people that can do it as well as the ones that we know. And Jim Burrows always says it's lightning in a bottle.Michael Jamin:Yeah, it is.Max Mutchnick:So it's that, and it's less Moonves also being not great to me.Michael Jamin:Well, I mean, I was going to say, every casting decision has been approved by a million other people. It's not like you could, right?Max Mutchnick:I know. And you want to believe it at the time, and you get in there and you sell, and you do your thing. And then sometimes you don't believe in a person that's going into a cast, but Les has got a thing for that person, so they go in there. But by the way, that man gave me a lot of breaks, and he was good to me for a period in my life, but I also think he did some super fucked up things to our shows too. Partners should have stayed on the air, and he took partners off the air too quickly, and no one had done anything like that. And they should have explored a gay guy and a straight guy being best friends. That's an interesting area.Michael Jamin:What is it? But you guys mostly work in sitcom. I know you did some movie work, but is that just the form you wanted to be in? Is there any other itch you have?Max Mutchnick:No, not really. It just kept, I mean, we kept every few years when they say it's back, we want them, let's go to people that know how to make on that list. And I mean, I'm doing it again, by the way, since this strike is over, and I hope that they work.Michael Jamin:What you're taking outMax Mutchnick:Multicam Ideas couple. Yeah. Yeah. We're working on a couple of Multicam right now that I'm really excited about, but I would love to not do it anymore. I would love to not do it anymore.Michael Jamin:What do you mean you'd love to not do it? I don't understand. IMax Mutchnick:Would love to write what I think single camera comedies are, which is a beautiful, when it's done exquisitely. I think it's, if you write Fleabag, that's like the masterpiece.Michael Jamin:It was a masterpiece, but it was a play. I remember watching you go, this is a play.Max Mutchnick:Yeah, but you can't, I don't know. You can't knock it like that. It doesn't, oh,Michael Jamin:It's not a knock. I mean, it's a compliment. I mean, these long monologues, and it's just not done. ButMax Mutchnick:She still was so brilliant that she figured out, she figured something out about how to make great fuckingMichael Jamin:Episodes. Oh, listen, we're on the same page. I was a masterpiece fricking masterpiece. And what I like about it is that it does feel like a play to me. It's really, it's conversational and it's intimate and brave. It's courageous, man. Man.Max Mutchnick:I think it's the final 20 minutes of the second season. I think that it, it'd be hard pressed to find a better single camera comedy ever written. Yeah, I agree. From the moment the priest shows up at her apartment to sleep with her. And I think that goes straight to the end. I don't know. Beat for beat where I've ever seen it, where I've ever watched a better script.Michael Jamin:How do you feel when you watch something like that? What does that do to you? Because you're a professional writer with a huge, great track record. How does that make you feel?Max Mutchnick:I only have that attitude of the more, the merrier. It's only good to me if you're asking me in a coded way, am I ever jealous of somethingMichael Jamin:A little? Yeah.Max Mutchnick:I mean, yeah. Would I like to have created the bear? Sure. Yes. But I'm more proud of Chris store and impressed that I know him, and I love, and I love that that happens. I mean, I get more offended by the bad stuff. I just can't stand the bad stuff, the good stuff. I'm like, God damn, that's exciting. That got made, and somebody left that writer alone and their vision was carried through to the end.Michael Jamin:Hey, it's Michael. If you like my content, and I know you do because listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michael jamin.com and now back to What the hell is Michael Jamin talking aboutWill and Grace, you could tune in an episode, and you knew you were in for some big, big laughs every episode. And I don't know, you were inviting these friends into your home every week. That's what it felt like. You were inviting your friends over. And there's an art to that.Max Mutchnick:Yes. And there's an art to picking the best writers that money can buy, which is what Will and Grace always had. I mean, the star power in the writing room at Will and Grace was spectacular. And I mean, to a person, it had the best run of writers, but the only time it went off the rails is if the heart got taken out of a story. And if the heart wasn't there, then the thing didn't hold up. That's right. And so you have to lay a foundation in the first act and make sure that all that stuff is true and real at the beginning. And then you can go kind of wherever you want in the second act. Then you can get nuts and then resolve in a very real way. But if you don't actually start from a true place of, oh my God, I cannot believe you are sleeping with my brother, that hurts me so much. Why? Because you're mine. Whatever that story is, you want to just hit those notes that everybody understands.Michael Jamin:Now, when you rebooted Will and Grace, did you bring back the entire writing stuff?Max Mutchnick:We didn't bring back everybody, but brought back most everybody.Michael Jamin:And what's shocking about that you had this amazing writing staff and that they were available.Max Mutchnick:We had to be patient. We had to work a little bit of magic. And I also think, I mean, it's embarrassing for NBC, but David and I had out of pocket some fees.Michael Jamin:Oh, really? You wanted them that bad?Max Mutchnick:But it's worth it. It's worth it. It's like, oh, you, you're going to stop at 25 k an episode for this wildly talented person and for their integrity, and they need it to be 27 5. It's like, take it out of mine.Michael Jamin:Right.Max Mutchnick:And we had to give you the full truth on that. It was more with crew. With Crew that we did that.Michael Jamin:Did you want your old crew?Max Mutchnick:Yeah. I mean, there are people that you want, you want the show to sound the same and you want,Michael Jamin:What was it like bringing it back though, for you as a creator? ItMax Mutchnick:Was incredible, honestly. It was such an incredible thing. I mean, we brought it back thinking that Hillary Clinton was going to be president. And the twisted irony is that the game show host won the office, but it ended up really giving us stuff to write to, because if you're just preaching to the third that you have, it's like, what's fun about that? ButMichael Jamin:To me, I guess I'm interested in your characters are now much older. And now I wouldn't have thought when Will Grace ended? I'm not really thinking about where they're going to be years from now. I'm just done thinking about them.Max Mutchnick:I know, and it kind of did have a finality to it, but I mean, I've told the story, but the set was at Emerson. How was it? And it was done, and they were done with the installation, and it was getting moved back on a flatbed to la. And my husband and I were in London, and I was bereft about the way the election was going and sitting in the back of a cab, I said to him, if I had the show, I would have Karen training Rosario on a rock climbing wall. I would do a story about, you're going to go back to Mexico, but then you're going to climb back in after you go back. Right. And I just wanted that to see that visual of Shelly Morrison on a rock climbing wall and caring training her, and in response to him, those horrible policies. And Eric said to me, well, honey, why don't you just go do something about it and make it the set's where it is? All the actors are where they are, and they were amenable. Thank God, God bless them for doing that, because it didn't have to go that way. It wasMichael Jamin:Easy.Max Mutchnick:It was much easier than you would think to bring it all back together.Michael Jamin:Right. That's with the rebuilding. That's so interesting. When you guys are coming up with show ideas, I mean, are they just coming to you? Are you always coming up with ideas or is it like, okay, we got to come up with an idea?Max Mutchnick:No, I mean, I'm coming up with ideas all the time until someone pays me and then all of a suddenMichael Jamin:Nothing. Can't thinkMax Mutchnick:Of anything. Yeah. It's like, I don't know. I can't sleep. I mean, do you sleep? I don't turn. My brain doesn't shut off. And so I'm always kind of thinking about stuff. And by the way, we've written some of the things that I love the most that we've ever done. They've never seen the light of day. And I think that one of the little twisted crimes of our industry is the fact that agents and studios, if they have any sense that you've written something ago, that you wrote it back when they don't want to, it's like a loaf of bread or something like that, as opposed to a piece of art that it is still relevant. It still makes sense. These characters are vibrant and exist, but it feels like used goods even if it's never anywhere.Michael Jamin:And so you guys, your partner, you meet every day and you're coming up with ideas, or even when you're not,Max Mutchnick:I'm very good that way. I don't feel like I can stop and I don't want to stop. Dave is arguably a happier person, and he doesn't feel the same desire to beat himself to death. That's what it's, yeah. But we've had a dynamic for mean our daughters are very, very close, which Oh, really? A gift of life for both of us. But always, I mean, I say this in front of him and behind his back, our relationship has that lovely Jerry Lewis and Dean Martin, sort of one of us is in love with the other one, and one of us doesn't care. And Dave's just like, but he's my brother. So he's not like he's going anywhere. But it's just like, stop trying so fucking hard. I get a little sweaty when I don't need to.Michael Jamin:Well, yeah, you've had so much success. It occurred to me. I just remember one time I was over at your place once, I don't remember where you were living, but I remember you had Enya on.Max Mutchnick:It's so crazy. So wait, I'm going to make my relationship to Enya. I'm going to bring it back to writing sitcoms because Okay. My anxiety has always been a present part of who I am and what you referred to as the fun of coming into my office. Yeah, you're right. But it's driven by a kind of anxiety and on, I guess it would've been good advice for Michael Patrick King. I was having such heavy, crazy anxiety. Anxiety to the point of passing out anxiety that I had to go every time we had a break down to my car and listen to Anya on AC cd.Michael Jamin:Is it because you're worried you're going to be fired? Is that whyMax Mutchnick:I just didn't have that? There's a, that very scary moment of existing in a writing room of what your output is. Like Jeff Astrof, by the way, such an incredible writer in a room, such a good room person. But he lives by the thing. If I don't put a joke into that script today, I can't go to bed tonight. And that drives a person. And I just was in these, so you have to get, but Michael Petra king got me a little bit more comfortable with, I listen to you sometimes and I watch you construct comedy on the fly, and I am impressed with it. And I think, what the fuck? Can't I still do that? But I tap into something different. I tap into a different thing because I think life just across the board, other than rape and cancer and Israel is pretty much, everything is funny. And I feel really good about exploring the most uncomfortable truths of my life, and that's where I get the stuff from. But I wasn't there. I wasn't there, and certainly not at the beginning. And Dave Cohan comes from such a pedigree family that it was second nature to him to just construct really clever wordplay and stuff like that. And I was really panicked about that at the beginning.Michael Jamin:Interesting. Because you know that in the room of writers, if I'm going to choose a team of writers and I have eight picks, the first eight are story people, not joke people.Max Mutchnick:And that's that generic question you ask a writer when you interview them. So what do you think you're best at story or, well, really good at story, right? They're really good at story.Michael Jamin:You're good at stories.Max Mutchnick:You can tell a fucking story.Michael Jamin:None of you'reMax Mutchnick:Good. It's crazy. It's crazy how many people can't tell a story or the joke thing of you want to say to people and you don't. It's like, okay, close your eyes. Go to the table, put that joke in the actor's mouth and tell me the response that you hear. Do you actually hear people laughing at those words? Because that's how I always do it. I'm like, and then it becomes second nature. Yeah, that sounds right. They will make ew. She'll make ew funny. That will get a laugh. That will get a laugh. But it's always shocking to me like the clunkiness sometimes that's pitched and it's like, that's not going toMichael Jamin:Work. Yeah. Yeah. How funny. How funny.Max Mutchnick:And if I'm calm and you got time, it's like you can try to get it, but you want a Michael Jamin in your room to just give it to you. Done.Michael Jamin:Oh, give it to me. Done. It's so interesting. Go starting out. I was just a joke guy. And then you won't keep your job long if that's all you understand, right?Max Mutchnick:No, you have to be able to, because you go to that run through and the entire back half of that story falls apart. So you have to be a technician to say, if you do this and you do that, the back half will, as we say, it's an F 12, it will write itself. It never does that, unfortunately. But I will tell you this, speaking of that, during all of this AI and the strike, and my writer's assistant that's been with me for a very long time, and I won't say his name because he hates that he's a writer's assistant, but he's incredible. A friend gave him a Will and Grace, an AI written Will and Grace.Michael Jamin:Oh, andMax Mutchnick:I mean, this is the upsetting part.Michael Jamin:No, don't go there. Don't say any of this. What isMax Mutchnick:It? I know. I mean, but the truth is, it's like, well, if this is what came to me, if I sent a team off, if I sent a group off and I said, Karen and Jack are going to have a garage sale, bring me back that story. I want two, I mean, I'd break the scenes with them, but two scenes of the first act, two scenes in the second act, it's AB story. Bring that back to me. It wasn't like it was so far off.Michael Jamin:Wasn't so far off. So better than staff writer.Max Mutchnick:This isMichael Jamin:Scary.Max Mutchnick:Yeah, no, I know. I mean, I don't know. It's like if it was in front of me, we could even read it, but I don't have it. I don't want to give any credit to that, but I'm going to name drop. But I told that story to Norman Lear at dinner not too long ago, and he told me that someone had done it for him too on, I think it was on all of the Family. And I believe that we agreed that it wasn't an abomination.Michael Jamin:This makes me sick a little bit.Max Mutchnick:Oh, it's sickening. Yeah, completely sickening. Because it calls 246 episodes of Will and Grace. It figures out what those people sound like. I mean, look, if I delivered, I wouldn't deliver it at a table read. It would still, it would be that thing that I was talking about. There wouldn't be laughs. It didn't have, it didn't have heart construction. Yeah, but good enough. Yeah, but it could go right. That's a callback number 56 onMichael Jamin:Callback. Good enough. I posted about James Burrows yesterday about what he said. I dunno if you saw,Max Mutchnick:Oh, I did. And we should talk about that.Michael Jamin:Yeah. What's, because he basically said, and I think it was misinterpreted a little, that there are, there's only about 30 great writers to do sitcoms. And what I think he meant was 30 great showrunners or potential showrunners, not writers. ButMax Mutchnick:Yeah, I absolutely didn't agree with him. And you started to talk about it, and then always, I kind of turn you off about five minutes, but I will say this, it's like you hit on exactly what it is. The reason why we like it is because Multicam are the comfort Food of America. I mean, that is the show. You want your kid, when they come home from school, turn on an episode of friends and watch that thing, and then dinner will be ready and it goes down easy and you love it. You even can know where it's going, and it's still satisfying. But I didn't agree with Jim, and I hope that he was misquoted because I am not sure that it's over because of how much it's actually liked by Go ahead and create. Everybody loves Raymond and I dare America to not want to watch it.Michael Jamin:Well, okay, growing up, there was a show called Small Wonder. It was one of these syndicated whatever. And I would watch that. And I said to my partner recently, I was like, how come we can't get on small wonder? Where are those shows put on Small wonder? I'd rather be happy working on Small Wonder. But they don't exist.Max Mutchnick:Well, no one programs that way anymore. I still believe if someone made the commitment, I mean, they must have papered this out somewhere, but I always think, shit, if I ran a network, I would ask the higher ups. Can I please develop sitcoms from eight to 10, put them on the air, and will you give me a guarantee that I get to put them on the air for two years straight, all four of them? Because it doesn't happen like a movie. It doesn't happen. I mean, you try really hard, but it's a fluke to get anybody to get a pilot off the ground in that a scene. They don't know anybody. Right. It's the hardest thing in the world. But I believe that if Multicam, I believe that they weren't driven by star casting because star casting always fucks up a multicam. Of course, there are examples of big stars that have made shows work like Charlie and Julia even. But I mean, there's that list of names that if we weren't being recorded, I would just say it's all these fucking famous people that aren't funny. AndMichael Jamin:Wait, is it because you think they get executive producer and they give notes and they change it? They make the show what they want it to be, you mean?Max Mutchnick:Yeah. I mean, I don't give a shit about that, but that's all bad. Jim Burrows, though, won't allow that, which is a gift, though. The world is so changed that if Miley Cyrus wants to do a sitcom, by the way, I think Miley Cyrus is the only sitcom actor who is able to move the needle. They push you during sweeps. Can you get a Shatner? If we could get Shatner on Big Bang, I know we'll write, that's probably not a good example because it probably worked. But for the most part, shows just get what they get. They always get what they get. It doesn't matter. These co-stars and these, none of that matters,Michael Jamin:Right? No.Max Mutchnick:Is it funny? And do you like the people? Do you like the people? And do you like the world that they're in?Michael Jamin:That's what actually, and that is a good segue to what I wanted to talk about as well. Shit, my dad says, you guys were on the forefront. That was a Twitter popular What? ItMax Mutchnick:Was the first one.Michael Jamin:Right? The first ones. So I'm saying you were on the forefront. You were the first ones who did that. And I remembering because it was based on the Twitter feed, I remember thinking, is this what's going on now? And yes. Yes, it is.Max Mutchnick:I know. I mean, it's funny. I remember when I was a kid and all of a sudden in the music scene, there was punk rock. And I remember being a worried Jewish boy saying to my mother, ma, I think punk rock's going to ruin the world. I think punk rock's going to ruin the world. And it was like all of a sudden, Twitter, a Twitter account, a tweet for Justin Alper. Brilliant. I mean, creator Elementary with Pat Schumacher, and this was Justin's, it was his account, but at a beginning, middle to an end, when you heard it, it was just like, shit, my dad says, it's just like, well, inside that line, speaking of Hemmingway, the best story, the shortest story ever written.Michael Jamin:Yeah. What is it?Max Mutchnick:Baby Shoes for Sale, never Worn.Michael Jamin:Right? Right.Max Mutchnick:They might be out of order, but those are the words I think, and shit my dad says was like, oh my God. You know exactly what that is. That's a son with being embarrassed by a father that he loves. So it was all there. It was there. Yeah.Michael Jamin:But if, I don't know, was there ever a moment like now, sure. Oh, this guy, this person has a big Twitter feed. Yes, bring him in. Let's talk with them. Right. But was there a moment when you were doing this? Are we really basing a show on a Twitter feed? I mean, I know you saw more, but I would've been worried.Max Mutchnick:Yeah, yeah. But it was literary. I mean, I don't know. Justin was just so sharp and smart, and there were ideas immediately, so it didn't feel hacky at all. But by the way, I will say this, it was one of the handful of terrible, deadly fatal casting mistakes that I made in giving the job of the Sun to the actor that we did when the actor of the hundreds of people that we read for that part, there was only one guy who came in and he was a slam dunk, and he was the one, and he was the only one of all the 500 men that read for the part that Bill Shatner said, that's the guy. And that guy was David Rum, HoltzMichael Jamin:Rum,Max Mutchnick:David m, it was so there in the room. Yeah. I forgot it was him. He understood everything. And I brought some of my own bullshit to it, and so did everybody else. David didn't, he didn't look like we wanted it. Look, we wanted a cuter person and all kind of stuff.Michael Jamin:Pretty, it's so funny. We did a show with him years later. Crummy Sweet kid, sweet guy. Interesting.Max Mutchnick:Wow. Forgot about that. Yeah. Such a talented guy. Such talentedMichael Jamin:Guy. Yeah. Interesting.Max Mutchnick:And a brother in neurosis.Michael Jamin:Yeah. Yeah. Well, let me talk about that, because you tend to put yourself into the characters you write. And how hard is that is difficult for you? Does everyone know that it's you, IMax Mutchnick:Guess? I think so. I mean, well, I only tell the stories in first person. I mean, I don't say, I have a friend who had sex with a Chauffeur for Music Express. I tell the story about what I did and how embarrassing it was and what I did and what I did to recover from it. And I got very comfortable with that. And it's made it possible to tell a lot of stories because that's what I have.Michael Jamin:But on the flip side, are you sometimes protective of the character when someone else pitches an idea and Well, I wouldn't do that. Well, it's not you. It's,Max Mutchnick:Oh my God. No. If it feels true, and it sounds true, I completely, I mean, I'm not going to go back on what I said. If your story is fantastic and it's not nuts, I mean, I want to tell that I want tell that story. Right? I mean, those are the ones that I, the ones that really like are like, oh, Jesus Christ, that's so uncomfortable. That's so uncomfortable and so awkward. And we have to do that. We have to tell that story.Michael Jamin:Did you start on your shows that you run, do you start every morning with like, Hey, what's everybody up to? Are you trying to pull stories out of people, personal storiesMax Mutchnick:We call a host chat?Michael Jamin:Is that what you called it? Yeah,Max Mutchnick:We call a host chat, because when I first started out, I knew I had a rundown of, I think Regis. Regis and who is Frank ER's wife?Michael Jamin:Kathy Lee.Max Mutchnick:Kathy Lee. Kathy Lee. And it's called Host Chat, by the way. It might've been on,Michael Jamin:Mike Madia was called that as well. Yeah. Yeah.Max Mutchnick:I mean, that's where it comes from. It doesn't come from Regis, it comes from that. And David, and I mean, it's arguably sometimes the best part of the day.Michael Jamin:Well, yeah, it's funny. You guys set up Mike and Maddie, and then you bounced off that show probably in a matter of months. And then I took, I took the job that you vacated and I was thrilled. And with you was, I dunno. For me, it was like, oh my God, this is this giant opportunity. And you guys, this is your temporary gig.Max Mutchnick:Oh, well, it wasn't a temporary gig. It was a fall from Grace. I mean, I think we had already been working, something was going on in our career, either we were in between agents or something, but that was an absolute blight. I mean, it was terrible. That experience.Michael Jamin:And why, what was it For me,Max Mutchnick:We were WGA primetime,Michael Jamin:And that was not all ofMax Mutchnick:Sudden we're writing a strip bullshit show with two hosts that hate each other. And I mean, a great thing came out of it though, the first week of the run of those shows, David Cohan is in all of the sketches.Michael Jamin:Oh, I didn't know that.Max Mutchnick:Yeah, David, we wrote him into the sketches. He played kind of this dumb PA character, and we would do these cold opens that they could never make them work. They could never make work because Maddie couldn't act. And Mike was always frustrated. But Dave's in them, they're online, I believe, and they're pretty funny.Michael Jamin:Oh my God. HowMax Mutchnick:Funny. Yeah, it's incredible.Michael Jamin:And so I guess going forward, as I take up a lot of your time here, what do you see going forward with the industry? I don't know. What does it lookMax Mutchnick:Like to you? That's one thing I won't do. It's the more I realize how little I know kind of thing. I believe this. I believe that good shows always will out. They will always happen. And even in spite of the system. So I think that that can happen. But I don't know. I'll tell you, in six months, I can come back and we'll talk about whether the multicam that I have in the hopper right now, if they work and if they get on the schedule, because things just, it just doesn't happen anymore.Michael Jamin:People think, yeah, people, when you're in it, you're made well, your next job is never guaranteed.Max Mutchnick:I don't like that 50 something year old guy that doesn't work anymore. I don't want to be that. I don't that person and I can be okay. I guess reflecting, looking back on, I tried really hard and I kind of want to, this might be embarrassing, but I really would like to show myself that I have not disconnected from the popular culture that I can tap into the way people feel still. And I'm not just a guy making dad jokes. I mean, I'm not that guy anyway. My daughters, that's not their experience. So it is just a matter of can I get the system to work on my behalf?Michael Jamin:What do you tell young writers trying to break in then giveMax Mutchnick:Advice that there's always room for one more. I mean, I still feel that way, but I feel like you've got to be, if you get on a show, I think the goal is to parrot the showrunner.Yes. Make the sound that he's making. Don't make some other weird Crispin Glover sound. Make the sound that he's making, and then improve upon that act. It's like actors that you hire to do a guest spot on a show, and they kill it, and you hire them, and then they get on the floor and they give you something else. It's like, no, no, no. Do exactly the thing that we hired you for. So a writer, it's like, I read your spec script. I love it. I love your tone. I loved talking to you. And by the way, in that meeting, I'm thinking as much about what's it going to be like to do post chat with this person and do anything else? Because I don't know that I should say this, but I will because I don't stop myself. A lot of times when we meet writers, we read them after we met them,Michael Jamin:You read 'em afterMax Mutchnick:They have a thing. If they're in the system to the point that the studio and the network are saying, oh yeah, we love this person. We think this person is great. This person's just come out of NYU. We think you'll help this person. Right? You've got to meet this guy, or you've got to meet this woman, this human. I sit down with them and then it's like, okay, you are,Michael Jamin:I wouldn't trust anything they say, though. That's the thing. Why? What do you mean? Well, because you got to meet this writer, and they're like, but I don't think they know what I'm looking for in a writer. That's the thing.Max Mutchnick:But it's like both have equal power in the hiring. So it's like you meet them, do I like them? You can read a script and then all of a sudden you imbue all the stuff that, and they're just like, Ugh. They're a drip. And they're not cool. And they're not easy to talk to. I mean, by the way, mean if the script's brilliant, you're going to hire them. But well,Michael Jamin:Also, I imagine we're also intimidated by your success too. It's not easy to sit opposite you guys,Max Mutchnick:But we try really hard to pull that out of the room as fast as we can because it gets in the way. And like I said, it's like I won't really comment on our position in the world and that kind of stuff. I just can't even think about that. If someone's coming in to talk to us, I feel as much want them to. I'm still the same as my husband says, everybody has diarrhea. It's like, I want them to like me.Michael Jamin:You still sob to Enya?Max Mutchnick:Yes. That I don't do anymore. I do. I'm a little bit my spine's illustrator. I don't have one way of doing anything is really the moral of the whole.Michael Jamin:Wow, max, I'm so appreciative that you took the time. I don't know, just to talk because oh my God, you have so much wisdom to share. It's just so interesting to hear your journey, and I don't know.Max Mutchnick:It is a joy to talk to you, and I don't usually enjoy these things as much as I have that says everything about you, andMichael Jamin:It's atMax Mutchnick:Ease. Yeah. I mean, you're just easy and good and smart and everything. A lot. I mean, your commentary throughout the strike was just fantastic and on point. And you were putting yourself out there in a way. AndMichael Jamin:Ballsy is what IMax Mutchnick:Ballsy. Ballsy. Yes, that's right. I mean, one gets scared making things when you have, I guess you don't have that much to lose.Michael Jamin:That's pretty much it. That's pretty much it. Yeah.Max Mutchnick:So can you just tell me before we say goodbye? Yeah. What are you working on?Michael Jamin:Well, we're going to talk more. We're done talking. Okay.Max Mutchnick:Okay. So do you want to wrap it up? Do we sing or what do we do?Michael Jamin:Yeah. We hug virtually and we tell everyone to be their best creative versions of themselves.Max Mutchnick:That's exactly right.Michael Jamin:Encourage people. There's roomMax Mutchnick:For one more.Michael Jamin:I love that. There's room for one more. So if you're listening always. Yeah.Max Mutchnick:No matter what it is. And God damn, I wish I could sing the theme for, I mean, if you have your sound engineer, why don't you just have your sound engineer fade in the theme from the Mike and Maddie show written by Charles Luman.Michael Jamin:MicMax Mutchnick:Shine. It's a beautiful day in America.Michael Jamin:I'm not paying for that needle drop. I got my own music. HeMax Mutchnick:Doesn't need the money.Michael Jamin:I'll talk to him. Okay. All right. Thank you again, max. I really appreciate it, Janet. Yeah. Okay. And don't go anywhere. Alright everyone, we got another more great episodes. Wasn't that interesting talk? He's a great guy. Go watch him. Go watch Will and Grace again. It's ageless. Alright, thanks so much everyone, until next week.So now we all know what the hell Michael Jamin is talking about. If you're interested in learning more about writing, make sure you register for my free monthly webinars @michaeljamin.com /webinar. And if you found this podcast helpful or entertaining, please share it with a friend and consider leaving us a five star review on iTunes that really, really helps. For more of this, whatever the hell this is, follow Michael Jamin on social media @MichaelJaminwriter. And you can follow Phil Hudson on social media @PhilaHudson. This podcast was produced by Phil Hudson. It was edited by Dallas Crane and music was composed by Anthony Rizzo. And remember, you can have excuses or you can have a creative life, but you can't have both. See you next week.

On this edition of stock picks, Anthony Clark from SmallTalkDailyResearch unpacked Combined Motor Holdings, City Lodge and Premier Group. Stock Watch

Barry Katz shares his insights on comedy's past, present, and future. Hear his story. More About Barry Katz: Barry Katz is an Emmy and Grammy nominated TV-film-record producer, talent manager, and podcast host. Katz is universally known for representing iconic artists like Louie Anderson, Ken Jeong, Andy Dick, Hasan Minhaj, and Mike Epps, giving the first quality stage time in New York City and Boston to future stars like Kevin Hart, Ed Helms, Sarah Silverman, Anthony Clark, Dave Attell, Bobcat Goldthwait, Dana Gould, Timothy Olyphant, Denis Leary, and the late Patrice O'Neal, as well as helping launch the careers of some of the most extraordinary comedy artists in the business—including Dave Chappelle, Nick Swardson, Louie CK, Felipe Esparza, Bill Burr, Frank Caliendo, Marc Maron, Whitney Cummings, Bill Bellamy, Judah Friedlander, Wanda Sykes, Bert Kreischer, Jeff Dye, Jim Gaffigan, Dane Cook, Steve Byrne, Jeffrey Ross, Neil Brennan, and former and present SNL stars Darrell Hammond, Jay Mohr, Melissa Villasenor, Jim Breuer, and Tracy Morgan. Throughout his career, Katz has sold 39 out of 40 stand-up comedy specials he produced and has brokered an unprecedented 100 TV development deals, created 3 television shows, and executive produced over 50 different specials, documentaries, reality shows, and scripted series including the YouTube TV produced Telethon for America (with Natalie Portman, Orlando Bloom, Jennifer Lawrence, Pete Davidson, Alicia Keys, Charlize Theron, Ray Romano, Chelsea Handler, and Jane Fonda), NBC's Whitney, Netflix's The Road Trick, FOX's Action, HBO's Tourgasm, Showtime's Jay Mohr: Happy. And A Lot, History Channel's Houdini: Unlocking the Mystery, TBS's Frank TV, Comedy Central's Whitney Cummings: Money Shot, CBS' Welcome to New York (Letterman's first produced sitcom), HBO's Heidi Fleiss: The Would-be Madam of Crystal, the syndicated Bellamy/Tim Meadows/Jon Lovitz/Vivica Fox sitcom Mr. Box Office, and 7 seasons of the Emmy-nominated NBC series Last Comic Standing. Katz started his involvement in the film business when he helped Chappelle and Neal Brennan (who eventually went on to create Chappelle's Show) sell the cult classic Half Baked to Universal Studios and went on to produce several films after that, including Employee of the Month (starring Jessica Simpson and Cook), Good Luck Chuck (starring Jessica Alba), My Best Friend's Girl (starring Kate Hudson and Alec Baldwin), I Killed JFK (about the only living person in history to admit to killing Kennedy), and Misery Loves Comedy (starring Tom Hanks, Amy Schumer, Judd Apatow, and Larry David). Katz was the first manager to work with a comedy artist to use social media to accelerate their career, with Dane Cook. At the height of his popularity, he was able to press a button on his computer and sell out 2 shows in one night at Boston Garden and 2 shows in one night at Madison Square Garden for a total of 75,000 tickets sold in less than a week—which had never been done before. In the recording world, he has produced Grammy nominated, multiple gold, platinum, and double platinum albums, while becoming the only manager/producer to debut a comedy album in Billboard's top 5 national charts–twice. In other facets of the business, Katz was one of the driving forces and co-founders of Comedy Dynamics, which has become one of the largest independent comedy production and distribution companies in the world. Additionally, he was involved in the original sale of the Emmy-nominated Comedy Central Roasts to the network, which has become one of the longest running, most profitable, annual specials franchises in the history of TV. https://www.barrykatz.com/

1996 was a solid year for hangout shows about Gen-Xers. Boston Common is about Boyd and Wyleen Pritchett, a brother and sister from Virginia (played by Anthony Clark and Hedy Burress) who move to Boston. It lasted two years and 32 episodes. Wyleen's there to attend college, and Boyd is just driving her there as a favour. The twist is that he stays because he meets Joy Byrnes (played by Traylor Howard) and also randomly gets offered a handyman job at the school. Basically he has nothing else going on. So he moves in with his sister—as in they literally share a one room bachelor apartment. Brynn, Aaron and Barry hit the books for an intense study session to figure out why this show flunked out. Visit our website! thatwasashow.com Follow us on Instagram @thatwasashow Merch: redbubble.com/people/thatwasashow Hosted by: Brynn Byrne @brynnabyrne Aaron Yeger @aaronyeger Andrew “Barry” Helmer @andrewhelmer Podcast logo and artwork by Brian Walker @briguywalker

SmallTalk Daily Research's Anthony Clark takes a closer look at Astral Foods, RCL and Quantum Foods. Stock Watch

On this episode of Anthony Clark from Small Talk Daily Research unpacks Stadio, Curro and ADvTech. Stock Watch

We did it, ya'll! I finally bagged a celebrity interview! This is one of my favorite online comic drawers and writers: KC rubber-duckin' GREEN! I finished http://backcomic.com/1 after a few-year hiatus on being current. KC was cool enough to answer my quandaries about this comic and bless the internet with stories tangentially related to weed. This man has given me hours of entertainment, and now it's my turn to bless you with a further entertaining hour. KC Green is a cartoonist in Western Massachusetts. He did the comic Gunshow, which spawned the books “Anime Club”, “Graveyard Quest”, and the meme “This is Fine”.  He's currently doing a gag strip for King Features and looking at old sketchbooks to find out where the problem first started. Discussed this week: making memes, my Mermaid Confections Glass, everything is a meme, 15 to 20 years doing weed, grav bongs and weed soda, decarboxylation, Ben and Jerry's Half-Baked, reliably chunky ice cream, chocolate milk, Cheeze Itz and milk, ice cream and pickles, bread and butter pickles, Rocky Road, Graveyard Quest, Doink, Young King Dave, the song Rascal, smoking big boys in Amish country, Star Trek The Next Generation, the "This is fine" dog, back problems as a cartoonist, Indica anxiety, CBD, pinene, a Ween concert. Tulsa, Oklahoma, frozen banana pipes, Grepe Ape, Calvin and Hobbes, Get Fuzzy, Back, Anthony Clark, Gun Show, Dickbutt, Awkward Zombie, Horribleville, the death of the author, the whale, Moby Dick, starting being the hardest part, John Cleese, getting into a mode of play, cartooning versus animating, the SAG-AFTERA strike, the Wilhelm scream, art theft, AI as a tool, smoking the whole pack, reading as homework, and more! Catch KC at https://kcgreendotcom.com/index.html and @kcgreenn on Instagram --- Send in a voice message: https://podcasters.spotify.com/pod/show/potluckypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/potluckypodcast/support

Send Jackie a Text MessageWelcome to Episode 6 of the Designing with Love podcast! In this episode, I had the honor of interviewing Anthony Clark, an instructional designer and learning and development expert about his experiences with working in the industry. Anthony and I also had the opportunity to work together for a period of time, which was a great experience for both of us. Remember, you can send me a text message by clicking on "Send Jackie a Text Message" at the top of the episode description. Please make sure to like and share this episode with others. Here's to great learning!Music Credit:Nothing Will Stay the SameDarkBlue Studiohttps://www.premiumbeat.com

On this episode of Stock Picks, Anthony Clark from SmallTalkDaily Research focusses on mid-cap industrials and provides analysis on Afrimat, Invicta and PPC. Stock Watch

On this edition of Stock Picks, Anthony Clark from SmallTalkDaily Research discusses ADvTech, Curro and Stadio. Stock Watch

Today the show was hosted by Anthony Clark Jr. from our sister station WOOD Radio, and his good friend Eli Beegle. Throughout the show, Anthony and Eli talked about our Detroit Pistons, the rest of the NBA, College and High School hoops, and so much more. During our first hour, Eli and Anthony the latest Pistons free-agents, and some of the trades that have happened in the NBA over the past few days. They also talked about the recent Piston's draft picks and what they'll bring to the team, what this team needs before they get to next season, and more. See omnystudio.com/listener for privacy information.

In our second hour, Anthony and Eli continued the Detroit Pistons conversation as they gave their thoughts on the hiring of new Head Coach Monty Williams as well as some other additions to the Pistons staff. They then discussed how well they think the team will be this upcoming season, talked about some of the better players on the team and where they think they'll be in 5 years, and more. See omnystudio.com/listener for privacy information.

In our final hour, Anthony and Eli took a look at the NBA as a whole as they've gave their thoughts on who some of the better teams will be next season in both the East and the West. They also talked a little about the NBA Summer League, discussed some Michigan and Michigan State basketball, High School basketball, and more. We wrapped up the show with our True & Blue Segment. Bill was joined by Lansing Police Chief Ellery Sosebee. He came on with Huge to talk about why he choose a job in law enforcement, filled us in on how you can get involved, and much more. See omnystudio.com/listener for privacy information.

Today the show was hosted by Anthony Clark Jr. from our sister station WOOD Radio, and his good friend Eli Beegle. Throughout the show, Anthony and Eli talked about our Detroit Pistons, the rest of the NBA, College and High School hoops, and so much more. During our first hour, Eli and Anthony the latest Pistons free-agents, and some of the trades that have happened in the NBA over the past few days. They also talked about the recent Piston's draft picks and what they'll bring to the team, what this team needs before they get to next season, and more. In our second hour, Anthony and Eli continued the Detroit Pistons conversation as they gave their thoughts on the hiring of new Head Coach Monty Williams as well as some other additions to the Pistons staff. They then discussed how well they think the team will be this upcoming season, talked about some of the better players on the team and where they think they'll be in 5 years, and more. In our final hour, Anthony and Eli took a look at the NBA as a whole as they've gave their thoughts on who some of the better teams will be next season in both the East and the West. They also talked a little about the NBA Summer League, discussed some Michigan and Michigan State basketball, High School basketball, and more. We wrapped up the show with our True & Blue Segment. Bill was joined by Lansing Police Chief Ellery Sosebee. He came on with Huge to talk about why he choose a job in law enforcement, filled us in on how you can get involved, and much more. See omnystudio.com/listener for privacy information.

In this episode of Making A Runner, we dive into the complex world of fatigue & recovery. Our guest, Ant Clark, a Sports Scientist currently completing his PhD studies in fatigue, shares insights into the key principles of training, emphasising the important balance that needs to be maintained between stressing the body and recovering optimally in the pursuit of fitness and performance progression.We discus the various techniques and modalities available to us today taking into consideration that recovery will be highly individualised and will vary based on genetics, lifestyle, and personal circumstances. There are however the "Golden 3" that Ant swears by as "The Basics" that everyone can and should focus on before looking to the rest of the recovery "tool kit" which include things like: manual therapy, cryotherapy, fitness tracking devices etc. We take a deep dive analysing and weighing up the benefits and limitations of each.Throughout the episode, we emphasise the importance of listening to your body and paying attention to how you feel during & after training so as to develop your awareness & ability to spot the signs of overtraining to combat chronic fatigue and burn out.Tune in to this episode & learn how to optimise your training!

We were joined by Anthony Clark Jr. from our sister station WOOD-AM to get his thoughts on the draft. He and Huge talked about what they think Sasser and Thompson will bring to the Pistons. See omnystudio.com/listener for privacy information.

On this episode of Stock Picks, Anthony Clark from Small Talk Daily discusses Omnia, Kapp Agri and TWK. Stock Watch

We were joined in studio by Anthony Clark from our sister station WOOD Radio to talk about the NBA Finals. Anthony and Eric talked about the Nuggets winning the Finals in 5 games, talked about the Pistons and their future, and much more. See omnystudio.com/listener for privacy information.

Today the show was hosted by our good friend Eric Zane from the "Eric Zane Show Podcast." Throughout the show, he talked about the Nuggets winning the NBA Finals, Spartan football, the Detroit Lions, and much more. In our first hour we were joined in studio by Anthony Clark from our sister station WOOD Radio to talk about the NBA Finals. Anthony and Eric talked about the Nuggets winning the Finals in 5 games, talked about the Pistons and their future, and much more. See omnystudio.com/listener for privacy information.

Today the show was hosted by our good friend Eric Zane from the "Eric Zane Show Podcast." Throughout the show, he talked about the Nuggets winning the NBA Finals, Spartan football, the Detroit Lions, and much more. In our first hour we were joined in studio by Anthony Clark from our sister station WOOD Radio to talk about the NBA Finals. Anthony and Eric talked about the Nuggets winning the Finals in 5 games, talked about the Pistons and their future, and much more. In our second hour, Eric took your calls and questions in regards to sports. He gave his thoughts on how well the Detroit Lions will do this year, discussed how the NBA is so different from how it used to be, and more. We were also joined by a very special guest in this hour to get his thoughts on the World of sports. We kicked off the final hour of the show talking with Johnny and Jeff Agar. They'll be on "CBS This Morning" coming up on Friday, so they filled us in on how that came about. Johnny also talked about his journey from growing up with Cerebral Palsy  to running in Marathons. We were then joined in studio by Scott Schroeder who is the Assistant GM of the Grand Rapids Gold, which is G-League affiliate for the Denver Nuggets. Scott told us about what he was feeling last night after the Nuggets won the Finals, discussed the relationship between the Gold and the Nuggets, and more. See omnystudio.com/listener for privacy information.

We were joined in studio by Anthony Clark Jr. from our sister station WOOD radio. Throughout the hour, he and Huge talked about the NBA Finals as the Nuggets and Heat head into game 4 tonight. Anthony and Huge gave their thoughts on how tonight's game will go, talked about some of the impressive numbers that Jokić has put up, and so much more.See omnystudio.com/listener for privacy information.

On this episode of Stock Picks, Anthony Clark focuses on small caps specifically Metrofile, CA Sales and Renergen. Stock Watch

We were joined by one of our NBA insiders, Anthony Clark Jr. He and Huge gave their thoughts on how well the Nuggets played last night, gave their updated predictions on how many games there will be in Finals, and much more.See omnystudio.com/listener for privacy information.

On this episode of Stock Picks, Anthony Clark from Small Talk Daily discusses Southern Sun, City Lodge and Sun International. Stock Watch

In our first hour, we were joined in studio by former Major Leaguer John Vander Wal to talk about the Tigers. Throughout the hour, he and Huge gave their thoughts on this Tigers team at this point in the season. They also talked about some of the things that they've liked and disliked that they've seen so far. John also told us some great stories from when he was in the MLB, and much more. Throughout our second hour, Anthony Clark from our sister station WOOD Radio joined us to talk about the NBA Playoffs. Anthony and Huge gave their thoughts on the Denver Nuggets wiping out the LA Lakers last night. They talked about how great Nikola Jokić has been playing through the Playoffs, discussed what they think the future of Lebron is, and so much more. We wrapped up the hour with Tim McCullough from the Soaring Eagle Casino & Resort in Mt. Pleasant. We were joined by Clayton Sayfie from theWolverine.com in our final hour to talk Michigan football and basketball. Clayton updated us on some of the stories surrounding Wolverine football, JJ and some other players taking part in a camp last week, and more. Clayton and Huge also talked about Juwan Howard and his roster at this point in the off-season, and more. Huge was then joined by Ferris State University President Dr. Bill Pink for our weekly "Moving Ferris Forward" interview. Dr. Pink talked about how you can get an affordable education at FSU. He talked about some programs that FSU has to offer to people that are going to college for the first time, or are returning after a few years. He also filled us in on how you can get going with financial aid, how you can cut costs, and so much more. See omnystudio.com/listener for privacy information.

Throughout our second hour, Anthony Clark from our sister station WOOD Radio joined us to talk about the NBA Playoffs. Anthony and Huge gave their thoughts on the Denver Nuggets wiping out the LA Lakers last night. They talked about how great Nikola Jokić has been playing through the Playoffs, discussed what they think the future of Lebron is, and so much more. We wrapped up the hour with Tim McCullough from the Soaring Eagle Casino & Resort in Mt. Pleasant.See omnystudio.com/listener for privacy information.

Anthony Clark from our sister station WOOD Radio joined us in studio to start our second hour talking about the NBA Playoffs. Anthony and Huge gave their thoughts on the first two games in the Western Conference Finals between the Lakers and Nuggets, talked about Lebron and Bronny, and more. We were then joined by Whit Watson from the Golf Channel to talk more about the PGA Championship. Whit and Huge talked about how the weather and delays could affect play in the tournament, and much more.See omnystudio.com/listener for privacy information.

Anthony Clark from our sister station WOOD Radio joined us to talk about the NBA Playoffs. Anthony and Huge gave their thoughts on the first two games in the Western Conference Finals between the Lakers and Nuggets, talked about Lebron and Bronny, and more.See omnystudio.com/listener for privacy information.

Today on the show, we're talking about the PGA Championship, NBA Playoffs, and so much more as we were joined by some of our great guests. We kicked off the show with Bill Hobson from Michigan Golf Live talking about the second round of the PGA Championship. He and Huge also talked about what the rest of the weekend could play out, who they think will win, and more. Huge was then joined by Ferris State University President Dr. Bill Pink for our weekly "Moving Ferris Forward" interview. Dr. Pink talked about how you can get an affordable education at FSU. He talked about some programs that FSU has to offer to people that are going to college for the first time, or are returning after a few years. He also filled us in on how you can get going with financial aid, how you can cut costs, and so much more. Anthony Clark from our sister station WOOD Radio joined us in studio to start our second hour talking about the NBA Playoffs. Anthony and Huge gave their thoughts on the first two games in the Western Conference Finals between the Lakers and Nuggets, talked about Lebron and Bronny, and more. We were then joined by Whit Watson from the Golf Channel to talk more about the PGA Championship. Whit and Huge talked about how the weather and delays could affect play in the tournament, and much more. We were joined by Anthony Broome from theWolverine.com in our final hour to talk a recent College football coaching poll that has Harbaugh at #5. They also talked about Mel Tucker being at #47, talked some Michigan basketball, and more. We were then joined by PGA Rules Official Mark Wilson to get his thoughts on who will win the PGA Championship this weekend. We wrapped up the show with Bill's earlier conversation with FSU President Dr. Bill Pink.See omnystudio.com/listener for privacy information.

On this episode, Business Day TV analysis Quantum Foods, Santova and Caxton with Anthony Clark from Small Talk Daily Research. Stock Watch

0:00 - Intro & Summary2:00 - Movie Discussion48:28 - Cast & Crew56:41 - True Crime & Pop Culture 1:08:27 -  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Business Day TV unpacks Novo Nordisk, Purple Group, Nampak and Raubex with Anthony Clark from Small Talk Daily Research. Stock Watch

Wayne McCurrie from FNB unpacks the Aveng update and PSG Konsult results. Small-cap analyst Anthony Clark talks agri investment as the country is expected to swing into a dryer period of El Niño. Simon offers his thoughts on actively-managed certificates (AMCs) trading on the JSE.

The Couch Boyz are back and we're starting the new year with a special guest, Anthony Clark.Here's a rundown of the show:  Intro: 0:00-5:00 school now: 5:00-11:00 Teaching now: 11:00-17:00 Upbringings/school then: 17:00-38:30 Damar Hamlin: 38:30-45:00 Getting girls back then vs now: 45:00-54:00 Dana White: 54:00-1:01:00 Sex work: 1:02:00-1:12:00 Scheduled sex: 1:12:00-1:15:00 Dating apps: 1:15:00-1:27:00 Top rappers: 1:27:00-1:37:00 Outro: 1:37:00-end

(***TIMESTAMPS in description below) ~ Alex Voorhies is a hacker. Currently one of his focuses is information surrounding cold cases including the Delphi Murders. ***TIMESTAMPS*** 0:00 - Intro; The Delphi Murders of 2017; The Bill & Peggy Stephenson Murders; The Tech Millionaire's son 22:56 - “Anthony Shots” and how Alex hacked him; The “Gait” Murderer; Jack The Ripper ties? 42:38 - Chelsea Small and the Gait Killer?; The Michigan Gun Store Robbery; Alex helping law enforcement 1:09:57 - How Alex got into hacking; The Lapsus$ hacking group; How Sim Swaps work 1:22:01 - The XBox Underground and revisiting the story of Nick Castellucci (Episode 72); Xbox Underground member, Anthony Clark; Uptight internet culture; Cookies explained 1:42:34 - Swatting; AlphaBay; The traceability of crypto transactions ~ YouTube EPISODES & CLIPS: https://www.youtube.com/channel/UC0A-v_DL-h76F75xik8h03Q ~ Get $150 Off The Eight Sleep Pod Pro Mattress / Mattress Cover (USING CODE: “TRENDIFIER”): https://eight-sleep.ioym.net/trendifier PRIVADO VPN FOR $4.99/Month: https://privadovpn.com/trendifier/#a_aid=Julian Julian's Instagram: https://www.instagram.com/julianddorey ~ Beat provided by: https://freebeats.io Music Produced by White Hot