Podcasts about field projects

In this episode of The Ground Investigation Podcast, Michael Taylor sits down with Dr. Sebastian Lobo Guerrero as he shares his journey into geotechnical engineering, highlighting the influence of his family background and his passion for soil mechanics. He discusses rewarding projects, including significant bridge designs and the lessons learned from both successes and failures. Dr. Lobo Guerrero reflects on his achievements, including prestigious awards, and emphasizes the importance of deep foundations in infrastructure. He also talks about advancements in materials and technology, co-authoring the Delaware Bridge Design Manual, and offers advice for aspiring engineers on the importance of early involvement in professional societies. Finally, he shares insights on balancing his roles as a project manager, lecturer, and contributor to professional organizations. In this conversation, Sebastian Lobo-Guerrero shares his extensive experiences in geotechnical engineering, emphasizing the importance of local knowledge, communication, and the balance between passion and professionalism. He reflects on personal challenges that shaped his approach to problem-solving and highlights the evolving landscape of recruitment and sustainability in the field. The discussion also touches on innovations that are driving the future of geotechnical engineering, as well as the need for effective communication within multidisciplinary teams. In this conversation, Sebastian Lobo-Guerrero shares his insights on innovations in geotechnical engineering, the importance of hard work and passion in one's career, and the necessity of self-advocacy in professional settings. He discusses his personal goals, the legacy he hopes to leave in the field, and his current projects, emphasizing the significance of finding and pursuing one's passion in life. Key Topics Discussed ✅The Path to Geotechnical Mastery ✅Lessons from the Field: Projects and Mistakes ✅Celebrating Achievements in Engineering ✅Deep Foundations: The Backbone of Infrastructure ✅Innovations in Geotechnical Engineering ✅Crafting the Future: The Delaware Bridge Manual ✅Empowering Young Engineers for Leadership ✅Juggling Roles: A Geotechnical Engineer's Life Memorable Quotes from Sebastian Lobo-Guerrero

Alison Kudlow (b. 1981) lives and works in Brooklyn. She earned a BA from the University of Southern California, a post-baccalaureate degree from Brandeis University and an MFA from the School of the Art Institute of Chicago in Studio Art. She has shown at galleries including Swivel, Parent Company, Field Projects, Tiger Strikes Asteroid, Flux Factory, UrbanGlass, Deanna Evans Projects, Doppelgänger Projects, Paradice Palase, Wavelength Space, and at Fullerton College in California. She is a member of Underdonk, an artist-run gallery. She presented a solo show, Meaningful Rituals in Irrational Times, at Elijah Wheat Showroom's Brooklyn location in 2019. She was an invited resident at the Art Ichol Center in Maihar, Madhya Pradesh, India in January 2023. She is presenting a solo show at Deanna Evans Projects in Tribeca, NY May 17 - June 22, 2024. Suture, 2024, Ceramic, glass, rubber, 14 1/2 x 11 1/2 x 3 1/2 in. 36.8 x 29.2 x 8.9 cm. Bolbos, 2024 Ceramic, rubber, glass, iron hardware 28 x 22 x 13 in 71.1 x 55.9 x 33 cm.   Thoracic Surge, 2024 Ceramic, glass, mother-of-pearl, bronze hardware 20 x 22 x 6 in 50.8 x 55.9 x 15.2 cm.

We're wrapping up this year and our first 6 months podcasting! Tess and Daisy share their work wins from the year before jumping into a great conversation with Chris Dryburgh.Chris chats about what's involved in the role of a species coordinator for Komodo Dragons and some of the amazing field projects he has been involved in around the world. Chris is also the ASZK president, and he shares the amazing work the society does every year. If you have any questions for Chris, you can reach him via email on cdryburgh@zoo.nsw.gov.au. You can find the podcast on socials @trainertalksandtails or reach out for feedback or queries on trainertalksandtails@outlook.com

Welcome back to ARTMATTERS: The Podcast for Artists Today on the podcast I speak with Jaqueline Cedar. Brooklyn-based artist, and founder of the Good Naked Gallery. On this episode we discuss permanence and impermanence, romance and practicality, drawing out ideas versus immediacy, productivity, the 'more is more' practice and editing after the fact, the function of inspiration, 'nope' days, pleasure in the practice, how a painting develops, photography, painting from imagination,  grad school, teaching, multitasking, balance and 'checking-out',  goals, expectations and success, and the origins of the Good Naked Gallery. About:Jaqueline Cedar was born in Los Angeles, CA and currently lives and works in Brooklyn, NY. In 2009 she received an MFA in Visual Arts from Columbia University. Recent exhibitions include Long Story Short, New York (2023), Shelter Gallery, New York (2022), Shin Haus, New York (2022), Smoke the Moon, Santa Fe (2022), Ladies' Room, Los Angeles (2021), 11 Newel, Brooklyn (2021), Peripheral Space, Los Angeles (2021), Hesse Flatow, New York (2020), Drawer NYC (2020), Field Projects, New York (2020), Underdonk, Brooklyn (2018), and David Risley Gallery Velvet Ropes, Copenhagen (2018). Press includes Artnet, Hyperallergic, Huffington Post, Two Coats of Paint, New American Paintings, Gorky's Granddaughter, Painters' Table, and The Boston Globe. Cedar's paintings and drawings address uncanny scenarios where characters engage themselves and one another with sincerity and purpose. Moments of desire, self-reflection, and lack of control motivate postures filled with bravado and vulnerability. In October 2019 Cedar launched the curatorial exhibition program Good Naked Gallery. Projects hover around the intimate and awkward with a focus on work that engages tactility, humor, movement, and play. If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have a question YOU want answered, or suggestions for future guests, please write in to artmatterspodcast@gmail.com - About the Podcast -        host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Jaqueline Cedarwww.jaquelinecedar.com/ insta: @jaquelinecedar

Karen Lederer received her BFA in Printmaking and Drawing from Washington University in St. Louis in 2008 and an MFA in Printmaking from Rhode Island School of Design in 2012. She has been an artist in residence at Robert Blackburn Printmaking Workshop, Lower East Side Printshop, and the Sharpe-Walentas Studio Program. Lederer has presented her work in solo exhibitions at Morgan Lehman Gallery, Cheymore Gallery, One River School, Guilford College Art Gallery, Tennis Elbow at The Journal Gallery, Grant Wahlquist Gallery, and Field Projects. She has participated in many group exhibitions, most recently at Morgan Lehman Gallery, Deanna Evans Projects, Dinner Gallery, Cristea Roberts Gallery, and Hashimoto Contemporary.   “Trained to be a printmaker, Karen Lederer brings monoprinting techniques into a contemporary painting practice. She offsets inked plates onto the surface of her artwork and then defines the rest of the image with paint. Both flat and rendered, the work conveys a spatial disorientation that denies stability. By mixing diverse processes in each piece, she creates environments that are at once constructed and artificial, yet private and personal. Lederer invites the viewer into domestic scenes filled with patterns, color and references to her life and art history. In a moment where people live simultaneously in the physical world and online, her paintings evoke the strange filter through which we see much of our reality.”   LINKS:  www.karenlederer.com   @krlederer   I Like Your Work Links: Apply to our Winter  Exhibition Catalog: https://www.ilikeyourworkpodcast.com/submitwork   Join the Works Membership ! https://theworksmembership.com/   Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast   Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram  

Shame, trauma, and healing are at the core of SECRETO, a years-long project by María Luisa Portuondo Vila. Field Projects is honored to unveil the first book produced from this work at our gallery NEXT WEEK, so stay tuned and you can meet with María Luisa yourself! Secrets grip us, and we get into grief, love, death, sex, and abuse in this deeply human conversation. We discuss María Luisa's early transition from private theater to community centered public works, and what it means to make projects for the public. Ghostly, haunting thoughts of the pandemic time came together in María Luisa 's project HABITĀR, whose second iteration was completed at Field Projects residency in 2021. This enabled her to make a book that is materially outside the dominant institutional cannon of paper-centric men's publications! We also cover questions around audience participation and how to make institutions chase you (not the other way around!) through process, not product.  PLEASE JOIN US FOR the *SECRETO Book Launch Wednesday October 12, 2022!* Our final take away: Reflecting and openness is not related to money and can't be commercialized, so it is a responsible, anti-market act that helps to better yourself and your community. Be open and love yourself and everyone else you can :) CODA: Perfect Lovers discussion.   TW: There is a brief discussion of childhood sexual abuse around 52 mins, so if that's not for you, we'll see you next time!    SHOW NOTES María Luisa Portuondo Vila @mariap.vila  http://www.mariapvila.com/aboutme MERCURY STORE Theater residency in Brooklyn: https://mercurystore.com/what-we-do/   Joseph Beuys on Social Sculpture: (and was it Medieval?): https://www.tate.org.uk/art/art-terms/s/social-sculpture Book rec from Maria: Discourses: Conversations in Postmodern Art and Culture (1990) https://www.google.com/books/edition/Discourses/4pKnyqHfySMC?hl=en   Us Kris Racaniello @krisrac (+for art): @krisracworks Jacob Rhodes @jacobrhodes74 Field Projects @fieldprojects www.fieldprojectsgallery.com Open Call http://www.fieldprojectsgallery.com/open-call Field Residency http://www.fieldprojectsgallery.com/field-residency 

Today join, Field Projects founder Jacob Rhodes in a discussion with Lydia McCarthy about her photo and video based art practice. We touch on hereditary mental Illness, alternate realities, spiritualities, psychedelics, the connection that photography has to reality, practical effects, VHS vs Beta, reality TV, and as always vulnerability.   SHOW NOTES Lydia McCarthy @lydiamccarthy https://lydiamccarthy.com/ “Thats Facts” @thatsfacts2020    Man Ray's “Larmes (Tears)” www.getty.edu/art/collection/object/1043YV  Lydia McCarthy's “Glass Tears” https://www.instagram.com/p/Ce6G_kkrKZJ/ Lesbian Vampire Horrorotica film's (based on Sheridan le Fanu's novella Carmilla) https://en.wikipedia.org/wiki/Lesbian_vampire#:~:text=Lesbian%20vampirism%20is%20a%20trope,censored%20realm%20of%20social%20realism  Practical Effects https://en.wikipedia.org/wiki/Practical_effect#:~:text=Gunfire%2C%20bullet%20wounds%2C%20rain%2C,also%20examples%20of%20practical%20effects.  “The Brood” by David Conenberg https://en.wikipedia.org/wiki/The_Brood  Alejandro Jodorowsky (Chilean-French artist) https://en.wikipedia.org/wiki/Alejandro_Jodorowsky  “Baise-moi, (Rape/Fuck Me)” by Virginie Despentes and Coralie Trinh Thi https://en.wikipedia.org/wiki/Baise-moi H.P. Lovecraft https://en.wikipedia.org/wiki/H._P._Lovecraft  Reality TV https://en.wikipedia.org/wiki/Reality_television 

Today, host Kris Racaniello sits down with Lydia Nobles in the exhibition TEMPUS FUGIT, curated by Charles Moore at Latchkey Gallery. Lydia speaks about her two sculptures there and their intersection with her larger project documenting and materializing the spectrum of abortion stories. We then talk about sculpture as an offering, the history of communal vs. patriarchal medicine practices in obstetrics and gynecology, as well as abortion as a societal benefit. The exhibition features works by some truly amazing artists: Calli Roche, Camille Hoffman, Chellis Baird, Emmanuel Massillon, Esteban Whiteside, Keli Safia Maksud, Kevin Claiborne, Leah DeVun, Lindsey Brittain Collins, Lydia Nobles and Telvin Wallace. *Apologies for the occasional footsteps–– we were interviewing in a well-trafficked gallery!    Summer Shorts are quick takes, an intimate interview with one of the Field Pod hosts and a guest. These will take the form of artists presenting their work, getting drunk with artist friends, and if we are so moved… impromptu recordings at openings or exhibitions. Don't worry though in Season 3 launching this September we will be back to double teaming these interviewees! Enjoy!   SHOW NOTES Lydia Nobles @lydianobles ​​https://www.lydianobles.com/  Latchkey Gallery @latchkey_gallery  https://www.latchkey-gallery.com/  Support Lydia's abortion work with a donation through NYFA: https://www.nyfa.org/fiscal-sponsorship/project-directory/view-project/?id=LN1756  donate Dick Blick and Home Depot gift cards to lydia@lydianobles.com   You can check out Lydia's past exhibition CHOICE IS INDIVIDUAL with Field Projects here:  http://www.fieldprojectsgallery.com/lydia-nobles-choice-is-individual#:~:text=Choice%20Is%20Individual%20is%20a,Projects%20in%20Spring%20of%202022.&text=Lydia%20Nobles%20(b.,working%20in%20Brooklyn%2C%20New%20York.     TEMPUS FUGIT is up @ Latchkey Gallery June 22 - July 30. 2022. @ 173 Henry Street New York, NY 10002.  Don't miss it!   Us Kris Racaniello @krisrac (+for art): @krisracworks Jacob Rhodes @jacobrhodes74 Field Projects @fieldprojects www.fieldprojectsgallery.com Open Call http://www.fieldprojectsgallery.com/open-call Field Residency http://www.fieldprojectsgallery.com/field-residency 

Immortality! Truth! History! FRRRRREEEEEDDDDOOOOOMMMM! Today on the podcast we sit down in Field Projects with Jagrut Raval, our current field resident. We talk about history and myth making, as well as the imaginary of immortality and what it might mean to achieve that. Jagrut is an artist(?) history-maker, fabulator, and chronicler. We discuss his work on the figure Narad, who is, possibly, an immortal time traveler. Be prepared for a candid conversation about time travel, truth, comparative religion and our constructed identities. There is also a subtle undertone of language and belief systems as shaping forces behind our world perspectives. But first join Jacob and Kris as they talk about what's been happening this past week. They talk about the shows they attended both together and separately including The Border Project Space's opening last Friday featuring Kyoko Hamaguchi: Never Since. Kris talks about the opening of Pamela Sneed at Laurel Gitlen and Alexandra Rubenstien's new solo exhibition “The Moon Also Rises” at Mother Gallery. Alexandra will be on the podcast next week! So stay tuned for even more discussion of those gorgeous, macho moon paintings. We conclude, as usual, with a list of shows to “go see” right now.   SHOW NOTES Interviewee Social Handles & Websites Jagrut Raval @jagrut_raval http://www.fieldprojectsgallery.com/jagrut-raval    Updated Bowling Green Wikipedia page, now with “Precolonial Lenape Sacred Site” history section. Please add if you have any information! https://en.wikipedia.org/wiki/Bowling_Green_(New_York_City)#History    Fay Ku is our Spring Break Art Show solo submission! Fingers crossed! @springbreakartshow @fay.ku    We end up talking about Critical Fabulation quite a bit, so check out Sadiyah Hartman's work! https://columbia.academia.edu/SaidiyaHartman    GO SEEs   Alexandra Rubinstein, The Moon Also Rises, @ MOTHER, June 9 - July 16, 2022 Opening Thursday, June 9, 6 - 8 pm https://mothergallery.art/future  Kyoko Hamaguchi: Never Since @ The Border Project Space, 10 – July 3rd, 2022 Opening Reception June 10 from 6 – 9 pm https://theborderprojectspace.com/  Benny Merris : flash! @ Heroes Gallery, June 16 – July 30, 2022 Opening June 16, 5-8pm www.heroesgallery.gallery Party for One @ My Pet Ram, June 10 – July 3, 2022 www.mypetram.com/  Pamela Sneed ABOUT time @ Laurel Gitlen, June 9 – July 16, 2022 Opening June 9, 5-7pm /www.laurelgitlen.com  Alfredo Jaar @ Galerie Lelong & Co, May 13 – June 25, 2022 www.galerielelong.com/exhibitions/alfredo-jaar6 Martin D'Orgeval @ Sikkema Jenkins & Co, June 4 – July 22, 2022  www.sikkemajenkinsco.com/ Us Kris Racaniello @krisrac @krisracworks Jacob Rhodes @jacobrhodes74 Field Projects @fieldprojects www.fieldprojectsgallery.com Open Call http://www.fieldprojectsgallery.com/open-call Field Residency

Photography! Poverty Porn! Drawing in Space! Spiderwebs! Field Pod sits down with Field Projects current resident Stacy Kranitz for a talk about her take on documentary photography as a medium best used to question the truth of & in the image. Photographers constantly have to reckon with subjectivity. Stacy explains the ways she has pushed against the medium in her new book AS IT WAS GIVE(N) TO ME, a compilation based on over 12 years spent photographing the community living in the heartland of Appalachia. Incorporating pressed plants, topographic drawings, and preserved spiderwebs alongside her photography and voices drawn from a local newspaper column, Kranitz weaves a complex narrative that opens the history of Appalachia to the reader. Through these juxtapositions of text, image, and drawing a narrative of everyday life emerges in the wake of the systemic capitalist oppression that characterizes this region of the USA.  Before this exciting conversation, Field Projects Co-Directors Jacob Rhodes and Kris Racaniello chat about the residency program and open call process. They talk the gallery/gallerist class system, the origins of Field Projects and the Open Call process, and MONEY and survival in contemporary art. Jacob and Kris wrap things up after the interview with a short list of shows to “go see” right now!    SHOW NOTES Interviewee Social Handles & Websites Stacy Kranitz: @stacykranitz https://www.stacykranitz.com/  Our OPEN CALL: http://www.fieldprojectsgallery.com/open-call  GO SEEs: Recalling the Chimæra, Candace Jensen, Thomas Little & Coleman Stevenson, Amos Eno Gallery @ 56 Bogart Street, May 6- June 5, 2022  Wonder Women, Curated by Kathy Huang, Jeffrey Deitch @ 18 Wooster Street, May 7–June 25, 2022   Art Fair radar last week/this week:  Future Fair: https://futurefairs.com/  Independant: https://www.independenthq.com/fair  Frieze: https://www.frieze.com/fairs/frieze-new-york 

Utopia! Racism! Cold War! + The American Dream! Today, Field Projects Co-Directors Jacob Rhodes and Kris Racaniello cover their trip to Staten Island, Snug Harbor, and last week's studio visits with Siobhan McBride and Natalie Wadlington. Then the FP team interviews artist Johannah Herr with her co-author and collaborator Cara Marsh Sheffler. Herr's solo show I HAVE SEEN THE FUTURE is on view at Field Projects gallery through May 21, 2022. They talk about the 1939 and 1964 world's fairs that took place in Flushing NY–– a discussion covering consumerism, capitalism, collaborations between and across mediums, segregation and the racist history of housing policy, plus daring to dream of the future. Jacob and Kris wrap things up after the interview with a short list of shows to “go see” right now!  Show Notes Interviewee Social Handles & Websites Johanna Herr: @johannah_herr https://www.johannahherr.com/  Cara Marsh Sheffler: @carasheffler https://conversationalist.org/writer/cara-marsh-sheffler/  Studio Visits:  Siobahn McBride: @Siobhanmcbride8 https://www.siobhanmcbride.com/  Natalie Wadlington: @natalie.wadlington https://www.nataliewadlington.com/ (Current Show on View at Dallas Contemporary thru August!) GO SEEs Living, Catherine Haggarty, Geary Contemporary @ 208 Bowery, NYC, April 28 - June 4, 2022 We're All Going to the World's Fair, Film, playing at Cinemas throughout NYC and streaming online Gall, K. C. Joseph, Soloway Gallery @ 348 S 4th St. Brooklyn, NY, May 8 - June 12, 2022  Diagramming Space, Marguerite Louppe, Rosenberg & Co @ 19 East 66th Street, NY,  April 19 - July 1, 2022 Allegories, Katie Hector, The Cabin LA,  on view thru end of May. DM @dannyfirst for more details

Ellie Krakow is an American Artist, Educator, and Curator based in New York City. Her current solo show, "Linoleum Spine" is featured at the Marinaro Gallery in New York City until February 26, 2022. In this new body of work, Krakow reflects upon the devices of medical intervention, architectures of medical support, and parts of bodies that are the recipients of such intervention. Her glazed ceramic forms reveal her lived experience of bodily fragility, creating objects that – like her, through decades of living with an invisible chronic illness – inhabit the space between flesh and technology. Ellie Krakow is an interdisciplinary artist who earned her MFA from Hunter College and her BA through study at Yale University and the Rhode Island School of Design. Her work has been shown in solo and group exhibitions at venues including Marinaro, Below Grand, Goodyear Gallery at Dickinson College, NURTUREart, Spring/Break, Field Projects, Thierry Goldberg, Present Company, Wasserman Projects, Kingston Sculpture Biennial, and the Pula Film Festival. Parallel to her studio practice, Krakow works on text-based and curatorial projects as a way to build dialogue and discourse around themes that matter to her including bodily and environmental loss; mirroring as a potential site of transformation; and displaced or disabled communication.  Krakow's text-based works have been published in Precog Magazine, VECTOR, Lookie Lookie, and Drain Journal of Contemporary Art and Culture. Her curatorial projects have been shown at The Whitney Museum of American Art, Mazmanian Gallery and Thomas Hunter Project Space. Krakow has participated in residencies at Skowhegan School of Painting and Sculpture, Yaddo, Abrons Arts Center, and Shandaken: Stormking. She currently teaches sculpture and serves as the director of Mazmanian Gallery at Framingham State University. This discussion was recorded at her studio in Long Island City in August 2021.  --------------------------- You can find more information about Ellie Krakow and their work here: Ellie Krakow - • Website: www.elliekrakow.com • Instagram: https://www.instagram.com/elliekrakow/ • Vector Issue 8 New York - launch & performance at the Whitney Museum: https://whitney.org/media/38221?series=45 Marinaro Gallery - • Website: https://www.marinaro.biz/exhibitions/linoleum-spine/ • Instagram: https://www.instagram.com/marinarogallery/ • Address: 678 Broadway, Floor 3, New York, NY 10012  • Contact: info@marinaro.biz / 212-989-7700 • Press Release: https://www.marinaro.biz/exhibitions/linoleum-spine/press-release/| ---------------------------  VECTOR Productions 
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We are excited to introduce you all, our listeners, to a new segment in the Action Research Podcast: Voices from the Field! In this segment we bring you “behind the scenes” of action research projects to demonstrate what action research looks like, in action. The aim of this series is to bring voices from the field to rethink the existence of knowledge in academia. In this trailer episode, Adam and Joe discuss the first of our Voices from the Field Projects. Co-led by our very own Adam Stieglitz, Café Orígenes in Calca Peru is an economic justice action research project with the goal of collaborating with farmers in the Andean highlands to earn a better income for their products. Adam and Joe introduce the first voice from the field, Aaron Ebner, who is the executive director and a co-founder of Andean Alliance for Sustainable Development, a social change organization. Tune in to learn more! Links for relevant episodes Episode 1-https://player.captivate.fm/episode/a3d61857-58c5-4bb8-bbcb-123361922b54 (https://player.captivate.fm/episode/a3d61857-58c5-4bb8-bbcb-123361922b54) Episode 2- https://player.captivate.fm/episode/c235a206-9a43-4191-b3f0-c7b72bc73c07 (https://player.captivate.fm/episode/c235a206-9a43-4191-b3f0-c7b72bc73c07) Episode 3- https://player.captivate.fm/episode/1f8a6e3f-6e36-495a-ad7b-924c0f0804e0 (https://player.captivate.fm/episode/1f8a6e3f-6e36-495a-ad7b-924c0f0804e0) Open-source music retrieved from pixabay: "Inspiring Epic Dubstep" and "Documentary" by Coma-Media https://pixabay.com/users/coma-media-24399569/ (https://pixabay.com/users/coma-media-24399569/) **If you have your own questions about Action Research or want to share any feedback, contact us on Twitter@The_ARpod or write to us at ActionResearchPod@gmail.com.**

Daniel Bigman, Founder of LearnGPR.com and Bigman Geophysical, discusses the benefits of using multi-frequency systems for your projects.

Audio created for the exhibition of HABITAR at Field Projects, NYC 2021

Shona McAndrew (b. 1990) was born in Paris and lives and works in Philadelphia. She holds an MFA in Painting from the Rhode Island School of Design (2016) and a BA in Psychology and Painting from Brandeis University (2012). She has had solo exhibitions at the Moore College of Art and Design, Philadelphia, PA (forthcoming 2020); Pilot Projects, Philadelphia, PA and Extra Credit, Providence RI. She has also exhibited in group shows at Latchkey Gallery New York, NY; Abigail Ogilvy, Boston, MA; 621 Gallery, Tallahassee, FL; Every Woman Biennial, La MaMa Galleria, New York, NY; Juxprojects, Jersey City, NJ; Gallerie Manque, Brooklyn, NY; Wassaic Project, Wassaic, NY; Gallery Gomez, Los Angeles, CA; Leroy Neiman Gallery, Columbia University, New York, NY; NSFW: Female Gaze, Museum of Sex, New York, NY; Little Berlin Gallery, Philadelphia, PA; Field Projects, New York, NY; Nancy Margolis Gallery, New York, NY; Granoff Center of the Art, Brown University, RI; 808 Gallery, Boston, MA; Brandeis University, Waltham, MA.

Madeline Donahue’s work functions on multiple levels. Her figurative paintings have a strong abstract presence that allow the shapes to create the narrative on the canvas. The figures depict sweet chubby babies in the midst of creating chaos. Funny and dark, filled with love and  overwhelm, all these emotions grapple for center stage in her work.    Madeline was born in Houston, TX to an artistic family where she first learned that you can build and be a part of a community of artists. Encouraged by her mentors to move to the east coast Madeline studied in Boston and ended up in Brooklyn where she currently resides. In our talk, she shares how she started grad school soon after having children and how this ended up fueling her work.   She has exhibited with Public Gallery, Steven Harvey Fine Art Projects, Field Projects and The Every Woman Biennial in Manhattan; Paradice Palase, Underdonk, and Greenpoint Terminal Gallery in Brooklyn; TJ Boulting in London and Elephant Gallery in Nashville, TN. Her paintings were included in Making (It) Work at California College of the Arts. Her debut Manhattan solo exhibition, Attachments, at Steven Harvey Fine Art Projects was reviewed in Hyperallergic. She joined SHFAP with NADA Fair 2020. She has a limited edition screen print with Kayrock Screen Printing Brooklyn. She has been interviewed in Elephant Magazine and on the podcast Sound & Vision. Madeline is an upcoming artist-in-residence at Interlude Residency, was an artist-in-residence at The Wassaic Project in Wassaic, NY and at Byrdcliffe Artist Colony in Woodstock, NY.   She has an upcoming show at Praise Shadows Gallery in Boston, MA on view April 22-May 23.   TAKEAWAYS FROM THIS EPISODE:   -Growing up in an artistic family showed her how to build a community of artists -Encouraged by mentors to move to the east coast  -Seasons as a structure to the year -Being young and having a goal can be overwhelming -Be uncomfortable -Make work and let go of it -Painted friends and family -Lean into what we try to hid -Finding something that is yours -Starting with a joke -Notecards close by to sketch quickly -Each medium or joke has a different power -2/D-3/D conversation -Make one thing at a time -She finished everything in a day -Art History jokes -Get to your studio ready to work -Getting into the studio with intent -Working with in restrictions -Enjoy the time with your kids -Don’t feel like you have to give up newborn time for your career -Just keep doing something creative   ARTIST SHOUTOUTS: Tala Madani https://www.davidkordanskygallery.com/artist/tala-madani Joan Brown http://www.artnet.com/artists/joan-brown/ LINKS: http://www.madelinedonahue.com/ https://praiseshadows.com/   I Like Your Work Links: Preorder the Spring Exhibition Catalog I Like Your Work Podcast Studio Planner Instagram Submit Work Observations on Applying to Juried Shows

"This week Kimberly spoke with New York-based artist Audrey Ryan about the collection of intimate paintings depicting members of the punk, hard core BDSM communities that are currently on view at Field Projects in NYC. All images courtesy of the artist 00:00 - Podcast Introduction 00:35 - Episode Introduction 00:58 - Who Are You - Ifeanyi Elswith 01:09 - Interview with Audrey Ryan (pt 1) 11:44 - Mic Break 12:14 - Interview with Audrey Ryan (pt 2) 18:59 - Outro 19:23 - Xo - Ifeanyi Elswith 22:46 - Finish "

"Kristen Racaneillo, a partner and curator at Field Projects Gallery, an independent artist, activist and academic, talks about the Field Project's  Corona + project, Black Lives and her thoughts on the role that art plays during difficult and distressing times. MarcelinaGonzales_CoronaCare comp from Field Projects. 00:00 - Podcast Introduction 00:36 - Episode Introduction 01:18 - Patience - Porches 01:36 - Interview with Kristen Racaneillo pt 1 27:59 - Clouds Rest - Half Waif 30:00 - Interview with Kristen Racaneillo pt 2 43:08 - Sow Good Seeds - Mavis Staples 44:55 - Outro 46:19 - Finish "

Sarah E. Brook is a Brooklyn-based sculptor and installation artist from the Nevada high desert.  Brook explores the relationship between external and internal (psychic) vastness through the use of translucency, layering and color gradients to morph her architectural structures into perceptual experiments. She is particularly interested in the way perceptual experience can align (queer) identities. Brook has exhibited at Lesley Heller, Field Projects, Re:Art, the (un)Scene, NARS, Ground Floor Gallery, The Newhouse Center for Contemporary Art (NY) and was included in the 2019 BRIC Biennial in Brooklyn. She has been awarded the 2019-2020 Leslie-Lohman Museum Fellowship (NY), the 2018 Media Arts Fellowship from BRIC (NY) and residencies from Marble House Projects, I-Park, SPACE on Ryder Farm, Jentel Foundation, Playa and Kimmel Harding Nelson Center for the Arts.  Public art sculptures include Open Shelter (Prospect Park, NY, 2016), Viewfinding, a year-long installation and collaboration with queer poets (Riverside Park, NY, 2018-2019), Align (permanent installation, Crystal Park, NY, 2019) and a forthcoming permanent work commissioned by the City of New York (2023). Here are the book mentioned in the interview - Interrupted Life and Why Be Happy When You Could Be Normal. JWS2, spray paint on synthetic poplin, string, rebar, photography, dimensions variable, installed in rural Wyoming, 2017. JWS2 is an example of the types of short term, low-impact installations I create in solitude in remote landscapes.

In this episode, I talk to the artist Marcelina Gonzales about challenging preconceptions of being a Hispanic female through her work. Marcelina creates meticulous pieces that combine paint and resin to recreate memories of her youth. In our conversation, she discusses how she navigated her experience from adolescence to womanhood while growing up in Brownsville, a border-town located at the southernmost tip of Texas. The Rio Grande Valley, the area where she came of age, is a unique place for its fusion of Mexican and American culture and traditions yet it is often regarded with contempt by outlets that promote its poverty, lack of education, and danger. Marcelina works to reconcile the shame triggered by the circumstances and external barriers set by her perceived identity, ability, and class. Ultimately she seeks empowerment as she works to destroy the expected social, political, economic, religious, and sexual role of a female living in today’s America.   Marcelina’s work has been exhibited repeatedly throughout Texas in galleries and exhibitions such as Freight Gallery in San Antonio, Fort Worth’s Fort Works Art competitive “40 under 40” Exhibition, the El Paso International Museum of Art, and at the 500X Gallery in Dallas, Texas. She has been included in several juried exhibitions throughout the United States including the Rosetta Hunter Gallery located in Seattle Central College and in exhibitions spaces in Los Angeles and New York City. She has also had the opportunity to travel internationally with her work to places such as Berlin, Germany, Budapest, Hungary, and Dubai in the United Arab Emirates. Most recently she took part in a 3 person exhibition in New York City’s Chelsea Gallery, Field Projects. In January 2020 she was awarded a grant by the The Brownsville Beautification Committee, in partnership with the City of Brownsville, City of Matamoros and the Mexican Consulate in Brownsville to create a mural in her hometown for Sin Fronteras/Without Borders, an initiative created to unify the border cities.    RESOURCES: I Like Your Work Podcast Studio Planner Instagram Submit Work Observations on Applying to Juried Shows   https://www.marcelinagonzalesart.com/ http://www.fieldprojectsgallery.com/the-expectations-of-others https://www.ilikeyourworkpodcast.com/belong

I am thrilled to have the New York based artist, Eric Hibit on the show! I have been following Eric's work for years and am excited to connect with him on the show and talk about his work. Eric Hibit (born Rochester, NY) is a visual artist based in New York City. He attended the Corcoran College of Art + Design (BFA,1998) and Yale University School of Art (MFA, 2003). In New York, he has exhibited at Max Protetch Gallery, Anna Kustera Gallery, C24 Gallery, Zurcher Studio, Field Projects, Tiger Strikes Asteroid, Underdonk Gallery, Ortega y Gasset Projects, Deanna Evans Projects, Morgan Lehman Gallery, NonFinito Gallery, and One River School of Art + Design. He has exhibited nationally at Adds Donna in Chicago, Curator’s Office in Washington, DC, Geoffrey Young Gallery in Great Barrington, MA, The Cape Cod Museum of Art, Satellite Contemporary in Las Vegas, NV, The University of Vermont, Bedford Gallery in Walnut Creek, CA and internationally in France and Norway. His work has been covered by the Washington Post, The Village Voice, Hyperallergic, Newsweek, New York Times and New York Post.   Hibit has taught studio art at Tyler School of Art, Hunter College, NYU, The Cooper Union, Suffolk County Community College and The 92nd Street Young Men’s and Young Women’s Hebrew Association. Artist residencies include Terra Foundation in Giverny, France (2003), UNILEVER Residency in New York (2015), and Kingsbrae International Residency for the Arts (2019) and Green Olives Arts in Tetouan, Morocco (2019). Publications include Dear Hollywood Writers, with poet Geoffrey Young (Suzy Solidor Editions, 2017) and Paintings and Fables with Wayne Koestenbaum, a limited edition artist’s book (2017). He is currently Co-Director of Ortega y Gasset Projects, an artist-run gallery based in Brooklyn, where he has curated three group exhibitions since 2014.   We cover so many wonderful topics such as how Eric builds the images in his work, studio space, pleasure in viewing, Morocco and his residency there, and supporting the arts community.   RESOURCES: I Like Your Work Podcast Studio Planner Instagram Submit Work Online Exhibition-Drowned Neon Rose Observations on Applying to Juried Shows   https://www.erichibit.com/ https://www.instagram.com/erichibit/ Lari Pittman https://www.oygprojects.com/  

Field Projects is an artist-run project space in Chelsea NYC and online venue dedicated to emerging and mid-career artists. Centered on long-term curatorial projects, Field Projects presents monthly exhibitions at their Chelsea location in addition to participating in pop-up exhibitions in and around New York as well as art fairs around the world. The gallery invites artists to submit their work for consideration twice a year through an open call submission process. They discover about 80% of the artist they show through our open call submission process.   Field Projects was founded by artists Jacob Rhodes and Keri Oldham in 2011 and is currently run by Jacob Rhodes, Rachel Frank, and Kristen Racaniello. Interns are Isabella Cilia and Ellen Hersey and previous members are Jason Mones, Blair Murphy, Alissa D. Polan, Keri Oldham.   For this interview, I visited their space in Chelsea to talk to Jaco, Rachel and Kristen about their background in the arts, starting Field Projects, curatorial projects, applying to open calls and balancing their artistic practice with Field Projects. Field Projects has always been an inspirational space for me and after this interview, I was really blown away by their generosity and sincerity for curating shows and supporting artists. They are the real deal and share their experience as artists and curators in this episode.   Currently, they are curating a show in the Spring Break Art Show featuring Kate Klingbeil and they currently are exhibiting a show curated by Rachel. In addition to the shows they are curating through Field Projects, Kristen has work in Spring Break in a show curated by Jac Lahav and Eli Bronner called "Just for the Taste of It" and has an article-- Haptic Homoeroticism: Evidence of Queer Bathing Histories in the Glazier De Balneis Puteolanis-- coming out soon in the Public Art Dialogue but you can check it out now on her Accademia.edu page.   RESOURCES: I Like Your Work Podcast Studio Planner Instagram Submit Work Online Exhibition-Drowned Neon Rose Observations on Applying to Juried Shows   Field Projects Website Field Projects Instagram Spring Break Art Show Kristen on Insta-@krisrac (for curatorial) and @krisracworks (for art) Kristen on Twitter-@krisrac Jacob Rhodes Rachel Frank  

This week we are back in Harlem with artist Dionis Ortiz! Listen in as we talk about Dionis' art practice, growing up as a creative kid in New York, making movie sets, spirituality, parenting, teaching and so much more.  You can check out some of Dionis' work in the next group exhibition at Field Projects in Chelsea opening November 7th and he will also be participation in Prizm Art Fair in Miami during Art Basel.  You can follow Dionis on Instagram @dions_o_studio. You can visit dionisortiz.com for everything Dionis.

Madeline Donahue is an artist born in Houston, TX who lives and works in Brooklyn, NY. She has exhibited with The Every Woman Biennial, Steven Harvey Fine Art Projects, 601Artspace and Field Projects, in Manhattan; Underdonk, Greenpoint Terminal Gallery, and Spaceworks, in Brooklyn. Her paintings were included in “Making (It) Work” at the Oliver Art Center, California College of the Arts in Oakland, “a group exhibition of artworks made by artists during their first few years of parenthood.” She will be included in the upcoming exhibitions “SPF32” curated by Madeleine Mermall and “Garden Party” curated by Emily Marie Miller and Jake Coan, both in Brooklyn, and in “Smoke Show” at Elephant Gallery in Nashville, TN. She will have her first solo exhibition at Steven Harvey Fine Art Projects in Manhattan this September. Madeline was an artist-in-residence at Byrdcliffe Artist Colony in Woodstock, NY and recently at The Wassaic Project in Wassaic, NY. Madeline stopped by Brian’s studio for a talk about growing up in Texas, George Harrison, getting in trouble for drawing too much, painting as a parent and a lot more.

Amy Talluto is an artist who was born and raised in New Orleans and currently lives and works in Brooklyn & Hurley, NY. She earned her BFA from Washington University in St. Louis in 1995 and her MFA from the School of Visual Arts in New York in 2001. She is a 2018 NYFA/NYSCA Artist Fellow in Painting and has recently had solo shows at Jeff Bailey Gallery (Hudson) and Black & White Gallery (Brooklyn). Previous shows include a two-person exhibition at PS 122 Gallery in New York, and several group shows, including exhibitions at the Samuel Dorsky Museum in New Paltz, NY, Geoffrey Young Gallery in Great Barrington, MA, Wave Hill Gardens in the Bronx; Field Projects and the Abrons Art Center in New York; and Kentler International Drawing Center in Brooklyn. She has been a resident artist at The Saltonstall Arts Colony in Ithaca, NY, the Provincetown Dune Shacks, Ucross Foundation in Wyoming, Byrdcliffe in Woodstock, NY, and the Vermont Studio Center. Amy came down to Brian’s studio from Upstate New York for a talk about driverless cars, 90’s hip hop, finding lily pads and more.

This week on Bad at Sports, NYC/BAS: Amanda Browder and Caroline Burghardt return to the airwaves with an interview with New York based artist Caroline Wells Chandler. Our interview was done a few months after his installation at Spring Break art fair 2016 / Field Projects in NYC. The quote below is from the statement for this exhibition.  "Chandler pulls inspiration from the story of Hermaphroditus and his merging with the water nymph Salmacis. Melding this ancient Greek myth with contemporary references and creations, from transgender Santa Claus to beach bums and cowbois, the artist playfully immerses the audience in an exploration of transgender identity. Contemporary identities morph and fluctuate, pushed forward by radical practices of self-creation and influenced by biological impulses and desires. While the shaping and reshaping, identifying and unidentifying, copying and pasting may seem fanciful at first glance, the stakes for trans and lgbtq-identified people are deep and pressing. Chandler’s work acknowledges the deep stakes at hand, while embracing a joyful, celebratory aesthetic, combining playful colors and forms with a confident embrace of sexuality. "  For all in Chicago in 2017 look out for his solo exhibition at Andrew Rafacz Gallery.  Link to Field Projects and Caroline Wells Chandler's site :  http://www.fieldprojectsgallery.com/springbreak2016/   Born in Norfolk, Virginia, Caroline Wells Chandler currently lives and works in New York. He completed his foundation studies at the Rhode Island School of Design and received his BFA cum laude from Southern Methodist University in 2007. He has shown at numerous institutions including: Zurcher Studio (NY), Anna Kustera (NY), Field Projects (NY), Vox Populi (PA), Sanctuary (PA), N’Namdi Center for Contemporary Art (MI), Open Gallery (TN), The Bascom (NC), Arlington Arts Center (VA), and the Stieglitz Museum (‘s-Hertogenbosch, The Netherlands) among others. Chandler is a 2011 MFA recipient in painting at the Yale School of Art where he was awarded the Ralph Mayer Prize for proficiency in materials and techniques. He lives and works in New York. Queering the Lines will mark the third solo show within a year for the artist. Amanda Browder www.amandabrowder.com   ALSO: Go see Richard's show! OPENS SUNDAY DECEMBER 4th! 3-6PM Riverside Arts Center 32 East Quincy St Riverside, IL  60302 www.riversideartscenter.com Hours: Tuesday - Saturday, 1-5pm    Good Machines Artists: Taylor Hokanson in collaboration with J. Stephen Lee, Richard Holland, Niki Passath, Jesse Seay, and Philip von Zweck Curated by: Natalie Jacobson Opening reception: December 4th, 3-6, with artist talk from 5-6pm. Family Day event: December 10th, 2-4 "This program is partially supported by a grant from the Illinois Arts Council, a state agency, and sponsorship from the Riverside Township.” Here’s a brief blurb about the show: How can we use technology to better connect to others and create new experiences for ourselves? This group exhibition explores this question through works that exploit machine and technology and use interactivity as a form of performance, while looking at the role that potentiality and destruction play within those experiences. Artists whose work often uses technology as a medium are invited to create machines that will generate a gesture, a kind of “drawing” in the form of a mark, sound, light, object, or movement. Due to direct or indirect public interaction with the machines, and within the confines of the gallery space, these drawings will change over time, and possibly be destroyed in the process. Come join in!   Here’s the page link on the RAC website, it has artist bios and such: http://www.riversideartscenter.com/good-machines/  

This week: This show has everything, the Amanda Browder Show, Justin Cooper, Richard finally records a new outro, and some of the most annoying music ever used on BAS!! NYC/Browder talks to Brooklyn based artist Justin Cooper. Post a few deadpan jokes, and moments of spacing out...(edited of course)  we discuss his history of his work, and his installationSpreadsheet, and performance Mowers of Ten presented by the Art-In-Buildings program, and Monique Meloche Gallery. The project is in conjunction with The Armory Show that is going on next week.    Employing a strategy of "endless introducing," Cooper plays both host and hosted, in an effort to eradicate the line between these two states. With the classic Charles and Ray Eames film, Powers of Ten, as inspiration, and Cooper's installation, Spreadsheet serving as a backdrop, the performance aggregates comedic bits, routines, acts, sound fragments, free floating signifiers, and chains of non sequitors systematized into miniature narratives, into a simulation of comedy. Like "Friends" minus the laugh track or AstroTurf as a surrogate for suburban lawn, Mowers of Ten, highlights the impossibility of reconciling the intellectual with the visceral. "I know this isn't funny...and yet." "I know this isn't grass...and yet." http://moniquemeloche.com/artists/justin-cooper/       SHOUT OUT TO AMANDA:    Art Fair weekend is next weekend in NYC! The Armory, VOLTA, Scope, etc. etc.    BUT Time to go see the SPRING/BREAK Art Fair. Amanda Browder and a ton of very cool artists in NYC will be showing at this fair in the abandoned section of the Post Office on 33rd Street between 8th and 9th. It is a fair of guest curators who are bringing their collection of artists to each room in the massive office space.  Look for her on the 4th floor with curators Jacob Rhodes of Field Projects and Jen Schwarting.  You can also find: Adam Parker Smith, ESP TV., Siebren Versteeg, Julia Oldham and Trish Tillman  

This week:Amanda Browder (of the Amanda Browder show) chats with artists and curators Keri Oldham and Jacob Rhodes, founders of the artist run space Field Projects located in Chelsea, NYC. Listen to our conversation about artists as curators, the current gallery system and the ways these two have worked to make Field Projects a space for innovation and a more open dialog between artist and gallery. Next, Max and Hank do the shortest interview in the history of the show at Chicago Comic Con. Lastly, Bad at Sports remembers Eydie Gorme. Field Projects is an artist run project space and online venue dedicated to emerging and mid-career artists. Centered on short-term curatorial projects, Field Projects presents monthly exhibitions at their Chelsea location in addition to pop-up exhibitions throughout New York City. Artists and curators are invited to submit their work for consideration in future exhibitions through our open call submissions guidelines. Curators/Founders/Artists: Keri Oldham is a New York-based artist and curator working in watercolor, paper and video. Her work deals with issues of identity, religion, love and death in cinema. Originally from Dallas, Texas, Oldham has exhibited her work throughout the country, including: Jen Bekman Gallery in New York, Kirk Hopper Gallery in Dallas, The Hardware Store Gallery in San Francisco, Camel Art Space in New York, The Dallas Contemporary, The Reading Room and 500X in Dallas. She was a 2011 Summer Central Track resident and has received other awards including a 2010 New Media Fellowship with BRIC Arts in Brooklyn. Oldham is also founder of Field Projects, an artist-run project space in Chelsea. Her work has been spotlighted and reviewed by Beautiful/Decay, Gwaker Arts, Glasstire, D Magazine, San Francisco Weekly and others. Jacob Rhodes' work explores codes of masculinity, class and the inherent violence in homo-social interaction. The middle child of three boys born to a car mechanic and a school cafeteria cook, Jacob spent his youth touring in punk bands, publishing zines, and self producing records. He received his BFA in New Genre and Photography from Otis College of Art and Design in Los Angeles where he studied under Larry Johnson, Bruce Hainley, and Richard Hawkins. After graduating, he joined the US Army, spending three years in Alaska at Fort Wainwright’s 172nd Arctic Infantry Brigade. In 2005, he returned to school attending Skowhegan School of Painting and then earned his MFA in Sculpture at Yale School of Art in 2007. Jacob has shown at the Bronx Museum, Alona Kagan Gallery, New York, Federal Art Project, Los Angeles, Galerie Im Regierungsviertel, Berlin, and Bart Wells Institute, London. He currently lives and works in Brooklyn, NY. http://www.fieldprojectsgallery.com/