Podcasts about Huapango

pWotD Episode 2501: Lola Beltrán Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 389,127 views on Thursday, 7 March 2024 our article of the day is Lola Beltrán.María Lucila "Lola" Beltrán Ruiz (7 March 1932 – 24 March 1996) was a Mexican actress and singer.She is and was one of Mexico's most acclaimed singers of Ranchera and Huapango music. She collaborated with other Mexican music stars such as Amalia Mendoza, Juan Gabriel and Lucha Villa. She was internationally renowned for her interpretation of the songs "Cucurrucucú paloma" and "Paloma Negra" and sang before world leaders. She was nicknamed Lola la Grande ("Lola the Great"). Her song Soy infeliz ("I'm Unhappy") was the opening music for Pedro Almodóvar's film Women on the Verge of a Nervous Breakdown.This recording reflects the Wikipedia text as of 02:03 UTC on Friday, 8 March 2024.For the full current version of the article, see Lola Beltrán on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ivy Neural.

Marco Antonio Aldana García, Coordinador de Cultura del Municipio de Amealco, nos lleva de la mano a través de los detalles del Concurso Nacional de Huapango Huasteco, que se llevará a cabo en el municipio.

El podcast se ilustró con imágenes de material transmitidos en la Fiesta Anual del Huapango de Amatlán. --- Send in a voice message: https://podcasters.spotify.com/pod/show/heriberto-hernndez-castil/message

HUAPANGO DE MONCAYO by Rosa Argentina Rivas Lacayo

Hola Cerveceros un episodio más ahora demenuzando dos juegos muy cool , "Mal Trago" y "Dog Park" , esto acompañado de una cerveza queretana llamada Huapango

Siguelos en redes sociales Lo Mas Nuevo De Sus amigos de Fuego Michoacano Representantes:LALO(773)-719-8192 Carlos 773-319-5512 https://www.facebook.com/GrupoFuegoMi... --- Send in a voice message: https://podcasters.spotify.com/pod/show/zonavipradio/message Support this podcast: https://podcasters.spotify.com/pod/show/zonavipradio/support

Guion casi completo que se escucharía el pasado 4 de marzo, en el marco de la coronación de la LXXXIV Feria de las Flores 2023. Agradecemos la aportación del maestro ERNESTO ANAYA en la adaptación, interpretación y arreglos de las piezas, Xochipitzahuatl ,Pueblito de Huauchinango, Huapango a Huauchinango y La feria de Huauchinango --- Send in a voice message: https://podcasters.spotify.com/pod/show/heriberto-hernndez-castil/message

Acompaña a Ricardo Cartas en una emisión más de la revista cultural De eso se trata, espacio de ciencia, de cultura, de gastronomía, de libros y más, de lunes a viernes de 08:30 a 10:00 horas. En Sónico, Quique Escamilla, cantautor independiente, conversa sobre su trayectoria musical e interpreta algunas de sus canciones más representativas, como “Canción Mixteca", “Highway of tears” y “Huapango del tequila”.

Together with José Pablo Moncayo's “Huapango”, Arturo Marquez's Danzón No.2 has become an unofficial Mexican anthem and has garnered worldwide fame. Fiesta will tell the story behind Marquez's many danzóns and will feature a chamber work by this amazing composer. The post Danzón! The Music of Arturo Márquez appeared first on WFMT.

Heriberto Hernández HUAUCHINANGO, PUE. – Más de mil personas hicieron posible el “Huapango Monumental”, el baile de un son huasteco en el que se congregaron alumnos de 12 escuelas y distintos grupos de danza popular para festejar el 161 Aniversario de que Huauchinango fue elevado a rango de ciudad. --- Send in a voice message: https://anchor.fm/heriberto-hernndez-castil/message

Platicamos con el trío Nativos de la Huasteca, Manuel González en la jarana, Isidro Cortés en el violín y Alejandro Reyes en la quinta huapanguera, de San Pedro Tlaulantongo, de Xicotepec y de La Ceiba, respectivamente. Manuel, nos habla de cómo se fundó el trío y en qué condiciones, además nos platica un poco de él, al igual que Isidro, quien nos confía que inició en un taller de huapango, y Alejandro nos cuenta cómo y cuándo llegó a Nativos, después de estar tocando con Camperos de Hidalgo, Aventura Hidalguense, Herencia Poblana y hasta con Dinastía Hidalguense. Los tres recuerdan sus inicios en la música y sus motivaciones, --- Send in a voice message: https://anchor.fm/heriberto-hernndez-castil/message

7 de mayo de 2022

Au programme ce mercredi ! Aujourd'hui Mercredi ! part voyager dans l'espace grâce à la station spatiale internationale et aux sondes Voyager I et Voyager II. Bon voyage ! Les musiques de l'émission : Secret Garden - Selebrities Prologue (Birth) - Alexandre Desplat All Is Full Of Love - Björk Huapango - dirigé par Gutavo Dudamel Við Spilum Endalaust - Sigur Rós Cinquième symphonie - Beethoven Cornes Muses d'Azerbaijan Melancholy Blues - Louis Amstrong Johnny B Goode - Chuck Berry Saving The World - Salvinsky Watch It - Space Art

Au programme ce mercredi ! Aujourd'hui Mercredi ! part voyager dans l'espace grâce à la station spatiale internationale et aux sondes Voyager I et Voyager II. Bon voyage ! Les musiques de l’émission : Secret Garden - Selebrities Prologue (Birth) - Alexandre Desplat All Is Full Of Love - Björk Huapango - dirigé par Gutavo Dudamel Við Spilum Endalaust - Sigur Rós Cinquième symphonie - Beethoven  Cornes Muses d'Azerbaijan  Melancholy Blues - Louis Amstrong Johnny B Goode - Chuck Berry Saving The World - Salvinsky Watch It - Space Art

Platicamos con Raquel Paraíso, profesional de la música, de origen español, estudiosa del fenómeno musical tradicional de México y otros lugares. Actualmente investiga y registra sones tradicionales en la huasteca. Su primer contacto con el son fue por un casete de Huapango que contenía una compilación de varios tríos, suficiente para que la flechara el cupido huasteco. --- Send in a voice message: https://anchor.fm/heriberto-hernndez-castil/message

"Torpe huapango" es el poema inaugural de la temporada 12 de karbonarts.com. Junto a él damos inicio a este nuevo podcast en el que cada jueves estaremos recitando un poco de poesía.

Disfrutamos en grande las deliciosas reproducciones logradas por quienes se han convertido en los mejores en su campo. Escuchar Nessum Dorma con Luciano Pavaroti, ver el Guernica realizado por Pablo Picasso, escuchar la obra sinfónica Huapango de Moncayo o bien petrificarnos ante la belleza de la Catedral de la Ciudad de México, son momentos de éxtasis que le debemos a quienes en algún momento de su vida decidieron convertirse en los mejores. Esa decisión iluminada de “querer ser el mejor” llega como un rayo a la mente de alguien que en algún momento de su vida decide asumir para siempre un propósito de vida. Una niña de tan sólo diez años, de repente, se metió a la lectura de textos complicados. Hoy a sus catorce pide a su padre que le compre libros escritos en inglés y traídos sólo con pedido especial porque ella está decidida a estudiar neurociencia. ¿Qué mosca le picó? ¿De dónde surgió el afán de concentrarse en el estudio de materias complicadas? ¿Por qué no es como sus primas que están más interesadas en las fiestas y en la vida común y corriente? No sabemos si tendrá la fortaleza de ánimo para perseverar, pero es evidente que está siguiendo un camino distinto al de sus contemporáneas.

#cotorreochido con el jaranero y cantante de son Jarocho Cesar Castro quien nos cuenta el inicio de su interes por la musica y como descubrio el son jarocho para convertirse en un musico "de maceta" y tocar con Grupo Mono Blanco. Tambien platicamos de los instrumentos (jaranas, requintos, leonas, tarimas) la armonia y el dialogo musical que se utiliza para declarar los sones que se van a tocar.Cesar transmite en vivo y regularmente por sus canales de Facebook y YouTube:https://www.youtube.com/c/CESARCASTROJarochelohttps://www.facebook.com/CentroInformativoDeSonJarochohttps://www.facebook.com/RadioJarochelo

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

18 de septiembre de 2021

Igual que el Huapango de Moncayo, nuestro país es un catálogo de secciones que si bien parecen distintas entre sí, las diferencias entre cada una de ellas aporta riqueza al conjunto volviéndolo único. En este episodio te mostramos algunas de las infinitas razones por las cuales amamos a nuestro México, desde la zona fronteriza en el norte hasta el área limítrofe del sur. ¡Bienvenidos sean a nuestra segunda temporada! https://www.instagram.com/pabdcm/ https://www.instagram.com/tessaarivera/ https://www.instagram.com/ferchao_arq/ https://www.instagram.com/erickynk/ https://www.instagram.com/delmer_zv/ https://www.instagram.com/pepemaho/ https://www.instagram.com/jollergometelin/

Disfruta un par de obras de José Pablo Moncayo García (Guadalajara, Jalisco, 29 de junio de 1912-Ciudad de México, 16 de junio de 1958), uno de los más importantes representantes del nacionalismo mexicano en la música. Ambas interpretaciones están a cargo de la Orquesta Sinfónica de Minería, grabadas en vivo desde la Sala Nezahualcóyotl, bajo la dirección de José Areán. Encuentra más contenido en nuestro sitio web. Síguenos en redes sociales: Facebook, Twitter, Instagram y YouTube, como Descarga Cultura.UNAM.

La brujas en México son anterior a la llegada de los Españoles ,ya se tenían visiones sobre ellas ,positivos y negativos pero con la llegada del catolicismo cualquier bruja ,buena o mala ,era enemiga de la cristiandad ,en este brujeril podcast hablaremos sobre las brujas en México desde las que estaban en el sur y centro del pais hasta las californias ,desde las curanderas hasta las chupa sangre ,algunos datos interesantes y comentarios nada interesantes sobre las brujas hechas por su mero anfitrión . *CORRECION * y no es Víctor hugo el autor del conde de Montecristo sino Alejandro dumas ajajaja pero si el autor de nuestra señora de parís si le escribió una carta a Benito Juárez. La Taberna de hidalgor donde hablamos sobre Dungeons and Dragons : https://open.spotify.com/show/2Q6Pqo5GalTDGw4G5KR2Ed?si=Dz_X91SbTNKALwvq32eJew&dl_branch=1 Twitter : https://twitter.com/KitabAlAzif Facebook : https://www.facebook.com/conhdehomarvlogs canciones :: Artista Trío Cantores Del Alba Álbum Los Angelitos La Bruja · Tlen Huicani & Lino Chávez Veracruz Son y Huapango

Welcome to the Murder Booth! From his shallow grave, a fully organic Jon has been braving slugs and worms to bring you his best mycelium impression, with a penitential side-order of Kentucky-fried Huapango. Meanwhile, Mike's gone full Karate Kid in a world of Don LaFontaine's chewy syllables, while slapping himself with his own gauntlet and pinch-zooming a perspex shield. They're not alone either: MIT's finest have been playing 'Mary Had A Little Lamb' on an off-piste DX7 and expressing amino acids through the medium of uncooked spaghetti. Even the colour-balance-proof spiders have been scuba-diving, paragliding, and jamming along. And in case you wanted to experience those quotes from Professor Buehler in their original context, here are links to those interviews: https://www.lx.com/science-tech/researchers-have-turned-spider-webs-into-music-is-talking-to-them-next/35969/ https://news.mit.edu/2020/qa-markus-buehler-setting-coronavirus-and-ai-inspired-proteins-to-music-0402 Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com.

Welcome to the Murder Booth! From his shallow grave, a fully organic Jon has been braving slugs and worms to bring you his best mycelium impression, with a penitential side-order of Kentucky-fried Huapango. Meanwhile, Mike's gone full Karate Kid in a world of Don LaFontaine's chewy syllables, while slapping himself with his own gauntlet and pinch-zooming a perspex shield. They're not alone either: MIT's finest have been playing 'Mary Had A Little Lamb' on an off-piste DX7 and expressing amino acids through the medium of uncooked spaghetti. Even the colour-balance-proof spiders have been scuba-diving, paragliding, and jamming along. And in case you wanted to experience those quotes from Professor Buehler in their original context, here are links to those interviews: https://www.lx.com/science-tech/researchers-have-turned-spider-webs-into-music-is-talking-to-them-next/35969/ https://news.mit.edu/2020/qa-markus-buehler-setting-coronavirus-and-ai-inspired-proteins-to-music-0402 Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com.

En este episodio hablamos de la vida del compositor mexicano José Pablo Moncayo, creador del famoso Huapango. En esta ocasión hablamos de otra de sus obras que no es tan popular “3 piezas para orquesta”

En este episodio hacemos un recorrido por las variantes del Huapango en México, escuchamos un poco de cada uno y conocemos los instrumentos que se utilizan en este género.

Programa transmitido el 22 de octubre de 2020, por Radio UAQ 89.5 fm. Iniciamos el programa invitando a nuestro público a participar al XXXII Concurso Nacional de Huapango, Jacala 2020. José Juan Lugo Rubio y Alan Karim Rangel Chávez, estuvieron compartiendo todos los detalles de esta emisión que por primera vez se realizará de forma virtual. De la Facultad de Bellas Artes nos acompañó la Dra. Rosario Barba y las alumnas Paulina Ramírez y Julieta García, quienes cursan la licenciatura en Diseño y Comunicación Visual, y forman parte del evento Behind the Design. Un evento virtual para diseñadores que contará con ponentes internacionales y nacionales. En la música escuchamos a Armonía Huasteca con el Hidalguense; Smash Mouth con All Star y a The Outfield con All the love in the world. Conductores: Verónica Rubi y Luis Alfredo López Cañas.

Hola, soy Jesús Andrés García Santín, hoy tenemos la segunda parte de la entrevista que le hicimos al maestro Rodrigo Sierra Moncayo. Nieto del compositor mexicano José Pablo Moncayo autor del famoso Huapango. El maestro Rodrigo hoy nos deja un mensaje para todos nuestros alumnos y padres de familia de orquestando armonía. No olvides compartir con el hashtag #LoescucheenRadioOA Visita nuestras redes sociales Facebook: Orquestando Armonía Instagram: @orquestadeboca Twitter: @orquestadeboca Escúchanos en: Spotify Apple podcast --- Send in a voice message: https://anchor.fm/radioorquestandoarmonia/message

Bienvenidos a Radio Orquestando Armonía !Hola! Soy Jesús Andrés, en el capítulo de hoy en Radio Orquestando Armonía tenemos a un invitado de lujo. Su nombre es Rodrigo Sierra Moncayo, él es director de orquesta y pianista. Es nieto de José Pablo Moncayo, uno de los compositores más conocidos y reconocidos por su composición para orquesta "Huapango". Rodrigo nos platicará la historia de su abuelo y su composición más icónica. No olvides compartir con el hashtag #LoescucheenRadioOA Visita nuestras redes sociales Facebook: Orquestando Armonía Instagram: @orquestadeboca Twitter: @orquestadeboca Escúchanos en: Spotify Apple podcast --- Send in a voice message: https://anchor.fm/radioorquestandoarmonia/message

durée : 00:58:39 - Le Mexique, la musique et le monde : #24 Le Mexique et Les Chicanos de Los Angeles - par : Marcel Quillévéré - Nous commençons par la création du Huapango de Moncayo (fête musicale de la région de Veracruz) qui reste aujourd’hui encore l’une des œuvres symphonique les plus jouées au Mexique. En 1941, la chanteuse Lucha Reyes interprète une chanson qui évoque les Pachucos, de sympathiques petits voyous... - réalisé par : Béatrice Trichet

C2C team members are taking turns recording shows focused on music from their childhood and teen years. In this week's podcast, Rosalinda Guillen shares music and experiences from her life as a young migrant farmworker.View the visual companion to this episode here.Songs in this episode:No Salgas Niña al la Calle by Trio TariacuriEl Barzón by Amparo OchoaEl Cielito Lindo by Trío Guardianes de la HuastecaLas Mañanitas by José Mendoza con Trio San PedroString Serenade No. 13 in G major by MozartSummertime by Ella FitzgeraldCallejon sin Salida by Los Relampagos Del NorteMis dos Patrias by Los Tigres del NorteWooly Bully by Sam and the PharoahsLa Bamba by Ritchie ValensBrown Eyed Girl by Van MorrisonTwist and Shout by The BeatlesPiece of My Heart by Janis JoplinLouie Louie by The KingsmenPurple Haze by Jimi Hendrix Experience(I Can’t Get No) Satisfaction by The Rolling StonesSupport the show (https://foodjustice.ourpowerbase.net/civicrm/contribute/transact?reset=1&id=2)

Enrique López Llamas (Aguascalientes, México. 1993) Es licenciado en Artes Plásticas por la Universidad de Guanajuato y forma parte del Programa Educativo SOMA. Su práctica se caracteriza por la apropiación de relatos específicos de la historia, al igual que de personajes, gestos y acontecimientos, bajo un carácter lúdico que ironiza y estudia, desde la ficción, memoria y nostalgia, la convivencia entre los individuos y las estructuras vigentes de poder que los moldean. Su trabajo ha sido presentado en muestras colectivas en Colombia, Ecuador, Estados Unidos y México. Cuenta con ocho exposiciones individuales. En 2015 y 2019 fue acreedor al estímulo PECDA del estado de Aguascalientes. Actualmente es beneficiario de la beca Jóvenes Creadores del FONCA en la disciplina de Medios Alternativos. Tracklisting: 1. Fusilero: Entrevista a Diego Rivera / Ataque armado en Guanajuato / San Miguel de Allende balacera / Los Acosta - Una rosa en tu balcón. 2. Nadie es profeta en su tierra: Discurso inaugural en el Instituto Cultural de Aguascalientes / Enrique López Llamas - Lecciones sobre historia, fragmento / Nelly Pedraza y los Guaraperos - Mambo de la Merced. 3. Furia Norteña: Debate Poliforum Siqueiros / Entrevista al Gobernador Diego Sinhue con Paola Rojas en San Miguel de Allende / Enrique López Llamas - Residentes Estadounidenses hablando sobre los costos de vivir en San Miguel de Allende / La Furia Norteña - Huapango el Son del Apache. Dominio Público es conducido por Mónica Ashida, producido por Norberto Miranda y es posible gracias al apoyo de PAC Sitac #ApoyosPAC y Jalisco Radio (jaliscoradio.com) --- Send in a voice message: https://anchor.fm/dominiopublico/message

Breve historia de este gran emblema musical de México.

En esta emisión de Frecuencia 20 exploramos algunos temas o situaciones que llevaron a artistas a crear una obra. Por ejemplo, un feminicidio llevó a la creación del performance “Justicia para Lesvy”; los compositores Häendel, Chopin, Debussy y Ravel, además, los artistas sonoros Concha Jerez y José Iges encontraron en el agua una fuente de inspiración. A Salvador Dalí, la voz de la actriz mexicana Dora Luz lo impulsó a crear un cortometraje para Disney, o los sones jarochos que ayudaron a Moncayo a componer su Huapango.

( el concierto del amor con Los Acosta)

( el concierto del amor con Los Acosta)

el Maestro Gustavo Ahualli nos habla en este podcast acerca del Centro Latinoamericano de Música de la Universidad Católica de Washington.

( el concierto del amor con Los Acosta)

( el concierto del amor con Los Acosta)

La convivencia de amistades de diferentes ámbitos hace que tengamos que dividir la agenda entre los amigos de aquí, lo de allá, los amigos no tan amigos, los amigos de mis amigos, los amigos viejos y los nuevos amigos. Noticias Del Mundo: El Covid19 Desembarcó en Latinoamérica, un problema de salubridad y economía - Harry canta con Bon Jovi en Abbey Road - Los Estados de México Comprometidos con el Covid19 - El Virus Llego a Ecuador y República Dominicana - Murió el Poeta de la Teología de la Liberación y de la Revolución Sandinista, Ernesto Cardenal. Historias Desintegradas: Un Mariachi con Ritmo de Huapango y la Poesía de un Tango de Gardel - Una Tarde Cualquiera en el Estadio de Ciudad Universitaria - Esos Libros que Solo Pueden Editar una Universidad - Saludos Versión Pink Floyd - La Vida es eso que Pasa entre Una Fiesta y Otra - Licuadoras Se Declaran Huelga en Colombia - Los Latinos que Pelean las Guerras de Washington - Entre Cosplayers y Gamers en el OtakuFest. En Caso de que el Mundo Se Desintegre - ECDQEMSD - Desde la nave 'María Tijuana' transmitiendo para todo el Planeta Tierra www.canaltrans.com

Celebrando la Independencia de México, la OSIPN interpreta Huapango de Moncayo y los Sones de mariachi de Blas Galindo.

Ya sea en la Sala Nezahualcóyotl del Centro Cultural Universitario o en cualquier otra sala de conciertos, es un lujo escuchar música que nos grita "¡México!" en cada una de sus notas. Este fin de semana, habrá un concierto mexicano muy especial con la Orquesta Filarmónica de la CDMX. Te hablaremos de él. Sigue nuestras historias y las fotos en Instagram y Twitter @365experiencias y @JuanLuisRPons y encuentra el libro Las 365 experiencias que debes vivir en la Ciudad de México en Amazon y en todas las librerías de México. #365experienciasCDMX #LaMujerActual 365experiencias.com #CDMX #quehacerenCDMX #recomendaciones #tips #música #conciertos

Cuando los frijoles bailan – Los Incondicionales Aliados - Live#masbravosquenuncaAyúdanos a llegar a más personas compartiendo nuestros contenidos.Facebook:Creative media tvYoutube:Creative MPBusca este podcast en:Spreaker, iTunes, Google Podcast, Spotify, etc. etc. Contacto: creative.mphgo@gmail.com

Nuestros Facebooks: El Estrellado, Chefcito y El Jimmy. Twitter @alfredoestrella Instagram @alfredoestrella Whatsapp 5538913635 El mejor show de radio en Mexico, conducido por tres haraganes.

Nuestros Facebooks: El Estrellado, Chefcito y El Jimmy. Twitter @alfredoestrella Instagram @alfredoestrella Whatsapp 5538913635 El mejor show de radio en Mexico, conducido por tres haraganes.

En esta ocasión los prietos hablaran de animes del género shonen y se pondrán en la madre. Siguenos en : Youtube: https://www.youtube.com/watch?v=KvHyJWn-KJs Spotify: https://open.spotify.com/show/2uJysceGtNEvzOh1oxt1da Instagram: https://www.instagram.com/sindicatodefrikisprietos/ Discord: https://discord.gg/QzbDga Música de Época Norteña - Huapango de Naruto https://www.youtube.com/watch?v=34czYdmGOzg

Esta semana en el #buenradio de los #viernes tenemos un programa sabroso que ya empieza a oler a primavera. La música viene desde una Europa distante en los 70s pero con todo el poder de la nostalgia con Silver Convention. La poesía la presentamos desde la tinta de Víctor Mengual que con su producción digital llamada “Bordelicado” de verdad nos ha dado demostrado que la calidad de las letras se puede nutrir con el foro que las expone, descubre sus poemas.En la materia cervecera le daremos un cambio marcado al sabor del concepto artesanal porque nos topamos con La Santa Sabina Olla Stout y todo su rescate cultural con la especial acentuación del café,haremos la reseña el #miercolescervecero, no te la pierdas.En la charla amena de “La Sobremesa” tendremos algo que nos sucede a todos y lamentablemente cada vez más; El fenómeno del Phubbing, que es cuando le prestas más atención a la interacción con los usuarios de tu teléfono que a las personas que están frente a ti. En resumen pedradas para todos.Para el Leño Norteño nos vamos a poner bien contentos con la herencia cultural musical de nuestra tierra porque platicaremos sobre los ritmos musicales de Nuevo León, con la polka, redova, shotís y huapango, seguro tienes preferencias especiales por estos géneros y alguno recuerdos con los amigos, la familia y el pasado que nos acompaña.Recuerda que seguimos con la bandera de la Igualdad y el respeto.No dejes de seguir y compartir nuestro contenido diario en redes sociales.

Desde la equidad de genero hasta el papel de las mujeres en la revolución pasando por la importancia de las parteras. Interesantes temas que tienen que ver con el papel de la mujer en la sociedad, su evolución y las luchas a las que aún se enfrentan las mujeres del mundo en búsqueda de la igualdad. Disfrute cada semana de un nuevo episodio de Mujeres de Hoy con Andrea Saldaña y déjese sorprender. Te presentaremos los temas del diario acontecer, pero la retórica o hasta el título buscarán una guía, una propuesta más allá del miedo, una pista para evitar la pasividad, un indicio para no caer en actitudes pesimistas o de autocompasión, algo que rebase la natural indignación de algunos hechos, que suele paralizar, esperamos reconocer en cada problema una oportunidad para actuar, para colaborar, para defender, para buscar nuevas maneras de hacer las cosas, en resumen, parafraseando a Rosario Castellanos debe haber

In her new book Futureface, Alex Wagner writes that “immigration raises into relief some of our most basic existential questions: Who am I? Where do I belong? And in that way, it’s inextricably tied to an exploration of American identity.” In the book, Alex explores her own American identity – daughter of a Burmese immigrant mother and a small-town Irish Catholic father – and asks how true the stories we grow up with really are. Along with co-hosts Matt and Jeff, Alex is joined by The Atlantic’s deputy politics editor Adam Serwer to discuss the tangled intersections of history, heritage, family, race, and nationality. Is America truly a melting pot? Can nationalism be liberal? And is that stalwart American immigrant story just a history written by the victors? Links - Futureface (Alex Wagner, 2018) - “The Nationalist's Delusion” (Adam Serwer, November 20, 2017) - “America Is Not a Democracy” (Yascha Mounk, March 2018 Issue) - ”The End of Identity Liberalism” (Mark Lilla, New York Times, November 18, 2016) - ”How Can Liberals Reclaim Nationalism?” (Yascha Mounk, New York Times, March 3, 2018) - “Why Are We Surprised When Buddhists Are Violent?” (Dan Arnold and Alicia Turner, New York Times, March 5, 2018) - “The Americans Our Government Won’t Count” (Alex Wagner, New York Times, March 30, 2018) - “Huapango” by José Pablo Moncayo (South West German Radio Kaiserslautern Orchestra, 2007) - Black and White: Land, Labor, and Politics in the South (Timothy Thomas Fortune, 1884) - Pogrom: Kishinev and the Tilt of History (Steven Zipperstein, 2018) Learn more about your ad choices. Visit megaphone.fm/adchoices

18Hz - Huapango by 18Hz

Huapango, danzón y concierto para piano interpreta hoy la OSIPN bajo la dirección de Enrique Diemecke

When we sit down to write a landing page, we usually have a ton of confusion in our heads. We have so many elements on that landing page. What should we put first? What should we leave out? The sales of our product or service depends on us having incredible focus. So how do we get that focus? The answer lies in the "pebble system". The moment we apply the "pebble system" we are able to prioritise what's important to our client—and to ourselves. The sales page gets crystal clear and we stop going around in circles. So what is this "pebble system" and how do we use it right away? -------------------- Useful Resources To access this audio + transcript: http://www.psychotactics.com/64 Email me at: sean@psychotactics.com Twitter/Facebook: seandsouza Magic? Yes, magic: http://www.psychotactics.com/magic -------------------- Improve your planning (with chaos): http://www.psychotactics.com/chaos Write your home page/about us page: http://www.psychotactics.com/web ---------------------- In this episode Sean talks about Part 1: How To Find The Confusion On Your Sales Pages Part 2: How To Use The Pebble System On Your Sales Page Part 3: How To Expand The Sales Message Right click here and ‘save as’ to download this episode to your computer.   Useful Resources 1) How To Avoid Dragging Out A Well Known Story (And Boring The Reader) 2) Why Stories Are Great For Sales Copy3) How to put that Zing-Kapow in your articles (with story telling) -------------------------------- The  Transcript “This transcript hasn’t been checked for typos, so you may well find some. If you do, let us know and we’ll be sure to fix them.” This is the Three Month Vacation, and I’m Sean D’Souza. Every evening at about twilight in New Mexico and Arizona, thousands of bats stream out from caves. One of the most famous of them all, at least among biologists, is the Mexican free-tailed bats, because they’re known for their hunting sprees. Like all animals, bats communicate with each other. But these Mexican free-tailed bats, they not only communicate; they also confuse. Aaron Cochran is a biologist who’s at the Wake Forest University. He was studying the hunting habits of Mexican free-tailed bats in Arizona and also in New Mexico. What he found was that his ultrasonic equipment was picking up two completely different sounds. When the free-tailed be able to was trying to communicate it was one sound, and then, the moment they had competition in the area, they would send out a send that was totally different. What these bats were doing was jamming the signals of other bats. Usually when a bat is hunting, what it does is it sends out a signal. It sends out what is called a feeding buzz. That bounces off the prey, and then they know, “Hey, it’s time for dinner.” What these free-tailed bats were doing was jamming the signals. It reduced their capability of capturing moths from 64% down to just 18%. This confusion, this reduced capability is a lot like what happens on our sales pages. When we are trying to write sales pages, we’re trying to get too much information across. It sounds like there’s one buzz and a second buzz, and now there is confusion and we miss the point. Today what we’re going to do is we’re going to stick to the point and we’re going to use pebbles. We’re going to use pebbles to figure out how we get to exactly what we want to say to the client, and then how we continue to say that over the rest of the sales page. The three things that we’re going to cover are, one, we find the confusion. The second is we use the pebbles. The third is we expand each issue all by itself. Let’s start out with the first one, which is finding the confusion on your sales page. Part 1: How To Find The Confusion On Your Sales Pages About two weeks ago I was on Facebook. I learn a lot through Facebook, despite what I say. Yet, I was watching this video by this conductor called Alondra de la Parra. I was so taken by this video that I saw on Facebook that I went to YouTube. On YouTube, there she was directing the Paris Orchestra. One of the songs that really got to me, one of the pieces that really got to me was “Huapango.” I started listening to “Huapango,” and then to another piece, and another piece, and another piece. Before I knew it, I had three albums of Alondra de la Parra. Of course I was driving Renuka crazy because I was playing this music all day long. Now the interesting thing about this music is it’s classic music, and like a lot of classical music, it requires an orchestra. An orchestra is complete confusion if you let it be. That’s what a conductor does. A conductor has to stand up there and somehow know that music in advance, and push and pull so that instead of cacophony we have music, we have this beautiful-sounding orchestra all playing together, but somehow separately at the same time. Your sales page is not difference. It’s got to have all of this information, but it’s got to play something louder than the other. This is why you have to first find the confusion, because when you find the confusion you know exactly what’s driving the sales page crazy. The answer is usually with the clients. When you ask your clients questions about why do you choose our business, they will tend to use a single word or a single phrase. Theygive you a line that you then try to put on your sales page, and of course it’s total confusion. Let me read you a line from the Running Coach. Now we’re talking about head coach Ken Rickerman, and he runs 5speedrunning.com and he teaches people how to run faster and better and with fewer injuries. Of course help go and help speak to a client, and help ask them, “What is it that drives you to come to 5speedrunning.com?” Of course they’ll give their response, and it sounds like this: “I want to move more freely. I want to go longer on the runs, and I want to improve my form.” The question is, does that help? It doesn’t help, because when you look at it, there are three points there. One is move more freely. Second is longer runs. The third is improve form. It sounded like a single sentence, but there are three whole topics in there, and that’s what we have to do. First we have to find the confusion. In that single line, there is enormous amounts of confusion. You can’t write a sales page or you can’t write an email if you’re trying to cover three points at the same time. You have to cover one point, just like this podcast. We’re going to cover three points, but hey, let’s start off with the first point. Let’s go into a lot of detail with the first point. Then we’ll go to the second point, detail the second point. Then we go to the third point. This is how we do stuff, or we should do stuff. Instead, we end up like those Mexican free-tailed bats, and there’s all this confusion because we’re trying to cover all of it together because it seems like one sentence. We take that sentence and we break it down into bullet points. That’s how you sort out any confusion. Take the sentence from your client, whatever that might be, and then break it up into bullet points. Once you break it up into bullet points, you will see very quickly that hey, there are four or five points here, or there are two or three points here, but there is almost never one point. That’s where the confusion lies. First step: make sure that you break up the sentences into bullet points. Part 2: How To Use The Pebble System On Your Sales Page That takes us to the second step where we start using the pebbles. As you know, we take three months off every year. We work for three months, and then we take a month off. For at least two of those months, we travel internationally. We’ll go to places like The Netherlands, or Japan, or Sardinia. When people ask me, “Which is your favorite city?” that’s not a fair question to ask because every city is completely different. The people are different and the food is different and the experience is different. Even so, you could specifically ask me, “Here are three cities, like three bullet points. Now, can you allocate pebbles to them?” If we took three cities like Amsterdam and Kyoto and Cagliari, then I could allocate pebbles. Because when you rank cities, it’s very difficult. You could say Kyoto is one, Cagliari is two, Amsterdam is three. But that doesn’t give us a sense of weight. What gives us a sense of weight is the pebble system. The pebble system is very simple. If you said, “Now allocate ten pebbles. You’ve got ten pebbles and you have to allocate them to these three different cities,” and then Kyoto would get maybe four or five pebbles. Because Kyoto is old Japan. It’s got temples and shrines and gardens. It’s got lots of ramen, lots of it, great food, great people, and these amazingly sublime gardens where you can sit there for hours and do nothing, just like you would imagine Japan to be, this very quiet, non hustle bustle place. In my ranking, Kyoto would get five pebbles. Now we have just five pebbles among the rest of the cities. Now we have Cagliari and Amsterdam. Amsterdam is amazing. It’s got lots of cheese, and Renuka loved that place more than any other place. But I would give Cagliari three pebbles, and then Amsterdam two pebbles. Now we have a weighted system. We have this concept of Kyoto, five pebbles; Cagliari, three pebbles; and then finally we get to Amsterdam, which is two pebbles. Now, if we have those three bullet points, we’re clear which one is the most important. When look at what Ken had, he had move more freely, longer runs, and improve form. Longer runs got five pebbles. What we’re going to do is we’re going to start off with longer runs. The next thing was improve form; that got three pebbles. Finally, move more freely got two pebbles. Now, what we have with this pebble system is clarity. We know that the most important thing for that runner is for longer runs, so we’re going to deal with longer runs on our sales page. For now, we totally abandon the other two, which is move more freely and improve form, and we focus on the problems that runners have with longer runs: the injuries it causes, all that stuff, but only with longer runs. Then you’re able to get that message across very clearly. You might never have to go to point two and point three. Because, as Ken mentioned, with the longer run you get tired, you get physically exhausted, you lose focus, you get aches and pains, you have oxygen problems, you go out of breath. Then finally, you lose motivation and confidence. There is a lot of stuff to cover with just one topic, as you can see. What we do on the sale page is do the Mexican free-tail dance. We try and put all the points together, when this one point itself could drive half the sales page. Imagine yourself as a client. You get there, you’re having trouble with longer runs, and you see so much information in the form of a sales page about longer runs. That’s when you realize, “My goodness, this guy knows exactly what he’s talking about. This is the stuff that is of interest to me,” instead of all of this confusion and all of these bullet points bouncing back and forth. What we’ve covered so far is we’ve found the confusion. Then we started using the pebbles. Now we’re going to expand the issue. Part 3: How To Expand The Sales Message Yes, we’re on the third and final part of this podcast. Let’s expand the issue, shall we? Let’s go back for a minute to Alondra de la Parra. There she is in front of this orchestra, and there is this accordion. Now this was a different piece altogether, and not “Huapango.” In this accordion we have the analogy that we need to understand how you expand that one point. In the last section we looked at this one concept of longer runs. What we have to ask are three questions. The first is what does the solution look like? When someone goes for a longer run, what does it look like? What does it sound like? What does it feel like? The best thing to do is not to answer this question yourself, especially if you’re writing the sales letter. Because we’re hopeless at writing sales letters. It’s better to call up the client, get a recorder going, and ask them: What does it feel like? What does it look like? They will give you two, three paragraphs. Then you ask that client the second question, which is: When it doesn’t work out? How does it feel? What are things that stop you, slow you down? What they’ll do is come up with that list. I get tired, I lose focus, I lose motivation. What they will do as well is they’ll give you the words that you need to use on that page. If you’ve got that recorder going, you’ll find that the client is giving you the exact words and the exact feeling and the exact emotion that you want from them. The most important thing for you to figure out at this point is that you stay one point. Even when we have gone to just longer runs, we still have five subtopics under that, which is get tired, lose focus, aches and pains, can’t catch breath, and then lose motivation. We have five topics, and you have to be very careful. You have to stick with one thing at a time. Among those five topics, which are the most important? Then you drive that. You address that one topic. Then they answer in a paragraph. That paragraph goes on your sales page. Because they will tell you exactly how they feel, what’s happening in their brain, and what’s really important to them. The client might say that the aches and pains are the most critical of all. That’s where you start. Then maybe they go to the fact that the aches and pains make them lose focus. Then you continue down that path. Let them speak for a while. You just have to transcribe. Maybe you have to tweak a little bit here and there, but most of the time you’re just doing a transcription. This is the beauty of the pebble system. Instead of dealing with all of these things, we go down to one point. From that one point, we get another five points from those five points. We still have some level of ranking. In this case, you can have the ranking, all the pebbles all over again. The client will explain to you how they feel. Then you want to take that and put that on your sales page. What about the other points? The move more freely and the improve form? You can put that in your bullets. You don’t have to put that in your main text. You can put that a lot later. What you’re really trying to do is drive home one problem. That is longer runs and what it means not to run that long. What are the consequences of not running that long? Then you bring up your solution: introducing the long run system. Then you explain your solution. How do you explain your solution? The client told you, remember? We asked them what did the solution look like. In effect, the client is writing your entire sales page. The critical thing is to use the pebble system. Because the pebble system allows you to focus. Otherwise, we have all this confusion, too much information. When someone reads your sales page, they don’t get a single message. We often try to write sales pages ourselves, and it’s a big mistake. Even if you’re a copywriter, it’s a big mistake. The client can come up with terminology that you just cannot dream of, because they live it and they breathe it and they feel it. They have this specific information, the specific term that they want to use. You want to use that on your sales page. The best way to do it is to ask them. First you have to clarify. While I’m talking about clarification, let me reiterate what we’ve covered in this episode. Summary The first thing that we looked at was finding the confusion. We saw that it didn’t matter what we’re doing, there were several points that need to be covered. What we’re going to do is isolate them. We isolated them by using pebbles. We then said five pebbles for this place, three for that, two for this. The same thing applies to your website. There are all of these points, but you allocate pebbles. Then you take the one that got the most pebbles. Then you expand on them. That was the third part. When you expand, you ask them, What does the solution look like?” and let them talk, and let them talk, and let them talk. You keep recording. You’re the transcriber. You’re the person asking the questions. Let them talk. Then you ask them what the problem looks like. Then they will give you four or five points. You can ask them more details about those points. Now you have enough content to put on your page. It’s not just content, but emotion-filled content on that one single topic. That is why the pebble system is so powerful, because it helps the client focus, helps you focus, and you’re able to create a much better sales page than just sitting at your computer and churning something out. What’s the one thing that you can do this week? The one thing that you can do is to help yourself find that confusion factor that you’re dealing with every single day. Do this with your grocery list. Just take three items and then allocate those pebbles. This is five, this is three, this is two. Get into the habit of allocating for pretty much everything. Your to-do list looks a lot better when you allocate pebbles, because you know exactly why you’re doing what you’re doing. If you have any questions, I’m at Twitter, Sean D’Souza; Facebook, Sean D’Souza; or sean@psychotactics.com. To get this episode, go to psychotactics.com/64, and you will get the podcast as well as the transcript. There are still a few seats remaining for the storytelling workshop both in Amsterdam and Nashville. To find out more, go to psychotactics.com/story-telling-workshop. This is on the 2nd, 3rd, and 4th of December; and the 13th, 14th, and 15th of December in Amsterdam. Storytelling is critical. Most people think of storytelling as just telling stories, but no, it’s a branding issue. It gets your message across in a way that is so amazing and so powerful. As you’ve discovered on this podcast, there are all these stories, and that’s why you’re listening to the podcast right to the end. When you read The Brain Audit, when you read Dartboard Pricing, when you read the book on presell, when you go through any of our courses, there are stories. It’s not just about telling stories to sell, but also your books and your podcasts and your webinars, and your pretty much everything. The reason why stuff is so boring is because it doesn’t have stories. This is what the storytelling workshop will do for you. It will show you how to construct those stories for business rather than just telling another story. That’s psychotactics.com/story-telling-workshop. That’s me, Sean D’Souza, saying bye for now from Psychotactics and the Three Month Vacation. Bye bye. Do you know—Why Clients Buy And Why They Don’t? In this free except on—The Brain Audit you will  find out why customers put off buying your product or service.

Tomás Méndez Sosa (Fresnillo, Zacatecas, 25 de julio de 1926 - Ciudad de México, 19 de junio de 1995), fue un músico y compositor de música folklórica de México. Mediante la ayuda de Jorge "Polilla" Gutiérrez se acercó al programa La hora mejor con Mejoral de la XEW. Conoció a Los Tres Diamantes y como su maestro de ceremonias los acompañó en una gira a través de Estados Unidos y Cuba. Fungiendo como su secretario compusó una canción para el trío. Tiempo después conoció a Mariano Rivera Conde y a Miguel Aceves Mejía quien interpretó algunas de las composiciones de Méndez. Durante una reunión en la casa de Emilio "el Indio" Fernández, conoció a Lola Beltrán, a partir de ese momento se convirtió en su compositor. En 1952, las canciones “La luna dijo que no”, “Habana”, “Que me toquen las golondrinas”, “Tres días”, “Puñalada trapera”, “Desafío”, “El tren sin pasajeros”, “Las rejas no matan” y “Huapango torero” se habían dado a conocer por medio de la cantante. Compusó además “Gorrioncillo pecho amarillo”, “Cucurrucucú paloma” y “La muerte de un gallero”. Méndez también fue escritor de libretos para programas folklóricos de televisión, destacando el programa Dos gallos en palenque. Síguenos en https://www.facebook.com/elestudioverdeyoro Descarga este y todos los podcast anteriores automáticamente a través de tu suscripción en iTunes: https://itunes.apple.com/mx/podcast/el-estudio-verde-y-oro/id678936139?mt=2

We are proud and pleased as punch to bring you the third of three musical themes used in our movie, Blood Cousins, written and performed by Los Nahuatlatos. Please download and share this fantastic piece of music now! The movie, Blood Cousins, is now available at http://bloodcousinsmovie.com

In this episode, we explore the region of the Huasteca and the musical genre of the Huapango. The Huasteca region consists of: - the southern part of the state of Tamaulipas; - the northern part of the state of Veracruz; - the state of San Luis Potosi; - the state of Hidalgo - the state of Queretaro - the state of Puebla We introduce the section by the introduction of 2 Huapangos: - Brief introduction of the Classic huapango of LA PETENERA, as played by a conjunto huasteco; and - Brief introduction of the Modern huapango EL REY DE LA HUASTECA from Jose Hernandez, the director of the Mariachi Sol de Mexico. We then go into the elements of the Huapango, which includes: - the inverted verses; - the falsetto voice (in Spanish, falsete); - the dynamic and improvised lyrics of the pregronero; - and in some cases, the picaresque and rogue-like double-meaning huapango picante. For the latter, we demonstrate with a case-in-point of the huapango picante EL QUERREQUE. Also, to demonstrate the falsetto voice (falsete), we have the classic huapango of LA MALAGUENA, as compared to the purist version from the original style as played by the Trio Chicontepec. Both of these are only a few seconds in length to show the contrast of the same song, but in different styles that have emerged for the benefit of entertainment. And finally, we end the episode by playing the entire version of the modern huapango, which was written and composed and arranged and played by Jose Hernandez. He is the director of the Mariachi Sol de Mexico from South El Monte, California, and whose restaurant CIELITO LINDO is highlighted during the interview with him in episode 2 of this podcast series. The theme and story line for this song, published in 2005-2006 by Hernandez Productions, is also explained.