Podcasts about queretaro

En esta entrevista Iován Elías Pérez, Secretario de Seguridad Ciudadana, nos habla sobre el trabajo que realiza la policía para que  Queretaro sea el lugar 13 a nivel nacional con mayor percepción de seguridad de acuerdo a ENSU.

The Warehouse 15 crew delivers a no-holds-barred assessment of the recent Pan Am Championships in Queretaro, Mexico, where competitors battled not just opponents but also 90-degree heat in outdoor tents. The tournament's chaotic organization—from confusing registration processes to midnight schedule changes—prompts a larger conversation about respect for athletes in international Taekwondo.The discussion takes a critical turn toward USA Taekwondo's development pipeline after noting the junior team's underwhelming gold medal count. Unlike other sports with sophisticated talent identification systems and multiple development pathways, Taekwondo in America lacks structured approaches to cultivating future Olympic talent. Financial support comes under fire too, with reports that athletes receive minimal backing for world championships—just registration fees and uniforms while self-funding travel and accommodations.The episode's highlight is a fascinating exploration of game-changing athletes throughout Taekwondo history. From Steven Lopez's revolutionary leg check (which eventually led to rule changes) to Jung Myung-sam's gravity-defying aerial techniques, the hosts analyze competitors who didn't just excel within the existing paradigm—they forced the sport to evolve around them. Other transformative figures discussed include Dae Hoon Lee, Gabriel Mercedes, Arlene Limas, and Hadi Saei, each bringing unique innovations that permanently altered how future generations approach the sport.Whether you're a competitive athlete, coach, or passionate fan, this episode offers rare insights into both the current state of Taekwondo governance and the extraordinary individuals who've redefined what's possible within the sport. Share your thoughts on game-changing athletes by emailing the hosts—they're eager to hear from listeners who've stuck around for this deep dive into Taekwondo's past, present, and future.

El Campanario en Queretaro será sede de la recta final de la temporada 2024-2025 de la Gira de Golf Profesional y aquí todo lo que tienes que saber.

¿Cómo ha cambiado el consumo del agua a lo largo de la historia? ¿Qué nos dicen los grandes pensadores sobre su valor filosófico? ¿Cómo se simboliza el agua en el Antiguo Testamento? El agua, ¿Está mojada? En este capítulo hablamos de: El Nilo, El acueducto de Queretaro, Las termas de Caracalla, Las Estacas, Agua de Barro, Agua mineral, Y más datos sorprendentes e interesantes del agua en el Banquete del Doctor Zagal.See omnystudio.com/listener for privacy information.

"¡Viva México! reimagines a field recording of children singing a protest song against the police, transforming their original rage into a lively, dance-like rhythm. The music shifts from anger to joy, creating a paradoxical celebration of resistance and childhood." Queretaro protest reimagined by Francesco Ganassin and Sergio Marchesini. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage Photo by Tito Texidor III on Unsplash

Public demonstration at Querétaro, Mexico. Stereo 44khz 16bit. XXXX reimagined by Erick Ruiz Arellano. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage Photo by Tito Texidor III on Unsplash

Alfred, Edgar, and Dennis discuss last Friday's match against Queretaro, Guido Pizarro's first win as coach, and how the club celebrated the 65th anniversary! We also preview leg 2 of the series against FC Cincinnati, rave about the Amazonas continuing to put in strong performances, and decide whether or not we agree with Pizarro's selections for captains.PSA: tune in next week for some very special episodes!!--Tune in to our recordings LIVE every week on Twitter/X and YouTube! We usually record on Monday or Tuesday night. Come hang and interact with us!Follow us on Twitter/X (@La_U_Times), Instagram (@la.u.times), and TikTok (@lautimespod)Check out our YouTube channel: https://www.youtube.com/channel/UCZGDp_qFydOGvNa9mGzlp7wCheck us out on Golz TV! https://golz.tv/@la_u_timesEmail us! lautimespod@gmail.comVisit our Linktree to find us anywhere (linktr.ee/lautimes)--Follow @DoubleLNation, @tigres_english, @TigresTakes, and @dennisgartmanjr on Twitter/X.

That incredible beer-not-beer was made by tlachiquero Marco Antonio of pulqueria El rincon de Mayahuel in San Felipe, Guanajuato. I was introduced to Marco by Malena Villasuso and Juan Pedro Valdes of Mezcal Villasuso. This episode was recorded outdoors at Bárbaro Asador de Campo, an amazing table-in-farm restaurant in Queretaro, where we stopped to have lunch with our travel companions: environmental scientist and SACRED program manager Regina Gonzalez and Brian Rabon of 30A Distilling Company.

James Rodriguez joins Leon Luka Romero snubs Chivas for Cruz Azul America beats Queretaro with youth players

Se registra un bloqueo en la autopista México-Querétaro, ¿qué es lo que se sabe?See omnystudio.com/listener for privacy information.

Hello Wonderful Readers,I hope you had a lovely holiday. Despite having Covid and then the flu and watching the neighborhood my mother grew up in being razed by a wildfire, I am keeping my promise to you. I'm here to tell you the story of how Todor and I met. Before I do that, I have one very exciting announcement.Upcoming Topic on Misseducated Podcast: Open RelationshipsNext week, I will be interviewing an anonymous girl about the successful open relationship she's been in with her partner for the last four years. They do all kinds of fun things together, like go to play parties. While open relationships are common, I know very few couples that have done it successfully. She's graciously agreed to be interviewed by me for the Misseducated podcast. So, if you have a question for her, please feel free to comment below if you are a paid subscriber, or you can respond to this email or text me. My interview with her should be great, but whatever questions you send me will make it even better.Thank you so much!I hope you enjoy the romance to come

Welcome back to another episode. Today we break down the André Jardine drama leading to thr start of the 2025 Clausura campaign.Don't forget to subscribe and rate the podcast on Apple Podcast, Spotify or wherever it is you may listen. Follow us on social media to stay updated on all things Club America

Inundaciones y daños a casas por lluvias en Veracruz, el Ejército aplicó el Plan DN-III  Deja cartas de criticando a EEUU conductor de Cybrtruck de Tesla   Más información en nuestro podcast

Eduardo Guerrero, especialista en temas de seguridad

Violencia toca a Querétaro: asesinan a 10 personas en un bar; PAN renueva dirigencia nacional con más de 60% de abstencionismo; conteo electoral confirma victoria de Trump mayor que en 2016.

En este episodio platico con Alan De Alva de Shotsu Live él es un talentoso bailarin y videografo con base en Queretaro. Él nos platica cómo empezó en el baile y como el buscar grabar videos de calidad en sus presentaciones lo ha llevado a dedicarse a hacer videos para otros bailarines tambien, su arduo trabajo y dedicacion lo han llevado a bailar con personas importantes en el mundo de la bachata.. El es un claro ejemplo de que cuando tienes una idea creativa puedes empezar con un equipo basico y de ahi ir subiendo en el dependiendo de tus necesidades. No se les olvide darte una vuelta por el perfil de Shotsu y checar su trabajo A el lo encuentras en Instagram como: @shotsu.live

Hello Wonderful Readers,Late last Thursday evening, I felt terrible. As I walked with my two friends through the dark, tree-lined streets of Mexico City to a cocktail bar, a giant, hollow pit was growing inside me. Not because I was hungry. I had just eaten two slices of my favorite pizza in the whole world: the Picante Pep from Hanks. But not even that salami, basil, and sweet, spicy honey could comfort me. Arturo, my new love interest, had promised to meet up at Casa Franca. And I still hadn't heard from him.My phone lay message-less in my purse. I ground my teeth in this godawful purgatory. My heart had sunk somewhere between my knees and my feet. Part of my disappointment and hurt was oozing with my anxiety into a mixture as toxic as nuclear waste in my mind.Maybe I won't meet with him for jazz music and dancing like we planned? Arturo isn't interested in me, is he? Why can't I date a nice guy like him without scaring him away? What's wrong with me?I felt like a fool for dressing up, looking hotter than I had looked in weeks. I wore a crimped red dress and dark purple turtleneck top, black tights, and big, clompy black boots. My dark, purply red lipstick matched my dress, which was the same length as my black blazer with gold buttons. Whatever, I huffed to myself. None of this mattered if I wasn't going to see Arturo.But what do they say? When God closes a door, he opens a window. Well, don't even start me on the concept of God being a male. At least Ariana Grande was right about something.My friends and I arrived at the cocktail bar, Salón Palomilla. I kept trying to focus on what they were saying, but I still felt too distracted. It was hard to divert the course of my thoughts when the destination of Arturo was seared into my brain. We walked down the mirrored corridor, passed gold bottles of expensive alcohol, and climbed the back stairs to the rooftop.Our surroundings transformed. Serpent-green walls were interrupted by low-lit, quirky paintings of women's bodies, something between Picasso and Miro. The starry sky stretched overhead like we were in the top capsule of a spaceship filled with Mexico City's hottest and coolest bright young things. Just arriving there, I felt slightly elevated. Do I sound entitled for feeling self-important when I walk into a room of exclusivity, pomp, and snobbery? Probably. I gazed at couples whispering to each other and groups of friends sitting on velvet couches around black onyx coffee tables. They talked and checked us out as we passed. But much like the stars in the night sky overhead and the bubbles in some clientele's cocktails, I too, felt like I had risen.On the way to our table, I suddenly caught sight of someone strangely familiar. He was sitting in a high-backed armchair with a female friend at his side. I believe they were friends because they seemed utterly uninterested in each other, at least compared to the other couples in the room who were sitting much closer together and seemed more enraptured in each other's physical and personal business. But as you know, I have been very wrong about this in the past.I only caught sight of this man for a split second. I couldn't be sure. Was it him, though? If it was who I thought it was, well, then it was Guillermo García Garrido, one of the hottest and most successful internet chefs of my generation. His initials should not be confused with GGG, a tagline some men use on dating apps to proclaim themselves as “good, giving and game” (good in bed, willing to give equally to their partner and game for anything). Perhaps Guillermo, if that's who he was, was GGG. A conversation about Guillermo's supposed sex life, for me, would be a whole other situation.Now, I'm not one for cooking shows. I don't give a s**t about cooking recipes at home, and I have never used my oven in the two years I've lived in this apartment. But the truth is that Guillermo could feed me s**t-stew, and I'd eat it. The man is like a small walking god. He had a beautiful, rounded nose and luscious locks of brown hair. And when I say luscious, I mean a little long in places, but the kind that he would curl down in front of his face when he made his cooking videos. I don't remember how I had come across him on the internet. But this beautiful man, born in Chicago to Mexican parents, had achieved something that I thought was impossible. Guillermo is so attractive that for a brief moment in time, he convinced me that vegan food is sexy. Known as “That Vegan Guy” (this is not his real handle, of course, I have anonymized him), since he moved to Manhattan, his career had exploded, and he'd soared to more than 400,000 followers on Instagram.  Of course, once I stumbled across his work, I began to salivate over the vegan things he was cooking. Well, not for the food. I was there for the videos of him being hot and cute, biting into a deep, juicy mushroom burger, and rolling his eyes back in his head because he was enjoying his own food so much. The pleasure of it all, just watching him chop, stir, and devour, was enough to keep me on my toes as I looked into his equally dashing dark brown eyes through my screen. What else can I say about him, except that he was so hot? And just like any fangirl on the internet, I quickly developed a crush on him the size of Mount Everest. I formed a strange, para-social relationship with him, wanting to touch and lick this man who was touching and licking so many delicious things in his videos. Well, that's the weirdness of the internet for you.Yet, in 2021, I soon became very disinterested in his vegan cooking. And so, in an act of stupidity or genius (I'm not sure which), I decided to troll him on Twitter. Now, I know I'm being a complete hypocrite here because I believe trolling is bad and it's not a nice thing to do in general. What I did was wrong, I admit it. But at the time, it was the pandemic, and I didn't give enough of a f**k about anything. And I honestly didn't think he would reply. So, here is the interaction that we had on Twitter:If you can't speak Spanish I flit from trying to sound cool to the immediately desperate reaction of:“Seriously, tell me when you don't have a girlfriend. Maybe we'll meet someday. Who knows.”And who knows, indeed? Had I just finally met That Vegan Guy in real life? Had I prophesized this meeting three years earlier? Or was I just fangirling and salivating over nothing and no one?My friends and I indulged in rounds of cocktails and passion-fruit kombucha with a salt rim, which I quite liked. Despite the chance of seeing Guillermo, I still felt down about Arturo, and I turned to my friends for consolation. But when I mentioned to them who he might be, of course, we erupted in giggles and quickly came up with a new challenge:I had to determine whether this man was indeed Guillermo García Garrido, and then I had to do whatever was in my power to talk to him.Rather than being normal and mature adults, my friends quickly dared me to walk back to the entrance to try to catch his eye. I got up and dawdled back to where I had seen him, pretending to look at the art. But based on where this guy's chair was sitting and facing, it was impossible to look properly. He also now seemed even less interested in talking to his female friend, and he was on his phone, which meant it was even harder to look directly at his face. I returned to the table with my friends, unsuccessful.But then, about 20 minutes later, this Guillermo-lookalike got up from his chair and walked beside us to the bar at the back of the room. He disappeared behind some curtains into a cornered-off section. I whispered to my friends,“Okay. What should I do?”“Go for it!” my female friend said, “I mean, you miss all the shots you don't take.” She winked at me with undeniable excitement and cheekiness. So I took a deep breath and stood up. Yes, I thought to myself. I had nothing to lose again.I tried to walk as normally and coolly as I could. Soon, I disappeared behind the curtains. I found him there next to the bar.“Excuse me,” I said in my most confident and British English, “Are you Guillermo, That Vegan Guy?”Guillermo gazed at me, and as if he was posing for a TV camera, he twirled the lock of luscious brown hair dangling over his forehead.“I am,” he said. Was that a smirk? A smile? Was Guillermo García Garrido flirting with me?“Oh, great,” I said, again trying to play it the coolest of cool. Guillermo's beauty was a little more understated in person. Still, I liked his rolled-up corduroy trousers. “I don't know if you remember me. I trolled you on Twitter once. I'm Tash—”“Tash Doherty,” he said.I almost choked on my tongue. I was clueless as to what to do, so I kept talking, pretending not to hear but also very, very aware that this walking human male god knew who I was. (If you think I'm an egotist for writing this story, you are completely right. I checked after and somehow we follow each other's personal Instagram accounts. Lol.)“Yes, that's me. I'm sorry I said that about you. Quite the back-handed compliment. Ha. Ha. Well, what are you doing in Mexico City?” I asked him. I was grateful to be wearing my blazer so that he couldn't see the probably enormous sweat patches forming at my armpits.“I'm checking some places out and visiting my family in Queretaro. What are you doing here?”“I live here. I used to live in New York, but now I live here.” I bombarded him with nervous repetitions to try to save myself.“Oh, cool,” he said.“How long are you in town for?” I asked. And before he had the chance to answer, I added, “I'd be happy to show you around if you need. Here. Let's exchange numbers.”“For sure—”I thrust my phone into his hands and beckoned for his. I was surprised that he had an older, smaller model of the iPhone. I guess I had incorrectly judged him as someone who might have all the latest gadgets. But Guillermo was either down-to-earth, uninterested in the high-flying lifestyle, or he was so successful in his TV and food film career that he never shot videos for himself on his own phone, and only had others do it for him.Putting my number in this man's phone, I could tell that he was very important indeed. Just from the red icons on his home screen alone, I saw that he had like 560 missed calls, 810 messages that he hadn't read, and some ungodly numbers of Instagram and TikTok notifications. I now had low expectations that this man would ever message me (spoiler alert, he eventually did, which I may tell you about another time). Yet with a couple more pleasantries and a quick goodbye, I headed back to my table with Guillermo García Garrido's phone number in my phone and a one-in-a-lifetime story for my friends.As I told them what had happened, I noticed that my feelings of low self-worth from Arturo's radio silence had evaporated. When Guillermo left the bar some 15 minutes later, I even gave him a quick wave as he stood at the top of the staircase. How did he signal back to me? He nodded at me, the most incredible, smooth, subtly sexy nod I had ever received in my life. A smirk, a thin lift of his eyebrows, and a small swoosh of his hair all in one. It was scorching hot enough to make my insides melt on the spot.So, what is the moral of this twist of fate, of the universe lending me a step up and a reason to remember for a moment that, yes, I truly am hot as f**k? It's one of the five cliched principles I live my life by:You never know.This is an angle of optimism. Things can accidentally work out far better than you could have ever imagined. My experience with Guillermo García Garrido at Salón Palomilla is proof of that, and let me tell you: there's nothing quite like exchanging numbers and flirting with one of the objectively hottest guys on this planet as a way to forget about a pleasant but inattentive man.Of course, you know from last week's post that Arturo did eventually message me, and we did eventually dance to jazz music at Casa Franca. But I can tell you that I was a lot more fun to be around once Guillermo had given me the ego stroke of a lifetime.As promised, I'll have even more details of where that came from for you next week, because I ran into one of my exes from On Dating Mexican Men at Casa Franca. Stay tuned, as I'll be back with the gory, juicy details of that encounter next week.Much love to you, wherever you are out there in the ether.Love,Tash

As the climate crisis intensifies, billions of poor and working people around the world are suffering from lack of regular (or any) access to clean water, but the dawn of “AI” is about to make the problem much worse. In their recent report for Context, “Forget jobs—AI is coming for your water,” Diana Baptista and Fintan McDonnell write, “Artificial intelligence lives on power and water, fed to it in vast quantities by data centres around the world. And those centres are increasingly located in the global south.” In Colón, a municipality in Central Mexico that is home to Microsoft's first hyperscale data center campus in the country, working people are already bearing the environmental costs of man-made climate change, and they will be the ones to bear the costs of AI and Big Tech. “The town of 67,000 is suffering extreme drought. Its two dams have nearly dried up, farmers are struggling with dead crops, and families are relying on trucked and bottled water to fulfill their daily needs.” In the latest installment of our ongoing series, Sacrificed, Max speaks with Diana Baptista, a data journalist at the Thomson Reuters Foundation based in Mexico City, about Mexico's ongoing water crisis and about the human and environmental costs of AI and cloud computing.Additional links/info below…Diana's Context author page and X pageFintan McDonnell & Diana Baptista, Context, “Forget jobs. AI is coming for your water (Video Report)”Fintan McDonnell & Diana Baptista, Context, “Thirsty data centres spring up in water-poor Mexican town (Text Report)”David Berreby, Yale Environment 360, “As use of A.I. soars, so does the energy and water it requires”Tamara Pearson, The Real News Network, “Indigenous Mexicans risk their lives to defend the environment from organized crime and ‘insatiable, predatory' transnational corporations”Maximillian Alvarez, Working People / The Real News Network, “In Brazil, the climate crisis is already turning working people into climate refugees”Maximillian Alvarez, Working People / The Real News Network, “East Palestine residents have been left behind—and they're running out of water”Permanent links below…Leave us a voicemail and we might play it on the show!Labor Radio / Podcast Network website, Facebook page, and Twitter pageIn These Times website, Facebook page, and Twitter pageThe Real News Network website, YouTubechannel, podcast feeds, Facebook page, and Twitter pageFeatured Music…Jules Taylor, “Working People” Theme SongStudio Production: Max AlvarezHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterLike us on FacebookFollow us on TwitterDonate to support this podcast

Last week, los Incomparables visited the bottom of the league clubs Queretaro and Juarez, where a reality check was in store for Paunovic & co. Bottom side Queretaro tried to drag Tigres down with them by handing them their first loss of the season, in a very disappointing match for Tigres. A singular goal was enough to defeat Tigres, who had Gignac, Nahuel, and Antuna in their starting XI. Sunday night, things didn't improve by much as a singular goal from the CEO gave Tigres 3 points against Juarez, in yet another underwhelming match with no offensive creativity or defined style of play. While Tigres locked in the three points, many questions have arised regarding some individual performances as well as Paunovic's management of the squad. Let's discuss. -- Tune in to our recordings LIVE every week on Twitter/X and YouTube! We usually record on Monday or Tuesday night. Come hang and interact with us! Follow us on Twitter/X (@La_U_Times), Instagram (@la.u.times), and TikTok (@lautimespod) Check out our YouTube channel: https://www.youtube.com/channel/UCZGDp_qFydOGvNa9mGzlp7w Check us out on Golz TV! https://golz.tv/@la_u_times Email us! lautimespod@gmail.com Visit our Linktree to find us anywhere (linktr.ee/lautimes) -- Follow @DoubleLNation, @tigres_english, @TigresTakes, and @dennisgartmanjr on Twitter/X.

Dynamic dishes, rich backgrounds, and a legacy of flavor are all on the menu in Marisel Salazar's debut cookbook Latin-ish: More Than 100 Recipes Celebrating American Latino Cuisines. Building on her heritage with years of research and travel, Salazar takes fellow cooks and food enthusiasts on a flavor-packed journey through the Latine diaspora. This collection of recipes draws from a wide range of community-driven cooking and immigrant experience, translated into the kitchens of today. Latin-ish is a unique deep dive into regional Latine food influences across the geography of the United States – from Floribbean to Tex-Mex, from Alta California to NYC Latine, and more. Latin-ish combines lively origin stories with step-by-step directions and vibrant photography to guide readers in putting together playful plates of food and history. Thoughtfully organized and contextualized, Salazar aims to provide a little something for every craving – day or night. Dig into indulgent breakfasts like Guava Cream Cheese Cinnamon Rolls, boost your snack game by crunching into a Mango Chamoy Salad or Yuca Fries with Cilantro Lime Aioli, warm your dinner guests up with Arkansas Tamales or Cuban Pizza, and treat yourself at the end of a long day with a slice of Plantain Upside-Down Cake or a Oaxaca Old-Fashioned. The recipes of Latin-ish raise a glass to a diverse spread of Latine roots while leaving ample room to grow in an ever-evolving corner of the modern American culinary landscape. Marisel Salazar is a writer, cook, recipe developer, and host with a focus on cultural context in the food world. She is the creator of the column Eating Off Duty for the Michelin Guide. Her writing, recipes, and on-camera work has been featured on platforms such as Zagat, Infatuation, Food & Wine, NYT Cooking, The Spruce Eats, and Thrillist. She is a member of the National Association of Hispanic Journalists, the Newswomen's Press Club of New York, and the International Association of Culinary Professionals. Agueda Pacheco Flores is a journalist in Seattle with a focus on Latinx culture and Mexican American identity. She was previously an arts and culture writer at Crosscut where she enjoyed writing about Chicano galleries, Cumbia in the Pacific Northwest as well as shining a light on emerging Latinx artists. Before Crosscut, she worked for The Seattle Times, where she was a general assignment reporter covering breaking news, crime, and federal courts. Originally from Queretaro, Mexico, Pacheco Flores is inspired by her own bicultural upbringing as an undocumented immigrant and proud Washingtonian. Her work has appeared in The Seattle Globalist, Seattle Weekly, The Daily, and the South Seattle Emerald. Buy the Book Latin-Ish: More Than 100 Recipes Celebrating American Latino Cuisines Book Larder

Siguen cancelando shows a Adrián Marcelo y a la Mole. En el palenque de Queretaro se vea a poner muy bueno, entérate de quienes van. Banda Pequeño musical cumple 35 años.See omnystudio.com/listener for privacy information.

En este episodio mencionamos 1 dibujante - ilustrador/a por estado de México, hablamos sobre su trabajo y lo bonito que es estar en un país donde tenemos taaaaanto dibujante. Disclaimer 1): En este episodio se nos paso mencionara Queretaro (perdón Qro.) pero haremos un reel para compensarlo :), por su comprensión gracias Disclaimer 1): sabemos que CDMX no es como tal un estado pero pues también hay que ponerlo como de que no

Resumen Jornada 7 Apertura 2024 Liga MX - Futbol Mexicano Cruz azul se mantiene superlider derroto a leon 2-1 Puebla Derrota a Queretaro y lo manda a zona de multa 2-1 Atlas le gano a pachuca 2-0 En duelo de zona de multa Bravos derroto 1-0 a mazatlan Tigres por la minima 1-0 a San luis Necaxa Le gano a Pumas 2-0 Toluca goleo 4-0 a los xolos America se llevo el clasico nacional 1-0 Monterrey es inmune a la casa del dolor ajeno gano 2-0 a Santos en Torreon Esto Y mas en el peor podcast de la liga MXwww.golesygambeta Escuchanos en iTunes - Spotify - tune-in - Pandora - Youtube - Google Music Support Goles Y Gambeta by contributing to their tip jar: https://tips.pinecast.com/jar/goles-y-gambeta Find out more at http://golesygambeta.com This podcast is powered by Pinecast.

Following an action-packed weekend on the field, the crew (Dennis, Luis, Edgar, and Alfred) recap the match vs San Luis, look ahead to this week's matches vs Queretaro and Juarez, discuss Femenil's frustrating draw vs Rayadas, and rant about Mila once again. -- Tune in to our recordings LIVE every week on Twitter/X and YouTube! We usually record on Monday or Tuesday night. Come hang and interact with us! Follow us on Twitter/X (@La_U_Times), Instagram (@la.u.times), and TikTok (@lautimespod) Check out our YouTube channel: https://www.youtube.com/channel/UCZGDp_qFydOGvNa9mGzlp7w Check us out on Golz TV! https://golz.tv/@la_u_times Email us! lautimespod@gmail.com Visit our Linktree to find us anywhere (linktr.ee/lautimes) -- Follow @DoubleLNation, @tigres_english, @TigresTakes, and @dennisgartmanjr on Twitter/X.

En este episodio me senté con Alejandro Tamayo y José Mireles de Tamayo Desarrollos, para platicar sobre algunas oportunidades inmobiliarias en el bajío, específicamente en el estado de Querétaro, un lugar de muchísimo movimiento y llegada de diversas empresas internacionales.

Today Oni Blecher speaks with Anna Watts. Anna is the Founder of Celebration of Birth, and has been guiding women and their partners through the journey of pregnancy and birth for over 30 years. Anna believes in honouring and celebrating birth as a ‘rite of passage' for mother, father and baby, supporting empowered birthing choices and strengthening the spiritual connection in pregnancy and birth.Anna's experience as a Childbirth Educator, Doula Trainer, Prenatal Yoga Teacher, Spiritual Healer, Counsellor and mother of two beautiful daughters both born at home – one a water birth – brings a depth and grounded warmth to her teaching. Anna also Co-Authored ‘Birthing the Spirit' – Guide to Conscious Conception, Pregnancy and Birth – a beautiful set of cards with guidebook offering inspiration and guidance to support the spiritual connection at this transformative time. Anna is a passionate traveller and has spent time teaching, learning and assisting in birth communities around the world, including the FreMo Birth Centre, Nairobi, Kenya; Da-a-Luz Midwifery School, Andalucia, Spain; Midwife & Doula Community, Queretaro, Mexico. Sharing women's wisdom with a diverse range of birth professionals has greatly enhanced Anna's birthing knowledge and the way she passes on holistic skills to both pregnant women and doulas alike.Anna recently became a Grandmother; which was an inspiration for this episode. We have had Anna on the show before and we were keen to hear about her transition into grandmotherhood. In the Maga season of her life, Anna is delighting in supporting her family to blossom and flourish by holding true holistic care at the centre of wellbeing for future generations. The red thread lineage continues to be grounded in deep trust for birthing wisdom.To get in touch with Anna's offerings, see belowhttps://www.celebrationofbirth.com@sacredbirthsacredearth 

A bounce back week for FCC with 2 League Cup Wins! Sam and Ryan break down the crazy games and thoughts on Asad's recent form. Is Boup on the way out? Midfielder Sanchez on the way in? We discuss these rumors and our thoughts on the best starting XI for the rest of the tourney. Stay for a Santos Laguna preview! Timestamps: (00:00) - Podcast opening (01:53) - Leagues Cup vs Queretaro (06:57) - Leagues Cup vs NYCFC (29:25) - Trivia of the week (31:30) - Sam's Card of the week (34:11) - Ryan's Card of the week (38:53) - Sam's Jersey swap of the week (41:42) - Ryan's Jersey swap of the week (44:12) - Richard Sanchez Rumor (50:41) - Boup Situation (58:19) - Preview of Round of 32 vs Santos Laguna (1:04:24) - Trivia answer --- Support this podcast: https://podcasters.spotify.com/pod/show/the-flyin-lion-podcast/support

In this episode of Adventure Calls, host Jess Drucker sits down with Ivonne Paavan, founder of Host Relocation, to uncover the reality of safety and acceptance for LGBTQ+ expats and the local community in Mexico. Discover why more Americans are choosing to relocate south of the border and how Ivonne's expert insights can make your move seamless and stress-free. Jess and Ivonne discuss the realities of life in Mexico, from safety, the actual cost of living, the importance of learning Spanish how to get a visa to Mexico, what schools children can attend, what part of Mexico to move to, and more. We talk about life in cities like, Mexico City, Queretaro, Puerto Vallarta, CancunPlaya del Carmen, Monterrey and Guadalajara. Below are the key takeaways from this episode:Safety for the LGBTQ Community: Mexico offers significant safety and acceptance for LGBTQ individuals, sometimes even more so than in the US.Comprehensive Relocation Services: Host Relocation Mexico provides a range of services including residency, housing, and multicultural training to facilitate smooth transitions for expats.Learning Spanish: Adapting to life in Mexico is easier with Spanish proficiency, and Host Relocation offers pre-departure Spanish classes via Zoom.Cost of Living: Although gentrification has raised prices, the cost of living in Mexico generally remains lower than in the US, particularly for dining and entertainment.About Ivonne Paavan + Host RelocationIvonne Paavan is the founder of Host Relocation, a leading relocation company based in Querétaro, Mexico with teams in all major areas of the country. With a wealth of experience working with international companies, Ivonne understands the unique challenges faced by expats. Her company offers comprehensive services, including residency, housing, and multicultural training, to ensure a smooth transition to life in Mexico. Ivonne is committed to making sure all clients, particularly those in the LGBTQ community, feel safe and supported in their new home.Host Relocation Introduction Visa video:  https://www.youtube.com/watch?v=z2gSwIsFabU&t=30sWebsite: https://hostrelocation.com.mx Instagram: https://www.instagram.com/hostrelocationYouTube: https://www.youtube.com/@hostrelocationmexicoRainbow Relocation StrategiesThe Adventure Calls podcast is brought to you by Jess Drucker and the Rainbow Relocation Strategies team, the first and only LGBTQ+ centered company focused on creating international relocation strategy for those look to take the leap and follow their call to adventure. Website: www.rainbowrelo.comWebsite: Jessicadrucker.com Instagram: https://www.instagram.com/rainbowreloBook: How To Move Abroad The Adventure Calls podcast is a bi-weekly podcast that seeks to empower queer folks to move, live and thrive abroad with interviews with relocation experts, queer expats who have successfully relocated and other organizations that give a lens on the LGBTQ+ experience in the world.

Welcome back to another episode. Today we recap Club America's 3-1 victory over Queretaro and preview the midweek match against Tigres. Plus we update you on the latest in the transfer market and talk latest rumors.Don't forget to subscribe and rate the podcast on Apple Podcast, Spotify or wherever it is you may listen. Follow us on social media to stay updated on all things Club America

Well, it's official folks. The Mexican national team has decided to part ways with Jimmy Lozano. They offered him the cuck chair but he decided to part ways. Javier Aguirre is expected to named head coach. Chivas beat Queretaro 2-0. Copa America and Euro aftermath. --- Support this podcast: https://podcasters.spotify.com/pod/show/cantina-mx/support

This week's guests are San Antonio artist Kathy Sosa and Antonio Arelle Barquet, the director of the Museum of Art in Queretaro, a city of more than 1 million people in Central Mexico and a UNESCO World Heritage site celebrated for its Historic Monument Zone. Kathy Sosa, together with her husband and fellow artist Lionel Sosa, have embarked on an exciting project that will bring new attention in Mexico to many of San Antonio's artists who trace their heritage to Mexico, and introduce new generations of San Antonians to the historic links between the two cities. Tune in to hear more about their project, El Otro Lado Del Espejo.    

Welcome back to another episode. Today we recap the 2-1 loss to Atletico San Luis to start the AP2024 season and preview Friday's game against Queretaro.Don't forget to subscribe and rate the podcast on Apple Podcast, Spotify or wherever it is you may listen. Follow us on social media to stay updated on all things Club America

Shana is a Nakoda woman, originally from the Whitebear First Nation in Treaty 4 territory. She is the Founder & CEO of Power Our Women – an organization that aims to address MMIW and empower Indigenous folx of all ages through martial arts. She draws strength from her mother, family, her traditional spirit name, coaches and training partners. She strives to live each day in honor of her spirit and her voice so that she may fulfill her purpose to help people see the power they already have inside them. On this Episode:    Shana Pasapa | @shanapasapaAdam Jackson | @adam___jackson   Episode Sponsor: Vivo Barefoot   Visit vivobarefoot.com and use code “SACREDSONS” at checkout   2024 EVENTS CONVERGENCE 9: REMEMBRANCEFor Men & Women Olympic Peninsula, WA - September 19 - 22 THE ONE | 1:1 Men's Coaching Apply today to start your 3 month journey!   LEADERSHIP TRAINING LEVEL 1   EMX | 4-Day Embodied Masculine Experience Vancouver, BC Canada | July 18 - 21 Meath, Ireland | Aug. 1 - 4 Tepoztlán, MX | Aug. 15 - 18 San Diego, CA | Dec 5 - 8   IMMERSION | 2-Day Community Event Byron Bay, New South Wales | June 29 - 30 Nevada City, California | June 29 - 30 San Juan, Puerto Rico | June 29 - 30 Vancouver, BC | June 29 - 30 Copenhagen, Denmark | July 6 - 7 Queretaro, Mexico | July 6 - 7 Salt Lake City, UT | July 6 - 7 Lisbon, Portugal | July 13 - 14 Queens, New York | July 13 - 14  Eugene, Oregon | Nov. 9 - 10 Maui Mana Maui, Hawaii | Dec. 4 - 8   CONNECT: Shop | Sacred Sons Apparel & Cacao  Instagram | @sacredsons  Website | sacredsons.com   YouTube | Sacred Sons    Calendar | Sacred Sons Experiences  Music | Ancient Future Sponsor Sacred Sons Podcast: Sponsorship Request Form Summer Sale: Use Code “ SUMMER24” For 20% Off all Sacred Sons events & merch. June 14-21 Use Code “BROTHERHOOD” for 10% OFF all Sacred Sons Events & Merch!

What you'll learn in this episode: How Gabriela produces jewelry in Mexico, manages her business from Montreal, and sells her jewelry worldwide. Gabriela's favorite stone to work with, and how she chooses and sources gems for her colorful jewelry. How moving from Mexico to Canada (and experiencing seasons for the first time) influenced Gabriela's work. What it means for jewelry to be slow made. Why COVID prompted Gabriela to transition from packaging design to jewelry design, and how she overcame her hesitation to call herself a jewelry maker. About Gabriela Sierra Gaby, designer and creator of Gabriela Sierra jewelry, is anything but a minimalist. Unafraid of color, she plays with bold shapes, textures and asymmetry. Her meticulously crafted pieces are meant to be conversation starters. With a background in Industrial Design followed by a variety of courses at Alchimia Contemporary Jewellery School, Gabriela Sierra merges design and fashion to create unique sculptural jewelry. The brand seeks to reflect the spirit of the slowmade process (quality over quantity). Founded in 2021, Gabriela Sierra is committed to good design by focusing on quality materials and the revaluation of craftsmanship. Her work has been shown at different worldwide exhibitions: "Todo es Diseño" Queretaro, Mexico 2021 "The Fab" Milano Jewelry Week 2022 "Cluster Contemporary Jewelry", London 2022 "The Earring Show", Vancouver, Canada 2023 "Earrings Galore 2023 - 2024", United States   Additional Resources: Website Instagram Facebook Photos available on TheJewelryJourney.com Transcript: Expertly combining bold colors and shapes in her jewelry, it's clear that Gabriela Sierra has an eye for design. Beginning her career in furniture and packaging design, Gabriela made her lifelong dream of becoming a jewelry maker come true in 2021, when she opened Gabriela Sierra Jewelry. She joined the Jewelry Journey Podcast to talk about how her upbringing in Mexico and her current home in Montreal influence her work; why her business follows “slow made” principles; and how she became more confident about calling herself a jewelry designer. Read the episode transcript here.   Welcome to the Jewelry Journey, exploring the hidden world of art around you. Because every piece of art has a story, and jewelry is no exception. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, I'm talking with Gabriela Sierra of Gabriela Sierra Jewelry. Welcome back. So, everything might not be handcrafted, but you have chosen those individual stones to go together or the kind of stone to work with. For instance, will you choose a faceted stone to work with? Could you have a combination of a faceted stone with a cabochon with a smooth curve? Gabriela: Yes. I already have some designs before combining these different types of cuts. Yes, for sure. I'm not like, “I'm just going to work with cabochon and that's it.” No. I think t I'm open to work with different kinds of cuts. I like to work with cuts that are not the traditional ones. I just create new cuts and new cuts, and then as I mentioned, I make an order with my suppliers to have a sample to see if it really works, because in my mind everything works perfectly. I need to see the real thing physically, here with me in my hands, to see if everything is okay. Sharon: Do you go to the Tucson Show in Arizona to choose stones? Gabriela: No, I haven't had a chance to go. I see the videos and I see that all the jewelers I follow go there. I do wish to go there, but I just recently received my American visa. That was one of the reasons why I didn't go to the Tucson Show. But I would love to have the opportunity to go. Maybe next year. For sure, I want to go. Next year it's easier. Here in Montreal there's also a gem show, a smaller version. It was last year. I think it's here every year. I went there last year, and it was very good. Of course, to a new person it's just huge. There are a lot of suppliers from everywhere, from every part of the world, so I really wanted to go. Sharon: How do you decide if it's a good quality stone versus one that's not as good? Is it just by eye, or do you look through a loupe? Gabriela: I don't have a lot of knowledge. I'm not trained to really recognize if a stone is a very good quality stone. I think I just need to love the stone and see that it's without any breakage, it's not with a hole or some kind of damage. I need to love the stone, and it needs to be a good cut in my opinion. I'm not an expert gemologist, so I cannot tell if it's perfectly cut. I just need to see the stone and if it's love at first sight. If I love the stone, it's perfect. Sharon: Does it have to fit a certain bezel or do you make the bezel to fit the stone? Most of your gems seem to be bezel set. Gabriela: At the beginning, when I first chose the stones and then designed, yes, I based my design on the gemstone. I created the bezel around it. But after that, when I had a clear concept, I designed first and then chose the stone. When I order the stones, they need to be the size that I need because I cannot change the design. But yes, basically all my gemstones are with a bezel. Sharon: Do you have a studio outside your home, or a place inside your apartment or home where you design your jewelry? Gabriela: In Mexico, my studio is in my house in Querétaro. Querétaro is the city where I live. It's in my house. The first floor is all my studio. Now Samantha is working there. But now here in Montréal, last year, last October, I found a place that rents a space for jewelers. I'm a resident there and I work from there. I have all the necessary things because it's an atelier. The atelier is called Artéfact. A lot of jewelers from Montreal rent their space and work there to create their pieces. Sharon: Can you go any time, or do you have to sign up for certain times? Gabriela: No, because I'm a resident, I can go if I want to go. During the night I can go. Any time I want. They give classes there also, but it doesn't matter if they are giving classes. I can go whenever I want. In Montreal it's a little bit different. It's difficult to have a studio in your house or apartment. You need a permit because you're working with gas, with fire, with chemicals. It's different. In Mexico we don't need permits to have a gas tank in our house. Here it's a little bit different. Sharon: Do you ever get nervous working with fire and chemicals? Does that make you nervous? Gabriela: At the beginning, yes. Yes, of course. Because you're working with gas, if you're not careful enough, there could be an accident. Also, because my studio is in my house, I was worried at the beginning that I needed to be very careful because this is my house. My husband lives here. My stuff is here. So, yeah, I need to be careful. I was nervous at the beginning because I was working with fire. But you just need to follow the steps. That's it. If you work carefully and follow the precautions, you are good. Sharon: And you have a pet. Do they keep you company in the studio? Where do they keep you company? Gabriela: Yes, I have a dog. Her name is Jude Right now, she is in Mexico, but I will bring her here very soon because I miss her so much. She was the one reminding me every day, “Hey, Gabi, it's time to go home. I'm hungry. Let's go home.” Home for her was the second floor of our house. I miss her so much. It's more than love for me and for my husband. Sharon: Does she comfort you? If you're having a bad day with the stones, do you get comfort from her? Gabriela: Yes. I don't know what dogs have, but they know if you are feeling bad or you are sad or you are happy. They just know. She approaches every time I feel bad or sad, or I break a bezel or I break a gemstone. She knows. Also because I scream a lot and I'm saying bad words. Sharon: I want to talk to you a little bit about starting the business, deciding to start the business and keeping it going. You're newer in your making journey than some of the people I've talked to on the podcast. What made you decide that it was time to leave? Gabriela: Well, COVID hit, and I think for many people, it was a time to reflect, and I reflected and reevaluated my path. That was the moment that I decided to quit my job as a packaging specialist. It was hard. A lot of people called me crazy because it was a very difficult time, but I was so sure. I don't know what COVID had at that particular time but it gave me a signal or something that I wasn't in the right place. That particular time was hard, but it gave me the strength to start my jewelry business and start to set up my studio. During COVID, I took some classes to refresh the techniques that I had learned years before at Alchimia to start making jewelry. I learned a lot of techniques, but the years passed, and I needed a refresh. But it was hard. I'm not going to lie; it was really hard. Because I was new, I was scared. I was afraid of failure. In my mind, I was thinking, “Who is going to buy my jewelry? Who is going to like my jewelry? How will I pay all my bills.?” All those questions started to appear in my mind. You asked me a question about how I introduce myself, and I told you that I felt comfortable to say I was a jewelry maker a year ago. I had a lot of insecurity. I wasn't sure that I was a jewelry maker because I wasn't prepared in a jewelry school. I didn't have the proper school, I didn't have a proper education for being a jeweler. It was tough at the beginning, but then my work started to get noticed, to get exposed, and I had the opportunity to be in different exhibitions. I think the trust grew from there, and I feel more and more comfortable calling myself a jewelry maker now. Sharon: What is your distribution? How do people hear about you? Do people place orders at shows, or do you exhibit all over the world? Gabriela: Mainly my clients buy the pieces from my webpage. I also have my pieces in some stores in Mexico City. Right now, I have some of my pieces in Vancouver in a gallery. For exhibitions, they could have been bought during the exhibitions, but the exhibition is just for a couple of days, and those exhibitions were one or two years ago. The other one was two years ago. The last one is actually right now. It's Earrings Galore. The last place this exhibition was in was Mexico City, actually. Before that, Earrings Galore was in New York City at New York City Jewelry Week. Sharon: You exhibited there. Do you have to go into galleries? Are you a salesperson? Are you the salesperson, or do you put the jewelry out and people can decide what they're doing? Gabriela: Well, I'm the one who gets all the customers' messages and everything, but in the exhibitions, I cannot go to every single one of them, so I just send the pieces and there's a person there in charge of showing the pieces and selling the pieces. Sharon: Do you ever have to go to galleries and sell your stuff? You mentioned these stores in Mexico City that have your things. Did you have to show it yourself? Did they see your pieces and like them beforehand without knowing you? How did it work? Gabriela: For example, that one in Mexico City, I couldn't be there because I was here in Montreal. So, they could go to the exhibition and see my pieces there and try them on, see if they like them or not, but I couldn't be there. I wish I could have, but I couldn't. I want to go and attend different expositions or craft fairs. I want to start doing those, probably next year or at the end of this year. Sharon: Who buys your jewelry? Who buys your earrings? Do men buy them for women? Do women buy them for themselves? Gabriela: My main customers are from the U.S., actually. And most of my customers, the majority are women. A few of them are men. Actually, they are the ones who message me first through my Instagram account and ask me, “My wife really likes these earrings. She's showing me these earrings, but I don't know if she is going to wear them. Can you tell me if they are too big or too heavy? Can you show me pictures or a video wearing them?” Sometimes I can do that because if you message me through my Instagram account, I'm the one who answers every single message. Maybe I can take a little bit long to answer back, but for sure you will get an answer. Sharon: You mentioned COVID. Did that affect taking classes? Were you doing it through Zoom? Did it affect your business? How did you do it? Gabriela: During COVID, yeah. Mexico had a lot of restrictions, but during COVID, I went to my friend's studio. She is an amazing jeweler also. She was giving classes to a small group of people. We were three people per class, with distance between each other. So, yes, we had the classes in person. I basically didn't sell during the first year of COVID because in that year I was still working in packaging. The second year of COVID, I was almost ready. My studio was almost ready. I just started to show my work on my Instagram account, but I had just 20 followers or something. It was just the beginning. I really can't tell you if COVID affected me as a brand because I was just beginning. Sharon: What kind of brand were you after? Give us some buzzwords about your brand. Are you high end? Are you for everyone? Tell us a little bit about your jewelry. Gabriela: Yes, of course. As I mentioned, I really like bold colors and shapes. I love to work with asymmetry and statement pieces. I love when my clients tell me that someone stopped and asked her, “I love your earrings! Where did you buy them?” I love them to be conversation starters. The main focus or the reason that I wake up every morning to make these pieces is to make people smile just looking at my pieces. I love to play with color. Bold colors, bold shapes, big earrings. Sharon: You consider your jewelry a conversation starter. Is the way that people hear about your earrings, let's say, by word of mouth? Tell us a little bit about that. Gabriela: At the beginning when I started, my first customers were people from my city in Querétaro because I started to pay for some announcements, just in my city or in Mexico City. I started first with friends and family, as a normal startup or business that just starts. Then the word spread a little bit. Then it was like, “My friend Blanca told me about you and I love her earrings. Can you show me your earrings?” At that particular time, I didn't have a web page. I just had my Instagram account. So, with WhatsApp, I would send them some pictures of the pieces that I had at that particular moment, some videos of me wearing them. Also, if they wanted, because it was COVID still, I'd invite them to my studio to see the earrings in person. Right now, because my journey started on Instagram, boutiques got in touch with me to ask for my pieces. Then the clients grew because I had pieces in Mexico City or in Guadalajara. Then I started to learn about a little bit of marketing, making advertisements on Instagram or Facebook to show my pieces to markets out there in the United States and Europe and Japan. It was amazing for me to see how Instagram helped me grow my business, to show my pieces in Japan or New Zealand or Europe. For me, it was amazing because I didn't think my pieces would go there and people from there were going to like my pieces. Sharon: I could see how that would be exciting. Well, we wish you the best and that your business keeps going. Thank you very much. Gabriela: Thank you so much, Sharon. Thank you so much for this opportunity and for your invitation. I really appreciate it. We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode: How Gabriela produces jewelry in Mexico, manages her business from Montreal, and sells her jewelry worldwide. Gabriela's favorite stone to work with, and how she chooses and sources gems for her colorful jewelry. How moving from Mexico to Canada (and experiencing seasons for the first time) influenced Gabriela's work. What it means for jewelry to be slow made. Why COVID prompted Gabriela to transition from packaging design to jewelry design, and how she overcame her hesitation to call herself a jewelry maker. About Gabriela Sierra Gaby, designer and creator of Gabriela Sierra jewelry, is anything but a minimalist. Unafraid of color, she plays with bold shapes, textures and asymmetry. Her meticulously crafted pieces are meant to be conversation starters. With a background in Industrial Design followed by a variety of courses at Alchimia Contemporary Jewellery School, Gabriela Sierra merges design and fashion to create unique sculptural jewelry. The brand seeks to reflect the spirit of the slowmade process (quality over quantity). Founded in 2021, Gabriela Sierra is committed to good design by focusing on quality materials and the revaluation of craftsmanship. Her work has been shown at different worldwide exhibitions: "Todo es Diseño" Queretaro, Mexico 2021 "The Fab" Milano Jewelry Week 2022 "Cluster Contemporary Jewelry", London 2022 "The Earring Show", Vancouver, Canada 2023 "Earrings Galore 2023 - 2024", United States   Additional Resources: Website Instagram Facebook Photos available on TheJewelryJourney.com Transcript: Expertly combining bold colors and shapes in her jewelry, it's clear that Gabriela Sierra has an eye for design. Beginning her career in furniture and packaging design, Gabriela made her lifelong dream of becoming a jewelry maker come true in 2021, when she opened Gabriela Sierra Jewelry. She joined the Jewelry Journey Podcast to talk about how her upbringing in Mexico and her current home in Montreal influence her work; why her business follows “slow made” principles; and how she became more confident about calling herself a jewelry designer. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, I'm talking with Gabriela Sierra of Gabriela Sierra Jewelry. Her Mexican heritage shines through because of the bold colors in her jewelry. You will immediately see that when you look at her jewelry. I'm talking to her today, and she's in Canada, where she travels. She specializes in earrings. She uses recycled silver, and the stones she uses come from small, independent mines or mines that are located in Mexico. She believes in slow made. Her jewelry is meticulously crafted, and she does not have any inventory on hand. Almost everything is made to order at somebody's request. Today, Gabriela will tell us about her business and how it works. Gabriela, welcome to the program. Gabriela: I'm so excited to be here, Sharon. Thank you so much for inviting me. Sharon: Can you tell us how you decided on jewelry as a profession? Gabriela: Yes, sure. Well, I have always been drawn to jewelry since I was a kid. I was influenced by my mom and my grandmother. I remember her presence was always announced by the clicking of her bangles and her bold earrings. I studied industrial design, and during university I took a jewelry class. That experience started everything, just initiated my passion. Basically, it started from that. I knew at that particular moment that I needed to find further training, so after I finished university, I took a four-month course at Alchimia Contemporary Jewelry School. I had an amazing time there, and also the teachers were absolutely wonderful. However, it took me some time to find the courage to start my own brand, which I did eventually, after eight years. Now I'm here. Sharon: So, you studied industrial design before? Gabriela: Yeah. Sharon: Your passion for jewelry must have been underlying, and the industrial design really brought it out. So, after eight years, you decided to start your own brand. During most of that time, were you making different kinds of jewelry? Gabriela: No, actually, when I came back to Mexico after taking the course at Alchimia, I was so afraid of failure. That's why I didn't start my own brand at that particular time. In my mind, it was better to find a normal job. So, during those eight years, I worked as a designer for furniture. I also specialized as a packaging engineer or packaging specialist. Basically, I wasn't working in jewelry those eight years. Sharon: But you were working in design, right? Gabriela: Yeah. Sharon: Did your background help you in all of this? Does industrial design help? Gabriela: Yes, of course. I think yeah, absolutely. Since the first job that I had, designing furniture, I actually like all the stripped elements. I take a lot of influence and ideas from what I see outside. You can actually see a few of my designs being an idea of a light bulb, for example. I think it helped a lot. Also talking about packaging, especially the job that I had, it helped me a lot to understand a little bit of marketing and, of course, packaging. It gave me a big picture to understand a little bit more, not just the design part, but everything else, all the different areas involving the launch of a product. Sharon: I'm sure you do a whole range of jewelry, but right now you seem to focus more on earrings. Is that true? And, if so, why? Gabriela: Right now, yes, my main focus is on earrings. A month ago I started creating rings, a series of rings. But yes, I love earrings and my main focus is earrings. Why? The earrings are easier—not to create, but rings need to be sized. For me and in my experience, it's easier to make earrings for everyone. Rings need to be sized, so it's not for everyone. Sharon: Do you think you'll stick with earrings? Do you think you'll branch out from earrings to other things or stick with earrings? Gabriela: No, I think I will start creating other things later on. Right now, I will create the series of rings. After that, I will probably start with some necklaces. But for sure, I will start doing things differently. I'm from Mexico, but right now, I've been living in Montreal since last August. I came from another country and I'm learning about the culture here. Also, because I'm an atelier, I'm opening a new studio here in Montreal. I'm getting to know new artists and learning about them and their techniques. I think that travel helps a lot to create new things, just absorbing everything. So, I'm sure I'm going to create different things in the future, not just the earrings. Sharon: Do you have ideas that you think about when you travel or see when you're in Montreal? Does it give you ideas for different kinds of jewelry? Gabriela: Yes, actually, my rings. I have made just three of them. I want to make 10. The concept behind the rings is winter. This is the first winter that I spent here in Montreal. What's beautiful is that it was the first time I saw snow. For me, it was beautiful. It was a big change. And it wasn't just beautiful, it was also very hard. I wanted to encapsulate this snow in these rings. They are quartz. They're carbon quartz, but the inside is similar to snow. What I wanted to create there was the idea of encapsulating snow, encapsulating that particular moment that I saw the snow on the street. They are big, they are bold. Yeah, they're big. Sharon: Do you like the snow? Can you find it in Mexico, like in the mountains or somewhere? Gabriela: Yes, you can find snow in Mexico, probably in the mountains or in the north of Mexico, like very close to the United States. But it's not like here. The winter in Montreal is very tough. I think once we were -16 Celsius, so it's very hard. Sharon: Why do you manufacture in Mexico? I assume it's less expensive to manufacture there. Gabriela: Well, my studio remains in Querétaro. My partner, Samantha, is in charge of making the pieces that can be replicated there. I'm the one in charge of overseas, making sure everything runs smoothly in Querétaro. Here, I work and make the one-of-a-kind pieces. Basically, most of the pieces are shipped from Querétaro. The silver is from Mexico. Most of the stones are from Mexico also. The pieces that I make here, most of the stones are from here or the United States. These particular pieces are shipped from here because I made them here. Sharon: How do you decide which stones in which colors? You seem to flip, using the same color but a different combination, and some are totally different. Gabriela: I think at the beginning when I didn't have a clear concept, I let the stones guide me through the combinations of the pieces. But after that, now that I have a clearer concept, I design first and then I pick the gemstones. Mexico is a country with a lot of gemstones, so I have a wide variety to choose from. I didn't have any problem finding beautiful gemstones there. But yeah, at the beginning, the stones basically guided me. I designed pieces based on the stone and the shape of the stone, then I created the pieces. Now, I've had more time designing and creating jewelry, so I first create the design and then decide which stone will be better with the design and the concept. Sharon: When you say the stones guided you, do the stones ever talk to you and tell you what they should be or what they should be combined with? Gabriela: Yes, absolutely. It's funny, but yes. It is something that I used to say. “The earnings are like this this because they told me they needed to be combined with this stone in this particular shape in this particular order.” Yeah, the stones talk to me a lot. It was more at the beginning, but now they just say, “Okay, I like your design, so yes, we can go together.” Sharon: Do they ever say, “No, that's not right,” or “I don't like this”? Gabriela: Yes, they do. For example, I first design a piece. Then I send the drawing to my supplier or different suppliers. I receive a sample, and then I see it with the silver, and I try them and finish that prototype. I need to see if they are good together, and sometimes it's just not right. It feels not right. Maybe those stones don't want to be next to the silver or this particular stone. I don't know. But yeah, totally. Sharon: So you use different suppliers for stones? Gabriela: Yes. In Mexico, as I previously said, we have a lot of options, and I have great connections with local suppliers here. The first one, the main one was Don Guille he was the first lapidary that I worked with. Sharon: I'm sorry; is that a company name or a person's name? Gabriela: I'm sorry. I called him by his nickname. His name is Guillermo. Sharon: Okay. That's where you got your first stones from? Gabriela: Yeah. He passed away, and now his son and grandsons continue his craft. I also have other suppliers in San Miguel. I also have one from India, Naseem. I also get some gemstones from India. Those three are my main suppliers. Now I'm here in Montreal and I am finding new ones because I prefer to work with the stones that are close to me in Canada. I also have a lot of gemstones in the United States. Sharon: Do you have a favorite stone? Gabriela: Yes, I have one. I don't know if you know this gemstone. The name of this gemstone is cotton candy agate. This particular gemstone is from Mexico. I love the color of this gemstone because it reminds me of a cherry blossom. It's a very soft pastel pink. That is my favorite gemstone, but I love all types of jaspers. I love gemstones with a lot of personality and different patterns and different colors. Actually, the first one that I mentioned, the cotton candy agate, most of my first designs and pieces were with this gemstone. I created a collection with this one. Sharon: You use a lot of silver. Have you ever used a different metal? Gabriela: No. All my pieces are made with silver until last week, because I finished a ring and I incorporated copper. But that's the only piece that I incorporated copper. I'm just experimenting to see how it looks, how I work with this new material, because I hadn't worked with copper before. Mainly all the pieces that you see on my webpage are with silver, 10.50 silver. Sharon: Going back to the cotton candy stone, the pale pink stone, tell us about working with something like that. Is it easier to work with? Gabriela: That particular gemstone is easy to work with. The only difficult thing is that it's not easy to find. It's from Mexico, but it's not easy to find that particular gemstone. That's why I have a few gemstones and that particular agate, but I'm saving them for the future because I haven't found more of this gemstone. Sharon: Do you get other stones or other pink stones? Is Mexico the only place that you can find them? Can you find them in the United States or in Canada also?   Gabriela: Yes, you can find it in the United States, but they are from Mexico. There are suppliers that bought this particular item from Mexico. But yes, you can find it in the United States on Etsy or Facebook, Instagram, different suppliers. But this particular gemstone is from Mexico and that's it. You're not going to find it anywhere else. Sharon: Wow. So, they sell it to people in the States here. You're in Canada right now. Do you have any idea where you'll settle with your jewelry? Will you continue to work in Canada or move again? Gabriela: Right now, I'm in Canada because my husband is studying a master's here. Our idea or the main objective is to stay here in Canada. We love this city, Montreal. We have been here every year since four years ago. We love the culture, we love the weather, we love all the activities that are here. The main thing that we love here is that we can see the difference between seasons. In Mexico, it's not that easy to see the difference between seasons. Mexico has very good weather. I'm not saying that. It's just that you can't differentiate between seasons, because mainly the entire year is the same temperature. It doesn't change a lot. But yeah, we want to stay here. We'll see. I hope we can stay here. Sharon: As the seasons change the way you mentioned it, do they influence the stones? Do you make different kinds of jewelry in winter than in summer? Gabriela: Yes, for sure. Right now, I haven't created new collections here because I just recently found a studio to work. I found it last October. I started to create collections a year ago when I was in Mexico, and I created three because of the change of seasons. Depending on the seasons, I try to look for particular colors of the gemstones. Maybe because it's summer, I'm looking for more vibrant colors. In autumn it's more earth colors. Also, when it's winter in Mexico, I try to make smaller earrings instead of bigger because during winter you are wearing scarves. In my mind it's easier to wear smaller ones than big ones during winter. Sharon: How do you introduce yourself? Do you introduce yourself as a jewelry designer? How do you describe yourself? Gabriela: I always introduce myself as a jewelry maker, even though I also think I'm a jewelry designer. I think they go hand in hand. I think recently, in the last year and a half, I felt comfortable introducing myself as a jewelry designer. Sharon: Jewelry designer, okay. What do you consider a collection? Is it the colors? Is it a number of pieces? What is a collection made of? Gabriela: The collection that I created last year was my first one. So, for me, collection was a seasonal collection. I try to focus on the seasonal relevance at that particular time. I was inspired by the things during that particular season. For example, the one I created during summer was the candy collection. I created a collection of earrings resembling candies because they had vibrant colors, big statement earrings. Sharon: When do you make those? It must be hard in winter to be thinking about summer jewelry, or in summer to be thinking about winter jewelry. That's when you're making the collection, right? Not in the season, but before the season. Gabriela: Yeah, a little bit before. Just a little bit. I will admit that I'm not super organized. Sometimes I start making the rings or the collections just a couple of weeks before, so I'm seeing them in the middle of the season. Sharon: So, it's right before. What are you designing now? What colors are you thinking about now as spring is going into summer? I don't know how it is in Montreal, but here it's really spring. If it started snowing, would you think of different colors? If you're already working on the spring collection and suddenly it starts snowing, for instance. Gabriela: I'm a little bit behind, actually. I haven't finished the series of rings that I mentioned before, and for those rings the concept is winter. Right now I'm working with those. But at the same time in Mexico, Samantha is working on a collection for the web page with pieces that can be replicated. She's working with bold colors because spring is coming. We're working on new designs. Actually, this week, she is making some prototypes that I just made. I need to see them and approve them in order to continue with the real production for these pieces. But they're going to be with bold colors. We are both working with glass and some jaspers, and also with carbon quartz. Sharon: This is for production, but what were you describing by saying that you don't have a lot of inventory? That it's one of a kind? Gabriela: Well, we don't have a lot of inventory. The pieces that you see on our website are the pieces that we have in stock, and that's it. But those pieces that are not part of the one of a kind section, we can replicate them. The ones you are seeing on our web page are the ones we have available at the moment. If a client buys this piece right now, I need to make a new one in order to sell this new piece. Sharon: Do you ever reject a prototype and say, “I decided I don't want green. I want red in it”? You reject the prototype, you're saying yes. Gabriela: Yeah. If I don't like it, yes, of course. I just reject it and try again. I iterate a lot until I find the right combination, the right size, the right color, everything. Sharon: What do you mean by slow made? I've heard the term, but how do you define it? Gabriela: For me, slow made is quality over quantity. It's attention to detail. Pieces are made to order, as I mentioned before. We don't carry excessive inventory. We take our time to create each piece and to see that every piece is made at the right quality. Everything needs to be on point.   We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.  

This Week in Skating is hosted by Gina Capellazzi, Daphne Backman and Matteo Morelli is a cooperative project between Figure Skaters Online and Ice-dance.com. New episodes are available every Tuesday.Website: http://www.thisweekinskating.comEmail: thisweekinskating@gmail.comFacebook: https://www.facebook.com/thisweekinskatingTwitter: https://www.twitter.com/thiswkinskatingInstagram: https://www.instagram.com/thisweekinskatingThread: https://www.threads.net/@thisweekinskatingPatreon: patreon.com/ThisWeekinSkating----------------------------------------------------------------------------------May 15, 2024General Skating News Shoma Uno announced his retirement: Instagram/Press Conference/Olympics.com articleU.S. Figure Skating announced the 2024-25 U.S. Qualifying Season and International Events Schedule.Halifax, Nova Scotia to host 2024 Skate Canada International. Grenoble will host the 2024 Grand Prix and Junior Grand Prix FinalA new location is needed for the 2025 European ChampionshipsThe first Junior Grand Prix iin France has been moved to become the 7th & final event in Wuxi, China.Eric Radford, who is the Athletes Commission member of the ISU Council, has temporarily stepped down as a Council member for the period during which the appeal against the ISU in which he is named as an appellant is pending at CAS.”https://www.isu.org/inside-isu/isu-communications/communications/33778-isu-communication-2634/fileThe ISU released its list of proposals for the upcoming Congress in Las Vegas from June 8-14.U.S. Figure Skating released its 2023-24 Combined Report of Action, which was published after last month's Governing Council.Retirements/End of Partnerships/New PartnershipsJapan's Misato Komatsubara has announced the end of her competitive career.Adrienne Carhart has announced the end of her competitive careerTeam USA's Helena Carhart announced that Volodymyr Horovi has decided to his competitive career and will now focus on coaching.Georgia's Maria Kazakova announced the end of her partnership with Georgy Reviya.Team USA's Kristina Bland announced that she is stepping away from skating; Matthew Sperry will continue skating.Chloe Panetta and Flavien Giniaux are announced as a new pairs team for FranceOxana Vouillamoz and Tom Bouvart, who both previously represented France, announced they are a new pairs team for SwitzerlandOther NewsCongress okays Filipino citizenship for figure skater Alexander Korovin. Figure skating coach Slava Uchitel shared that a brick block has been added to the entrance of Philadelphia Skating Club & Humane Society in memory of Joshua Soto, a figure skater/ice dancer who was killed in November 2021 during a robbery.Three men were convicted in 2021 fatal shooting of 18-year-old figure skater Joshua Soto.1964 Olympic Champion, three-time ISU World Champion and five-time ISU European Champion Sjoukje Dijkstra of the Netherlands passed away at age 82 on May 2, 2024.Safe Sport Topics & Online Resources for skaters, parents and the figure skating community: Three-time Olympian Brendan Kerry of Australia has been sanctioned with permanent ineligibility (subject to appeal) by the U.S. Center for SafeSport for sexual misconduct involving a minor.Gymnasts for Change (Canada) will now be known as Athletes Empowered, and is advocating against abuse in all sports, at all levels. Event RecapNation's Cup Theatre on Ice international competition: Replay videos/ ISU International Adult Figure Skating Competition in Oberstdorf, Germany, May 12-17, 2024: Event info/schedule link, results page,free live streams by day (+ replays). Midori Ito won the Masters Elite Women III + IV Artistic Free Skating event, skating to “Aqua” by Ryuichi Sakamoto:Mexico Cup is May 16-18, 2024, in Queretaro, Mexico. Oceania International Figure Skating Competition, May 29-31, 2024, in Melbourne, Australia.Recent Interviews:Golden Skate's interview with Elizabeth Tkachenko & Alexei Kiliakov (Golden Skate)Nathan Chen: Pursuing Passions, New and Old (Yale University)Olympic Champion Nathan Chen graduates from Yale (People Magazine)Engaged Olympians Madison Chock & Evan Bates Share Their Top Wedding Planning Tips (Knot.com)Social Media Updates:Madison Chock, Nathan Chen and Vincent Zhou, #TeamUSA 2022 Olympic Gold Medalists honored at #GoldGala by Kristi Yamaguchi, Apolo Anton Ohno, Chloe Kim, and Shibutanis.Kristi's photos: https://www.instagram.com/p/C676A21O3RO/Madi's photos: https://www.instagram.com/p/C69DavORHc2/Shibutanis' photos: https://www.instagram.com/p/C67h2l7rQtV/Camden Pulkinen graduated from Columbia University on Monday, May 13 with a degree is Psychology.Alexe Gilles graduated from the University of Colorado at Colorado Springs.Congratulations to Carolane Soucisse and Shane Firus who got married on May 2 in Cancun, Mexico.Upcoming EventsMay 18: Marjorie Lajoie's Patinage Atypique: https://fondationautisteetmajeur.fundkyapp.com/fr/patinage-atypiqueJune 14-15, 2024: Diversify Ice's Skate Raiser Soul Chicago https://diversifyice.org/events/New at IDC: Morgan Matthew Pennington joined the team, solo dance interviews, photo shoots in LP, etc. 25 years!New at FSO: Photos from Ice Theatre of NY, Interviews with Lukas Britschgi and Hilbelink sisters.Support this podcast at — https://redcircle.com/this-week-in-skating-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Become a Parajunkie today and get the Waverly Hills: Five Floors of Pain early and ad free! www.patreon.com/savannahunderground Welcome back to another spine-chilling episode of "The Most Haunted City on Earth." In this week's special "Ghostmail" segment, hosts Madison and Chris delve into the eerie and unexplained as they answer listener-submitted ghost stories that are sure to keep you on the edge of your seat! Utah's Haunted Ski Resort: Koryn writes in about her experiences with shadowy figures at her workplace, a Forbes 5-star ski resort rumored to be haunted. She also shares a fascinating Mexican lore about creating portals with mirrors in front of abandoned buildings, as told by her seasonal employee, Greco. Tragic Tale of La Llarona: Greco offers a harrowing local story from Queretaro, Mexico, involving a mother who committed a gruesome act against her own family. This tale intertwines with supernatural sightings and a possibly cursed location, making it a ghostly narrative you won't forget. Family Curses and Paranormal Activity: Our second listener, who prefers to remain anonymous, discusses a series of unsettling events following a family dispute over holiday plans, including claims of curses and haunted heirlooms from Holland. With children and pets sensing the unseen, this story explores the depths of spiritual sensitivity and the mysteries of the unseen. Submit your ghostmail here! ghostmail@hauntedcitypodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/john-taylor-timmons/support

Notes and Links to Jazmina Barrera Velázquez's Work        For Episode 233, Pete welcomes Jazmina Barrera Velásquez, and the two discuss, among other topics, her idyllic early childhood reading, her love for British, American, and Latin American authors, the ways in which Mexico City and Yucatán have informed her work, translation as an art, a craft, and a deep methods of editing, as well as salient themes from the story collection like evolving friendships, memory and tangibility, women's agency, and one's connection with her forebears and the sensitivities that come with living in a fragile world.       Jazmina Barrera was born in Mexico City in 1988. She was a fellow at the Foundation for Mexican Letters and at Mexico's Fonca's Program for young writers and she's a member of the SNCA (National System of Art Creators in Mexico). She was a beneficiary of the residencies at Casa Estudio Cien años de Soledad. She has published work in various print and digital media, such as The Paris Review, El Malpensante, Words Without Borders, El País andThe New York Times. She has a Master's Degree in Creative Writing in Spanish from New York University, which she completed with the support of a Fulbright grant. She is the author of four books in Spanish: Cuerpo extraño, Cuaderno de faros, Linea nigra and the children's book, Los nombres de los animales and Punto de cruz. Her books have been published in nine countries and translated to English, Dutch, Italian, Portuguese and French. Her book of essays Cuerpo extraño (Foreign Body) was awarded the Latin American Voices prize by Literal Publishing in 2013. Cuaderno de faros (On Lighthouses) was long listed for the von Rezzori award and chosen for the Indie Next list by Indie Bound. Linea Nigra was a finalist for the National Book Critics Cricle's Gregg Barrios Book in Translation Prize, the National Book Critics Circle Autobiography Prize, the CANIEM's Book of the year award and the Amazon Primera Novela (First Novel) Award. Punto de cruz (Cross-Stitch) was a finalist in the Calamo Awards and long-listed for the Republic of Consciousness Prize. She is editor and co-founder of Ediciones Antílope. She lives in Mexico City.      Jazmina Barrera (Ciudad de México, 1988) fue becaria de la Fundación para las Letras Mexicanas y beneficiaria de las residencias de la Casa Estudio Cien Años de Soledad. Fue becaria del programa de Jóvenes Creadores del Fonca y es miembro del Sistema Nacional de Creadores de Arte. Estudió la maestría en Escritura Creativa en Español en NYU con el apoyo de la beca Fullbright. Sus textos han sido publicados en revistas como The Paris Review, El País, Words Without Borders, Malpensante y The New York Times, entre otras. Es autora de Cuerpo extraño, Cuaderno de faros, Linea nigra, Los nombres de los animales y Punto de Cruz. Su libro de ensayos Cuerpo extraño / Foreign Body ganó el premio Latin American Voices 2013. Linea nigra fue finalista del premio CANIEM al libro del año, del premio Primera Novela, del National Book Critics Circle Gregg Barrios Book in Translation Prize y del National Book Critics Circle Autobiography Prize. Cuaderno de faros fue parte de la longlist del premio Von Rezzori. Punto de cruz fue finalista del premio Cálamo y parte de la longlist del premio The Republic of Consciousness. Sus libros han sido publicados en nueve países y traducidos al inglés, italiano, holandés, portugués y francés. Es socia fundadora de Ediciones Antílope. Vive en la Ciudad de México.    Buy Cross-Stitch   Jazmina's Website   Review of Cross-Stitch in The New York Times At about 3:00, Jazmina talks about her early reading and writing life, including experiential coolness and professional-style printed books At about 8:45, Jazmina's reciting of her first short story leads to her making an astute observation about the famous Ernest Hemingway quote At about 10:40, Jazmina recounts some of the books and writers that ignited her love of reading  At about 12:00, Jazmina describes Harry Potter as a gateway to learning English At about 13:05, Jazmina talks about her studying English literature at UNAM, and discovering many contemporary Latin American writers at NYU At about 15:10, The two talk about the ways in which American literature is often translated abroad, but not the other way around as much At about 17:05, Jazmina shares cool connections in her writing life to Gabriel Garcia Marquez's former writing haunts  At about 18:10, The two discuss Garcia Marquez legends about time in Mexico City At about 19:20, Jazmina highlights “so many” Latin American standout contemporaries, including Mariana Enriquez, Dolores Reyes, Marta Jimenez Serrano, and Marina Azahua, Astrid López Méndez, Isabel Zapata, César Tejeda, Irad León, Paula Abramo, Mariana Oliver, Veronica Murguia, and of course, her husband, the brilliant Alejandro Zambra At about 21:40-a cool Chilean word is introduced-”fome” At about 22:35, Jazmina reflects on the gendered language of “padre” and other expressions that seem to speak negatively about women At about 23:40, Jazmina speaks about the unique literary culture of Mexico City (en español),  At about 26:25, Jazmina discusses Ediciones Antílope as a place to publish more eccentric, daring books and poetry At about 27:30, The two discuss translation, specifically with regard to Juan Rulfo's work, and the ways in which titles are rendered At about 28:45, Jazmina responds to Pete's questions about how she sees the art of translation, and she responds through talking about “untranslatable” words, diminutive words, and the power of translators as “the closest readers” At about 33:10, Jazmina provides background information on the book's title and her experience with needlework/embroidery At about 36:10, Jazmina talks about seeds for the book  At about 37:50, The two lay out the book's exposition  At about 39:00, Jazmina responds to Pete wondering about the narrator, Mina's, frustration/anger with her friend after a tragedy At about 42:20, Jazmina describes the main character of Dalia At about 44:35, Historical and mythical ideas of rebirth and needles bringing health and connection are discussed At about 47:30, Jazmina talks about a “genealogy of women” that is connected to embroidery At about 48:50, Jazmina responds to Pete's questions about her family history with embroidery and her family connections to Yucatan and her interest in xmanikben At about 51:20, Jazmina gives background on the indigenous communities of México and their rich history around textiles At about 54:15, Jazmina gives background on the literacy program in Queretaro in the book and her real experience with it At about 57:20, Pete traces some of the final scenes of the book and asks Jazmina about Citali's world view At about 1:01:35, Discussion of “empath” leads to discussion of “emos” and a shoutout to Daniel Hernández's Down and Delirious in México City At about 1:02:40, Pete points out an uncomfortable and well-written scene that highlights traumas in Citlali's life    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.        Please tune in for Episode 234 with Sasha Vasilyuk, a journalist and the author of the debut novel Your Presence is Mandatory, which came out to great acclaim on April 23 of this year. Sasha has won several writing awards, including the Solas Award for Best Travel Writing and the NATJA award.    The episode will go live on May 7.     Please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Resumen Jornada 17 Clausura 2024 Liga MX - Futbol Mexicano Juarez derroto a Mazatlan en el encanto 2-0 Toluca se desquito de la goleada contra San Luis 5-1 Tijuana gano otra vez ahora 3-1 contra el Puebla Leon derroto a Monterrey 2-0 y se mantiene en el Play in Chivas derroto a Queretaro y tiene medio pie en Liguilla 2-0 Santos cae de local 0-2 ante Pachuca Tigres goleo 5-2 a Necaxa Pumas derroto al America 2-0 Atlas y Cruz azul empataron 2-2 Esto y mas en el peor podcast de la liga MXwww.golesygambeta Escuchanos en iTunes - Spotify - tune-in - Pandora - Youtube - Google Music Support Goles Y Gambeta by contributing to their tip jar: https://tips.pinecast.com/jar/goles-y-gambeta Find out more at http://golesygambeta.com This podcast is powered by Pinecast.

Resumen Jornada 16 Clausura 2024 Liga MX - Futbol Mexicano Juarez derroto a Mazatlan en el encanto 2-0 Toluca se desquito de la goleada contra San Luis 5-1 Tijuana gano otra vez ahora 3-1 contra el Puebla Leon derroto a Monterrey 2-0 y se mantiene en el Play in Chivas derroto a Queretaro y tiene medio pie en Liguilla 2-0 Santos cae de local 0-2 ante Pachuca Tigres goleo 5-2 a Necaxa Pumas derroto al America 2-0 Atlas y Cruz azul empataron 2-2 Esto y mas en el peor podcast de la liga MXwww.golesygambeta Escuchanos en iTunes - Spotify - tune-in - Pandora - Youtube - Google Music Support Goles Y Gambeta by contributing to their tip jar: https://tips.pinecast.com/jar/goles-y-gambeta Find out more at http://golesygambeta.com This podcast is powered by Pinecast.

Un tracto camión volcó en el kilómetro 76 de la autopista Querétaro-Irapuato permanece cerrado parcialmente Rescatan a migrantes que permanecían hacinados en un hostal en Quintana RooEl Papa Francisco pidió a los líderes de Palestina e Israel, detenerse y negociaMás información en nuestro podcast

Resumen Jornada 15 Clausura 2024 Liga MX - Futbol Mexicano El america le pone una "manita" encima al toluca y se pone de superlider 5-1 Mazatlan le rompio una racha de 4 partidos ganados a Queretaro 0-2 Necaxa le gano a Santos 2-0 y se afianza en el 5to lugar Puebla cae en casa por la minima contra Cruz azul con gol de Antuna al ultimo minuto Pachuca con un autogol pierde 1-0 ante Chivas Monterrey Y Tigres Empataron 3-3 en una de las mejores versiones del clasico regio en mucho tiempo Atlas Ya gano 2-1 al San luis Pumas 1-0 Derrota a Leon Juarez no puede mantener la buena racha y pierda 0-1 ante Xolos Esto y mas en el peor podcast de la liga MXwww.golesygambeta Escuchanos en iTunes - Spotify - tune-in - Pandora - Youtube - Google Music Support Goles Y Gambeta by contributing to their tip jar: https://tips.pinecast.com/jar/goles-y-gambeta Find out more at http://golesygambeta.com This podcast is powered by Pinecast.

Resumen Jornada 11 Clausura 2024 Liga MX - Futbol Mexicano Monterrey es lider en solitario derroto a Mazatlan 2-1 Puebla y Atlas dividen puntos y empatan a 2 Necaxa golea a San Luis 3-1 Juarez y Toluca empatan a 1 Chivas en picada cae ante leon y pierde varios jugadores por amarilla para el clasico Pachuca sorpresivamente cae en casa contra Queretaro 2-1 En otra Sorpresa Santos derrota a Cruz azul 3-0 America de local esta intratable gano 2-0 a Tigres Pumas y Xolos empatan a 3 en un partido con polemica arbitral Esto y mas en el peor podcast de la liga MX goles y gambeta.www.golesygambeta Escuchanos en iTunes - Spotify - tune-in - Pandora - Youtube - Google Music Support Goles Y Gambeta by contributing to their tip jar: https://tips.pinecast.com/jar/goles-y-gambeta Find out more at http://golesygambeta.com This podcast is powered by Pinecast.

The McCullough Report with Dr. Peter McCullough – For so many who now have this new form of vaccine in their body, this book is a must. Karina Acevedo-Whitehouse currently works at the Facultad de Ciencias Naturales, Autonomous University of Queretaro. Acevedo-Whitehouse does research on Immune Plasticity, Molecular Epidemiology of disease in wildlife, and Cancer in free-ranging species...

The McCullough Report with Dr. Peter McCullough – For so many who now have this new form of vaccine in their body, this book is a must. Karina Acevedo-Whitehouse currently works at the Facultad de Ciencias Naturales, Autonomous University of Queretaro. Acevedo-Whitehouse does research on Immune Plasticity, Molecular Epidemiology of disease in wildlife, and Cancer in free-ranging species...

Resumen Jornada 10 Clausura 2024 Liga MX - Futbol Mexicano Monterrey Cruz azul y Pachuca comparten la cima America los sigue muy de cerca y goleo al Atlas Toluca se impuso a Tigres en la bombonera San Luis golea al Puebla 4-0 Santos le gano a Queretaro 1-0 Mazatlan le quito el invicto al Necaxa 2-1 Juarez dio buena pelea pero al final pachuca fue superior 3-2 Cruz azul se la cobro a las chivas 3-0 Monterrey se depacho a los Pumas 3-0 que van de bajada Xolos y Leon empataron a 1 Esto y mas en el peor podcast de la liga MX. www.golesygambeta Escuchanos en iTunes - Spotify - tune-in - Pandora - Youtube - Google Music Support Goles Y Gambeta by contributing to their tip jar: https://tips.pinecast.com/jar/goles-y-gambeta Find out more at http://golesygambeta.com This podcast is powered by Pinecast.

The Frequency of Celestial Harmony with Flicka Rahn Flicka Rahn is an internationally known vocal performer, author, teacher and published composer. She served on the music faculty at Texas A&M University Corpus Christi for 22 years in addition to Brandeis University in Boston, and the Boston Conservatory of Music. As a professional soprano she has appeared with the Boston Lyric Opera, Boston Philharmonic, New York Wagner Society, Minnesota Grand Opera, San Antonio Opera and the Sinfonia de Queretaro, Mexico. She has traveled throughout Mexico with notable Mexican artists presenting Uniting Nations through Music. Since 2015, Ms. Rahn has been practicing sound therapy at the Integrative Healing Institute in San Antonio. She is a co-founder of the Transcendence Project, co-creator of the Innergy Tuner app and co-author with Tammy McCrary and The Transformational Power of Sound and Music book. In 2012, as a Fulbright Scholar, she traveled to the Universidad Autonoma de Queretaro in Queretaro, Mexico, and taught courses on American art songs and American musical theater. She returned to Queretaro in 2015 to produce and direct musical presentations at the Proarte Escuela de Danza and the Centro Estudios de Musicales. In 2016, she continued her work in Mexico appearing with the Queretaro Symphony in their annual Opera Gala, performing solos and ensembles with Mexican vocal artists. She continues to have a large studio of classical vocal students in Queretaro, Mexico. In 2017, she and Mexican tenor, Andres Pichardo (add Andres' link) presented concerts in four cities throughout Mexico. In 2018, she returned to sing two concerts, “Amigos Para Siempre,” in Mexico City and Queretaro with tenors, Alberto Angel and Andres Pichardo.” As a composer, Ms Rahn's sacred and secular pieces for vocal soloists, choirs, and opera companies have been performed at universities, educational institutions, churches, museums, and temples. Her art songs are published in the series Art Songs by American Women Composers. In 2017, she and fellow musician, Daniel Wyman, recorded and released an album of meditation and healing music under the name The Icaros, and released their debut album Chakra Soundscapes, in 2018. This beautiful musical interpretation was inspired by her experiences of the improvised healing songs of the Shipibo shamans from the Amazon jungle in Peru. The Icaros followed up with the elegantly produced Hymns to Gaia: Honoring the Elements in 2019 and Ascension in August of 2021. The Icaros continues to perform at festivals and events in the US, Mexico and the UK. LINK: