Podcasts about Magne Furuholmen

Musiker, kunstner og bestefar Magne Furuholmen om sin «befriende» solokarriere, sitt favoritt A-ha-album, og da han tisset i kryss med George Harrison. Ganske nøyaktig førti år etter han debuterte som plateartist med det som skulle bli tidenes norske poplåt, er musiker, kunstner og nå bestefar Furuholmen aktuell med sitt fjerde soloalbum Living With Ourselves. I et eksklusivt intervju med Popkammeret forteller 62-åringen blant annet om da han fikk tyfus men rømte fra sykehusvinduet for å dra i studio med Cat Stevens, da han danset jenka med Noel Gallagher, sitt nære forhold til Coldplay, og et møte med en «dritforbanna» kulturjournalist. Vi nerder instrumenter, A-ha sine studio-oppsett gjennom årene, og mye mer. Av og med Einar Stray for Kontekst.

Fredag 20. oktober introduserte vi 1732 HØTTEN (1998) på Ramaskrik sammen med regissør Karin Julsrud. Etter visningen holdt vi en livepodkast med henne der vi snakket om filmen og hennes karriere. 1732 HØTTEN ble utskjelt av norske kritikere da den kom ut andre juledag 1998, og filmen ble raskt tatt av plakaten. Mottagelsen på internasjonale filmfestivaler var diametralt motsatt, og den vant både priser og ble sammenliknet med verk av David Lynch og Coen-brødrene. I intervjuet får du blant annet høre om hvordan filmen ble til, samarbeidet med fotograf Philip Øgaard, musikken til Magne Furuholmen og Kjetil Bjerkestrand, og den stjernerike rollebesetningen der blant annet Aksel Hennie, Linn Skåber og Trond Fausa Aurvåg har sine filmdebuter. Og ikke minst får vi høre hvordan det var for Karin Julsrud å se filmen igjen for første gang på nesten 25 år. Etter denne visningen på Ramaskrik kan det se ut til at filmen endelig har fått et bedre rykte her til lands.

In this episode we direct our attention to a-ha keyboardist Magne Furuholmen as we hunt for the 30 highs from his solo endeavours and side projects outside a-ha.In this episode you'll hear how Peter has given up on JP and now gives a trusted task to Jesper, we await a concept album about skimmed milk, and Peter and JP are left speechless (if only for a short while) by Jesper's anecdotes from an Apparatjik concert.We get another one of Jesper's “I was at work when I first heard this song”-stories, and we also learn which song might get Jesper on the dancefloor after a few drinks. Meanwhile JP confuses Jesper with a lyrics interpretation that JP himself thinks makes plenty of sense, and Peter regrets asking follow-up questions. And does Magne really love the word “hindsight” so much that it calls for fireworks?You'll also hear some quotes from some rather harsh reviews of Magne's first album, and can it really be that Apparatjik makes a mental note to always include 40 seconds of weirdness in their songs? And which song by Magne according to Jesper sounds like a better version of John Lennon's “Imagine”? We also discuss ghosts - including the giving up of them - and we probably read too much conflict material into all the lyrics. And has Magne written a song about his lawyer? On top of that we talk riff-recycling and lyrical rabbit holes while Jesper for once quotes more lyrics than JP. And which song by Magne makes JP fear that Jesper may be on the same wavelength as Pål?JP suggests that Jesper should commission Magne to make him a pedestal, and we think that Morten can carry a horse. We of course also discuss Magne's voice, we celebrate the diversity of his output, and Jesper looks for Easter eggs at Xmas time. And how does our timing of podcast release dates compare to a-ha?All of this is blended together with 30 awesome tracks from Magne in the various constellations he uses for his creative output. Maybe you know (and love) them all, maybe you're quite new to Magne's work outside of a-ha or maybe you're just ready to dig a bit deeper. Whatever your starting point is, we hope that you'll enjoy this episode!You are of course also more than welcome to visit our Facebook page at www.facebook.com/rankingaha where you can follow us and comment on the episodes and the rankings.

Treuer Hörer*innen wissen, dass wir eigentlich nicht gerne über Personen reden die Dinge getan haben, die für uns einfach nicht akzeptabel sind. Doch am Ende setzt sich immer der Gedanke durch, dass es zu unserer Aufgabe gehört auch über solche Dinge zu reden. Daher schafft es Kanye West immer wieder (heute auch) in unsere Folgen. Hinzu kommt heute dann noch Jérôme Boateng der erneut vor Gericht verloren hat. Doch es gibt auch interessante News zu Julia Roberts und ihrer Geburt und auch Heidi Klum hat sich als Wurm verkleidet in die aktuelle Aufnahme geschlichen. Doch am Ende siegt immer die Liebe, so auch heute!

It's a good old fashioned Flopcast Top 4 1/2 List, and the subject is bears. We have bears from TV (remember Grizzly Adams and his pal Ben?), cartoons (you know the Care Bears, but what about the Wuzzles?), songs (in case you were wondering how Lyle Lovett feels about bears), breakfast cereal (Sugar Bear really wanted to fatten up the children), and more. This is the goofiest bunch of bears you've seen since the Super Bowl Shuffle. And some very important bears are missing from our list, so let us know your favorites! (Send them over to the studio with a pic-a-nic basket.) Also: Happy Birthday to A-ha keyboardist Magne Furuholmen. Kornflake even tries to pronounce his name, because it's no better to be safe than sorry. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Twitter! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Cosmic Pizza!

Am 14.September 1982 haben sich a-ha gegründet. Es ist Mortens Harkets 23. Geburtstag. Nicht nur an dem Tag, auch in den Jahren danach sollte es einiges zu feiern geben für die erfolgreichste norwegische Band aller Zeiten – auch wenn Morten, Pål Waaktaar-Savoy und Magne Furuholmen eher als Feier-Trolle denn als Feier-Biester bekannt sind. Am 14.September 2022 hat Marc Mühlenbrock mit Morten Harket gesprochen, über das neue Album „True North“, das in seiner Mischung aus symphonischen und synthetischen Sounds wärmend und kristallklar von der Zukunft der Natur erzählt. Und natürlich hat der Frontmann mit der „glockenhellen Knabenchorstimme“ (OT Magne) zurückgeblickt, auf 40 Jahre a-ha, auf „Headlines and Deadlines“, auf Highlights and Lowlights der Nordlichter. Aus älteren Interviews erzählen neben Morten auch Pål und Magne von den steinigen Anfängen, von der Genese des Überhits „Take On Me“, der sich heute in der Musik von The Weeknd und Harry Styles widerspiegelt. Von ihrem Wechsel weg von Synthies zu Band- und schließlich Orchester-Sound mit den großen Songs „Crying in the Rain“ und „Summer Moved On“. Und vom stetigen Auf und Ab der internen Bandbeziehungen und On and Off zwischen Break-Ups und Reunion. Alles in Episode #067a-haEffekt beim Podca-hasthändler Eures Vertrauens.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Russ DavisA-Ha “Take On Me” from the 1984 album "Hunting High and Low" released on Warner Brothers. Written by Magne Furuholmen, Morten Harket, and Pal Waaktaar and produced by Alan Tarney.Personel:Morton Harket - lead vocalsMagne Furuholman - synthesisers, backing vocalsPal Waaktaar - guitars, synthesizers, drum programming, backing vocalsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Sturgill SimpsonElvis Presley

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Russ DavisA-Ha “Take On Me” from the 1984 album "Hunting High and Low" released on Warner Brothers. Written by Magne Furuholmen, Morten Harket, and Pal Waaktaar and produced by Alan Tarney.Personel:Morton Harket - lead vocalsMagne Furuholman - synthesisers, backing vocalsPal Waaktaar - guitars, synthesizers, drum programming, backing vocalsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:The Sex Pistols “God Save the Queen”Liz TrussPrince CharlesThemVan MorrisonThe CureDuran DuranThe Spice GirlsOasisBelle and SebastianRadioheadThe KinksPink FloydLed ZeppelinMumford and SonsThe Grateful DeadPhishWidespread PanicKid CudiThe Black Eyed Peas “Let's Get It Started”The Go-TeamBon JoviThe OutfieldToto “Africa”Wham “Wake Me Up Before You Go-Go”Billy JoelPhil CollinsDave Matthews BandRoy OrbisonBridgesMTV UnpluggedDavid BowieThe Doors “Light My Fire”Ray ManczerakHerbie Hancock “Rocket”Tears for Fears  “Shout”Cliff RichardSteve BarronMichael Jackson “Billie Jean”Dire Straits “Money for Nothing”Bryan Adams “Summer of '69”Eddy Grant “Electric Avenue”The Last of UsCulture Club “Kharma Chameleon”Culture Club “Do You Really Want to Hurt Me”Journey “Don't Stop Beliving”Steve PerryColdplayPalaceFalcoKraftwerkThe CarsWeezerReel Big FishGooseAqualungGrey's Anatomy

Vi er tilbake etter at noen av oss har vært i utlandet og sett Magne Furuholmen sitte i sete 3B. Vi snakker om det, Jørn Andersen sensasjonskapende tid i Hongkong, Palaus toppscorer gjennom tidene og spår litt om Norge i EM. See acast.com/privacy for privacy and opt-out information.

It's our twenty-fourth episode and yay! to Digo having finally seen the new James Bond film No Time to Die. Digo's report is about the Amazon rainforest and a few superheroes down there... Caleb's lesson plan covers the Norwegian synth-pop band A-ha and their No.1 hit "Take On Me" written by Magne Furuholmen, Morten Harket, and Pål Waaktaar.For more about Caleb & Digo:ANTSHUMANSSTARS.COM

Wolfgang Wee Uncut #172: Thomas Robsahm er filmskaper, regissør, produsent, musiker og skuespiller, og aktuell med dokumentaren om a-ha.I denne episoden snakker vi om: a-ha, Dokumentaren, Konfliktene, Take On Me, Hvordan Ble a-ha Et Band, Låtskriverkonflikten, Pitch og Produksjon, Morten Harket, Paal Waaktaar-Savoy, Magne Furuholmen, Kygo og The Weeknd.a-ha The Movie trailer: https://www.youtube.com/watch?v=bKyHd...Om du er fan av Wolfgang Wee Uncut, legg gjerne igjen en rating og en kommentar på Apple Podcast eller trykk på følgeknappen i Spotify. Det tar kun noen få sekunder, og betyr enormt mye for både podcastens synlighet og booking av gjester.Om du kunne tenkt deg å støtte podcasten, kan du: bli medlem av Youtube-kanalen, bli abonnent på Apple Podcast, eller gjøre en liten donasjon via PayPal eller krypto (se under).BTC-adresse: 35orbrWkscfxd9KzhPJ1YmSM9a5iSAt3N5ETH-adresse: 0x36A5D25E6B5F67FAC88d1aBbfC6484c04c91F599Kapitler med Youtube-link:1:05 Hvordan Harald Eia og Bård Tufte ble kjent7:35 Clawfinger 9:40 Skuespiller som barn12:10 A-ha's legacy14:05 Take On Me-forbannelse18:47 Bee Gees-dokumentaren21:29 Ambisjonen med dokuen 23:50 Slik pitchet han ideen32:00 SMS-kaos og møteutfordringer 37:49 Lite generøse med hverandre41:45 Konflikter og Krangler 43:41 Hva skjedde rundt år 2000? 47:27 a-ha-trioens avgjørende stahet 49:27 Låtskriverkonflikten54:51 Det sentrale problemet i a-ha56:46 Fordelingsnøkkelen1:04:58 The Weeknd - Blinding Lights 1:09:09 Hvordan ble a-ha et band?1:11:34 Betydningen av "Take On Me" globalt 1:13:56 Kygo-samarbeidet1:17:40 Living Daylights (James Bond)1:28:50 Klarering av rettigheter til dokumentaren1:34:35 Første gang han viste dokumentaren sin til a-ha1:39:03 Hadde a-ha final cut?1:51:16 Cannes Filmfestival1:55:48 Thomas' far var italiensk filmstjerne1:57:23 Faren sin på TV hver dag 2:06:42 Korrespondanse med Daft Punk!2:09:00 Anerkjennelse & Anmeldelser 2:13:23 Kredibilitet i musikkverdenenMorten Harket, Paal Waaktaar-Savoy, Magne Furuholmen, WaaktaarLenker:Webshop & MerchHør Wolfgang Wee Uncut i SpotifyHør Wolfgang Wee Uncut i Apple PodcastHør Wolfgang Wee Uncut (KORTVERSJONER) i SpotifyHør Wolfgang Wee Uncut (KORTVERSJONER) i Apple Podcast WWU HjemmesideInstagramFacebookTwitter See acast.com/privacy for privacy and opt-out information.

Wolfgang Wee Uncut #172: Thomas Robsahm er filmskaper, regissør, produsent, musiker og skuespiller, og aktuell med dokumentaren om a-ha.I denne episoden snakker vi om: a-ha, Dokumentaren, Konfliktene, Take On Me, Hvordan Ble a-ha Et Band, Låtskriverkonflikten, Pitch og Produksjon, Morten Harket, Paal Waaktaar-Savoy, Magne Furuholmen, Kygo og The Weeknd.a-ha The Movie trailer: https://www.youtube.com/watch?v=bKyHd...Om du er fan av Wolfgang Wee Uncut, legg gjerne igjen en rating og en kommentar på Apple Podcast eller trykk på følgeknappen i Spotify. Det tar kun noen få sekunder, og betyr enormt mye for både podcastens synlighet og booking av gjester.Om du kunne tenkt deg å støtte podcasten, kan du: bli medlem av Youtube-kanalen, bli abonnent på Apple Podcast, eller gjøre en liten donasjon via PayPal eller krypto (se under).BTC-adresse: 35orbrWkscfxd9KzhPJ1YmSM9a5iSAt3N5ETH-adresse: 0x36A5D25E6B5F67FAC88d1aBbfC6484c04c91F599Kapitler med Youtube-link:1:05 Hvordan Harald Eia og Bård Tufte ble kjent7:35 Clawfinger 9:40 Skuespiller som barn12:10 A-ha's legacy14:05 Take On Me-forbannelse18:47 Bee Gees-dokumentaren21:29 Ambisjonen med dokuen 23:50 Slik pitchet han ideen32:00 SMS-kaos og møteutfordringer 37:49 Lite generøse med hverandre41:45 Konflikter og Krangler 43:41 Hva skjedde rundt år 2000? 47:27 a-ha-trioens avgjørende stahet 49:27 Låtskriverkonflikten54:51 Det sentrale problemet i a-ha56:46 Fordelingsnøkkelen1:04:58 The Weeknd - Blinding Lights 1:09:09 Hvordan ble a-ha et band?1:11:34 Betydningen av "Take On Me" globalt 1:13:56 Kygo-samarbeidet1:17:40 Living Daylights (James Bond)1:28:50 Klarering av rettigheter til dokumentaren1:34:35 Første gang han viste dokumentaren sin til a-ha1:39:03 Hadde a-ha final cut?1:51:16 Cannes Filmfestival1:55:48 Thomas' far var italiensk filmstjerne1:57:23 Faren sin på TV hver dag 2:06:42 Korrespondanse med Daft Punk!2:09:00 Anerkjennelse & Anmeldelser 2:13:23 Kredibilitet i musikkverdenenMorten Harket, Paal Waaktaar-Savoy, Magne Furuholmen, WaaktaarLenker:Webshop & MerchHør Wolfgang Wee Uncut i SpotifyHør Wolfgang Wee Uncut i Apple PodcastHør Wolfgang Wee Uncut (KORTVERSJONER) i SpotifyHør Wolfgang Wee Uncut (KORTVERSJONER) i Apple Podcast WWU HjemmesideInstagramFacebookTwitter See acast.com/privacy for privacy and opt-out information.

Episode 34   When Synth-Pop Ruled Britannia An exploration of synth-pop that was popular in the UK. Playlist Space, “Magic Fly” (1977 United Artists). French group led by Didier Marouani (aka Ecama) and Roland Romanelli. Flirted with electronic disco music. 4:18 Giorgio Moroder, “The Chase” (1978 Casablanca). Big synths programmed and played by Moroder. Produced in Germany. An extended play “Casablanca Disco Single.” 13:08 The Normal, “Warm Leatherette” (1978Mute). UK artist Daniel Miller. 3:21 Vice Versa, “New Girls Neutrons” (1979 Neutron Records). Electronic New Wave / Minimal Synth band from Sheffield, UK. Synthesizers, David Sydenham. 2:02 Gary Numan, “Metal” from The Pleasure Principle (1979 Beggar's Banquet). UK group. Gary Numan on keyboards, synthetic percussion. 3:28 Telex, “Moskow Diskow” from Looking For Saint Tropez (1979 Vogue). This Belgian synth group included Dan Lacksman, Marc Moulin, and Michel Moers. 4:12 Yellow Magic Orchestra, “Rydeen” from X∞Multiplies (1980 A&M Records). Japanese band featuring electronic keyboards, synthesis and processing, Ryuichi Sakamoto; Guitar, Kenji Omura; synthesis programming, Hideki Matsutake; vocals, Chris Mosdell. 4:25 Suicide, “Diamonds, Fur Coat, Champagne” from Suicide: Alan Vega · Martin Rev (1980 Antilles). UK group. Electronics, Martin Rev; vocals, Alan Vega. 3:18 Yello, “Bostich” from Bostich (1981 Stiff America). Swiss electronic band formed in 1979 in Zürich, Switzerland. Electronics, vocals, Boris Blank; lyrics, vocals, Dieter Meier; tape, Carlos Peron. 4:32 Jon Foxx, “Underpass” (1980 Metal Beat). UK artist. Electronics, John Foxx. 3:21 Visage, “Fade to Grey” (1980 Polydor). UK artist. Produced by Midge Ure (Ultravox). 3:50 The Human League, “Love Action (I Believe in Love)” (1981 A&M). Electronic band from Sheffield, England. Synthesis Philip Oakey. 3:49 Heaven 17, “Play to Win” (1981 Virgin). UK artist. Formed as a side project of the British Electric Foundation (B.E.F.), the production company formed by Ian Craig Marsh and Martyn Ware, after their departure from the The Human League in 1980. 7:26 Soft Cell, “Memorabilia” (1981 Some Bizarre). UK artist. Synthesizer, percussion, David Ball; vocals, percussion, Marc Almond. 4:48 Depeche Mode, “Just Can't Get Enough” from Speak & Spell (1981 Mute). UK group. English electronic music band formed March 1980 in Basildon, Essex. Lead vocals, Dave Gahan; keyboards, guitar, vocals, Martin Gore; keyboards, Andy Fletcher; keyboards, Vince Clarke. 3:39 Yazoo, “Don't Go” (1982 Mute). Yazoo was an English Synth-Pop duo from Basildon, Essex. Vocals, Alison Moyet; synthesizers, Vince Clarke. 4:58 Kajagoogoo, “Hang on Now” (1983 EMI). UK group.Lead vocals, Limahl; bass, Nick Beggs; E-bow and guitar, Steve Askew; synthesizers, Stuart Croxford Neale; drums and electronic programming, Jez Strode. 3:38 The Art of Noise, “Moments in Love” (1985 ZTT). UK group. Vocals, Camilla Pilkington; keyboards, Ann Dudley; engineering, Gary Langan; electronics, Fairlight CMI, J.J. Jeczalik; bass, producer, Trevor Horn. 4:32 Propaganda, “Dr. Mabuse” (1984 Island Records). German group.German group from Düsseldorf; formed in 1982 by former Die Krupps keyboarder Ralf Dörper and Andreas Thein. Produced by Trevor Horn. 4:46 Pet Shop Boys, “West End Girls” (1985 Parlophone). UK group. Lead vocals, keyboards, occasional guitar, Neil Tennant; keyboards, occasional vocals, Chris Lowe. 3:58 Bronski Beat, “Smalltown Boy” (1984 Forbidden Fruit). UK group. Keyboardists Steve Bronski, Larry Steinbachek; vocals Jimmy Somerville. 4:59 Frankie Goes to Hollywood, “Black Night White Light” from Welcome To The Pleasuredome (1984 ZTT). UK group. Lead vocals, Holly Johnson; backing vocals, Paul Rutherford; guitar, Brian Nash; bass, Mark O'Toole; drums Peter Gill; keyboards, programming, software, J. J. Jeczalik. 4:02 Prefab Sprout, “Appetite” (1985 Kitchenware Records). English pop band from Witton Gilbert, County Durham. This track produced by Thomas Dolby. 3:54 Ivan, “Fotonovela” (1984 CBS). Spanish singer, Juan Carlos Ramos Vaquero; produced by Pedro Vidal. 4:32 A-HA, “The Blue Sky” (1986 Warner Brothers). Norwegian band formed in Oslo in 1982. Lead vocals, Morten Harket; guitar, vocals, Paul Waaktaar-Savoy; keyboards, vocals, Magne Furuholmen. 3:15     Opening background music: David Bowie, “Subterraneans” from Low (1977 RCA Victor). Vocals, saxophones, guitar, ARP synthesizer, Chamberlin (tape horn and brass, synthetic strings, tape cellos), David Bowie; Minimoog, ARP, EMS Synthi AKS, piano, Chamberlin, other synthesizers, vocals, guitar treatments, synthetics, Brian Eno; rhythm guitar, Carlos Alomar; bass, George Murray; produced by David Bowie, Tony Visconti. 5:38 This list, not the recordings, originally appeared in the February 2018 edition of Classic Pop in an article by Paul Lester. Check it out!   Opening and closing sequences voiced by Anne Benkovitz.  

Un éxito desde 1985 con ventas millonarias. Un videoclip icónico remasterizado en 2019 que suma miles de millones de visualizaciones. Un riff inconfundible.Antes de convertirse en TAKE ON ME, antes de llegar A-Ha, esta canción pasó por un proceso de prueba error durante varios años. La primera versión, la semilla de Take On Me, surge en la banda BRIGEST.BRIDGEST fue una banda noruega de estilo Punk, fundada en 1978 con grandes influencias de The Doors. Estaba formada por cuatro componentes, dos de ellos Pål Waaktaar y Magne Furuholmen. En 1980 publicaron un EP en el que no incluyeron MISS EERIE (THE JUICYFRUIT SONG) que era la génesis de TAKE ON ME. Les parecía demasiado pop, alejada del sonido punk en el que querían moverse. Sabían que era pegadiza, pero precisamente por eso, por resultar muy comercial, no les gustó. Poco después, la banda se disolvió.Entonces Waalktaar y Furuholmen, se juntan con Morten Harket, el vocalista y forman "A-ha" en 1982. Morten descubre la maqueta de Miss Eerie y se da cuenta de que ahí hay un éxito. Empiezan a trabajar en ella y pasa a llamarse "Lesson One" en una nueva versión.En 1983 A-Ha viaja a Londres para ser auditados por Andrew Wickham, un AR de Warner, que también se percató del potencial de ese tema y fueron fichados por la discográfica....

Un éxito desde 1985 con ventas millonarias. Un videoclip icónico remasterizado en 2019 que suma miles de millones de visualizaciones. Un riff inconfundible.Antes de convertirse en TAKE ON ME, antes de llegar A-Ha, esta canción pasó por un proceso de prueba error durante varios años. La primera versión, la semilla de Take On Me, surge en la banda BRIGEST.BRIDGEST fue una banda noruega de estilo Punk, fundada en 1978 con grandes influencias de The Doors. Estaba formada por cuatro componentes, dos de ellos Pål Waaktaar y Magne Furuholmen. En 1980 publicaron un EP en el que no incluyeron MISS EERIE (THE JUICYFRUIT SONG) que era la génesis de TAKE ON ME. Les parecía demasiado pop, alejada del sonido punk en el que querían moverse. Sabían que era pegadiza, pero precisamente por eso, por resultar muy comercial, no les gustó. Poco después, la banda se disolvió.Entonces Waalktaar y Furuholmen, se juntan con Morten Harket, el vocalista y forman "A-ha" en 1982. Morten descubre la maqueta de Miss Eerie y se da cuenta de que ahí hay un éxito. Empiezan a trabajar en ella y pasa a llamarse "Lesson One" en una nueva versión.En 1983 A-Ha viaja a Londres para ser auditados por Andrew Wickham, un AR de Warner, que también se percató del potencial de ese tema y fueron fichados por la discográfica....

a-ha - Lesson One (Take On Me first demo) (1982) Before their one. big, groundbreaking mega-hit (mostly for the video) this song underwent a couple revisions. They knew somehow that they had gold, but they struggled to find a winning chorus. They would.  Anna Frid Lyngstad - Guld Och Gröna Ängar (10CC's "The Wall Street Shuffle" in Swedish) (1975) The red-headed female in Abba released solo stuff with some success in her homeland throughout their heyday. But she didn't hit in the USA solo until teaming with Phil Collins for "I Know There's Something Going On" in 1982.   Anna Frid Lyngstad - Liv På Mars? (David Bowie's "Life On Mars?" in Swedish) (1975) Anna Frid Lyngstad - Skulle De' Va' Skönt (The Beach Boys' "Wouldn't It Be Nice" in Swedish) (1975) Baker Gurvitz Army - Hearts On Fire (1976) A pretty stupid song written by Ginger Baker. I never really liked him. I never liked Cream, to be honest. I like Jack Bruce singing with Carla Bley on "Escalator Over The Hill".  Bridges - Miss Eerie ("The Juicyfruit Song", the earliest recording of "Take On Me") (1981) In 1981, a-ha’s Paul Waaktaar-Savoy and Magne Furuholmen recorded this song for their band Bridges. In 1984, having formed a-ha with vocalist Morten Harket, they’d take yet another stab at the track.  Jack Bruce - I'm Gettin' Tired (Of Drinkin' and Gamblin') (1965)  Ginger Baker's Air Force - Sweet Wine (1970) Same musical structure, in a way, as Mothers of Invention, without the scatology.  Ginger Baker - Ariwo (1972) Hawkwind - Levitation (1980) With Ginger Baker on drums. Another band that never really pinged my interest. Throw them on the pile!  Michael Lloyd and Mike Curb - It's Magic (1969)  From...Hot Wheels Cartoon Soundtrack. Liner notes: This exciting album contains all of the original sound track music from HOT WHEELS- the high adventure show on ABC-TV's Super Saturday Club. This thrilling weekly cartoon series features a group of young drivers who have formed a "hot wheels" auto club. Their activities cover all aspects of this fast road sport...cross country, track and dunes, and the music reflects their love of high speed action. HOT WHEELS is an up-to-the minute show and the music from the sound track is as turned on and tuned-in as today's high performance cars. Mike Curb. who wrote the music for the show, puts it all into high gear on this fast moving album! Ian Dury and the Blockheads -  Reasons To Be Cheerful, Pt. 3 (1979) These guys could play. I went through their stuff. Very exciting and versatile. The late '70s in UK must have been an exciting time for music fans.  Ian Dury and the Blockheads - Hit Me With Your Rhythm Stick (1978) Listen to that bass guitar. Norman Watt-Roy. What fun it must have been to produce these records. That seems to be when the best records were made. When all concerned were united in making a good sound, but not taking themselves too seriously.  Jack Bruce - Never Tell Your Mother She's Out of Tune (1969)  Jack Bruce - Pieces Of Mind (1974) Jack Bruce - Victoria Sage (1971) Even though having Ginger Baker in my band would have been a special circle of hell for me, and I think Jack Bruce might have been a tad busy for my taste, I find both of their records invariably more interesting than anything Eric Clapton did. And aside from Jack Bruce's first solo album, Songs For A Tailor, neither artist charted in the US with anything. And I know this might be sacrilege to say, but is Duane Allman's slide solo on "Layla" THAT good? I find it pretty...meandering. Out of tune, even. Go ahead and kill me.  Madness - Blue Skinned Beast (1983) Same album as their US hit "Our House". Dan put this on a mix tape for me once. I never forgot.  Madness - Embarrassment (1980) Madness are an English ska band from Camden Town, North London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s two-tone ska revival, Madness's most successful period was from 1980 to 1986, when the band's songs spent a total of 214 weeks on the UK Singles Chart.  Madness have had 15 singles reach the UK top ten, which include "One Step Beyond", "Baggy Trousers" and "It Must Be Love", one UK number one single "House of Fun" and two number ones in Ireland, "House of Fun" and "Wings of a Dove". "Our House" was their biggest US hit. In 2000 the band received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for Outstanding Song Collection.  Madness - On The Town (Feat. Rhoda Dakar)/Bingo (2009) Read the Wiki about this album. Most artists, after how many years, regress or become a trivia act. Madness reached for the stars. It's a worthy listen for sure.  Marianne Faithfull - I'm a Loser (1965) You had to be there, I guess.  Mike Curb & Lawrence Brown -Bay City Boys (1967) From the original motion picture soundtrack to the film "Mary Jane". A car driven by a driver intoxicated by marijuana plunges off a cliff, killing the driver and injuring a female passenger. It turns out marijuana use is rife at a small town high school, led by the clique of Jordan Bates. Art teacher Phil Blake tries to persuade student Jerry Blackburn not to smoke. Jerry borrows Phil's car and Jordan leaves some marijuana in it. Phil gets arrested for possession of marijuana. This movie starred Fabian, who was a heartthrob in the early '60s. Maybe this was his attempt to be a serious actor.  The movie was co-written by Dick Gautier (POACA will recall his ubiquitous presence on every game show ever done, as "Hymie" the Robot on Get Smart, and in 1973, when Burt Ward and Yvonne Craig reprised their Batman roles (as Robin and Batgirl respectively) for a TV public service announcement about equal pay for women, Adam West, who was trying to distance himself from the Batman role at the time, declined to participate. Gautier filled in for West as Batman. The other co-writer was Peter Marshall, who hosted The Hollywood Squares for 15 years.  For the fetishist, here is that PSA, with Dick Gautier as Batman.  https://youtu.be/3LviAKGZxPs Mike Curb Congregation - Come Together/Hey Jude (1970)  The Mike Curb Congregation - Burning Bridges (1970) From the movie "Kelly's Heroes".  Hank Williams Jr. & The Mike Curb Congregation - Walkin' To New Orleans (1971)  The New Life - The Sidehackers Soundtrack (1969) Do you remember the MST3K episode? Well, there's a soundtrack that features Mike Curb's involvement. Besides the Sidehackers soundtrack, The New Life also scored songs for a film called Black Water Gold.  

Künstler brauchen Rückzugsräume – auch wenn ihnen das Leben in Isolation manchmal schwerfällt. Sie stehen damit in einer Tradition, in der Alleinsein als Voraussetzung für Produktivität gilt. Magne Furuholmen, Keyboarder der Band a-ha, die Künstlerin A K Dolven und die Choreografin Doris Ulrich erzählen davon.Von Gaby Hartelwww.deutschlandfunkkultur.de, Mikrokosmos – Die KulturreportageDirekter Link zur Audiodatei

You wont believe how Take on Me came about, Magne Furuholmen from Ah Ha tells us. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

You wont believe how Take on Me came about, Magne Furuholmen from Ah Ha tells us.

Magne Furuholmen from Ah Ha join us for a chat, Terry's day mowing the Green, and much more Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Magne Furuholmen from Ah Ha join us for a chat, Terry's day mowing the Green, and much more

George Tanderø er en av få i sin generasjon som har gått den tradisjonelle ruta med å starte på bånn i et lydstudio, for så å jobbe seg hele veien til topps. Førtiåringen, som fylte år den dagen dette opptaket ble gjort, startet som assistent for Ulf Holand i Lydlab. Der ble han kjent med Pål Waaktaar og Magne Furuholmen, og sistnevnte ordnet et møte med den svenske superprodusenten Martin Terefe i London. Tanderø og Terefe kom godt overens, og snart flyttet Georg til musikkmetropolen for å jobbe med verdensstjerner som James Morrison, Cat Stevens og Travis. Etter noen år hadde han fått nok av storbylivet, og vendte hjem til Oslo. Siden har store deler av den norske musikkbransjen fått gleden av å jobbe med Georg, først som miksetekniker og i det siste som masteringstekniker. I denne utgaven av Bak spakene forteller han sin historie, og deler villig vekk av triks han har plukket opp på veien. See acast.com/privacy for privacy and opt-out information.

Magne Furuholmen har med bandet A-ha solgt over 50 millioner album og satt verdensrekord for flest betalende publikummere på én konsert med 198 000 mennesker på et stadion i Brasil. Han har komponert musikk til en rekke filmer, gitt ut tre album med bandet Apparatjik og fire soloalbum. I tillegg er han en suksessfull og anerkjent billedkunstner.

** Vi tar turen til Storbritania for siste nytt om BREXIT. ** Martha Louises nye kjæreste, sjaman Durek skaper debatt med sex avsløringer og ny bok med påstander om at kreft er selvpåført. - Gal manns tale, mener bokanmelder.mens andre mener - Mobbingen nå må stoppe. ** Hun skulle bare en raskt tur i den lokale butikken, men fikk en kniv i ryggen og holdt på å dø. Denne uka startet rettssaken mot russeren som knivstakk Anne Hennum. ** Ni år etter sin endelige farvel-turne. feirer a-ha sitt 35 års jubileum med ny verdensturné! Magne Furuholmen letter på sløret om det nå kommer nye låter. ** Cannabisbruken blant norsk ungdom øker. Men cannabis er og skal fortsatt være ulovlig sier folkehelseminister Sylvi Listhaug og møter Venstres Carl-Erik Grimstad som ønsker salg av hasj på vinmonopolet.

Edición Limitada - 26 de Agosto del 2019. Producción, realización y conducción: Gustavo Verduzco. Presentando música de Magne Furuholmen, Orchestral Manoeuvres In The Dark, Daniel Hall, Circuit3, Iris, Moya81, Glasnost, Matt Springfield, Project Ich con Asia Wolf, Wingtips, Grendel, Mind Machine, Ultimated, Toal, Supercraft, Train To Spain, Mental Exile, Juno Reactor con GMS y Suicide Commando.

Nesta edição do resumo do som, nós vamos relembrar a história de Take On Me, a música que levou quase 10 anos para ficar perfeita e que com a ajuda de um video clip incrível, fez do A-Ha uma sensação pop no mundo inteiro.  A-Ha em 1985: (da esquerda para a direita) Magne Furuholmen, Morten Harket e Pål Waaktaar Capa do single Take on Me, de 1984 Cena do video clip de Take on Me        Take on Me está disponível em:       Take on Me foi composta por Magne Furuholmen, Morten Harket e Pål Waaktaar© 1984 Warner Brothers  Agradecimentos aos produtores virtuais pelo apoio:Fabiano F. M. Cordeiro Ricardo BunnymanGostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.       This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Vi setter kjempefokus på ensomhet i dette programmet og har møtt en ekte ensom. I tillegg blir det selvsagt Ringos Kjendis Tetris Spill med selveste Magne Furuholmen fra popgruppen a-ha som deltager. Sendingen er sponset av Kattesand Norge.

Vi har besøk av Norges største turntalent, Stian Skjerahaug, og bli bedre kjent med han gjennom vår skoledagbok. Markus har fått eget besøk, av selveste Magne Furuholmen og bruker hans ekspertkompetanse til å bedømme om låta han spilte inn som 11-åring har hitpotensiale. Bonusspor starter 01:01.

Utlendingsnemnda har stanset returen i 11 Storskog-saker og asylsøker fra Jemen hentes tilbake fra Russland. Vi spør UNE-direktøren hvor mange flere UDI kan ha sendt ut feilaktig? Arbeiderpartiet med ny klimapolitikk. Ja, du hørte riktig. Arbeiderpartiet med ny klimapolitikk. Hva er poenget med at et statlig togselskap allierer seg med et statlig flyselskap for å konkurrere ut et annet statlig togselskap? Utover å være stjerne har ikke Magne Furuholmen noen formell ledererfaring som gjør ham kvalifisert til jobben som styreleder for Festspillene i Bergen, mener kulturredaktøren i Aftenposten. Jo da, han er både et riktig og spennende valg, mener museumsdirektør.

Besøk av Tini og Magne Furuholmen