Podcasts about Ravels

Dies ist Jean-Efflam Bavouzets zweite Einspielung von Ravels kompletter Klaviermusik; die erste legte er vor 20 Jahren vor. Den bei Ravel so wichtigen Drahtseilakt zwischen Respekt vor den Noten und eigenem interpretatorischen Freiraum - Bavouzet meistert ihn auf diesem Doppelalbum exemplarisch.

Maurice Ravel war zwar Franzose, aber er hatte baskische Wurzeln und beschäftigte sich in vielen Werken mit Spanien. Ganz besonders in der spanischen Rhapsodie, seinem ersten großen Orchesterwerk von 1907, Die Suite verzaubert durch folkloristisches Kolorit, sinnliche Süße und einen Orchesterklang, der süchtig macht. Von Michael Lohse.

Der Bolero von Maurice Ravel zählt zu den beliebtesten Werken der klassischen Musik. Nun erzählt ein Film die Entstehungsgeschichte, inszeniert von Anne Fontaine.

Op vrijdag 7 maart vieren we Maurice Ravels 150e verjaardag, dus dat is goede reden om naar zijn muziek en de muziek van zijn bewonderaars te luisteren! Heb je je ooit afgevraagd hoe Ravel op een accordeon zou klinken? Dan worden je vragen in deze aflevering beantwoord! En er zijn heel veel fantastische concerten de komende tijd, die we toch zoveel mogelijk bespreken, op het gevaar af dat er keuzestress ontstaat.. Ravel - Sheherazade Ravel - Le Tombeau de Couperin Gershwin - The Man I love Ravel - Miroirs - door Egorov Dumond - Hommage a Ravel JP de Graaff - YPF (concerttip) Delage - ? Matthaus - Rob Vermeulen / Johannette Zomer (concerttip) eindstuk: Kilar - Exodus Een Zwitserse horlogemaker. Zo noemde Igor Stravinsky zijn Franse collega Maurice Ravel. Ironie en lof tegelijk: hij doelde op Ravels ongelooflijke aandacht voor details, voor nuances, voor de kleine zaken die een muziekstuk groots maken. Die eigenschap zorgde er voor dat een onwillige pianoleerling uitgroeide tot een van de grootste orkestratoren ooit. Ravel was overigens inderdaad half-Zwitsers en zijn vader was uitvinder. Van jongs af aan werd Maurice omringd door radertjes, wieltjes en muziek. De rest van zijn leven zou hij een voorliefde houden voor speeldozen, mechanische vogels en inventief instrumentarium. Zo was hij een absoluut voorvechter van de destijds nog weinig gebruikte saxofoon, en gebruikte hij percussie uit exotische landen. Ravel vertrouwde uitsluitend op zijn spontane inspiratie wat nogal riskant was, zeker omdat hij ook een perfectionist was. Zoals hij zelf opmerkte: “Ik kan er jaren over doen om een bepaalde noot op te schrijven…. En besteed veel tijd aan het weglaten van alles wat overbodig is om tenslotte zo volledig mogelijk de uiteindelijke helderheid te bereiken waarnaar ik streef.” Theodor Adorno karakteriseerde Maurice Ravel 1875-1937) als de 'meester van de klinkende maskers', de onlangs overleden Pierre Boulez beschouwde hem als een van de beste leermeesters op het gebied van de orkestratiekunst. Over Le Tombeau de Couperin: Neem Le tombeau de Couperin: deze suite zou althans op papier zijn meest persoonlijke werk moeten zijn, grotendeels geschreven vlak ná zijn ervaringen aan het front van de Eerste Wereldoorlog, grotendeels gecomponeerd vlak ná de dood van zijn moeder, en zelfs opgedragen aan een reeks vrienden die sneuvelden in de oorlog. Maar het eindresultaat is eerder een set maskers in de vorm van neobarokke, overwegend opgewekte dansen. Zoals een tijdgenoot, componist Jean Roger-­Ducasse, vaststelde: Ravel had niet eens het fatsoen om tenminste een droeve Sarabande toe te voegen. Ravel was nu eenmaal geen romanticus à la Berlioz, en trouwens ook geen luidruchtige revolutionair à la Stravinsky, zelfs geen stille revolutionair à la Debussy. Zie ook het commentaar van een hedendaagse componist, de Brit George Benjamin, die weliswaar een bewonderaar van Ravel is:  ‘Het aspect van Ravel waarin ik mij het minst kan vinden, is het conservatisme van zijn vormen. Die werken perfect voor zijn muziek, maar hij is daarin niet zo avontuurlijk. Het is allemaal zo duidelijk omlijnd en klassiek (…); alles is in hokjes verdeeld, in zekere zin is hij een miniaturist. De vormen hebben een zekere gelijkvormigheid en zijn nogal netjes.'    Nergens lijkt deze analyse sterker op te gaan dan voor Le tombeau de Couperin, een doelmatig conservatieve vormenreeks voor piano solo met de delen Prelude, Fuga, Forlane, Rigaudon, Menuet en Toccata. Ravel begon vlak voor de Eerste Wereldoorlog aan deze hommage aan barokcomponist François Couperin: een zogeheten ‘tombeau' zoals dat in de Barok al gebruikelijk was. Hij voltooide de reeks na zijn terugkeer van het front in 1917, en bewerkte in 1919 vier van de zes delen voor orkest – de Fuga en Toccata vond hij waarschijnlijk te pianistisch gedacht. Toch het vermeend conservatieve karakter van de muziek kan worden genuanceerd. Al inzoomend op de partituur blijkt Ravels fijnzinnige én eigenzinnige invulling van de klassieke structuren. De Prelude bevat weliswaar typische Barok-elementen – doorlopende patroontjes en speelse ­voorslagen, maar Ravel speelt een geraffineerd spel met de harmonieën. Abrupte modulaties en tritonus-­intervallen verraden een twintigste-eeuwse geest, evenals het weidse pianobereik dat op een klavecimbel niet had gepast. De Forlane is harmonisch nóg avontuurlijker: de maten 146 en 147 bevatten zelfs ieder alle twaalf noten van de chromatische ladder. Toen Marguerite Long, de pianiste die de wereldpremière verzorgde, deze passage voor dirigent Camille Chevillard voorspeelde, bedekte hij veelbetekenend zijn oren.

In deze aflevering van Kalm met Klassiek roept Ab je nog één laatste keer op om je goede voornemen met hem te delen, voor de speciale themaweek vol goede voornemens die binnenkort op de planning staat. Daarnaast is het de laatste aflevering binnen het thema '2025', en Ab legt je uit hoe dat thema linkt aan componist Maurice Ravel. Ontspan bij rustgevend klokgelui in Ravels pianowerk 'La vallée des cloches'.  Mail jouw goede voornemen of intentie voor 2025 naar klassiek@avrotros.nl. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

13. decembrī Torņkalna baznīcā festivālā “Eiropas Ziemassvētki” izskanēs koncertprogramma “Ravels, Debisī. Ziemassvētki Francijā” ar Kloda Debisī, Morisa Ravela, Olivjē Mesiāna un dažādu citu laikmentu franču komponistu mūziku. Latvijas Radio koris diriģenta Sigvarda Kļavas vadībā šoreiz aicinājis sadarbībai saksofonistu Aigaru Raumani un ērģelnieku Aigaru Reini, kuri atskaņos arī Kloda Debesī Rapsodiju un Ežēna Bocas “Āriju”. Latvijas Radio kora priekšnesumā - Fransisa Pulenka “Ziemassvētku laika motetes”, Olivjē Mesiāna “Jēzus mūžības slavinājums” Klitus Gotvalda pārlikumā korim un motete ‘‘O sacrum convivium'', kā arī Morisa Diruflē kordarbi Sarunā ar diriģentu Sigvardu Kļavu uzzinām par franču vokālās mūzikas krāsām un kā korim rakstījis Fransiss Pulenks, kā Olivjē Mesiāna instrumentālam sastāvam komponētai mūzikai piestāv vēlāk pievienots teksts, kā gregoriskais korālis ieskanas Morisa Diruflē mūzikā.

Stāsta pianiste, JVLMA Zinātniskā un radošā darba prorektore, Profesionālās doktora studiju programmas direktore Diāna Zandberga Cilvēka ķermenis var radīt, uztvert un izteikt mūziku. Parasti profesionālu mūziķu un dejotāju ķermeņi ir apmācīti attiecīgajā jomā kopš bērnības. Neskatoties uz atšķirībām, deja un mūzika ir cieši saistītas viena ar otru, jo tās ir ar kustības un laika mākslas. Esmu trenēta abos virzienos – deju nodarbības sāku apmeklēt četru gadu, bet klavieres spēlēt – piecu gadu vecumā. Tāpēc mani interesē horeomuzikoloģija – nozīmīgs uz praksi balstīts māksliniecisko pētījumu aspekts. Jau 20. gadsimta sākumā šveiciešu pedagogs un pētnieks Emīls Žaks-Dalkrozs (1865–1950) pētīja mūzikas un kustības savstarpējās mijiedarbības fenomenu, pamatojot atšķirīgu izpildītājmākslas virzienu, kurā mūzika un kustība saplūst, lai kļūtu par vienotu mākslu, kas pauž cilvēka garu laikā un telpā. Šo mākslu Dalkrouzs sauca par Plastique Animée. Horeomuzikoloģijas terminu ieviesa kanādiešu izcelsmes amerikāņu pianists un pētnieks Pols Hodginss (Paul Hodgins) 1992. gadā savā darbā "Mūzika, kustība un metafora, pētījums par dejas un mūzikas attiecībām 20. gadsimta horeogrāfijā" (Relationships between score and choreography in twentieth century dance: music, movement and metaphor, 1992). Tas ir savienojums no vārdiem choreo (grieķu: khoreios, no χορός) – deja un musicology, kas ir zinātniska mūzikas pētniecība. Šī termina izpratni padziļināja Kopenhāgenas universitātes profesore Ingera Damšolta, definējot attiecības starp mūziku un deju (Damsholt 1999:2), kas saistītas ar dažādiem dramaturģijas paņēmieniem starp līdzīgo un atšķirīgo un var būt gan imitējošas, gan kontrastējošas, jēgpilni mainoties ar spriedzi un atbrīvotību saistītām epizodēm. Amerikāņu horeogrāfe Džuljeta Makmensa un komponists Bens Tomass pētījumā "No skaņas uz pietupienu: mūzikas teorija dejas zinātniekiem un cieša kustību analīze mūzikas zinātniekiem" (Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars 2013: 196-217) uzsver divu veidu horeomūzikas attiecības:  pastiprināšana (amplificarion) – viens mākslas veids papildina otru, bet neviens no tiem nav dominējošs un radīšana (emergence) – deja un mūzika kopā rada tēlainību, kas nav iespējama tikai ar vienu mākslu. Savās koncertprogrammas mēģinu iedzīvināt un praktiski iemiesot šīs idejas. Piemēram, pastiprināšana igauņu komponista Lepo Sumeras skaņdarbā "Piedod, Friderik!" (Pardon, Fryderyk) izpaužas, mijoties dejas un mūzikas epizodēm, kas pastiprina māksliniecisko efektu, taču  neuzņemas primāro vai sekundāro lomu. Savukārt ar otru – jaunrades (emergence) aspektu, kurā deja un mūzika kopā rada tēlainību, kas nav iespējams tikai ar vienu mākslas veidu, esmu saskārusies Mārītes Dombrovskas skaņdarbā "Impresijas klavierēm un elektronikai" (2018) ar Amerikā dzīvojošās horeogrāfes Guntas Liepiņas-Milleres horeogrāfiju, kurā deja attēlo bēgšanu no realitātes, kā arī Anitras Tumševicas jaundarbā "Kalnu kristāls" ar Milanas Komarovas horeogrāfiju, kurā deja elektronikas pavadībā attēlo kristāla tapšanas procesu. Slaveni mākslinieki, kuru daiļrade bagātinājusi horeomuzikālās attiecības, ir, piemēram, Džons Keidžs (1912–1992) un Merss Kaningems (1919–2009), Igors Stravinskis (1882–1971) un Džordžs Balančins (1904–1983), Luiss Horsts (1884–1964) un Marta Grēma (1894–1991). Saistībā ar šo horeomuzikālo rakursu vēlos pastāstīt par vēl vienu skaņdarbu – Morisa Ravela Horeogrāfisko poēmu "Valsis" (1920), kura  ideja sākās vispirms ar nosaukumu "Vīne" jau 1906. gadā, kad Ravels bija iecerējis orķestrēt skaņdarbu kā veltījumu valša formai un Johanam Štrausam II. Pēc dienesta Francijas armijā Ravels atgriezās pie savas sākotnējās idejas, rakstot draugam: "Jūs zināt manu aizrautību šiem brīnišķīgajiem ritmiem un to, ka dejā pausto dzīvesprieku vērtēju daudz dziļāk nekā frankistu puritānismu." Tomēr ideja tika pilnībā pārstrādāta. Sergejs Djagiļevs viņam pasūtīja baletu, kas netika uzvests, jo, noklausoties skaņdarbu divu klavieru transkripcijā, Djagiļevs sacīja, ka tas nav balets, bet baleta portrets. Ravels apvainojās un pārtrauca attiecības. Tomēr pāris gadu laikā Valsis kļuva par populāru koncertdarbu. Kad 1925. gadā abi kungi atkal satikās, Ravels atteicās paspiest Djagiļeva roku. Djagiļevs izaicināja Ravelu uz dueli, bet draugi pārliecināja atteikties no šis idejas. Vīrieši vairs nesatikās. Neraugoties uz Djagiļeva atteikumu, "Valsis" piedzīvoja daudzas horeogrāfiskas interpretācijas. Baleta pirmizrāde notika pēc gada 1926. gada oktobrī Antverpenē Flandrijas Karaliskās operas baletā, kam sekoja Idas Rubinšteinas iestudējumi 1928. un 1931. gadā ar Broņislavas Ņižinskas horeogrāfiju. Savukārt izcilo horeogrāfu Džordža Balančina (1951) un Frederika Eštona (1958) iestudējumi aptver dažādas tradīcijas. Balančina horeogrāfija pilnībā iekļaujas nāves dejas lasījumā – stāsts ir par balerīnu, kuru savaldzina un iznīcina tumša vīrieša figūra. Turpretim Eštona klasiskākā, abstraktākā versija šķiet vairāk saskaņota ar Ravela ieceri, jo kompoonists ievadā rakstīja: "No miglas pamazām iznirst dejotāju pāri. Mākoņi pamazām izklīst un kļūst redzama milzīga zāle ar valsī virpuļojošiem dejotājiem. Lustras iedegas pie pirmā fortissimo un atklāj imperatora galma balles zāli aptuveni 1855. gadā." Skaņdarba saturu vislabāk skaidro komponista teiktais: "Daži skaņdarbā sajūt parodiju vai karikatūru par Vīnes valsi, citi sadzird baisas pasaules kara priekšnojautas... Piekrītu, ka šī deja var šķist traģiska galēji sakāpināto emociju dēļ. Tomēr galvenais ir mūzikas paustā pakāpeniskā skanējuma, kustības un gaismas apoteoze."

Musik: Ravel Klavierkonzert in G-Dur  II. Allegro assai Produktion: Martin SteinbereithnerAufnahme: Fritz LoeweMastering: Harry KelevFactchecking: Piroshka KacsaMusikauswahl: Jakob Dubi BaerKreativer Direktor: Philip Wolff

Washington Commanders vs. Baltimore Ravens NFL Pick Prediction 10/13/2024 by Tony T. Commanders at Ravens 1PM ET—Washington running back Robinson is questionable. Their defensive starters are healthy. Baltimore left tackle is questionable. On defense a corner and nickel back are questionable. Washington improved to 4-1 following their 34-13 home win to Cleveland. The Commanders put up 434 yards with 215 rushing for 6.3 yards a carry. On defense they held the Browns to 212 yards with 108 passing on 29 attempts. Jayden Daniels hit 14 of 25 for 238 yards with a touchdown and interception. He rushed for 82 yards. Baltimore sits at 3-2 after their 41-38 road win at Cincinnati. The Ravels gained 520 yards with 175 rushing for 5.1 yards a carry. Defensively they allowed 442 yards to the Bengals with 371 passing on 39 attempts. Lamar Jackson hit 26 of 42 for 348 yards with four touchdowns. He rushed for 55 yards.

"Mein einziges Meisterwerk – nur leider ohne Musik." Ungefähr das hat Maurice Ravel mal über seinen Bolero gesagt. Roland findet raus, was er damit meinte und warum Ravels Bolero eins der bekanntesten klassischen Stücke überhaupt geworden ist.

Igor Strawinsky schwärmte von „Daphnis et Chloé“ als einem der "schönsten Produkte der gesamten französischen Musik". Als choreografische Sinfonie komponierte sie Maurice Ravel für die Ballets Russes und ihren Impresario Sergej Dhiagilew. Am 8. Juni 1912 wurde das Werk in Paris uraufgeführt. Nicht ohne Schwierigkeiten: Denn es ist Ravels größte je geforderte Besetzung, ein riesiger Orchesterapparat. Die komplexe Partitur entfaltet vor allem dann ihre Klangpracht, wenn jede einzelne Stimme durchschimmert, findet unsere Rezensentin Maria Gnann. Sie hat sich die Neuaufnahme der Sinfonia of London unter der Leitung von John Wilson angehört und findet: Sie bringen Ravels Musik zum Leuchten.

We've got knitting! We've got eponyms!! We've got knitting eponyms!!! Which come with a whole load of battles, f-boys, duels, baseball, scandals - and socks, lots of socks. Fibre artist and Yarn Stories podcaster Miriam Felton discusses why grafting should ditch the name 'kitchener stitch'; we learn about the eponymous cardigan; and two towns in Ontario take pretty different approaches to having problematic namesakes. Content note: this episode contains mentions of war, death and injuries. Get the transcript of this episode, and find out more about the topics therein, at theallusionist.org/ravels. This episode was produced by me, Helen Zaltzman. Martin Austwick of Neutrino Watch and Song By Song podcasts provides the Allusionist music. Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. You can also sign up for free to receive occasional email reminders about Allusionist stuff. The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing on the show in 2024, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Wildgrain, the subscription box for sourdough breads, fresh pastas, and artisanal pastries that you can cook from frozen in 25 minutes. Get $30 off your first box, PLUS free croissants in every box, when you start your subscription at Wildgrain.com/allusionist or use promo code ALLUSIONIST at checkout.• Ravensburger, who make all sorts of jigsaw puzzles, including ones you design yourself. Buy Ravensburger puzzles in your preferred puzzle emporium and from Ravensburger's official websites.• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

1912 vollendet Maurice Ravel sein berühmtes Ballett für Serge Diaghilevs legendäres Tanzensemble. Es ist sein längstes Werk überhaupt, wohl auch sein Bestes - ganz sicher sein Sinnlichstes: Das Schäferstündchen aus dem antiken Griechenland zeigt den Klangvirtuosen in Hochform. Von Murat Kayi.

Vor dem Urlaub gibt es meistens noch einiges zu erledigen – sei es zuhause oder im Büro. Spätestens nach diesem Endspurt ist man dann wirklich urlaubsreif. Auch Maurice Ravel kannte diese Problematik.

‘Wonderschoon en amusant' Maurice Ravel wilde zijn Pianoconcert de titel ‘Divertissement' meegeven, ‘amusement'. Onderhoudend, niet meer dan dat, maar wel op het hoogste niveau. Hij sleep zo'n drie jaar aan dit concert, totdat iedere noot stond waar die moest staan, maar ook gewoon ‘amusant' was. In deze aflevering ook de eerste opname van Ravels pianoconcert. Maurice Ravel Pianoconcert in G; II. Alicia de Larrocha, piano Saint Louis Symphony Orchestra olv Leonard Slatkin (album: Ravel Pianoconcert in G) Maurice Ravel Pianoconcert in G; II. Marguerite Long, piano Orchestre des Concerts Lamoureux olv Maurice Ravel (album: Ravel conducts Ravel)

Codey and Bev talk about Research Story Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:23: What Have We Been Up To 00:14:40: News 00:26:11: Research Story 01:18:02: Outro Links Disney Dreamlight Valley Pride of the Valley Update Mika and the Witch’s Mountain Trailer Coral Island Summer Update Rune Factory 3S US Special Edition Research Story on Steam Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript [00:00.000 –> 00:30.000] music [00:30.000 –> 00:35.000] Hello farmers and welcome to another episode of the harvest season. [00:35.000 –> 00:40.000] My name is Cody and my name is Bev and we’re here today to talk about cottage core [00:40.000 –> 00:44.000] games. [00:44.000 –> 00:49.000] What so so we we say hello farmers because it used to be only a [00:49.000 –> 00:54.000] farming podcast but now we’re like rebranding. So what do we say like hello cottage core [00:54.000 –> 00:59.000] workers. This is a question. That’s a great question. [00:59.000 –> 01:04.000] Listeners right in. Join the slack and tell us what we should call you. [01:04.000 –> 01:09.000] Listeners maybe. Hello listeners. Hello. [01:09.000 –> 01:14.000] We’ll workshop it. Yeah sure. Definitely [01:14.000 –> 01:19.000] tweet at us please. So there is a quote here. [01:19.000 –> 01:24.000] I don’t know how you wanted me to say this. But for [01:24.000 –> 01:29.000] folks that would like transcripts transcripts are available in the show notes and [01:29.000 –> 01:34.000] on the website. So any transcripts for I’m assuming any [01:34.000 –> 01:39.000] episode at least this episode will be available there. [01:39.000 –> 01:44.000] So if you mention anything or if I say something weird and you’re like what was that word. [01:45.000 –> 01:50.000] You can look it up. So today we are here to talk [01:50.000 –> 01:55.000] about our main topic which is a research story. So this is part two technically. [01:56.000 –> 02:01.000] The first episode which you can find in our on our feed was Bev and I talking about our [02:01.000 –> 02:06.000] experiences in research. And they said that you had a they had a very cool [02:06.000 –> 02:11.000] monkey poop thing. Yes. So if you’re [02:11.000 –> 02:16.000] yeah if you’re like not not sure what what monkey poop what go back [02:16.000 –> 02:21.000] and listen to that right. Please. And we do have some news. [02:21.000 –> 02:26.000] But before we get to that Bev what have you been up to. [02:26.000 –> 02:31.000] I have been struggling just in general. [02:31.000 –> 02:36.000] But I at least like what I’ve been playing. I’ve been on a weird [02:36.000 –> 02:41.000] solitaire kick lately. Like I was at a conference last week and that’s what got [02:41.000 –> 02:46.000] me through the conference was just playing solitaire while I was listening. Do you have [02:46.000 –> 02:51.000] like a specific like with with cards or do you have a specific. There’s like an app. [02:51.000 –> 02:56.000] I think it’s like a game pass app or whatever. I don’t know. [02:56.000 –> 03:01.000] I have it for Xbox and I download it on the phone because I was like I wanted something that I could play [03:01.000 –> 03:06.000] Spider solitaire on and also bring my solitaire and free [03:06.000 –> 03:11.000] sell and everything but not have to download like five different apps for it. So yeah. [03:11.000 –> 03:16.000] I know exactly what you’re talking about actually. The second thing you said Xbox I was [03:16.000 –> 03:21.000] like oh I used to do that all the time. So I used to have a Microsoft service [03:21.000 –> 03:26.000] and which is a laptop for those for those that didn’t know [03:26.000 –> 03:31.000] that was like the Microsoft laptop. And it came with the [03:31.000 –> 03:36.000] the games and quote unquote one of the quote unquote games was solid was that solitaire pack. And [03:36.000 –> 03:41.000] they have dailies like you can do them every day. Yes I’ve been doing the dailies. [03:41.000 –> 03:46.000] I loved it. Oh OK. [03:46.000 –> 03:51.000] So you’ve been solid. Which one’s your favorite. I feel like freestyle is my favorite. OK [03:51.000 –> 03:56.000] I didn’t really like freestyle. What’s the one with the polar bear the Klondike one. There’s like there’s the polar [03:56.000 –> 04:01.000] that’s like that’s like regular solitaire. They call it Klondike and I don’t know why Klondike [04:01.000 –> 04:06.000] right right right. No there was another one the pyramid one maybe. Oh the pyramid one. [04:06.000 –> 04:11.000] Is that like the one we have to do like the math and like add it up to like 13. [04:11.000 –> 04:16.000] Yeah. I also like that one. Like I never heard of that one before until I played [04:16.000 –> 04:21.000] this game. Like this is so fun. Yeah. Yeah. [04:21.000 –> 04:26.000] Well what else other than solid. [04:26.000 –> 04:31.000] I feel like that’s that’s been mostly like other than the research story I’ve been on like [04:31.000 –> 04:36.000] right. Like I was doing stardew and then I went on the conference and then I couldn’t really [04:36.000 –> 04:41.000] play it and then got obsessed with solitaire. So like I moved from my stardew like obsession [04:41.000 –> 04:46.000] to solitaire and I’ll probably go back to start. I feel like we’ll see. It’s that time of year. [04:46.000 –> 04:51.000] Like I feel like this time of year when things start changing and like you get that springy feel to the to the [04:51.000 –> 04:56.000] air. Everyone’s playing stardew right now. Like all of my friends are like I’ve just been really enjoying [04:56.000 –> 05:01.000] stardew. I need to replay it because I have never made it past. I’ve never [05:01.000 –> 05:06.000] made it through the second year. Yeah. Yeah. That was why I picked it up again because [05:06.000 –> 05:11.000] I was like I need to do this. And then I made it past second year and now I’m like finally 1.5 [05:11.000 –> 05:16.000] content. So do it and maybe we can talk about it because we haven’t really talked about [05:16.000 –> 05:21.000] the 1.5 update. So do it. That’s true. Is the 1.5 update free? [05:21.000 –> 05:26.000] Yes. It’s free. I think it’s on all platforms by this point. Like even on mobile. I [05:26.000 –> 05:31.000] have it on steam or not steam switch. So do it. [05:31.000 –> 05:36.000] I have been playing research life. [05:36.000 –> 05:41.000] IRL research story. [05:41.000 –> 05:46.000] IRL research. I’ve been planning a new field season and this one is going to be different [05:46.000 –> 05:51.000] than what I’ve done before. And so I need to actually construct some traps. So I’ve purchased a [05:51.000 –> 05:56.000] bunch of acrylic and then I have to go like buy. I have to go like buy [05:56.000 –> 06:01.000] these buckets. I basically played go get my [06:01.000 –> 06:06.000] PI’s credit card and go spend money. [06:06.000 –> 06:11.000] But it’s my research money. But like it’s through someone else’s [06:11.000 –> 06:16.000] card. But it was really fun to like quote unquote fun to go to like Home Depot. Just drop down [06:16.000 –> 06:21.000] for shopping. Home Depot is a lot of fun. It can be a lot of fun. [06:21.000 –> 06:26.000] It was also really fun because I brought Stella because you can bring dogs. [06:27.000 –> 06:32.000] And she did so good. Oh that’s that’s even more fun. Like I [06:32.000 –> 06:37.000] feel like Home Depot’s like should have more dogs because it’s like no one cares. So [06:37.000 –> 06:42.000] we want more dogs at Home Depot or like Lowe’s. That day I took her to let’s see we went to [06:42.000 –> 06:47.000] Petco obviously can bring pets in their Michaels. You can bring pet dogs [06:47.000 –> 06:52.000] into Michaels and Joanne’s. That sounds like a disaster. [06:52.000 –> 06:57.000] Well and it was so funny because she loves to pick trash up off the floor. So every time she [06:57.000 –> 07:02.000] picked something up like and like people I mean things fall off of things [07:02.000 –> 07:07.000] at craft stores all the time. Oh yeah. If you buy like a floral like a fake floral display [07:07.000 –> 07:12.000] like these fake flowers fell off and they were just on the ground and she just kept picking trash up [07:12.000 –> 07:17.000] and I kept taking it from her. So by the time I got up to the register I was just like here’s all this trash. [07:19.000 –> 07:24.000] But she also picked up this this DMC claw DMC floss [07:24.000 –> 07:29.000] like floss that you’d use for like cross stitching or whatever. And I do that. And so I was [07:29.000 –> 07:34.000] like I’ll just buy this. And they were like are you sure you don’t have to. And I was like she picked it up. I was I’ll just [07:34.000 –> 07:39.000] buy it’s fine. She slobbered all over this like this poor floss. Yeah like her saliva [07:39.000 –> 07:44.000] is on this. I’ll just buy it. And then I took it home and I actually looked at it. [07:44.000 –> 07:49.000] It’s actually a color of used a lot. So I was like OK good good. I’m glad like you can never [07:49.000 –> 07:54.000] have too much floss. I feel like she was just looking at. Yeah. Yeah. And like you know sometimes you have to [07:54.000 –> 07:59.000] use a little bit of saliva to like make it work anyway. She just is helping you [07:59.000 –> 08:04.000] preemptively. That’s true. That’s true. You have to like kind of get it get it together because you pull [08:04.000 –> 08:09.000] strands together. Mm hmm. Other than that my partner [08:09.000 –> 08:14.000] came here for the weekend and he brought overcooked to [08:14.000 –> 08:19.000] this game on steam. And I’m obsessed. [08:19.000 –> 08:24.000] We played it for like I say two hours. He says three hours straight. I [08:24.000 –> 08:29.000] wanted to play more. He was like I need a break. And I was like we need to keep playing. [08:30.000 –> 08:35.000] Basically did you ever play like Diner Dash. No I don’t think so. [08:35.000 –> 08:40.000] OK. It’s like that. It’s basically OK. It’s like you’re like building [08:41.000 –> 08:46.000] there’s recipes that come across the screen and then you’re supposed to build them. So like if a [08:46.000 –> 08:51.000] salad comes across the screen then you have to grab a lettuce and a tomato and chop them up [08:51.000 –> 08:56.000] and then serve them on a plate and then put them on the like outgoing thing. [08:56.000 –> 09:01.000] So it’s like an assembly game essentially. Yeah it is an assembly game. But the fun part of it [09:01.000 –> 09:06.000] quote unquote fun part about it is that you. So it’s if you’re playing by yourself [09:06.000 –> 09:11.000] you control two people like you [09:11.000 –> 09:16.000] just switch to switch between the two people. But if you have two people it puts one of you on one [09:16.000 –> 09:21.000] one side of the of the kitchen or whatever and then one on the other side. And like [09:21.000 –> 09:26.000] so I might have all of the food and then he has the cutting [09:26.000 –> 09:31.000] boards and then maybe I have the fryers and then he has the plates. And [09:31.000 –> 09:36.000] so I literally have to like throw stuff to him so he [09:36.000 –> 09:41.000] can cut it up and then he throws it back to me and like there’s a barrier in between. So like you can’t [09:41.000 –> 09:46.000] go on the barrier. You’re throwing stuff around both both directions and then [09:46.000 –> 09:51.000] like trying to serve it up. And then also at one point there’s like dirty dishes. So someone has to clean them and you’re [09:51.000 –> 09:56.000] basically trying to like do this cooperation. And if you don’t do the order [09:56.000 –> 10:01.000] fast enough you like lose your tips and you like [10:01.000 –> 10:06.000] lose points for that and stuff. And the whole point I guess is that it’s [10:06.000 –> 10:11.000] it’s got a loose story where there’s the king [10:11.000 –> 10:16.000] onion guy of the world accidentally made undead zombies [10:16.000 –> 10:21.000] and they’re called the unbred. OK I’m totally fine with zombies. [10:21.000 –> 10:26.000] I mean you never see the zombies. The thing is like that you’re trying [10:26.000 –> 10:31.000] to learn how to cook to feed them to start to [10:31.000 –> 10:36.000] stave them off so that they don’t eat the people I guess is the whole point. [10:36.000 –> 10:41.000] Makes sense. I see that. OK. So you’re just having like pet zombies essentially. [10:41.000 –> 10:46.000] You never I like you never see them. OK that’s [10:46.000 –> 10:51.000] I need I need an overcooked version where there’s more zombie interaction. Yeah. [10:51.000 –> 10:56.000] Yeah. So we played that and then we also [10:56.000 –> 11:01.000] started playing board games. So last night Jeff [11:01.000 –> 11:06.000] and I introduced my roommate to Catan. She’d never played. [11:06.000 –> 11:11.000] And we played we played one game and in the beginning of the game she was [11:11.000 –> 11:16.000] like I don’t like this. I don’t know if this is for me. And then by the end she lost by the end of the game. [11:16.000 –> 11:21.000] And she like like I won. I just like and I did the [11:21.000 –> 11:26.000] classic like build two roads take longest road and I have this like secret [11:26.000 –> 11:31.000] development card that gives me a bonus point and I won like bam. Like like I went from like three points away [11:31.000 –> 11:36.000] to winning to like bam I won. Beautiful. And she was just like she was like no [11:36.000 –> 11:41.000] and she like stood up and walked away. She’s like I hate this game and then she turns back [11:41.000 –> 11:46.000] around. She’s like we’re playing again. [11:46.000 –> 11:51.000] I love that. But I mean Jeff and I really want to play more board games. So we went to a card shop [11:51.000 –> 11:56.000] today. A couple card shops today. One game. I don’t know if you’ve seen it’s called arch ravels. [11:56.000 –> 12:01.000] Arch ravels? Why ravels or ravels? Ravels because you knit. [12:03.000 –> 12:08.000] It’s a knitting board game. Oh my goodness. [12:08.000 –> 12:13.000] I’m going to find it for you and then put it in the chat or something. I feel like I need this because it [12:13.000 –> 12:18.000] and it looked like I was like oh it’s probably really expensive. It’s only like 20 bucks. [12:18.000 –> 12:23.000] That’s amazing. Or at least like so some places have like 31. It’s [12:23.000 –> 12:28.000] somewhere between like it’s under 40 for sure. And I was I don’t know board games are expensive. So [12:28.000 –> 12:33.000] so I was like I didn’t bring my wallet and like I wasn’t going to make Jeff pay for it [12:33.000 –> 12:38.000] because he’s not a knitter. Yeah. You compete with fellow knitters to collect [12:38.000 –> 12:43.000] wool finish patterns and make a masterwork. So it looked really amazing. But we [12:43.000 –> 12:48.000] ended up getting a game called love letters which is a card game where you are trying [12:48.000 –> 12:53.000] to like woo a princess. OK. And you’re trying [12:53.000 –> 12:58.000] to like win favors to woo the princess and you just like go back and forth and you try and [12:58.000 –> 13:03.000] make sure that you have the best card. I don’t know. We haven’t played it yet. OK. We also looked [13:03.000 –> 13:08.000] at there were other like really pretty games. There was wingspan [13:08.000 –> 13:13.000] there which I really enjoyed. It’s a fun game. It’s they didn’t have parks. [13:14.000 –> 13:19.000] And I know since we’re talking about parks I just for the fiftieth time have to [13:19.000 –> 13:24.000] apologize for spilling coffee. It’s fine. It’s 100 percent fine. [13:24.000 –> 13:29.000] This is why I sleeve meticulously every single thing that can possibly [13:29.000 –> 13:34.000] sleep. Like my partner spilled water on the table and [13:34.000 –> 13:39.000] like got onto like some of our card like our open boxes that we have and I’m like it’s it’s fine. Yeah. [13:39.000 –> 13:44.000] Like everything’s either in plastic or cardboard. Like I don’t care about the box. It was like it was fine. [13:44.000 –> 13:49.000] We played. Gosh we went down. We you and I both went down to D.C. [13:49.000 –> 13:54.000] to go play like a community day like two or three years ago. I don’t remember. [13:54.000 –> 13:59.000] It’s been a hot minute. And they brought all their all their games and we play parks [13:59.000 –> 14:04.000] with some other friends and it was really fun. And then at one point I spilled coffee and I was just like [14:04.000 –> 14:09.000] I immediately was like I will buy you a new one. [14:09.000 –> 14:14.000] It feels so bad. And I’m like it’s fine. [14:14.000 –> 14:19.000] It haunts me to this day. You’re completely fine. Yeah. Oh you are just going to have to [14:19.000 –> 14:24.000] come over and accidentally spill something on one of your games. [14:24.000 –> 14:29.000] Please do. Please do. Oh yeah. I mean so that’s I don’t [14:29.000 –> 14:34.000] I mean I’ve still been playing Pokemon Go and Pikmin Bloom and stuff like that but [14:34.000 –> 14:39.000] I’ve not really been playing a ton of games but it’s cool. It’s a weird time. [14:39.000 –> 14:44.000] It is a weird time. So jumping into the news. [14:44.000 –> 14:49.000] First bit of news is that Disney Dreamlight Valley has an update launching [14:49.000 –> 14:54.000] April 5th. So very soon and update is called [14:54.000 –> 14:59.000] the Pride of the Valley update. And so it’s it adds adult Simba [14:59.000 –> 15:04.000] and adult Nala and it’s about you know like Lion King. [15:04.000 –> 15:09.000] So there’s not a ton of information about it. It just says like a new realm [15:09.000 –> 15:14.000] opens there’s new characters more surprises. They said that there’s a path to [15:14.000 –> 15:19.000] celebrate the Disney parks. Interesting. So I think it’s just going to be [15:19.000 –> 15:24.000] like a theme park thing. I don’t know. I haven’t played Disney so. I haven’t either. I love [15:24.000 –> 15:29.000] Simba and if Simba is voice acted in here by the original like [15:29.000 –> 15:34.000] Simba I think. Oh I doubt it. I doubt it. I know I highly doubt it. But just the voice actor [15:34.000 –> 15:39.000] for Simba is just like I definitely had a crush on Simba. [15:40.000 –> 15:45.000] Oh my gosh. I don’t even know if Matthew Broderick is still around. What is he doing [15:45.000 –> 15:50.000] nowadays. I don’t know. But I need to hear more of him. He’s 61. He is married to Sarah Jessica [15:50.000 –> 15:55.000] Parker. Oh that’s OK. Wow. [15:55.000 –> 16:00.000] I did not know that. He’s a good egg. He’s done a lot. So yeah [16:00.000 –> 16:05.000] that is Disney Dreamlight Valley. Pride of the Valley [16:05.000 –> 16:10.000] is like interesting because I understand why it’s called Pride of the Valley. But it made me think it was like [16:10.000 –> 16:15.000] like Pride Month something. I was like I got excited. That’s fair. [16:15.000 –> 16:20.000] That is very fair. Some people. So apparently like Pride of the Valley is [16:20.000 –> 16:25.000] something at the parks. Interesting. So they’re trying to like market. That’s smart [16:25.000 –> 16:30.000] for Disney to market their physical location I guess. [16:30.000 –> 16:35.000] I don’t know because someone said something about like one of the comments on Twitter or something was like this is my [16:35.000 –> 16:40.000] favorite part of the parks. So I don’t know. OK. I haven’t been to Disney [16:40.000 –> 16:45.000] years. I’m going to have to change that. And then now my partner hasn’t either. I’m like we [16:45.000 –> 16:50.000] need to go. We need to go. I’ve never been. But like now I’m just like it’s [16:50.000 –> 16:55.000] so freaking expensive. And I mean it probably was always expensive [16:55.000 –> 17:00.000] but like it just seems like hell to me honestly. [17:00.000 –> 17:05.000] Especially in the heat depending on where you’re [17:05.000 –> 17:10.000] going. I just came back from California so I should have like the last time I went to California I went to [17:10.000 –> 17:15.000] Disneyland for the first time. But it’s like a beautiful weather over there. I definitely would not go to the Florida one. [17:15.000 –> 17:20.000] I actually someone a previous partner invited me [17:20.000 –> 17:25.000] to go to the Florida one and he was like I’ll pay for everything. And I was [17:25.000 –> 17:30.000] like hmm but Florida. But Florida. [17:30.000 –> 17:35.000] Understand. Well as a Floridian I 100% understand. [17:35.000 –> 17:40.000] Maybe go to the California one. He does it every year though. So I don’t know. OK. [17:40.000 –> 17:45.000] Next piece of news Mika and the Witch’s Mountain. There is a new trailer. [17:46.000 –> 17:51.000] It is very cute. [17:51.000 –> 17:56.000] The trailer is very cute. There’s like music behind it. It’s a minute and a half long and you kind of [17:56.000 –> 18:01.000] just like see there’s part gameplay and part like animation [18:01.000 –> 18:06.000] of the game. And it just looks really cute. It’s just Mika [18:06.000 –> 18:11.000] like doing her business delivering stuff and you get to see a bunch of the [18:11.000 –> 18:16.000] other characters. And yeah. Did you get a chance to watch the [18:16.000 –> 18:21.000] trailer at all. No but I know I [18:21.000 –> 18:26.000] will watch it after this. But I am very excited for this game [18:26.000 –> 18:31.000] just because I love the other games in this world. I guess this universe. [18:32.000 –> 18:37.000] So looking forward to this and I’m a little behind on the Kickstarter updates [18:37.000 –> 18:42.000] but I’ll get in there. Yeah. It’s still just had the planned release date [18:42.000 –> 18:46.000] of 2023 so question mark. Yeah. [18:46.000 –> 18:51.000] Mary Little Witch and you develop to deliver packages. The flight looks really cute like the flight [18:51.000 –> 18:56.000] of this game. Oh my goodness. It seems like it’s. The Studio Ghibli. Yeah. Yeah. [18:56.000 –> 19:01.000] I’m really excited for just being a little witch doing a little delivery service. [19:01.000 –> 19:06.000] You just did a little cute witch. Yeah. It’s very cute. [19:06.000 –> 19:11.000] I know Kevin is also very excited. Likely something that would be covered on this podcast. [19:11.000 –> 19:16.000] Very likely. Yeah. I think several of us are backers [19:16.000 –> 19:21.000] at this point. So we’ll definitely at least play it at some point. Have a couple triple [19:21.000 –> 19:26.000] million harvests. Next is Coral [19:26.000 –> 19:31.000] Island. So there is a summer update for Coral Island coming out on May [19:31.000 –> 19:36.000] 3rd. No just as May 2023. So somewhere sometime in May there will be an update [19:36.000 –> 19:41.000] for the summer. And there’s a lot of things in this [19:41.000 –> 19:46.000] update. The first thing is that a lot of the characters are going to be getting summer outfits. [19:46.000 –> 19:51.000] So I am here for you. Yes. I know. I love the idea of [19:51.000 –> 19:56.000] characters like changing with the seasons. I know Animal Crossing does this where like every now and [19:56.000 –> 20:01.000] then someone has one of your characters has like a new outfit or [20:01.000 –> 20:06.000] is it only if you give them something like give them the shirt. I think they just change [20:06.000 –> 20:11.000] that. Like there there were some times where I just was like where did you get that. And then I talked to them because like [20:11.000 –> 20:16.000] they can give each other stuff as well. So you can talk to them and they might be like oh someone [20:16.000 –> 20:21.000] gave me this and so sweet. I don’t need this other shirt anymore. Go ahead and have it. [20:21.000 –> 20:26.000] You know something like that. So I also love that these like [20:26.000 –> 20:31.000] NPCs like have their own original style. So like I’m sure you can dress people essentially in Animal Crossing [20:31.000 –> 20:36.000] but these these these are like holistic characters who like what they like. And I [20:36.000 –> 20:41.000] am here for these outfits and want some of these shirts too. Yeah [20:41.000 –> 20:46.000] like give me this give me this wah banana shirt. And I want [20:46.000 –> 20:51.000] real life. It’s a banana that looks like a dolphin. [20:51.000 –> 20:56.000] Banana dolphin shirt. [20:56.000 –> 21:01.000] They can make so much money by selling these shirts. [21:01.000 –> 21:06.000] There’s also a new festival called Pet Day. The Pet Day Festival. In it there’s a couple [21:06.000 –> 21:11.000] different things. There’s a rodeo called the Wild Ride. So you ride this like bowl [21:11.000 –> 21:16.000] which is super cute. You just like push a button super super fast to try and make sure [21:16.000 –> 21:21.000] that you stay on the bowl. They have a cow competition where you [21:21.000 –> 21:26.000] try and like race your cows against other people [21:26.000 –> 21:31.000] and your cow might get distracted. You have to like pull them back to reality. There’s a chicken [21:31.000 –> 21:36.000] competition. I don’t know what this is about. When I first saw it I was like oh I don’t [21:36.000 –> 21:41.000] like chicken fighting like that doesn’t look good. But then when you’re doing like [21:41.000 –> 21:46.000] when when it shows that you’re like hitting buttons they don’t do anything. [21:46.000 –> 21:51.000] They just kind of like stare at each other which I’m here [21:51.000 –> 21:56.000] for. Yeah just chickens being chickens. [21:56.000 –> 22:01.000] There are 20. They’re talking about an animal shelter that will have 20 [22:01.000 –> 22:06.000] adoptable pets. And then they have the outline of all of the pets. They’re very cute. And there’s a little lizard [22:06.000 –> 22:11.000] and so cute. And there’s some bunnies and then many dogs and cats [22:11.000 –> 22:16.000] and one of the dogs looks like it could possibly be an Australian Shepherd. And I am [22:16.000 –> 22:21.000] here for it. Very cool. I [22:21.000 –> 22:26.000] have officially gotten it because I think I will be playing it for the podcast. Spoiler alert. [22:26.000 –> 22:31.000] So I am here for one the bathing suits [22:31.000 –> 22:36.000] and also here for the outfits and now this pet festival thing. Yeah. [22:36.000 –> 22:41.000] Oh wait maybe this is like a staring competition. Maybe. [22:41.000 –> 22:46.000] That’s what I’m wondering. That’s what it looks like. They’re glaring at each other. [22:46.000 –> 22:51.000] The little squinties. Yeah. I don’t think chickens really [22:51.000 –> 22:56.000] blink. Anyway there’s also a new customization and it shows [22:56.000 –> 23:01.000] a beard customization where you can put it put flowers in your beard. I love that. [23:01.000 –> 23:06.000] Oh my goodness. OK. And then I’m trying to scroll down to the thing that is the most important thing to me. [23:06.000 –> 23:11.000] OK. There’s also fruit plants and you can find critters. Here it is. Insect [23:11.000 –> 23:16.000] and critter traps quote as part of the catching mystery [23:16.000 –> 23:21.000] you will unlock now unlock traps used to catch insects and critters. You can place these on the [23:21.000 –> 23:26.000] ground and in the ocean. There are four traps two for insects and two for critters. Here’s a look at the tracks in [23:26.000 –> 23:31.000] action and it shows you catch an insect and then it’s a cute [23:31.000 –> 23:36.000] little caterpillar. Oh. So [23:36.000 –> 23:41.000] I’m here for that. Yeah. This is like everything about this game is [23:41.000 –> 23:46.000] beautiful. OK. I’m really excited about this. [23:46.000 –> 23:51.000] It’s like I believe it’s still in early access. Is out now. Early access is out now. Yeah. [23:51.000 –> 23:56.000] Oh wow. It’s from Indonesia. I did not know. Yeah. I bought it with the intention of [23:56.000 –> 24:01.000] playing it but I had to put more time into our main topic for today. [24:01.000 –> 24:06.000] So I haven’t touched it yet. Yeah. Yeah. So that is that. [24:06.000 –> 24:11.000] And then the last bit of news is about Rune Factory 3 Special [24:11.000 –> 24:16.000] Golden Memories Edition. So this is an edition [24:16.000 –> 24:21.000] of Rune Factory 3 Special that has a custom box [24:21.000 –> 24:26.000] on the outside custom outer box. I don’t really know what that means and a copy of the game. [24:26.000 –> 24:31.000] But you also get an acrylic standee of a bunch of the characters. [24:31.000 –> 24:36.000] The original soundtrack CD. A custom planner. [24:36.000 –> 24:41.000] Excuse me. I know. That sounds awesome. I kind of want this [24:41.000 –> 24:46.000] just so I could have all the goodies. Really. They look so cute. Yeah. Like the CD is [24:46.000 –> 24:51.000] as true. Beautiful. It really is. Yeah. Maybe this will be [24:51.000 –> 24:56.000] what makes me want to play Rune Factory 3 Special. [24:57.000 –> 25:02.000] It’s all you, Min. Uh huh. Uh huh. Uh huh. [25:02.000 –> 25:07.000] There’s also an exclusive swimsuit mode DLC. Sure. [25:07.000 –> 25:12.000] Okay. Sure. Interesting. Yeah. So that [25:12.000 –> 25:17.000] they have announced it and preorders for that will open soon. [25:17.000 –> 25:22.000] TM. And there’s apparently if you [25:22.000 –> 25:27.000] preorder on the XSEED store you can add a golden wooly keychain for [25:27.000 –> 25:32.000] $5 more. And I wouldn’t say it looks cute but it looks [25:32.000 –> 25:37.000] it still looks like something I would want. Maybe. [25:37.000 –> 25:42.000] I don’t know. Yeah. Looks a little like. Oh the wooly is ridiculous. [25:42.000 –> 25:47.000] Right? Yeah. Like it’s not cute but it’s like ridiculous and I love it just for it being ridiculous. [25:47.000 –> 25:52.000] Yeah. Very cute. I mean it’s weird. [25:52.000 –> 25:57.000] Uh huh. Uh huh. Exactly. There’s like a blank stare to its face. [25:57.000 –> 26:02.000] Yeah. Okay. I don’t play Rune Factory. [26:02.000 –> 26:07.000] So yeah. That is the news. [26:07.000 –> 26:12.000] So. [26:13.000 –> 26:18.000] Moving on to our main topic. Uh huh. [26:18.000 –> 26:23.000] I’m laughing because I am I am shame. [26:23.000 –> 26:28.000] I have played three minutes [26:28.000 –> 26:33.000] of this game. And I feel so bad but I just have [26:33.000 –> 26:38.000] it’s been a it’s been a heck of a time. It’s been a month. Mentally, [26:38.000 –> 26:43.000] emotionally, physically. It’s been a year. Literally. I don’t know. [26:43.000 –> 26:48.000] So I mean I have thoughts about the game. Like I’ve looked at it. [26:48.000 –> 26:53.000] I’ve I’ve played three. So but I figured [26:53.000 –> 26:58.000] I would just kind of like go over like kind of read what has been said about the game. [26:58.000 –> 27:03.000] Like what they have said on their steam. [27:03.000 –> 27:08.000] And then also just kind of like interview you because you play more than three minutes. [27:08.000 –> 27:13.000] I just how my playtime and it’s a very cursed number. [27:13.000 –> 27:18.000] Sixty six hours. Nice. [27:18.000 –> 27:23.000] You can’t play anymore. I can’t. I have to put it down right here. [27:23.000 –> 27:28.000] Yeah. Right here. Okay. So just to remind people this [27:28.000 –> 27:33.000] is what the bio of research story on steam quote set out to [27:33.000 –> 27:38.000] discover and record plants and creatures for the Violet archive. Grow crops, [27:38.000 –> 27:43.000] tame animals and build the perfect farm. Forge friendships along the way as you begin your life as a [27:43.000 –> 27:48.000] researcher. Unquote. So yeah you’re kind of like you’re like a [27:48.000 –> 27:53.000] scientist in this area which is why both of us were like blessed. [27:54.000 –> 27:59.000] Yes. And it is important to note that this game still [27:59.000 –> 28:04.000] is in early access. They would they said that they would like it to be in early access [28:04.000 –> 28:09.000] for somewhere between six to six months to a year max. [28:09.000 –> 28:14.000] So it’s I mean it just came out [28:14.000 –> 28:19.000] of early acts like to like to buy and to play like a couple weeks ago. [28:19.000 –> 28:24.000] Maybe a month ago. Yeah. So and they said that when it [28:24.000 –> 28:29.000] goes from early access to a full game like the price will go up. So if you are [28:29.000 –> 28:34.000] interested in this or you know. Yeah. Get it now because you will get it for less [28:34.000 –> 28:39.000] expensive. Yes. So I will read a little bit more of [28:39.000 –> 28:44.000] the additional content and features that they plan to include in the full version. They [28:44.000 –> 28:49.000] said that they want to have more creatures fish and crops and to expand on the [28:49.000 –> 28:54.000] researching mechanics. They’re going to have more NPCs more romance [28:54.000 –> 28:59.000] bowls which I’m assuming means romance like options more heart [28:59.000 –> 29:04.000] events and they want to have like a marriage system. So think of like Stardew Valley. Yeah. [29:04.000 –> 29:09.000] Additional features such as festivals more content for [29:09.000 –> 29:14.000] decoration and building and then very importantly controller support. [29:14.000 –> 29:19.000] So currently does not have controller support which has been interesting since I’ve been playing it on [29:19.000 –> 29:24.000] Steam Deck. So it’s it’s been a good way to actually [29:24.000 –> 29:29.000] test run I think non controller games on the Steam Deck and it’s [29:29.000 –> 29:34.000] actually not that bad. Like I can right click or left click with the right trigger [29:34.000 –> 29:39.000] and like right click with the left trigger. So it’s been actually pretty nice and I almost kind [29:39.000 –> 29:44.000] of even still prefer it even though it doesn’t really have this controller support on the [29:44.000 –> 29:49.000] Steam Deck itself. So that’s that’s my review for the Steam Deck. It’s it’s still playable. [29:49.000 –> 29:54.000] That’s good. Yeah. I was going to say I had it just on Steam because it is [29:54.000 –> 29:59.000] only on Steam. I think that’s my big downfall is that [30:00.000 –> 30:05.000] the computer in this room. So my other computers and Mac and most games are only available on [30:05.000 –> 30:10.000] Windows. And so and if I come and play a game in this room I have to like put both my [30:10.000 –> 30:15.000] dogs away and like just kind of not just like a sit down and play a [30:15.000 –> 30:20.000] game and have fun like it’s kind of its own thing. So [30:20.000 –> 30:25.000] but I digress like if it was on Switch like if [30:25.000 –> 30:30.000] they had it on Switch I probably would have played it because I can play that on my couch. [30:30.000 –> 30:35.000] Yeah. So before we jump into like what the early access version has [30:35.000 –> 30:40.000] specifically and then I kind of like ask you about these different aspects. [30:40.000 –> 30:45.000] What are your first impressions? Like what do you think of the graphics and the sound and the [30:45.000 –> 30:50.000] like the overall gameplay? I will say first impressions are overall good. [30:50.000 –> 30:55.000] I feel like it’s it’s a very cute game. Like it has like it has more of a [30:55.000 –> 31:00.000] little wood I think like feel to it than than like pixel [31:00.000 –> 31:05.000] pixels like Stardew. So it’s more like chibi I think kind of. [31:05.000 –> 31:10.000] But the art for like there’s like a research book and the art for that is like really good. I really [31:10.000 –> 31:15.000] like the drawings of like all the things that you’re like interacting with. [31:15.000 –> 31:20.000] Some of the character like pixels aren’t like since they’re so small [31:20.000 –> 31:25.000] it can be a little hard to like differentiate but at the same time they’re like it’s like a fantasy [31:25.000 –> 31:30.000] setting so there’s like different species like there’s like elves and like druids and stuff. So just [31:30.000 –> 31:35.000] having that different coloration of like skin types helps a little bit with that. Like [31:35.000 –> 31:40.000] who am I talking to? Oh yeah it’s Theo. [31:40.000 –> 31:45.000] But yeah I it’s it’s very I will say it’s very Stardew-esque. [31:45.000 –> 31:50.000] It feels a lot like Stardew and maybe that’s why it was like so easy like to jump into this since I’ve [31:50.000 –> 31:55.000] been on such a like Stardew like kick. Like you have like the four [31:55.000 –> 32:00.000] seasons like they’re looking to do the marriage system adding festivals. So I think it’s essentially going [32:00.000 –> 32:05.000] to be a research version of Stardew which I don’t [32:05.000 –> 32:10.000] mind. I am here for it. Exactly. There’s definitely [32:10.000 –> 32:15.000] just as much to manage I think as there is in Stardew. So there’s a whole bunch of [32:15.000 –> 32:20.000] things. There’s so many more different animals than in Stardew. [32:20.000 –> 32:25.000] And we’ll get into that I think later but it’s it’s good. I would [32:25.000 –> 32:30.000] I would recommend it. Mm hmm. Cool. I was also just trying to see if they have it planned that [32:30.000 –> 32:35.000] they want to go to Switch. I hope so. I would I would [32:35.000 –> 32:40.000] think if I don’t know anywhere in there if they had enough like buy in I think if [32:40.000 –> 32:45.000] they like. Yeah this game does well enough. I’m sure they can afford to port it. [32:45.000 –> 32:50.000] So it might just be time or if they want to spend their time elsewhere [32:50.000 –> 32:55.000] in another game or something. I don’t know. OK. So the first topic this is [32:55.000 –> 33:00.000] like so this is what they have said like quote the early access version of research story [33:00.000 –> 33:05.000] features core systems and gameplay. And then so I’m just going to like mention it and then ask you [33:05.000 –> 33:10.000] like what your thoughts are on it. So the first core gameplay system is [33:10.000 –> 33:15.000] to research farm tame and fish. And it says quote players can complete [33:15.000 –> 33:20.000] research scrolls by observing different species growing crops [33:20.000 –> 33:25.000] taming animals and fishing. There are currently 60 plus. Why not just say [33:25.000 –> 33:30.000] the number researchable so crops creatures and fish. Maybe [33:30.000 –> 33:35.000] because they like planning to like add like more as they go on. [33:35.000 –> 33:40.000] There are currently providing like a specific number [33:40.000 –> 33:45.000] then they would need to keep updating it with new updates. That’s true. So [33:46.000 –> 33:51.000] yeah. So what what are you. So let’s start with the research [33:51.000 –> 33:56.000] scrolls by observing the different species. What is how does that work. So there’s three different [33:56.000 –> 34:01.000] sorry there’s four different types of research things researchable [34:01.000 –> 34:06.000] as I guess is what they’re calling it. And they usually like there’s a lot of foraging [34:06.000 –> 34:11.000] involved in this game and that’s honestly I think the easiest way to make money early game is [34:11.000 –> 34:16.000] it’s not a huge map. So just literally during like a route like every day. [34:16.000 –> 34:21.000] So the first thing you do with like anything that you collect is find it first [34:21.000 –> 34:26.000] and then like if it’s specifically like a plant if it’s like an herb or [34:26.000 –> 34:31.000] really calling flowers and herbs or vegetables and fruits. The first thing you [34:31.000 –> 34:36.000] do is like harvest the thing. Then you have to like put it into your little mic like there’s a little [34:36.000 –> 34:41.000] microscopic. What’s the [34:41.000 –> 34:46.000] thing that lets you like zoom in closer. Microscoping glass. No it’s like [34:46.000 –> 34:51.000] the hand held glass. There we go. [34:51.000 –> 34:56.000] The microscope in your hand. Yes. The portable [34:56.000 –> 35:01.000] microscope. So so there’s like a different tab for that [35:01.000 –> 35:06.000] and there’s like different goals to I guess fully research [35:06.000 –> 35:11.000] quote unquote research a thing and that’s how you earn you earn the resource scroll. It’s very [35:11.000 –> 35:16.000] very much similar to the legends of archaea system kind of. [35:16.000 –> 35:21.000] Yeah. So you have like four four like three to four maybe three to five different tasks [35:21.000 –> 35:26.000] for each item. And then once you complete all their tasks you officially have locked to [35:26.000 –> 35:31.000] your scroll you can put in the library and you’ve officially researched this thing to its [35:31.000 –> 35:36.000] extent. And most of it is observing it [35:36.000 –> 35:41.000] like the first the first one the first task is usually observing it out [35:41.000 –> 35:46.000] like in the wild or whatever. So before you can collect seeds for plants you have [35:46.000 –> 35:51.000] to observe it like two to three times and then you can collect the seeds and then you have to actually grow the thing on your farm. [35:52.000 –> 35:57.000] And that’s how you do the you do the thing. [35:58.000 –> 36:03.000] And like the little research page that like pops up in like your research journal it’s [36:03.000 –> 36:08.000] like pretty detailed like it has like a description. So like I’m looking at camel meal it’s like a small [36:08.000 –> 36:13.000] flower with a sweet herbal scent. It shows you like what it drops. So obviously like the flower and the [36:13.000 –> 36:18.000] seeds and then the information that takes three days to grow edible blooms said to be good for brewing tea. [36:18.000 –> 36:23.000] And then it has growing conditions and foraging locations. So each. [36:23.000 –> 36:28.000] Wow. So yeah it’s very in-depth. So like you could just look at this thing and see exactly [36:28.000 –> 36:33.000] when like what season it grows in. Does it have to be close or far away from water. [36:33.000 –> 36:38.000] Does require a different type of like fertilizer. Does require a different type of soil. [36:40.000 –> 36:45.000] So it’s pretty in-depth. I really like that aspect and got a little frustrated sometimes [36:45.000 –> 36:50.000] kept planting like tomatoes and I was like why why isn’t this thing growing. And it’s because [36:50.000 –> 36:56.000] it needs to be next to a light source. So like they have like little lanterns and they even have like a shade cloth [36:56.000 –> 37:01.000] for things that need to be partial shade which is really cool. Wow. So it’s a it’s [37:01.000 –> 37:06.000] pretty in-depth. I don’t know like I can’t like I’m not super familiar with some of these plants I can’t tell [37:06.000 –> 37:12.000] like if that’s exactly the conditions you need to grow them. But I would assume they did that research [37:13.000 –> 37:18.000] research going into this game. I would hope that the [37:18.000 –> 37:23.000] game that has research in the name was researched. Right. Right. Exactly. [37:23.000 –> 37:28.000] So a couple of them I think might be like a little made up like the creatures [37:29.000 –> 37:34.000] like they have chicken but then they also have a sprout kitten which is just a cat like and [37:34.000 –> 37:39.000] has like a little plant on its head. You don’t have a sprout kitten. [37:39.000 –> 37:44.000] I don’t but I need one now. Like that is like the two [37:44.000 –> 37:49.000] like vibes that I want is like plants and cats. So it makes sense that you would [37:49.000 –> 37:54.000] put them together. Uh-huh. [37:54.000 –> 37:59.000] And like they have a grass bun which is essentially a bunny. They have a fox. [37:59.000 –> 38:04.000] The one that you are excited about is literally just called the mountain pup. [38:05.000 –> 38:10.000] Uh-huh. Yeah it’s probably supposed to be a Burmese mountain dog. Uh-huh. But the colors. [38:10.000 –> 38:15.000] So Stella my Australian Shepherd puppy she has the color like everyone says like oh [38:15.000 –> 38:20.000] Burmese. And I’m like no she’s an Australian Shepherd actually. [38:20.000 –> 38:25.000] And like I think that the tri color is actually like I’m going to look this up because [38:25.000 –> 38:30.000] I keep saying this and I don’t know if this is right. But the [38:30.000 –> 38:35.000] tri color is the original color of Australian [38:35.000 –> 38:40.000] Shepherds. Oh it just says black and white. Well [38:40.000 –> 38:45.000] dogs are so weird. Like their breeds are don’t make any sense. They’re all one species. So [38:45.000 –> 38:50.000] I don’t know. I don’t quite understand it. But yeah so she’s a so she’s a black [38:50.000 –> 38:55.000] tri. So she gets she has some she looks like a little Burmese. [38:55.000 –> 39:00.000] And but so I mean that means that the the quote [39:00.000 –> 39:05.000] unquote mountain dog and research story looks like my dog. [39:05.000 –> 39:10.000] So I saw it in the trailer and I was like I need it. I know. She is a little mountain [39:10.000 –> 39:15.000] pup. Oh my gosh I haven’t. She’s in my little mountain. Uh-huh. She is. [39:17.000 –> 39:22.000] OK. What about the fishing. Well actually there’s a lot more to the creatures too. So [39:22.000 –> 39:27.000] like let me keep going. Sorry. Keep going. Creatures. Oh you’re fine. I’m just like going in order of like this [39:27.000 –> 39:32.000] research journal. It’s like that’s the next tab. I’m like I want to go in this next order. OK. [39:32.000 –> 39:37.000] So like looking at the creatures like the same thing like you see them out in the wild to you [39:37.000 –> 39:42.000] like you pet them which we don’t recommend petting wild animals because [39:42.000 –> 39:47.000] you don’t have wild animals. Yeah please don’t. You’re going to get hurt and it’s not good for [39:47.000 –> 39:52.000] them. But anyway in this game you pet them you collect one of their like little like dropped [39:52.000 –> 39:57.000] animals like for the mountain pup. It’s a tricolor for and [39:57.000 –> 40:02.000] then you observe them out in the wild and then build a creature pen on your farm [40:02.000 –> 40:07.000] and you can house them in these creature pens which is very cute. [40:07.000 –> 40:12.000] And you just like build up like your friendship level by like feeding them and and [40:12.000 –> 40:17.000] petting them every day and then eventually they’ll like provide like some sort of produce. So the mountain pup [40:17.000 –> 40:22.000] produces bones for example and the wood ram produces milk for whatever reason. [40:22.000 –> 40:27.000] I guess it’s supposed to be a goat. I don’t know. And like the fox drops meat. [40:27.000 –> 40:32.000] My personal. I understand. My personal mountain [40:32.000 –> 40:37.000] pup finds trash. [40:38.000 –> 40:43.000] Any walk that we go on she finds every piece of trash and she [40:43.000 –> 40:48.000] wants to just chew it. But I’m going to try and teach her to like trade it so that she can [40:48.000 –> 40:53.000] so that like I’ll just start bringing trash bags or like garbage bags. And you can just clean up everything. That’s [40:53.000 –> 40:58.000] exactly. And then she finds trash and then she can bring it to me and then she puts it in the bag I’ll give her a treat [40:58.000 –> 41:03.000] and then she can find another one. And so like I need to figure out how to make it a trick. [41:03.000 &ndash

Author : Alex Jennings Narrator : Dominick Rabrun Host : Tonia Ransom Audio Producer : Chelsea Davis Discuss on Forums “Them Doghead Boys” originally appeared in Current Affairs Magazine in their Jan/Feb 2021 issue Them Doghead Boys By Alex Jennings Things got bad bad once the Ravels was gone. Five-Oh swooped down and arrested damnear […]

Ravel träumt davon, sein neues Klavierkonzert auf einer Welttournee selbst zu spielen. Verbissen übt er Etüden. Doch schließlich muss er feststellen: Sein Konzert ist zu schwer für ihn. Die Pariser Uraufführung 1932 wird trotzdem der Auftakt zu einem Welterfolg. (Autor: Michael Lohse) Von Michael Lohse.

Den vackraste musiken för vänner som dödats i kriget skrev Maurice Ravel under första världskrigets slut. Per Feltzin närstuderar ett av de sex stycken som bildar sviten Le Tombeau de Couperin. Lyssna på alla avsnitt i Sveriges Radio Play. Fyra minuter och fyrtioen sekunder instrumental musik.Blåsarna går rätt in i melodin. Oboen har solot men stöds av klarinetter och fagotter. Strax därefter ett engelskt horn och senare flöjterna. Stråkarna knäpper på strängarna de första takterna innan de låter de långa dragen ta över. Det är melankolisk musik. Melodiös, melankolisk musik.Ravel skrev den först för piano under första världskriget. Han var chaufför i det militära, han körde trupper till fronten. Sviten var tänkt som en hyllning till 1700-talets musik, i synnerhet den franska och den tillägnades tonsättaren Francois Couperin. Sviten spelades för första gången 11 april 1919. Han dedicerade de sex småstyckena till sex olika vänner som dödats i kriget. Tombeau är en term för minnesmusik och just stycket Menuet tillägnade Ravel Jean Dreyfus. À la mémoire de Jean Dreyfus. Några undrade över det ljusa anslaget i musiken och då replikerade Ravel: "De döda är sorgsna nog, i sin eviga tystnad." Menuetten är skriven i G-dur. Allegro moderato, tre-fjärdedels takt.Orkestern består av två flöjter, oboe, engelskt horn, två klarinetter, två fagotter, två horn, trumpet, harpa och stråkar.Den är skriven i en klassisk form, med ett tema som förändras och återkommer. Orkestreringen är återhållen, här hör vi de olika instrumenten kristallklart. Oboen är det främsta soloinstrumentet, men också flöjten och det engelska hornet har solopartier. Hornen och trumpeten ger färg, men lägger sig inte i strukturen. Melodilinjen är betonad och oftast får harpan och stråkarna knäppa fram accenterna. "Det finns en innesluten melodisk grund i all väsentlig musik", ska Ravel ha sagt.När Maurice Ravel dog många år senare, 1937, var det noterna till Menuet som stod på hans notställ. De står där fortfarande.Musiken i inslaget spelas av Montreals symfonikorkester ledda av Charles Dutoit och av pianisten Vlado Perlemuter.

Den vackraste musiken för vänner som dödats i kriget skrev Maurice Ravel under första världskrigets slut. Per Feltzin närstuderar ett av de sex stycken som bildar sviten Le Tombeau de Couperin. Fyra minuter och fyrtioen sekunder instrumental musik.Blåsarna går rätt in i melodin. Oboen har solot men stöds av klarinetter och fagotter. Strax därefter ett engelskt horn och senare flöjterna. Stråkarna knäpper på strängarna de första takterna innan de låter de långa dragen ta över. Det är melankolisk musik. Melodiös, melankolisk musik.Ravel skrev den först för piano under första världskriget. Han var chaufför i det militära, han körde trupper till fronten. Sviten var tänkt som en hyllning till 1700-talets musik, i synnerhet den franska och den tillägnades tonsättaren Francois Couperin. Sviten spelades för första gången 11 april 1919. Han dedicerade de sex småstyckena till sex olika vänner som dödats i kriget. Tombeau är en term för minnesmusik och just stycket Menuet tillägnade Ravel Jean Dreyfus. À la mémoire de Jean Dreyfus. Några undrade över det ljusa anslaget i musiken och då replikerade Ravel: "De döda är sorgsna nog, i sin eviga tystnad." Menuetten är skriven i G-dur. Allegro moderato, tre-fjärdedels takt.Orkestern består av två flöjter, oboe, engelskt horn, två klarinetter, två fagotter, två horn, trumpet, harpa och stråkar.Den är skriven i en klassisk form, med ett tema som förändras och återkommer. Orkestreringen är återhållen, här hör vi de olika instrumenten kristallklart. Oboen är det främsta soloinstrumentet, men också flöjten och det engelska hornet har solopartier. Hornen och trumpeten ger färg, men lägger sig inte i strukturen. Melodilinjen är betonad och oftast får harpan och stråkarna knäppa fram accenterna. "Det finns en innesluten melodisk grund i all väsentlig musik", ska Ravel ha sagt.När Maurice Ravel dog många år senare, 1937, var det noterna till Menuet som stod på hans notställ. De står där fortfarande.Musiken i inslaget spelas av Montreals symfonikorkester ledda av Charles Dutoit och av pianisten Vlado Perlemuter.

Den vackraste musiken för vänner som dödats i kriget skrev Maurice Ravel under första världskrigets slut. Per Feltzin närstuderar ett av de sex stycken som bildar sviten Le Tombeau de Couperin. Fyra minuter och fyrtioen sekunder instrumental musik. Blåsarna går rätt in i melodin. Oboen har solot men stöds av klarinetter och fagotter. Strax därefter ett engelskt horn och senare flöjterna. Stråkarna knäpper på strängarna de första takterna innan de låter de långa dragen ta över. Det är melankolisk musik. Melodiös, melankolisk musik.Ravel skrev den först för piano under första världskriget. Han var chaufför i det militära, han körde trupper till fronten. Sviten var tänkt som en hyllning till 1700-talets musik, i synnerhet den franska och den tillägnades tonsättaren Francois Couperin. Sviten spelades för första gången 11 april 1919. Han dedicerade de sex småstyckena till sex olika vänner som dödats i kriget. Tombeau är en term för minnesmusik och just stycket Menuet tillägnade Ravel Jean Dreyfus. À la mémoire de Jean Dreyfus. Några undrade över det ljusa anslaget i musiken och då replikerade Ravel: "De döda är sorgsna nog, i sin eviga tystnad."   Menuetten är skriven i G-dur. Allegro moderato, tre-fjärdedels takt. Orkestern består av två flöjter, oboe, engelskt horn, två klarinetter, två fagotter, två horn, trumpet, harpa och stråkar. Den är skriven i en klassisk form, med ett tema som förändras och återkommer. Orkestreringen är återhållen, här hör vi de olika instrumenten kristallklart. Oboen är det främsta soloinstrumentet, men också flöjten och det engelska hornet har solopartier. Hornen och trumpeten ger färg, men lägger sig inte i strukturen. Melodilinjen är betonad och oftast får harpan och stråkarna knäppa fram accenterna. "Det finns en innesluten melodisk grund i all väsentlig musik", ska Ravel ha sagt. När Maurice Ravel dog många år senare, 1937, var det noterna till Menuet som stod på hans notställ. De står där fortfarande.Musiken i inslaget spelas av Montreals symfonikorkester ledda av Charles Dutoit och av pianisten Vlado Perlemuter.

La Copa de Europa de BMX Race llega a la mitad de la competición después de un mes y medio de carreras cada dos fines de semana. Esta vez en el circuito Belga de Ravels, el único hasta la fecha con una rampa de salida "Old school". Te contamos todo lo que sabemos sobre la carrera y desvariamos y nos andamos por las ramas. Pero, eso es como siempre... ¿Y ahora qué? ✈️ Organizamos tus viajes en bmxtravel.com

Pengar pengar pengar. Ja. Framför allt sedlar. Och Vidar. PODD! Dängorne bestod i b r i c k s q u a d r a v e och Ravels gamla dänga Pavane pour une infante défunte

Baltimore Ravens vs. Cleveland Browns NFL Pick Prediction 12/12/2021 by Tony T. Ravens at Browns—Right tackle for the Ravels out and two in the secondary questionable. Baltimore has been hit hard on defense with many linebackers and secondary on the IR. Wide out for Cleveland Schwartz out. Baltimore had their two game win streak snapped in a 20-19 road win at Pittsburgh. It was a competitive loss as the Ravens failed on a two point conversion in the closing seconds. Baltimore has responded with a win following a loss in all three spots. Ravens defense has been outstanding as in their past four games allowing 22 or fewer points. Past three games are holding opponents to 312 yards. Cleveland has lost five of eight after a 16-10 road defeat at Baltimore two weeks ago. Browns come in off the bye. Cleveland offense trending poorly as in their past three games putting up 276 yards, 4.4 yards per rush and 5.1 yards per pass attempt. In that period Baker Mayfield completing 52.5%. Cleveland bottom third offensive and defensively on third down as well as red zone. Ravens defense best in the NFL on third down and red zone. Play Baltimore +3.

Baltimore Ravens vs. Cleveland Browns NFL Pick Prediction 12/12/2021 by Tony T. Ravens at Browns—Right tackle for the Ravels out and two in the secondary questionable. Baltimore has been hit hard on defense with many linebackers and secondary on the IR. Wide out for Cleveland Schwartz out. Baltimore had their two game win streak snapped in a 20-19 road win at Pittsburgh. It was a competitive loss as the Ravens failed on a two point conversion in the closing seconds. Baltimore has responded with a win following a loss in all three spots. Ravens defense has been outstanding as in their past four games allowing 22 or fewer points. Past three games are holding opponents to 312 yards. Cleveland has lost five of eight after a 16-10 road defeat at Baltimore two weeks ago. Browns come in off the bye. Cleveland offense trending poorly as in their past three games putting up 276 yards, 4.4 yards per rush and 5.1 yards per pass attempt. In that period Baker Mayfield completing 52.5%. Cleveland bottom third offensive and defensively on third down as well as red zone. Ravens defense best in the NFL on third down and red zone. Play Baltimore +3.

Je voert je zoon naar de molenaarscursus. En wat doe je dan? Wachten in de auto of een koffie gaan drinken? Jan De Schutter volgende zijn zoon mee naar binnen, stapte mee in het avontuur, en is nu zelf ook molenaar. Wil je als volwassene ook molenaar worden, dan is volgens Jan de vele uren stage mogelijks een drempel. Je moet dus naast het studeren van de cursus ook een hap tijd voorzien voor de praktijk. - Het molenaarsambacht werd op 1 juli 2020 erkend als erfgoed en toegevoegd aan de lijst ‘Inventaris Vlaanderen van het Immaterieel Cultureel Erfgoed'. … Collectie molens https://youtube.com/playlist?list=PLkbFihObH-1K5y4FbHfxQzjejsql6kuzV VOLG IKWASHIER.LIVE … Facebook https://www.facebook.com/ikwashier.live … YouTube https://www.youtube.com/ikwashierlive … Instagram https://www.instagram.com/ikwashier.live … Site https://ikwashier.live

Als het mocht was Joppe De Schutter al op zijn zevende molenaar. Maar hij moest wachten tot zijn zestiende om stage te lopen in de molenaarsopleiding. Iedereen kan molenaar worden. Oud, jong. Groot, klein. Man, vrouw. Je moet fysiek wel in orde zijn, en toch wat kracht hebben… en tegelijk moet je ook nederig zijn: hoe sterk en slim je ook bent: het is steeds de natuur die beslist. - Het molenaarsambacht werd op 1 juli 2020 erkend als erfgoed en toegevoegd aan de lijst ‘Inventaris Vlaanderen van het Immaterieel Cultureel Erfgoed'. … Collectie molens https://youtube.com/playlist?list=PLkbFihObH-1K5y4FbHfxQzjejsql6kuzV   VOLG IKWASHIER.LIVE … Facebook https://www.facebook.com/ikwashier.live … YouTube https://www.youtube.com/ikwashierlive … Instagram https://www.instagram.com/ikwashier.live … Site https://ikwashier.live  

Vom Sorgenkind zum Star! Klavierspielen ist schon mit zwei Händen nicht leicht. Aber nur die Linke zu benutzen, ist ein Kraftakt. Zumindest für rechtshändige Pianisten. In Maurice Ravels Klavierkonzert für die linke Hand aber spielt sie die Hauptrolle. Denn Ravel hat sie für den Wiener Pianisten Paul Wittgenstein komponiert. Das hat seinen Grund.

Photo: All are workers in Knoxville Knitting Mills. Smallest boy "Ravels." Smallest girl is a steady worker. Location: Knoxville, Tennessee..CBS Eye on the World with John BatchelorCBS Audio Network@Batchelorshow#SmallBusinessAmerica: The missing labor force. @GeneMarks The number of job openings reached a series high of 8.1 million on the last business day of March, the U.S. Bureau of Labor Statistics reportedhttps://www.bls.gov/news.release/jolts.nr0.htmSmall Business Optimism Up in April but Job Openings Remain at Record Highshttps://www.nfib.com/surveys/small-business-economic-trends/The Consumer Price Index for All Urban Consumers (CPI-U) increased 0.8 percentin April on a seasonally adjusted basis after rising 0.6 percent in March, theU.S. Bureau of Labor Statistics reported today. Over the last 12 months, theall items index increased 4.2 percent before seasonal adjustment. This is thelargest 12-month increase since a 4.9-percent increase for the period endingSeptember 2008.https://www.bls.gov/news.release/cpi.nr0.htmThe Dodge Momentum Index posted an 8.6% gain in April, climbing to 162.4 (2000=100) from the revised reading of 149.5 in March. The Momentum Index, issued by Dodge Data & Analytics, is a monthly measure of the first (or initial) report for nonresidential building projects in planning, which have been shown to lead construction spending for nonresidential buildings by a full year.https://www.construction.com/news/Dodge-Momentum-Index-Increases-In-April-2021 Need help getting workers? Use this tax credit to pay a hiring bonus.https://www.inquirer.com/business/small-business/tax-credit-small-business-hiring-bonus-20210511.html

Beethoven, Bach, Haydn, Mozart, aber auch Debussy und eine 1959 live aufgenommene faszinierende Deutung von Ravels "Gaspard de la nuit": Die insgesamt fünf CDs dieser beiden Gulda-Veröffentlichungen sind eine Fundgrube - für alle Gulda-Fans und auch für die, die es noch werden wollen.

Aktuell: Arboretum in der Gemeinde Büllingen: Baum- und Straucharten entlang des Ravels kennen lernen - Raffaela Schaus

It's no secret that The Cramps took inspiration from B-rated horror films and dusty records. So here's a short playlist of artists that they covered along with the rise and fall and rise again of B-rated movies.-The Sonics. Strychinine-J.J. Jackson and The Jackals. Oh-Ma-Liddi-3 Aces and A Joker. Booze Party -The Fanatics. I will not be Lonely-Dell Raney and the Umbrellas. Can Your Hose do the Dog-Jerry Warren. Rompin'-Sheriff and The Ravels. Shombalor -Blues Rockers. Calling all CowsBackground: Los Belkings. Gigante de Vidrio  

Im Juli 1914, Europa steht kurz vor dem ersten Weltkrieg, verbringt der Komponist Maurice Ravel wie üblich seine Sommerferien am Atlantik. In Saint-Jean de Luz schreibt er bis 1917 seine Klaviersuite «Le Tombeau de Couperin». Ravel bezieht sich darin auf den Krieg. Und doch war die Idee ursprünglich ganz harmlos. Dem französischen Barockkomponisten François Couperin zu Ehren wollte Ravel seine neo-barocke Klaviersuite schreiben. Solche Ehrbezeugungen in der Musik heissen in Frankreich «Tombeau». Zum wahren Grabmal wird die Suite dann tatsächlich. 1917 stirbt nicht nur Ravels geliebte baskische Mutter, sondern es sind auch mehrere Freunde im Krieg gefallen. Ravel widmet ihnen je einen Satz. Gäste von Benjamin Herzog sind die Musikpublizistin Sibylle Ehrismann und der Pianist See Siang Wong.

Where can the Chiefs and Ravens do damage to each other in their huge Monday Night Football clash? The Star’s A-Team of Herbie Teope, Sam McDowell, Sam Mellinger and Vahe Gregorian break it down on SportsBeat KC. The conversation on our daily sports podcast, which started its life as a SportsBeat Live video installment, provides Chiefs injury updates, looks at the budding Patrick Mahomes-Lamar Jackson rivalry and identifies yet another advantage for Mahomes besides his strong arm and great decision-making. Finally, the group comes up with predictions for the game and provides their favorite sports movies. Story links: For all of Patrick Mahomes elite traits here’s one more: his voice. Let us explain Forget Brady-Manning: Mahomes-Jackson is a QB matchup the NFL has never seen Chiefs prediction: NFL’s best face off when Chiefs meet Ravels. QBs sure, but also... Learn more about your ad choices. Visit megaphone.fm/adchoices

Hij maakte het conservatorium niet af en werd meerdere malen gepasseerd door de jury van de Prix de Rome. Toch wist Maurice Ravel naam te maken als componist. Kees Wisse en Botte Jellema praten over het muzikale landschap waarin hij opgroeide, zijn rebelse kant en de Boléro die - tot Ravels stomme verbazing - uitgroeide tot zijn populairste werk.

En sort-hvid tv-optagelse af Ravels ekstatiske Bolero gjorde dirigenten Sergiu Celidiache (1912-96) kendt af alle danske musiklyttere. Med sit lange hår ude af kontrol og et glødende blik i øjnene hersede han med DR Symfoniorkestret og forheksede publikum ved Torsdagskoncerterne i 1960'erne og 1970'erne. Celibidache modtog Sonnings Musikpris i København 1970, og det var ved den lejlighed, han dirigerede Bolero.J. Strauss: Ouverture til Flagermusen og Kejser Valsen med mere.J. Strauss d.æ.: Radetzky march.Tjajkovskij: Capriccio italien.Ravel: Bolero. Carl Nielsen: Maskarade ouverture.DR Symfoniorkester & Underholdningsorkester.Dirigent: Sergiu Celibidache.(Koncert i Radiohuset, 12. december 1970). Vært: Rie Koch. www.dr.dk/p2koncerten

Den franske dirigent Pierre Monteux uropførte i 1911 Stravinskijs ballet Petrusjka og i 1912 Ravels ballet Daphnis & Chloé. Han var en nær bekendt af både Ravel, Stravinskij og Debussy, og højt op i alderen forblev han en førende repræsentant for deres værker. Derfor kan man på optagelser helt op fra stereotiden høre Monteux' autoritative fortolkninger af den skelsættende musik, han præsenterede i begyndelsen af 1900-tallet.Ravel: Daphnis & Chloé.(Koncert i Amsterdam, 23. juni 1955).Ravel: Shéhérazade. Victoria de los Angeles, sopran.Concertgebouw Orkestret.Dirigent: Pierre Monteux.(Koncert i Amsterdam, 20. november 1963).Stravinskij: Petrusjka.Concertgebouw Orkestret.Dirigent: Pierre Monteux.(Koncert i Amsterdam, 1960). Vært: Celine Haastrup. www.dr.dk/p2koncerten

Par Ērika Korngolda svītu divām vijolēm, čellam un klavierēm kreisajai rokai, Tālivalža Ķeniņa Concerto Barrocco divām vijolēm un Johannesa Brāmsa Trešo klaviertrio dominorā, ko 20. februārī Lielajā ģildē atskaņos LNSO klavieru trio, pirmdien "Neatliekamajā sarunā" stāsta vijolnieks Sandis Šteinbergs un pianists Mārtiņš Zilberts. *** Orests Silabriedis: "Nosvinējis pirmo piecgadi, LNSO klaviertrio turpina interpretēt gan monumentālu klasiku, gan mazāk zināmus mūsdienu skaņdarbus . Šoreiz programmā Brāmsa visretāk atskaņotais, vienlaikus visīsākais klaviertrio, pilns nemiera un izaicinājumu, emocionālas turbulences un uzliesmojumu. Holivudas filmu mūzikā veiksmīgais Korngolds pārstāvēts ar opusu, ko veltījis pianistam Vitgenšteinam – tam pašam, kam Ravels savu kreisās rokas klavierkoncertu. 1930. gadā radītā mūzika retrospektīvi, vietām groteski un sentimentāli atskatās uz aizgājušā laika Vīni. Bet Ķeniņš met loku uz baroku, apliecinot savu talantu, ko mums pienāktos neaizmirst un novērtēt biežāk." LNSO klaviertrio: Indulis CINTIŅŠ – vijole, Dace ZĀLĪTE-ZILBERTE – čells, Mārtiņš ZILBERTS – klavieres; koncertā piedalās kolēgis un draugs Sandis ŠTEINBERGS – vijole.  

Vi tar oss an en ny skiva med Konsert för solopiano av den osentimentale franske kompositören Jean-Valentin Alkan. Debuterande Paul Wee sitter vid pianot. Vi lyssnar också på Nikolaj Tjerepnins balettmusik, nyinspelad barockmusik av Marc-Antoine Charpentier och Sjostakovitjs fjärde symfoni i en ny inspelning med London Symphony Orchestra. Dessutom åker vi till Paris! För tredje gången de senaste decennierna försökte Ravels arvingar förra året sälja hans handskrivna noter, den här gången via den anrika auktionsfirman Christies. Men ingen av de här arvingarna är släkt med Ravel, och historien om hur den värdefulla samlingen hamnat i deras händer är minst sagt förbryllande. Vår reporter Johan Tollgerdt har luskat i detta, en av de största skandalerna i fransk musikhistoria. I panelen denna vecka: pianisten Bengt Forsberg, musikbibliotekarien Eva-Britt Selén, och Måns Tengnér från Kungliga Musikhögskolan. Programledare är Johan Korssell. Veckans skivor: Nikolaj Tjerepnin Narcisse et echo op 40, La Princesse Lointaine op 4 Bamberger Symphoniker Lukasz Borowicz, dirigent Skivbolag: CPO Betyg: 4 Jean-Valentin Alkan Symphony for Solo Piano, Concerto for Solo Piano Paul Wee, piano Skivbolag: BIS Betyg: 5 (Totalfemma!) Marc-Antoine Charpentier Orphée aux enfers Vox Luminis, A Nocte Temporis Lionel Meunier, Reinoud van Mechelen Skivbolag: ALPHA Betyg: 3 Dmitrij Sjostakovitj Symphony no 4 London Symphony Orchestra Gianandrea Noseda, dirigent Skivbolag: LSO Live Betyg: 3

"Spiegelspiele" heißt dieses Album mit Klavier- und Orchestermusik von Maurice Ravel. Gegenübergestellt werden original für Klavier komponierte Stücke und Ravels eigene Orchestrierungen. Ein spanisch-französisches Interpretenteam ist dafür ins Aufnahmestudio gegangen: der Pianist Javier Perianes spielt mit dem Orchestre de Paris unter der Leitung von Josep Pons.

Ravels Boléro: Ein Top-Hit unter den Orchesterstücken. Dabei war er gar nicht für den Konzertsaal gedacht, sondern ein Ballett, dem die Tänzerin Ida Rubinstein, für immer den Stempel "Erotik" aufgedrückt hatte.

Den vackraste musiken för vänner som dödats i kriget. Det skrev Ravel under första världskrigets slut och Per Feltzin närstuderar ett av de sex stycken som bildar sviten Le Tombeau de Couperin. Gång på gång väljer jag att lyssna på Maurice Ravels Menuet ur Le tombeau de Couperin. Fyra minuter och fyrtioen sekunder instrumental musik. Blåsarna går rätt in i melodin. Oboen har solot men stöds av klarinetter och fagotter. Strax därefter ett engelskt horn och senare flöjterna. Stråkarna knäpper på strängarna de första takterna innan de låter de långa dragen ta över. Det är melankolisk musik. Melodiös, melankolisk musik.  Sviten spelades för första gången 11 april 1919. Ravel skrev den först för piano under första världskriget. Han var chaufför i det militära, han körde trupper till fronten. Sviten var tänkt som en hyllning till 1700-talets musik, i synnerhet den franska och den tillägnades tonsättaren Francois Couperin. Men kriget hade gjort Ravel sjuk, trött och sömnlös. I början av 1917 dog Ravels mor 76 år gammal. Han slutade komponera under tre år och slutförde bara äldre projekt. Han var då gäst hos monsieur och madame Fernand Dreyfus i Lyons-la Forêt nordväst om Paris. Madame Dreyfus var Ravels "marraine de guerre" - ett slags frivillig stöd under kriget. En person som tog hand om en, skickade tidningsklipp och små presenter till fronten. Man har funnit 55 brev från Ravel till henne under några månader 1916. De berättade mycket om krigsupplevelserna och Ravel vilade ut hos paret under och efter krigsslutet. Där skrev han färdigt pianooriginalet Le Tombeau de Couperin och dedicerade de sex småstyckena till sex olika vänner som dödats i kriget. Tombeau är en term för minnesmusik och just stycket Menuet tillägnade Ravel Jean Dreyfus. À la mémoire de Jean Dreyfus. Det var en styvson, som det hette då, till Ravels marraine de guerre Madame Dreyfus.      När sviten spelades för första gången på en konsert blev de så väl mottagna att alla sex stycken fick spelas en gång till. Några undrade över det ljusa anslaget i musiken och då replikerade Ravel: "De döda är sorgsna nog, i sin eviga tystnad."      Det vi talat om hittills ger oss ledtrådar till musiken. De döda vännerna under första världskriget, mamman, "marraine de guerre", barocken och de danssviter man ofta skrev då och 16- och 1700-talen som Couperin levde och skrev musik i. Tombeau de Couperin. Minnesmusik. Det är alltså sorg och kaos runt Ravel och han skriver något av det vackraste som finns. Jag tänker ofta på den fantastiska kreativitet som övergångsperioder som 1920- och 1950-talen uppvisar. Efterkrigsperioder är dynamiska. Nya perspektiv, nya sätt att se saker på får utrymme. Ett exempel: Året efter, i februari 1920, arrangerade Ravel själv om fyra av de sex styckena för orkester och den här orkestersviten blev sedan i november 1920 grunden till en balett för Rolf de Marés Svenska baletten. Minst 165 gånger framfördes de Marés och Jean Borlins koreografi till Ravels musik. Premiär på Théâtre des Champs-Elysées.     Menuetten är skriven i G-dur. Allegro moderato, tre-fjärdedels takt. Orkestern består av två flöjter, oboe, engelskt horn, två klarinetter, två fagotter, två horn, trumpet, harpa och stråkar. Den är skriven i en klassisk form, med ett tema som förändras och återkommer. Orkestreringen är återhållen, här hör vi de olika instrumenten kristallklart. Oboen är det främsta soloinstrumentet, men också flöjten och det engelska hornet har solopartier. Hornen och trumpeten ger färg, men lägger sig inte i strukturen. Melodilinjen är betonad och oftast får harpan och stråkarna knäppa fram accenterna. "Det finns en innesluten melodisk grund i all väsentlig musik", ska Ravel ha sagt. En oerfaren oboist kan i början av Menuet få problem med andningen. Det går inte fort, men artikulationen är viktig. Det finns något folkviseaktigt som bryter igenom då och då. En vemodig barnvisa. Men historiskt har G-dur ofta använts när man ska ge musiken en ljus, positiv och optimistisk karaktär. Det gäller att inte smeta ner sig för långsamma tempi. Allegro moderato är en sorglös tempobeteckning. Spelar man den lätt och ledigt sköter melodin själv om känslosamheten. Det är vemodigt - men det är ingen begravningsmenuett.       I varje stycke musik finns ett tryck. En täthet och ett tempo som går att öka och minska. Det trycket finns i varje konstverk, men det ser olika ut för de skilda konsterna. I musiken har det med tempot och med orkestreringen att göra. I Menuet finns ett tempo som nära nog exakt motsvarar en normal puls - alltså inte puls vid vila eller vid ansträngning. Arbetspuls, 92 slag per minut. 92 taktslag. Samtidigt går musikens melodi i olika tempo. Den drar fortare ibland, stannar upp, hetsar, hämtar fart, minskar. Ibland är det bara en plockande stråke och en blåsare som sedan får hjälp av ytterligare stråkar och blåsare för att höja det där trycket. Det är som med en kropp. Ovanpå pulsen finns andningen, gesterna, stickningar i armen, rycket i benen. Hjärtat, pulsen är i mitten. Flöjterna är ljusa. Hornen, trumpeten och fagotterna är mörka här. Oboen, det engelska hornet och klarinetterna är kalla. Harpan och stråkarna varma. Ravel går mellan kallt och varmt, mellan mörkt och ljust. De första tonerna för oboen är som en liten snubbling, ett extra steg, en kort drill.       Här lockar det söta, här påminns vi om det syrliga. Den kalla handen på pannan är en mors hand, likaväl som en död väns kyliga fingertoppar. Den varma vinden påminner om andra dagar, en ungdomstid, men också om den heta stanken från slagfältet. Ljuset, explosionen, mörkret, vilan. När Maurice Ravel dog många år senare, 1937, var det noterna till Menuet som stod på hans notställ. De står där fortfarande. Per Feltzin per.feltzin@sverigesradio.se   Musiken i inslaget spelas av Montreals symfonikorkester ledda av Charles Dutoit och av pianisten Vlado Perlemuter.

Esbjerg Ensemble med sopranen Signe Asmussen sætter fokus på kvinder i musikken, og lader bl.a. nulevende kvindelige komponister perspektivere fortidens mandlige fortolkninger af kvindens liv og følelser.Programmet består bl.a. af kendte kvindearier fra Händels Xerxes, Bizets Carmen og Purcells Dido og Aneas - i selskab med helt nye toner af Hans Abrahamsen, Bára Gisladottir og Lotta Wännakoski. Dertil instrumentale mellemspil af Strauss, Ravel og Schönberg samt Ravels eksotiske Chanson de Madecasses.(Viborg Musiksal 28. januar). Vært: Mette Greiffenberg. www.dr.dk/p2koncerten

I programmet diskuteras Ravels Daphnis et Chloé, Monteverdis Mariavesper, pianomusik av Bartók och Jonas Kaufmann som sjunger Mahler. Johan har träffat Paavo Järvi. I panelen Camilla Lundberg, Edward Klingspor och Johanna Paulsson som tillsammans med programledaren Johan Korssell betygsätter nyutkomna inspelningar. Referensen Mahler Johan refererar till och jämför med en inspelning av Mahlers Das Lied von der Erde med Otto Klemperer på pulten framför solisterna Christa Ludwig och Fritz Wunderlich samt med Philharmonia och New Philharmonia Orchestra. Inspelningen gjordes på EMI 1967. Andra i programmet nämnda eller rekommenderade inspelningar: Ravels balett Daphnis et Chloé  i komplett utförande med Londons symfoniorkester ledd av Pierre Monteux och inspelad på Decca; Bostons symfoniorkester dirigerad av Charles Münch på RCA samt med Bostons symfoniorkester under Bernard Haitink på skivmärket Philips. Monteverdis Mariavesper med Concerto Vocale, Nederländska kammarkören och kammarorkestern allt under René Jacobs på Harmonia Mundi; Les Arts Florissants kör och orkester under William Christie på Erato. Bartóks pianomusik med Zoltan Kocsis på Hungaroton; Béla Bartók själv på Hungaroton; György Sandor på Musical Concepts samt med Martha Argerich och Stephen Kovacevich på DG. Mahlers Das Lied von der Erde med Janet Baker och James King samt Concertgebouworkestern ledda av Bernard Haitink på Philips samt med James King och Dieter Fischer-Dieskau ackompanjerade av Wiens filharmoniker och dirigerade av Leonard Bernstein på Decca.  Svepet Johan sveper över en box med 7 CD där Vladimir Jurowskij dirigerar Londons filharmoniker i Tjajkovskijs symfonier, Francesca da Rimini och Stråkserenaden. Utgiven på egna märket LPO.

I programmet diskuterar panelen Salonens tolkningar av Bartók, Bachs Goldberg-variationerna med Esfahani, operaarior med Matshikiza o Tippetts fem stråkkvartetter. Sofia möter dirigenten Simone Young, BÉLA BARTÓK Den sällsamme mandarinen, Danssvit, Kontraster Philharmonia Orchestra Esa-Pekka Salonen, dirigent Signum Classics SIGCD 466 J S BACH Goldberg-variationerna Mahan Esfahani, cembalo DG 479 5929 PUMEZA MATSHIKIZA Operaarior m.m. Pumeza Matshikiza, sopran Århus symfoniorkester Tobias Ringborg, dirigent Decca 478 8964MICHAEL TIPPETT Stråkkvartetterna Heath-kvartetten Wigmore Hall WH live 0080 (2 CD)Sofia möter Simone Young Sofia Nyblom träffade och samtalade med den australiska dirigenten när hon gästade Stockholms konserthus i oktober där och då hon ledde Kungliga filharmonikerna i en konsert som  innehöll musik av Alban Berg, Richard Wagner, Anton Webern och Robert Schumann. Andra i programmet nämnda eller rekommenderade inspelningar: Bartóks Den sällsamme mandarinen med BBCs symfoniorkester ledd av Antal Dorati på skivmärke Mercury samt med Budapests festivalorkester dirigerad av Iván Fischer på Philips och Chicagos symfoniorkester ledd av Jean Martinon (sviten) på RCA. Bartóks Kontraster med Béla Bartók, Joseph Szigeti och Benny Goodman på Columbia. Bachs Goldberg-variationerna med Ton Koopman på Erato; Gustav Leonhardt på Teldec; Wanda Landowska på RCA; Glenn Gould på Sony samt med Richard Egarr på Harmonia Mundi. Tippetts stråkkvartetter med Lindsay-kvartetten på ASV. Svepet Johan sveper över ett album med  fransk kammarmusik på vilken violinisten Christian Svarfvar och pianisten Roland Pöntinen spelar musik av Fauré, Debussy och Ravel. Johan bjuder oss smakprov ur Faurés Après un Reve samt ur Ravels violinsonat. Skivan är utgiven på Bis.

I programet diskuterar panelen bl. a. Harnoncourts sista inspelning som blev Beethovens 4e och 5e symfoni och Ravels enaktare Spanska timmen med Leonard Slatkin på pulten. Som mellanakt: Johans val. I panelen Hanna Höglund, Magnus Lindman och Per Lindqvist som tillsammans med programledaren Johan Korssell betygsätter följande skivor: LUDWIG VAN BEETHOVEN Symfonier nr 4 och 5 Concentus Musicus, Wien Nikolaus Harnoncourt, dirigent Sony Classical 88875136452 LEOS JANÁCEK Ríkadla, (Barnramsor), m.m. Collegium Vocale, Gent, Het Collectief Reinbert de Leeuw, dirigent Alpha Classics ALPHA 219 HEINRICH IGNAZ FRANZ BIBER Baroque Splendor La Capella Reial de Catalunya Hespèrion XXI, Le Concert des Nations Jordi Savall, dirigent Alia Vox AVSA 9912MAURICE RAVEL Spanska timmen, Don Quijote och Dulcinea Luca Lombardo, Isabelle Druet m.fl. Lyons nationalorkester Leonard, Slatkin, dirigent Naxos 8.660337Johans val Johan Korssell väljer och spelar ur en box med 6 CD kallad Endre Wolf in Sweden och som innehåller privata inspelningar samt studio-inspelningar från Sveriges Radio gjorda mellan åren 1944 till 1978 med den Ungern-födde svenske violinisten Endre Wolf. Andra i programmet nämnda eller rekommenderade inspelningar: Beethovens symfonier med Berlins filharmoniker under Herbert von Karajan på DG; Wiens filharmoniker dirigerad av Leonard Bernstein på DG samt La Chambre Philharmonique ledd av Emmanuel Krivine på Naïve. Bibers Salzburgmässa med Gabrieli Consort och Players ledda av Paul McCreesh på Archiv; med Musica Antiqua, Köln ledd av Reinhart Goebel på Archiv samt med Amsterdams barockorkester och kör under Ton Koopman på Erato. Ravels Spanska timmen med solister tillsammans med Franska radions nationalorkester allt under ledning av Lorin Maazel på DG samt på DVD från Glyndebourne-operan med solister och Londons filharmoniker ledda av Kazuki Ono och inspelad 2012 på fRA. Inget svep denna vecka       

Som många av Ravels orkesterverk, skrevs Valses nobles et sentimentales först för piano och orkestrerades sedan. Ravel var inspirerad av Schuberts samlingar Valses nobles D 779 och Valses sentimentales D 969. Ravel sade själv att titeln Valses nobles et sentimentales visar tydligt nog på min avsikt att skriva en rad valser som Schubert. Mer information på sverigesradio.se/p2

Den tyske pianisten Walter Gieseking tillbringade en stor del av sin barndom i södra Frankrike och Italien. Från fyra års ålder började han spela piano, men fick regelbunden undervisning först långt senare. När Gieseking var 20 år spelade han Beethovens pianosonater i en konsertserie och hans Berlindebut 1920 var så framgångsrik att han stannade i staden för att ge ytterligare sju konserter. Redan här märktes hans raffinerade spel i Debussys och Ravels pianomusik. Så följde en intensiv internationell karriär. Han spelade in Mozarts, Ravels och Debussys pianomusik. Debussyinspelningarna är hans mest bestående arv. Mer information på sverigesradio.se/p2

Den tyske pianisten Walter Gieseking tillbringade en stor del av sin barndom i södra Frankrike och Italien. Från fyra års ålder började han spela piano, men fick regelbunden undervisning först långt senare. När Gieseking var 20 år spelade han Beethovens pianosonater i en konsertserie och hans Berlindebut 1920 var så framgångsrik att han stannade i staden för att ge ytterligare sju konserter. Redan här märktes hans raffinerade spel i Debussys och Ravels pianomusik. Så följde en intensiv internationell karriär. Han spelade in Mozarts, Ravels och Debussys pianomusik. Debussyinspelningarna är hans mest bestående arv. Mer information på sverigesradio.se/p2

Den tyske pianisten Walter Gieseking tillbringade en stor del av sin barndom i södra Frankrike och Italien. Från fyra års ålder började han spela piano, men fick regelbunden undervisning först långt senare. När Gieseking var 20 år spelade han Beethovens pianosonater i en konsertserie och hans Berlindebut 1920 var så framgångsrik att han stannade i staden för att ge ytterligare sju konserter. Redan här märktes hans raffinerade spel i Debussys och Ravels pianomusik. Så följde en intensiv internationell karriär. Han spelade in Mozarts, Ravels och Debussys pianomusik. Debussyinspelningarna är hans mest bestående arv. Mer information på sverigesradio.se/p2

Den tyske pianisten Walter Gieseking tillbringade en stor del av sin barndom i södra Frankrike och Italien. Från fyra års ålder började han spela piano, men fick regelbunden undervisning först långt senare. När Gieseking var 20 år spelade han Beethovens pianosonater i en konsertserie och hans Berlindebut 1920 var så framgångsrik att han stannade i staden för att ge ytterligare sju konserter. Redan här märktes hans raffinerade spel i Debussys och Ravels pianomusik. Så följde en intensiv internationell karriär. Han spelade in Mozarts, Ravels och Debussys pianomusik. Debussyinspelningarna är hans mest bestående arv. Mer information på sverigesradio.se/p2

Veckans panel lyssnar på körmusik av Arvo Pärt och Yuja Wang i Ravels vänsterhandskonsert. Och så har The Who's klassiska rockalbum Quadrophenia fått ny orkesterskrud. I panelen sitter Boel Adler, Hanns Rodell och Nicholas Ringskog Ferrada-Noli som tillsammans med programledaren Johan Korssell betygsätter följande skivor:MAURICE RAVEL GABRIEL FAURE Pianokonsert G-dur Ballad Fiss-dur - Vänsterhandskonserten  Yuja Wang, piano Tonhalle-Orchester, Zürich Lionel Bringuier, dirigent DG 00289 479 4954JOHANNES BRAHMS Stråkkvartetter nr 1 och 3 Artemis-kvartetten Erato 0825646126637TINTINNABULI Körmusik av Arvo Pärt The Tallis Scholars Peter Philips, dirigent Gimell CDGIM 049ROBERT SCHUMANN Das Paradies und die Peri, oratorium i tre delar Sally Matthews, Mark Padmore m.fl. Londons symfoniorkester Simon Rattle, dirigent LSO Live LSO 0782Hannas val Hanna Höglund spelar valda delar ur The Whos  klassiska rockalbum, Pete Townshends Classic Quadrophenia som nu fått ny orkesterskrud. Royal Philharmonic Orchestra under Robert Ziegler spelar och i  huvudrollen hör vi brittiske tenoren Alfie Boe." Albumet är utgivet på Decca.Andra nämnda eller rekommenderade inspelningarRavels pianokonserter med solisten Martha Argerich som spelar tillsammans med Londons symfoniorkester ledda av Claudio Abbado på DG; Krystian Zimerman och Londons symfoniorkester under Pierre Boulez på DG samt med pianisten Samson Francois och Orchestre de la Société des Concerts du Conservatoire dirigerad av André Cluytens på EMI.Brahms stråkkvartetter med Belcea-kvartetten (nr 1) inspelad på EMI samt med Borodin-kvartetten (nr 1 och 3) på skivmärke Teldec.Schumanns Das Paradies und die Peri med Bayerska radions kör och symfoniorkester under Nikolaus Harnoncourt på RCA; Monteverdikören och Orchéstre Revolutionnaire et Romantique under John Eliot Gardiner på märke Archiv.Dessutom nämns Daniel Harding och Sveriges Radios Symfoniorkesters framförande i Berwaldhallen 2007 med en önskan om utgivning på CD. 

Es gehörte zu den ganz besonderen Talenten von Maurice Ravel, Musik zu schreiben, die erst beim näheren Hinhören, viel mehr entdecken lässt: Tiefschürfendes, Nachdenkliches, oft auch Abgründe. Stéphane Denève hat die "Rapsodie espagnole" mit dem Radio-Sinfonieorchester Stuttgart eingespielt - und sich mit Julika Jahnke darüber unterhalten.

Tag med i Koncerthuset og hør blandt andet Ravels klaverkoncert skrevet til pianisten Paul Wittgenstein, som mistede en arm i 1. Verdenskrig. Jennifer Higdon: Blue Cathedral (kan desværre ikke høres on demand) Ravel: Klaverkoncert for venstre hånd. Rakhmaninov: Symfoniske danse. Bertrand Chamayou, klaver. DR SymfoniOrkestret. Dirigent: Stephane Denève. Vært: Peter Filtenborg.

Aurelia Weiser stellt Ravels "Spiegelbilder" zusammen mit dem Pianisten Herbert Schuch vor.