Podcasts about Keio University

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee is going Beneath the Surface — with two incredible artists, Margaret Cho and Masaki Fujihata. Both artists have been working in their fields for decades. Margaret Cho — stand-up comedy, sitcom, filmmaking, writing. Masaki Fujihata — a pioneer in new media art.And here's what they have in common: they've both shifted with the times… but never lost their own voice. Their vision has stayed singular, even as the world around them changed. Listen in to APEX Express   Check out: BeHere / 1942: A New Lens on the Japanese American Incarceration at the Oakland Museum from Friday, September 18, 2026—Sunday, December 27, 2026 Masaki Fujihata website Choligarchy at Berkeley Rep, September 15-19th, 2026  Margaret Cho website Interweaving: Indo-Persian Exchanges Interweaving: Indo-Persian Exchanges at Oakland Asian Cultural Center, September 11, 2026 7pm Artists featured: arjun-verma.com www.pezhham.com  MazdakAlipour.com emanhashimi.com   Show Transcripts [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:34] Miko Lee: Tonight on Apex Express, I'm going beneath the surface with two incredible artists, Margaret Cho and Masaki Fujihata. I'm your host, Miko Lee.   [00:00:57] These are two artists who've been working in their fields for decades. Margaret Cho, stand-up comedy, sitcom, filmmaking, writing, and Masaki Fujihata, a pioneer in new media art. And here's what they have in common. They've both shifted with the times, but they never lost their own voice. Their vision has stayed singular, even as the world around them have changed. So stick with me. First up, my conversation with Margaret Cho   [00:01:29] Welcome Margaret Cho to Apex Express.    [00:01:32] Margaret Cho: Thank you.    [00:01:34] Miko Lee: I wanna start with my question I ask most of my guests, which is who are your people and what legacy do you carry with you?    [00:01:41] Margaret Cho: I think my people are Asian American, my people are queer, my people are all ages, my people are progressive, my people have hope for the future. That's what I'm hoping. I think that's it, and that's who I am too.    [00:01:56] Miko Lee: Thank you. You started stand-up so young in this very Bay Area, and I think you started at age 14. I'm wondering what's your earliest childhood memory of being a performer?    [00:02:08] Margaret Cho: My earliest childhood memory of being a performer was I was actually a singer. I was a singer in a band of children, and I was probably maybe five years old. We were on a show on KTVU. I believe it was called Asia Now, and it was filming in the studio and I wouldn't stop waving at my mother, who was just off camera. And after the performance the band leaders asked me not to come back. Aw. I remember that because I could not stop waving at my mother and so I kept breaking that fourth wall. That was my first memories of performance.   [00:02:47] Miko Lee: And what did that feel like to you?    [00:02:50] Margaret Cho: I didn't really get the idea. I didn't really understand television exactly quite. I didn't understand why we were performing. I didn't understand why I couldn't say hi to my mother while I was performing. I didn't have a real comprehension of like even like rejection of what that meant or even performance or what that meant or television. So all these things that I come to learn about very well, rejection, performance, and television is my whole life. But back then I didn't understand the importance of all those things.    [00:03:22] Miko Lee: But there must've been some kind of zhuzh for you that you said, “Ooh, I wanna keep doing this,” right?    [00:03:28] Margaret Cho: Yeah, I think so. Much later though, you know, I did perform as a pianist. I was a classical pianist. I was also a ballet dancer. So those things required performance, which actually would make me really, really nervous, I think because in piano you're playing a classical piece. You're playing Beethoven, you're playing Mozart. So if you make a mistake, everybody's gonna know. Also with ballet you're choreographed and you're in as a troupe. If you're doing choreography with a bunch of other people- If you make a mistake, everybody's gonna know. But with comedy, mistakes are a little bit more of, something you can gloss over a bit. There's a little more control there, a little more room for chaos, which I absolutely need, I think, as a performer.   [00:04:22] Miko Lee: Mm, this is interesting. You've already described some of the different types of performance that you do, and you've also done so many things in your life. But I'm wondering if there is a type of art form that still makes you nervous.    [00:04:34] Margaret Cho: Music. I think playing an instrument in front of people, I think because when I was a child and would perform these recitals, I would be so nervous. There were a couple of times in recitals where I had to start over, you know? When you're, like, eight or nine years old and you make a mistake and have to start over, and this audience is, like, hundreds of people, it's, like, really mortifying. I still carry that. I play m- numerous instruments, and I really dread playing them in public. What helped me a little bit is busking, which I did quite a lot of over, over the years because when you're playing out on the street, there's a… I don't know. It's like people are not really paying attention to you, and therefore you're kind of in this divide of I'm in performance, but I'm also kind of not. So that helped. In general, I refrain nowadays from when I do music, I don't usually play my instrument along with the band. I usually just focus on singing. Even that is quite nerve-wracking. Singing and doing music still, even though I've been doing it really my whole life, there is something about it that, that quite, um… because when you're singing, you're actually also the instrument. So there's a bit of more required. That's why I always prefer comedy. Your quality of voice doesn't matter because the music you're making doesn't have to sound pleasing.    [00:05:59] Miko Lee: And when you were busking, what instrument were you playing?   [00:06:02] Margaret Cho: Guitar. Ah. So I would play guitar, sometimes a six-string banjo, sometime, I'd play all manner of sort of guitar-necked instruments, which can go from, guitar to mandolin to a cello that's, it has a guitar neck, so I can play- Ah that as well. So all those things, I cheat at everything 'cause I have a guitar neck.    [00:06:21] Miko Lee: I love that. The improv just comes out of you in all different ways, I guess.    [00:06:27] Margaret Cho: Yeah.   [00:06:27] Miko Lee: So you have been a path maker, rule breaker in so many aspects of your life, from comedy obviously, and producing and starring in the first Asian American TV show, actor, fashion maven, author, rapper, podcast host, and out and proud queer role model. I'm wondering, what's a career dream that you aspire to?    [00:06:46] Margaret Cho: Ooh, well, I wanna be an old lady crime show, like Murder She Wrote. I wanna just solve crimes. I love, like, a British crime show, like an old lady solving crime. Like a Prime Suspect, like a Helen Mirren. I love that kind of genre of television, and so I would love to mature in that 'cause, like, it's so interesting and also so rich and, I feel really drawn to it. So that's something that I haven't… I'm a participant in a lot of those types of shows. I'm on a show called Bull Trent, which is very much that, which is really cool. And then I've been on Law & Order, which is the ultimate, SVU is the ultimate sort of crime show. So I would love to engage in that genre more.   [00:07:31] Miko Lee: Ooh, are you developing that on your own?    [00:07:34] Margaret Cho: I'm not, but I am participating in lots of other people's versions of it. They're not out yet, so they will be coming, forthcoming.    [00:07:44] Miko Lee: Coming soon, and then your own version starring you. Yes. The- Yeah … modern Murder She Wrote. I would love it. In what town would this be? In San Francisco or in-    [00:07:53] Margaret Cho: Oh, San Francisco would be great. Yeah. San Francisco or, like, Marin.    [00:07:56] Miko Lee: Oh, God. That would be really funny.    [00:07:58] Margaret Cho: Sausalito. Sausalito would be so fun. You know, Napa Valley. You know, something, like, very, like, th- this community that looks very, like Saint Helena, like Calistoga, s- community that's very quaint and peaceful and, like, kind of like foodie oriented and, like, very, you, you know, you think very upscale, but actually there's a lot of dirty dealings going on underneath the surface.   [00:08:20] Miko Lee: The wine country Murder She Wrote.    [00:08:23] Margaret Cho: Yes, I love it.    [00:08:24] Miko Lee: I would watch that. That's fun. So you also have expressed your art in so many ways. Your body is filled with so many tattoos. I think you have over 70. Which of your tattoos evokes the strongest emotion for you?    [00:08:38] Margaret Cho: Well, right now I'm in this, like, trend only getting art from Korean artists, and these are guys. People from Korea who are tattooing now are really the best in the world. They are the state of the art. Like, their eye and their talent is just so innovative. There it's semi-illegal, so they do it under duress, you know, and they have to sort of do all these different things to do it. But their ability to just visualize things that are just, that seemed impossible, you know, these miracles on skin that they can do. The art now I'm really resonating with. There's an artist now that works exclusively in Dancheong, which is a kind of the color scheme of Korean temple art. And so all of his tattooing reflects that. And so I'm working on a very, very large piece on my leg that is, all Dancheong, which you know, for me, like having had lots of different kinds of tattoo, like I had sort of Japanese traditional and a lot of American traditional, and a lot of just kind of different kinds of art. Now to just really delve into the art of my ancestors is quite powerful, and by being done by very young, very skilled tattoo artists from Korea. You know, so I get to speak in Korean to them. We communicate in a language that is shared, that's ours, which is very different from the way that I've communicated with all of the other artists that I've had over my time as a tattooed person. So, um, yeah, tattooing for me, it's, it's all about Korea right now.    [00:10:21] Miko Lee: And what inspired your first tattoo?    [00:10:25] Margaret Cho: My first tattoo was done by Don Ed Hardy, who is a legendary Bay Area tattooer, also, an amazing guy and he was a friend of the employees of my father, who, my father owned Paperback Traffic, which is his gay bookstore just going in the 1970s. And so a lot of people were getting tattooed by Don Ed Hardy. They were getting full body suits in the '70s and '80s, and the, the, um, images, like, so on our refrigerator as a… When I was a child, my father would put up, um, the full body tattoos of these guys that worked for him. So that's what I would see every day. Instead of, like, our graded papers or, like, stuff that you usually have on a refrigerator, it was photographs of completely tattooed people. Um, and that really stayed with me. And so when I was ready to be tattooed, and this is, like, 2002, um, my father's employees and all of our, like, old friends took me down to see Don Ed Hardy, who was doing these body suits, and, he gave me my very, very first very large Japanese-inspired piece on my stomach and back. And that kind of started it off. I got the most painful, most difficult place in your body tattooed first, which is, like, basically your stomach, and your sternum, your chest. All those areas are really, like, those are the worst, and I got that over with. And so I realized, oh, I could actually keep on doing this. And I always knew that I would be heavily tattooed because of that.   [00:11:59] Miko Lee: So your first one you chose really big, not just like a small something. You got a really big one.    [00:12:03] Margaret Cho: Yeah.    [00:12:04] Miko Lee: Wow. Yeah. Just jump in, girl. Just jump in.    [00:12:07] Margaret Cho: Well, I just knew that was right, and I knew also this was probably, like, the only time that I would be able to get a very large piece from Don Ed Hardy, you know? Yeah. People know him, of course, from the clothing line- That's right … and the sort of Y2K influence. But he is so much more than that. His influence on tattooing is really significant. That was towards the end of his tattooing career. He didn't have many years where he kept doing it after, 'cause he explained to me that he absorbs the pain of people. Wow. And so he realized, like, that probably wasn't so good for him physically as he aged, I was really lucky to get what I got from him, which is a very, very large piece and a very important piece.   [00:12:51] Miko Lee: Amazing. And as you're talking about your childhood and growing up in the bookstore, it just makes me reflect on how your childhood was so unique and so interesting. Mm-hmm. And I'm wondering if today you were to make a television show about your childhood, how very different… With, with more artistic freedom. It would be so fun. It would be so fascinating. There's so many more streaming options than just the three networks that we grew up with. Yeah. So, what would that be like for you to do a TV show on your childhood now?    [00:13:23] Margaret Cho: I would love it. I mean, I would love to create that world, recreate that world, because, you know, we had the influence of, like, people who were doing a lot of very early body modification, meaning these full, full body tattoos, and, like, body piercing, which was such a different thing. I mean, in the 1970s we had the rise of Harvey Milk you know, and his assassination.    [00:13:44] Miko Lee: Mm-hmm.    [00:13:44] Margaret Cho: We also had the devastation of the People's Temple, which was all San Francisco people.    [00:13:50] Miko Lee: Yep, yep.    [00:13:51] Margaret Cho: It happened in Guyana, people don't realize this originated in San Francisco and came from there. All the people who died were San Franciscans, and Oakland, Bay Area people. This is our people. My parents actually rented the recently vacated People's Temple for my grandparents' 50th wedding anniversary. Wow. Like, crossing the police tape. To go in and have a Korean party, and then my mother's, “Lot of ghosts.” She saw all the ghosts.   [00:14:19] Miko Lee: Yeah, I'm sure.   [00:14:21] Margaret Cho: “Ghosts, ghosts, lot of ghosts. Well, ghosts don't really do anything. They just make food get cold very fast.” You know, like that kind of a thing. So it would be a great TV show, I think.    [00:14:32] Miko Lee: Ugh, I would watch that too. We're talking about your new show, Choligarchy, which is gonna be at Berkeley Rep, and I read that you said it brings you back to your roots as a political comedian. Can you share more about this?    [00:14:44] Margaret Cho: Well, I had the luxury of the Obama administration where I didn't feel like I had to fight so hard to be heard and seen as a queer Asian American woman, 'cause I worked on the Obama campaign, I worked on, getting people registered to vote in 2008 in Philadelphia. I worked on all these different things with Cal Penn in 2008 to assure a kind of future where we are gonna have something different, and then we did. And then so I got to spend about eight years where I could do dance, I could do music, I could kinda like drift into these other arenas of work that I hadn't been able to do because, before, had been, like, so much about fighting the Bush administration, so much about fighting what was going on. So now to be able to return to a thing that I'm very used to, like political commentary, where I'm really focused on using my voice to affect change and to create change, and it's really profound, you know? I love doing this show. It's got me thousands and thousands of death threats, which is also really terrifying and bizarre. I've always had a kind of very confrontational relationship with conservatives, but now it's escalated to the point of, like, oh, I actually do fear for my safety. But I think that it's worth it. The message is worth it, and I'm proud to do this show, and I'm very, very excited to bring it to very progressive Berkeley, which they're gonna hear it better than anyone. I do think Berkeley is even more progressive than San Francisco. So it's exciting.    [00:16:27] Miko Lee: Well, San Francisco is filled with tech bros now, so it's a very- Yeah … different vibe than when we were-   [00:16:32] Margaret Cho: That's right.   [00:16:32] Miko Lee: growing up. I'm wondering, I heard you say about how different it was during the Bush regime, which is actually relatively tame in retrospect compared to the fascistic times we're living in now. I'm wondering how different, now that you're going back to the kind of political roots, how different is it from that Bush time in your approach to your comedy?    [00:16:51] Margaret Cho: Well, Bush never descended into a cult. Bush never had the sort of magnetism as a person, to demand the cult-like sort of atmosphere that sort of exists now, where we have a leader who will gladly let all of his followers be on a decoy plane while he rushes away in a catering van. We think the decoy plane, that's really America. Like, the decoy– we are all, as a nation, on the decoy plane. He's happily content to let us all die to ensure his safety. It's like they're, and they're still gonna follow him after that. So that's a cult, you know? This is a different beast than we're dealing with just sort of patriotism or the idea of like xenophobia or the idea of wanting this kind of America that Bush wanted. Bush couldn't create that because he was not a cult leader, whereas now we have a bona fide cult and cult leader on a path to destruction.    [00:17:57] Miko Lee: So given this time that we're living in and how complicated it is, I'm wondering, especially as you're going on tour with this show, what brings you comfort and makes you feel connected to home when you're on tour or when you're away?   [00:18:10] Margaret Cho: Well, my dog is with me all the time, so that's really special. She'll be there at Berkeley. She's really, really amazing. I'm a big fan of social media. It's connecting with people on there, and people are encouraging me through there. There's a lot of points where I carry home with me. I'm also, at home on the road, because I've been traveling and performing for over 40 years, so it's a place that I feel a great deal of comfort in.    [00:18:35] Miko Lee: Because you mentioned social media, I'm just wondering, isn't that where the death threats are coming from, though, is social media? Or are you getting them in—   [00:18:42] Margaret Cho: Yes. But I'm also get, I get them on my phone. I get them, like they—   [00:18:45] Miko Lee: Oh, you, they- Yeah … find your cellphone and contact you—   [00:18:47] Margaret Cho: Yeah.   [00:18:48] Miko Lee: directly? Wow.    [00:18:49] Margaret Cho: Yeah, I get them, like, you know… I'm also concerned about, I've been doxxed, you know, they threatened to kill my dog, and I'm like, “She's white. She's one of you. Why would you kill her?” It's kind of funny.   [00:19:01] Miko Lee: But you don't respond to any of these folks, right?    [00:19:04] Margaret Cho: No, you can't, because you just don't know what… I always think about, like, Melissa Hortman. They killed her dog. I don't wanna be another example of, like, MAGA lunacy. When you speak out and you are a symbol of what they don't want. They don't want women, they don't want people of color talking. When you are that you're really in the line of fire. That's why traveling works for me, I get to be very, very stealth and hidden. Um, and that's kinda also why I travel so much, is to be stealth. Mm. I get so much encouragement from social media. I don't wanna cut myself off from it. But yeah, you have to be careful.    [00:19:42] Miko Lee: So you feel like that balance outweighs it?    [00:19:45] Margaret Cho: Yeah, for sure.   [00:19:45] Miko Lee: And I'm wondering if you think there's something that's misunderstood about you?    [00:19:49] Margaret Cho: When I'm talking and people don't like what I'm saying, they will say, “Oh, look at this has-been talking again.” And I'm like, “I'm not talking because I think I'm a celebrity. I'm talking because I am alive, and everybody who is alive has the right to speak.” I think this is really important. I don't talk because I feel like I have a responsibility to talk because I represent anything. No, I talk because we should all be talking. We should all have a voice. I don't have a sense of importance about myself or who I am or what I do. I think that everybody should be talking, and now we should all be talking because now we are all on that decoy plane, and he will leave us to die. So I'm going to say something about it. People have a myth about celebrity that somehow it involves our ego, and that's why we feel compelled to have a voice. But I think we should all have a voice no matter who we are.    [00:20:41] Miko Lee: I've heard you call yourself the patron saint of outsiders. Can you talk about what that means to you?    [00:20:47] Margaret Cho: I think for me it means to be able to have, my queerness front loaded, my Asianness front loaded, my gender front loaded, all these things that I want to be able to talk to those who feel like they don't feel represented by mainstream culture, by white supremacy. If you have felt rejected or even just not included by society at large, I wanna hear your voice. I wanna hear your opinion, and I wanna know you.    [00:21:15] Miko Lee: And last question, why should folks go and see Oligarchy at Berkeley Rep?    [00:21:20] Margaret Cho: Oh, it's Choligarchy.   [00:21:20] Miko Lee: Choligarchy.   [00:21:22] Margaret Cho: It's my nation. It's my dictatorship. In my dictatorship, we have universal healthcare. In my dictatorship, we have a universal living wage. If we actually made the billionaires pay their share, if we actually stopped supporting Israel and Argentina, other countries which I don't know why we give them so much money, but we do, if we stop doing that, we stop supporting the billionaires, if we stop giving corporations handouts, we could actually have a universal living wage where everybody in this nation would just be able to just live. We could just live because we are American. We could just live. And then your work could be what you really wanna do. That would be such an important change to the way that we exist as Americans. And we could do that if we actually stopped giving b- bailouts to corporations, actually made billionaires pay their share, and stopped giving money to countries that are not ours. That's what my platform is. That's what I run on, and that's what I plan to do.    [00:22:35] Miko Lee: And folk can find out more by going to see the show at Berkeley Rep, and we'll put a link in our show notes. Thank you so much, Margaret Cho, for joining us on Apex Express.    [00:22:45] Margaret Cho: Thank you.    [00:22:46] Miko Lee: Next up, get a preview of an upcoming unique performance at Oakland Asian Culture Center. Listen to Sawaal Jawaab    MUSIC   [00:24:01] Miko Lee: That was Sawal Jawab with Arjun Verma, Eman Hashimi, and Pezhham Akhavass in Interweaving: Indo-Persian Exchanges, a one-night-only performance on Friday, September 11th at the Oakland Asian Culture Center. The concert's a rare opportunity for Bay Area audiences to experience the interplay of some of Asia's richest classical music traditions from India, Iran, and Afghanistan. Next up, we hear from two voices, multimedia artist Masaki Fujihata and Carin Adams, senior curator at the Oakland Museum. Masaki Fujihata is a world-renowned sound, installation, interactive, and new media artist. He's also a professor at Keio University. His work has been shown all around the world, and now it's coming to the Oakland Museum, opening September 18th and running through the end of December. The piece is called BeHere / 1942, A New Lens on the Japanese American Incarceration, and it's a new augmented reality work. So tune in to my interview with Masaki and Carin Welcome to Apex Express, multimedia artist Masaki Fujihata and Carin Adams, senior curator at Oakland Museum.    [00:25:13] I'm so happy to have you both with me, and we're talking about the new exhibit BeHere / 1942: A New Lens on the Japanese American Incarceration, which opens at the Oakland Museum from Friday, September 18th to Sunday, December 27th. So thank you so much for joining me. I wanna start with a question I ask all of my guests. I'm gonna start first with you, Carin, and then I'll go to Masaki, and the question is, who are your people, and what legacy do you carry with you?    [00:25:53] Carin Adams: Oh, wow. I think there are lots of different facets of my family and who I think of as my people. Um, I think in, in this work in particular, I'm really, um, thinking a lot about my grandparents, my, my mother's parents, and, um, my mom, who's turning 91 in, um, October, and, um, her and her siblings' experience, um, being incarcerated in Tule Lake. So- Mm … that, I think has, has a lot to do with wh- why I'm here, and thank you so much for having me.    [00:26:36] Miko Lee: Mm-hmm. Thank you so much. And Masaki, what about you? Who are your people, and what legacy do you carry with you?    [00:26:43] Masaki Fujihata: Yeah, in my case, my, career started with the computer graphics long time ago in the '80s, so I came in, uh, Bay Area and, uh, West Coast quite frequently to join a big, uh, conference and so on. But then in '90s, I was very many times to be invited to be in Europe, so-called media art, i- is so dominant. So my curiosity is about the visual arts plus computer technology. Then nearly 10 years ago, I started to play with augmented reality. I recognized AR is a very good technology to put the history in actual moment. So the title Be Here 1942 means, I try to call the people in the past in the present. After one of my friend, the professor at UCLA invite me to be in Los Angeles, then we started to focus onto the Japanese Americans' history. That was the first, a kind of coincidence, but it was, very interesting to me because, I was born in Tokyo and grew up here in Tokyo, so usually I didn't think about who is a Japanese. [00:28:10] Along with this production, I studied a lot, not only the racial problems, but also the identity, , not only the personal identity, but also identity of Japanese and also American. It's really difficult to understand what's is the identity in the America because so many different people are living together and of course there are several conflicts. This is very good study for me, through the new media technology and, through the meeting with the people. Some of them really had, severe experience inside the camp. I never had a chance to think about these opportunities. Then I really want to recreate what had happened in the 1942. That was my point of view for this project.    [00:29:08] Miko Lee: I'm wondering when you were growing up in Japan, did you learn about the Japanese American incarceration?    [00:29:15] Masaki Fujihata: Maybe, maybe, but a tiny. Most of the young students just thought, oh, this is the history, not mine    [00:29:27] Miko Lee: And did you… Were there kibei that were there? Cause I know there were a lot of Japanese Americans that had been pushed out and repatriated to Japan. Did you grow up knowing any of those people?    [00:29:39] Masaki Fujihata: Mm, not, not really. Not really. Um, how can I say? Mm, maybe this is the education, the Japanese education. They didn't talk much about the history. The first part is an ancient moment, is very, very, you know, impressive. But, at the end of the term, so the modern age usually passing very, very fast.    [00:30:10] Miko Lee: Oh, interesting.    [00:30:11] Masaki Fujihata: Yeah, so n- not only about, history between America and Japan, but also China and Japan.   [00:30:18] Miko Lee: Mm-hmm.    [00:30:19] Masaki Fujihata: We have very few knowledge in, on the context of, uh, history education. I mean—   [00:30:24] Miko Lee: So sort of World War II- I mean- and forward? From World War II—   [00:30:27] Masaki Fujihata: Yeah, yeah …   [00:30:28] Miko Lee: You didn't really learn about it?   [00:30:28] Masaki Fujihata: Yeah, modern age. Modern age. I believe this is very big problem in the education.    [00:30:35] Miko Lee: That's so interesting. So the first that you really learned about the Japanese American incarceration was during, when you started this project at UCLA? Is that right?    [00:30:44] Masaki Fujihata: Yeah, yeah. I know something about the history in the US, but when I started to do research, there are many details, and every people's history is very, very different. So the textbook of the history is just the surface- So that's why I wanted to show more the detail through a new media technology.    [00:31:16] Miko Lee: I read a quote from you that said, “My aim was to peer deeply into photographs to derive from them more than was visible on the surface.” Can you talk a little bit more about what that means to you?   [00:31:29] Masaki Fujihata: Yes, because, I started to think about to focus on the moment when they ride the bus. So then, of course, I did some research to read some oral history, but, most of them didn't tell about the moment because I think this was just one hour or two hours for waiting. I suppose they usually don't want to remember, and also they thought that this is not important day, then they forgot.   [00:32:04] Miko Lee: What was it about the bus that you were curious about?    [00:32:08] Masaki Fujihata: We planned to realize our project, to think about the beginning. What is the beginning? There, there are quite many novels and writings about the life in the camp because of, of course, this is so heavy. Four years in the camp is unbelievable. According to my research, some people said they thought the war will ends in three months. But in there they spend in the camp, over four years. So of course, this is a heavy story and also while in the inside the camp. There are some conflict between the first generation, second generation or American side or Japanese side. The beginning is, of course, the Pearl Harbor raid, but, the bus, suddenly one day the bus came into your town and you were asked to ride the bus, and before riding they didn't tell them where they are going. So so if it happened now, how can we behave? So this is my question. This is the beginning, and they didn't know what will happen in the future. And then in parallel, I did some research to see the photographs because, there are many documentary photographs were in the archive, in National Archive, and also Library Congress. I tried to, see the photography, but as I said, when see the picture, you know, the detail is telling a different story, against the comment. The comment is just they are lining up for riding a bus or something, or Japanese American families get together and waiting. Of course they have some name card. At last I found through one of small girl's eye, there is a reflection of the photographer. But, not only the photographer, there are two, three, or four more people standing with the cameraman. Then, of course I understand they are all Caucasians. They are not Japanese American people. So for the little lady, for the little girl, when she was surrounded by, white officer, perhaps military police, she has nothing to do. But on the surface of the photography, she's smiling. So this contrast is the beginning. So this is a problem about media, visual media. So then I really want to share this experience with the other audiences through the exhibition. That was my intention.   [00:35:18] Miko Lee: And had you seen the photographs from Dorothea Lange and Russell Lee prior to working on this project?   [00:35:25] Masaki Fujihata: Of course, I know these names because they are very famous,, documentary photographer, the magazine Life started to publish from the year 1933, it was hit, so popular. I was really surprised because they did the job to make a document for Japanese Americans, and there is over 4,000 pictures left in the archive. I saw all of these so many times, so I can tell each picture. I can tell what is the difference, between the Dorothea and Russell Lee. So each photographer has, different characteristics. But I really surprised because, Dorothea Lange's photography is very different from others. And—   [00:36:18] Miko Lee: And the government didn't like them. They locked them away for years because they were too real.    [00:36:25] Masaki Fujihata: Yeah, and because, Dorothea's photography is always associated with the object inside the photography. She tried to understand who is she, who, who is—-    [00:36:38] Miko Lee: Mm-hmm …    [00:36:39] Masaki Fujihata: and try to have a good relationship with the object. Most of the photographer, like a press cameraman, it's just go there, “Hey, smile,” and shot is their, you know, way of business. But Dorothea's way is very different, so sometimes, I can tell she is always calculating the distance from her to the object. I enjoyed very much to have a chance to see all of these details. Of course, another luckiness because all of these photograph were shot by the government, then all of these are now public domain. Even me from Tokyo, I can see so many photographs with high resolution. I think those are made after year 2000 because of the technology came in. Then now they are supplying 3,000 by 4,000 pixels. That's why I could enlarge and to see the reflection on the girl's eye. It's a coincidence, but also it's the evolution of computer technology from analog photography. So this is also interesting part to share with the audience.   [00:38:01] Miko Lee: Thank you. Carin, I wonder if you could talk about what an audience will see when they come in to see the exhibit.    [00:38:08] Carin Adams: The exhibition is going to happen inside and outside the gallery. So if people are visiting the museum coming up through our entrance on Oak Street, they will have an opportunity to enter the augmented reality application that Masaki has designed where they're, standing there grounded in, the architecture of the Oakland Museum. But they're also seeing people, dressed as if they were in 1942, waiting with their belongings and their family members. They'll be able to see the buses that lined up on Oak Street in '42. There was a civil control station that was across the street, and Dorothea Lange took some very famous photographs of people waiting with their belongings in front of their houses that, on the museum side of the street. Masaki has adapted the augmented reality that he first developed for Los Angeles for Oakland. So people on entrance onto our campus will have that experience, and then if they come into the gallery, then they'll really be entering into the gaze of these eyes. They'll be surrounded by very high resolution images that Masaki has blown up, to mural size. You're forced to encounter the people that were reflected in the eyes of the subjects that Lange photographed.    [00:39:45] Miko Lee: Thank you, and I know that in the collection, you've had these Dorothea photos for a long time, right, in the Oakland Museum's—   [00:39:53] Carin Adams: Yeah. The Oakland Museum is the holder of the Dorothea Lange archive, including some of her images of the incarceration. The Bancroft Library also has extensive holdings of her work and material , related to this history. And of course, Masaki did lots of research in the National Archive and Library of Congress.   [00:40:16] Miko Lee: Masaki, I know this is the second version of the show since you have opened it first at JAMM and at UC, with UCLA. Yeah. What was it like for you to recreate it for the Oakland Museum? How has that experience been?   [00:40:30] Masaki Fujihata: I'm very, very lucky to find OMCA. Mm-hmm. We started to think about the production in OMCA. I made a research through, of course Dorothy Lang's photography. Then there is a number of the street, 1117 Oak Street is the place where people apply their address and family name. The Civil Control Station is that address. I was very surprised because this is a street in front of the museum, and actually the other side of the street was the Civil Control Station where the bus came in. So this is exact place I really wanted to put my augmented reality models. So I was very shocked because I never think about the museum is a real place.   [00:41:24] Miko Lee: So it's truly a place-based piece of art because that is the history coming alive in that very spot.    [00:41:31] Masaki Fujihata: Yes. Yeah. So, all the projects start from the realization of augmented reality.    [00:41:39] Miko Lee: Mm-hmm.    [00:41:40] Masaki Fujihata: So augmented reality is a kind of tech term, but augmentation is adding some information rather than the first wa- surface or rather than the display. In this case, we are putting the happenings in the 1942 in present, and then try to make a contrast between now and the past. The exhibition inside the gallery is showing a kind of process of the research to make this augmented reality piece because for making the 3D model data, we invite many volunteers into a special studio. I have to direct them. I have to prepare some scenario for them. In some cases, you are the university students. Coincidentally, you met the professor, while waiting for the bus. This is a fiction I made. When I need to make a scenario, I really need a research what is possible, what is not possible. So then the photography help me a lot to make a small scenario.    [00:43:01] Miko Lee: How many volunteers worked with you on this?    [00:43:04] Masaki Fujihata: I think totally 64 volunteers.    [00:43:08] Miko Lee: Wow. That is amazing.    [00:43:10] Masaki Fujihata: Each one was asked to walking towards the point where the bus would come, and then the second part is waiting, and then the third part is just lining up for the bus. So there is three different scenario. Then each person appears three times. Then totally you will see nearly 200 people.    [00:43:37] Miko Lee: Wow. And I understand that you use, in order to utilize the AR, you use cameras that kind of replicate those used during the incarceration, and I'm wondering what made you decide to choose that?   [00:43:53] Masaki Fujihata: So I try to know the core idea of each technology, because the technology is usually used for capitalism. My manifest is liberate technology from capitalism. So technology has another dimension, not only for serving for the capitalism to make money for your life more rational, but the technology also can give you a chance, who are you? What is life? What is the world? So I really want to use the technology another dimension of the technology usually used by the companies, and capitalism. In this case, this project is really good because very nice photography was left in the archive. But imagine in the 1942, photography was a high technology. Very few technicians or rich people could have the camera. Now so popular everybody has a camera inside their mobile phone, but it was high tech. And now augmented reality is somehow popular technology, but no one didn't use the AR technology to think about what we are doing as an art. So I wanted to use augmented reality to, to think about what is our life    [00:45:32] Miko Lee: Ooh, that is so interesting. I really appreciate that. And I'm wondering because you've seen audiences go through the first exhibit, I'm wondering if anything surprised you by audiences that have seen it and what, what you'd like people to walk away with after going to your installation.    [00:45:51] Masaki Fujihata: I was really surprised because this was my first case the audience had a tear. So after they saw the augmented reality, some of the person said, “Masaki,” I suppose, she suppose that, “Perhaps my grandfather was here.” Could feel the same impression or imagine, she could imagine what had happened on her grandfather So it's a bit like a cinema, but there is no written story, so each person can explore the images through a tablet. But, uh, maybe five minutes later, uh, the user will feel inside the scene. So In another words, I can say you are going to feel you are inside a cinema studio. You will be captured by the camera. And also another, okay, another interesting aspect because, I could develop this project because the photographs were left made by Dorothy and other people, uh, professional documentary photographer made these photography. So photography was left. And then, um, while you are using iPad in the entrance plaza of, Oakland Museum, you will see many Japanese people wearing the costume and, waiting for the bus. But now you are the cameraman. You believe you are seeing what had happened through the display, but, imagine for them inside the image were looked by you. So this is the viewer you are going to see, but also from them, from the object, you are the cameraman.   [00:48:04] Miko Lee: So you want people to feel both sides, both being the watcher but also in it—   [00:48:09] Masaki Fujihata: Yeah.   [00:48:10] Miko Lee: Immersed in the experience.    [00:48:11] Masaki Fujihata: Yeah, hunter.    [00:48:13] Miko Lee: Mm.    [00:48:13] Masaki Fujihata: Image hunter, yeah.    [00:48:15] Miko Lee: Image hunter, mm. I, I feel like you're saying utilizing technology as a tool for your emotions as opposed to a capitalistic gain. I'm wondering if you're working with AI at all, and your thoughts about it. Because you've really been on the forefront of so much multimedia since the '80s and I'm just wondering now people are just talking about AI and the impact of artists  and I wonder what your thoughts are about that.   [00:48:39] Masaki Fujihata: I, I think, uh, it's too early to, uh, work with AI as an artist because, uh, e- even the developer of, uh, AI didn't know what happened inside, so it's a black- totally black box. So that's interesting part of AI. Uh, maybe you know some, some story about this. Very recently, uh, the AI ju- just hack the connection, then they escape from the inside the laboratory to go outside the internet. So this could happen. Uh, that's why, because a human couldn't imagine. So the AI doing something different, and it's really a black box. Then, uh, that's interesting point. If I can be inside the development company as an artist, I can make something interesting hacking software, but it's a huge business, and, uh, I think this is not the moment for the artist. And also, as you know, all the data inside the AI is, uh, happenings in the past.    [00:50:02] Miko Lee: Right.    [00:50:04] Masaki Fujihata: And then, right, the present is important for the humans. What is the role of the artist? There is some, uh, sentence, artist is the person who is creating something new which has not exist before. so, uh, we are not AI, so w-we have to know who, what we should do in contrast to AI is the important moment    [00:50:37] Miko Lee: Thank you so much. I wonder if you would want to just reflect briefly on how this, this piece that you're presenting at Oakland Museum is very resonant right now in America because of the current politics of incarceration of peoples and you know, we're at the same, at the exact same concentration camps where Japanese Americans were held. Immigrants are being detained and put there right now. I'm wondering how this piece speaks to the moment that we're living in in the United States right now.   [00:51:13] Masaki Fujihata: Um, please do not make more mistakes that American government did before in 1942. So Our project can be a kind of reference what the American government did after the Pearl Harbor.    [00:51:39] Carin Adams: Masaki, would you wanna talk a little bit about the new piece that you're making?    [00:51:45] Masaki Fujihata: Oh, I see, I see. I think- That's a good idea. I, I totally forgot. Yeah. Thank you, Carin. Because I proposed to Carin and museum about to make a new piece. The idea is about, uh, the poster. The, that they… So the, in Okura case, maybe, uh, to l- late April in 1942, the poster paste on anywhere, everywhere inside the town, and talking about the, at the certain day, you cannot be stay here. You will be criminal. So, so this is the s- starting point. Then they need to come to the civil control station to sign up, and then one week later, the bus came in, then they need to go to the camp. Then the poster is now very famous, but, uh, usually, people didn't read it Then I, I asked to, collect volunteers to ask read this text on the poster, uh, several different locations inside the Oakland. So when you see the final result, the view of the people reading the text aloud is very peaceful, very bright, California sunshine and there is a lake behind and sometimes, you know, the buses came and stop and go there. So this is very peaceful, but the content is very strong- strongly contrast- co- contrasted. So it's a command from the government. I really wanted to, to make this contrast through this new production. So you, you will see three vertical monitors, and, 25 different group of people. I think there was nearly 45 people helped me to realize this   [00:54:02] Miko Lee: What is it you hope to evoke by adding this new piece of the relocation poster?   [00:54:08] Masaki Fujihata: I really wanted to involve some of the young generation and family and also, known Japanese American people. So all of these people, of course, have some fear against the, this moment, and then try to, uh, send messages. So they helped me to realize this.   [00:54:39] Carin Adams: The video is really going to provide the soundtrack for the exhibition. There is no sound in any of the other film elements or in the AR other than what visitors bring in conversation into the space. But they'll be able to hear the local volunteers that Masaki assembled reading the exclusion order text and we're expecting that to be very profound- impactful. And yes, some of the people who volunteered for this new video element were incarcerated themselves, others are descendants, and then there are just people who are representing different immigrant experiences who wanted to participate. So it's a very local production, and it really cites us in the present moment with this really chilling text from the past.    [00:55:33] Miko Lee: Thank you so much for joining me and chatting with me about the exhibit BeHere / 1942. I'm really excited to check it out, and I hope our audience gets a chance to go and see it all the way through the end of December at Oakland Museum.   [00:55:48] Carin Adams: Thank you so much for having us.    [00:55:50] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 9.3.26 – Beneath the Surface with Margaret Cho & Masaki Fujihata appeared first on KPFA.

Robert Ward speaks with Professor Jimbo Ken – Managing Director of the International House of Japan, President of the Asia Pacific Initiative and Professor at the Faculty of Policy Management at Keio University – for a wide-ranging analysis of the 23rd IISS Shangri-La Dialogue. This special edition of Japan Memo offers timely and in-depth analysis of the key themes and moments from this year's Dialogue.Together, they explore:● the overall strategic picture from this year's Dialogue;● US Secretary of Defense Hegseth's speech: Taiwan, China, and shifts in tone from 2025;● Minister Koizumi's address in English and its strategic significance;● the state of Japan–China relations and counter-narratives on ‘new militarism';● Japan–Southeast Asia relations and Japan's role in upholding regional order.We hope you enjoy the episode. Please follow, rate, and subscribe to Japan Memo on your preferred podcast platform. If you have any comments or questions, please contact us at japanchair@iiss.org.Date recorded: 31 May 2026Japan Memo is recorded and produced at the IISS in London. Hosted on Acast. See acast.com/privacy for more information.

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Episode #515: Toru Kubota is a Japanese documentary filmmaker who believes storytelling can foster empathy beyond abstract argument. A political science student at Keio University who developed an interest in refugee issues, in 2014 he joined a student project interviewing Rohingya refugees in Japan. Using a camera for the first time, he helped produce a short documentary about their lives. In 2016, Kubota traveled to Sittwe in Rakhine State and entered camps housing Rohingya displaced after the 2012 violence. Though officially designated as internally displaced persons camps, he saw them as places of confinement, where communities were segregated and deprived of adequate services. Filming an accidental fire inside one camp became a turning point; editing the footage later convinced him of film's power to convey lived experience. Following both the military's 2017 campaign against the Rohingya and the 2021 coup, Kubota returned each time to Myanmar to document events unfolding there. While filming a protest in 2022,soldiers arrested him at gunpoint and used staged photographs as evidence of his participation. He was charged with incitement and immigration violations and sentenced to ten years in prison. Fortunately, diplomatic pressure was able to secure his release after 111 days in detention at the notorious Insein Prison, where he had endured solitary confinement and struggled with despair. Since then, Kubota has supported exiled Myanmar journalists in a variety of different ways. His film “Borderline Resistors” follows exile media collectives along the Thai–Myanmar border. Reflecting on his imprisonment and the fragility of civil liberties, he recalls something an activist once told him: “Freedom is like air. You never appreciate it when you can breathe freely. But you finally realize how important is when you get drowned in water.”

Shintaro and David discuss Ken Gunji, a high-level Japanese judoka training at the dojo, and the massive impact he's had on the room. They dive into technical exchanges, differences in gripping systems, and how having an elite training partner elevates both coaching and learning.00:00 Intro to Ken Gunji00:10 Size, athleticism, and presence on the mat00:47 Role in Japan training trip and dojo connections01:11 Keio University and academic background02:20 Language differences: Japanese vs English communication02:50 Asahi Kasei career and All Japan Pro Tournament success04:05 Middle school All Japan wrestling champion04:36 How Gunji elevates the training environment05:13 High-level technical discussions and idea exchange06:31 Importance of having a true “judo sounding board”07:49 Translating high-level concepts into teaching08:42 Consistency of having a world-class athlete in the dojo09:27 Value of hands-on learning vs instructionals09:54 Differences in gripping systems (tight vs loose sleeve control)10:23 Timing-based entries vs control-based approaches10:50 Why certain techniques are hard to teach across styles11:40 Training drills: Ouchi gari finishing mechanics12:38 Gunji's transitions: cutback to Uchimata13:09 Importance of precise, actionable feedback13:54 Problems with vague coaching (“no kuzushi”)14:24 Importance of high-level training partners14:37 Uchimata timing and hop sequencing strategy15:05 Matching opponent movement to avoid counters15:34 Continual learning—even at elite levels15:48 Mutual learning between high-level athletes16:08 Training with Gunji at the dojo16:17 Outro

Can we control a virtual body as naturally as our own—using only brain activity? This question, inspired by the iconic series Sword Art Online, was set by Taiga Seri, a PhD researcher at Keio University. Answering this question led Taiga to the nomination for the International BCI Award, bringing all of us one step closer to a future once imagined in science fiction.

Michihiko William Killalea (Akiyama) graduated from Japan's highly-regarded Keio University this year and will advance to the University of Tokyo Graduate School. Born in Sydney, he was raised there until the age of 18. When he took the entrance exam for Keio University, he did it under the same conditions as students within Japan. - 今年慶応大学を卒業し、東京大学大学院へと進む秋山ウィリアム美智彦さん。シドニー生まれで18歳までシドニーで育ち、一般入試で日本の大学を受験しました。

Jared Medina | Department of Psychology, Emory University My presentation will explore the cognitive mechanisms behind how the mind actively does embodiment. Using evidence from perceptual illusions (such as the mirror box and rubber hand illusion) and individuals with brain damage, I will discuss foundational processes that shape our bodily awareness. This overview is designed to provoke a broader dialogue on how theories and methods related to embodiment can conceptually inform the development of social AI.Dr. Medina is an Associate in the Department of Psychology at Emory University, having earned his Ph.D. in Cognitive Science from Johns Hopkins University. His research explores the cognitive and neural mechanisms of embodiment and sensorimotor plasticity, using evidence from perceptual illusions, brain damaged individuals, and neuroimaging to investigate how the brain represents the body.   Masaki Matsubara | Center for Contemplative Sciences, Keio University + University of Tsukuba, Japan "Exploring the transition from the cognitive “Mind” to the phenomenological “Soma,” I will examine whether humans and AI can truly “dance” together through empathy as embodied joint action. I raise the fundamental question of whether a resonant “Field” (Ba) can emerge without the shared vulnerability inherent to biological life. Using the framework of Ki, Do, and Ma (Timing, Intensity, and Space), will discuss how these principles can inform experimental designs for social robots to foster our shared humanity."Dr. Matsubara is an Associate Professor at the University of Tsukuba and leads the Laboratory for Somatic Intelligence and Artistic Expression. His research integrates contemplative education, embodied cognition, and human-AI collaboration. He utilizes first-person approach and arts-based research to explore the emergence of awareness and compassion.         If you would like to become an AFFILIATE of the Center, please let us know.Subscribe to our YouTube channel to get updates on our latest videos.Follow along with us on Instagram | Facebook NOTE: The views and opinions expressed by the speaker do not necessarily reflect those held by the Center for Mind, Brain, and Culture or Emory University.

Aida Wang is a top-billing legal recruiter at Just Legal who specialises in private practice placements for bengoshi (Japan-qualified lawyers). With a unique background as a professional translator and interpreter between English and Mandarin Chinese, Aida brings a fresh perspective on bridging communication gaps - not just between languages, but between lawyers and law firms.Aida shares practical advice on deal sheets, career planning, and why speaking to a recruiter from day one of your legal career journey in Japan can change your career trajectory.If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here!In this episode you'll hear:The critical importance of creating and maintaining a deal sheet from day one of your careerWhy you should speak to a recruiter early in your career, not just when you're actively lookingThe biggest misconception about Japanese bengoshi lawyers How Aida helps candidates and clients create compelling stories to help find a perfect matchAbout AidaAida Wang is a Tokyo-based legal recruiter specialising in Bengoshi (Japan-qualified lawyer) searches for private practice, with a particular focus on supporting  associates and counsels as they navigate the critical transition points in their legal careers.Currently a Principal Consultant at Just Legal, Aida works with both Japanese and international law firms, recruiting Japanese Bengoshi and foreign-qualified attorneys across a wide range of practice areas. She is known for her thoughtful, relationship-driven approach and for offering market insight that goes well beyond simply filling roles. In her first quarter at Just Legal, Aida quickly made her mark as a top biller which is a reflection of her proactive mindset, deep preparation, and ability to truly understand both candidates and clients.Before moving into legal recruitment, Aida spent over a decade working as a Chinese–English freelance translator and interpreter, including roles in media, film, and news translation. This earlier career laid the foundation for what has become a defining theme of her professional life: bridging gaps - between languages, cultures, expectations, and ultimately, legal careers. Her background in interpreting gives her a rare ability to listen carefully, read between the lines, and translate what lawyers want into what the market is really asking for.Aida holds a Bachelor's degree from National Chengchi University in Taiwan, along with a Master's degree in Interpreting and Translation from the University of Bath in the UK. She has also completed Japanese language studies at Keio University. Having lived and worked in Taiwan, the Bahamas, the United States, the UK, and Japan, she brings a genuinely global perspective to her work. She is a native speaker of Mandarin and English, with business-level Japanese, and regularly supports cross-border legal careers in the Japanese market.Through her conversations with Bengoshi across multiple practice areas, Aida frequently hears one recurring challenge: how to develop clients and bring in work before holding a partner title. This insight shapes much of her advisory work with senior associates who are thinking carefully about long-term career sustainability, visibility, and progression within private practice.Outside of work, Aida enjoys cooking and crafting with her eight-year-old son, a creative counterbalance to her professional life that reflects the same curiosity and care she brings to her career.Connect with AidaLinkedIn: https://www.linkedin.com/in/hsinyuaidawang/ Just Legal: https://www.justsearchgroup.com/justlegal/consultants/aida-wang LinksAfternoon Tea: https://www.afternoon-tea.net/ Connect with Catherine LinkedIn https://www.linkedin.com/in/oconnellcatherine/Instagram: https://www.instagram.com/lawyeronair

In this conversation, Brent Sadler discusses the critical importance of maritime issues in relation to national security and economic stability. He emphasizes the need for a dedicated maritime advisor to the president and highlights the current gaps in leadership within the Navy's shipbuilding sector. The conversation underscores the necessity of interagency coordination to ensure timely delivery of warships and the overall revival of American maritime strength.Brent Sadler joined Heritage Foundation after a 26-year Navy career with numerous operational tours on nuclear powered submarines, personal staffs of senior Defense Department leaders, and as a military diplomat in Asia. As a Senior Research Fellow, Brent's focus is on maritime security and the technologies shaping our future maritime forces, especially the Navy.Brent is a 1994 graduate with honors of the United States Naval Academy with a degree in Systems Engineering (robotics) and a minor in Japanese. As a 2004 Olmsted Scholar in Tokyo, Japan, he studied at Keio University, Jochi University and the United Nations University. He has a master of arts from Jochi University and master of science from National War College, where he graduated with distinction in 2011 and received several writing and research awards.In 2011, he established the Navy Asia Pacific Advisory Group (NAPAG), providing regionally informed advice directly to Chief of Naval Operations' (CNO). He again served on the CNO's personal staff in 2015-2016, playing a key role in developing the Defense Department's Third Offset. At Pacific Command from 2012-2015, he held numerous key positions. As lead for Maritime Strategy and Policy, he incorporated all 10 Association of Southeast Asian Nations (ASEAN) into the first regional maritime domain awareness forum and was instrumental in the eventual passage of the $500 million-dollar Maritime Security Initiative. As Special Advisor on Japan, and a Council of Foreign Relations International Affairs Fellow in Tokyo, he played a key role in revising the U.S. and Japan Defense Guidelines. As Deputy Director Strategic Synchronization Group, he oversaw a think-tank like body of over 30 advisors and analysts. Brent led the Commander's Rebalance Task Force coordinating execution of the President's Defense Strategic Guidance—Rebalance to the Asia-Pacific resulting in over $12 billion USD of additional monies budgeted in fiscal years 2013 through 2015 during a time of fiscal austerity.Following his final tour on CNO's staff, Brent returned to Asia as Senior Defense Official, Defense and Naval Attaché in Malaysia. During his tenure he played a key role in coordinating responses to the USS McCain collision in August 2017, opened several politically sensitive ports and airfields to U.S. forces, oversaw unprecedented expansion of U.S. military relations, and steadied relations during the historic May 2018 national elections ushering in an opposition party for the first time since independence.Socials:Follow on Twitter at @NucleCastFollow on LinkedIn: https://linkedin.com/company/nuclecastpodcastSubscribe RSS Feed: https://rss.com/podcasts/nuclecast-podcast/Rate: https://podcasts.apple.com/us/podcast/nuclecast/id1644921278Email comments and topic/guest suggestions to NucleCast@anwadeter.org

 Why Japanese Leaders Struggle with Global Executive Presence — and How to Overcome the Barriers What does “executive presence” really mean for Japanese leaders? For global business audiences, executive presence is not about title or position, but about confidence, clarity, and persuasion. International companies such as Toyota, Rakuten, and Takeda Pharmaceuticals want their leaders to be concise, convincing, and credible on the world stage. Too often, Japanese executives equate presence with “perfect English.” In reality, the bigger challenge is projecting leadership gravitas — the ability to command attention and trust — even when English is not flawless. Mini-summary: Executive presence in Japan is less about language mastery and more about projecting leadership confidence and persuasive clarity in global forums. What mindset issues hold Japanese executives back? Two major inhibitors dominate: perfectionism and cultural humility. Japan's “zero defect” culture, admired worldwide in manufacturing by firms like Sony and Toyota, spills into presentations. Leaders fear making even small mistakes in English, so they often stay silent or read scripted speeches. Perfection kills spontaneity. Added to this, Japan prizes modesty over boldness. In contrast, Western executives are expected to speak with assertiveness, drawing on traditions from Athens, Rome, and Churchill's wartime speeches. Without training to reset these mindsets, Japanese executives rarely demonstrate the commanding presence international audiences expect. Mini-summary: Japan's perfectionism and modesty discourage bold communication, limiting executives' ability to project leadership presence internationally. Why is English not the biggest barrier? English fluency is often cited, but it is not the core problem. Countries like China, Korea, and Germany produce leaders with strong executive presence despite English being a second language. The real issue is confidence and delivery. Reading from a script in flawless English still fails to inspire. Audiences in New York, London, or Singapore want leaders who speak authentically and persuasively, not perfectly. Training in mindset flexibility and delivery can bridge the gap faster than language study alone. Mini-summary: English is not the decisive factor; confidence and delivery style matter more than linguistic perfection. Why is Japan's history of public speaking so different? Unlike the West, Japan has little tradition of mass oratory. Samurai leaders gave orders from behind guarded walls, not rousing Braveheart-style speeches. Public speaking only began taking root in 1875, when Yukichi Fukuzawa opened the Enzetsukan (Speech Hall) at Keio University. Compared with Greece, Rome, or America's political speeches, Japan's history of oratory is very recent. Even today, cultural norms discourage standing above others while speaking — a visible sign of status that requires apology. This background explains why confident public speaking is not deeply embedded in Japanese business culture. Mini-summary: Japan's short history of oratory and cultural discomfort with status make confident public speaking a relatively new skill for its executives. Can Japanese leaders develop executive presence? Absolutely. At Dale Carnegie Tokyo Training, we see Japanese executives transform into persuasive international presenters once they shed mindset barriers. Claims that “the Japanese way of speaking is different” are often excuses masking lack of skill. Universal presentation principles — clarity, storytelling, audience engagement — transcend borders. With practice, Japanese leaders can command global stages just as well as peers from the US, Europe, or Korea. Executive presence is a trainable skill, not an inborn talent. Mini-summary: Japanese executives can absolutely learn global-standard presentation skills; presence is a trainable, not innate, leadership quality. Why does this matter for Japan's global future? The gap between Japan and other Asian nations in global presentation ability is stark at international conferences. Leaders from Korea, China, and India increasingly dominate global forums, while Japanese executives too often remain quiet. This lack of executive presence undermines influence, credibility, and leadership brand. If Japanese leaders embrace training, they will build trust, close communication gaps, and strengthen Japan's voice in international business. As globalisation accelerates, mastering executive presence is one of the last frontiers for Japan's competitiveness. Mini-summary: Without stronger executive presence, Japanese leaders risk falling behind Asian peers; mastering it is essential for Japan's global competitiveness. Conclusion Executive presence is not a luxury skill — it is a global requirement for leadership. For Japan, overcoming perfectionism and cultural humility in presentation is critical. International business rewards clarity, confidence, and persuasion. With the right training, Japanese leaders can stand on equal footing with peers from across Asia, Europe, and the US. The result will be greater trust, stronger communication, and a more powerful Japanese leadership presence worldwide.

Music helped former Talking Heads frontman David Byrne come out of his shell and connect with others—and research shows he's not alone. We explore the science behind how music shapes our social lives.Summary: Musician and artist David Byrne reflects on how music opened his world as a shy kid, offering both an outlet and a sense of belonging. We delve into the science behind music's social power and how it can offer both personal transformation and collective healing.How To Do This Practice: Tune Into What Moves You: Think back to the first songs or sounds that made you feel something—excitement, belonging, or wonder. Create a playlist that reflects those emotions or moments. Create Space to Listen Deeply: Put away distractions and really listen. Whether it's on a walk, lying down, or with headphones. Let the rhythm, lyrics, or mood take you somewhere new. Use Music as a Mirror: Notice how the music reflects your mood, identity, or desires. Ask yourself: What is this music helping me feel or understand about myself? Make Music, Even Imperfectly: Play an instrument, sing in the car, hum along. Do whatever feels natural. Self-expression through music doesn't require perfection, only sincerity. Share It With Others: Invite someone to listen with you, send a favorite song to a friend, or sing with a group. Social connection strengthens when we engage in music together. Let Music Move You Into Action or Insight: Reflect on what the music stirs in you. Does it inspire creativity, protest, healing, or joy? Let that feeling guide how you show up in the world. Scroll down for a transcription of this episode.Today's Guests:DAVID BYRNE is an artist, writer, filmmaker, record producer, and frontman and guitarist for the band Talking Heads.Visit David Byrne's official website here: https://whoisthesky.davidbyrne.com/PATRICK SAVAGE is an associate professor in the Faculty of Environment and Information Studies at Keio University in Japan.Learn more about Patrick Savage here: https://tokyo.mutek.org/en/speakers/patrick-savageRelated The Science of Happiness episodes:  The Science of Awe Series: https://tinyurl.com/3jz8rnevThe Science of Singing Along: https://tinyurl.com/4nbb3v76The Science of Humming: https://tinyurl.com/4esyy6ndHow Music Can Hold and Heal Us: https://tinyurl.com/49svzn4vRelated Happiness Breaks:Music to Inspire Kindness in Kids: https://tinyurl.com/yjk344rdA Humming Technique to Calm Your Nerves: https://tinyurl.com/mr42rzadTell us about your experience with this practice. Email us at happinesspod@berkeley.edu or follow on Instagram @HappinessPod.Help us share The Science of Happiness! Leave us a 5-star review on Apple Podcasts and share this link with someone who might like the show: https://tinyurl.com/2p9h5aapTranscription: https://tinyurl.com/24ajj7xr

"The division of the world is creating a conflict of interest." -MasaIn this episode, Dr Espen and Masa Mezaki explore the intricate balance between achieving financial success and living a spiritually fulfilling life. Masa shares his journey from a high-powered finance career to a decade of global travel and spiritual exploration, ultimately leading him to create a renewable energy business that benefits local communities. The discussion emphasizes the importance of happiness through service, the interconnectedness of humanity, and the need for a unified approach to global challenges.About our guest:Graduated from the Faculty of Commerce, Keio University in Japan. Master of Social Anthropology from London School of Economics (LSE), University of London, and was an interest rate derivative trader for Merrill Lynch working in Tokyo, New York and London. After leaving Merrill Lynch, travelled to more than 100 countries around the world for nearly 10 years. In 2012, set up Japan Megasolar Inc. to achieve grid parity with photovoltaic power generation. Looking to the development of renewable energy business, changed the company name to GPSS Holdings Inc. in April 2017. Also conducts educational activities for dissemination of renewable energy information through various media.

Asian stocks made a modest gain at the open Friday as a global equity rally gained fresh vigor on strong economic data that eased concerns about the US economy. The MSCI Asia Pacific Index rose 0.2% at the open. Equity-index futures for US gained after the S&P 500 and Nasdaq 100 set closing highs Thursday. Tech stocks rose as a bullish outlook from Taiwan Semiconductor Manufacturing Co. bolstered confidence in artificial-intelligence spending. Netflix Inc. also reported strong earnings and raised its forecast. We get market insights from Brian Vendig, Chief Investment Officer at MJP Wealth Advisors. Plus - Japan's key price measure cooled a tad more than expected while remaining well above the Bank of Japan's target, keeping pressure on Prime Minister Shigeru Ishiba to mollify voters as he heads into Sunday's national election. Consumer prices excluding fresh food rose 3.3% from a year earlier in June, slowing from a 3.7% gain - a two-year high - in the previous month, the Ministry of Internal Affairs and Communications reported Friday. We get reaction from former BOJ board member Sayuri Shirai, now Professor of Economics at Keio University. She speaks with Bloomberg's Shery Ahn and Haidi Stroud-Watts on The Asia Trade.See omnystudio.com/listener for privacy information.

In this special edition of Japan Memo Season 5, Robert Ward reports from Singapore on the 22nd IISS Shangri-La Dialogue. Joining him is Professor Jimbo Ken, Managing Director of the International House of Japan, President of the Asia Pacific Initiative, and Professor at Keio University's Faculty of Policy Management. They deliver timely and in-depth analysis of this year's key developments and strategic narratives. Robert and Professor Jimbo discuss: · Major themes and takeaways from the 2025 Dialogue and how it compares with previous years· Key messages from US Secretary of Defense Pete Hegseth's speech· Regional perspectives on China's activities and strategic posture· Analysis of Japanese Defense Minister Nakatani Gen's address· ASEAN's evolving role in an increasingly contested regional orderWe hope you enjoy the episode and please follow, rate, and subscribe to Japan Memo on your podcast platform of choice. If you have any comments or questions, please contact us at japanchair@iiss.org. Date recorded: 1 June 2025 This episode of Japan Memo was recorded in Singapore and produced at the IISS in London. Hosted on Acast. See acast.com/privacy for more information.

Robert Ward hosts Professor Hosoya Yuichi, Professor of International Politics at Keio University, Professor Yee Kuang Heng, Professor at the Graduate School of Public Policy and Director of the Security Studies Unit at the Institute for Future Initiatives at the University of Tokyo, and Fenella McGerty, the IISS Senior Fellow for defence economics in the Defence and Military Analysis Programme. They discuss Japan-UK relations. Robert, Yuichi, Yee Kuang and Fenella discuss:  Japan-UK diplomatic alignment, amid the UK's tilt towards the Indo-PacificJapan-UK defence partnership, including the GCAP, the UK CSG deployment to the Indo-PacificJapan-UK economic cooperation, including the bilateral economic 2+2, the UK accession to the CPTTPWe hope you enjoy the episode and please follow, rate, and subscribe to Japan Memo on your podcast platform of choice. If you have any comments or questions, please contact us at japanchair@iiss.org. Date recorded: 6 May 2025  Japan Memo is recorded and produced at the IISS in London.  Hosted on Acast. See acast.com/privacy for more information.

The DNS resolution path by which the world's internet content consumers locate the world's internet content producers has been under continuous attack since the earliest days of Internet commercialization and privatization. Much work has recently and is currently being invested to protect this vital source of Personally Identifiable Information -- but by whom, and why, and how? Let's discuss. About the speaker: Paul Vixie serves AWS Security as Deputy CISO, VP & Distinguished Engineer after a 29-year career as the founder and CEO of five startup companies covering the fields of DNS, anti-spam, Internet exchange, Internet carriage and hosting, and Internet security. Vixie earned his Ph.D. in Computer Science from Keio University in 2011 and was inducted into the Internet Hall of Fame in 2014. He has authored or co-authored several Internet RFC documents and open source software projects including Cron and BIND. https://en.wikipedia.org/wiki/Paul_Vixie

A group of seniors is learning beauty secrets. They draw in their eyebrows, select their favorite lip color and apply blush. The event is run by Japanese cosmetics company Shiseido Co. It's holding these free courses for older people across the country. Japan is the fastest-aging society in the world. More than a quarter of its population is over 65 and older, at 36 million people. In about a decade, the ratio will be one in three. This course is not just about makeup tips—it promotes useful skills for the elderly. It takes hand dexterity to open cosmetic tubes and draw eyebrows nicely, and massaging the face gets one's saliva glands going, according to Miwa Hiraku, the makeup class instructor. The demographic is one businesses have traditionally been less interested in. But that is changing. "To begin with, the marketing I specialize in, I have generally targeted younger people up until now. … As the population structure changes, we must start paying attention to older individuals as well,” says Akira Shimizu, professor of business at Keio University. The elderly market is estimated to grow to more than 100 trillion yen ($650 billion) in size this year, according to a study by Mizuho Bank. And that business isn't just about remedies for sicknesses and old folks' homes but taps into solid consumerism. "In fashion, for example, the people who I call ‘cool grandpas' or ‘cute grannies' tend to want to try high-end products. Additionally, unlike in the past, these people often have a lot of friends of the opposite sex, which is an important point. They feel the need to dress nicely and wear makeup, especially for men, who feel they should maintain a sense of cleanliness. I think this is an interesting aspect of the market," says Shimizu. Shiseido Co., which started out as a pharmacy in 1872, prides itself on being an expert on health, stressing that makeup is not just good for your physical well-being but also your soul. Just because they're older doesn't mean they want to give up on beauty and fashion. This article was provided by The Associated Press.

In PX128 our guest is architect and author Jorge Almazan. Jorge is a Tokyo-based architect and associate professor at Keio University. He holds a degree in architecture from the Polytechnic University of Madrid and a PhD from the Tokyo Institute of Technology. His practice focuses on ecologically responsible and socially inclusive design, ranging from urban to interior projects. His built work has earned significant recognition in Japan, including the Ota City Urban Landscape First Prize (2019) and selections by the Japan Institute of Architects (2018, 2022) and the Architectural Institute of Japan (2023). Almazán's research on Tokyo has been published in numerous academic journals, and his book, Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2021), was a finalist for the 2023 Pattis Family Foundation Global Cities Book Award. ‘Emergent Tokyo: Designing the Spontaneous City' was mentioned in a recent article in the Wall Street Journal about visiting Tokyo on a budget, using the book as a guide https://www.wsj.com/lifestyle/travel/how-far-does-1-000-take-you-on-a-trip-to-tokyo-we-found-out-dd76a5af?st=TeyNL7&reflink=article_copyURL_share In podcast extra / culture corner, Jorge recommends two Netflix programs that feature Tokyo. These are ‘Midnight Diner' https://en.wikipedia.org/wiki/Midnight_Diner_(Japanese_TV_series) and 'Tokyo Swindlers' https://en.wikipedia.org/wiki/Tokyo_Swindlers. Jess recommends getting back into tennis as she returns to the court. Pete recommends the ‘New Books' podcast series https://newbooksnetwork.com. PX is proud to be a contributor to the UBC. Episode PX128 was released on 3 March 2025.

In PX128 our guest is architect and author Jorge Almazan. Jorge is a Tokyo-based architect and associate professor at Keio University. He holds a degree in architecture from the Polytechnic University of Madrid and a PhD from the Tokyo Institute of Technology. His practice focuses on ecologically responsible and socially inclusive design, ranging from urban to interior projects. His built work has earned significant recognition in Japan, including the Ota City Urban Landscape First Prize (2019) and selections by the Japan Institute of Architects (2018, 2022) and the Architectural Institute of Japan (2023). Almazán's research on Tokyo has been published in numerous academic journals, and his book, Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2021), was a finalist for the 2023 Pattis Family Foundation Global Cities Book Award. ‘Emergent Tokyo: Designing the Spontaneous City' was mentioned in a recent article in the Wall Street Journal about visiting Tokyo on a budget, using the book as a guide https://www.wsj.com/lifestyle/travel/how-far-does-1-000-take-you-on-a-trip-to-tokyo-we-found-out-dd76a5af?st=TeyNL7&reflink=article_copyURL_share In podcast extra / culture corner, Jorge recommends two Netflix programs that feature Tokyo. These are ‘Midnight Diner' https://en.wikipedia.org/wiki/Midnight_Diner_(Japanese_TV_series) and 'Tokyo Swindlers' https://en.wikipedia.org/wiki/Tokyo_Swindlers. Jess recommends getting back into tennis as she returns to the court. Pete recommends the ‘New Books' podcast series https://newbooksnetwork.com. Episode PX128 was released on 3 March 2025.

In this episode of The Kevin Roberts Show, Heritage Foundation Senior Fellow Brent Sadler joins Dr. Roberts to discuss the urgent need to overhaul America's maritime strategy. With China asserting control over global trade routes, our nation finds itself in a dangerously vulnerable position. Sadler makes the case for bold action—through innovation, investments in human capital, and a revitalized maritime industrial base—to secure America's future.From modernizing shipping infrastructure to strengthening our military and maritime capabilities, Sadler outlines a clear path for America to reclaim its rightful place as a global leader. He also emphasizes the crucial role of the SHIPS Act, Jones Act, port infrastructure, workforce development, and groundbreaking technologies—such as small modular nuclear reactors—to propel American ships forward.About Brent Sadler: Bent Sadler joined Heritage Foundation after a 26 year Navy career with numerous operational tours on nuclear powered submarines, personal staffs of senior Defense Department leaders, and as a military diplomat in Asia. As a Senior Research Fellow, Brent's focus is on maritime security and the technologies shaping our future maritime forces, especially the Navy.Brent is a 1994 graduate with honors of the United States Naval Academy with a degree in Systems Engineering (robotics) and a minor in Japanese. As a 2004 Olmsted Scholar in Tokyo, Japan, he studied at Keio University, Jochi University and the United Nations University. He has a master of arts from Jochi University and master of science from National War College, where he graduated with distinction in 2011 and received several writing and research awards.In 2011, he established the Navy Asia Pacific Advisory Group (NAPAG), providing regionally informed advice directly to Chief of Naval Operations' (CNO). He again served on the CNO's personal staff in 2015-2016, playing a key role in developing the Defense Department's Third Offset. At Pacific Command from 2012-2015, he held numerous key positions. As lead for Maritime Strategy and Policy, he incorporated all 10 Association of Southeast Asian Nations (ASEAN) into the first regional maritime domain awareness forum and was instrumental in the eventual passage of the $500 million-dollar Maritime Security Initiative. As Special Advisor on Japan, and a Council of Foreign Relations International Affairs Fellow in Tokyo, he played a key role in revising the U.S. and Japan Defense Guidelines. As Deputy Director Strategic Synchronization Group, he oversaw a think-tank like body of over 30 advisors and analysts. Brent led the Commander's Rebalance Task Force coordinating execution of the President's Defense Strategic Guidance—Rebalance to the Asia-Pacific resulting in over $12 billion USD of additional monies budgeted in fiscal years 2013 through 2015 during a time of fiscal austerity.Following his final tour on CNO's staff, Brent returned to Asia as Senior Defense Official, Defense and Naval Attaché in Malaysia. During his tenure he played a key role in coordinating responses to the USS McCain collision in August 2017, opened several politically sensitive ports and airfields to U.S. forces, oversaw unprecedented expansion of U.S. military relations, and steadied relations during the historic May 2018 national elections ushering in an opposition party for the first time since independence.His final Navy assignment was China Branch of Navy Staff at the Pentagon.

The New York Times has called Clyde Prestowitz “one of the most far seeing forecasters of global trends.” For more than fifty years, Prestowitz has studied, lived, and worked in Asia, Europe, and Latin America as well as in the United States and has become noted as a leading writer and strategist on globalization and competitiveness. His best -selling books include: Trading Places, Rogue Nation, Three Billion New Capitalists, The Betrayal of American Prosperity and Japan Restored.Prestowitz was a leader of the first U.S. trade mission to China in 1982 and has served as an advisor to Presidents Reagan, George H.W. Bush, Clinton, and Obama. He has also worked closely with CEOs such as Intel's Andy Grove, Chrysler's Lee Iacocca, and Fred Smith of Fedex. In addition, Prestowitz has served on the Advisory Boards of Indonesia's Center for International Studies and of Israel's Ministry of Industry and Labor.As Counselor to the Secretary of Commerce in the Reagan administration, Mr. Prestowitz headed negotiations with Japan, South Korea, and China. Under the Clinton administration he served as Vice Chairman of the Presidential Commission on Trade and Investment in the Asia Pacific Region. He was also on the Board of Advisors to the Export/Import Bank.Prior to these posts, Prestowitz had a successful corporate marketing career, working for such companies as Scott Paper Company Europe in Brussels, Egon Zehnder International in Tokyo, and the American Can Company.Mr. Prestowitz holds a B.A. with honors from Swarthmore College; an M.A. in Asia Studies from the University of Hawaii and Tokyo's Keio University, and an M.B.A. from the Wharton Graduate School of Business. He speaks Japanese, Dutch, German, and French.Prestowitz's newest book is The World Turned Upside Down: China, America and the Struggle for Global Leadership (Yale University Press), which was published in January 2021.

Adam engages with Professor Yohichiro Sato to explore the evolving security landscape in Asia, particularly from the Japanese perspective. The conversation delves into Japan's concerns regarding North Korea's nuclear ambitions, China's assertiveness in the region, and the implications for Japan's defense policies. Sato discusses the strong anti-nuclear sentiment in Japan, the potential reconsideration of nuclear weapons, and the importance of the US-Japan alliance in maintaining regional stability. The episode concludes with reflections on future scenarios and the need for collaboration among regional powers.PROFESSOR YOICHIRO SATO holds a BA (Law) from Keio University, MA (International Studies) from University of South Carolina, and Ph.D. (Political Science) from University of Hawaii. He currently teaches at Ritsumeikan Asia Pacific University. He was also a visiting senior research fellow at Yusof Ishak Institute of Southeast Asian Studies (ISEAS), 2022-23. His major works include Re-Rising Japan (co-edited with Hidekazu Sakai, Peter Lang, 2017), Handbook of Indo-Pacific Studies (co-edited with Barbara Kratiuk, Jeroen Van den Bosch, and Aleksandra Jaskólska, Routledge, 2023), and Alliances in Asia and Europe: The Evolving Indo-Pacific Strategic Context and Inter-Regional Alignments (co-edited with Elena Atanassova-Cornelis and Tom Sauer, Routledge, 2023). He is active in media and foreign policy circles, appearing and having written for and been quoted, in more than 30 media and think tank outlets globally, including BBC, Al Jazeera, and Bloomberg.Chapters00:00 Japanese Perspectives on Regional Security14:56 The Credibility of the US-Japan Alliance30:02 Future Scenarios and Japan's Nuclear ConsiderationsSocials:Follow on Twitter at @NucleCastFollow on LinkedIn: https://linkedin.com/company/nuclecastpodcastSubscribe RSS Feed: https://rss.com/podcasts/nuclecast-podcast/Rate: https://podcasts.apple.com/us/podcast/nuclecast/id1644921278Email comments and topic/guest suggestions to NucleCast@anwadeter.org

Do you really need law firm experience to have a great legal career in Japan? Let's hear another diverse story, this time from Michiko Hirai, senior corporate counsel at Amazon Web Services Japan. Discover her untraditional journey from sales in the semiconductor industry to law and how she uses her experience in building business relationships to be a stand out member of her team.  If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here! In this episode you'll hear: The advice Michiko received that helped her to take her first step in her career How learning sales helped her to be a better in-house lawyer even without law firm experience How Michiko structures her day to do “two jobs” as a lawyer and as a parentMichiko's surprise question for me and a reminder of some advice I gave her that stuck Her favourite book and other fun facts  About Michiko Michiko Hirai is a Senior Corporate Counsel at Amazon Web Services Japan G.K. She graduated from Keio University and began her professional journey in sales, focusing on semiconductor products for the Asian market.  Recognising her true calling, Michiko transitioned to the legal field, joining Toshiba Corporation's legal team. There, she specialized in mergers and acquisitions (M&A) and global antitrust matters. In 2011, Toshiba sponsored Michiko's pursuit of an L.L.M. at the University of Chicago Law School. Upon completing her degree and obtaining admission to the NY Bar, she returned to Toshiba, where she provided legal support for their semiconductor business. Seeking new challenges, Michiko joined Amazon Japan's legal team as a contract manager in 2014. After seven years with Amazon Japan and becoming a counsel, she transitioned to Amazon Web Services Japan G.K. in 2021. She is now a Senior Corporate Counsel supporting sales and marketing business in AWSJ. Outside of her professional life, Michiko is a mother to a six-year-old son. She enjoys traveling and spending quality time with her family and friends. Connect with Michiko LinkedIn: https://www.linkedin.com/in/michiko-hirai-1a07702b/  Links Smoke and Mirrors Bar: https://www.smokeandmirrors.com.sg/  The Cultural Map: https://amzn.asia/d/7bUYdbB  Connect with Catherine  Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair YouTube: https://youtube.com/@lawyeronair 

Featuring: Daniel Yoo, Head of Global Asset Allocation at Yuanta Securities Sayuri Shirai, Professor of Economics at Keio University and Former BOJ Board Member What would YOU like to hear about on Bloomberg? Help make shows like ours even better by taking our Bloomberg audience survey. Apple: https://podcasts.apple.com/us/podcast/bloomberg-daybreak-asia/id1663863437Spotify: https://open.spotify.com/show/0Ccfge70zthAgVfm0NVw1bTuneIn: https://tunein.com/podcasts/Asian-Talk/Bloomberg-Daybreak-Asia-Edition-p247557/?lang=es-es  See omnystudio.com/listener for privacy information.

Bonnie Kong is a partner at Anderson, Mori & Tomotsune in Tokyo. Bonnie shares how she came to be working in law and how an interest in Japan set her on a course over 10 years of visiting, learning the language, working on deals with Japan overseas and then finally moving to live in Japan. We discuss the importance of continuous learning, cultural understanding across generations, and community engagement in achieving legal career success. We also discuss the paradox of effortlessness! Join us for another fascinating story of a woman in the law in Japan. If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here! In this episode you'll hear: Why nothing is wasted when you learn continuously in your law career What it's like to take on the leadership role of partner in a firm Inspiration from tennis star Roger Federer on effortlessness Her favourite restaurant and other fun facts About Bonnie Bonnie Kong is a Partner in the Tokyo office of Anderson Mori & Tomotsune. Bonnie has extensive experience in a broad range of corporate matters, including capital markets transactions, cross-border mergers and acquisitions, restructuring and securities and investment projects in Greater China and Japan, as well as licensing and regulatory compliance. Prior to joining Anderson Mori & Tomotsune, Bonnie was a partner of a prestigious international law firm in Hong Kong and prior to that in other firms in Tokyo and Hong Kong. Bonnie is fluent in English, Cantonese and Mandarin, and is conversational in Japanese.  She undertook a Bachelor of Laws and Bachelor of Commerce at the University of Auckland in New Zealand, and she subsequently studied Bachelor of Chinese Laws at Tsinghua University and did a Postgraduate Certificate in Laws (PCLL) at The University of Hong Kong. She also joined a Japanese Language Program at Keio University in Japan.  She is qualified as a barrister and solicitor in New Zealand and New South Wales, Australia, and as a solicitor in Hong Kong and England and Wales.  Outside of the practice of Law Bonnie served as a judge at the Intercollegiate Negotiation Competition in the past two consecutive years. She was previously a part-time lecturer at the Graduate Schools of Law and Politics at the University of Tokyo. Bonnie is passionate about diversity equity and inclusion and has been appointed as a member of the Diversity & Inclusion Committee at Anderson Mori & Tomotsune since April last year and as a member of the Pro Bono Committee since April this year. She is involved with supporting Women in Law Japan most recently with the International Women's Day event in 2024, hosted at her law firm's seminar room. In her spare time, Bonnie loves traveling and has been to different parts of Japan, and she also enjoys cycling.  Connect with Bonnie  LinkedIn: https://www.linkedin.com/in/bwkong/  Links Bonnie's Secret Restaurant, Suigian: https://suigian.jp/   72 Micro Seasons App https://www.kurashikata.com/72seasons/  Connect with Catherine  Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair YouTube: https://youtube.com/@lawyeronair 

If ancient Kyoto stands for orderly elegance, then Tokyo, within the world's most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can't we walk to a shop around the corner? If Jane Jacobs' Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach. James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If ancient Kyoto stands for orderly elegance, then Tokyo, within the world's most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can't we walk to a shop around the corner? If Jane Jacobs' Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach. James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

If ancient Kyoto stands for orderly elegance, then Tokyo, within the world's most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can't we walk to a shop around the corner? If Jane Jacobs' Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach. James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

If ancient Kyoto stands for orderly elegance, then Tokyo, within the world's most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can't we walk to a shop around the corner? If Jane Jacobs' Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach. James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

If ancient Kyoto stands for orderly elegance, then Tokyo, within the world's most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can't we walk to a shop around the corner? If Jane Jacobs' Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach. James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY) Learn more about your ad choices. Visit megaphone.fm/adchoices

If ancient Kyoto stands for orderly elegance, then Tokyo, within the world's most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can't we walk to a shop around the corner? If Jane Jacobs' Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach. James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

If you are at a crossroads and wondering if you should give up on that dream that hasn't come true yet, then this is the episode for you. Toshimi Itakura is the General Manager of the Legal Department at Sojitz Corporation. Toshimi shares her inspiring career journey over more than 20 years and her professional experiences in the United States and London. Toshimi discusses her approach to career growth, emphasizing the importance of focusing on achievements rather than specific job titles and shares valuable tips on time management, leadership, and mentoring. You are going to love hearing from this ground breaker in the Tokyo legal world! If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here! In this episode you'll hear: How Toshimi came to be working in the legal department at Sojitz Her international experiences and negotiating for what she wanted in her career Toshimi's way of leading as  a section head (課長) and now division head (部長) Her top three tips for aspiring professionals Her favourite book and other fun facts  About Toshimi Toshimi Itakura is the General Manager of the Legal Department of Sojitz Corporation. She graduated from Keio University and joined Sojitz Corporation in 2005. Sojitz is one of Japan's sogo shosha, or general trading company, covering various industries globally including automotive, aerospace & transportation, infrastructure, energy, healthcare, metals & minerals, chemicals, agriculture, retail etc. After a few years at the Tokyo headquarters of Sojitz she studied abroad at Duke University Law School in the United States (LL.M.) and worked in the legal department of Sojitz Corporation of America as a qualified attorney-at-law (admitted in NY).  Later in her career, she also spent 2 ~ 3 years, working in the legal department of Sojitz Corporation in London and seconded to the Herbert Smith Freehills London Office. In 2022, she was appointed as the General Manager of the Legal Department. Throughout her career, she has engaged in corporate legal practice in Japan, the United States, and the United Kingdom, and has been involved in M&A, project finance, disposal of bad assets, collateral management, corporate restructuring, litigation and dispute resolution and other various matters and transactions. Apart from her work, Toshimi enjoys her life being an artist in the world of ballroom Latin dancing and playing the flute. Connect with Toshimi LinkedIn: https://www.linkedin.com/in/toshimi-itakura-31b081152/  Links Gentle Dining Omotesando https://www.gentle-base.com/  Book: そうか、君は課長になったのか。https://amzn.asia/d/aDHyTEJ  Connect with Catherine  Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair YouTube: https://youtube.com/@lawyeronair 

The Heritage Foundation is honored to announce that Professor John Yoo, the Emanuel S. Heller Professor of Law at the University of California at Berkeley, will deliver this year's Edwin Meese III Originalism Lecture for his speech titled, “Can Originalism Be Moral?”This annual lecture seeks to honor former Attorney General Ed Meese's legacy of advancing an understanding and jurisprudence of originalism. When the Framers wrote the Constitution, “Their intention was to write a document not just for their times but for posterity,” Meese said in a 1985 speech to the D.C. Chapter of the Federalist Society Lawyers Division. Meese reiterated the theme of Original Intention in several speeches, warning of the danger of “seeing the Constitution as an empty vessel into which each generation may pour its passion and prejudice.” The Great Debate that he launched over three decades ago placed the idea of judicial originalism at the center of American jurisprudence and fundamentally altered the constitutional landscape of this nation.Today, originalism is no longer a novel concept; instead, it is now widely embraced in legal circles, including academia and the judiciary. Building on the work of Ed Meese, this lecture aims to continue the conversation he started and examine new trends and themes in originalist thought today. Please join us for our third annual lecture.Professor John Yoo: In addition to his role as the Emanuel Heller Professor of Law at the University of California at Berkeley, Professor Yoo is also a Nonresident Senior Fellow at the American Enterprise Institute and a Visiting Fellow at the Hoover Institution, Stanford University.Throughout his career, Professor Yoo served in all three branches of government. He was an official in the U.S. Department of Justice, where he worked on national security and terrorism issues after the 9/11 attacks, he served as general counsel of the U.S. Senate Judiciary Committee, and he has been a law clerk for Supreme Court Justice Clarence Thomas and federal appeals Judge Laurence Silberman. Professor Yoo has been a visiting professor at Seoul National University in South Korea, the Interdisciplinary Center in Israel, Keio University in Japan, Trento University in Italy, the University of Chicago, and the Free University of Amsterdam.We look forward to welcoming Professor Yoo to share his insights on the morality of originalism. Hosted on Acast. See acast.com/privacy for more information.

Saki Nakahara joins us to share her story of finding her way to starting her own practice in the perfect area for her. We hear about how she spent a lot of time on the qualification she thought she should achieve because it was more difficult. However that experience then went on to become part of a strong foundation for her true calling.  If you are wondering how starting your own firm could be a chance to do the work you want as well as incorporate some of your passions, this is a fantastic episode showing a different way to work in the law in Japan. In this episode you'll hear: How Saki became interested in the law at an early age Finding her way to the work she really wanted to do after receiving the right information The importance of emotions and how you want to “feel” in your practice How Saki built a practice that incorporates how she wants her clients to feel Her favourite podcasts, books and other fun facts  About Saki Saki Nakahara is the founder and an immigration lawyer at Small Seasons & Co., where she provides clients with assistance for their business set-up, visa applications, and other legal services. Through her legal office, in particular where capacity allows, she loves providing specialized services to artists, creators, and anyone interested in exploring Japan's rich arts and culture scene.  Born in the UK, Saki spent her formative years immersed in diverse environments across the globe. Growing up amidst an international community, she developed a profound appreciation for cultural diversity and the interconnectedness of the world. She was educated at the Canadian International School in Singapore from 2004-2005, Shanghai Community International School from 2006-2010 and undertook a summer program at SGH Warsaw School of Economics. She graduated from Keio University obtaining a Bachelor of Arts in Sociology in 2015. Saki started out her working career at Teach For Japan, and after that had a variety of experience in different industries and roles. She was a hospitality intern at Kagaya Ryokan a well-known Japanese Style Hotel established in 1906 and ranked 1st for hospitality for 33 years. After that she had an internship at Wahl & Case, Tech specialist recruiters and joined Rakuten as a Sales Associate in 2015. Her love for the law found her studying for the Shihoshoshi (judicial scrivener) exam while working as a legal assistant at June Advisors Group from 2019 to 2020 and at the same time working for Lumina Learning a visionary learning and development consultancy.  Saki shifted from studying for the Shihoshoshi qualification to Gyoseishoshi (Administrative scrivener) and having passed the Gyoseishoshi exam successfully in 2022, she established her own immigration law firm in July 2023. In her spare time, Saki is devoted to shedding light on the Way of Tea and promoting creative ways to bring fulfillment to people's lives through Japanese cultures and heritage. She juggles a full-time digital marketing role at a marketing agency while also dedicating every morning to work for an immigration lawyer's office, in addition to managing her own legal practice. By combining her passion for tea with her expertise in law and marketing, Saki is dedicated to fostering a deeper appreciation for Japanese culture and heritage on her entrepreneurial journey while striving to see the dots connect.  Connect with Saki LinkedIn Website Links Favorite restaurant: KAKIDEN in Shinjuku  Book recommendation: The Comfort Zone: Create a Life You Really Love With Less Stress and More Flow by Kristen Butler Japanese perfume company KITOWA Templates from the Ministry of Cultural Affairs Connect with Catherine  Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair YouTube: https://youtube.com/@lawyeronair 

Biomedical researchers have long sought ways to repair spinal cord damage with the holy grail of the pursuit being the reconstitution of lost function. In the mid 1990's with the successful culture of human embryonic stem cells, and about a decade later induced pluripotent stem cells (iPSCs), the field was energized with a potential new approach to replace the lost neurons and glia cells and restoring neural connections.  In the decades since that discovery some progress has been made, however many hurdles remain, including establishing a functional synaptic connection between the transplanted and host neurons which is crucial for motor function recovery. To boost therapeutic outcomes our guests tested an ex vivo gene therapy to promote synapse formation between the donor and host neurons by expressing the synthetic excitatory synapse organizer CPTX in hiPSCs-derived neural stem and progenitor cells. Tune in to learn what they discovered. HostMartin Pera, Editor-in-Chief, Stem Cell Reports and The Jackson Laboratory@martinperaJAXGuestsHideyuki Okano, MD, PhD Keio University, Japan, Professor in the Department of Physiology and Chairman of the Graduate School of Medicine at Keio University. Professor Okano has spent decades studying neurogenesis and is currently leading a first-of-its-kind cell therapy for spinal cord injury. He has previously served as an Associate Editor for Stem Cell Reports and is a member of the Editorial Board. He is the current President of the Japanese Society of Regenerative Medicine and Vice President of the ISSCR.   Yusuke Saijo, MD. Keio University, Japan, graduated from Kyorin University School of Medicine and following a two-year initial training period, he embarked on a clinical journey, working in the field of orthopedic surgery at Keio University, specializing in the spinal cord and spinal disorders. Dr. Yusuke currently works in the research laboratory led by Professors Okano and Masaya Nakamura, where his research focuses on ex vivo cell and gene therapy for spinal cord regeneration. Supporting ContentHuman-induced pluripotent stem cell-derived neural stem/progenitor cell ex vivo gene therapy with synaptic organizer CPTX for spinal cord injury, Stem Cell ReportsAbout Stem Cell ReportsStem Cell Reports is the open access, peer-reviewed  journal of the International Society for Stem Cell Research (ISSCR) for communicating basic discoveries in stem cell research, in addition to translational and clinical studies. Stem Cell Reports focuses on original research with conceptual or practical advances that are of broad interest to stem cell biologists and clinicians.Twitter: @StemCellReportsAbout ISSCRWith nearly 5,000 members from 75+ countries, the International Society for Stem Cell Research (@ISSCR) is the preeminent global, cross-disciplinary, science-based organization dedicated to stem cell research and its translation to the clinic. The ISSCR mission is to promote excellence in stem cell science and applications to human health.ISSCR StaffKeith Alm, Chief Executive OfficerYvonne Fisher, Managing Editor, Stem Cell ReportsKym Kilbourne, Director of Media and Strategic CommunicationsJack Mosher, Scientific AdvisorVoice WorkBen Snitkoff

In this episode Miles is join by Paul Hullah (Meiji Gakuin University, Tokyo) and Chiho Omichi (Aoyama Gakuin University, Tokyo) to discuss Murdoch and Japan - her visits, the inspiration she took from Japan, Murdoch in translation, her philosophical links, the Japanese Murdoch Society, and much more. https://irismurdochjapan.jp/en/ Paul Hullah (MA (Hons), PhD) is Associate Professor of British Literature at Meiji Gakuin University and, since 2015) has been President of The Iris Murdoch Society of Japan (1997-). With Murdoch's active participation, he co-edited and wrote a 'Critical Introduction' to the authorised collection of Murdoch's Poems (UEP 1997), and her Occasional Essays (1998). He has published literary studies, including Romanticism and Wild Places (Edinburgh University Press & Quadrega 1998) and We Found Her Hidden: The Remarkable Poetry of Christina Rossetti (Partridge 2016); twenty university-level ‘literary' textbooks, including Rock UK: A Sociocultural History of British Popular Music (Cengage, 2013); and seven collections of award-winning poetry, including Climbable (Partridge 2016). Murdoch herself described Hullah's poetry as ‘fine... with an enchantment that touches me deeply', and John Bayley also praised his work. Hullah received the 2013 Asia Pacific Brand Laureate Award for ‘paramount contribution to the cultivation of literature'. He was keynote speaker at the 2022 Tenth International Iris Murdoch Conference (University of Chichester, UK), contributed a chapter on Murdoch and Zen to the recent volume Iris Murdoch's Literary Imagination (Palgrave Macmillan 2023), and is currently working on The Japanese Iris: Murdoch's Affinities and Interactions with Japanese Thought, a critical monograph tracing the important impact of Japanese ideas on Murdoch's literary and philosophical writings. Chiho Omichi is Professor at Aoyama Gakuin University, Tokyo, Japan and Vice President of the Iris Murdoch Society of Japan. She earned a BA in English literature from Tokyo's Keio University, MAs from Keio University and London University, and a PhD from Keio University. Her research considers British 20th-century women novelists, particularly Murdoch and Dorothy Richardson, and she has published widely in this area.

In the eleventh episode of Japan Memo Season 3, Robert Ward and Togashi Mariko host Professor Tanaka Koichiro, a professor at the Graduate School of Media and Governance at Keio University, and Dr Hasan Alhasan, Research Fellow for Middle East Policy at the IISS.Robert, Mariko, Professor Tanaka, and Hasan discuss Japan's relationship with the Middle East. Topics discussed include:Japan's key strategic interests including energy security in the Middle East.Japan's standpoint and communication strategy regarding the Israel and Hamas conflict.Geopolitical and economic motivations of great powers in the Middle East.The perspectives of Gulf countries towards great-power geopolitics in the Middle East.The outlook for Japan's relationship with the Middle East.The following individuals are recommended by our guests to gain a clearer picture of the topics discussed: Mohammed Jaber Al-Ansari, a prominent Bahraini philosopher and political thinker who is fascinated by the Japanese experience of being able to rise as a global industrial powerhouse. Dr Farhad Taghizadeh-Hesary, an associate professor of economics at Tokai University and a vice president and co-founder of the International Society for Energy Transition Studies (ISETS).We hope you enjoy the episode and please follow, rate, and subscribe to Japan Memo on the podcast platform of your choice.Date of Recording: 09 November 2023Japan Memo is recorded and produced at the IISS in London. Hosted on Acast. See acast.com/privacy for more information.

Recorded October 4, 2023 Signed on Oct. 1, 1953, in the wake of the armistice, the U.S.-South Korea alliance has matured into a dynamic partnership, deterring conflict and fostering cooperation with respect to trade, technology and people-to-people ties. This expert panel reflected on the legacy and future of the alliance. This program was jointly hosted by The Korea Society, the Korea Defense Veterans Association and the Korea-Pacific Program at the UC San Diego School of Global Policy and Strategy. About the Speakers: Thomas J. Byrne joined The Korea Society as its President in August of 2015 following a distinguished career that included Senior Vice President of Moody's Investor Services and Senior Economist of the Asia Department at the Institute of International Finance. Byrne has an M.A. degree in International Relations with an emphasis on economics from The Johns Hopkins School of Advanced International Studies (SAIS). Before doing graduate work at SAIS, he served in South Korea for three years as a U.S. Peace Corps volunteer. His commentary on Korean affairs has appeared in the Wall Street Journal, The New York Times, The Washington Post and The Financial Times among others. Stephen Haggard is the Lawrence and Sallye Krause Distinguished Professor and director of the Korea-Pacific Program at the UC San Diego School of Global Policy and Strategy. He teaches courses on the international relations of the Asia-Pacific at GPS covering political economy as well as security issues. He has done extensive research on North Korea in particular. In addition, he has a long-standing interest in transitions to and from democratic rule and the current phenomenon of democratic backsliding. His recent research on South Korea addresses the issue of political polarization, including with respect to foreign policy. Allison Hooker is a foreign policy and national security specialist with 20 years of experience in the U.S. Government working on Asia. She served as Deputy Assistant to the President and Senior Director for Asia, where she led the coordination and implementation of U.S. policy toward the Indo-Pacific region. Prior to that, Hooker served as Special Assistant to the President and Senior Director for the Korean Peninsula, where she staffed the U.S.-DPRK Summits in Singapore, Hanoi, and the DMZ. Prior to her service at the White House, Hooker was a senior analyst for North Korea in the Department of State and staffed the Six-Party Talks on North Korea's nuclear program. She received a Masters' of Arts Degree in International Affairs from the George Washington University, and has been a research fellow at Osaka University and Keio University, where she focused on Japan-Korea relations, and Japan-China relations, respectively. Youngwan Kim is a career diplomat who joined the Foreign Ministry of the Republic of Korea in 1993. He worked at various Ministries of the Korean Government, including Foreign Ministry, Unification Ministry, and Office for Government Policy Coordination, Prime Minister's Office. Prior to his current post as Consul General in LA, he served as Director-General for National Security and Foreign Policy at the Prime Minister's office. He also worked as Director-General for Planning and Management of the Foreign Ministry. His most recent foreign post was a Member of the Panel of Experts, UN Security Council Sanctions Committee at the United Nations headquarter. His foreign posts also include Washington D.C., New York, Beijing and Baghdad. Munseob Lee is an economist who concentrates his research efforts on macroeconomics, growth and development, firm dynamics, and Korea. He has investigated the factors that determine the growth of firms, with a particular focus on how government purchases can promote long-term growth of small businesses. Additionally, he examined the disproportionate effect of inflation, revealing that low-income households and black families are the most affected by rising prices in the United States. Lee, who is an Associate Director in GPS's Korea-Pacific Program, teaches courses including Fiscal and Monetary Policy, Macroeconomics of Development and The Korean Economy. In 2019, General Curtis “Mike” Scaparrotti completed a distinguished 41-year career in the U.S. Army as the Commander, U.S. European Command and Supreme Allied Commander Europe, NATO. Prior to that he served as the Commander of U.S. Forces Korea / United Nations Command / Combined Forces Command in Seoul from 2013 to 2016. Other prominent postings in his highly-decorated career include Director of the Joint Staff, Commander of the International Security Assistance Force, the Deputy Commander of U.S. Forces – Afghanistan, the Commanding General of I Corps and Joint Base Lewis-McChord, and the Commanding General of the 82nd Airborne Division. Additionally, over the years, General Scaparrotti served in key leadership positions at the tactical, operational, and strategic level. He has commanded forces during Operations Iraqi Freedom, Enduring Freedom (Afghanistan), Support Hope (Zaire/Rwanda), Joint Endeavor (Bosnia-Herzegovina), and Assured Response (Liberia). General Scaparrotti holds a Master's degree in Administrative Education from the University of South Carolina. In addition to his work with The Cohen Group, General Scaparrotti sits on the boards iof the Atlantic Council and Patriot Foundation, and is a Senior Fellow at the National Defense University. Yoo Myung-hee served at the Ministries of Trade, Industry and Energy and Foreign Affairs and Trade of the Republic of Korea for nearly three decades before becoming Korea's first female trade minister (2019-2021). In a variety of roles she designed and implemented Korea's trade policy and negotiation strategies and led numerous bilateral and multilateral trade negotiations as Korea's chief negotiator, including the Regional Comprehensive Economic Partnership Agreement (RCEP) and Korea's free trade agreements with the United States and ASEAN. As trade minister, she contributed to international initiatives to ensure supply chain resilience and to address digital trade policy. She received her BA and MPA from Seoul National University and JD from Vanderbilt University Law School and currently teaches at the Graduate School of International Studies of Seoul National University. For more information, please visit the link below: https://www.koreasociety.org/policy-and-corporate-programs/item/1745-the-u-s-republic-of-korea-alliance-at-70-legacy-and-future

Akiko Kikuchi is a skilled general counsel with over two decades of experience in the legal industry. In this episode, we delve into the challenges of creating a career at a time when it was unusual to hire university graduate women in Japan. Akiko shares the benefits of building a strong team and how to get through the career challenges that might crop up for a general counsel. Get ready to be inspired and informed in this episode of Lawyer on Air. If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here! In this episode you'll hear: How Akiko gave up her first job offer for a study abroad opportunity, even though they had “already started making her uniform” How adversity and even “war room” level organisation emergencies can be overcome  Bringing innovation and fun to compliance issues Her favourite podcasts, books and other fun facts  About Akiko Akiko Kikuchi is the General Counsel, Head of Law, Patents & Compliance, and Senior Operating Officer for Bayer, a global life science company, in Japan.  Akiko holds law degrees in both Japan and England and is licensed to practice law in England and Wales as well as Hong Kong SAR of the People's Republic of China.  Akiko has worked in the legal industry for over two decades previously serving as the General Counsel for PwC Japan and General Counsel for GE Plastics Japan.   Akiko is a Japanese national born in Yokohama, but she spent her important formative years from age 3 to 8 living in London due to her father's job.  Through this experience, England very much became her second home.  For study, she first obtained her BA in law from Keio University in Japan.  She was awarded a scholarship by the Jardine Matheson Foundation to study law at the Honour School of Jurisprudence of Exeter College, Oxford University where she obtained an MA in Law.     In 2020, Akiko won the ALB Japan Law Awards as the Woman Lawyer of the Year (In-House category), and she led her team to win the Compliance and Risk Management In-House Team of the Year Award. This year in June, Akiko's team won two awards at ALB Japan Law Awards, Innovative In-house Team of the Year and Healthcare and Pharmaceutical In-house Team of the Year.   Akiko is also a very active member of the Japan legal community and serves as the Co-President of Japan In-house Counsel Network and Executive Board Member of the Japan CLO Association.  She was listed on the GC Powerlist Japan chapter in July, the Legal 500 list that highlights the most influential in-house lawyers and legal team in the local legal industry. Outside of work, Akiko built a house with her husband 2 years ago and is very much into design and decoration.  She lives minutes' walk away from the ocean in Kamakura and enjoys going on walks to view the sunset.  Akiko also enjoys wine,  food and spas (hot springs).  She is blessed with two sons – one, a 14-year-old teenager and another, a small furry toy poodle. Connect with Akiko  LinkedIn:  https://www.linkedin.com/in/akiko-kikuchi-74826b45/  Links Smoke Door: https://hotel-the-knot.jp/yokohama/smoke-door/  Shimon: https://www.seamon.jp/   Connect with Catherine  Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair YouTube: https://youtube.com/@lawyeronair 

In this podcast episode, host Kyle King sits down with Professor Rajib Shaw to discuss the intersection of climate change and disaster risk reduction (DRR) in Asia. Professor Shaw is a distinguished professor in the Graduate School of Media and Governance at Keio University in Japan, and has extensive experience in community-based disaster risk management and climate change adaptation. Tune in to learn about the current state of climate change and DRR in Asia, including other topics like the importance of community-based approaches, collaboration between international organizations and governments to address disaster risk, and the role of technology and education in DRR efforts. Show Highlights [01:31] Why Prof. Shaw got into climate change adaptation and community-based disaster risk management [05:52] The challenges of climate and non-climate disasters and their impact on income groups in Asia [14:07] How companies can lower risks, boost awareness, and provide incentives for all stakeholders [24:01] The importance of customizing local risks and actions in response to disasters [25:37] Innovative DRR approaches in the Philippines and Japan [35:24] What inclusive technology is, and the role of digital transformation in driving innovations [40:14] “Co-learning” and the overlooked concept of knowledge-sharing in community-based DRR Connect with Prof. Shaw- LinkedIn- Website

In the eighth episode of Japan Memo Season 3, Yuka Koshino hosts Ben Schreer, Executive Director at the IISS-Europe and Head of European Security and Defence Programme, and Tsuruoka Michito, Associate Professor at the Faculty of Policy Management in Graduate school of Media and Governance at Keio University, as well as Visiting Fellow at the Australian National University Strategic & Defence Studies Centre (SDSC). Yuka, Ben, and Michito unpack the 2023 NATO Summit in Vilnius, Lithuania, and the developments around Japan-NATO cooperation and Japan's responses to Russia's war in Ukraine. Topics discussed include:Key takeaways from the 2023 NATO Summit and the impact of Prime Minister Kishida's second attendance at a NATO summit;Assessment of the Individually Tailored Partnership Programmes (ITPP) between NATO and Japan for 2023-26, next steps for implementation;Implications of Japan's adoption of NATO standards for defence equipment supply chain;NATO's approach on China and engagement in the Indo-Pacific, including the debates over the potential opening of its liaison office in Tokyo. The following literature is recommended by our guests to gain a clearer picture of the topics discussed:Tsuruoka Michito, Abe Shinzo Kaikoroku [Abe Shinzo's Memoir] (Tokyo: Chuokoron-Shinsha, 2023) We hope you enjoy the episode and please follow, rate, and subscribe to Japan Memo on the podcast platform of your choice.Date of Recording: 19 July 2023Japan Memo is recorded and produced at the IISS in London. Hosted on Acast. See acast.com/privacy for more information.

     In this episode of the Road to Growth podcast, we are pleased to introduce you to Hermann Simon . Hermann Simon, PhD., is a world-renowned management thinker, consultant, pricing expert, entrepreneur and leading authority on the “hidden champions” business model. He is the founder and honorary chairman of Simon-Kucher & Partners, the world's leading price consultancy with over 1,700 employees and 42 offices worldwide. Simon is the author of 40 books in 30 different languages, including worldwide bestseller Hidden Champions, first published by Harvard Business School in 1996.       Since Simon's introduction of the term “Hidden Champion'' almost thirty years ago, business leaders have been fascinated with these 3,400 successful companies – roughly half of which are German – who, despite being midsize companies, often have global market shares of over 50 percent. These hidden champions are behind Germany's success in exports and a differentiator in how business is done in the United States. Simon's recent work focuses on how the United States and other countries can learn from Germany's hidden champions.      Simon continues to bring value to the marketing world through his writing, recentling publishing True Profit!: No Company Ever Went Broke Turning a Profit (Springer, July 2021). In True Profit! Simon brings clarity to the jungle of profits and balance sheets, shedding light on the performance of numerous companies and industries in an international comparison. He discusses the dilemma of why more than 80% of companies in the U.S. that have gone public have never turned a profit, and questions allegations of corporate greed – arguing that profit-making is ethical if achieved in a decent way.      Recently, Simon also released an autobiography, Many Worlds, One Life: A Remarkable Journey from Farmhouse to the Global Stage (Springer, March 2021), which highlights the influences on his remarkable journey from humble origins on a German farm to advising and sharing the stage with global leaders in industry, academia and politics. Many Worlds, One Life reveals unique insights into the man himself and the origins of his ideas on successful leadership and business strategy. Many Worlds, One Life has been published in English, German, Chinese, Japanese and Korean.      Simon's upcoming book, Hidden Champions in the Chinese Century: Ascent and Transformation (Springer, April 2022), is an in-depth exploration of the ever-changing operating conditions, as well as the greater uncertainty and volatility, that will define global business over the next 10 years—with a particular focus on China's impact. Whether a company is a “Hidden Champion” or aspires to be one, this newest release from Simon provides essential food for thought as executives and managers chart their course into the future.      Before committing himself to management consulting, Simon was a professor of business administration and marketing at the Universities of Mainz and Bielefeld. During his academic career, he was a visiting professor at Harvard Business School, Stanford University and the Massachusetts Institute of Technology, as well as INSEAD, London Business School and Keio University in Tokyo. Simon is an honorary professor at the University of International Business and Economics in Beijing, and the “Hermann Simon Business School” in China is named after him.      In 1995, Simon made the life-changing decision to leave his professorship behind. He put his Hidden Champions blueprint into practice as an entrepreneur, founding his own consulting firm, Simon-Kucher & Partners, with Dr. Eckhard Kucher, his first doctoral student. Simon-Kucher & Partners is now the global market leader in price consulting, growing considerably faster than the rest of the consulting market, with $522 million in revenue in 2021, 18% average annual growth, and a clear focus on top-line growth.    Learn more and connect with Hermann Simon by visiting him on   Facebook: https://www.facebook.com/hermann.simon.50 Youtube: https://www.youtube.com/channel/UCZnVfMkFXvm2GLpy5VsVdtA Twitter: https://twitter.com/hermannsimon     Be sure to follow us on Twitter: Twitter.com/to_growth on Facebook: facebook.com/Road2Growth   Subscribe to our podcast across the web: https://www.theenriquezgroup.com/blog Spotify: https://spoti.fi/2Cdmacc iTunes: https://apple.co/2F4zAcn Castbox: http://bit.ly/2F4NfQq Google Play: http://bit.ly/2TxUYQ2 Youtube: https://www.youtube.com/channel/UCKnzMRkl-PurAb32mCLCMeA?view_as=subscriber   If you are looking to be a Guest on Podcasts please click below  https://kitcaster.com/rtg/  For any San Diego Real Estate Questions Please Follow Us at web: www.TheEnriquezGroup.com Youtube: https://www.youtube.com/channel/UCKnzMRkl-PurAb32mCLCMeA or Call : 858 -345 - 7829 Recently reduced properties in San Diego County * Click **** bit.ly/3cbT65C **** Here* ****************************************************************************

Naoko Matsuzaki, a Managing Director at KPMG, shares her reflections on defining moments in her career, including how working with clients and colleagues can lead to offers to take up amazing study and job opportunities. Naoko has come across many challenges in her career, not to mention trying to start her career in the “hiring ice age”! But she always found a way. This is an inspirational story of what can happen when you give things a try and just do your best. Special shout out to John Lindsay as you will LOVE this episode for your windshield time. Also, Tove Kinooka listen out for a fabulous horse analogy you will absolutely love.  If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here! In this episode you'll hear: How Naoko got her first position during the "hiring ice age" before the concept of DEI Taking the chance to apply for the best US law schools with the help of a surprising ally The reverse culture shock of returning to a Japanese corporation The value of different career experiences and viewpoints that add value to a team Her favourite book she recently read and other fun facts  About Naoko Naoko is a graduate of law from Keio University and is a managing director at KPMG. As a core member of the leadership of a new team, she assists clients on mitigating corporate misconduct, namely prevention, detection, and incident response and enhancement of a compliance program for her clients. Her team is currently like an internal startup, working on building this new practice within the next few years.  Naoko holds an LL.M. from Stanford Law School and an LL.B. from Keio University in Tokyo, is natively fluent in Japanese and English, and has lived and worked in Japan and the U.S. She is a member of the American Bar Association and has lectured on international panels regarding anti-corruption. Naoko also enjoys horseback riding.  She is a certified horseback rider of the Japan Equestrian Federation and sometimes participates in British style dressage competitions.  Connect with Naoko  LinkedIn: https://www.linkedin.com/in/naokomatsuzaki/ Links Die with Zero: ​​https://amzn.asia/d/hNGWbLF   Connect with Catherine  Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair Facebook: https://www.facebook.com/catherine.oconnell.148 Twitter: https://twitter.com/oconnelllawyer  YouTube: https://youtube.com/@lawyeronair 

EPISODE 1480: In this KEEN ON show, Andrew talks to the author of POWER RIVALS, Carl Delfeld, about what he sees as the Republican existential challenge of reaching non-aligned votersCarl Delfeld is Hay-Seward Senior Fellow at the Center for Economic Security, Chief Global Analyst at Cabot Wealth, and author of new book, Power Rivals: America and China's Superpower Struggle and a Managing Partner of Blackthread LLC, began his career with the First National Bank of Boston later becoming director of the Japan and South Korea group. As vice president and Asia director for the investment firm Robert W. Baird & Company, and managed two campaigns in Wisconsin before joining the U.S. Senate Finance Committee and U.S. Joint Economic Committee as an Asia advisor and as an emerging markets advisor to the U.S. Treasury Department. Carl was then appointed by President George H.W. Bush to represent America on the executive board of the Asian Development Bank in Manila, Philippines. Carl was a co-founder and CFO of Pacifica Holdings, editor and columnist with Forbes Asia, served as a member of the US National Committee on Pacific Economic Cooperation, and was chairman of the Asian Pension Forum. He is also an advisor to Asia Frontier Capital and the author of three books on investing as well as Red, White & Bold: Building a New American Century. He earned a MALD from the Fletcher School of Law & Diplomacy, Tufts University with study and research at Sophia University, Keio University, and Harvard University's Center for International Studies.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

EPISODE 1480: In this KEEN ON show, Andrew talks to the author of POWER RIVALS, Carl Delfeld, about what he sees as the Republican existential challenge of reaching non-aligned voters Carl Delfeld is Hay-Seward Senior Fellow at the Center for Economic Security, Chief Global Analyst at Cabot Wealth, and author of new book, Power Rivals: America and China's Superpower Struggle and a Managing Partner of Blackthread LLC, began his career with the First National Bank of Boston later becoming director of the Japan and South Korea group. As vice president and Asia director for the investment firm Robert W. Baird & Company, and managed two campaigns in Wisconsin before joining the U.S. Senate Finance Committee and U.S. Joint Economic Committee as an Asia advisor and as an emerging markets advisor to the U.S. Treasury Department.  Carl was then appointed by President George H.W. Bush to represent America on the executive board of the Asian Development Bank in Manila, Philippines. Carl was a co-founder and CFO of Pacifica Holdings, editor and columnist with Forbes Asia, served as a member of the US National Committee on Pacific Economic Cooperation, and was chairman of the Asian Pension Forum. He is also an advisor to Asia Frontier Capital and the author of three books on investing as well as Red, White & Bold: Building a New American Century. He earned a MALD from the Fletcher School of Law & Diplomacy, Tufts University with study and research at Sophia University, Keio University, and Harvard University's Center for International Studies. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is our 9th episode of T-Time Tuesdays with Tiffany, alongside team member, Minami. This has been a space where we chit chat about life, events that have caught our attention and updates on upcoming projects. And today, we have invited 2 lovely guests from Keio University, Natasha(They/Them) and Icha (She/Her). We discussed about “Shunbun No Hi” (春分の日) with its cultural practices, etiquette when visiting shrines, and our thoughts and events held on International Women's Month. Icha and Natasha share inspiring LGBTQ+ stories, from their views on safe spaces, attitudes about LGBTQ+ in Indonesia and UK, their coming out stories, role models, the ballroom culture alongside the influence from media such as “POSE” and “Paris is Burning”,  and their activities with the Queer At Keio Circle, “Quak”. Lastly, we would love to hear from you as to what you think about the T-Time Tuesday series. Are there any stories that you could relate to? What would you like for us to cover in the future?  As always, we love and thank you for your support and joining us time and time again. Until next time, keep safe and be kind to yourself with love. Attention: If you want to be part of the creative and artistic team at ‘Breakfast With Tiffany Show', feel free to email us (breakfastwithtiffanyshow@outlook.com) And the Zenscape Wellness Retreat in Hiroshima on April will be postponed. We will announce further updates, so stay tuned!Mentioned in the Episode; Shunbun No Hi: https://cotoacademy.com/shunbun-no-hi/ Creator of Tokyo Kiki Lounge: Instagram @hiha.jp/ @tokyo_kiki_lounge Ep. 73: The Most Important Culture In Japan By Kimono Culture Expert Sheila Cliffe ~ https://www.tiffanyrossdale.com/podcast/episode/4ce8ed48/the-most-important-culture-in-japan-by-kimono-culture-expert-sheila-cliffe ~~Natasha Takahashi (They/Them) is a British Japanese student who studies at the faculty of environment and information at Keio University. They are the co-founder and Educational officer of the Quak circle. Icha (She/ Her) was born in Indonesia and is currently in  Japan for her studies. She is a third year student studying fashion and business. Icha started the queer circle called Quak at Keio in my university together with Natasha. The circle began with the goal of making a safe space at school for queer folk, and to anyone who is interested in learning about the community in an approachable manner. Find out more about Icha, Natasha and the circle “Quak” below; Instagram Accounts ~  @queeratkeio @farichafawnia @natchan.2021 Support the showBreakfast With Tiffany Show Official Facebook Page ~ https://www.facebook.com/breakfastwithtiffanyshow Tiffany's Instagram Account ~ https://www.instagram.com/tiffanyrossdaleofficial/ For coaching sessions & programs with Tiffany, check out her official page ~ https://www.tiffanyrossdale.com Breakfast With Tiffany Show Youtube Channel ~ https://bit.ly/3vIVzhE Breakfast With Tiffany Show Official Page ~ https://www.tiffanyrossdale.com/podcast For questions, requests, collaborations and comments, feel free to reach us via our e-mail~breakfastwithtiffanyshow@outlook.com

Andrew Dewar was born in Toronto in 1961, and has degrees in Journalism, Japanese Studies, and Library Science. He has lived in Japan since 1988. Since completing his Ph.D. studies at Keio University in Tokyo, he has taught at several colleges, and for the past decade has been principal of Tokai Daiichi Kindergarten as well as professor and Library Director at Tokai Gakuin University in Gifu, Japan. Soon after arriving in Japan, he rediscovered his childhood love of paper airplanes, and has been flying, designing, and publishing for more than three decades. He also teaches papercraft at schools, community centers, and museums around the country. He has more than 40 publications in English and Japanese.

On this week's show: Rising waters and intense storms make siting high-performance computer centers a challenge, and matching up spider silk DNA with spider silk properties   (Main Text) First up on the podcast this week, News Intern Jacklin Kwan talks with host Sarah Crespi about how and where to build high-performance computing facilities as climate change brings extreme conditions to current locations. Spiders are creeping into the show this week. Kazuharu Arakawa, a professor at the Institute for Advanced Bioscience at Keio University, discusses his Science Advances paper on collecting spider silks and the genes that make them. His team used the data set to connect genetic sequences to the properties of spider silks in order to harness this amazing material for industrial use. Visit the spider silkomes database here: https://spider-silkome.org/  This week's episode was produced with help from Podigy. [Image: Dace Znotina/iStock; Music: Jeffrey Cook] [alt: a spiderweb with podcast overlay symbol] Authors: Sarah Crespi; Jacklin KwanSee omnystudio.com/listener for privacy information.

In a rare interview, the influential Japanese designer speaks with BoF's Imran Amed about the philosophy that underpins his boundary-breaking career. Background:  After graduating from Keio University with a law degree, Yohji Yamamoto realised he wasn't interested in the law. “I didn't want to join the ordinary society,” he says. “So I told my mother after graduation … ‘I want to help you.'”  She agreed to let him work at her dressmaking shop in Kabukicho, an entertainment district in Tokyo's Shinjuku ward, and learn from the sewing assistants if he enrolled at Bunka Fashion College, now famous for training designers such as Kenzo Takada, Junya Watanabe and Yamamoto himself. After graduating, Yamamoto went on to set up a small ready-to-wear company that slowly acquired buyers in all of Japan's major cities. This success eventually led him to Paris, where his signature tailoring and draping in oversized silhouettes created an aesthetic earthquake at Paris Fashion Week in 1981. Since then, Yamamoto has developed a cult following of loyalists who swear by his avant-garde designs. “I'm not working in the mainstream,” he says. “I'm working in the side stream.” This week on The BoF Podcast, we revisit Imran Amed's rare interview with the legendary Japanese designer about his storied career — and the mindset designers need to succeed.  Key Insights: Yamamoto says the fashion industry's increasingly fast-pace has come at the expense of true creativity. “For me the fashion business became a money business,” he said. “I felt I've been losing my competitors year by year.” Yamamoto believes that modern technology can be a distraction. “When I speak with young designers, I [tell] them shut your computer,” he said. “If you really want to see real things, real beauty, you have to go there by walking.” Yamamoto believes it's a designer's job to completely immerse themselves in design. “If you want to create something, keep resisting the mediocracy of ordinary things. It's a life's work. Are you ready to sacrifice yourself to create something?” Additional Resources:  Watch the full interview here: Inside Yohji Yamamoto's Fashion Philosophy The Magic of Yohji Yamamoto