Podcasts about Sherwood Anderson

Founded in Chicago in 1914, the avant-garde journal the Little Review became a giant in the cause of modernism, publishing literature and art by luminaries such as T.S. Eliot, Djuna Barnes, William Butler Yeats, James Joyce, Ezra Pound, Pablo Picasso, Max Ernst, Gertrude Stein, Jean Toomer, William Carlos Williams, H.D., Amy Lowell, Marcel Duchamp, Joseph Stella, Hans Arp, Mina Loy, Emma Goldman, Wyndham Lewis, Hart Crane, Sherwood Anderson, and more. Perhaps most famously, the magazine published Joyce's Ulysses in serial form, causing a scandal and leading to a censorship trial that changed the course of literature. In this episode, Jacke talks to scholar Holly A. Baggett about her book Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review, which tells the story of the two Midwestern women behind the Little Review, who were themselves iconoclastic rebels, living openly as lesbians and advocating for causes like anarchy, feminism, free love, and of course, groundbreaking literature and art. PLUS Phil Jones (Reading Samuel Johnson: Reception and Representation, 1750-1970) stops by to discuss his choice for the last book he will ever read. Additional listening: 600 Doctor Johnson! (with Phil Jones) 564 H.D. (with Lara Vetter) 165 Ezra Pound The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

É difícil acreditar, mas Castle Rock é destruída pelo consumismo. Sobre Leland Gaunt e sua loja "Needful Things", o casal Alan Pangborn + Polly Chalmers, e donas de casa trocando facadas em plena luz do dia. Referências: Stephen King. Needful Things: the Last Castle Rock Story. NY: Viking, 1993. Sherwood Anderson. Winesburg, Ohio. NY: B. W. Huebsch, 1919. Artigo sobre o livro: Cedrini, M., Dagnes, J., & Akdere, Ç. (2021). Stephen King's “Needful Things”: a dystopian vision of capitalism during its triumph. Journal of Post Keynesian Economics, 44(3), 341–364. https://doi.org/10.1080/01603477.2021.1932525  Música de desfecho: This Amber Phase // Aletheia phrikodes (2024)

This week on The Learning Curve, co-hosts Alisha Searcy of DFER and U-Arkansas Prof. Albert Cheng interview Carl Rollyson, CUNY professor, and acclaimed biographer of William Faulkner. Prof. Rollyson offers an in-depth exploration of Faulkner's life, work, and enduring legacy. He discusses Faulkner's formative years in early 20th-century Mississippi a region still grappling with its post-Civil War identity, and his early literary influences, including mentorship by Phil Stone and encounters with literary greats like Sherwood Anderson. Rollyson delves into Faulkner's tumultuous personal life, his complex marriage to his wife Estelle, and his writing routine at his Oxford, Mississippi, home, Rowan Oak. Rollyson examines Faulkner's creation of Yoknapatawpha County, the setting for masterpieces such as The Sound and the Fury and Absalom, Absalom!, as well as his Hollywood years and their impact on his craft. He also explores Faulkner's views on race and civil rights, his Nobel Prize-winning novels, and his influence on Southern literature and writers like Flannery O'Connor and Ralph Ellison. In closing, Prof. Rollyson reads a passage from his two-volume biography, The Life of William Faulkner.

This is a free preview of a paid episode. To hear more, visit www.racket.newsSir Keir Starmer goes full Minority Report; White House Misinformation Kids caught talking shop. Plus, "The Egg" by Sherwood Anderson

1876 – Sherwood Anderson antes de ponerse a escribir, fue publicista y empresario de modo que algo sabía sobre las ventajas y desventajas de asumir una vida como artista y desde esa experiencia le escribe a su hijo que busca definir su vocación. Un espacio de Bárbara Espejo.

Na estante desta semana, só com três livros, para se dar lugar também a uma exposição (Spam Cartoon, no Museu Bordalo Pinheiro, em Lisboa), há uma pequena enciclopédia sobre as propriedades da Canábis - Maldita é Maravilhosa; as memórias de um polícia, o responsável por três grandes operações policiais (Apito Dourado, Face Oculta e Aveiro Connection), com um cognome que dá título ao livro: Insubmisso; e os contos de Sherwood Anderson, em Morte na Floresta e Outras Histórias.See omnystudio.com/listener for privacy information.

by Gertrude Stein

Nghe trọn nội dung sách nói Người Đàn Ông Hóa Thành Đàn Bà trên ứng dụng Voiz FM: https://voiz.vn/play/2604 Tác phẩm của Sherwood Anderson (1876 – 1941) tạo cảm hứng sáng tạo tinh thuần và mới mẻ cho văn chương Mỹ, dọn đường cho những ánh sao huyền thoại như William Faulkner và Ernest Hemingway, cả hai đều đón nhận có ý thức món nợ và ân tình của ông… Sherwood Anderson ghi dấu ấn vĩnh viễn trong văn chương bằng những truyện ngắn trữ tình và huyền bí, nơi ta thường bắt gặp những khoảnh khắc lóe sáng, những trải nghiệm bừng ngộ. Truyện ngắn của Anderson thường có ba tố chất: giản đơn, trữ tình và huyền bí. Hóa thành đàn bà ở đây mang tính chất tâm lý, có cốt truyện giản đơn trong một ngôn ngữ giàu chất thơ và đậm biểu tượng. Và tất nhiên, có huyền bí âm dương: Đàn ông và đàn bà, bạo lực và êm dịu, người và vật, trường đua và lò sát sinh, mưa và xương. Tại ứng dụng sách nói Voiz FM, sách nói Người Đàn Ông Hóa Thành Đàn Bà được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn. --- Về Voiz FM: Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi. --- Voiz FM website: https://voiz.vn/ Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFM Tham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/ --- Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói Người Đàn Ông Hóa Thành Đàn Bà và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM. Tải ứng dụng Voiz FM: voiz.vn/download #voizfm #sáchnói #podcast #sáchnóiNgườiĐànÔngHóaThànhĐànBà #SherwoodAnderson

On this episode of The Lonely Voice, Yvette Benavides and Peter Orner discuss Sherwood Anderson's story “Death in the Woods.”

It's Thursday, which means it's time for our look at the week in politics. Joining us is Stephanie Grace, the Times Picayune/The Advocate's editorial director and columnist. This week, we're discussing the latest news in the legal saga around Louisiana's new congressional district map. We'll also get an update on Gov. Jeff Landry's efforts to hold a constitutional convention this summer.  Lesbian, gay, bisexual and transgender students' rights are at the center of another clash between Landry's administration and President Biden.  Late last month, the state's Republican attorney general, Liz Murrill, sued the federal government alongside several other Republican-led states over changes to Title IX. The 1972 law prohibits sex-based discrimination in federally funded education programs. And protections now explicitly apply to LGBTQ students.  Louisiana's top education official Cade Brumley called the new rules “radical” and has told school districts to not follow them. To help us get up to speed, we're joined by Aubri Juhasz, WWNO/WRKF's education reporter.  The French Quarter in 1920's New Orleans was part slum, part tourist trap, and part incubator. It was a time of rebellion and freedom, of prohibition and free-flowing alcohol. One informal group of residents and friends at that time included William Faulkner, Sherwood Anderson, and Caroline Durieux. Among them was Genevieve Pitot, a young pianist, trained in Paris, and described by one group member as crazy as could be. Pitot was a piano prodigy whose travels also took her to New York where she worked with some of the formative choreographers of the early 20th Century, the Federal Dance Project of the Great Depression, and then Broadway. Denise Tullier-Smith, Pitot's niece, joins the show to preview her upcoming lecture about the pianist at the Pitot House in New Orleans. _____ Today's episode of Louisiana Considered was hosted by Bob Pavlovich. Our managing producer is Alana Schreiber; our contributing producers are Matt Bloom and Adam Vos; we receive production and technical support from Garrett Pittman and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:00 pm. It's available on Spotify, Google Play, and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Join us to explore the legacy of Sherwood Anderson, an often overlooked American writer who explored the American landscape as it changed after the Victorian period. Anderson's writing reflected on culture, politics, and society and helped shape the careers of Ernest Hemingway, William Faulkner, and others. His life took many turns, including a rather sharp one in the end. 

CHRIS HARDING THORNTON chats to Paul Burke about her new novel LITTLE UNDERWORLD, being a seventh generation Nebraskan, noir, PICKARD COUNTY ATLAS and music.   LITTLE UNDERWORLD: Omaha, 1930. When ex-cop-turned-PI Jim Beely murders the man who assaulted his fourteen-year-old daughter, the last person he wants to see is local crooked cop Frank Tvrdik. Luckily, Frank isn't interested in the lifeless body in Jim's car. Frank has a proposition: he'll make the dead man disappear if Jim helps take down Elmer Kobb, who is vying for city commissioner and willing to backstab anyone who gets in his way.Soon, Jim and Frank are sucked into a seedy world of crime and corruption, where no one is safe and nothing is what it seems. Then Jim is violently attacked and one of his operatives turns up dead within the span of twelve hours, and his search for the truth yields a web of lies and a mounting death toll. As he and Frank are pulled deeper into the city's dark underbelly and its absurd political machinations, Jim begins to question everything he knows about Omaha and his place in it.In her moody, ferocious, and darkly funny follow-up to Pickard County Atlas, a novel Tana French called a "slow-burning beauty of a book," the native Nebraskan Chris Harding Thornton mines Omaha's sordid past, melding fact and fiction into an unforgettable tale of danger and deceit. Little Underworld asks: What does it mean to be good, and what is left for those of us who aren't?Chris Harding Thornton, a seventh-generation Nebraskan, holds an MFA from the University of Washington and a Ph.D. from the University of Nebraska, where she has taught literature and writing courses. Her other professions have included quality assurance overseer at a condom factory, jar-lid screwer at a plastics plant, closer at Burger King, record store clerk, all-ages club manager, and PR writer. Pickard County Atlas is her first novel.Recommendation:Steve Weddle The County Line Mentions - James Welch, Sherwood Anderson, Sarah Orne Jewett & Willa CatherPaul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023. An Encyclopedia of  Spy Fiction will be out in 2025.Music courtesy of  Guy Hale KILLING ME SOFTLY - MIKE ZITO featuring Kid Anderson. GUY HALE Produced by Junkyard DogCrime TimeProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 20232024??

The Mercury Summer Theatre of the Air | I'm a Fool [Sherwood Anderson] & The Telltale Heart [Edgar Allan Poe] || Broadcast: August 23, 1946: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

En 2023 se cumplieron veinticinco años de la muerte de Gloria Fuertes. La mayoría la conocemos sobre todo por su poesía infantil, pero cultivó también la poesía para adultos. De eso hablamos con Julia Viejo, editora de Lo que pasa es que te quiero, un volumen de Blackie Books que recoge la poesía amorosa de la escritora madrileña, reivindicada desde hace unos años por esta editorial y la mejor compañía posible en una fecha tan especial como esta. En su sección, Sergio C. Fanjul se pregunta - a propósito del consumismo navideño- si los libros son sólo cosas o algo más que eso. Luego se sientan a la mesa Javier Lostalé e Ignacio Elguero, que sugieren a los oyentes libros para regalar que se salen de las típicas listas de los más vendidos, como los poemarios Baladas y odas (Ed. Fundación José Manuel Lara), de Juan Ramón Jiménez, Lo que busca la abeja (Ed. Reino de Cordelia), de Víctor Herrero de Miguel y El instante y su sombra (Ed. Cálamo), de Julia Otxoa, que reúne aforismos y haikus. También El diario de juventud de Idea Vilariño (Ed. Visor), la novela Tar, una infancia en el medio oeste (Ed. Pre-Textos), de Sherwood Anderson y el último número de la revista Turia, dedicado al desaparecido Ángel Guinda. Terminamos el programa junto a Mariano Peyrou, que nos propone hacer un balance del año rescatando poemas de épocas y tonos muy dispares que sin embargo comparten la idea de que el pasado -por duro que sea- nos permite acercarnos a la vida con mayor intensidad y que han sido extraídos de los libros: Vetas y naturalezas (Ed. Visor), del italiano Valerio Magrelli, el volumen de lírica trovadoresca Poesía de trovadores, trouvères y minnesinger (Ed. Alianza) y la antología Poetas argentinas 1981-2000 (Ediciones del Dock).Escuchar audio

Lo Que Nos Cuenta El Cuento - El Poder de Dios, Sherwood Anderson by Radiotelevisión de Veracruz

Sherwood Anderson fue periodista, cuentista y novelista. Un gran maestro de la literatura estadounidense, del relato breve, del cuento simple y directo. Y, principalmente, verosímiles. La historia lo recuerda también por ser el maestro y mentor de nada menos que William Faulkner. Antes de dedicarse a la literatura, fue publicista y empresario hasta que decidió dejar todo para escribir. En esta carta, el escritor le habla a su hijo John, que quiere ser pintor. Es un texto con consejos, sí, pero principalmente un manifiesto sobre el empleo del tiempo, el dinero y las complejidades de ser artista. Lee el actor José Escobar. *** Querido John: Me atrevo a decir que lo mejor es aprender algo de buena manera para ganarse la vida. Parece que Bob está ganando terreno en el negocio de los periódicos y ha recibido otro aumento. Él está siendo bien entrenado, trabaja en una ciudad más pequeña. En cuanto a los campos científicos, cualquiera de ellos requiere una larga formación y una aplicación intensa. Si tú estás hecho para eso, nada podría ser mejor. A la larga, tendrás que llegar a tu propia conclusión. Las artes, que probablemente ofrezcan mayor satisfacción a un hombre, son inciertas. Es difícil ganarse la vida. Si tuviera que ocuparme de mi propia vida, supongo que seguiría siendo escritor, pero estoy seguro que le daría mi mayor atención a aprender a hacer cosas directamente con mis manos. Nada entrega más satisfacción que hacer las cosas uno mismo. Por sobre todo, evita seguir el consejo de los hombres que no tienen cerebro, ni idea de lo que están hablado. La mayoría de los pequeños hombres de negocio, simplemente dicen “mírame”. Suponen que si acumularon un poco de dinero y tienen una posición en un pequeño círculo, son capaces de asesorar a cualquiera. Junto a las ocupaciones, está la construcción del buen gusto. Eso es difícil, de largo aliento. Pocos lo logran. Hace toda la diferencia del mundo, al final. Me sorprende constantemente lo poco que saben los pintores sobre pintura, los escritores sobre escritura, los comerciantes sobre negocios, los fabricantes sobre fabricación. La mayoría de los hombres simplemente pierden el rumbo. Hay una especie de astucia en muchos hombres que les permite obtener dinero. Es la astucia del zorro tras el pollo. Una mentalidad mezquina a menudo va de la mano. Sobre todo, me gustaría que vieras, por tus propios ojos, todo tipo de hombres. Eso te será de gran ayuda. ¿Cómo se logra? Precisamente, no lo sé. Quizás se pueda encontrar un camino. De todos modos, te veré este verano. Comenzamos a empacar de regreso esta semana. Con afecto, Papá

Tonight's reading comes from The Modern Writer. Published in 1925 and written by Sherwood Anderson, this story looks at the art of writing, as it was in the early 1900's.  My  name is Teddy and I aim to help people everywhere get a good night's rest. Sleep is so important and my mission is to help you get the rest you need. The podcast is designed to play in the background while you slowly fall asleep. Bore You to Sleep is a sleep podcast that features calming narration and boring bedtime stories to help you fall asleep soundly. At 'Bore You to Sleep,' we're on a mission to help everyone achieve the rest they deserve. We're deeply grateful for the support we've received, especially from our first Spotify podcast supporter, Catherine Chaput. You can easily support us on Spotify or Patreon. To keep our podcast accessible to all, we rely on listener support. Subscribing, sharing with friends, and leaving reviews, even just a sentence, makes a significant difference. If you'd like to become a Patron or Sponsor, visit Boreyoutosleep.com. Your monthly contribution, whether $1 or $5, helps us create more episodes. We're immensely thankful for all our existing Patrons, Sponsors, and listeners who engage with our content. Connect with us on Twitter, Instagram, and Facebook @BoreYouToSleep. Saying 'thank you' through reviews and shares is a fantastic way to support us. Your support enables us to help others find the rest they need. Lie back, relax, and enjoy our readings. Sincerely, Teddy." --- Support this podcast: https://podcasters.spotify.com/pod/show/boreyoutosleep/support

245 - Known for his self-revealing works (and his four marriages), our author makes use of his expertise in this scintillating story.

Marching Men

Bebida, de Sherwood Anderson.

El filósofo, de Sherwood Anderson.

The book, Old Masters and Young Geniuses shows there are two types of creators: experimental, and conceptual. Experimental and conceptual creators differ in their approaches to their work, and follow two distinct career paths. Experimental creators grow to become old masters. Conceptual creators shine as young geniuses. University of Chicago economist, and author of Old Masters and Young Geniuses, David Galenson – who I interviewed on episode 105 – wanted to know how the ages of artists affected the prices of their paintings. He isolated the ages of artists from other factors that affect price, such as canvas size, sale date, and support type (whether it's on canvas, paper, or other). He expected to find a neat effect, such as “paintings from younger/older artists sell for more.” But instead, he found two distinct patterns: Some artists' paintings from their younger years sold for more. Other artists' paintings from their older years sold for more. He then found this same pattern in the historical significance of artists' work: The rate at which paintings were included in art history books or retrospective exhibitions – both indicators of significance – peaked at the same ages as the values of paintings. When he looked closely at how painters who followed these two trajectories differed, he found that the ones who peaked early took a conceptual approach, while those who peaked late took an experimental approach. Cézanne vs. Picasso The perfect examples of contrasting experimental and conceptual painters are Paul Cézanne and Pablo Picasso. Paintings from Cézanne's final year of life, when he was sixty-seven, are his most valuable. Paintings from early in Picasso's career, when he was twenty-six, are his most valuable. A painting done when Picasso was twenty-six is worth four times as much as one done when he was sixty-seven (he lived to be ninety-one, and his biographer and friend called the dearth of his influential work later in life “a sad end”). A painting done when Cézanne was sixty-seven – the year he died – is worth fifteen times as much as one done when he was twenty-six. Cézanne, the experimenter Cézanne took an experimental approach to painting, which explains why it took so long for his career to peak. Picasso took a conceptual approach, which explains why he peaked early. Cézanne left the conceptual debates of Paris cafés to live in the south of France, in his thirties. He spent the next three decades struggling to paint what he truly saw in landscapes. He felt limited by the fact that, as he was looking at a canvas, he could only paint the memory of what he had just seen. He did few preparatory sketches early in his career, but grew to paint straight from nature. He treated his paintings as process work, and seemed to have no use for them when he was finished: He only signed about ten percent of his paintings, and sometimes threw them into bushes or left them in fields. Picasso, the conceptual genius Picasso, instead, executed one concept after another. He had early success with his Blue period and Rose period, then dove into Cubism. He often planned paintings carefully, in advance: He did more than four-hundred studies for his most valuable and influential painting, Les Demoiselles d'Avignon. One model described how he simply stared at her for an hour, apparently planning a series of paintings in his head, which he began painting the next day, without her assistance. Cézanne said, “I seek in painting.” Picasso said, “I don't seek; I find.” Cézanne struggled to paint what he saw, and Picasso said, “I paint objects as I think them, not as I see them.” Experimental vs. conceptual artists Here are some qualities that differ between experimental and conceptual artists: Experimental artists work inductively. Through the process of creation, they arrive at their solution. Conceptual artists work deductively. They begin with a solution in mind, then work towards it. Experimental artists have vague goals. They're not quite sure what they're seeking. Conceptual artists have specific goals. They already have an idea in their head they're trying to execute. Experimental artists are full of doubt. Since they don't already have the solution, and aren't sure what they're looking for, they rarely feel they've succeeded. Conceptual artists are confident. They know what they're after, so once they've achieved it, they're done, and can move on to the next thing. Experimental artists repeat themselves. They might paint the same subject over and over, tweaking their approach. Conceptual artists change quickly. They'll move from subject to subject, style to style, concept to concept. Experimental artists do it themselves. They're discovering throughout the process, so they rarely use assistants. Conceptual artists delegate. They just need their concept executed, so someone else can often do the work. Experimental artists discover. Over the years, they build up knowledge in a field, to invent new approaches. Conceptual artists steal. To a greater degree than experimental artists, they take what others have developed and make it their own. Other experimental & conceptual artists Some other experimental artists: Georgia O'Keeffe: She painted pictures of a door of her house in New Mexico more than twenty times. She liked to start off painting a subject realistically, then, through repetition, make it more abstract. Jackson Pollock: He said he needed to drip paint on a canvas from all four sides, what he called a “‘get acquainted' period,” before he knew what he was painting. Leonardo da Vinci: He was constantly jumping from project to project, rarely finishing. He incorporated his slowly-accrued knowledge of anatomy, optics, and geology into his paintings. Some conceptual artists: Georges Seurat: He had his pointillism method down to a science. He planned out his most-famous painting, Sunday Afternoon, through more than fifty studies, and could paint tiny dots on the giant canvas without stepping back to see how it looked. Andy Warhol: Used assistants heavily, saying, “I think somebody should be able to do all my paintings for me,” and “Why do people think artists are special? It's just another job.” Raphael: Who had a huge workshop of as many as fifty assistants, innovated by allowing a printmaker to make and sell copies of his work, and synthesized the hard-won methods of Leonardo and Michelangelo into his well-planned designs. Experimental & conceptual creators in other fields Galenson has found these two distinct experimental and conceptual trajectories in a variety of fields. This runs counter to the findings of Dean Simonton, who believes the complexity of a given field determines when a creator peaks. Galenson argues that the complexity of having an impact in a field changes, as innovations are made or integrated into the state of the art. Sculpture In sculpture, Méret Oppenheim had a conversation in a café with Picasso, and got the idea to line a teacup with fur. It became the quintessential surrealist sculpture, Luncheon in Fur, but it was totally conceptual. She continued to make art into her seventies, and never did another significant work. Constantin Brancusi spent a lifetime as an experimental sculptor. He said, “I don't work from sketches, I take the chisel and hammer and go right ahead.” He did his most famous work, Bird in Space, when he was fifty-two. Novels In novels, Mark Twain wrote The Adventures of Huckleberry Finn experimentally, in at least three separate phases, over the course of nine years. He finally published it when he was fifty. Hemingway's novels were conceptually driven, using his trademark dialog as one of his major devices. He picked up this technique and synthesized it from studying the work of Gertrude Stein, Sherwood Anderson, and Twain himself. When I talked to Galenson on episode 105, he explained the way to spot the difference between an experimental and a conceptual novel is to ask, “are the characters believable?” Conceptual novelists focus on plot, while experimental novelists focus on character. Poetry In poetry, Robert Frost, who spent his career trying to perfect how rhythms and stress patterns affected the meanings of words – so-called “sentence sounds” – wrote “Stopping by Woods on a Snowy Evening” when he was forty-eight. Ezra Pound developed his technique of “imagism” when he was twenty-eight, and had thought it through so well he published a set of formal rules. With this conceptual approach, he created the bulk of his influential poems before he was forty, despite living well into his eighties. Movies In film, Orson Welles created Citizen Kane when he was only twenty-six. The carefully-planned conceptual innovations in cinematography and musical score make it widely-regarded as the most influential film ever. Alfred Hitchcock didn't make his most-influential films until the final years of his life, as he was about sixty. He said, “style in directing develops slowly and naturally.” Are you an old master, or young genius? I really enjoyed Old Masters and Young Geniuses. I find this dichotomy of experimental versus conceptual approaches really helpful in understanding why, in general, some creative solutions come quickly, while others take months or years of searching. Do you have a choice in the matter? Galenson is careful to stress that you aren't either an experimental or conceptual creator – it's a spectrum, not a binary designation. But in case you're wondering if you can make yourself a conceptual creator, to become successful more quickly, Galenson says you can't. You might switch from a conceptual to an experimental approach, and find it works better for you, as did Cézanne, or you might try to go from experimental to conceptual and find it doesn't, as did Pissarro. But you can't change the way you think. He told me, “It's like trying to change your brain, and we don't know how to do that.” About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/old-masters-young-geniuses

"I'm a Fool", "The Open Window", and "My Little Boy" Adaptations of three short stories Orson Welles, Edgar Barrier and William Alland perform "I'm a Fool" by Sherwood Anderson. Ray Collins, Brenda Forbes and Virginia Welles (as Anna Stafford) perform "The Open Window" by Saki. Betty Garde, Kingsley Colton, Estelle Levy and Orson Welles perform "My Little Boy" by Carl Ewald. The Mercury Theatre on the Air is a radio series of live radio dramas created and hosted by Orson Welles. The weekly hour-long show presented classic literary works performed by Welles's celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series began July 11, 1938, as a sustaining program on the CBS Radio network, airing Mondays at 9 pm ET. On September 11, the show moved to Sundays at 8 pm. The show made headlines with its "The War of the Worlds" broadcast on October 30, one of the most famous broadcasts in the history of radio due to the panic it allegedly caused, after which the Campbell Soup Company signed on as sponsor. The Mercury Theatre on the Air made its last broadcast on December 4 of that year, and The Campbell Playhouse began five days later, on December 9. --- Send in a voice message: https://anchor.fm/waldina/message

Tonight I'll be reading aloud from Gertrude Stein's 1922 collection Geography and Plays. Following an earnest introduction by Sherwood Anderson, the experimental texts by Stein include Susie Asado, Ada, Miss Furr and Miss Skeene, A Collection, France, Americans, Italians, Ladies' Voices, and many many more. So get into bed, turn off the lights, close your eyes, and let Ricky read you to sleep. Photo of Alice B. Toklas and Gertrude Stein in Paris, 1922, by Man Ray.--- Send in a voice message: https://anchor.fm/rick-whitaker/messageSupport this podcast: https://anchor.fm/rick-whitaker/supportSupport the show

'The Man in the Brown Coat' by Sherwood Anderson is about a man who grew up in a poor family and who achieved a success in his life: he writes historical books and he owns a house.

"Death in the Woods"   In this masterpiece by American author Sherwood Anderson, the meaning of life (and death) are brought home to a man as he pieces together the fragments of a childhood memory that have haunted him ever since that long-ago day.

What do a toothpick, a  scarf and a banana peel have in common? This might sound like the beginning to a bad joke, but in this episode Jennie and Dianne share the stories of three artists who died under unusual circumstances. You will be introduced to writer and poet Sherwood Anderson, the mother of modern dance, Isadora Duncan, and Roland Reed whose photography helped the world to better understand the indigenous peoples of the American plains and the Southwest. All three lived adventurous lives and all three died Ordinary Extraordinary Deaths. Resources used to edit this episode include:*(We don't often use Wikipedia for research, however in this case, Wikipedia articles cross referenced with other sources helped to create a more complete picture of each person featured in this episode.)Paoletti, Gabe. "The Strange Deaths Of 16 Historic And Famous Figures." https://allthatsinteresting.com/. edited by John Kuroski, 13 Nov. 2017. allthatsinteresting.com/strange-deaths#11. Accessed 10 Apr. 2022.Shattuck, Ben. "A Sudden and Awful Manner ." https://themorningnews.org/. themorningnews.org/article/a-sudden-and-awful-manner. Accessed 10 Apr. 2022.Encyclopedia Britannica, Editors Of . "Sherwood Anderson American author ." https://www.britannica.com/. 4 Mar. 2022. www.britannica.com/biography/Sherwood-Anderson. Accessed 10 Apr. 2022.Anderson, Sherwood. "A Visit." https://www.poetryfoundation.org/. 1 Sep. 1917. www.poetryfoundation.org/poets/sherwood-anderson. Accessed 10 Apr. 2022.Taylor, S.R. "Sherwood Anderson." https://www.findagrave.com/. 22 Mar. 2021. www.findagrave.com/memorial/29/sherwood-anderson. Accessed 10 Apr. 2022. "Sherwood Anderson." https://en.m.wikipedia.org/. edited by Giant Snowman, 20 Mar. 2022. en.m.wikipedia.org/wiki/Sherwood_Anderson. Accessed 10 Apr. 2022.Skatoolaki, . "Isadora Duncan." https://www.findagrave.com/. www.findagrave.com/memorial/1444/isadora-duncan. Accessed 10 Apr. 2022. "Isadora Duncan." https://en.m.wikipedia.org/. edited by Citation Bot, 9 Apr. 2022. en.m.wikipedia.org/wiki/Isadora_Duncan. Accessed 10 Apr. 2022.Editors, History.Com. "Dancer Isadora Duncan is killed in car accident." https://www.history.com/. 11 Sep. 2019. www.history.com/this-day-in-history/dancer-isadora-duncan-is-killed-in-car-accident. Accessed 10 Apr. 2022.Stokes, Sewell. "Isadora Duncan." https://www.britannica.com/. 10 Sep. 2021. www.britannica.com/biography/Isadora-Duncan. Accessed 10 Apr. 2022.Connie, Joseph &. "Roland W “Royal Jr.” Reed ." https://www.findagrave.com/. 26 Nov. 2012. www.findagrave.com/memorial/101297510/roland-w-reed. Accessed 10 Apr. 2022.McGraw, Carol. "Tombstone gives photographer his due, ends long search ." https://gazette.com/. 25 Nov. 2012. gazette.com/news/tombstone-gives-photographer-his-due-ends-long-search/article_14ed9fa2-2125-5b01-a24f-aec7962cdd39.html. Accessed 10 Apr. 2022. https://en.m.wikipedia.org/. edited by Simeon, 16 Jan. 2022. en.m.wikipedia.org/wiki/Roland_W._Reed?fbclid=IwAR3PZA5UvFHRIgR0dE38QeVBydgpvxKGFBo1s83NH-qtIiX24t68DKrciKg. Accessed 10 Apr. 2022.Lawrence, Ernest R. Alone with the Past: The life and photographic art of Roland W. Reed . 1st ed., Edina, ‎Afton Historical Society Press, 2012.

This week's drama is from The Mercury Theatre on the Air, the episode is titled Three Short Stories (I'm a Fool, The Open Window, My Little Boy). End of this month, we will listen to another recording with I'm a Fool taken from Lady Esther. This episode aired August 8, 1938. Featured actors: Orson, Edgar Barrier and William Alland in I'm a Fool from Sherwood Anderson. Ray Collins, Brenda Forbes, Virginia Welles, and Anna Stafford) in The Open Window by Saki. Betty Garde, Kingsley Colton, Estelle Levy and Orson Welles perform My Little Boy by Carl Ewald. : : : : : website: https://otr.duane.media/ (https://otr.duane.media). email: info@otr.duane.media. connect n' follow: Instagram https://www.instagram.com/duane.otr/ (@duane.otr) | Twitter https://twitter.com/duane_otr (@duane_otr) Thank you for your support.

This week, Lobo and Trash welcome their first very special guest, the Mexican poet, novelist, and essayist Mauricio Montiel Figueiras. Together they talk about memories of 2021, the MFA debate, and about the books that have influenced their writing and helped them navigate difficult stretches in their lives. Mauricio Montiel Figueiras THE NEW YORK TRILOGY by Paul Auster; VERTIGO by W. G. Sebald; WHY READ THE CLASSICS? by Italo Calvino; END OF THE GAME AND OTHER STORIES by Julio Cortàzar; BASED ON A TRUE STORY by Delphine de Vigan; Pola Oloixarac; WINESBURG, OHIO by Sherwood Anderson; A GOOD WOMAN by Louis Bromfield; A MOVEABLE FEAST by Ernest Hemingway; I LOVE DICK by Chris Kraus Marguerite Duras, THE LOVER; Milan Kundera, THE UNBEARABLE LIGHTNESS OF BEING; Fernanda Trias, MUGRE ROSA FDF-List of Recommendations Restaurant: LA CAPITAL in Colonia Condesa, Mexico City Movie: RED ROCKET (2021) by Sean Baker Album: THE BOY FROM MICHIGAN (2021) by John Grant TV: VINCENZO Restaurant: THE CASINO, Bodega, CA Album: Pink Turns Blue, IF TWO WORLDS KISS Music: Daniel Barenboim and Jacqueline du Pre TV: The Capture

James Lundy's book, The History of the Poetry Society of South Carolina: 1920 to 2021, is a chronicle of the first 100 years of the oldest state poetry society in America, the Poetry Society of South Carolina. Founded in Charleston in 1920 by DuBose Heyward, John Bennett, Josephine Pinckney, Hervey Allen, and Laura Bragg, the Society's first 101 seasons run from the Jazz Age to the COVID era, where everyone from Carl Sandburg, Edna St. Vincent Millay, Robert Frost, Robert Penn Warren, Allen Tate, Ogden Nash, Billy Collins, Sherwood Anderson, Jericho Brown, Thornton Wilder, Robert Pinsky, and hundreds of others appeared before the membership.Talking with Walter Edgar, Lundy, also currently the Society's president, gives us an insider's view, with insights into the inner workings and disfunctions of the organization and its slow progress from a Whites-only organization of the segregated South founded in the aftermath of World War I and the Spanish Flu Pandemic, through the Roaring Twenties, into the darkness of the Great Depression, World War II, a resurgence during the Atomic Age, the turbulent Sixties, the decline of Charleston, its rebound into a tourist mecca, and into the present day.

One hundred years ago today, on 20 December 1921, the newlywed Hemingway's arrived in Paris. After almost two weeks on the  S.S. Leopoldina that left New York on December 8th the two finally arrived in the City of Light. Relying on Hadley and her eight years of French, the two found their way through day to day life. Friend and author Sherwood Anderson armed Hem with letters of introduction to other American expats and even made them a reservation at the Hotel Jacob et d'Angleterre on the Rue Jacob in Saint Germain-des-Près. Filled with fellow Americans, the hotel fittingly sits on the same spot that Benjamin Franklin and John Adams worked on the Treaty of Paris in 1783 that would end the American Revolution. When Ernest and Hadley stayed it was just 12 francs a day and in a bit of disrepair. Holes in the staircase carpet that Hem would call “traps for drunk guests”, but the price was right. Today the staircase and the inner garden is still the same, although they have changed the carpet.  On those cold days of December the two would walk the streets of St Germain “arm through arm, peering into courts and stopping in front of little shop windows”. Dining almost nightly at the nearby Le Près aux Clercs on the corner of Rue Bonaparte and Rue Jacob, just steps from their hotel. They could get a fantastic meal for just 12 francs and dine like royalty.. Those next few months and years are the most documented of his life. The countless books change the facts or add in a bit of their own point of view. Listen to the newest episode of Paris History Avec a Hemingway on La Vie Creative Podcast to hear about these early days when everything was “poor and happy”. More info and photos: https://www.claudinehemingway.com/paris-history-avec-a-hemingway-podcast-1Support Claudine on Patreon and get more of Paris and all her stories and benefits like discounts on her tours, custom history and exclusive content  https://www.patreon.com/bleublonderougefacebook https://www.facebook.com/BleuBlondeRougeInstagram https://www.instagram.com/claudinebleublonderouge/Join us every Sunday for a LIVE walk through Paris filled with history https://www.claudinehemingway.com/eventsSign up for the weekly Blue Blonde Rouge newsletter  https://view.flodesk.com/pages/5e8f6d73375c490028be6a76 Author & historianPodcast La Vie Creative, Paris History Avec a Hemingway Hemingway tours of ParisClaudineHemingway.comIG @claudinebleublonderougeFB @bleublonderouge La VIe Creative - Paris History Avec a Hemingway podcast.New Every Monday And find my live from Paris videos and more at my YouTube channel Live From Paris Every Sunday, filled with the history of the places, buildings and the people that came before us.  Support the show (https://www.patreon.com/join/Laviecreative)

A relação entre a História e a Literatura  é extremamente rica, tanto do ponto de vista das pesquisas históricas que tomam as obras de ficção literária como fonte quanto de sua dimensão artística – ao observamos e pensarmos na história da literatura em si.  No sétimo episódio da 4º temporada do Historicidade recebemos o historiador Lucas Kölln (UNIOESTE) para bater um papo sobre as relações entre a história e a literatura a partir de suas pesquisas sobre a história social do trabalho nos Estados Unidos da América no final do século XIX  e início do XX. Neste episódio entenda como uma ética do trabalho liberal predominante em discursos políticos distintos e as transformações profundas do capitalismo foram lidas nas obras de Sherwood Anderson e Jack London. Arte da Capa Mencionado nos recados do Episódio Literatura como fonte histórica (SciCast #455) Fronteiras no Tempo #7 – Mundo do Trabalho Financiamento Coletivo Ajude nosso projeto! Você pode nos apoiar de diversas formas: PADRIM  – só clicar e se cadastrar (bem rápido e prático) – http://www.padrim.com.br/fronteirasnotempo PIC PAY [https://app.picpay.com/user/fronteirasnotempo]– Baixe o aplicativo do PicPay: iOS / Android PIX: [chave] fronteirasnotempo@gmail.com Saiba mais do nosso convidado Lucas A. B. Kölln Currículo Lattes Twiiter Produção do Convidado KÖLLN, Lucas A.B. Trabalhadores rurais e migração na Califórnia dos anos 30: John Steinbeck e os “ciganos da colheita”. Revista Tempos Históricos, Marechal Cândido Rondon, v. 24, n. 1, pp. 130-164, 2020. Disponível em: http://e-revista.unioeste.br/index.php/temposhistoricos/article/view/24920 tradução de: STEINBECK, John. Os ciganos da colheita [1936]. Revista Tempos Históricos, Marechal Cândido Rondon, v. 24, n. 1, pp. 563-580, 2020. Disponível em: http://e-revista.unioeste.br/index.php/temposhistoricos/article/view/25635 KÖLLN, Lucas A.B. História social do trabalho e literatura: esforços para uma calibração dialética. Revista Espaço Plural, Marechal Cândido Rondon, Ano XVII, n. 34, pp. 56-82, 1º semestre 2016. Disponível em: http://e-revista.unioeste.br/index.php/espacoplural/article/view/14984 tradução de: MERRILL, Michael D. “Dinheiro serve para comer” – Autossuficiência e trocas nas origens dos Estados Unidos da América. Revista Tempos Históricos, Marechal Cândido Rondon, v. 24, n. 1, pp. 581-621, 2020. Disponível em: http://e-revista.unioeste.br/index.php/temposhistoricos/article/view/25641 Indicações Bibliográficas sobre o tema abordado BECKER, Howard S. Falando da Sociedade: ensaios sobre as diferentes maneiras de representar o social. Rio de Janeiro: Jorge Zahar, 2009 BOSI, Alfredo. Dialética da colonização. 2ª ed. São Paulo: Companhia das Letras, 1993. CANDIDO, Antonio. A educação pela noite e outros ensaios. São Paulo: Ática, 1987. _______. Formação da literatura brasileira: momentos decisivos (2 vols.). 12ª ed. São Paulo: FAPESP, 2009. CHALHOUB, Sidney. Machado de Assis historiador. São Paulo: Companhia das Letras, 2003. HOLANDA, Sérgio Buarque de. Capítulos de literatura colonial. Organização e notas de Antonio Candido. São Paulo: Brasiliense, 2000. SEVCENKO, Nicolau. A literatura como missão: tensões sociais e criação cultural na Primeira República. 3ª ed. São Paulo: Brasiliense, 1989. SCHWARZ, Roberto. Ao vencedor as batatas: forma literária e processo social nos inícios do romance brasileiro. 5ª ed. São Paulo: Editora 34; Livraria Duas Cidades, 2000. _______. Um mestre na periferia do capitalismo – Machado de Assis. 3ª ed. São Paulo: Editora 34, 1997. Indicações de referências sobre o tema abordado: História dos Estados Unidos: CARROLL, Peter N.; NOBLE, David W. The free and the unfree – A new history of the United States. 2ª ed. New York: Penguin Books, 1992. COCHRAN, Thomas; MILLER, William. The Age of Enterprise – A social history of Industrial America. Revised edition. New York: Harper Torchbooks, 1961. DEBOUZY, Marianne. O capitalismo “selvagem” nos Estados Unidos (1860-1920). Tradução de Maria de Lurdes Almeida Melo. Lisboa: Editorial Cor, 1972. FONER, Eric S. A short history of Reconstruction. New York: Houghton Mifflin Press, 1990. FONER, Philip S. History of the Labor Movement in the United States, Volume IV – The Industrial Workers of the World, 1905-1917. 2ª ed. New York: International Publishers, 1973. GAIDO, Daniel. The formative period of American capitalism – A materialist interpretation. New York: Routledge, 2006. GEISMAR, Maxwell. The last of the provincials. The American novel – 1915-1925. New York: Hill and Wang, 1959. GUTMAN, Herbert. Work, culture and society in industrializing America – Essays in American working-class and Social History. New York: Vintage Books, 1977. HOFSTADTER, Richard. Social Darwinism in American thought. Philadelphia: University of Pennsylvania Press, 1955. KOLKO, Gabriel. The triumph of conservatism – A reinterpretation of American History, 1900-1916. New York: Free Press, 1963. KULIKOFF, Alan. The agrarian origins of American capitalism. Charlottsville: University of Virginia Press, 1992. MERRILL, Michael. The anti-capitalist origins of the United States. Review (Fernand Braudel Center), v. 13, n. 4, pp. 465-497, 1990. PARRINGTON, Vernon Louis. Main currents in American thought – An interpretation of American literature from the beginnings to 1920. New York: Harcourt, Brace and Company, 1927-1930. SMITH, Henry Nash. Virgin land – The American West as symbol and myth. Cambridge: Harvard University Press, 1982. WILENTZ, Sean. Chants democratic – New York city and the rise of the American working-class (1788-1850). New York: Oxford University Press, 2004. _______. The rise of American Democracy – From Jefferson to Lincoln. New York: Norton, 2005. ZAVODNYIK, Peter. The rise of the Federal Colossus – The growth of Federal Power from Lincoln to F.D.R. Santa Barbara: Praeger, 2011. ZINN, Howard. A people’s history of the United States. New York: Longman, 1994. História e Literatura BOSI, Alfredo. Caminhos entre a literatura e a história. Estudos Avançados, n. 19, v. 55, p. 315-334, 2005. CANDIDO, Antonio. Literatura e sociedade – Estudos de teoria e história literária. 11ª ed. Rio de Janeiro: Ouro sobre Azul, 2010. _______. Noções de análise histórico-literária. São Paulo: Associação Editorial Humanitas, 2005. GINZBURG, Carlo. O fio e os rastros – Verdadeiro, falso, fictício. Tradução de Rosa Freire d’Aguiar e Eduardo Brandão. São Paulo: Companhia das Letras, 2007. LEITE, Lígia Chiappini Moraes. Literatura e história – Notas sobre as relações entre os estudos literários e os estudos historiográficos. Literatura e sociedade, n. 5, v. 5, p. 18-28, 2006. _______. O foco narrativo (ou A polêmica em torno da ilusão). 7ª ed. São Paulo: Ática, 1994. LIMA, Luiz Costa. História. Ficção. Literatura. São Paulo: Companhia das Letras, 2006. LUKÁCS, György. Ensaios sobre literatura. 2ª ed. Tradução de Leandro Konder. Rio de Janeiro: Civilização Brasileira, 1968. ROSENFELD, Anatol. Estrutura e problema da obra literária. São Paulo: Perspectiva, 1976. STAROBINSKI, Jean. A literatura: o texto e o seu intérprete. In: LE GOFF, Jacques; NORA, Pierre (orgs.). História: Novas abordagens. Tradução de Henrique Mesquita. Rio de Janeiro: Francisco Alves, 1976. pp. 132-143. THOMPSON, E.P. Os românticos – A Inglaterra na era revolucionária. Tradução de Sérgio Moraes Rêgo Reis. Rio de Janeiro: Civilização Brasileira, 2002. WILLIAMS, Raymond. Marxismo e literatura. Tradução de Waltensir Dutra. Rio de Janeiro: Zahar, 1979. WOOD, James. Como funciona a ficção. Tradução de Denise Bottmann. São Paulo: Cosac Naify, 2011. Expediente  Arte da vitrine: Augusto Carvalho; Edição:  Talk'nCast; Roteiro e apresentação: C. A. Como citar esse episódio Citação ABNT Fronteiras no Tempo: Historicidade #43 História dos Estados Unidos da América e Literatura. Locução Cesar Agenor Fernandes da Silva, Lucas A. B. Kölln, Marcelo de Souza Silva. [S.l.] Portal Deviante, 02/11/2021. Podcast. Disponível: http://www.deviante.com.br/?p=49655&preview=true Redes Sociais Twitter, Facebook, Youtube, Instagram Contato fronteirasnotempo@gmail.com Madrinhas e Padrinhos Adilson Lourenço da Silva Filho, Alexsandro de Souza Junior, Aline Lima, Alvaro Vitty, Anderson Paz, André Luis Santos, Andre Trapani Costa Possignolo, Andressa Marcelino Cardoso, Artur Henrique de Andrade Cornejo, Bruno Scomparin, Carlos Alberto de Souza Palmezani, Carlos Alberto Jr., Carolina Pereira Lyon, Ceará, Charles Calisto Souza, Cláudia Bovo, Daniel Rei Coronato, Eani Marculino de Moura, Eduardo Saavedra Losada Lopes, Eliezer Ferronato, Elisnei Oliveira, Ettore Riter, Felipe Augusto Roza, Felipe Sousa Santana, Flavio Henrique Dias Saldanha, Iago Mardones, Iara Grisi, João Carlos Ariedi Filho, José Carlos dos Santos, Leticia Duarte Hartmann, Lucas Akel, Luciano Beraba, Manuel Macias, Marcos Sorrilha, Mayara Araujo dos Reis, Mayara Sanches, Moises Antiqueira, Paulo Henrique de Nunzio, Rafael, Rafael Alves de Oliveira, Rafael Igino Serafim, Rafael Machado Saldanha, Rafael Zipão, Raphael Almeida, Raphael Bruno Silva Oliveira, Renata Sanches, Rodrigo Olaio Pereira, Rodrigo Raupp,  Rodrigo Vieira Pimentel, Rubens Lima, Sr. Pinto, Wagner de Andrade Alves, Thomas Beltrame, Willian Spengler e ao padrinho anônimo.See omnystudio.com/listener for privacy information.

A relação entre a História e a Literatura  é extremamente rica, tanto do ponto de vista das pesquisas históricas que tomam as obras de ficção literária como fonte quanto de sua dimensão artística - ao observamos e pensarmos na história da literatura em si.  No sétimo episódio da 4º temporada do Historicidade recebemos o historiador Lucas Kölln (UNIOESTE) para bater um papo sobre as relações entre a história e a literatura a partir de suas pesquisas sobre a história social do trabalho nos Estados Unidos da América no final do século XIX  e início do XX. Neste episódio entenda como uma ética do trabalho liberal predominante em discursos políticos distintos e as transformações profundas do capitalismo foram lidas nas obras de Sherwood Anderson e Jack London.

A relação entre a História e a Literatura  é extremamente rica, tanto do ponto de vista das pesquisas históricas que tomam as obras de ficção literária como fonte quanto de sua dimensão artística - ao observamos e pensarmos na história da literatura em si.  No sétimo episódio da 4º temporada do Historicidade recebemos o historiador Lucas Kölln (UNIOESTE) para bater um papo sobre as relações entre a história e a literatura a partir de suas pesquisas sobre a história social do trabalho nos Estados Unidos da América no final do século XIX  e início do XX. Neste episódio entenda como uma ética do trabalho liberal predominante em discursos políticos distintos e as transformações profundas do capitalismo foram lidas nas obras de Sherwood Anderson e Jack London.

by Gertrude Stein

The path to riches is not often associated with journalism, but in the case of George Ade, writing for Chicago newspapers was his road to wealth and fame. Ade, (1866-1944) who was born and raised in Kentland, Indiana, attended Purdue University and then came to Chicago to work as a reporter in the heydays of newspapers. Today George Ade is rarely remembered, with his books out of print, and decades since his musical comedies were performed. But from the 1890s to the early 20th century, he was compared to Mark Twain, a friend of his, and had not just one, but two hit plays on Broadway at the same time. Ade earned so much money from his successful books, plays and syndicated newspaper columns, he built an English Tutor on a 400-acre estate in Indiana, named Hazelden. There Ade threw big parties and was visited there by U.S. Presidents such as Theodore Roosevelt, William Howard Taft, and Calvin Coolidge. In fact, Taft began his Presidential campaign of 1908 from Hazelden. Ade's name lives on through his philanthropy, like the donation of 65 acres, with fellow alum David E. Ross, to Purdue University, for a football stadium in 1924, which is now known as Ross-Ade Stadium. What was true then about Ade's writing is also true now, and that is Ade's stories are hilarious. His final book “The Old Time Saloon” (1931) is laugh-out-loud funny and a recent edition from the University of Chicago Press is annotated by Bill Savage. Bill Savage, Ph.D. is a professor of English at Northwestern University and our guide through not only the work “The Old-Time Saloon: Not Wet - Not Dry, Just History” and this podcast. Dr. Savage paints a picture of the Chicago Ade knew from the high-class Saloons downtown to the more seedy establishments frequented by his friend, Finely Peter Dunne, whose literary bartender, Martin T. Dooley, delighted a nation with his quips. Writers like Ade and Dunne started out as journalists, and along the way captured the rhythms of speech and the vernacular of the working man, and in doing so gave birth to a new type of literature. A style practiced later by authors such as James Farrell, Nelson Algren, Mike Royko and Stuart Dybek. We hope you will enjoy this dive into Chicago's literary and drinking past. Links to Research and Historic Sources: The book, The Old-Time Saloon by George Ade Chicago writer and author George Ade (1866-1944)Ross-Ade Stadium at Purdue UniversityNorthwestern Professor of English Bill Savage, Ph.D.Hazelden (George Ade House) in Brook, IndianaChicago writer and author Peter Finley Dunne (1867-1937)Mr.Dooley on the Immigration Problem (1898) adapted from the writings of Finley Peter Dunne, performed by Alexander Kulcsar.“Who's Your Chinaman?”: The Origins Of An Offensive Piece Of Chicago Political Slang By Monica EngEra of "Hinky Dink" Kenna and "Bathhouse John” Coughlin from the Encyclopedia of Chicago"Mickey Finn: The Chicago Bartender Who Infamously Drugged And Robbed Patrons With Laced Drinks," By Natasha Ishak Published September 24, 2019The Everleigh Club from WikipediaChicago Daley News Building (Riverside Plaza) from WikipediaDouglas Copeland's novel “Generation X: Tales for an Accelerated Culture”Straw Hat Ettiquette from the Vintage Dancer websiteLiz Garibay's website: History on Tap"The Dry Season" by Steve Rhodes, published June 22, 2007 in Chicago MagazineThe book, The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood (Chicago Visions and Revisions) by Carlo Rotella (2019)Jimmy's Woodlawn Tap from the Chicago Bar Project websiteAmerican novelist and journalist, Theodore Dreiser (1871-1945) in WikipediaWriter, poet, and author, Carl Sandburg (1878-1967)The book Native Son by Richard Wright (1908-1960)Studs Lonigan: A Trilogy by James T. Farrell (1904-1979)American novelist and short story writer Sherwood Anderson (1876-1941) in WikipediaAmerican writer Nelson Algren (1909-1981) in WikipediaChicago: City on the ...

A part of our celebration of Walter Edgar's Journal at 21 we present an encore from 2014, with guest John Shelton Reed, talking about his book, Dixie Bohemia: A French Quarter Circle in the 1920s.In the years following World War I, the New Orleans French Quarter attracted artists and writers with low rent, a faded charm, and colorful street life. By the 1920s Jackson Square became the center of a vibrant but short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane, were among the "artful and crafty ones of the French Quarter." In Dixie Bohemia: A French Quarter Circle in the 1920s (LSU Press, 2012) John Shelton Reed introduces Faulkner's circle of friends ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer and brings to life the people and places of New Orleans in the jazz age.Dr. John Shelton Reed is the William Rand Kenan Jr. Professor Emeritus of sociology at the University of North Carolina, Chapel Hill, where he was director of the Howard Odum Institute for Research in Social Science for twelve years and helped found the university's Center for the Study of the American South and the quarterly Southern Cultures.

A part of our celebration of Walter Edgar's Journal at 21 we present an encore from 2014, with guest John Shelton Reed, talking about his book, Dixie Bohemia: A French Quarter Circle in the 1920s.In the years following World War I, the New Orleans French Quarter attracted artists and writers with low rent, a faded charm, and colorful street life. By the 1920s Jackson Square became the center of a vibrant but short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane, were among the "artful and crafty ones of the French Quarter." In Dixie Bohemia: A French Quarter Circle in the 1920s (LSU Press, 2012) John Shelton Reed introduces Faulkner's circle of friends ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer and brings to life the people and places of New Orleans in the jazz age.Dr. John Shelton Reed is the William Rand Kenan Jr. Professor Emeritus of sociology at the University of North Carolina, Chapel Hill, where he was director of the Howard Odum Institute for Research in Social Science for twelve years and helped found the university's Center for the Study of the American South and the quarterly Southern Cultures.

Jan Weissmiller has long been on the staff of Prairie Lights Books, where she is the poetry buyer and arranges poetry readings for the “Live from Prairie Lights” series. She received her MFA from the University of Iowa Writers' Workshop, teaches at the Iowa Summer Writing Festival, occasionally reviews poetry for the Boston Review, and was awarded the Loess Hills Poetry Award for her collection In Divided Light. Prairie Lights sprang to life in May 1978 as a small, intimate bookstore offering titles by the newer voices of Raymond Carver and Alice Munro and by established authors like Eudora Welty and George Orwell. As the staff and customers tended the books with care, the store grew and blossomed much like a garden. By 1982 Prairie Lights transplanted itself from South Linn St. to South Dubuque and has gradually spread to three and a half floors, the half being an 1100 square foot coffee house located in the same space that the local literary society met throughout the 1930s, hosting writers Carl Sandburg, Robert Frost, Sherwood Anderson, Langston Hughes, e e cummings and others. Gertrude Stein and friend Alice B. Toklas were scheduled for a reading but were sleeted in at Waukesha airport-- or so the story goes. Perhaps the strength of reputation lies in the reading series of local, national and international writers who have read their works which were broadcast live on stations WSUI and WOI and which was the only regular literary series of its kind. All of this could not have been possible without a loyal customer base and a dedicated staff. Prairie LightsBrandon Taylor, author Brandon Taylor, booksElizabeth Weiss, The Sisters SweetJane Hartshorn, poet, episode 21 The Bookshop PodcastDeborah Eisenberg, Your Duck Is My Duck   Support the show

Tonight's story:The Other Woman, by Sherwood Anderson.You can send me stories to read. Email bigvoicejay@gmail.com.Support the show (https://www.buymeacoffee.com/bvjpod)

J. J. Haas Author of Welcome to Sugarville on Author Talk Show Guest BIO:  J. J. Haas, author of Welcome to Sugarville, has published fiction and poetry in a wide variety of magazines such as Shenandoah, Rattle, The Magazine of Fantasy and Science Fiction, Asimov's Science Fiction, Baen's Universe, and Writer's Digest. He is a Senior Content Developer at ADP and a Fellow of the Society for Technical Communication, and he has been an Instructor in the Creative Writing Certificate Program at Emory Continuing Education. Haas is a graduate of the College of the University of Chicago in English Language and Literature and a Past President of the Alumni Club of Atlanta. He lives in a suburb of Atlanta with his wife Melissa and two Westies, Roro and Coco. Brief Description:  Welcome to Sugarville: A Novel in Stories Topics to Discuss:  My book Creative writing in general 1.What is the name of the book and when was it published? Welcome to Sugarville: A Novel in Stories will be published on April 9 in softcover, ebook, and audiobook formats following the book launch at The Carter Center in Atlanta. I recorded the audiobook myself after turning our daughter's old closet into a recording studio, and ACX recently approved the files for upload to Audible.com. 2.What's the book's first line? The first line of the first story is “Dr. Albert Cole woke up thirsty,” which serves as a metaphor for the spiritual paucity of the protagonist. Kurt Vonnegut once said “Make your characters want something right away even if it's only a glass of water.” I decided to take that advice literally. 3.What's the book about? Give us the “pitch”. Welcome to Sugarville, a town where fantasy meets reality and visitors take journeys of the imagination into the unknown. J. J. Haas stuns and delights with this engaging collection of linked stories. 4.What inspired you to write the book? A particular person? An event? My primary inspiration for writing fiction is the black humor of Kurt Vonnegut and Flannery O'Connor. I particularly like the surface simplicity of their writing coupled with the deeper metaphorical and ironic meaning. I modeled the structure of my collection on Sherwood Anderson's book Winesburg, Ohio, with each story set in the mythical town of Sugarville, Georgia. Thematically, all of the characters embark on spiritual journeys to find themselves, and each story contains a fantastic element that heightens the drama. 5.What's the main reason someone should really read this book? People should be interested in reading my book because it will make them laugh and give them something to think about. I hope they'll take away a renewed interest in examining their own lives by vicariously experiencing the events in this book through the eyes of my characters. While fantasy stories are typically set in an imagined past and science-fiction stories are typically set in an imagined future, these stories are set in a re-imagined present that sheds light on the spiritual dilemmas of our time. 6.(*For fictional titles only) What's the most distinctive thing about the main character? Who-real or fictional-would you say the character reminds you of? I affectionately refer to the characters in my book as my “Sugarvillains.” They aren't really bad people at all, but lost souls searching for meaning and dignity in their lives with sometimes comic, sometimes tragic results. All of the characters are based on people I've met in real life, but the names have been changed to protect the guilty. Web Site / Linkedin / Social Media Links: Website: http://www.jjhaasbooks.com Facebook: https://www.facebook.com/jjhaasauthor Linkedin: https://www.linkedin.com/in/jeff-haas-825133 Author Talk Show Interviews with authors about their journey of writing a book, the mission, story and what they learned during the process and more!

Sherwood Anderson was a very introspective and subjective writer, whose work was often loaded with personal experience.

This week The Cultists Present Michael Lehmann's ‘Heathers' (1989). On the surface, Heathers seems like just another flick about mean girls in high school, but lurking not even all that deeply under the film's pastel veneer is a downright savage satire of the teen experience. Initially written by a young Daniel Waters as a three hour long film in the hopes of baiting Stanley Kubrick, Waters' script does what only the aspirations of a fervently fresh writer with a slight sense of ego can. Packed with unexpected references from Hitchcock to Hollywood horror to Sherwood Anderson's ‘Winesburg, Ohio' —and heavily reliant on the metaphors of nine-wicket croquet—Heathers is a lot more than it seems. Deep dives include: the films “myriad” of source materials and references; “cutthroat” croquet; all the Kubrick-bait; the trouble with finding sponsors for your teen suicide-homicide movie; script excerpts from the original ending(s); and why Heathers remains a revelation of irreverence. Episode Safeword(s): “school spirit”

Da New Orleans a Gioia Tauro. Sherwood Anderson e Celeste Logiacco, uno scrittore e un'attivista contro la discriminazione e l'odio razziale.

A short story cycle is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts. Today's story from the Sherwood Anderson short story cycle Winesburg, Ohio, is entitled “Loneliness,” and concerns the character Enoch Robinson.

Winesburg, Ohio is a 1919 short story cycle by the American author Sherwood Anderson. The book consists of twenty-two stories, with the first story, "The Book of the Grotesque,” serving as an introduction. Our first story from this cycle is entitled “Hands.” In his Memoirs, Sherwood Anderson says that he wrote "Hands" at one sitting on a dark, snowy night in Chicago. It was, he says, his "first authentic tale," so good that he laughed, cried, and shouted out of his boarding house window.

Wizard Academy is now 16 years old.If we could find her birth certificate, we'd take her down to the DMV to get her driver's license and then she could sport about town in Rocinante (above,) the only vehicle she owns. They grow up so fast. When Wizard Academy is 30, I'll be 72. At least I hope I'll be 72. Not everyone who attempts to hike to that mile marker gets there. Will you help us take the impossible dream of Wizard Academy forward into the future? Wizard Academy was launched by accident and grew through the addition of self-selected insiders, as did the Tuesday Group of Stéphane Mallarmé (1880 – 1897,) the Algonquin Round Table of midtown Manhattan (1919 – 1927,) and the artistic salon of Gertrude Stein (1913 – 1939.) The difference between our Academy and theirs is that: 1. our group became an official 501c3 educational organization and built a permanent campus, and 2. we are not artists who love business, but business people who love art: music and paintings and sculpture and photography and movies and literature and whatever you like that we didn't mention. “When bankers get together for dinner, they discuss Art. When artists get together for dinner, they discuss Money.” – Oscar Wilde, of the Tuesday Group Wizard Academy is here to stay. And if you're reading this, I'm fairly certain you belong here. You will be amazed, energized, entertained and encouraged by the people you meet. You will gain insights that make you profoundly more successful.The Tuesday Group (Les Mardistes) of Stéphane Mallarmé included writers like André Gide, Paul Valéry, Oscar Wilde, Paul Verlaine, Rainer Maria Rilke and W.B. Yeats, along with painters like Renoir, Monet, Degas, Redon, and Whistler. Also to be found among them was the quintessential sculptor, Rodin. Everyone who knew about the Tuesday Group, came. The Algonquin Round Table was a self-selected group of writers, editors, actors, and publicists – about 30 in all – that met for lunch on a regular basis at the Algonquin Hotel a block from Times Square. There hasn't been another group quite like them in American popular culture or entertainment until now. Just visit the Toad and Ostrich pub in the tower at Wizard Academy any Friday afternoon at 4. The gatherings in the Stein home on Saturday evenings brought together confluences of talent and thinking that would help define modernism in literature and art. According to Gertrude Stein, the gatherings began by accident when, “more and more frequently, people began visiting to see the Matisse paintings—and the Cézannes. Matisse brought people, everybody brought somebody, and they came at any time and it began to be a nuisance, and it was in this way that Saturday evenings began.” (Interestingly, that's also why Pennie Williams launched Wizard Academy.) Self-selected insiders included Pablo Picasso, Henri Matisse, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Guillaume Apollinaire, Georges Braque, Thornton Wilder, Sherwood Anderson, Francis Cyril Rose, René Crevel, Élisabeth de Gramont, Francis Picabia, Claribel Cone, Mildred Aldrich and Carl Van Vechten. A visit to Wizard Academy is like a wonderful vacation in a foreign country. Few people come here only once.Did you know that you have a vacation home high on a plateau in central Texas where rabbits and deer wander the campus, wine flows freely and wedding bells ring 3 times a day? Come. Let your eyes be opened to answers that have been staring you in the face. Roy H. Williams

---All Stations: Fri, May 22, 12 pm | News Stations: Sun, May 24, 4 pm--- (Originally broadcast 01/10/14) - In the years following World War I, the New Orleans French Quarter attracted artists and writers with low rent, a faded charm, and colorful street life. By the 1920s Jackson Square became the center of a vibrant but short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane, were among the "artful and crafty ones of the French Quarter." In Dixie Bohemia: A French Quarter Circle in the 1920s (LSU Press, 2012) John Shelton Reed introduces Faulkner's circle of friends ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer and brings to life the people and places of New Orleans in the jazz age.

There's Something I Want You To Do: Stories (Pantheon Books) From one of the great masters of the contemporary short story, here is an astonishing collection that showcases Charles Baxter'sunique ability to unveil the remarkable in the seemingly inconsequential moments of an eerie yet familiar life. Penetrating and prophetic, the ten inter-related stories in There's Something I Want You to Do are held together by a surreally intricate web of cause and effect--one that slowly ensnares both fictional bystanders and enraptured readers. Benny, an architect and hopeless romantic, is robbed on his daily walk along the Mississippi River, and the blow of a baseball bat to the back of his knee feels like a strike from God. A drug dealer named Black Bird reads "Othello" while waiting for customers in a bar. Elijah, a pediatrician and the father of two, is visited nightly by visions of Alfred Hitchcock. Meanwhile, a dog won't stop barking, a passenger on a transatlantic flight reads aloud from the book of Psalms during turbulence, and a scream carries itself through the early-morning Minneapolis air. As the collection progresses, we delve more deeply into the private lives of these characters, exploring their fears, fantasies, and obsessions. They appear and reappear, performing praiseworthy and loathsome acts in equal measure in response to the request--or demand--lodged in each story's center. The result is a portrait of human nature as seen from the tightrope that spans the distance between dreams and waking life--a portrait that could have arisen only from Baxter's singular vision. Readers will be stunned by his uncanny understanding of human attraction and left to puzzle over the meaning of virtue and the unpredictable and mysterious ways in which we behave. Praise for There's Something I Want You To Do “These accomplished stories of precarious marriages and family strife are so laced with paradox and the unexpected and so psychologically intricate, one turns them over and over in one's mind, seeking patterns and gleaning insights…. Rooted in Minneapolis, its industrial ruins so poetically rendered, these ravishing, funny, and compassionate stories redefine our perceptions of vice and virtue, delusion and reason, love and loss.” —Booklist, *starred review* “Bare storylines can't convey the quickly captivating simple narratives…or the revealing moments to which Baxter brings the reader…Similarly, Baxter, a published poet, at times pushes his fluid, controlled prose to headier altitudes, as in ‘high wispy cirrus clouds threatening the sky like promissory notes.' Nearly as organic as a novel, this is more intriguing, more fun in disclosing its connective tissues through tales that stand well on their own.” —Kirkus Reviews, *starred review*  “Five stories named for virtues and five for vices make up this collection from a master craftsman….Baxter's characters muddle through small but pivotal moments, not so much confrontations as crossroads between love and destruction, desire and death….The prose resonates with distinctive turns of phrase that capture human ambiguity and uncertainty: trouble waits patiently at home, irony is the new chastity, and a dying man lives in the house that pain designed for him.” —Publishers Weekly, *starred review* “Baxter's delightful stories will make readers hungry for more. Fortunately, there are more out there, and one hopes, more to come.” —Library Journal, *starred review* “Charles Baxter is nothing short of a national literary treasure. To read these stories—hilarious, tragic, surprising, and indelibly human—is to receive revelation at the hands of a master. Who but this writer has such intimate knowledge of our most shameful depths, and who else can illuminate them with such stunning aptness of word and thought? These ten linked stories, fraught with loneliness, ultimately reveal the unbreakable ties between us all.” —Julie Orringer, author of How to Breathe Under Water “With his latest collection, Charles Baxter has given us something altogether new in contemporary fiction: a series of moral tales that contain zero moralizing. At the center of each of these stories is a pivotal request—something I want you to do—and the ensuing narratives unfold with the nuanced complexity we've come to expect from Baxter, with a theological acumen few contemporary writers possess. Here is a cast of characters unparalleled since Sherwood Anderson's Book of Grotesques, with a modern-day Minneapolis as tangible and strange as his Winesburg, Ohio. A stunning and unique work from one of the living masters of the story form.” —Jamie Quatro, author of I Want to Show You More “Charles Baxter's stories proceed with steady grace, nimble humor, quiet authority, and thrilling ingeniousness. In this his latest collection, all is on display—as are his honoring of the mysteries of love and his dramatic explorations of American manners, mores, family, solitude, and art. He is a great writer.” —Lorrie Moore, author of Bark Charles Baxter is the author of the novels The Feast of Love (nominated for the National Book Award), The Soul Thief, Saul and Patsy, Shadow Play, and First Light, and the story collections Gryphon, Believers, A Relative Stranger, Through the Safety Net, andHarmony of the World.  The stories “Bravery” and “Charity,” which appear in There's Something I Want You to Do, were included inBest American Short Stories. Baxter lives in Minneapolis and teaches at the University of Minnesota and in the MFA Program for Writers at Warren Wilson College.