Podcasts about nassim soleimanpour

Beacon actors will 'cold read' work Like thousands of actors before him, from Australia to Zimbabwe, Alexander Florez will rip open a sealed manila envelope tonight (May 16) and cold read a 2010 play, White Rabbit Red Rabbit, in the backyard of his Beacon home. Two other performers will take the plunge in yards on Saturday and Sunday. The premise - some call it a gimmick - is that everyone in a confined space takes an hour-long journey akin to a one-off jazz solo. Though details have leaked, audiences and the theater community (including reporters) have kept the broad outline and most revealing moments under wraps. The playwright, Nassim Soleimanpour, includes a clause in the contract for producers: "This play is not overtly political and should not be portrayed as such. It operates on a deeper, metaphoric level, and very expressly avoids overt political comment. All media and press agents have to keep in mind that the playwright lives in Iran. We therefore ask the press to be judicious in their reportage." Florez is a math teacher who will never pass muster with the grammar police. He avoids capital letters as an act of resistance and his email tag links to "the case for lowercase" style guide on his website, which includes instructions about turning off caps on devices and in programs. "I have a lot of respect and disdain for academia," he says. "I'm impressed with education but also dismayed with the gatekeeping and barriers to entry. One way to oppress is by making complicated grammar and spelling rules the standard for everyone, even though a select few invented them." Pushback against authority is reflected in the play. According to Soleimanpour, he wrote it after he refused to serve in the Iranian military and the regime denied him a visa to leave the country. (He is now thought to live in Berlin.) The production requires props, but the playwright's website touts the lack of sets, directors and rehearsals. Studying for his practical teaching certificate at Mount Saint Mary College in Newburgh, Florez fell in with the acting crowd (he works at the Manitou School in Philipstown). After bouncing around the Hudson Valley, he moved to Beacon in 2022 and got involved with the improv and comedy scene. White Rabbit Red Rabbit had an off-Broadway run in 2016: Nathan Lane, Whoopi Goldberg and Alan Cumming, among others, unsealed the script and got to work - for the first and last time. Playbill called it "the most-talked about (and least-talked about) new show." Beacon resident Jamie Mulligan read the script to prepare the actors, gather props and make staging suggestions. But per the legal agreement, the plot and other elements may not be divulged or discussed by anyone involved. At first, Florez figured he'd reach out to local performance venues, but Mulligan suggested staging the play at an art gallery, coffeehouse or other offbeat space. James Phillips, a theater professor at Mount Saint Mary, will read in his yard on Saturday and Twinkle Burke walks the high wire on Sunday outside the home of Hannah Brooks (with contingency plans for inclement weather). The play stems from experimental theater of the 1960s, Mulligan says, and "requires the audience and actor to encounter these subjects simultaneously, a connection that creates a level of spark that can only happen when everyone learns about this together." Broad outlines address elements of existential oppression and the role of individuals in society. "Someone told me that every play is about hope, so it places the human condition into primal conflicts, like man versus nature or man versus god," says Mulligan. That so many details have remained a secret for 15 years "speaks to the integrity of theater-makers." White Rabbit Red Rabbit will be performed by Florez at 7 p.m. at 119 Howland Ave. in Beacon, at 7 p.m., on Saturday (May 17) at 24 Willow St. by Phillips and at 3 p.m. on Sunday at 99 E. Main St. by Burke. Tickets are $10 to $32.24 at dub.sh/white-rabbit.

Final episode of our spooky season. A perfect episode for the crossover between Halloween and Christmas, when the nights are darker and colder and you're not quite sure if you heard something or caught a glimpse of something out the corner of your eye. Ungetatable by Ellie Zeegan and Janet Coulson. Voice Actors: Eileen O'Shaughnessy – Rebecca Dunn George Orwell – Fergus John McCann Woman – Elaine Stirrat Ellie Zeegan Actress, Producer, Writer Ellie Zeegen founded Firebrand Theatre Company in 2010 which has been an Associate Company at Pitlochry Festival Theatre since Feb 2023. Ellie co-wrote (with Richard Baron) Nan Shepherd: Naked & Unashamed in association with Dr Kerri Andrews which returns to Pitlochry Festival Theatre Studio for their Summer Season 30th May-14th June 2025. Recent TV/Radio credits include: appearances in BBC Alba Sar Sgeoil: Dracula (broadcast Halloween 2024) and BBC Radio 4 Woman's Hour. Theatre credits include: White Rabbit, Red Rabbit by Nassim Soleimanpour, Anthony in Anthony & Cleopatra with Shake-Scene Shakespeare's at Shakespeare North Playhouse and an Autumn tour of one woman show A Room of One's Own by Virgina Woolf this November 2024. Writing credits: Founder of Page to Stage (Scottish Borders) and the Create project which focused on supporting and launching new female voices into the industry. Ellie was a Burn Bright Timebank mentor and The School of Life's Expert on Acting. Plays: Nan Shepherd: Naked & Unashamed with Richard Baron and Ungetatable with Janet Coulson. Ellie also co-founded The Actors' Temple, London - the ‘alternative to drama school' which trained hundreds of actors 2006-2019. Ungetatable When the world has lost all online communication, all data is gone how do we more on. When the tape recordings are found maybe it will hold answers and the voices of the present and the past will merge. OUR WEBSITE - www.persistentandnasty.co.uk HIPA GUIDES: HIPA GUIDES Equity Toolkit: Link Stellar Quines: Link Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

Jason Solomons and Kate Maltby join Tom to review Those About to Die, the new 10-part ‘sword and sandal' series from Amazon Prime, directed by Roland Emmerich and starring Anthony Hopkins. The film Thelma which follows an elderly grandmother who turns action hero to track down her scammer, inspired by her favourite film series – Mission Impossible. And Echo at the Royal Court, the new play from the Iranian playwright Nassim Soleimanpour, starring a new unrehearsed performer every night. The likes of Meera Syal and Adrian Lester take to the stage while guided by Soleimanpour live from his flat in Berlin.Plus Belle and Sebastian perform live ahead of their upcoming festival The Glasgow Weekender. Presenter: Tom Sutcliffe Producer: Claire Bartleet

Nassim Soleimanpour is a playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. This year, his latest piece Echo debuts in the Royal Court Theatre's Jerwood Theatre Downstairs in collaboration with LIFT.

The creator of the groundbreaking “White Rabbit Red Rabbit” joins Brian for a chat about writing, breaking the form and not showing up… The post Nassim Soleimanpour appeared first on Putting it Together.

Det är premiärsäsong på teatrarna och i detta avsnitt möts vi i den violblå timmen mellan två föreställningar på Bertolt Brechts 125:e födelsedag för att prata om några uppsättningar vi sett på sistone: De livrädda av Talajeh Nasiri på Unga Dramaten, Shakespeares Julius Caesar i Jonas Österberg Nilssons version på Uppsala Stadsteater, Lost Lake av Paula Stenström Öhman på Kulturhuset Stadsteatern och Nassim av Nassim Soleimanpour på Riksteatern. Det blir mycket prat om berättande om berättande och dödsföraktande kikar vi ner i det kaninhål av referenser via T S Eliots The Waste Land som Lost Lake bjuder in till (och går lite vilse). Medverkande: Loretto Villalobos och Cecilia Djurberg (även klipp & red)

Naila Saleem, Sveriges Radios Sydasienkorrespondent, har flera gånger rest i och rapporterat från konflikternas Afghanistan. Nu har hon läst en annan resenär i området, den norska författaren Åsne Seierstad, och hennes sätt att skildra människor där inifrån. INTERVJU MED SIGRID SANDSTRÖM OM LANDSKAP, YTOR OCH DJUPKonstnären Sigrid Sandström ställer ut väldiga abstrakta målningar - ett slags kapslar som, likt naturen, lagrar olika tidsplan. Vi besöker utställningen "Under Tiden" på konsthallen Vandalorum i Värnamo - och samtalar med konstnären om hur hon arbetar och varför.Sigrid Sandström är idag professor i måleri på Bildkonstakademien i Helsingfors. Hon har hela sitt yrkesverksamma liv växlat mellan att undervisa och arbeta i sin egen ateljé. I runt tjugo år bodde hon i USA: Först som elev på amerikanska konstskolor, Cooper Union i New York och prestigefyllda Yale. Sedan blev hon kvar. Hon återvände till Sverige 2010 som professor på Konsthögskolan i Stockholm.- Om jag inte blivit konstnär, hade jag velat bli geolog eller glaciolog, säger hon i inslaget.EN TEATERFÖRESTÄLLNING SOM VARKEN SKÅDESPELARE ELLER PUBLIK VET ETT DYFT OMRiksteatern ger just nu en pjäs som bygger på ett hemligt manus. En skådespelare, olika för varje gång på mängder av större och mindre orter över hela landet, öppnar en kartong och börjar sedan spela det i stunden.Vår reporter Maria Askefjord Sundeby har sett pjäsen som hon inte får berätta om. Och träffat den iranske manusförfattaren Nassim Soleimanpour - liksom Eva Röse, skådespelaren som ställdes inför den här utmaningen på pressvisningen. Och som inte heller kan säga något om vad hon ska spela, eller har spelat.ESSÄ: OM TONÅRINGEN SOM DJURARTAtt bli vuxen är inte lätt. Det handlar i de flesta fall om att testa gränser, att pendla mellan ansvar och frihet och utforska världen i grupp. Något som de flesta människor går igenom helt enkelt. Men inte bara människor. För det verkar vara ett beteende som finns överallt i djurriket, menar kulturjournalisten Malin Krutmeijer i denna essä som sändes första gången 2020.KRÖNIKA: OM DEN VISUELLA KRAFTEN I PROTESTERNA MOT ERDOGANS TURKIETAvslutningsvis funderar Cecilia Blomberg, konstkritiker på Sveriges Radio i snart 30 år, över genomslaget för den hängande dockan och andra kontroversiella manifestationer genom åren.Programledare: Cecilia BlombergProducent: Mattias Berg

About the Guests David Blakely is a playwright, director, actor, musician, songwriter, and the Playwright-in-Residence emeritus for Heller Theatre Company. His plays include Trade Privileges, Four Ways to Die, The Light Fantastic, For Your Examination, Frankenstein, Tales of Shoogilly, Hank the Cow Dog and Monkey Business (based on John R. Erickson's book), and short plays: … The Oceans Would Be Full, Ars Longa Vita Ferris, The Next Blue Moon, and 7 Doorways/7 Stories. He holds an MFA from the Iowa Playwrights Workshop. He is Theatre Program Director at Rogers State University, and a member of the Dramatists Guild. Nassim Soleimanpour is an Iranian playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. His plays have been translated into more than 30 languages and performed globally in over 50 countries. Best known for his play White Rabbit Red Rabbit, written to travel the world when he couldn't, his work has been awarded the Dublin Fringe Festival Best New Performance, Summerworks Outstanding New Performance Text Award and The Arches Brick Award (Edinburgh Fringe) as well as picking up nominations for a Total Theatre and Brighton Fringe Pick of Edinburgh Award. White Rabbit Red Rabbit had a 9 month Off-Broadway run casting celebrated actors like Whoopi Goldberg, Nathan Lane, Martin Short, Bobby Cannavale, Wayne Brady, F. Murray Abraham, Cynthia Nixon and etc. Soleimanpour is currently living in Berlin with his beautiful wife and dog and is busy finalising his new play for the audiobook platform Audible, and a new play for Grob Theatre in Denmark.  https://www.nassimsoleimanpour.com/home (https://www.nassimsoleimanpour.com/home) Links http://www.thejusticetheaterproject.org/ (The Justice Theater Project) (Enemy of the People) https://www.otheronlywindows.org/ (Other Only Windows) (White Rabbit, Red Rabbit) Connect with Us Facebook @beltlinetbroadway Twitter @beltlinetobway Instagram @beltlinetobroadway

Today I'm breaking down the mindset and strategies to building a following on social media. I'm joined by the incredible founders of Et Alia theatre company. Maria Muller: @mmaarriiaamuller; www.marialuizamuller.com Giorgia Valenti: @giorgiavalenti8; www.giorgiavalenti.com Ana Moioli: @anamoioli ; www.anamoioli.com Luísa Galatta: @luisagalatti; www.luisagalatti.com Deniz Bulat: @denizbulat; www.denizbulat.com Et Alia Theater is a NYC based company founded and led by international women. Et Alia is Latin for ‘And Other': they create art for the other, by the other, and about the other. They strive to foster an accepting community that provides a safe space where people can take risks, push themselves outside of their comfort zones and collide with an array of international voices which may be culturally unfamiliar. Et Alia's most recent projects include White Rabbit Red Rabbit by Nassim Soleimanpour (in association with Aurora Nova) and This is Me Eating___, an online video series turned documentary that deals with food, eating and body image. The documentary got accepted to multiple festivals, such as the NYC Indie Theatre Film Festival, Irondale's On Women Festival - the New Media Storytelling section and the Essence of Embodiment Film Festival. Et Alia was also invited to be part of TEDxYouth@Columbia's conference that happened at the end of March and had the theme Borderline Boundless. More information about the company can be found at www.etaliatheater.com. @whitneyuland www.abundantartistcoaching.com You can find the full transcript here: www.abundantartistcoaching.com/blog/066

This week The TV Boys sit down to discuss James Roday Rodriguez. Whether he is making us all cry from laughter in Psych or from emotional empathy in A Million Little Things, his acting is always fantastic.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to announced on-line and streaming local theatre & book events   Bookwaves Heather Cox Richardson, in conversation with host Richard Wolinsky. Heather Cox Richardson is a noted historian, a Professor of History at Boston College, specializing on the Civil War and reconstruction – but in the past year she's taken on a different role, chronicling America's daily political life in a series of commentaries titled Letters from an American, which can be found on her Facebook page, as well as at heathercoxrichardson.substack.com. Earlier this year, she released a book titled How the South Won the Civil War, subtitled Oligarchy, Democracy and the Continuing fight for the soul of America. This interview with Heather Cox Richardson was recorded via zencastr.com on the morning of Friday, September 11, 2020. She discusses her daily column and how it came to be written, elements in her book, and of course, current events. Complete 62-minute interview.   Artwaves Laurel Ollstein, whose latest play, “Pandora,” will be streaming on the theatreworks.org website from September 24, 6 pm – Septembre 28, 6 pm, is interviewed by host Richard Wolinsky. Laurel Ollstein is also the author of “They Promised Her the Moon,” which was produced at TheatreWorks Silicon Valley and shut down prematurely due to the pandemic. She has been a theatre and television actress, short story writer and director over the course of her career, and worked with Tim Robbins' Actors Gang in Los Angeles for fifteen years. This latest project is a theatrical retelling of the myth of Pandora, the first human woman in Greek Mythology, who was said to have opened a box which allowed all the ills of the world to escape. The production, recorded in Zoom toward the end of May, 2020, is a workshop reading featuring actors from the Bay Area and beyond, and is directed by Giovanna Sardelli, is free on-line with registration. :Special thanks to Richard Lavin for his assistance in post-production. Complete 34-minute podcast interview.     Announcement Links Book Passage. Conversations with authors, all at 4 pm Pacific: Ayad Akhtar on Saturday September 19 at 4 pm, Wade Davis Sunday September 20 also at 4 pm, Al Sharpton, Thursday October 1 at 5:30 pm. The Booksmith features Lucy Jane Bledsoe Tuesday September 22 at 8 pm. Books Inc presents Laura Markham, PhD this afternoon at 4 pm Bay Area Book Festival Sunday, October 4, the Bay Area Book Festival presents Berkeley #UNBOUND, an all-day, free, virtual mini-festival — kicked off with a ticketed keynote program on Saturday night, October 3. Kepler's Books presents Refresh the Page, on line interviews and talks. Registration required. San Francisco Playhouse The Zoomlet play Monday September 21 at 7 pm is The Logic by Will Arbery. Custom Made Theatre Sarah Ruhl's How to Transcend a Happy Marriage, recorded during its Jan/Feb run, streams September 18-20, On Demand 10 am-11 pm. Theatre Rhino Live Thursday performance conceived and performed by John Fisher on Facebook Live and Zoom at 8 pm Thursday September 17 is Straight. American Conservatory Theatre (ACT) In Love and Warcraft by Madhuri Shekar, On Demand recording of the live production, Sept 18-25. The Thanksgiving Play by Larissa Fasthorse, live streamed September 25 to October 3, On demand October 9 to October 18. 42nd Street Moon. 8 pm Tuesdays: Tuesday Talks Over the Moon. Fridays at 8 pm: Full Moon Fridays Cabaret. Sundays at 8 pm: Quiz Me Kate: Musical Theatre Trivia. A new subscription series, Moonbeams, begins streaming on October 1. Magic Theatre. Nassim Soleimanpour gives a one-day playwriting workshop, Wed. September 26, 10 am to 2 pm. Limited availability. Shotgun Players.  Josh Kornbluth's Citizen Brain, live streamed October 16 to November 8. Berkeley Rep Romantics Anonymous, live from the Old Vic in Bristol, England, a musical with book by Emma Rice, lyrics by Christopher Dimond and music by Michael Kooman, September 26 at 1 pm. And It Can't Happen Hear, a four part radio play, on October 13 at 5 pm. TheatreWorks Silicon Valley. Pandora by Laurel Ollstein streams September 24 to September 28. 6 pm to 6 pm. California Shakepeare Theatre (Cal Shakes) The Direct Address series continues with Resisting Shakespeare: Or, How to Fall In and Out and In and Out of Love. The series begins on September 18 at 5 pm. Mission Cultural Center for Latino Arts new on-line programming series featuring classes, concerts, poetry sessions and more. SFBATCO Live with Rod and Marce on Twitch TV, every Thursday at 6 pm. Aurora Theatre's A new ticketed audio drama, The Flats, written by Lauren Gunderson, Cleaven Smith and Jonathan Spector, with Lauren English, Anthony Fusco and Khary L. Moye, directed by Josh Costello, will stream this fall, date to be announced. Aurora Connects conversations every Friday, 4 pm. Marin Theatre Company Lauren Gunderson's play Natural Shocks streams through Soundcloud on the Marin Theatre website. Central Works The Script Club, where you read the script of a new play and send comments to the playwright. The September script is Strange Ladies by Susan Sobeloff. A podcast will be posted to the Central Works website on September 29. Bystanders by Patricia Milton, an audio play, streams through September 20. New Conservatory Theatre Center presents In Good Company, a podcast about life when it goes off script. The first five episodes are now available streaming. The Marsh: International Solo Fest, October 7-11. Josh Kornbluth hosts bingo every Friday at 7:30 pm Pear Theater. Lysistrata, October 8 – November 9, filmed live outdoors. Contra Costa Civic Theatre Check the webpage for theatre classes for young actors. If you'd like to add your bookstore or theatre venue to this list, please write bookwaves@hotmail.com. The post Bookwaves/Artwaves – Sept. 17, 2020: Heather Cox Richardson – Laurel Ollstein appeared first on KPFA.

The amazing White Rabbit Red Rabbit by Nassim Soleimanpour was performed by Tobias Menzies last night (his first and only time) as a truly exhilarating way to close the festival! Here he is chatting to me. The post Shedcast – Tobias Menzies appeared first on Putting it Together.

Pink Box Stories shares stories of Cambodian donut shops Artist Phung Huynh portraits on pink donut boxes Michelle Sou, Pink Box Stories Debbie Kim, Pink Box Stories One of the families featured in Pink Box Stories   A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee takes listeners on a delicious sweet journey into the land of yummy Cambodian donut shops. We hear the stories of the generations of families in the donut shops when we speak with Michelle Sou & Debbie Kim, the creators of Pink Box Stories, donut box artist Phung Huynh and Sophia Hussain, a foodie and bibliophile from Eastwind Books of Berkeley. Phung Huynh's work is currently being shown as part of Occidental College's Breaking Bread in LA show that runs thru November 24. Find out more at Eastwind Books of Berkeley and purchase the books mentioned in our show tonight: The Donut King, Num Pang and Loves You. Go see Nassim: Written by Nassim Soleimanpour‍. Directed by Omar Elerian. Through Saturday, Nov. 16. Magic Theatre. Wheelchair accessible. The post APEX Express – November 14, 2019 – The Stories Inside Cambodian Donut Shops appeared first on KPFA.

Nassim Soleimanpour is the mastermind behind Nassim, currently playing at off-Broadway’s New York City Center’s Stage II. Known for his first play, Red Rabbit White Rabbit, this marks the American premiere of Nassim. Be sure to follow @NASSproductions to stay up to date on all things Nassim.Hosted by Paul Wontorek, Beth Stevens and Caitlin Moynihan

El autor es Nassim Soleimanpour, un dramaturgo iraní, autor de Conejo Blanco, Conejo Rojo, que si alguien de ustedes vio esta obra, y la amaron, con NASSIM van a flipar.

El autor es Nassim Soleimanpour, un dramaturgo iraní, autor de Conejo Blanco, Conejo Rojo, que si alguien de ustedes vio esta obra, y la amaron, con NASSIM van a flipar.

0421 Get To Know : Nassim Soleimanpour

Michael Cathcart presents The Hub live on stage at the Perth Festival. Featuring big-name guests including Iranian playwright Nassim Soleimanpour, Conversations' Richard Fidler, live music from Maia and the Big Sky, and so much more.

This week we are going to explore rabbits and water.   Now about three weeks ago I installed an new automatic rabbit watering system with 1/2 inch PVC and nipple waterers all hooked to a float system hooked to a garden hose. The result of my efforts is a bit of an experiment involving some creativity in providing a constant source of water for my rabbits, while not requiring that I tend to their water needs manually every day. Before I explain that system, we are going to discuss water and other systems to water your rabbits. Hello Listener! Thank you for listening. If you would like to support the podcast, and keep the lights on, you can support us whenever you use Amazon through the link below: It will not cost you anything extra, and I can not see who purchased what. Or you can become a Fluffle Supporter by donating through Patreon.com at the link below: Patreon/Hare of the Rabbit What's this Patreon? Patreon is an established online platform that allows fans to provide regular financial support to creators. Patreon was created by a musician who needed a easy way for fans to support his band. What do you need? Please support Hare of the Rabbit Podcast financially by becoming a Patron. Patrons agree to a regular contribution, starting at $1 per episode. Patreon.com takes a token amount as a small processing fee, but most of your money will go directly towards supporting the Hare of the Rabbit Podcast. You can change or stop your payments at any time. Thank you for your support,   WATER IS THE MOST IMPORTANT NUTRIENT Although it seems almost like an afterthought when you consider rabbit care, potable and abundant water is vital for a rabbit to remain healthy. Rabbits should have constant access to water. The amount they drink varies greatly depending on the environment and their diet. A medium sized rabbit will drink around 50-300ml per day. Rabbits fed fresh foods or allowed to graze on grass will obtain much of their water requirement from this and may drink up 50% less than rabbits only fed on dry foods. Rabbits may also drink more in hot weather. Rabbits require a lot more water than comparable species. For example, in one day a 5-pound rabbit drinks as much water as a 24-pound dog. In fact, the average rabbit consumes between 50 and 150 milliliters of water per kilogram (2.2 pounds) of body weight per day. The rabbit's body is made up of 50 to 75 percent water. Water forms the basis of blood and digestive fluids, and is contained in tissue, fat and bones. The rabbit's body can’t store extra water, and needs a fresh supply every day to make up for losses from the lungs, skin, urine and feces. Water is vital for most bodily functions, including: ⦁ Maintaining the health and integrity of every cell in the body. ⦁ Helping eliminate the byproducts of the body’s metabolism, such as electrolytes and urea. ⦁ Moistening mucous membranes, such as those of the lungs and mouth. ⦁ Lubricating and cushioning joints. ⦁ Aiding in digestion and preventing fecal impaction. ⦁ Carrying nutrients and oxygen to cells. ⦁ Keeping the bloodstream fluid enough to flow through blood vessels. ⦁ Serving as a shock absorption inside the eyes, spinal cord and in the amniotic sac surrounding the fetus in pregnancy. Rabbits cannot endure water deprivation for more then 24 hours (even less during hot weather) without serious health consequences. Simply put, rabbits must have access to fresh, clean water at all times in order to thrive. Rabbits should be given pure water to drink, from the same source as you'd use for drinking water. This may seem boring to humans used to a wide range of beverages but it is the most natural and healthy option. Be wary of vitamins added to the water which may encourage your rabbit to drink excessively and are generally unnecessary if your rabbit eats a healthy diet. If you do use them and find your rabbit empties it's bowl/bottle after vitamins are added then refill the with plain water until the following day. Excess water and excess vitamins can effect your rabbits health. The only exception to this rule is for sick rabbits at risk of dehydration when a small amount of pure unsweetened apple or carrot juice added to the water may encourage drinking. What kind of water is best? Most people offer their rabbits tap water. It is fresh, contains important minerals, and is generally safe to drink if you live in the US. If you suspect or fear bacteria or excessive amounts of chlorine, nitrate, or lead in the water (either due to the region you live in, a recent warning, or old pipes that may leak), filtering it before offering it to your bun can help reduce any risks. Water that has been sitting in the pipes for a while is also more likely to be contaminated, so letting it run for a minute or two before filling the bowl is a good idea. Also, using water from the “cold” tap is better, because there is a greater probability that hot water contains pollutants from the hot water tank. If you live in a region with “hard” water full of calcium and have a rabbit that has kidney or bladder issues, you might want to filter the water or switch to bottled water instead. Volvic, Pure Life, or Deer Park are generally low on calcium and nitrates and are widely available brands. If you are worried for yourself or your bunnies, testing the water is easy. Your water supplier might do it for you free of charge. Just give them a call! If not, there are testing kits available online as well as online service providers. According to the EPA, you should receive an annual report about your water in the mail. You might also be able to read about it online. Some pet stores offer special water or nutrients that can be added to water. These are not recommended, because they are unnatural and contain way too many (synthetic) vitamins and minerals to be considered healthy. Unless your vet recommends one due to health issues, these should be avoided. Rain water collected outside, either consumed from a puddle or brought inside in a bowl is not a good idea. This water contains dirt and harmful substances that have not been filtered. Well water is slightly better, because it mostly contains ground water filtered by layers of rocks and soil. However, it is difficult to control and keep harmful substances out for sure. Water Temperature Rabbits are very sensitive to sudden changes in temperature, so it’s best to offer water at room temperature. Rabbit Water Bottles A 600ml water bottle should provide adequate water for two small-medium rabbits for 24 hrs. If you've got multiple rabbits or the drink a lot, I'd suggest multiple bottles rather than bigger ones. It's also a good idea to consider a second bottle in summer, to provides a back up in case the water runs out and also if the bottle is knocked off. This is particularly useful if you work or are out during the day and unable to check on your rabbits. There are two common types of spout on water bottles. The standard type are composed of a metal tube with several balls inside. Gravity locks the ball in the end of the tube until the rabbit it licks it pushing the ball up and allowing water to fall past. The most popular brand is Lixit (32oz $5 via Amazon). These bottles are cheap and readily available, but they can be prone to leaking and some rabbits also find them frustrating and will bite & pull at the ends. The other variety have a non drip sippy spout. These are also quieter so great if your rabbit is near your bedroom at you don't want to be woken in the middle of the night. This style bottle are generally made with wider tops that make filling and cleaning easier too. They do tend to be more expensive to purchase but are very durable. Ferplast sippy bottle ($15 Amazon) are the most readily available. Attaching a Water Bottle Most bottles are sold with a simple wire with hocks bent at the end to attach them to the cage/hutch mesh. Whilst these work they can be difficult to get on and off and position correctly to secure the bottle. A bottle spring, which is a spring with a hook each end which can be pulled back to slide the bottle in and out, makes changing water easier. Bicycle Water Bottle Cage If you need to attach a bottle in an area when there is no mesh the you can use bottle holders designed for cyclists. You will need to take a bottle with you to test to get the correct size. Keep in mind that attaching the bottle on the inside where you rabbit has access means that they are susceptible to chewing. Bottles can be cleaned using a bottle brush. A more thorough cleaning can be done using sterilizing tablets sold for use on babies bottles. This type of cleaning should be done on any second hand bottles before use. In winter water bottles are prone to freezing. There are a wide range of insulated bottle covers available designed to prevent this. They all do basically the same thing, just double check they will fit the style of bottle you have. The Scratch n Newton Snug ($15 via Amazon) is a little more expensive than some but it's the most versatile I've found. It will fit round and square bottle of various sizes easily and it comes with a piece of stretchy elastic with hooks for attaching the bottle to the hutch mesh (which I find much easier to use than the standard bent wire bottle attachments). If you are on a budget, you can also make your own using bubble wrap and an old wool sock. Although the covers protect the bottle, the spout can also freeze, so check the bottle regularly to make sure water still comes out. Check the sipper tubes regularly to ensure that the water flow is unobstructed and free-flowing when touched. Check also for leaks underneath the bottle; a leaky bottle is often a sign that the sipper mechanism is clogged. Algae requires light for growth so you can prevent build up by placing an opaque cover over it. This does have the draw back of making it difficult to see the water level at a glance. Even though nothing can fall into a bottle and soil the water, it is much more difficult to clean, so bacteria and algae will often develop and soil any fresh water that gets added immediately. Water Bowl In the wild, rabbits will drink from water sources on the ground, so a water bowl is the most natural way of offering water to a bunny. A water bowl is undoubtedly a more natural way to drink and many rabbits will use them in preference to a bottle. The downside with water bowls is very easy for them to become soiled with bedding and litter, and can also be knocked over. Studies have shown that a rabbit with access to both a water bowl and a water bottle will prefer the bowl. It’s much easier to drink out of, because the water doesn’t come out one drop at a time. Also, a bottle forces the rabbit to tilt the head up in an unnatural position, making it highly uncomfortable. Bowls work best if your rabbit is indoors or you have room to place a bowl away from lose bedding/food or you are available to change the water regularly during the day. You can also provide both a bottle and a bowl so your rabbit has the option and a back up if they knock over their bowl. Which is what I started with in the beginning. Using a water bowl presents several problems. If a rabbit’s dewlap is constantly wet from leaning over the water bowl, it could develop a skin infection. Breeds with pronounced dewlaps should definitely use a sipper tube. Water bowls are also more prone to contamination with fecal material or urine. The bowl must be checked, cleaned and replenished several times per day (as necessary). If you use a bowl for your rabbit’s water, choose one that heavy enough to prevent the rabbit from tipping it over. Heavy ceramic bowls are the most rabbit-proof as plastic ones are often picked up and thrown around as toys. Ceramic might not be the snazziest colored bowls but they are easy to find, chunky and come in a range of sizes. One is 5" across and holds about 550ml but you can upgrade to dog sized if you need to hold more water. Be wary of placing ceramic bowls on a high level eg a second floor where they can be nudged over a ledge or down a ramp and get broken. Some rabbits love to throw their bowls around or manage to quickly fill it with bedding, hay, or other material. In those cases, try placing the bowl on a slightly elevated surface away from bedding and hay. Choosing a heavy water bowl filled with water should prevent the rabbit from throwing it around. Or you could also get a bowl that can be attached to a cage wall. The really good ones come with a special holder, so you don’t have to unscrew the whole thing when you need to clean and refill the bowl. If you do find you rabbits knocks their bowl over (or throw it) then a bowl that clips to the side of the cage (called Coop Cups - usually sold for birds) might work better for you. They either come with hooks or two plates that fit each side of the mesh and screw together. The bowl lifts out of the fixings so it's easy to change the water. it is recommended that your rabbit's water bowl should be made of ceramic or metal, because plastic bowls can scratch easily, and those scratches can become homes for unhealthy bacteria. PROBLEMS WITH MANUAL WATERING OF RABBITS Manual watering can be effective provided the rabbit caretaker is diligent and consistent in the task of providing ample clean water. If you are responsible for the care of more than a few rabbits, you will soon become aware of the time consuming task of providing quality water on a daily basis. Many pet-store types of water bottles must, on a daily basis, be completely disassembled and carried to a sink to be washed and refilled before being reassembled and hung back in place on the rabbit's cage. This process, when repeated more than a few times, can becomes tedious. Similarly, crocks or bowls must also be removed daily to be cleaned and refilled. The task of keeping bottles and crocks free from slime molds and bacteria can be a challenge. They become prone to contamination from dirt and bacteria each time they are handled. If the bottles are clear or translucent in color, photosynthesis will occur and they will eventually grow algae if not regularly cleaned. Even if a bottle-brush is used, it may be difficult to consistently ensure the bottle is 100% clean. Crocks and bowls must also be similarly sanitized. Furthermore, all of these manual methods provide a relatively limited supply of water. If they are amply sized, they may be adequate. However, the rabbit is dependent on the consistency of you to remember to refill the reservoirs. Even the most diligent rabbit caretakers may encounter an intervening factor that may break their consistent routine. Although it is a good practice to have a back-up water bottle on the cage as a reserve water supply, this does make for additional water containers to deal with. When one must care for more than a few rabbits, it may be time to consider a more fail-safe method of providing continuous clean water. An automatic watering system can overcome all of the drawbacks of manual watering. It is less time consuming, more sanitary, less likely to be contaminated, and more consistent. HOW DOES AN AUTOMATIC WATERING SYSTEM WORK? An automatic watering system feeds low pressure water through tubes or pipes to miniature valves or drinking fountains (founts) that are attached to each cage at the proper drinking height. The rabbit licks or nibbles the small pivoting rod, which is the actual valve stem or lever. This opens the internal o-ring seal, and clean, fresh water will drip or dribble into the rabbit's mouth. When the rabbit is finished, the spring-loaded stem returns to position, which seals and closes the system off from contamination. I started with the traditional rabbit water bottles until I could build the system that I wanted. The first watering I used was a combination of bottles and bowls. The first winter I swapped bottles and bowls in the morning and in the evening. As you can image with a few rabbits this was labor intensive, but not to troublesome. As I had more rabbits I used a five gallon gravity fed nipple water system. In the summer it worked great. In the winter I wrapped the lines with reflective tape, and added 36 feet of electric heat tape used to keep pipes from freezing. I then wrapped it in pipe insulation. It worked, but I did have to reconfigure it because the nipples froze. I had to undo some of it and make sure that the heat tape was close to the nipples, but not too close that the rabbit could chew on it. PIPING METHODS The water delivery can be accomplished through common 1/2” PVC pipes or with flexible vinyl tubing. Both utilize opaque tubing or pipes so that daylight cannot enter and cause algae growth. For the same reason, clear tubing or pipes are never used. The flexible tubing offers the benefit of being able to be assembled much quicker and reconfigured readily as needed. The tubing can be easily cut with scissors and slipped over barbed fittings. This method is best for stacking cages, cages of irregular sizes or locations, or cages where the setup may need to be moved or reconfigured. By far the quickest method of installing an automatic watering system is to use a flexible tubing along with the Fount and Bracket assembly. The Barbed Fount slips through the bracket and inserts into the tubing. The bracket snaps onto the cage 4 to 6 inches above the cage floor, such that the fount protrudes into the cage. In this way, a complete system can be set up in a matter of minutes using only a pair of scissors. If the tubing is difficult to slip over the barbed fittings, particularly in cold weather, the tubing can be brought to room temperature or warmed slightly to make the job easier. I have used boiling water to soften the tubing to get it over a larger T. When finished, inspect the installation to ensure that no rabbit can bite the tubing and it cannot be easily bumped into or tripped on by the caretaker. If the tubing makes a very sharp 90° turn, use an elbow connector to prevent it from kinking. The PVC pipe uses tees. This system works best in permanent setups that are not likely to be moved or changed regularly. It is considered the more heavy duty of the the two piping methods. Using the PVC pipe is a fairly straightforward process. The pipe will be cut into sections and glued to Tees. It is recommended that each joint be cleaned with PVC primer, then glued using clear PVC glue. Use the glue dauber to thoroughly wet the inside of one end of the tee, but not so much that it runs. Then use the dauber to apply glue using at least four complete revolutions around the end of the pipe to be inserted. Care should be taken to ensure that all of the tees are oriented in the right direction. A very quick adjustment must be made as the glue will set very quickly. The most recent for me is a 1/2 inch pipe with nipples into the cages. I used a toilet tank fill valve assembly to autofill a five gallon bucket with water. Don't make the filler hole too close to the side or you won't have room to install the toilet filler. Install the toilet filler valve with the parts that come in the package, just like you would for a toilet. From there, I used PVC pipe to go into the rabbit hutch. The waterers seem to be 1/8 male tapered pipe threads, so I used a drill bit and tape to thread some PVC end caps. The waterer nipples are then screwed into these, and it seems to work pretty well. I drilled and tapped the end caps at a bit of an angle to make it easier for the rabbits to drink from them. I'd say it's about a 15 degree angle...and they seem to still seal well. The bucket is on the roof above the hutch to give head pressure. There are shut off's so I can drain the bucket or lines as needed. So far, the rabbits seem to take to it pretty well. And it makes keeping them well watered almost no effort at all. STARTUP AND TROUBLE SHOOTING THE SYSTEM When first turning on the water for the system it is a good practice to open up the drain valves at the end of each row slightly to allow air to escape. The next step is to walk along the row of cages and depress the stem on each fount, holding it long enough to allow any air bubbles to escape. Check for any leaks and correct. If a fount is found to be dripping, press the valve stem all the way in and let go quickly so as to reset it. If the fount continues to leak it may be necessary to disassemble it and check to make sure that a piece of pipe or other debris did not become lodged against the o-ring. If you should have more than a few leaks, take each leak separately on a case-by-case basis and try to resolve it. PROPER AUTOMATIC WATERING SYSTEM MAINTENANCE Approximately once a month, it is a good practice to open up the drain valve at the end of each line and allow it to flush for a couple of minutes. In doing so you will allow any settlement or other debris that has been captured in the pipe or tubing to flow out of the system. It is also a good idea to randomly check a few founts on a daily basis to ensure the water is flowing freely. If the fount has too much pressure, it may drip on its own or spray water when it's pressed; adjust the water pressure accordingly. Look for any founts that might be dripping or leaking, and correct them. It is also a good practice to periodically clean the tanks with a diluted bleach solution. Over time, the founts should develop a hard water mineral buildup, which can be cleaned by soaking them overnight in a vinegar solution. IS THERE A DOWNSIDE TO AUTOMATIC WATERING SYSTEMS FOR RABBITS? Although the problems with automatic watering are few and far between, it is not a panacea. It will require some time in planning, sourcing water to the site, and initial trouble shooting, as well as periodic maintenance. Like any automated system, one cannot set it up and simply forget it. The maintenance of the system includes daily visual inspections, periodic adjustments, and periodic line flushing. Of course, the payoff for all of this is hours upon hours of labor savings over time. Plus, it drastically reduces the risk of a rabbit being without water, or having unsanitary water. Surprisingly, the acquisition cost of an automatic watering system is often not much more than the cost of new water bottles or crocks. With the proper mindset toward system maintenance, automatic watering has relatively few drawbacks or risks compared to manual watering. http://www.therabbithouse.com/equipment/rabbit-water.asp http://bunnyapproved.com/water-bowl-and-bottle-options-for-rabbits/ https://www.petcha.com/rabbits-need-water/ http://www.humanesociety.org/animals/rabbits/tips/rabbit_water.html http://www.waldeneffect.org/blog/Watering_your_rabbits/ https://www.kwcages.com/a-guide-to-rabbit-watering-systems http://tonybluegoat.blogspot.com/2015/03/how-to-build-automatic-rabbit-waterer.html?m=1 Word of the Week: Kindness Plant of the week: Bindweed FolkTale: THE DANCE FOR WATER OR RABBIT'S TRIUMPH THERE was a frightful drought. The rivers after a while dried tip and even the springs gave no water. The animals wandered around seeking drink, but to no avail. Nowhere was water to be found. A great gathering of animals was held: Lion, Tiger, Wolf, Jackal, Elephant, all of them came together. What was to be done? That was the question. One had this plan, and another had that; but no plan seemed of value. Finally one of them suggested: "Come, let all of us go to the dry river bed and dance; in that way we can tread out the water." Good! Everyone was satisfied and ready to begin instantly, excepting Rabbit, who said, "I will not go and dance. All of you are mad to attempt to get water from the ground by dancing." The other animals danced and danced, and ultimately danced the water to the surface. How glad they were. Everyone drank as much as he could, but Rabbit did not dance with them. So it was decided that Rabbit should have no water. He laughed at them: "I will nevertheless drink some of your water." That evening he proceeded leisurely to the river bed where the dance had been, and drank as much as he wanted. The following morning the animals saw the footprints of Rabbit in the ground, and Rabbit shouted to them: "Aha! I did have some of the water, and it was most refreshing and tasted fine." Quickly all the animals were called together. What were they to do? How were they to get Rabbit in their hands? All had some means to propose; the one suggested this, and the other that. Finally old Tortoise moved slowly forward, foot by foot: "I will catch Rabbit." "You? How? What do you think of yourself?" shouted the others in unison. "Rub my shell with pitch,[1] and I will go to the edge of the water and lie down. I will then resemble a stone, so that when Rabbit steps on me his feet will stick fast." "Yes! Yes! That's good." And in a one, two, three, Tortoise's shell was covered with pitch, and foot by foot he moved away to the river. At the edge, close to the water, he lay down and drew his head into his shell. Rabbit during the evening came to get a drink. "Ha!" he chuckled sarcastically," they are, after all, quite decent. Here they have placed a stone, so now I need not unnecessarily wet my feet." Rabbit trod with his left foot on the stone, and there it stuck. Tortoise then put his head out. "Ha! old Tortoise! And it's you, is it, that's holding me. But here I still have another foot. I'll give you a good clout." Rabbit gave Tortoise what he said he would with his right fore foot, hard and straight; and there his foot remained. "I have yet a hind foot, and with it I'll kick you." Rabbit drove his bind foot down. This also rested on Tortoise where it struck. "But still another foot remains, and now I'll tread you." He stamped his foot down, but it stuck like the others. He used his head to hammer Tortoise, and his tail as a whip, but both met the same fate as his feet, so there he was tight and fast down to the pitch. Tortoise now slowly turned himself round and foot by foot started for the other animals, with Rabbit on his back. "Ha! ha! ha! Rabbit! How does it look now? Insolence does not pay after all," shouted the animals. Now advice was sought. What should they do with Rabbit? He certainly must die. But how? One said, "Behead him"; another, "Some severe penalty." "Rabbit, how are we to kill you?" "It does not affect me," Rabbit said. "Only a shameful death please do not pronounce." "And what is that?" they all shouted. "To take me by my tail and dash my head against a stone; that I pray and beseech you don't do." "No, but just so you'll die. That is decided." It was decided Rabbit should die by taking him by his tail and dashing his head to pieces against some stone. But who is to do it? Lion, because he is the most powerful one. Good! Lion should do it. He stood up, walked to the front, and poor Rabbit was brought to him. Rabbit pleaded and beseeched that he couldn't die such a miserable death. Lion took Rabbit firmly by the tail and swung him around. The white skin slipped off from Rabbit, and there Lion stood with the white bit of skin and hair in his paw. Rabbit was free. http://www.sacred-texts.com/afr/saft/sft20.htm   News: https://www.vanityfair.com/hollywood/2017/08/game-of-thrones-daenerys-coat-michele-clapton-interview-viserys Game of Thrones: The Surprising Inspiration for Daenerys’s Stunning Winter Coat The show’s Emmy-winning costume designer, Michele Clapton, tells all. by Joanna Robinson For several seasons of Game of Thrones, we’ve watched Emilia Clarke’s Daenerys Targaryen, Mother of Dragons, the Unburnt, and Breaker of Chains, kick around the dusty corners of Essos in cool and light gowns befitting a desert queen. Since she came to Westeros, she’s been dressing much more sensibly for the blustery cliffs of Dragonstone. But in Season 7, Episode 6, winter officially came for Daenerys’s wardrobe—and it was fabulous. Though much ink has already been spilled about the dramatic white fur coat Daenerys wore beyond the Wall, costume designer Michele Clapton reveals to Vanity Fair a surprising fashion inspiration that most fans might have missed. Cosplayers hoping to emulate Dany’s frosty look have their work cut out for them. Clapton explains that the coat is made of “fake leather strips, a long pile high-quality fake fur and a short pile white fake fur, and towards the hem we used rabbit fur. It is all stitched together in strips and then mounded onto a corset-style base.” That white fake fur—which moves bewitchingly on the wind throughout the episode—contrasts with a dramatic gold panel that runs all the way down the queen’s back. That contrast of white and gold prompted some fans to wonder if Dany’s coat was meant to be a clever homage to her soon-to-be-lost dragon, Viserion. In the novels, Viserion (named for her brother Viserys) is sometimes called “the white dragon.” As George R.R. Martin wrote, in the voice of Dany: “The cream and gold I call Viserion. Viserys was cruel and weak and frightened, yet he was my brother still. His dragon will do what he could not.” http://www.phillytrib.com/lifestyle/comic-reveals-her-dark-secrets-in-autobiography/article_c655dd7f-12a1-5f43-b23c-1ead5fed90e1.html “Rabbit: The Autobiography of Ms. Pat” (Dey Street Books; $25.99) reveals comedian Patricia Williams’ remarkable life journey, from growing up in a tough Atlanta neighborhood to becoming an in-demand performer. http://www.huffingtonpost.com/entry/the-insurance-provided-by-ethiopian-livestock_us_59a03b47e4b0cb7715bfd4ed The Insurance Provided by Ethiopian Livestock 08/25/2017 11:40 am ET Livestock plays a vital role in the lives of millions of rural poor smallholder farming families in sub-Saharan Africa. The importance of animals to farming fortunes really cannot be overstated. On small farms all over Africa, animals fulfill a number of roles - providing drought power to plow the land, manure to fertilize the soil, transport to carry goods to market. Animals also supply milk and meat, an essential protein and nutrition source for families. Indeed, for rural poor families, animals act as a form of ‘on-the-hoof family savings’ – they may also be sold to provide households with funds to cover costs such as children’s education, or when cash is needed for a family event, such as a wedding or funeral. When we think of animals, we don’t usually think ‘insurance’, but here, livestock is a form of household insurance that may also be sold when harvests fail to produce sufficient food. http://www.dailyastorian.com/ear/20170825/in-one-ear-bunny-brigade In One Ear: Bunny brigade Bunnies here, bunnies there, bunnies everywhere By Elleda Wilson The Daily Astorian Published on August 25, 2017 12:01AM Once again, Portland has been out-weirded. Valdez, Alaska, is in the news for an unusual problem: It’s been overrun by rabbits, the Alaska News Dispatch reports, although no one seems to know how or why it happened — it’s not exactly a rabbit-friendly environment, after all. One of the stranger rumors of how the rabbit bloom came about is that groups of rabbits were set free in the 1980s to entertain tourists. Maybe even several times. That one kind of takes the cake as far as theories go. No matter how they arrived, the rabbits are there to stay. Some residents hate them, their poop, and their veggie garden raids, and some love them, coddle them and feed them all winter. Since the city code doesn’t yet address feral domesticated rabbits as “deleterious exotic wildlife,” it’s a full on bunny bonanza in Valdez. For now.   http://mymetmedia.com/mettv/denver-goes-down-the-rabbit-hole/ Denver goes down the rabbit hole By Avery Anderson on August 24, 2017 Take an unexpected trip down the rabbit hole with “White Rabbit Red Rabbit” the most unique and original theatrical production currently in Denver. Although the title makes one think of “Alice in Wonderland” and her adventures that is not what this production is. This show by Iranian playwright Nassim Soleimanpour is a conversation between the actor, audience and Soleimanpour himself. As the show unfolds he tells the story of a red rabbit and white rabbits and how they relate to the audience. Soleimanpour has never seen his play performed as he does not have a passport and is forbidden to leave the country. Luckily though, his work was able to make it out and is now traveling the world. Frequent theatergoers might be shocked at the unconventional instructions of the show. Usually patrons are instructed to turn off their phones and stay in their seats; Not at “White Rabbit Red Rabbit.” The audience is asked to leave their phones on as they will need them and are called up during the show to help the actor perform. The largest difference between Soleimanpour’s play and others is that once an actor has performed in the show they can never do it again. Meaning that every performance has a new actor who has never seen the show or read the script before. Once the whole audience is seated, the actor for the night is handed a sealed envelope with the script inside. When the show begins they are able to open the script and perform as they read. Pipedream Productions is staging this interesting and ever changing show with some of the best local talent that Denver has to offer. Those who have already performed include Anthony Adu, Adrian Egolf and Emma Messenger. Still to take the journey are Andrew and Kelly Uhlenhopp, Chloe McLeod and many more. The show ran for nine months in New York City with actors such as Darren Criss (American Horror Story), Nathan Lane (The Producers) and Whoopi Goldberg (The View). Emma Messenger was able to perform this show beautifully the night I attended. She kept the audience engaged and incorporate her iconic satirical humor and facial expressions, making the audience laugh and feel at ease. If you want a night at the theater with a full scale production then this is not it. “White Rabbit Red Rabbit” is, in essence, an improvised script reading. There are some set pieces and a couple of stage direction notes for the actors, but it is up to the performer to create the world with just one glance. If you want something that is unlike anything you have seen before then take a trip down the rabbit hole. © Copyrighted

Shappi Khorsandi is the first guest in a week of programmes from the Edinburgh Festival. On stage in front of a live audience in the BBC's Big Blue Tent, she discusses her new show Mistress and Misfit, about Admiral Lord Horatio Nelson's mistress, Lady Emma Hamilton.In Nassim, Iranian playwright Nassim Soleimanpour sets out to teach the audience his native language Farsi in a show which features a different performer from the Festival each day. So how does he prepare when the deal is that performers have not even seen the script before stepping out in front of an audience?The former National Poet of Wales, Gillian Clarke, discusses her new poetry collection Zoology. As the Edinburgh International Festival and Fringe celebrate their 70th birthday this year, the International Festival's director Fergus Lenehan is joined by 90-year-old Dr Pamela Epps, who has attended every festival in the city since 1947.Presenter John Wilson Producer Jerome Weatherald.

I denne CPH STAGE special kan du høre interviews med Nassim Soleimanpour og Henrik Grimbäck, som er instruktørerne bag henholdsvis 'Cook' og 'Det Ny Kgl'. Begge forestillinger havde deres premiere i Odense, og kan nu opleves under festivalen.