Boston Athenæum

In the years after the Civil Rights Act of 1964, women in the workplace still found themselves relegated to secretarial positions or locked out of jobs entirely. This was especially true in the news business, a backwater of male chauvinism where a woman might be lucky to get a foothold on the “women's pages.” But when a pioneering nonprofit called National Public Radio came along in the 1970s, and the door to serious journalism opened a crack, four remarkable women came along and blew it off the hinges. Susan, Linda, Nina, and Cokie is journalist Lisa Napoli's captivating account of these four women, their deep and enduring friendships, and the trail they blazed to becoming icons. They had radically different stories. Cokie Roberts was born into a political dynasty, roamed the halls of Congress as a child, and felt a tug toward public service. Susan Stamberg, who had lived in India with her husband who worked for the State Department, was the first woman to anchor a nightly news program and pressed for accommodations to balance work and home life. Linda Wertheimer, the daughter of shopkeepers in New Mexico, fought her way to a scholarship and a spot on-air. And Nina Totenberg, the network's legal affairs correspondent, invented a new way to cover the Supreme Court. Based on extensive interviews and calling on the author's deep connections in news and public radio, Susan, Linda, Nina, and Cokie will be as beguiling and sharp as its formidable subjects.

They say that history is written by the victors. But not in the case of the most famous dissenter on the Supreme Court. Almost a century after his death, it was John Marshall Harlan's words that helped end segregation, and gave us our civil rights and our modern economic freedom. But his legacy would not have been possible without the courage of Robert Harlan, a slave who John's father raised like a son in the same household. After the Civil War, Robert emerges as a political leader. With Black people holding power in the Republican Party, it is Robert who helps John land his appointment to the Supreme Court. At first, John is awed by his fellow justices, but the country is changing. Northern whites are prepared to take away black rights to appease the South. Giant trusts are monopolizing entire industries. Against this onslaught, the Supreme Court seemed all too willing to strip away civil rights and invalidate labor protections. As case after case comes before the court, challenging his core values, John makes a fateful decision: He breaks with his colleagues in fundamental ways, becoming the nation's prime defender of the rights of Black people, immigrant laborers, and people in distant lands occupied by the United States. Harlan's dissents, particularly in Plessy v. Ferguson, were widely read and a source of hope for decades. Thurgood Marshall called Harlan's Plessy dissent his “Bible”—and his legal roadmap to overturning segregation. In the end, Harlan's words built the foundations for the legal revolutions of the New Deal and Civil Rights eras. Spanning from the Civil War to the Civil Rights movement and beyond, The Great Dissenter is an epic rendering of the American legal system's greatest failures and most inspiring successes.

The Cold War was not just a contest of power. It was also about ideas, in the broadest sense―economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt's Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage's residencies at North Carolina's Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg's friendship with Lionel Trilling, James Baldwin's transformation into a Civil Rights spokesman, Susan Sontag's challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America's once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.

When we talk about patriotism in America, we tend to mean one form: the version captured in shared celebrations like the national anthem and the Pledge of Allegiance. But as Ben Railton argues, that celebratory patriotism is just one of four distinct forms: celebratory, the communal expression of an idealized America; mythic, the creation of national myths that exclude certain communities; active, acts of service and sacrifice for the nation; and critical, arguments for how the nation has fallen short of its ideals that seek to move us toward that more perfect union. In Of Thee I Sing, Railton defines those four forms of American patriotism, using the four verses of “America the Beautiful” as examples of each type, and traces them across our histories. Doing so allows us to reframe seemingly familiar histories such as the Revolution, the Civil War, and the Greatest Generation, as well as texts such as the national anthem and the Pledge of Allegiance. And it helps us rediscover forgotten histories and figures, from Revolutionary War Loyalists and the World War I Espionage and Sedition Acts to active patriots like Civil War nurse Susie King Taylor and the suffragist Silent Sentinels to critical patriotic authors like William Apess and James Baldwin. Tracing the contested history of American patriotism also helps us better understand many of our 21st century debates: from Donald Trump's divisive deployment of celebratory and mythic forms of patriotism to the backlash to the critical patriotisms expressed by Colin Kaepernick and the 1619 Project. Only by engaging with the multiple forms of American patriotism, past and present, can we begin to move forward toward a more perfect union that we all can celebrate.

When the US Constitution won popular approval in 1788, it was the culmination of thirty years of passionate argument over the nature of government. But ratification hardly ended the conversation. For the next half century, ordinary Americans and statesmen alike continued to wrestle with weighty questions in the halls of government and in the pages of newspapers. Should the nation's borders be expanded? Should America allow slavery to spread westward? What rights should Indian nations hold? What was the proper role of the judicial branch? In The Words that Made Us, Akhil Reed Amar unites history and law in a vivid narrative of the biggest constitutional questions early Americans confronted, and he expertly assesses the answers they offered. His account of the document's origins and consolidation is a guide for anyone seeking to properly understand America's Constitution today.

In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women—Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more—who were the vanguard of women's rights, calling on America to realize its best ideals.

When Florence Finch died at the age of 101, few of her Ithaca, NY neighbors knew that this unassuming Filipina native was a Presidential Medal of Freedom recipient, whose courage and sacrifice were unsurpassed in the Pacific War against Japan. Long accustomed to keeping her secrets close in service of the Allies, Finch waited fifty years to reveal the story of those dramatic and harrowing days to her own children. With a wealth of original sources including taped interviews, personal journals, and unpublished memoirs, The Indomitable Florence Finch unfolds against the Bataan Death March, the fall of Corregidor, and the daily struggle to survive a brutal occupying force. Award-winning military historian and former Congressman Robert J. Mrazek brings to light this long-hidden American patriot. The Indomitable Florence Finch is the story of the transcendent bravery of a woman who belongs in America's pantheon of war heroes.

Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London's Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity.

Redcoats. For Americans, the word brings to mind the occupying army that attempted to crush the Revolutionary War. There was more to these soldiers than their red uniforms, but the individuals who formed the ranks are seldom described in any detail in historical literature, leaving unanswered questions. Who were these men? Why did they join the army? Where did they go when the war was over? In Noble Volunteers: The British Soldiers Who Fought the American Revolution, Don N. Hagist brings life to these soldiers, describing the training, experiences, and outcomes of British soldiers who fought during the Revolution. Drawing on thousands of military records and other primary sources in British, American, and Canadian archives, and the writings of dozens of officers and soldiers, Noble Volunteers shows how a peacetime army responded to the onset of war, how professional soldiers adapted quickly and effectively to become tactically dominant, and what became of the thousands of career soldiers once the war was over. In this historical tour de force, Hagist dispels long-held myths, revealing how remarkably diverse British soldiers were. He directs his focus on the small picture, illuminating the moments in an individual soldier’s life—those hours spent nursing a fever while standing sentry in the bitter cold, or writing a letter to a wife back home. What emerges from these vignettes is the understanding that while these were “common” soldiers, each soldier was completely unique, for, as Hagist writes, “There was no ‘typical’ British soldier.”

Guest baritone Emery Stephens and pianist Ann Schaefer will perform a recital of works by African American composers. This program will include an open forum discussion about African American experiences in classical music. Dr. Stephens’ Singing Down the Barriers project aims to empower and encourage singers, voice teachers, voice coaches, and researchers of all ethnicities to study and perform the historically rich vocal music of classically-trained African American composers.

A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.

Successful word-coinages—those that stay in currency for a good long time—tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, Ralph Keyes's The Hidden History of Coined Words explores the etymological underworld of terms and expressions, and uncovers plenty of hidden gems. It is sure to appeal not just to word mavens, but to history buffs, trivia contesters, and anyone who loves the immersive power of language. He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. More than a few resulted from happy accidents—such as typos, mistranslations, and mishearing (bigly and buttonhole)—or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but also cartoonists, columnists, children's book authors. What’s more, coinages are often contested, controversy swirling around such terms as gonzo, mojo, and booty call. Keyes considers all contenders, while also leading us through the fray between new word partisans and those who resist them strenuously. He concludes with advice about how to make your own successful coinage.

In Four Lost Cities, acclaimed science journalist Annalee Newitz takes readers on an entertaining and mind-bending adventure into the deep history of urban life. Investigating across the centuries and around the world, Newitz explores the rise and fall of four ancient cities, each the center of a sophisticated civilization: the Neolithic site of Çatalhöyük in Central Turkey, the Roman vacation town of Pompeii on Italy’s southern coast, the medieval megacity of Angkor in Cambodia, and the indigenous metropolis Cahokia, which stood beside the Mississippi River where East St. Louis is today. Newitz travels to all four sites and investigates the cutting-edge research in archaeology, revealing the mix of environmental changes and political turmoil that doomed these ancient settlements. Tracing the early development of urban planning, Newitz also introduces us to the often anonymous workers―slaves, women, immigrants, and manual laborers―who built these cities and created monuments that lasted millennia. Four Lost Cities is a journey into the forgotten past, but, foreseeing a future in which the majority of people on Earth will be living in cities, it may also reveal something of our own fate.

Rights are a sacred part of American identity. Yet they were an afterthought for the Framers, and early American courts rarely enforced them. Only as a result of the racial strife that exploded during the Civil War—and a series of resulting missteps by the Supreme Court—did rights gain such outsized power. The result is a system of legal absolutism that distorts our law and debases our politics. Over and again, courts have treated rights conflicts as zero-sum games in which awarding rights to one side means denying rights to others. Eminent legal scholar Jamal Greene reveals how the explosion of rights is dividing America, and shows how we can build a better system of justice.

Elizabeth Blackwell believed from an early age that she was destined for a mission beyond the scope of "ordinary" womanhood. Though the world at first recoiled at the notion of a woman studying medicine, her intelligence and intensity ultimately won her the acceptance of the male medical establishment. In 1849, she became the first woman in America to receive an M.D. She was soon joined in her iconic achievement by her younger sister, Emily, who was actually the more brilliant physician. Exploring the sisters’ allies, enemies, and enduring partnership, Janice P. Nimura presents a story of trial and triumph. Together, the Blackwells founded the New York Infirmary for Indigent Women and Children, the first hospital staffed entirely by women. Both sisters were tenacious and visionary, but their convictions did not always align with the emergence of women’s rights―or with each other. From Bristol, Paris, and Edinburgh to the rising cities of antebellum America, this richly researched new biography celebrates two complicated pioneers who exploded the limits of possibility for women in medicine. As Elizabeth herself predicted, "a hundred years hence, women will not be what they are now."

Winner of the PEN / Jacqueline Bograd Weld Award for Biography and the Southern Historical Association Sydnor Award Descendants of a prominent slaveholding family, Elizabeth, Grace, and Katharine Lumpkin grew up in a culture of white supremacy. But while Elizabeth remained a lifelong believer, her younger sisters chose vastly different lives. Seeking their fortunes in the North, Grace and Katharine reinvented themselves as radical thinkers whose literary works and organizing efforts brought the nation’s attention to issues of region, race, and labor. In Sisters and Rebels, National Humanities Award–winning historian Jacquelyn Dowd Hall follows the divergent paths of the Lumpkin sisters, who were “estranged and yet forever entangled” by their mutual obsession with the South. Tracing the wounds and unsung victories of the past through to the contemporary moment, Hall revives a buried tradition of Southern expatriation and progressivism; explores the lost, revolutionary zeal of the early twentieth century; and muses on the fraught ties of sisterhood as the Lumpkins wrestle with orthodoxies of race, sexuality, and privilege.

December 1862 drove the United States toward a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln’s government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country’s law, literature, politics, and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American. Guided by patriotism, driven by desire, all five moved toward singular destinies. A young Harvard intellectual steeped in courageous ideals, Oliver Wendell Holmes Jr. confronted grave challenges to his concept of duty. The one-eyed army chaplain Arthur Fuller pitted his frail body against the evils of slavery. Walt Whitman, a gay Brooklyn poet condemned by the guardians of propriety, and Louisa May Alcott, a struggling writer seeking an authentic voice and her father’s admiration, tended soldiers’ wracked bodies as nurses. On the other side of the national schism, John Pelham, a West Point cadet from Alabama, achieved a unique excellence in artillery tactics as he served a doomed and misbegotten cause. A Worse Place Than Hell brings together the prodigious forces of war with the intimacy of individual lives. Matteson interweaves the historic and the personal in a work as beautiful as it is powerful.

For thousands of years, West African griots (men) and griottes (women) have recited the stories of their people. Without this tradition Bettye Kearse would not have known that she is a descendant of President James Madison and his slave, and half-sister, Coreen. In 1990, Bettye became the eighth-generation griotte for her family. Their credo—“Always remember—you’re a Madison. You come from African slaves and a president”—was intended to be a source of pride, but for her, it echoed with abuses of slavery, including rape and incest. Confronting those abuses, Bettye embarked on a journey of discovery—of her ancestors, the nation, and herself. She learned that wherever African slaves walked, recorded history silenced their voices and buried their footsteps: beside a slave-holding fortress in Ghana; below a federal building in New York City; and under a brick walkway at James Madison’s Virginia plantation. When Bettye tried to confirm the information her ancestors had passed down, she encountered obstacles at every turn. Part personal quest, part testimony, part historical correction, The Other Madisons is the saga of an extraordinary American family told by a griotte in search of the whole story.

In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" countries located along the French border, stretching from Holland to Switzerland pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged tacitly or openly that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters lofty idealists and down-and-dirty opportunists this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.

The Underground Railroad to the North promised salvation to many American slaves before the Civil War. But thousands of people in the south-central United States escaped slavery not by heading north but by crossing the southern border into Mexico, where slavery was abolished in 1837. In South to Freedom, historian Alice L. Baumgartner tells the story of why Mexico abolished slavery and how its increasingly radical antislavery policies fueled the sectional crisis in the United States. Southerners hoped that annexing Texas and invading Mexico in the 1840s would stop runaways and secure slavery's future. Instead, the seizure of Alta California and Nuevo México upset the delicate political balance between free and slave states. This is a revelatory and essential new perspective on antebellum America and the causes of the Civil War, showing the crucial role of slaves who escaped to Mexico.

D.W. Griffith’s 1915 film, Birth of a Nation, glorified and revived the Ku Klux Klan in America. In contrast, Justyne Fischer’s woodcut examines the legacy of deep-rooted racism within American systems and institutions. Fischer’s Birth of a Nation renders the Klansmen as mountains, grand and carved into the American landscape. They are not hidden in the shadows or part of a long-forgotten practice—they are ingrained, established, and immovable. Join Fischer as she discusses the deliberate compositional choices she made to depict the dark side of American history and how it shaped us as a nation.

For most of human history, we have led not just an earthly existence but a cosmic one. Celestial cycles drove every aspect of our daily lives. Our innate relationship with the stars shaped who we are—our religious beliefs, power structures, scientific advances, and even our biology. But over the last few centuries we have separated ourselves from the universe that surrounds us. And that disconnect comes at a cost. In The Human Cosmos, Jo Marchant takes us on a tour through the history of humanity's relationship with the heavens. We travel to the Hall of the Bulls in Lascaux and witness the winter solstice at a 5,000-year-old tomb at Newgrange. We visit Medieval monks grappling with the nature of time and Tahitian sailors navigating by the stars. We discover how light reveals the chemical composition of the sun, and we are with Einstein as he works out that space and time are one and the same. And we find out why stargazing can be really, really good for us. It is time for us to rediscover the full potential of the universe we inhabit, its wonder, its effect on our health, and its potential for inspiration and revelation.

Join Theo Tyson, Polly Thayer Starr Fellow in American Art and Culture as she shares her insights and inquiries on a set of nineteenth-century photo albums that belonged to Harriet Bell Hayden (1816-1893), a survivor of slavery and anti-slavery activist. Married to famed abolitionist Lewis Hayden (1811-1889), Mrs. Hayden’s albums are a unique opportunity to explore the racial, social, and cultural history of Boston’s thriving Beacon Hill anti-slavery community. Tyson will discuss the types of visual and material culture needed to create and sustain archival collections. She will address how institutions can accurately share the histories of African Americans, formerly enslaved Black people, and especially Black women.

To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define. “[As] Peniel E. Joseph argues in his incisive, smartly written new book, The Sword and the Shield, history has turned both men into caricatures. We’ve lost sight of King’s true radicalism. We’ve lost sight of Malcolm’s more moderate approach to black nationalism that emerged after his break with the Nation of Islam. And, in Mr. Joseph’s view, we’ve lost sight of how each man shaped the other.” —Jonathan Eig, The Wall Street Journal

March 3, 2020 at the Boston Athenæum. Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first. The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. Despite all this, she finds love, and success as a teacher. On a fellowship, Talusan and her husband return to the Philippines, where she revisits her family’s ancestral home and tries to reclaim a lost piece of herself. Not every family legacy is destructive. From her parents, Talusan has learned to tell stories in order to continue. The generosity of spirit and literary acuity of this debut memoir are a testament to her determination and resilience. In excavating such abuse and trauma, and supplementing her story with government documents, medical records, and family photos, Talusan gives voice to unspeakable experience, and shines a light of hope into the darkness.

March 4, 2020 at the Boston Athenæum. Art + Design is part of a trio of events for ‘Curator’s Choice’ hosted by the Boston Athenæum’s Polly Thayer Starr Fellow in American Art & Culture Theo Tyson and Assistant Curator Ginny Badget. An evening to celebrate the historical and contemporary intersections of fashion, art, and design, Tyson will begin by unpacking the subtle, yet salient feminism and sartorial commentary embedded in one of Polly Thayer Starr’s most popular and painterly portraits, Shopping for Furs, and share fashion plates from our special collections. She will then be joined by longtime Boston Athenæum member and interior designer, Heidi Pribell for a candid conversation on how fashion and art influence her practice.

February 19, 2020 at the Boston Athenæum. In partnership with the Network for Art Administrators of Color Boston (NAAC). Join us for an artful conversation with three preeminent leaders catalyzing change in Boston to make its cultural landscape more inclusive and supportive of Black women artists. Representing backgrounds ranging from music and museums, to the public art sector and philanthropy, our experts and advocates will explore their views on the importance and necessity of the work they’re doing to empower Black women artists. The Athenæum is excited and fortunate to welcome Lyndsay Allyn Cox, Director of Theater Arts at the Boston Center for the Arts, Catherine T. Morris, Founder and Executive Director of Boston Art & Music Soul (BAMS) Fest and Manager of Public Programs at the Isabella Stewart Gardner Museum, and Courtney D. Sharpe, Director of Cultural Planning for the City of Boston, as our featured guests. The event will be interspersed with performances by Boston-based Black women artists, including movement and dance artist Victoria Awkward, musician Allegra Fletcher, poet and organizer Amanda Shea, and Miss Massachusetts USA 2020 Sabrina Victor. This lively conversation moderated by Polly Thayer Starr Fellow in American Art & Culture Theo Tyson will feature performances by local Boston artists, co-selected by our partner and co-producer, the Network for Art Administrators of Color (NAAC). The NAAC Boston is an ArtsBoston program that was established to enhance the visibility of professionals of color in Greater Boston’s arts and culture sector, as well as widen the leadership pipeline and highlight opportunities for professional and personal growth in the field.

February 26, 2020 at the Boston Athenæum. Few American cities possess a history as long, rich, and fascinating as Boston’s. A site of momentous national political events from the Revolutionary War through the civil rights movement, Boston has also been an influential literary and cultural capital. From ancient glaciers to landmaking schemes and modern infrastructure projects, the city’s terrain has been transformed almost constantly over the centuries. The Atlas of Boston History traces the city’s history and geography from the last ice age to the present with beautifully rendered maps. Edited by historian Nancy S. Seasholes, this landmark volume captures all aspects of Boston’s past in a series of fifty-seven stunning full-color spreads. Each section features newly created thematic maps that focus on moments and topics in that history. These maps are accompanied by hundreds of historical and contemporary illustrations and explanatory text from historians and other expert contributors. They illuminate a wide range of topics including Boston’s physical and economic development, changing demography, and social and cultural life. In lavishly produced detail, The Atlas of Boston History offers a vivid, refreshing perspective on the development of this iconic American city.

February 11, 2020 at the Boston Athenæum. In this talk Russell Maret will discuss the three year process of making his most recent artist’s book, Character Traits. The book continues Maret’s investigation into alphabetical form, which he has undertaken over the last twenty years in a series of printed books and manuscripts, many of which are in the Athenæum’s collection. This newest project is composed of two parts: a volume of essays about alphabetical character traits, specifically how different lettering technologies affect alphabetical form; and a portfolio of twenty-five prints that explore these ideas in a series of texts chosen for their insights into human character traits, each of which is set in unique lettering designed by Maret. The making of Character Traits took on a whole new level of production because during the preliminary work on the project Maret realized it would be conceptually inconsistent to print the plates using the printing method in which he is trained—letterpress. Instead, he purchased an etching press and spent a year learning the necessary skills to print the plates intaglio. The ensuing process of teaching himself a new printing medium, while also wrestling with the creative and conceptual aspects of the project, resulted in many humorous episodes. The talk will cover the ups and downs of this process, and discuss the ideas that lead Maret to make the book in the first place.

February 6, 2020 at the Boston Athenæum. A gripping and true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice. Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are instead met with blindfolds, ropes, and knives. Over four long months, their kidnappers drive them overland into the Cotton Kingdom to be sold as slaves. Determined to resist, the boys form a tight brotherhood as they struggle to free themselves and find their way home. Their ordeal—an odyssey that takes them from the Philadelphia waterfront to the marshes of Mississippi and then onward still—shines a glaring spotlight on the Reverse Underground Railroad, a black market network of human traffickers and slave traders who stole away thousands of legally free African Americans from their families in order to fuel slavery’s rapid expansion in the decades before the Civil War. Impeccably researched and breathlessly paced, STOLEN tells the story of five boys whose courage forever changed the fight against slavery in America.

February 5, 2020 at the Boston Athenæum. To demonstrate the variety and richness of “essential knowledge” and the ways it can be defined, the cabinet in “Required Reading: Reimagining a Colonial Library” is filled with titles selected by ten community partners. Join Rabbi Dan Judson, Dean of the Rabbinical School at Hebrew College; Lorna Rivera, Director of the Gaston Institute for Latino Public Policy at UMass Boston; and Sarah Turner, President of North Bennet Street School for a panel discussion moderated by Rajini Srikanth, Dean of the Honors College at UMass Boston, centered on the question, "What qualifies as knowledge and how is it transmitted?"

January 28, 2020 at the Boston Athenæum. Penelope Pelham Winslow was a member of the English gentry (her third great-grandmother was Anne Boleyn's sister Mary) who was married to Plymouth Colony Governor Josiah Winslow. Although she was one of the most powerful women in Plymouth's history, she, like most of her female contemporaries, has been largely forgotten. Penelope authored or is mentioned in just a few surviving documents; however, a wealth of physical evidence survives to tell her story, ranging from surviving homes and possessions to archaeological artifacts. These items also offer insight into the world of Plymouth Colony's women. In her new book, Penelope Winslow, Plymouth Colony First Lady: Re-Imagining a Life, Michelle Marchetti Coughlin discovers that blending historical records with material culture provides the keys to re-imagining Winslow's world in all its rich complexity.

January 20, 2020 at the Boston Athenæum. This long-overdue biography reestablishes William Monroe Trotter’s essential place next to Douglass, Du Bois, and King in the pantheon of American civil rights heroes. William Monroe Trotter (1872– 1934), though still virtually unknown to the wider public, was an unlikely American hero. With the stylistic verve of a newspaperman and the unwavering fearlessness of an emancipator, he galvanized black working- class citizens to wield their political power despite the violent racism of post- Reconstruction America. For more than thirty years, the Harvard-educated Trotter edited and published the Guardian, a weekly Boston newspaper that was read across the nation. Defining himself against the gradualist politics of Booker T. Washington and the elitism of W. E. B. Du Bois, Trotter advocated for a radical vision of black liberation that prefigured leaders such as Marcus Garvey, Malcolm X, and Martin Luther King Jr. Synthesizing years of archival research, historian Kerri Greenidge renders the drama of turn- of- the- century America and reclaims Trotter as a seminal figure, whose prophetic, yet ultimately tragic, life offers a link between the vision of Frederick Douglass and black radicalism in the modern era.

January 14, 2020 at the Boston Athenæum. In Dawson’s Fall, a novel based on the lives of Roxana Robinson’s great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson’s tale weaves her family’s journal entries and letters with a novelist’s narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country’s new political, social, and moral landscape. Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states’ rights. He later became the editor of the Charleston News and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn’t control the political whims of his readers. As he wrangled diligently in his columns with questions of citizenship, equality, justice, and slavery, his newspaper rapidly lost readership, and he was plagued by financial worries. Nor could Dawson control the whims of the heart: his Swiss governess became embroiled in a tense affair with a drunkard doctor, which threatened to stain his family’s reputation. In the end, Dawson―a man in many ways representative of the country at this time―was felled by the very violence he vehemently opposed.

January 16, 2020 at the Boston Athenæum. From sports to politics, food to finance, aviation to engineering, to bitter disputes over simple boundaries themselves, New England’s feuds have peppered the region’s life for centuries. They’ve been raw and rowdy, sometimes high minded and humorous, and in a place renowned for its deep sense of history, often long-running and legendary. There are even some that will undoubtedly outlast the region’s ancient low stonewalls. Ted Reinstein, a native New Englander and local writer, offers us fascinating stories, some known, others not so much, from the history of New England in this fun, accessible book. Bringing to life many of the fights, spats, and arguments that have, in many ways, shaped the area itself, Reinstein demonstrates what it really means to be “Wicked Pissed.”

January 9, 2020 at the Boston Athenæum. An over-zealous Boston art dealer in the early years of the 20th century made knowingly false attributions of 18th-century portraits from the Salem-Boston area. The attributions were promulgated by colleagues and later by art scholars until disproved by two other historians. The saga is a sub-chapter in Norton’s upcoming book on the Salem 18th-century portrait artist, Benjamin Blyth. Sometimes mistaken for Copleys, Blyth’s portraits include the Massachusetts Historical Society’s iconic images of the newly married John and Abigail Adams, the Providence man who started the US postal system, the clergyman who promoted settlement of the Northwest Territory, and numerous figures of the American Revolution and their families. The upcoming book by Norton doubles the attributions for pastels and oils and, for the first time, lists miniatures.

December 16, 2019 at the Boston Athenæum. Panelists from Current Projects and North Bennet Street School—representing the worlds of traditional woodworking and craft bookbinding—explore the significance of their work for the Required Reading exhibition: a full-scale replica of a unique Colonial Revival bookcase; a faithful copy of a seventeenth-century “bookpress;” and leather-bound books emulating those in the historic King’s Chapel Library. By reproducing historic objects, we reach a level of intimate dialogue between past and present difficult to achieve through other means. What new questions emerge when we move beyond merely examining a piece to actively remaking it? How does the process of reproducing an object serve as a form of research, lending insight into past practices, tools, materials—and even the object’s social functions?

December 12, 2019 at the Boston Athenæum. "We the People." The Constitution begins with those deceptively simple words, but how do Americans define that "We"? In his new book We the People, Ben Railton argues that throughout our history two competing yet interconnected concepts have battled to define our national identity and community: exclusionary and inclusive visions of who gets to be an American. From the earliest moments of European contact with indigenous peoples, through the Revolutionary period's debates on African American slavery, 19th century conflicts over Indian Removal, Mexican landowners, and Chinese immigrants, 20th century controversies around Filipino Americans and Japanese internment, and 21st century fears of Muslim Americans, time and again this defining battle has shaped our society and culture. Carefully exploring and critically examining those histories, and the key stories and figures they feature, is vital to understanding America, especially when the battle over who is an American can be found in every significant debate and moment.

November 19, 2019 at the Boston Athenæum. Ahead of the 400th anniversary of the first Thanksgiving, historian David J. Silverman offers a transformative new look at the Plymouth colony’s founding events, told for the first time with the Wampanoag people at the heart of the story, in This Land is Their Land: The Wampanoag Indians, Plymouth Colony, and the Troubled History of Thanksgiving. Silverman is a professor of Native and Colonial American history at George Washington University and has worked with modern-day Wampanoag people for more than twenty years. Through their stories, other primary sources, and historical analysis, Silverman sheds profound new light on the events that led to the creation, and bloody dissolution, of the alliance between the Wampanoag tribe and the Plymouth settlers. The result complicates and deepens our current narrative of the first Thanksgiving, presenting us with a new narrative of our country’s origins for the twenty-first century.

November 13, 2019 at the Boston Athenæum. This free-for-members event is made possible with support from the William Orville Thomson Endowment, which is generously funded by Athenæum Proprietor Peter Thomson. In 1697, Thomas Bray, a priest in the Church of England, published a detailed report (Bibliotheca Parochialis) in which he outlined all the “necessary and useful” books that he thought would constitute the essential knowledge needed to equip Anglican church leaders to minister effectively in the English colonies in North America. At the same time, Bray began fundraising to assemble libraries based on his published plan. By the time he turned his project over to his successors in 1704, Bray’s remarkable enterprise resulted in more than 40 collections of books being sent to various locations in the American colonies. One of those libraries, the collection sent to King’s Chapel in Boston in 1698, survives intact as part of the collections of the Boston Athenæum. This talk will explore Bray’s expressed purposes behind his selections for his libraries, as well as telling the story of the King’s Chapel collection, including its remarkable survival during the American war for independence. The talk is presented in conjunction with the exhibition “Required Reading: Reimagining a Colonial Library,” on view at the Athenæum from September 17, 2019 through March 14, 2020.

November 7, 2019 at the Boston Athenæum. Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate, personal source for the urgency of these experiences. Poems get under our skin; they engage with the balm, and the sting, of understanding. In The Mind Has Cliffs of Fall—its title inspired by a poem by Gerard Manley Hopkins—acclaimed poet Robert Pinsky gives us more than 130 poems that explore emotion at its most expansive, distinct, and profound. For this event, poet and professor Maggie Dietz will engage Pinsky in conversation on this remarkable anthology of poems. With seven illuminating chapters and succinct headnotes for each poem, Pinsky leads us through the book’s sweeping historical range. Each chapter, with contents chronologically presented from Shakespeare to Terrance Hayes, Dante to Patricia Lockwood, shows the persistence and variation in our states of mind. “The Sleep of Reason” explores sanity and the imagination, moving from William Cowper’s “Lines Written During a Time of Insanity” to Nicole Sealey’s “a violence.” “Grief” includes Walt Whitman’s “When Lilacs last in the Door-yard Bloom’d” and Marie Howe’s “What the Living Do,” and “Manic Laughter” highlights both Lewis Carroll and Martín Espada. Each poem reveals something new about the vastness of human emotion; taken together they offer a sweeping ode to the power of poetry. Guided by “our finest living example of [the American civic poet]” (New York Times), The Mind Has Cliffs of Fall demonstrates how extreme feelings can be complementary and contradicting, and how poetry is not just an expression of emotion, but emotion itself.

October 30, 2019 at the Boston Athenæum. Biographer and historian Iris Origo, the internationally famous biographer and historian, dazzled readers and critics with her writings, ranging from depictions of the Irish countryside to an account of her heroic attempt to save 28 refugee children from German soldiers during World War II. Katia Lysy, Origo’s granddaughter, will discuss her legacy and the journey of bringing these elegant works to American audiences.

October 31, 2019 at the Boston Athenæum. As the first president to occupy the White House for an entire term, Thomas Jefferson shaped the president’s residence, literally and figuratively, more than any of its other occupants. Remarkably enough, however, though many books have immortalized Jefferson’s Monticello, none has been devoted to the vibrant look, feel, and energy of his still more famous and consequential home from 1801 to 1809. In Monticello on the Potomac, James B. Conroy, author of the award-winning Lincoln’s White House offers a vivid, highly readable account of how life was lived in Jefferson’s White House and the young nation’s rustic capital.

October 29, 2019 at the Boston Athenæum. Harriet Jacobs lived in the United States at a time fraught with political unrest. She was born into slavery in 1813 and spent her life striving to make a fulfilling life for herself and her family in a country that defined her as less than. To history she left a scandalous autobiography chronicling her life as a fugitive slave, and through it exposed the ugly reality of life for female slaves. However, in the twentieth century, scholars considered Jacobs’s story to be a work of fiction written by a white female abolitionist in the service of the abolitionist cause. At the end of the twentieth century a feminist scholar laid to rest any doubt that Jacobs existed and was in fact the author of her autobiography. Join researcher and storyteller Desiree Taylor for a presentation of the life and the saga of Harriet Jacobs.

October 24, 2019 at the Boston Athenæum. In the early days of Prohibition, long before Al Capone became a household name, a German immigrant named George Remus quit practicing law and started trafficking whiskey. Within two years he was a multi-millionaire. The press called him “King of the Bootleggers,” writing breathless stories about the Gatsby-esque events he and his glamorous second wife, Imogene, hosted at their Cincinnati mansion, with party favors ranging from diamond jewelry for the men to brand-new Pontiacs for the women. By the summer of 1921, Remus owns 35 percent of all the liquor in the United States. Pioneering prosecutor Mabel Walker Willebrandt was determined to bring him down. Willebrandt’s bosses at the Justice Department hired her right out of law school, assuming she would pose no real threat to the cozy relationship they maintained with Remus. Eager to prove them wrong, she dispatched her best investigator, Franklin Dodge, to look into his empire. It was a decision with deadly consequences. With the fledgling FBI on the case, Remus was quickly imprisoned for violating the Volstead Act. With her husband behind bars, Imogene began an affair with investigator Dodge. Together, they plotted to ruin Remus, which sparked a bitter feud that soon reached the highest levels of government–and ended in murder. Combining deep historical research with novelistic flair, The Ghosts of Eden Park is the unforgettable, stranger-than-fiction story of a rags-to-riches entrepreneur and a long-forgotten heroine, of the excesses and absurdities of the Jazz Age, and of the infinite human capacity to deceive.

Sandra Day O’Connor was born in 1930 in El Paso and grew up on a cattle ranch in Arizona. At a time when women were expected to be homemakers, she applied and was accepted into Stanford University. When she graduated near the top of her law school class in 1952, no firm would interview her--but Sandra Day O’Connor’s story is that of a woman who repeatedly shattered glass ceilings, and did so with a blend of grace, wisdom, humor, understatement, and cowgirl toughness. After becoming the first ever female majority leader of a state senate, and then judge on the Arizona Court of Appeals, she arrived at the United States Supreme Court in 1981, appointed by President Ronald Reagan. Her quarter-century tenure on the Court ultimately shaped American law. Diagnosed with cancer at fifty-eight, and caring for a husband with Alzheimer’s, O’Connor endured every difficulty with grit and poise.

A Dream Between Two Rivers: Stories of Liminality is both literary and speculative, both magically real and viscerally strange, and in the tradition of writers like Angela Carter, Karen Russell, and Jorge Luis Borges. Within the collection of short stories, Pereira uses elements of fairy tales, folk tales, and myths to highlight the lives of women, children, and immigrants. Lucid prose underscores the tenacity of those who are the most vulnerable, who live on the edges, between neat and clear definitions of who they are and who they want to be. Pereira explores rebirth amid darkness, free of normative ideas of gender, class, race, and sexuality.

Commemorating the one-hundredth anniversary of the death of the great French Impressionist Pierre-Auguste Renoir, writer and historian Avis Berman will examine the artist’s legacy from the perspective of the pioneering Americans who embraced and supported his work well before French collectors or officials did so. Berman will chronicle Renoir's career, beginning in the 1880s when Renoir and the other Impressionists were first exhibited in the U.S.--and with their acceptance by no means guaranteed--and concluding in the mid-1930s, when Renoir had become an essential purchase for museums, moguls, and movie stars. Join us to learn more about the provocative artists, dealers, and collectors from this time period and to discover some of the most sumptuous and significant Renoirs in America, in addition to the portraits and photographs of the people who collected them.

July 16, 2019 at the Boston Athenæum. The acclaimed, award-winning author Liza Wieland of A Watch of Nightingales imagines in a sweeping and stunning novel what happened to the poet Elizabeth Bishop during three life-changing weeks she spent in Paris in 1937--the only year Elizabeth, a meticulous keeper of journals, didn't fully chronicle. Amidst the imminent threat of World War II, the novel brings us in vivid detail from Paris to Normandy where Elizabeth becomes involved with a group rescuing Jewish “orphans” and delivering them to convents where they will be baptized as Catholics and saved from the impending horror their parents will face. Poignant and captivating, Liza Wieland’s Paris, 7 A.M. is a beautifully rendered take on the formative years of one of America’s most celebrated—and mythologized—female poets.

April 11, 2019 at the Boston Athenæum. This lecture is in conjunction with the Royal Oak Foundation. In 1942, the Gestapo sent out an urgent command: "She is the most dangerous of all Allied spies. We must find and destroy her." This spy was Virginia Hall, a young socialite from Baltimore, who, after being rejected from the Foreign Service because of her gender and prosthetic leg, talked her way into the SOE, the WWII British spy organization dubbed Churchill's "ministry of ungentlemanly warfare." Hall, known as the "Madonna of the Resistance," was one of the greatest spies in American and English history, yet her full story remains untold. At a time when sending female secret agents into enemy territory was still strictly forbidden, Hall coordinated a network of spies to report on German troop movements, arranged equipment parachute drops for Resistance fighters, and recruited and trained guerrilla units to ambush enemy convoys and blow up bridges and railroads. Even as her face covered WANTED posters throughout Europe, Hall refused orders to evacuate. She finally escaped in a death- defying climb over of the Pyrenees into Spain, her cover blown, and her associates imprisoned or executed. But, adamant that she had more lives to save, she plunged back into the field with the American OSS secret service, directing partisan armies to back up the Allied forces landing on Normandy beaches. A Woman of No Importance: The Spy Who Helped Win WWII will reveal the captivating story of a formidable, yet shockingly overlooked, heroine whose fierce persistence helped win the war.

July 27, 2019 at the Boston Athenæum. The Boston Athenæum and the Commonwealth Shakespeare Company (CSC) have partnered together to bring you two fantastic events in one night that interrogate and celebrate Shakespeare's Cymbeline, a mystical dramedy full of intrigue, mistaken identities, and romance. The production of Cymbeline marks CSC's 24th season of Free Shakespeare on the Common (July 17 through August 4, 2019). The evening begins at the Boston Athenæum at 6:00pm with a conversation between Anita Diamant, best selling author, and Fred Sullivan Jr., director of CSC's Cymbeline. They will discuss the themes of integrity and forgiveness running throughout this tragicomic romance and fairy tale plot. In particular, they will explore the trials of the heroine, Imogen, an isolated and wronged young woman facing down threats in a violent world--and how she persists.