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Optometry historians observe 23rd February, 1305 as the day eyeglasses were perhaps first discussed in public, when friar Giordano de Rivalto stood at the pulpit and declared that he had personally met the man who invented spectacles... Except, frustratingly, he forgot to mention the bloke's name. One popular contender for the title is Salvino D'Armati, a Florentine said to have created the first glasses in 1284. The only problem? His story turned out to be a hoax—his supposed 1317 epitaph even used the word "inventor," which didn't exist yet. But the connection to the church is legit, as the earliest wearers of glasses were usually monks, because they were the nation's biggest bookworms. In this episode, Arion, Rebecca and Olly romp through a brief history of optometry, learning how ear hooks first came to the fore; explaining how Seneca used early lenses to assist his reading; and revealing Benjamin Franklin's surprising role in the world of bifocals… Further Reading: • ‘Through the looking glass' (British Library, 2019): https://blogs.bl.uk/digitisedmanuscripts/2019/02/medieval-spectacles.html • ‘The history of spectacles' (College of Optometrists): https://www.college-optometrists.org/the-british-optical-association-museum/the-history-of-spectacles • ‘Why so many people need glasses now' (Vox, 2023): https://www.youtube.com/watch?v=LAkFtka3UFw Love the show? Support us! Join
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time.In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. (From Publisher's Note.)The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history.Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos. (From Introduction.)Translated by George Burnham Ives.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Recorded live from the floor of the 2026 International Builders Show in Orlando, this special episode of Building Freedom features Florentine of Sidekick Homes - an ADU specialist at the forefront of one of the fastest-growing housing movements in the country.We dive into the explosive rise of Accessory Dwelling Units (ADUs), why they represent a massive opportunity for builders and remodelers, and the common mistakes contractors make when entering this emerging space. Florentine shares insights from her work in California's evolving ADU market, her involvement with the ADU Academy, and even her experience presenting at the federal level to help shape financing policies.Beyond ADUs, this conversation goes deeper into systems, scalability, and why 96% of business problems aren't people problems… they're systems problems. If you're a builder looking to grow, transition into new markets, reduce stress, or reclaim your time, this episode is packed with strategic insight and actionable takeaways.
We will be continuing our reading and analysis of Machiavelli's "The Prince" by diving into his thoughts on how to maintain the loyalty of conquered nations. Machiavelli puts critical emphasis on how to properly occupy and subdue territories depending on how they were previously governed. The Florentine diplomat also stresses the need for conquerors to control their own arms, which leads to a more interesting exploration on the nature of divine intervention. Follow on: Apple: https://podcasts.apple.com/us/podcast/the-auron-macintyre-show/id1657770114 Spotify: https://open.spotify.com/show/3S6z4LBs8Fi7COupy7YYuM?si=4d9662cb34d148af Substack: https://auronmacintyre.substack.com/ Twitter: https://twitter.com/AuronMacintyre Gab: https://gab.com/AuronMacIntyre YouTube:https://www.youtube.com/c/AuronMacIntyre Rumble: https://rumble.com/c/c-390155 Odysee: https://odysee.com/@AuronMacIntyre:f Instagram: https://www.instagram.com/auronmacintyre/ Learn more about your ad choices. Visit megaphone.fm/adchoices
In dieser Folge spricht Florentine mit Frau Prof. Erika Baum über die hausärztliche Betreuung schwangerer Patientinnen – von typischen Beschwerden über Medikamentensicherheit und Ernährung bis hin zu Warnzeichen für ernste Komplikationen. Wir zeigen, wie Hausärzt*innen Schwangere sicher begleiten, interdisziplinär arbeiten und häufige Unsicherheiten im Praxisalltag meistern.
Astronomer Philip Plait — who fell in love with Saturn after first viewing the gas giant, with its mesmerizing rings and moons, through a telescope as a child — shares some of the amazing discoveries we've made about the planet in recent years. Then actor Martin Sheen describes how his travels in the developing world have opened his eyes, and his heart, to the needs of others. And a Florence-based tour guide and culinary expert lets us in on where to find the best food in her adopted home. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.
Fluent Fiction - Italian: A Florentine Valentine's: Love Blooms in the Botanico Garden Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-02-08-23-34-02-it Story Transcript:It: Luca cammina con passo deciso, ma un po' nervoso, lungo le stradine di Firenze.En: Luca walks with a determined but slightly nervous step along the streets of Firenze.It: È febbraio e l'aria è fresca, ma c'è il sole.En: It is February, and the air is fresh, but the sun is shining.It: È San Valentino, e vuole trovare il regalo perfetto per Giulia, la sua compagna.En: It is Valentine's Day, and he wants to find the perfect gift for Giulia, his partner.It: Giulia ama l'arte e la natura, ed è una studentessa appassionata.En: Giulia loves art and nature, and she is a passionate student.It: I classici regali di cioccolatini e gioielli non sembrano adatti.En: The classic gifts of chocolates and jewelry don't seem suitable.It: Vuole qualcosa di più significativo.En: He wants something more meaningful.It: Decide di portarla al Giardino Botanico di Firenze.En: He decides to take her to the Giardino Botanico di Firenze.It: È un posto speciale, un rifugio di tranquillità nel cuore della città.En: It's a special place, a refuge of tranquility in the heart of the city.It: Anche in inverno, il giardino è un'esplosione di colori.En: Even in winter, the garden is an explosion of colors.It: Gli alberi sempreverdi e i fiori invernali creano un'atmosfera magica.En: The evergreen trees and winter flowers create a magical atmosphere.It: "Giulia, perché non facciamo una passeggiata al giardino oggi?"En: "Giulia, why don't we take a walk in the garden today?"It: propone Luca.En: Luca proposes.It: Giulia sorride.En: Giulia smiles.It: Adora quel posto.En: She loves that place.It: Arrivati al giardino, camminano mano nella mano.En: Upon arriving at the garden, they walk hand in hand.It: Percorrono i sentieri sinuosi, osservando la bellezza intorno a loro.En: They follow the winding paths, observing the beauty around them.It: Luca comincia a raccogliere fiori lungo il percorso.En: Luca begins to gather flowers along the way.It: Vuole creare un bouquet speciale, un dono fatto con amore e attenzione.En: He wants to create a special bouquet, a gift made with love and care.It: Mentre passeggiano, scoprono un angolo nascosto del giardino.En: As they stroll, they discover a hidden corner of the garden.It: Qui crescono i fiori preferiti di Giulia.En: Here grow Giulia's favorite flowers.It: È un momento perfetto.En: It's a perfect moment.It: L'ispirazione colpisce Luca.En: Inspiration strikes Luca.It: "Che ne dici di un picnic qui, tra i fiori?"En: "How about a picnic here, among the flowers?"It: chiede, mostrando il bouquet fatto con le sue mani.En: he asks, showing the bouquet made with his own hands.It: Giulia è sorpresa e felice.En: Giulia is surprised and happy.It: Non si aspetta un gesto così semplice e dolce.En: She doesn't expect such a simple and sweet gesture.It: Siedono sull'erba, condividendo del pane e formaggio che Luca ha portato.En: They sit on the grass, sharing some bread and cheese that Luca brought.It: Parlano, ridono e si godono la bellezza del momento.En: They talk, laugh, and enjoy the beauty of the moment.It: Luca capisce che l'amore si trova nelle esperienze condivise.En: Luca realizes that love is found in shared experiences.It: Giulia apprezza il pensiero, il tempo passato insieme.En: Giulia appreciates the thought, the time spent together.It: Si sente più vicino a lei che mai.En: He feels closer to her than ever.It: Il sole inizia a calare, colorando il cielo di sfumature rosate.En: The sun begins to set, painting the sky with pink hues.It: Si avviano verso casa, mano nella mano, felici.En: They head towards home, hand in hand, happy.It: Il regalo perfetto per Giulia non era materiale.En: The perfect gift for Giulia was not material.It: Era il momento, il ricordo, l'esperienza vissuta insieme.En: It was the moment, the memory, the experience lived together.It: Luca sorride.En: Luca smiles.It: Ha imparato che l'affetto si dimostra con gesti sinceri, non con oggetti costosi.En: He has learned that affection is shown with sincere gestures, not expensive objects.It: Giulia stringe la sua mano, grata per quell'indimenticabile San Valentino.En: Giulia squeezes his hand, grateful for that unforgettable Valentine's Day. Vocabulary Words:the step: il passodetermined: decisothe partner: la compagnathe gift: il regalosuitable: adattimeaningful: significativothe refuge: il rifugiothe tranquility: la tranquillitàthe heart: il cuorethe explosion: l'esplosionethe atmosphere: l'atmosferathe path: il sentierothe bouquet: il bouquetthe corner: l'angolothe inspiration: l'ispirazioneto stroll: passeggiarethe gesture: il gestoto share: condividerethe grass: l'erbathe experience: l'esperienzathe memory: il ricordothe moment: il momentoto appreciate: apprezzareto squeeze: stringereunforgettable: indimenticabilethe hues: le sfumaturethe student: la studentessato observe: osservareto gather: raccoglierepassionate: appassionata
Fluent Fiction - Italian: When Poetry Meets Art in a Florentine Winter Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-30-08-38-20-it Story Transcript:It: Luca camminava lentamente lungo i corridoi del collegio di Firenze, immerso nei propri pensieri.En: Luca walked slowly along the corridors of the collegio in Firenze, immersed in his own thoughts.It: Era inverno e l'aria fredda filtrava dalle finestre antiche, donando un'atmosfera magica al luogo.En: It was winter, and the cold air filtered through the ancient windows, giving a magical atmosphere to the place.It: Il collegio era un edificio storico, con una biblioteca grandiosa e sale comuni accoglienti, perfette per studiare e socializzare.En: The collegio was a historical building, with a grand library and cozy common rooms, perfect for studying and socializing.It: Quella mattina, Luca si stava preparando per la lezione di letteratura.En: That morning, Luca was preparing for the literature class.It: Era una delle sue materie preferite, nonostante la sua timidezza.En: It was one of his favorite subjects, despite his shyness.It: Aveva sempre amato la poesia, ma non aveva mai avuto il coraggio di condividerla con nessuno, tranne Alessandro, il suo migliore amico.En: He had always loved poetry, but he had never had the courage to share it with anyone, except Alessandro, his best friend.It: Alessandro era sempre pronto ad ascoltare e incoraggiare Luca a esprimersi di più.En: Alessandro was always ready to listen and encourage Luca to express himself more.It: Mentre si sedeva nella classe, la professoressa annuncia un nuovo progetto: lavorare in coppia per analizzare poesie famose e creare qualcosa di originale.En: As he sat in the class, the teacher announced a new project: to work in pairs to analyze famous poems and create something original.It: Luca sentì un misto di entusiasmo e paura.En: Luca felt a mix of excitement and fear.It: Quando la professoressa li divide in coppie, Luca viene abbinato a Giulia.En: When the teacher paired them up, Luca was matched with Giulia.It: Giulia era tutto ciò che Luca non era: estroversa, sicura di sé e con una passione per l'arte.En: Giulia was everything Luca was not: outgoing, confident, and with a passion for art.It: Luca si sentiva nervoso al pensiero di lavorare con lei.En: Luca felt nervous at the thought of working with her.It: Tuttavia, sapeva che questa era un'opportunità per aprirsi.En: However, he knew this was an opportunity to open up.It: Durante il loro primo incontro, Giulia mostrò subito il suo entusiasmo.En: During their first meeting, Giulia immediately showed her enthusiasm.It: "Amo i colori e le forme," disse, "ma le parole, oh, quanto sono potenti!"En: "I love colors and shapes," she said, "but words, oh, how powerful they are!"It: Luca s'illuminò.En: Luca lit up.It: Non era abituato a sentir parlare qualcuno della poesia con tanta passione.En: He was not used to hearing someone talk about poetry with such passion.It: Decise che era il momento di correre un rischio.En: He decided it was time to take a risk.It: Nel loro secondo incontro, portò con sé un piccolo quaderno.En: During their second meeting, he brought a small notebook with him.It: Tremante, lo passò a Giulia.En: Trembling, he handed it to Giulia.It: "Ho scritto alcune poesie," mormorò.En: "I wrote some poems," he murmured.It: Giulia lesse in silenzio, i suoi occhi si spostavano velocemente da una parola all'altra.En: Giulia read silently, her eyes swiftly moving from one word to another.It: Quando alzò lo sguardo, i suoi occhi scintillavano.En: When she looked up, her eyes were sparkling.It: "Luca, è bellissimo.En: "Luca, it's beautiful.It: Posso mostrarti qualcosa?"En: Can I show you something?"It: disse.En: she said.It: Tirò fuori un album di schizzi e lo aprì su una pagina piena di colori e immagini ispirate dalle sue poesie.En: She pulled out a sketchbook and opened it to a page full of colors and images inspired by his poems.It: Era come se avesse trasformato le parole in arte visiva.En: It was as if she had transformed the words into visual art.It: Luca rimase incantato.En: Luca was enchanted.It: Sentiva per la prima volta che qualcuno lo comprendeva davvero.En: It was the first time he felt truly understood by someone.It: Da quel giorno, Luca e Giulia iniziarono a lavorare insieme non solo al progetto ma anche ai loro sogni.En: From that day on, Luca and Giulia began working together not only on the project but also on their dreams.It: I pomeriggi nella biblioteca del collegio diventavano il loro rifugio, un luogo dove parole e colori si univano creando qualcosa di unico.En: Afternoons in the collegio library became their refuge, a place where words and colors united to create something unique.It: Con il tempo, la loro amicizia crebbe in qualcosa di più profondo.En: Over time, their friendship grew into something deeper.It: Alla fine dell'inverno, Luca era cambiato.En: By the end of winter, Luca had changed.It: Aveva trovato il coraggio di aprirsi, di fidarsi degli altri con la propria voce.En: He had found the courage to open up, to trust others with his own voice.It: E, accanto a Giulia, sentiva che poteva essere se stesso.En: And, next to Giulia, he felt he could be himself.It: Aveva imparato che ogni rischio portava a una nuova possibilità.En: He had learned that every risk led to a new possibility.It: E la possibilità di amare.En: And the possibility to love. Vocabulary Words:the corridor: il corridoiothe collegio: il collegioslowly: lentamentethe atmosphere: l'atmosferagrand: grandiosathe library: la bibliotecathe common room: la sala comuneshyness: la timidezzato share: condividerethe project: il progettoto pair (up): abbinarethe risk: il rischioto tremble: tremarethe notebook: il quadernoswiftly: velocementeto sparkle: scintillarethe sketchbook: l'album di schizzienchanted: incantatoto unite: unireunique: unicotrust: la fiduciathe possibility: la possibilitàto immerse: immergersiancient: anticheto socialize: socializzareenthusiasm: l'entusiasmoto announce: annunciareto analyze: analizzareto transform: trasformareto create: creare
The Medici are remembered as enlightened patrons of art—the family behind Michelangelo, Botticelli, and the Renaissance itself.That version of history is incomplete.In this episode of Hidden Forces in History, we strip away the marble and mythology to examine Medici family as they actually were: a private banking dynasty that embedded itself inside moral authority, captured a republic without abolishing it, and rewrote its legacy through art, architecture, and storytelling.We follow the money—from Florentine ledgers to the Vatican—showing how the Medici:• Plugged into Church finance to gain leverage across Europe• Used patronage as a form of long-term propaganda• Helped trigger the Reformation through indulgence financing• Lost their bank—but preserved their legendThis isn't just a Renaissance story.It's a repeatable playbook—one still used by modern elites, foundations, and institutions today.Same system.Different century.
Orli Shaham joins us from Minnesota Public Radio in the Twin Cities, a place bursting with talented young artists, including a teen from a long line of Florentine musicians performing Ravel, a quartet who bonded in a forest, and a multifaceted cellist whose interests range from tennis to quantum computing.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Bitte denken Sie jetzt nicht an einen Elefanten. Sie kennen das. Funktioniert natürlich nicht. Ebensowenig wird es Ihnen gelingen, den Namen Joop vom Modedesigner Wolfgang abzukoppeln. Eine Tatsache, mit der unser heutiger Gast schon ein Leben lang zu tun hat, aber klar - die Eltern gehören zu einem, ob sie nun prominent sind oder nicht. Florentine Joop kam 1973 als 2. Tochter des Ehepaares Joop in Hamburg zur Welt. Ihre Ferien verbringt über viele Jahre in Potsdam, da gibt’s die DDR noch, schöne Zeiten sind das für das Mädchen, und sie stehen im harten Kontrast zu den heftigen und lauten Trennungsszenen ihrer Eltern im heimatlichen Hamburg. Florentine will Fotografin werden und schwenkt dann doch um zur Malerei, sie schreibt Kinderbücher und Romane, illustriert und zieht als erwachsene Frau genau dort hin, wo sie damals, als die Mauer noch stand, so glücklich war: nach Potsdam. Dort arbeitet und lebt sie mit ihrem Mann und insgesamt 4 Kindern, heute allerdings musste sie mal wieder nach Berlin reinfahren, um unserer Einladung in die Hörbar Rust zu folgen.
Bitte denken Sie jetzt nicht an einen Elefanten. Sie kennen das. Funktioniert natürlich nicht. Ebensowenig wird es Ihnen gelingen, den Namen Joop vom Modedesigner Wolfgang abzukoppeln. Eine Tatsache, mit der unser heutiger Gast schon ein Leben lang zu tun hat, aber klar - die Eltern gehören zu einem, ob sie nun prominent sind oder nicht. Florentine Joop kam 1973 als 2. Tochter des Ehepaares Joop in Hamburg zur Welt. Ihre Ferien verbringt über viele Jahre in Potsdam, da gibt’s die DDR noch, schöne Zeiten sind das für das Mädchen, und sie stehen im harten Kontrast zu den heftigen und lauten Trennungsszenen ihrer Eltern im heimatlichen Hamburg. Florentine will Fotografin werden und schwenkt dann doch um zur Malerei, sie schreibt Kinderbücher und Romane, illustriert und zieht als erwachsene Frau genau dort hin, wo sie damals, als die Mauer noch stand, so glücklich war: nach Potsdam. Dort arbeitet und lebt sie mit ihrem Mann und insgesamt 4 Kindern, heute allerdings musste sie mal wieder nach Berlin reinfahren, um unserer Einladung in die Hörbar Rust zu folgen.
Send us a textIn this thoughtful and deeply human conversation, Joey Pinz sits down with Sharon Florentine, Editorial Director at CyberRisk Alliance, to explore the intersection of creativity, leadership, community, and the ever-changing MSP landscape. Sharon shares her roots as a rhythm guitarist, her love of knitting, and the creative habits that keep her grounded before diving into the bigger questions facing today's MSPs.Sharon breaks down the three biggest challenges MSPs face—security, human capital, and sustainable growth—and explains how media, community, and honest storytelling can help leaders navigate them. She discusses how CyberRisk Alliance supports MSPs with trusted reporting, events, education, and authentic industry insight.The conversation also explores the evolution of publishing, the role of AI in editing, the importance of company values, and the subtle but powerful impact of workplace culture. Sharon also opens up about her personal journey quitting smoking and how consistency, clarity, and self-awareness shape both personal and professional success.This episode blends heart, humor, and hard-won wisdom—perfect for anyone building a business, a team, or a better version of themselves.
Did you know that as late as 1850, people in Italy could still be arrested for owning a Bible and imprisoned for giving Bibles to others? This is what happened to a Florentine couple who were arrested for owning two copies of the Bible, and were imprisoned under suspicion that they were reading it or distributing it to others. And this was not an isolated story. The Roman Catholic Church could even kidnap children from Jewish or Protestant families! How did Protestants survive this difficult time, and when did it end? Find out answers to all this and more as Grace, Sean, and Isaac talk with Dr. Mario Cignoni, General Secretary of the Bible Society in Italy and author of many books. Show notes Articles written by Simonetta Carr about this time period: https://placefortruth.org/francesco-and-rosa-madiai/ https://placefortruth.org/bible-italy-council-trent-italian-republic/
It's a brand new year, and a brand new season of the podcast will feature a brand new series where each week we will cover every single Pearl Jam tour year in chronological order! The kick off starts here with 1991 as we cover a show that's only the second known bootleg from back when they were still billed as Mookie Blaylock at Florentine Gardens in Los Angeles. This was the beginning of their first tour - an 11-show west coast swing opening up for the surging Alice In Chains. This show is like an artifact dug up from underground and showcased to a group of people interested in studying the past, but the bootleg for this show had been available in the 90s, yet not widely circulated. For a show that has the live debuts of Garden and Brother, and the only performance for 18 years of the latter, you would think that there would be interest from nerdy fans who wanted their hands on everything. Well, that was not the case. We invite Patrick and Brian from our Hallucinogenic Recipe podcast to talk about why this show wasn't as massed produced as it could have been. Was it due to audio quality? Was it due to popularity of shows in the mid-90s garnering more attention? They'll break down all of the reasons, and the reasons why it needs to be heard today. As we'll do with every show during this series, we'll give a synopsis of the entire tour year and some statistical analysis of what went down. The episode is much longer than the actual show that clocks in at 40 minutes, but don't worry, because we get to tell the tale of our friend "taper dude" and how excited he was to witness the former Mother Love Bone in their new formation. Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs
Florentine Koppenborg's Japan's Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan's nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg's history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Florentine Koppenborg's Japan's Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan's nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg's history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Florentine Koppenborg's Japan's Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan's nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg's history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Florentine Koppenborg's Japan's Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan's nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg's history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Florentine Koppenborg's Japan's Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan's nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg's history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Florentine Koppenborg's Japan's Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan's nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg's history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
Episode No. 735 features curators Dan Nadel and Laura Phipps, and curator Alexander J. Noelle. With Elizabeth Sussman and Scott Rothkopf, Nadel and Phipps are the co-curators of "Sixties Surreal" at the Whitney Museum of American Art, New York. The exhibition works to complicate the march of -isms which, outside the academy and too few art museums, has too often ossified into the the era's US art history. "Sixties Surreal" offers some of the ways in which artists working around the US (and not only in New York or for its market) mined surrealist thought and theory to help them reckon with the era's sociopolitical extremes. The exhibition is on view through January 19, 2026. The thought-provoking exhibition catalogue was published by the Whitney. Amazon and Bookshop offer it for about $40-45. Also, Nadel and Phipps have made a 113-song Spotify playlist to accompany the show. The Cleveland Museum of Art's remarkable autumn of major Italian Renaissance presentations continues with Noelle's "Filippino Lippi and Rome," a look at the Florentine's painter's work in and informed by travel to Rome. The impetus for the exhibition was Cleveland's own tondo The Holy Family with Saint John the Baptist and Saint Margaret (ca. 1488-93), a masterpiece and the only known independent work that Filippino produced in Rome. Filippino is the son of the famed Fra Filippo Lippi, and apprenticed and collaborated with Sandro Botticelli before working on his own. "Lippi and Rome" is on view through February 22, 2026. A superb catalogue was published by the museum. Amazon and Bookshop offer it for $40. Several months ago the Cleveland Museum of Art debuted Giambologna's Fata Morgana, a high-profile acquisition of a rare Giambologna marble sculpture. Instagram: Dan Nadel, Laura Phipps, Alexander J. Noelle, and Tyler Green.
Tanja Valérien spricht in ihrer 87. Podcast-Folge mit MIA FLORENTINE WEISS, Konzept- und Performancekünstlerin, Jahrgang 1980, in ihrem neuen Zuhause in der Nähe des Starnberger Sees, wo sie sie auch fotografiert hat, über ihre dritte Schwangerschaft mit 45…warum sie bei ihrem zweiten Kind unbedingt einen Kaiserschnitt wollte und daraus eine Kunst-Performance mit Kamerateam, Altar und spirituellen Heilerinnen gemacht hat…Feminismus, Aktivismus, Optimismus…den Kampf für Menschenrechte...die Leidenschaft, sich kreativ auszudrücken…das Maximierungsprinzip…Provokation, Nacktheit, Neugier, Lust und Sinnlichkeit...den steinigen Weg, in der Kunst erfolgreich und anerkannt zu sein...Mut, Vorurteile, Selbstbewusstsein, Individualität, Klarheit und Identität…eine unbeschwerte Kindheit in Los Angeles und eine grandiose Teenagerzeit in Moskau, wo sie oft ihren Vater besuchte, der dort einige Jahre als Manager tätig war…Politik, Glaube, Poesie, Literatur und Waldorfschule….Faust und Goethe, Himmel und Hölle…Cowboyhut und Federn im Haar...das abgebrochene Germanistik- und Philosophiestudium in Würzburg und die Lehrjahre an der Akademie für Mode und Design (AMD) in Hamburg….wilde Partys und erste eigene Guerilla-Performances in New York und auf der Art Basel…den lukrativen Nebenjob als Model und den Raffaello-Werbespot, mit dem sie bekannt geworden ist…die Großmutter, die in Tansania aufgewachsen ist, und eine Reise auf ihren Spuren….die spirituelle Begegnung mit dem Stamm der Himba in Namibia….Wandlung, inneres Gleichgewicht, die Suche nach sich selbst…Erfahrungen an der Film- und Schauspielschule in Berlin und am Set als Schauspielerin…das erste Atelier in einem LED-Tunnel in Frankfurt und das Glück, dort ihrem Mann und Vater ihrer inzwischen drei Kinder zu begegnen…das ewige Pendeln zwischen Berlin, Los Angeles und Frankfurt…warum sie für ein Jahr mit Mann und Kindern nach Hawaii ausgewandert ist und von dort aus einen Hof mit Landwirtschaft in der Nähe des Starnberger Sees in Bayern gekauft haben…Heimat, Bedürfnisse und Sehnsucht…ihre Ambigramm-Skulptur LOVE HATE, die weltweit in mehreren Städten steht…Exzentrik, Ausdruck, Anerkennung, Schönheit, Liebe und Wandlung.
The Ridolfi Plot Explained He wasn't a soldier, a spy, or a nobleman, but a Florentine banker who nearly toppled a queen. In 1571, Roberto di Ridolfi masterminded one of the boldest conspiracies of Elizabeth I's reign, a plan backed by the Pope, Philip II of Spain, and Mary, Queen of Scots. His goal? To invade England, overthrow Elizabeth, and restore Catholic rule, all funded through secret banking channels. But one intercepted letter at Dover changed everything. Join me, historian Claire Ridgway, for the true story of The Ridolfi Plot, a tale of spies, Spanish gold, and the banker who talked too much. #ElizabethI #TudorHistory #RidolfiPlot #MaryQueenOfScots #TudorConspiracies
INTRO (00:24): Kathleen opens the show drinking a Sad Panda Coffee Stout from Horse & Dragon Brewing Company. She reviews her weekend in Denver, attending Thursday Night Football and hanging out with comedian friends. TOUR NEWS: See Kathleen live on her “Day Drinking Tour.” COURT NEWS (18:12): Kathleen shares news announcing that Jelly Roll had issues at the Louis Vuitton store in Sydney, and Chappell Roan inducted Cyndi Lauper into the Rock Hall, TASTING MENU (2:12): Kathleen samples Trader Joe's Garlic Butter Irish Chips, Lay's Cajun Kettle Chips, and Spicy Dill Pickle Chips. UPDATES (22:10): Kathleen shares updates on more security issues at The Louvre, Meghan Markle is returning to acting, and a report discloses that Prince Andrew brought prostitutes to Windsor while the Queen was in residence. HOLY SHIT THEY FOUND IT (27:14): Kathleen reveals that the 137-carat Florentine diamond that hasn't been seen in public since 1919 has been found in a Canadian bank. FRONT PAGE PUB NEWS (34:25): Kathleen shares articles on a Waymo taxi running over a celebrity cat, Toys R Us is returning in time for Christmas, Colts owner Carlie Irsay-Gordon buys rounds for fans in Germany, researchers link personal sleep needs with a genetic mutation,
Please Follow us on: Instagram or Facebook ! In this episode, Kimberly and Tommaso apologize for the delay in their latest release. They then dive into a discussion about their favorite meals in Italy, looking back at 28 years of travel. Key Points: Kimberly and Tommaso offer a sincere apology for the delayed episode. They recap their previous discussion on favorite cities and regions. The main topic is their favorite meals in Italy, spanning 28 years of travel experiences. Episode Highlight: First Italian Meals in Cervinia Kimberly and Tommaso recount a ski trip from Zermatt, Switzerland, down to Cervinia, Italy. Kimberly describes their incredible hunger after the challenging ski descent. Tommaso recalls his memorable Zuppa Valdostana, a rich beef broth soup with bread and fontina cheese. Kimberly shares her delight in eating polenta with fontina cheese and red wine. They reminisce about a Raclette lunch with Matterhorn views, marking it as a beautiful outdoor dining experience. Meals in Lago di Como and Florence: Kimberly shares a story about visiting friends in Lago di Como, coinciding with their annual Brunello bottling celebration. Tommaso describes enjoying five to seven-year-old Brunello with grilled beef prepared by an international meat dealer. Kimberly celebrates her 40th birthday lunch at Alvalu in Tremezzo, featuring simple tomato pasta, cured meats, and a beautiful fruit tart. They both recall the unique grappa infused with blueberries, made by monks. Rome and Florence Culinary Experiences: Tommaso shares his first carbonara experience in Rome in 2021, describing it as a moment of pure paradise. Tommaso notes the relaxed dining pace in Italy, contrasting it with the faster pace in America. Kimberly describes a simple, attractive enoteca in Rome where they enjoyed another carbonara and a mozzarella di bufala appetizer. Tommaso discusses his anticipation and enjoyment of Bisteca Fiorentina in Florence, splitting it with a friend. Kimberly remembers the bright and loud atmosphere of the Florentine restaurant, a contrast to their preferred dining setting. Southern Italy and Pizza Delights: Kimberly highlights her favorite meals in Puglia, particularly a salad with tuna, mozzarella, and local vegetables, drizzled with Puglian olive oil and served with local bread. Tommaso praises the simplicity and quality of Puglian bread. Tommaso declares his favorite pizza was in Ischia, preferring a heartier style with onions, mushrooms, and prosciutto. Kimberly recounts a standout Napolitano pizza experience in Torino, found in a residential neighborhood across the river. Tommaso reflects on the ongoing challenge of finding the “next best something” in Italian cuisine. Coffee and Truffles in Torino: Kimberly raves about the bicherine, a coffee layered with dark chocolate, espresso, and frothy cream, at Cafe Bicherine in Torino. Tommaso praises a wide noodle pasta with shaved white truffles, enjoyed during truffle season in Torino, paired with a bottle of Barolo. Join Kimberly and Tommaso as they revisit their most cherished Italian meals, sharing anecdotes and insights from decades of culinary adventures. Kimberly and Tommaso share their most memorable meals from 28 years of Italian travels, from ski trips to Roman trattorias. This episode explores Italy's diverse culinary landscape and the joy of savoring food and culture.
In this first of two programmes, Hannah French explores the lives of two 16th Century Popes: Leo X and Clement VII, and the music that surrounded them.Giovanni & Giulio were cousins, brought up together in the wealthy and influential Florentine household of the Medicis. Giovanni's father, Lorenzo "The Magnificent" and his brother Giuliano were the rulers of the Florentine Republic. In 1478, though, Giuliano de Medici was murdered in Florence Cathedral as part of the Pazzi Conspiracy. As a result, young Giulio was brought up by his uncle. Both boys were guided into a career in the church, and because of the financial and political backing that came with the Medici name, it was clear they were both destined for high office.In 1513, Giovanni de Medici was elected as Pope Leo X. He made Rome a strong political power, and as a generous patron of the arts, he helped writers, poets, painters and musicians of the High Renaissance to flourish. But, his lavish tastes depleted the papal treasury, and made many enemies who accused him of being "engrossed in idle and selfish amusements". By 1517, would-be reformers in northern Europe had had enough of papal excesses, and Martin Luther published his 95 theses which were to be the start of the Protestant Reformation. The young Giovanni de Medici was said to have had a fine ear and a melodious voice, and "loved music to the pitch of fanaticism". It's possible he learned from the great Heinrich Isaac, who was the shining musical light in late 15th Century Florence. As Pope Leo X he expanded the Sistine Chapel choir, and procured the services of professional singers, instrumentalists and composers from all over Europe.
Hannah French with the second of two programmes exploring the lives of two 16th Century Popes: Leo X and Clement VII, and the music that surrounded them.Having been brought up together in the wealthy and influential Florentine household of the Medicis, cousins Giovanni & Giulio were always destined for greatness.As Pope Leo X, Giovanni was a lavish patron of the arts. He sanctioned major renovations on St Peter's Basilica in Rome, extended the Sistine Chapel Choir, promoted the study of Greek, Arabic & Hebrew, commissioned works from artists such as Raphael & Peruzzi, and maintained a private orchestra as well as the official papal musicians. In order to fund these lavish artistic interests, Leo X encouraged the purchase of indulgences - remissions of the temporal punishment for sins – which could only be afforded by the most wealthy. Leo was also portrayed by his opponents as a man of gross excess; there were suggestions of sexual impropriety, favouritism and immorality, all of which were fuel to the fire of the burgeoning Protestant Reformation in northern Europe. Needless to say, Leo spent way above the papal means, and when he died suddenly in 1521, the papal treasury was 400,000 ducats in debt. Leo's right-hand man throughout his papacy was his beloved cousin, Giulio de Medici. Within three months of Leo's election as Pope, Giulio had been made Archbishop of Florence, and just three more months down the line, he was appointed Cardinal of Santa Maria in Dominica. By 1517, Cardinal Giulio was made Vice-Chancellor of the Church (ie, second in command). He became deeply involved in the politics of England, France and the Holy Roman Empire, which would eventually backfire on him spectacularly…When Cardinal Giulio was elected to the heady heights of the Papacy in 1523, as Pope Clement VII, little did he know the struggles that lay ahead. There was already the threat of the Lutherans from northern Europe and the Turks were making in-roads into the east. Plus, there was the childish squabbling of Holy Roman Emperor Charles V and King Francis I of France, who both demanded the Pope choose a side, leading to the Sack of Rome in 1527. And six years later, he had Henry VIII's divorce to deal with. All of this while having to impose austerity measures in an attempt to pay off some of the debts left by his own cousin!Like his cousin, Pope Clement VII was also a gifted musician. It's likely he too learned from the great composer Heinrich Isaac while growing up in Florence, and over the years he had dealings with the likes of Nicolas Gombert, Jean Mouton, Philippe Verdelot and Costanzo Festa as the music of the High Renaissance swirled around him.
Fluent Fiction - Italian: How a Sweet Mistake Became Firenze's Ice Cream Sensation Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-10-16-22-34-02-it Story Transcript:It: Nella sempre vivace gelateria di Via Cavour a Firenze, l'autunno era nell'aria.En: In the always lively ice cream shop on Via Cavour in Firenze, autumn was in the air.It: Le foglie cadevano leggiadre dagli alberi, dipingendo le strade con toni d'oro e rosso.En: The leaves were gracefully falling from the trees, painting the streets with shades of gold and red.It: Alessia, una giovane donna con una passione segreta per le nuove avventure, stava per avere una giornata indimenticabile.En: Alessia, a young woman with a secret passion for new adventures, was about to have an unforgettable day.It: Aveva deciso di portare la sua amica Margherita, in visita da Napoli, a provare il migliore gelato della città.En: She had decided to bring her friend Margherita, visiting from Napoli, to try the best ice cream in the city.It: "Devi provare le combinazioni speciali," disse Alessia con un sorriso sicuro.En: "You have to try the special combinations," said Alessia with a confident smile.It: Margherita, che amava scherzare, rispose: "Non vedo l'ora di scoprire cosa hai in mente."En: Margherita, who loved to joke, replied, "I can't wait to see what you have in mind."It: Dietro il bancone, Lorenzo, il gelataio, era impegnato con la solita folla del sabato pomeriggio.En: Behind the counter, Lorenzo, the ice cream maker, was busy with the usual Saturday afternoon crowd.It: Con un sorriso caloroso, accolse le due amiche.En: With a warm smile, he welcomed the two friends.It: "Cosa posso servirvi oggi?"En: "What can I serve you today?"It: chiese, prontamente.En: he asked promptly.It: Alessia, volendo impressionare la sua ospite, scelse i sapori che pensava fossero perfetti: nocciola e cioccolato fondente.En: Alessia, wanting to impress her guest, chose the flavors she thought were perfect: hazelnut and dark chocolate.It: Ma Lorenzo, nella sua allegria, confuse le ordinazioni e preparò una coppetta con gusti davvero insoliti: ficchi e basilico!En: But Lorenzo, in his cheerfulness, mixed up the orders and prepared a cup with truly unusual flavors: figs and basil!It: Quando Alessia ricevette la sua gelato, notò l'errore ma, determinata a mantenere la facciata di esperta, disse con sicurezza: "Ecco il famoso 'Speciale Alessia'!"En: When Alessia received her ice cream, she noticed the mistake but, determined to maintain the facade of an expert, said confidently, "Here is the famous 'Special Alessia'!"It: Margherita assaggiò il gelato, fermandosi sorpresa.En: Margherita tasted the ice cream, stopping in surprise.It: "È delizioso!En: "It's delicious!It: Che combinazione unica!"En: What a unique combination!"It: esclamò con entusiasmo.En: she exclaimed with enthusiasm.It: Alessia, che si aspettava una reazione diversa, si rilassò.En: Alessia, who expected a different reaction, relaxed.It: Il complimento di Margherita fece scomparire ogni tensione dal suo viso.En: Margherita's compliment made all the tension disappear from her face.It: Anche Lorenzo, ascoltando il commento positivo, sorrise sollevato.En: Even Lorenzo, hearing the positive comment, smiled relieved.It: “Mi fa piacere che vi piaccia.En: “I'm glad you like it.It: Magari lo mettiamo sul menu!” Con un gesto teatrale, Margherita suggerì: "Deve assolutamente diventare una specialità della casa."En: Maybe we'll put it on the menu!” With a theatrical gesture, Margherita suggested, "It absolutely must become a house specialty."It: Alessia, incoraggiata, annuì vivacemente.En: Alessia, encouraged, nodded eagerly.It: Era una giornata di inaspettate scoperte.En: It was a day of unexpected discoveries.It: Quel giorno, Alessia capì che a volte, abbracciare l'imprevisto può portare a risultati sorprendenti e divertenti.En: That day, Alessia realized that sometimes, embracing the unexpected can lead to surprising and fun results.It: Così, grazie a un semplice errore, nacque lo "Speciale Alessia," ricordando a tutti che le sorprese della vita a volte possono essere le più deliziose.En: Thus, thanks to a simple mistake, the "Special Alessia" was born, reminding everyone that life's surprises can sometimes be the tastiest.It: L'aroma del gelato riempiva l'aria frizzante d'autunno, mentre le due amiche uscivano dalla gelateria, ridendo e pianificando la loro prossima avventura fiorentina.En: The aroma of ice cream filled the crisp autumn air as the two friends left the ice cream shop, laughing and planning their next Florentine adventure. Vocabulary Words:the ice cream shop: la gelaterialively: vivaceautumn: l'autunnothe leaves: le fogliegracefully: leggiadreshades: tonigold: d'orored: rossothe young woman: la giovane donnasecret passion: passione segretato joke: scherzarethe counter: il banconethe ice cream maker: il gelataiothe crowd: la follawarm smile: sorriso calorosothe flavors: i saporihazelnut: noccioladark chocolate: cioccolato fondentecheerfulness: allegriathe orders: le ordinazionifigs: ficchibasil: basilicothe facade: la facciatato taste: assaggiaredelicious: deliziosothe compliment: il complimentorelieved: sollevatothe menu: il menuthe house specialty: la specialità della casaunexpected: inaspettate
Ken and Dave discuss peace in the Middle East, MTG blames the Republicans, the market reaction to new tariff talks, Congress discovers the Fourth Amendment, the Georgia House mourns a member, and the tables have turned in New York. Topics Discussed: Travel Recap: Dave recounts his 12-day trip to Italy, including visits to Florence Bologna, and Venice, Highlights include the experience of Florentine steak and soaking in the European cafe atmosphere. International Affairs & Peace: Analysis of the temporary Israel-Palestine ceasefire brokered by Trump and the controversy surrounding the proportional response in Gaza. Nobel Recognition: Discussion of the Nobel Peace Prize awarded to Maria Karina Machado, the Venezuelan opposition leader, and her dedication of the award to President Trump. Market Volatility: Examination of the market tanking following Trump's threats of 100% tariffs on Chinese goods, and the complexities of trade policy. Healthcare & Government Shutdown: Marjorie Taylor Greene (MTG) breaks with the GOP concerning the upcoming shutdown and the expiring Affordable Care Act (ACA) healthcare subsidies. Local Controversy: A deep dive into the Pike County water rights dispute involving a private landowner seeking to extract water from a natural spring for bottling. FBI Overreach: Republican Senators, including Lindsey Graham and Josh Hawley, are outraged after discovering the FBI analyzed their phone records following the 2020 election. Legal Troubles: New York Attorney General Letitia James is indicted on charges related to mortgage fraud, mirroring claims she made against Donald Trump. Georgia State Politics: A tribute to Georgia House of Representatives member Mandi Ballinger, who passed away after a long battle with cancer.
Als Bo neu in Florentines Klasse kommt, gerät ihr Leben ziemlich in Unordnung: Bo ist in Gefahr und sein Cousin verschwunden. Florentine will den Fall lösen - und entdeckt, dass sie mit Toten sprechen kann. Von Alice Pantermüller WDR 2023 www.wdrmaus.de Von Alice Pantermüller.
Von Alice Pantermüller WDR 2023 www.wdrmaus.de Von Alice Pantermüller.
It's that time of year again—and we're back with our second podcast episode featuring a show with adult themes in the spirit of the spooky season! This time, we're diving into Future Imperfekt—an original play written, cast, and directed by Nebraska playwright Mark Reid. Presented by The Florentine Players, this eerie production features four spine-tingling vignettes, each hosted by the mysterious and unsettling Mr. Darque. We sat down with Mark Reid and Producer Derek Kowal to talk about this bold production. The team at The Florentine Players have stepped outside their comfort zone to bring you a unique and thrilling experience. ⚠️ Please note: This show is intended for adults only and contains mature and disturbing content. Show Dates: October 16-19th! FLORENCE COMMUNITY THEATER CONTACT INFO: Tickets & Website: https://www.florentineplayers.com The Florence Theater, 2864 State Street, Florence, Omaha, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!
Renaissance English History Podcast: A Show About the Tudors
Before he became Henry VIII's chief minister, Thomas Cromwell spent nearly twenty years in obscurity. From fighting as a mercenary in Italy to working for a Florentine banker and trading in Antwerp, these mysterious “lost years” shaped the man who would one day change England forever. Hosted on Acast. See acast.com/privacy for more information.
The Art Newspaper's chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions of the year has just opened in Florence in Italy: the Fondazione Palazzo Strozzi and the Museo di San Marco are jointly presenting Fra Angelico, devoted to the great 15th-century Florentine master. Our digital editor, Alexander Morrison talks to Carl Brandon Strehlke, a curator emeritus of the Philadelphia Museum of Art, and curator of the exhibition. And this episode's Work of the Week is PsychoBarn (Cut-Up) by Cornelia Parker, an installation first made in 2023 and relating closely to the British artist's 2016 project for the roof commission for the Metropolitan Museum of Art in New York, Transitional Object (PsychoBarn). The work is in a major new group exhibition at the Kunstmuseum in Basel, Ghosts: Visualising the Supernatural and Luke speaks to its curator, Eva Reifert.Towards the Ethical Art Museum, by Gareth Harris, published by Lund Humphries, out now in the UK, £19.99 (hb), published in November in the US and Canada, US $34.99, CA $46.99.Fra Angelico, Palazzo Strozzi and the Museo di San Marco, Florence, 26 September-25 January 2026.Ghosts: Visualising the Supernatural, Kunstmuseum, Basel, until 8 March 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.
Fluent Fiction - Italian: Mystery Beans: A Florentine Adventure of Coffee and Curiosity Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-09-25-07-38-20-it Story Transcript:It: Lorenzo si svegliò presto quella mattina.En: Lorenzo woke up early that morning.It: Il sole autunnale inondava di luce la strada di ciottoli fuori dalla sua torrefazione a Firenze.En: The autumn sun flooded with light the cobblestone street outside his coffee roasting shop in Firenze.It: L'aria era fresca, e l'aroma dei chicchi di caffè tostati avvolgeva il piccolo locale.En: The air was fresh, and the aroma of roasted coffee beans enveloped the small shop.It: Lorenzo aprì la porta e sentì il solito conforto del suo regno ordinato.En: Lorenzo opened the door and felt the usual comfort of his orderly kingdom.It: Alessia arrivò poco dopo, piena di energia e curiosità.En: Alessia arrived shortly after, full of energy and curiosity.It: Era pronta ad affrontare un'altra giornata di lavoro.En: She was ready to tackle another workday.It: Mentre sistemava i sacchi di caffè, notò qualcosa di insolito.En: As she arranged the coffee sacks, she noticed something unusual.It: Un pacco misterioso giaceva accanto alla cassa.En: A mysterious package lay next to the register.It: Non c'era nessun mittente, nessun indirizzo di ritorno.En: There was no sender, no return address.It: Solo una scatola di cartone con un piccolo sigillo rosso.En: Just a cardboard box with a small red seal.It: "Lorenzo, hai visto questo?En: "Lorenzo, have you seen this?"It: " chiese Alessia, gli occhi scintillanti di eccitazione.En: asked Alessia, her eyes sparkling with excitement.It: Lorenzo alzò lo sguardo, leggermente infastidito dalla deviazione dalla sua routine.En: Lorenzo looked up, slightly annoyed by the deviation from his routine.It: "Meglio buttarlo via," rispose, ma nel suo cuore c'era una scintilla di curiosità.En: "Better throw it away," he replied, but in his heart, there was a spark of curiosity.It: "No!En: "No!It: Dobbiamo scoprire cosa c'è dentro," insistette Alessia.En: We must find out what's inside," Alessia insisted.It: La sua passione convinse Lorenzo.En: Her passion convinced Lorenzo.It: Decise di dare una possibilità a quella piccola avventura.En: He decided to give that little adventure a chance.It: Aprirono il pacco insieme, con delicatezza e attenzione.En: They opened the package together, with care and attention.It: Proprio in quel momento, Dario entrò nella torrefazione, il suono delle campanelle sulla porta annunciava la sua presenza.En: Just at that moment, Dario entered the shop, the sound of bells on the door announcing his presence.It: "Ciao, Dario," salutò Alessia.En: "Hello, Dario," greeted Alessia.It: Ma Dario, fissando il pacco, sembrava improvvisamente serio.En: But Dario, staring at the package, suddenly seemed serious.It: "Quello.En: "Is that...It: è mio?En: mine?"It: " chiese, avvicinandosi al bancone.En: he asked, approaching the counter.It: Lorenzo, sorpreso, spiegò la situazione.En: Lorenzo, surprised, explained the situation.It: "Non c'era nessun nome," disse.En: "There was no name," he said.It: "Stiamo cercando di capire cosa contiene.En: "We're trying to figure out what's inside."It: "Dario sorrise, vedendo i chicchi lucidi e scuri al centro della scatola.En: Dario smiled, seeing the shiny, dark beans at the center of the box.It: "Sono chicchi rari.En: "These are rare beans.It: Li ho trovati durante un viaggio in Sudamerica anni fa.En: I found them during a trip to Sudamerica years ago.It: Ho pensato che un giorno sarebbero tornati utili.En: I thought one day they would be useful."It: "Lorenzo fu colpito.En: Lorenzo was struck.It: Quei chicchi raccontavano una storia di viaggio e scoperta.En: Those beans told a story of travel and discovery.It: Guardò Dario con gratitudine.En: He looked at Dario with gratitude.It: "Grazie per averli condivisi con noi," disse.En: "Thank you for sharing them with us," he said.It: Il pomeriggio trascorse in un'altra luce.En: The afternoon passed under a different light.It: Lorenzo si trovò a sorridere più spesso, assaporando la varietà e il calore delle storie di Dario.En: Lorenzo found himself smiling more often, savoring the variety and warmth of Dario's stories.It: Le parole di Dario gli insegnarono qualcosa: l'importanza di essere aperti a nuove esperienze.En: Dario's words taught him something: the importance of being open to new experiences.It: Quando alla fine chiuse la torrefazione quella sera, Lorenzo sentiva che qualcosa dentro di lui era cambiato.En: When he finally closed the roasting shop that evening, Lorenzo felt that something inside him had changed.It: L'inaspettato lo aveva portato a scoprire la bellezza oltre la precisione della routine.En: The unexpected had led him to discover beauty beyond the precision of his routine.It: E così, nel cuore dell'autunno fiorentino, Lorenzo fu pronto ad accogliere il mistero e la meraviglia che ogni nuovo giorno poteva portare.En: And so, in the heart of the Florentine autumn, Lorenzo was ready to embrace the mystery and wonder that each new day could bring. Vocabulary Words:autumn: l'autunnocobblestone: il ciottoloroasting: la torrefazionearoma: l'aromaenveloped: avvoltocuriosity: la curiositàarrange: sistemareunusual: insolitopackage: il paccoregister: la cassasender: il mittenteseal: il sigillosparkling: scintillantedelay: la deviazioneroutine: la routinespark: la scintillaadventure: l'avventuracare: la delicatezzaattention: l'attenzionebells: le campanellecounter: il banconerare: rarogratitude: la gratitudinediscovery: la scopertalight: la lucehabit: la routinevariety: la varietàwarmth: il calorestories: le storieunexpected: l'inaspettato
Our pilgrim has entered the flames of lust. For the first time, he is not a voyeur of the torments. He experiences them on the last terrace of lust.He then hears a call to enter Paradise . . . before he falls asleep on the mountain's rocky staircase.Problem is, those flames don't burn up irony. It's thick in this passage. A goat even gets into Paradise!Join me, Mark Scarbrough, as we work through this final climb on Mount Purgatory before we enter the Garden of Eden.Consider supporting this podcast with a one-time donation or a small monthly stipend, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of PURGATORIO, Canto XXVII, lines 49 - 90. If you'd like to read along or continue the conversation with me about this passage, please find its entry on my website, markscarbrough.com.[04:09] Dante's guilt (or creative apex) and Virgil's white lie (or painful memory).[10:02] The angel in Latin and in vernacular Florentine--and perhaps Dante's homesickness.[15:02] The scope of the journey: a half revolution around Mount Purgatory.[18:14] The pastoral, idyllic, Edenic simile to (try to) summarize the moments after the flames.[21:09] The irony in the simile, full of inaccurate reference points.[25:28] Dante, the goat let loose into Paradise.[29:29] Our poet, a world-builder.[30:55] Rereading the passage: PURGATORIO, Canto XXVII, lines 49 - 90.
A Mystery in FlorenceIn Tuscany there is so much magic: hills decorated with olive trees, vineyards and cypresses, bell towers ringing everywhere, hidden gardens, and of course enchanted cities, full of history and beauty, where famous artists have created marvellous works of art.In this tale we find ourselves in the city of Florence, where magic abounds and legends hide in every corner.A river called the Arno runs through it; and amongst the many bridges there is one that quite rightly is a bit more famous than the others: the Ponte Vecchio. In those suspended houses no one lives anymore. Every day it is full of tourists who photograph it and come to visit from all over the world, but many, many years ago on this bridge there were butchers, fishmongers and tanners as if it were a market, a square suspended over the Arno and daily life was very different from today.At the time of this story the shops were all jewellery stores owned by master goldsmiths, who lived there, worked and sold gold jewellery and precious items of the highest quality. It was one of the hearts of the city where the Florentines of the time would meet and stop to chat whilst they came and went from one side of the river to the other. Even the children spent their days having fun playing and running from one side to the other undisturbed.At this point you must know that for some days small thefts had been occurring in the artisans' shops. Gold and precious items disappeared as if stolen by the wind, silently and by surprise, without leaving a trace. Who knows who knows? Who could be the culprit?The goldsmiths gathered together, after closing their shops, right there on the bridge."But what on earth is happening?" said one."Well, if only we knew..." said another."And we can't go on like this, looking like fools!"Bernardo, one of the goldsmiths, said: "Granted I'm a bit absent-minded, but I'm certainly not blind enough not to see if gold is missing from my shop."And off they went asking questions and interrogating each other to try to find an explanation for these thefts, discover the thief and perhaps recover what was stolen.In short, it had been weeks now that gold filings from the working of gold and various precious objects had been disappearing from the shops — and all this was happening under everyone's eyes but no one had seen anything.Who to blame if not those mischievous rascals who enjoyed playing football on the bridge! Between little matches, laughter, running, various games and hide-and-seek, who knows if one of them hadn't started stealing here and there.More days passed and more gold had vanished into thin air. The goldsmiths, tired of this business, came out onto the bridge and shouted loudly all together: "Now we've really had enough and it's time to put an end to it! Let's catch the thief!"Even Giulio the baker came out to the doorway of his shop, on the left, at the end of the bridge, and although he hadn't understood precisely what was happening, he showed everyone his flour-covered hands shouting: "I've got nothing to do with it, I swear! My hands are covered in dough only because I'm always preparing focaccia to bake in the oven."And saying this he joined the others shouting: "Let's catch the thief red-handed before that sack becomes one of flour!"In that commotion, Lapo, a very clever and curious boy, son of the goldsmith Bernardo who was friends with everyone and played together with the other children on the bridge, after reflecting thought: "There's something that doesn't add up: we children don't steal, whose fault can it be?"So Lapo decided to investigate on his own. Because as his grandfather always told him: "one thing done is worth more than a hundred to do" and then he would add that "if you do it yourself you do for three."So, without much ado, the following evening he organised himself, getting hold of a magnifying glass, a notebook with pencil to take notes and a lantern that would accompany him in the dark. The latter he held tight with a slightly trembling hand, but there was no hesitation — the situation wouldn't resolve itself.At dusk, he set off from the Ponte Vecchio, where he lived with his father above the shop, towards the column in Piazza Santa Trinità.Up there was, and still is, the Statue of Justice that towered so high as to touch the sky. The journey wasn't long, but that evening it took him longer than usual, because he observed everything with attention and curiosity. He looked right, left, in the narrow streets, beyond the parapet of the Lungarno and if he saw a stone he moved that too: "you never know where you might find clues" he thought.He had heard it said that the column and the statue of Justice were magical and full of secrets. But the most amazing thing was that from its summit, where indeed the statue stood, one could see what was happening at every point in the city — as we know justice sees and knows everything.Having arrived in Piazza Santa Trinita, he gave a great sigh, took one last step and at the foot of the column — what a surprise... he met a snail."A snail?" you will say. "Eh, exactly a snail complete with house on its shoulders, with lights on at the windows and a fireplace lit" Really, I tell you... Believe it... In short it was there, moving, slowly yes, but determined. When it heard the light step of the unexpected visitor, it became suspicious and withdrawing its antennae as if they were brakes, it stopped dead and said:"Halt! Who goes there? But who are you and where are you going? You're not looking for trouble, are you, wandering about all alone at this twilight hour?""No, what trouble... quite the opposite Mrs Snail" replied Lapo, "I should go to the top of the column to see what's happening on the Ponte Vecchio. There are things that don't quite add up and I'm investigating. As you can see I even have the magnifying glass and hat!" Said Lapo showing the objects to avoid misunderstandings. "Now, since you seem to be from around here, you wouldn't happen to know how I can get up there?"The snail who lived at the foot of the column and was to all intents and purposes its guardian, huffed but then smiled and showed Lapo a small door at the foot of the column, hidden by ivy."Dearest Lapo," she said adjusting her spectacles "you seem like a brave boy, a true friend and also a good investigator, but only from the top of the column will you be able to know the truth."Having said this, the snail rubbed her tentacles and they began to shine with a magical light that enveloped Lapo making him become the height of the door which opened with a great creak; so sharp as to make all the birds that were hanging about in the night fly away.Lapo, now very small, thanked the snail and without fear entered inside the column. In the darkness, he was impressed by a narrow and high well that went up instead of down. On the gleaming walls there was a spiral of tiny steps that he began to climb with determination with the lit lantern held tight in his hand. He reached the top.In the night the starry sky illuminated the Statue of Justice that towered over Florence. It had a scale with two balanced plates in one hand and a golden sword in the other.As we said previously, by enchantment, from there one could see the whole city — one just had to look in the right direction and think of the part of Florence you wanted to see: an incredible magic for a breathtaking view.Now was the moment to concentrate on the Ponte Vecchio and try to solve the mystery of the thefts, but whilst moving around the statue, to go to the side that looked towards the river, he made an incredible discovery. He couldn't believe his own eyes — so much so that he took out the magnifying glass to be sure. Both plates of the scale were full of gold filings and precious trinkets."Good heavens! And how did this stuff get up here?" Exclaimed Lapo with wide eyes. "This is undoubtedly the loot from the thefts at the jewellery shops!"At first, confused and amazed he didn't know what to think, but then, observing the filings more carefully he realised they were all woven together with bracelets and necklaces: these were two nests and an idea immediately flashed into his mind."The thieving magpies!" Exclaimed Lapo. Those crafty birds love everything that glitters, it must certainly have been them who robbed the shops and brought the stolen goods up here.And in the middle of this thought, suddenly they appeared in flight. They landed on the column agitated and furious "KRAA KRAA KRAA! Oh, little boy but what are you doing at our home? Don't you even dare touch these glittering marvels; they are our nest, we found them and they are ours."Lapo didn't let himself be frightened and calmly replied: "But what are you saying? You like glittering things that shine and you take them, but that certainly doesn't mean they are yours."The magpies were all chattering together they seemed to have gone mad and knew no reason. "But what is this one saying?" Said one. "Right, someone comes to our home and expects to give orders?" Added another. "Yes, nice joke. They're not ours? But are you a comedian? Change job, look, because you don't make us laugh." Said another.And all of them laughing.At which Lapo didn't let himself be intimidated. He rummaged in his pocket and found what he was looking for. He proposed an exchange. "What if we made a deal. To tell the truth I lose out quite a bit, but I like you so much that I would gladly give you these beautiful shiny marbles in exchange for the gold and trinkets."Seeing those small brilliant and colourful treasures, which they had never seen before, the magpies calmed down. They looked at each other with a crafty look and without hesitation... "Deal!"They took the marbles from his hand in a flash and flew away shouting: "Hooray, we're rich! From now on we'll collect these little balls."Sighing with relief and satisfaction, Lapo recovered the stolen goods and rushed down from the column. The snail was waiting for him applauding. With another spell she made him come out of the little door and appear right on the Ponte Vecchio where several Florentines were taking the evening air and chatting — including the goldsmiths."Papa, papa I've discovered the mystery and found the culprit, it was the thieving magpies! My friends didn't do anything wrong." "Calm down son, I'm listening". Replied Bernardo.Lapo with all the breath he had in his throat didn't waste a moment and told everything he had discovered and seen: the investigator's hat, the magnifying glass, the magical snail who knew the secrets of the column, the little door, the statue at the top, the view of Florence, the thieving magpies and the trick with the coloured marbles. Finally the mystery of the strange thefts was clarified, all the recovered stolen goods were returned to the goldsmiths of the Ponte Vecchio thanks to the enterprising and brave Lapo.At that point everyone who was on the Ponte Vecchio applauded shouting: "hooray, hooray, hooray, for the little investigator."Whilst the ancient bridge, perhaps enchanted, gleamed with golden lights.Giulio the baker whilst putting focaccia in the oven, sang merrily and with a ringing voice announced: "today focaccia for everyone free of charge, we must celebrate!"The thieving magpies returned to flying; they continued to find small objects and even pieces of glittering dreams; and chattering they said: "It may well be that we've lost a nest, but we've certainly found a story to tell."And perhaps, who knows, there will be a new story!— Written by Lucia & Marco Ciappelli [Inspired by a Florentine legend] Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In part two of Jim Florentine's hang on the Bonfire, he talks about working alongside Howard Stern for many years. He witnessed amazing events like Jenna Jameson riding the Sybian and Gary Busey starting a brawl inside the studio. Jay and Jim speculate about Stern returning to SiriusXM and who would take his place if he exits. | Florentine is trying to get a version of a Crank Yankers show to air on the Gas Digital Network. | Bobby remembers working with Jim and a dancing magician named Gemini. | Jim still deejays on SXM's Boneyard channel and has so many cool Ozzy stories. Go to JimFlorentine.com for all tour dates and info. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
Ozzy superfan and hilarious comedian Jim Florentine returns from England to talk about the final Black Sabbath show he attended with Jim Norton. They actually got backstage and shared one last moment with the Prince Of Darkness. | As a teenager, Florentine once heckled Ronnie James Dio from the fourth row. Jim gives the guys a history lesson on what Sharon Osbourne did for Ozzy when he was kicked out of the band and stuck in addiction. | Find out why he hates beachballs and dancing. | Old rock stars feel the need to go shirtless while performing. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
Our pilgrim, Dante, has asked a very pressing question: How can shades grow thin? How does the immaterial act like the material in the afterlife?Virgil has given the pilgrim the confidence to ask this question. So Virgil takes the first crack at an answer. Problem is, he offers a whole unsatisfying answer and then turns the discussion over to Statius.This passage is a curious introduction to Statius's coming discourse on embryology. Join me, Mark Scarbrough, as we work through the emotional vibe established before we get to the intellectual and doctrinal answer ahead.Here are the segments for this episode of WALKING WITH DANTE:[02:42] My English translation of the passage: PURGATORIO, Canto XXV, lines 22 - 33. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:19] Curiosities in the medieval Florentine in lines 22 - 27.[06:33] Virgil's two inadequate answers to the pilgrim's question.[13:11] The wound of the intellect and their relation to poetry.[17:35] Statius and the limitations of Virgil.[20:04] Rereading the passage: PURGATORIO, Canto XXV, lines 22 - 33.
Send us a textAuthor Roland Allen joins Joe for a deep-dive into his book, The Notebook: A History of Thinking on Paper, and the surprising legacy of one of humanity's most powerful tools: the humble notebook.Whether it's a green notebook in your cargo pocket, Leonardo da Vinci's sketches, or a modern writer's Moleskine, notebooks have shaped how people think, learn, and lead for centuries. In this fascinating conversation, Roland shares how these simple collections of thoughts, drawings, and quotes—what he calls “the first mixtape”—have been central to creativity, memory, and meaning throughout history.Whether you're a leader, writer, soldier, or student, this episode will inspire you to pick up a pen and rediscover the power of thinking on paper.In this episode, we explore:How a personal diary led Roland to uncover the global story of notebooks and their impact on civilizationThe Zibaldoni: a 14th-century Florentine notebook tradition that sparked the birth of modern literatureWhy Leonardo da Vinci never left home without his notebook—and how it supercharged his creativity across disciplinesHow Isaac Newton rewrote his own history by editing his notebooksThe power of the commonplace book: a forgotten practice that shaped minds from Shakespeare to modern military leadersHow notebooks create lasting knowledge—from 19th-century whalers to 21st-century climate scientistsThe quirky and wildly different notebook habits of Agatha Christie, Virginia Woolf, and Roland himselfWhy writing by hand helps us remember more, make better decisions, and build resilience through tough timesJoe's reflections on keeping a green notebook in combat and why he now journals with his future self in mindWhether you use a green notebook, a Moleskine, or a legal pad, this episode will change the way you think about what it means to write—and why it matters.A Special Thanks to Our Sponsors!Veteran-founded Adyton. Step into the next generation of equipment management with Log-E by Adyton. Whether you are doing monthly inventories or preparing for deployment, Log-E is your pocket property book, giving real-time visibility into equipment status and mission readiness. Learn more about how Log-E can revolutionize your property tracking process here!Meet ROGER Bank—a modern, digital bank built for military members, by military members. With early payday, no fees, high-yield accounts, and real support, it's banking that gets you. Funds are FDIC insured through Citizens Bank of Edmond, so you can bank with confidence and peace of mind.
Get to know senior Florentine Dekkers, a Netherlands native and a member of the LSU women's tennis team from 2023-25, on the latest edition of The Real Deal. Watch the full episode on LSU Plus.
What are the origins of one of history's most glittering, and for a time, most powerful families in Europe; the Medici? How were they able to seize supreme power in the Republic of Florence , one of the most dazzling cities in the world, during the 15th century, at the height of the Renaissance? When did Florence's explosive growth begin, and how? Who was Cosimo Medici, the Godfather of the family, who through cunning, blood, betrayal and sheer will, pulled his family to the forefront of Florentine politics? Join Dominic and Tom for the first episode of their new series on one of history's most glamorous, most colourful, most devious, and frequently most dastardly families in history - the Medici - and their rise to the highest echelons of wealth and power in Renaissance Europe. The Rest Is History Club: Become a member for exclusive bonus content, early access to full series and live show tickets, ad-free listening, our exclusive newsletter, discount book prices on titles mentioned on the pod, and our members' chatroom on Discord. Just head to therestishistory.com to sign up, or start a free trial today on Apple Podcasts: apple.co/therestishistory. For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
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