Podcasts about Florentine

Fluent Fiction - Italian: Unexpected Encounters: Love Blossoms by the Duomo Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-06-10-22-34-02-it Story Transcript:It: La piazza del Duomo brulicava di vita quel pomeriggio di tarda primavera.En: La piazza del Duomo was bustling with life that late spring afternoon.It: Luce calda e vibrante cadeva sulla facciata intricata del Duomo, creando un gioco di ombre che pareva danzare al ritmo del via vai dei turisti e dei fiorentini.En: Warm, vibrant light fell on the intricate facade of the Duomo, creating a play of shadows that seemed to dance to the rhythm of tourists and Florentines hustling by.It: L'aria era impregnata dal profumo invitante delle trattorie vicine.En: The air was filled with the inviting aroma of nearby trattorie.It: Luca, con un blocco da disegno sotto il braccio, osservava il Duomo, cercando di catturare l'essenza delle sue curve e dei suoi dettagli gotici.En: Luca, with a sketchbook under his arm, observed the Duomo, trying to capture the essence of its curves and gothic details.It: Era un giovane studente d'arte, attento ai particolari, ma spesso distratto dalla bellezza che lo circondava.En: He was a young art student, attentive to details but often distracted by the beauty surrounding him.It: Nel frattempo, Sofia passeggiava per la piazza, alla ricerca di qualcosa che spezzasse la monotonia della sua routine.En: Meanwhile, Sofia strolled through the square, searching for something to break the monotony of her routine.It: Fiorentina di nascita, adorava la sua città, ma sentiva il bisogno di una boccata d'aria fresca.En: A native Florentine, she adored her city but felt the need for a breath of fresh air.It: Giorgio, il venditore di gelato, osservava con sguardo divertito da dietro il suo banco.En: Giorgio, the ice cream vendor, watched amusedly from behind his counter.It: Era un uomo affabile, noto tra i locali per il suo gelato gustoso e i suoi commenti spiritosi.En: He was a friendly man, known among the locals for his tasty ice cream and witty remarks.It: Quel giorno, notò Luca e Sofia dirigersi contemporaneamente verso un cono gelato non reclamato.En: That day, he noticed Luca and Sofia heading simultaneously for an unclaimed ice cream cone.It: Le loro mani si incontrarono sopra il fresco dolce e, colti alla sprovvista, si scambiarono un sorriso.En: Their hands met above the cool treat, and taken by surprise, they exchanged a smile.It: “Mi sa che abbiamo lo stesso buon gusto,” disse Luca con un sorriso timido.En: “I guess we have the same good taste,” said Luca with a shy smile.It: Sofia rise, decidendo in un lampo di dar voce al suo interesse per questa interazione inaspettata.En: Sofia laughed, deciding in a flash to give voice to her interest in this unexpected interaction.It: “Forse dovremmo dividerlo e scoprire cosa altro condividiamo.” Giorgio, che aveva seguito la scena, offrì loro due coni al prezzo di uno, strizzando l'occhio.En: “Maybe we should share it and discover what else we have in common.” Giorgio, who had witnessed the scene, offered them two cones for the price of one, winking.It: “Godetevi il mio gelato con il Duomo sullo sfondo,” disse con un sorriso largo.En: “Enjoy my ice cream with the Duomo in the background,” he said with a broad smile.It: Luca portò a termine il suo disegno con uno sguardo di rammarico, ma capì che l'occasione di conoscere Sofia valeva una pausa dal suo progetto.En: Luca completed his drawing with a look of regret, but he understood that the opportunity to get to know Sofia was worth a break from his project.It: Così i due si incamminarono per le strade di Firenze, parlando di arte, sogni e tutto ciò che stava nascendo tra loro.En: So the two strolled through the streets of Firenze, talking about art, dreams, and everything growing between them.It: Dopo una passeggiata nei vicoli ombreggiati, Sofia condusse Luca verso un bar nascosto su un tetto, un luogo che conservava per momenti speciali.En: After a walk in the shadowy alleys, Sofia led Luca to a hidden rooftop bar, a place she reserved for special moments.It: Da lì, la vista della città era mozzafiato.En: From there, the view of the city was breathtaking.It: “Non porto mai nessuno qui,” confessò Sofia, confidando nell'istinto che la guidava.En: “I never bring anyone here,” Sofia confessed, trusting her instincts.It: Luca la osservò, meravigliato dalla semplicità e dalla bellezza di quel momento.En: Luca watched her, amazed by the simplicity and beauty of the moment.It: “Penso che sto scoprendo qualcosa di più bello della stessa città,” disse, avvicinandosi un poco.En: “I think I'm discovering something more beautiful than the city itself,” he said, moving a little closer.It: Con il calar del sole, i due si scambiarono un piccolo dono: Luca le regalò un disegno del Duomo, mentre Sofia tolse un braccialetto dal polso, offrendoglielo come segno della loro nuova amicizia e di una giornata da ricordare.En: As the sun set, they exchanged small gifts: Luca gave her a drawing of the Duomo, while Sofia took a bracelet off her wrist, offering it to him as a token of their new friendship and a day to remember.It: “Domani sarò di nuovo qui,” disse Luca.En: “I'll be here again tomorrow,” said Luca.It: “Se vuoi, possiamo esplorare un altro angolo nascosto di Firenze.” Sofia acconsentì, i suoi occhi brillanti di una nuova luce.En: “If you want, we can explore another hidden corner of Firenze.” Sofia agreed, her eyes shining with a new light.It: Si salutarono, ognuno portando a casa un pezzo di quello che avevano trovato l'uno nell'altra: un equilibrio tra lavoro e amicizia per Luca, e la gioia della spontaneità per Sofia.En: They said goodbye, each taking home a piece of what they had found in each other: a balance between work and friendship for Luca, and the joy of spontaneity for Sofia.It: Così, la piazza del Duomo, testimone di tanti avvenimenti, accolse il loro primo incontro, promettendo a entrambi nuove avventure e un amore nascente tra le sue antiche pietre.En: Thus, the piazza del Duomo, witness to so many events, embraced their first meeting, promising both new adventures and a budding love among its ancient stones. Vocabulary Words:square: la piazzalife: la vitaafternoon: il pomeriggiofacade: la facciataintricate: intricatashadow: l'ombratourist: il turistanative: il fiorentinoaroma: il profumosketchbook: il blocco da disegnoessence: l'essenzagothic: goticoroutine: la routinebreath: la boccatavendor: il venditorecone: il conounclaimed: non reclamatotreat: il dolcesurprise: la sorpresagift: il donobracelet: il braccialettofriendship: l'amiciziabackground: lo sfondobarkeeper: il baristahidden: nascostomoment: il momentorooftop: il tettobreathtaking: mozzafiatoinstinct: l'istintobalance: l'equilibrio

What are the origins of one of history's most glittering, and for a time, most powerful families in Europe; the Medici? How were they able to seize supreme power in the Republic of Florence , one of the most dazzling cities in the world, during the 15th century, at the height of the Renaissance? When did Florence's explosive growth begin, and how? Who was Cosimo Medici, the Godfather of the family, who through cunning, blood, betrayal and sheer will, pulled his family to the forefront of Florentine politics?  Join Dominic and Tom for the first episode of their new series on one of history's most glamorous, most colourful, most devious, and frequently most dastardly families in history - the Medici - and their rise to the highest echelons of wealth and power in Renaissance Europe.  The Rest Is History Club: Become a member for exclusive bonus content, early access to full series and live show tickets, ad-free listening, our exclusive newsletter, discount book prices on titles mentioned on the pod, and our members' chatroom on Discord. Just head to therestishistory.com to sign up, or start a free trial today on Apple Podcasts: apple.co/therestishistory. For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey, mystery lovers! Get ready to dive into some seriously strange unsolved mysteries, like metal monoliths that randomly pop up and vanish around the world, and the elusive Florentine diamond. These are the kind of mind-bending facts of life that will leave you wondering what's really going on out there. If you're into mysteries that keep you on the edge of your seat, this video is a must-watch. Don't miss out—join us for a wild ride through these unsolved mysteries! Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne Ghesquière reçoit Florentine d'Aulnois-Wang, experte en thérapie de couple et fondatrice de l'Intelligence Amoureuse. Plaisir, jouissance, orgasme, il semblerait que la sexualité n'a jamais été aussi libre et libérée qu'à notre époque. Et pourtant, au-delà de la course au plaisir toujours plus grande ne passons-nous pas à côté d'une vraie connexion à soi, à notre corps et à l'autre ? Florentine d'Aulnois-Wang le clame haut et fort : « La révolution sexuelle n'a pas encore eu lieu ! » Alors si elle n'a pas encore eu lieu, à côté de quoi passons-nous ? Elle nous invite à nous relier à notre être sexuel profond, à lever les obstacles et les peurs et à faire grandir au sein de son couple une sexualité entre sauvage et sacré. Conférencière et experte en thérapie de couple, fondatrice de l'Intelligence Amoureuse elle publie un nouveau livre Les clés de l'intelligence érotique chez Larousse. [REDIFFUSION – BEST OF – MÉTAMORPHOSE]L'épisode #359 a été diffusé, la première fois, le 12 janvier 2023.Quelques citations du podcast avec Florentine d'Aulnois-Wang :"La crise du couple, c'est la croissance qui s'invite.""On a résumé faire l'amour à faire l'orgasme et ce n'est pas la même chose.""Relationner au long cours dans l'amour, ça s'apprend."Thèmes abordés lors du podcast avec Florentine d'Aulnois-Wang : 00:00 Introduction02:42 Existe-t-il une intelligence amoureuse ?03:32 Différences homme/femme05:14 La méthode Imago06:15 Sexualité et connexion07:27 Pourquoi ce livre ?10:14 Confusion sexualité / stimulation génitale11:59 Le couple, laboratoire de l'être13:26 Quand quitter une relation ?15:36 Pratiquer la détente18:15 Sauvage et sacré19:48 L'intelligence érotique : inné ou acquis ?21:05 L'amour : ça se travaille !22:41 Développement personnel vs développement relationnel25:06 L'espace de la relation27:13 Entrer dans la nudité émotionnelle28:27 Les grands tue-l'amour40:15 Comment devenir responsable de son désir ?42:44 Stages autour de la sexualité : attention !44:17 À quoi répond la sexualité ?46:52 Comment décrypter le langage de l'autre ?48:30 Comment cultiver son désir ?52:01 Ralentir pour vivre l'hyperconnexion53:40 Relation et espace du divinAvant-propos et précautions à l'écoute du podcast Découvrez Objectif Métamorphose, notre programme en 12 étapes pour partir à la rencontre de soi-même.Recevez chaque semaine l'inspirante newsletter Métamorphose par Anne GhesquièreFaites le TEST gratuit de La Roue Métamorphose avec 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto (c) LouSarda Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Bonus et Recap

Send us a textThe Court of Lorenzo the Magnificent Part 5: Antonio and Piero Pollaiuolo Among the many artists who earned the attention of the Magnificent, the Pollaiuolo brothers left behind an artistic legacy closely tied with Medicean propaganda. This episode explores the role of the Pallaiuolo brothers in the development of Florentine Renaissance art, specifically through the works they completed for the Medici Palace: The Labors of Hercules. Later reappropriated, this episode also dives into how Hercules is used as a Florentine political symbol and is adaptable as both a pro-Medici and an anti-Medici symbol, similar to function of the biblical heroes David and Judith. Works DiscussedAntonio Pallaiuolo, Hercules and the Hydra, ca. 1475 https://www.uffizi.it/opere/pollaiolo-ercole-idraAntonio Pallaiuolo, Hercules and Antaeus, ca. 1475 https://www.uffizi.it/opere/pollaiolo-ercole-anteoAntonio Pallaiuolo, Hercules and Antaeus, ca. 1475, bronze Antonio https://www.wga.hu/html_m/p/pollaiol/antonio/sculptur/hercul2.htmlSupport/Watch/Follow: https://linktr.ee/italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

Florentine Anders begegnet ihrem 1995 verstorbenen Großvater, DDR-Architekt Hermann Henselmann, noch immer täglich. Mit ihm sind viele Bauten in Berlin eng verbunden. Über ihren Großvater hat die Journalistin nun einen Roman geschrieben. Ulrike Timm www.deutschlandfunkkultur.de, Im Gespräch

Statius finally tells Virgil what we all want to know: the story of his conversion. How did this Latin poet who dedicated his great epic to a Roman emperor become a Christian.Through a long process and by subterfuge. Statius was a closeted or hidden (or to use the medieval Florentine term, "closed") Christian.Join me, Mark Scarbrough, as we look through this passage in which Dante the poet attempts to justify putting this pagan Roman poet in Purgatory and on his way to Paradise.If you'd like to help out with the costs of this podcast, please consider a one-time donation or a small monthly stipend, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:20] My English translation of the passage: PURGATORIO, Canto XXII, lines 76 - 93. If you'd like to read along or continue the conversation with me, find the entry for this episode on my website, markscarbrough.com.[03:27] Two minor issues: Who converted Statius? And was Dante the poet rethinking his position toward the neutrals in INFERNO?[08:08] Statius' journey in the afterlife to the fourth circle of Mount Purgatory . . . and where else?[08:40] Statius' improvised backstory and the inclusion of a historical figure: Emperor Domitian.[13:13] Dante's concept of conversion (v. modern conceptions).[16:36] Statius' words and the problem of the "above" text.[20:01] Texts in texts and the inevitable overlay of irony.[24:50] Rereading the passage: PURGATORIO, Canto XXII, lines 76 - 93.

In this episode, Lisa, Jamie, and Mikey dive into some incredible finds from Costco! From pull-apart cheese bread and chicken Florentine to seared salmon and a French-style beef dip, the team sampled a mouthwatering variety of eats—and then some. Even more exciting? Four items earned a perfect 10 on Lisa's grading scale, including a sweet treat that's out of this world. No joke—this is the best Costco haul ever. Press play now, then check out our Foodcast page for the full list of featured finds!

Blinded by the angel, Dante the pilgrim begins his climb to the sixth terrace of Mount Purgatory. But his plight is overshadowed by Virgil's desire to know more about Statius . . . in this strange passage of misquotings and misreadings.The angel cuts short a beatitude from the gospels. Virgil seems to misquote Francesca from INFERNO, Canto V. And Virgil himself seems to toss out Aristotle's Golden Mean to get what he wants from Statius.Join me, Mark Scarbrough, as we work through the start of many misquotations and misreadings that make up PURGATORIO, Canto XXII.If you'd like to help out with the many fees associated with this podcast, you can offer a one-time donation or a small monthly stipend of a couple of dollars, pounds, or Euros, using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:59] My English translation of the medieval Florentine. If you'd like to read along or add a comment to continue the discussion with me, please find the entry for this episode of the podcast on my website, markscarbrough.com.[04:02] My opening remarks on PURGATORIO, Canto XXII.[06:57] The climb and the truncated beatitude.[12:23] Action off-stage . . . because of haste or because of blindness?[15:47] Virgil's quotation (or misquotation) of Francesca from INFERNO, Canto V.[20:55] Virgil's tragedy and Dante's hope.[25:43] The question on all of our minds (with a passing reference to Aristotle's Ethics).[29:29] Rereading the passage: PURGATORIO, Canto XXII, lines 1 - 24.

In this brutally funny episode of CHRIS AKIN PRESENTS…, legendary comedian Jim Florentine joins Chris Akin and guitarist Erik Ferentinos for an absolutely unfiltered roast of everything ridiculous in music, culture, and life.Florentine breaks down seeing AC/DC live in 2025—and why Brian Johnson still crushes it! He also shares plans to fly to England for what could be the final Black Sabbath reunion, and speculates if Ozzy Osbourne will even make it to the mic.

MAY. 4, 2025Why can't we work together? (1)"Diotrephes, who loves to have the preeminence." 3Jn v. 9 NKJVReason one: insecurity. The Florentine philosopher Machiavelli said, "The first method for estimating the intelligence of a ruler is to look at the men he has around him." Insecure leaders are threatened by talented individuals, so they surround themselves with weak people. As a result, the work suffers, and everybody involved suffers too. When a leader responds to a genuine question by saying, "How dare you challenge my authority," they're dangerous and often not worth following. Insecure leaders usually fail for two reasons: They want to maintain control over everything, or they're afraid of being replaced by someone more competent.Either way, leaders who don't encourage teamwork weaken their own potential and discourage those around them. President Woodrow Wilson said, "We should not only use all the brains we have, but all that we can borrow." John the Apostle tells us that Diotrephes, a leader in the church, "loves to have the preeminence." What was this man's problem? He wanted to blow everybody else's light out in order to let his own light shine. So, John writes: "When I come, I will report some of the things he is doing and the evil accusations he is making against us. Not only does he refuse to welcome the traveling teachers, he also tells others not to help them. And when they do help, he puts them out of the church. Dear friend, don't let this bad example influence you. Follow only what is good. Remember that those who do good prove that they are God's children, and those who do evil prove that they do not know God" (3Jn vs. 10-11 NLT). Let God's approval— which you already have—make you secure!Why can't we work together? Let God's approval make you secure!Share This Devotional"Go ahead; I am with you heart and soul." 1Sa 14:7 NIVReason two: naivety. An old Chinese proverb says, "Behind every able man there are always other able men." Even if you can do the job yourself, isn't it wise to stop and ask, "Who do I know who could help me to do it better?" That question defines the difference between mediocrity and excellence. Business consultant John Ghegan keeps a sign on his desk that reads, "If I had it to do all over again, I'd get help." We all need that sign! When you have a few victories under your belt, you're at an increased risk of thinking you can do anything and everything by yourself. But when your dream is from God, it will always be greater than your individual capacity and gifts, which means you will have to reach for others. Two men, Jonathan, and his armor-bearer, wiped out an entire Philistine garrison. How? "Jonathan said to his young armor-bearer, 'Come, let's go over to the outpost of those uncircumcised men. Perhaps the Lord will act in our behalf.Nothing can hinder the Lord from saving, whether by many or by few.' 'Do all that you have in mind, his armor-bearer said. 'Go ahead; I am with you heart and soul'" (vv. 6-7 NIV). Jonathan, the leader, needed the encouragement and support of his armor-bearer. And his armor-bearer needed the courage and leadership of Jonathan. Together they accomplished amazing things for God.The truth is teamwork is at the heart of all impressive triumphs. The question isn't whether teams have value; it's whether you are humble enough to acknowledge that fact and become a better team player.Why can't we work together?  Become a better team player.Share This DevotiSend us a textSupport the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

Neeley and Chris kick off this episode with Chris' wild stories from Korea! Hear about openly gay men and women in the service and the scene in the gay bars. Plus, Jim Florentine and Jason Green gave THE CLASSIC METAL SHOW a shout-out! Neeley's also got his eye on a new piece. Tune in for the uncensored ride!Get a free Rumble Account so you can comment! https://rumble.com/register/classicmetalshow/Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premiumNOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.   #ClassicMetalShow #ChrisInKorea #GaySoldiers #JimFlorentine #GunTalk

Warning: this episode contains discussion of suicide.In August 1944, German soldiers burst into the Florentine villa of Robert Einstein, cousin of the renowned physicist, Albert Einstein. As both a Jew and an Einstein, Robert had already gone into hiding, but his wife, daughters and extended family remained at home. What followed was a 12-hour nightmare that culminated in a brutal war crime.With us is Thomas Harding, author of 'The Einstein Vendetta: Hitler, Mussolini, and a True Story of Murder'. Thomas explains what happened on that fateful day and outlines Robert's arduous, winding path towards some kind of post-war justice.Produced by James Hickmann and edited by Dougal Patmore.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com.

In questa puntata vi raccontiamo la tradizione fiorentina dello scoppio del carro, uno spettacolo pirotecnico che prende luogo la domenica di Pasqua nella Piazza più famosa di Firenze: Piazza del Duomo. Il carro viene incendiato da una colomba meccanica che parte dall'altare della Cattedrale. A seconda se la colombina riesce a fare per intero il suo percorso si prospetta un buon anno o un cattivo anno per Firenze.

Lying is a sterile act that impedes the purpose of the intellect. Today, Dcn. Harrison Garlick is joined by Sean Berube and Shannon of Catholic Frequency to discuss "Lying as Contraceptive Speech." Dcn. Garlick gives several short talks pulling from Dante's Inferno, the Gospel of St. John, and liberalism with responses from Sean and Shannon from a live recording on X (Twitter).Check out thegreatbookspodcast.com for more help to read the great books!Master Adamo lies a bloated mass of “watery rot.” His amorphous frame bears his diseased paunch and distended limbs, as his lips curl and crack under his parching fever—despite being a waterlogged waste. He lies before Dante the Pilgrim and Virgil and explains how King Minos poured him into the last ditch of the eighth circle of hell. He was a counterfeiter of Florentine florins. He blurred the lines of reality in life and now he lays blurred—a poor counterfeit of his former self.In Dante's Inferno, the eighth circle of hell is composed of ten ditches populated by flatterers, fortune tellers, deceivers, alchemists, and other fraudulent souls. It is not surprising such souls suffer eternal torment, but it is surprising that Dante the Poet has them suffer with greater severity than murderers or the lustful. Why, for example, would a flatterer suffer a worse fate in hell than Attila the Hun? Why would an alchemist merit greater suffering than Cleopatra or Achilles? The structure of hell, as presented by Dante the Poet, moves from the lesser sins of incontinence—lust, greed, prodigality, etc.—to the greater sins of malice: violence and fraud. For Dante, fraud is more perverse than violence, because it represents an abuse of that which is highest in man: the intellect.The suffering of Master Adamo invites us to three considerations: first, how acting contrary to reason creates a counterfeit anthropology; second, how the intellect suffers when it satiates on untruth; and third, how lying is an act of sterility that leads to a superficial embrace of reality.It will remain, however, to question who is to blame for these unrealities becoming culturally normative, and the steps we must take to purge our imaginations of these counterfeits of Creation...Check out the article that inspired this podcast on the Josias: Our Contraceptive Speech.

Chicken Florentine Meatballs! I love them! They're great as appetizer, as a side to any pasta, in a sandwich...they're just so good. Enjoy!Written RecipeHosted by Mary Mac, edited by Anna MacGo to MaryMacPodcast.com for baking mixes, merch, recipes, and more! Hosted on Acast. See acast.com/privacy for more information.

Nach etwas mehr als einem Jahr neuem Heilewelt Format und 14 veröffentlichten Podcast Folgen würde uns deine Meinung zu uns riesig interessieren. Unsere Umfrage findest du hier: https://docs.google.com/forms/d/e/1FAIpQLSe9neapJHs_chKWM8WXU6eP6HeOf-oboRBEo-In-mBqmvqBmg/viewform?usp=dialog Stellt euch eine Welt vor, in der Ärzt*innen nicht mehr unter schlechten Arbeitsbedingungen leiden, sondern aktiv mitgestalten können, wie ihre Zukunft aussieht. Eine Welt, in der flexiblere Arbeitszeiten, bessere Mentoring-Programme und faire Karrierechancen für alle selbstverständlich sind. Genau für diese Vision setzt sich **Florentine Kleemann** ein. Florentine ist Ärztin in der Herzchirurgie an der Charité, stellvertretende Abgeordnete der Berliner Ärztekammer und eine führende Stimme für die Verbesserung der Arbeitsbedingungen im medizinischen Bereich. Mit ihrem Podcast **„Ruhepuls“** erreicht sie Medizinstudierende und Ärzt*innen in Weiterbildung und gibt wertvolle Einblicke in den Berufsalltag. In dieser Folge des "Heilewelt"-Podcasts sprechen wir über: - Warum so viele Ärzt*innen ihren Beruf frustriert verlassen – und was sich ändern muss. - Welche politischen und strukturellen Hebel es für bessere Arbeitsbedingungen gibt. - Was jede*r Mediziner*in tun kann, um aktiv zur Verbesserung der eigenen Arbeitsbedingungen beizutragen. Diese Folge zeigt, wie wichtig es ist, dass Ärzt*innen nicht nur für Patient*innen, sondern auch für sich selbst kämpfen – und wie wir gemeinsam langfrsitig ein nachhaltiges Gesundheitssystem schaffen können.

Au programme du top 3 de la semaine : - Une opération bâclée laisse Julie handicapée. Elle attend une indemnisation, mais les démarches sont bloquées par l'absence d'une expertise médicale finale. - Florentine n'a pas récupéré sa caution de 3 000 € après avoir quitté son appartement. L'agence en ligne et le propriétaire se renvoient la responsabilité. - Noémie découvre que son école d'architecture ne respecte pas le contrat d'alternance promis, compromettant ainsi le financement de ses études. Auditeurs de l'émission "Ça peut vous arriver", diffusée sur RTL et M6, retrouvez chaque semaine les arnaques les plus marquantes de la semaine, au micro de Thomas Renard !Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En inédit, un cas supplémentaire abordé dans la suite de l'émission sur M6 de 12h à 12h30 : Originaire de Toulouse, Florentine s'installe en région parisienne pour ses études de communication. En novembre 2023, elle loue auprès d'une agence immobilière un appartement en colocation avec une amie. Elle verse 3.000€ de dépôt de garantie. Après un an sans souci, elle quitte le logement en août 2024. Le délai légal de 2 mois pour rendre la caution a expiré sans qu'elle récupère son dû. Mais aussi, les rebondissements des cas du jour abordés de 10h à 12h ! Tous les jours, retrouvez en podcast les meilleurs moments de l'émission "Ça peut vous arriver", sur RTL.fr et sur toutes vos plateformes préférées.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hermann Henselmann steigt nach dem Krieg zum Chefarchitekten Ost-Berlins auf und muss manch bittere Pille schlucken. Seine Frau Isi, ebenfalls Architektin, muss ständig die Scherben ihres Mannes aufkehren.

From a game for fearless young aristocrats il CALCIO STORICO FIORENTINO was also played on the frozen Arno Rive it became a manifesto for freedom. On February 17, 1530, Florence was besieged by one of the most powerful armies of that time, that of Charles V of Habsburg, the emperor on whose lands, it was said, the sun never set. And while the threatening drums of the besiegers beat, the Florentines, contemptuous of danger, staged in Piazza Santa Croce, well in sight of the enemy, a football match to celebrate Carnival, although the city was exhausted by hunger. This became an event that the historical Florentine memory sculpts and sanctifies. From a game into history, for centuries the defining moment of a collective mood that is not only transmitted through stories, but that every Florentine holds within, was replayed. In the ''Cerimonia del Saluto'' you will hear all the words that bring back the respect for the opponent. When the arena of Calcio shouts the phrase VIVA FIORENZA at the top of its lungs, the emotions are expressed in their fullness and every time a deep affection for Florence is born inside each of us. UNESCO listing: Historic Centre of Florence Recorded by Cristina Italiani and Luca Romagnoli.  IMAGE: Comune di Firenze - http://www.comune.firenze.it/viverefirenze/itinerario3/tratti/tratto1.html Comune di Firenze ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

"Viva Fiorenza is a tribute to Florence by some Florentine artists coordinated by Luca Romagnoli and the flautist and performer Cristina Italiani. "The piece is a sound journey in the historic center of Florence which is a UNESCO heritage site: the sound of the Martinella of the bell of the Florence Cathedral with its symbolic value of freedom, a famous Florentine song played live by the harpist Annalisa De Sanctis and Cristina Italiani to the texts of Dante read live by professor Lorenzo Bastida accompanied by the sound of the Arno river. The journey ends with the famous Calcio Fiorentino for a return to a new renaissance of peace, art and freedom with the cry Viva Fiorenza!" Luca Romagnoli composition, mixing and editing Cristina Italiani Flute, composition Annalisa De Santis harp Lorenzo Bastida Dante expert Calcio storico, Florence reimagined by Cristina Italiani and Luca Romagnoli. IMAGE: Comune di Firenze - http://www.comune.firenze.it/viverefirenze/itinerario3/tratti/tratto1.html Comune di Firenze ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

REDIFF - La postérité n'a pas été tendre avec la Florentine ! Et pourtant, elle a œuvré pour la France et la paix dans le royaume. Après la mort de son fils François II en 1560, Catherine de Médicis prend le titre de Gouvernante de France. Elle endosse enfin le rôle de sa vie : conserver le pouvoir pour ses enfants et préserver l'unité du royaume. Chaque samedi en exclusivité, retrouvez en podcast un épisode des saisons précédentes de « Entrez dans l'Histoire ».Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

How was Brunello discovered? How did the medieval sharecropping system help to shape Tuscany's wine landscape? What's the origin of the iconic black rooster symbol of Chianti Classico? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Keevil, editor of the beautiful hardcover On Tuscany: From Brunello to Bolgheri, Tales from the Heart of Italy. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway Two of you are going to win a copy of her terrific book, On Tuscany: From Brunello to Bolgheri, Tales from the Heart of Italy. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose two people randomly from those who contact me. Good luck!   Highlights What inspired Susan to take on the monumental task of compiling and editing On Tuscany? How is On Tuscany different from other books about the region? What was the most captivating wine story Susan uncovered while working on the book? What was the most surprising insight about Tuscany that Susan discovered while putting together On Tuscany? Why did the timeframe pose the biggest challenge in compiling the book? How did Susan discover and select literary gems about Tuscany from historic writers? Why was it important to Susan to write about the Etruscans? What surprised Susan about the ancient Etruscans' relationship with wine? How did the medieval sharecropping system help to shape Tuscany's wine landscape? What role did the Medici family play in shaping the wine culture in Tuscany? What was the crisis of Chianti Classico in the 70s and 80s and how did it redefine the future of Tuscan wines? What's the origin of the iconic black rooster symbol of Chianti Classico? Why does Tuscany continue to dominate media and culture when it comes to wine? What's the history behind the Chianti fiasco?   Key Takeaways How was Brunello discovered? Susan says that from 1875 to 1930, the Biondi Santi family hid bottles of brunello bricked up behind a wall. So after the war, they had these wonderful vintages, and they could say, look how it's aged because they didn't know it aged so well at that stage. That was how the discovery of Brunello came about because they brought these cellared wines to feasts and grand occasions with politicians and monarchs. How did the medieval sharecropping system help to shape Tuscany's wine landscape? Susan observes that it made it beautiful to start with, because we're talking about small holdings. Small farmers gave 40% of what they produced to the owner, the feudal lord, but they had to eke out a living too. So they had their plot of vines, their plot of olive groves, and they put up their cypress trees to defend them from the winds. That gave the beauty to the countryside, because it makes it a jigsaw, it gives it texture when you look at the hills. That way of farming has set up the beauty of Tuscany that we know today. But of course, there was a lot of poverty that went alongside it. What's the origin of the iconic black rooster symbol of Chianti Classico? Susan explains that it came from the 14th century when Siena and Florence were warring as to who was going to be the most powerful of those two towns. They had an agreement that they would send out a horse rider - a knight - early one morning, and wherever those two knights met, would be the boundary between Florence and Siena. The Florentine horse rider set off really early, and they got to within 12 miles of Siena. So the black cockerel is all about strength and having the biggest area.   About Susan Keevil Susan Keevil is the Editorial Director of Académie du Vin Library, where she has played a pivotal role in establishing and nurturing this esteemed wine publishing house. A former editor of Decanter magazine, she has dedicated her career to the world of wine, from editorial leadership to in-depth exploration of the industry.         To learn more, visit https://www.nataliemaclean.com/328.

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Harry Potter and the Cursed Child'? Question 2: Which author wrote 'Michael Strogoff'? Question 3: What Shakespearean tragedy features Roderigo and Iago at the start of the play? Question 4: Which Charles Dickens novel begins with the line 'Night is generally my time for walking'? Question 5: In which book series does 'Neville Longbottom' appear? Question 6: Which author wrote 'Anna Karenina'? Question 7: Which author wrote 'The Turn of the Screw'? Question 8: Which author wrote 'Encyclopédie'? Question 9: What is the name of the famous Florentine library where many Renaissance texts are kept? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Die Ostmoderne wurde lange verkannt, oft abgerissen. Doch heute wächst die Anerkennung für diese Architektur. Einer ihrer prägenden Köpfe: Hermann Henselmann – Schöpfer des Berliner Fernsehturms, des Leipziger Universitätshochhauses und Teile der Karl-Marx-Allee. Seine Enkelin Florentine Anders beleuchtet in „Die Allee“ nicht nur seine Bauten, sondern auch die Geschichte ihrer Familie. Rezension von Ina Beyer

Aujourd'hui, j'ai le plaisir de vous faire découvrir l'univers de Florentine, une créatrice aux multiples talents. Connue sur Instagram sous le pseudo Ma Florentine, elle est également la fondatrice de l'atelier Malesherbes, un tiers lieu dédié aux arts créatifs à Paris. C'est dans cet écrin que que j'ai fêté les 5 ans du podcast fin novembre, pendant l'inauguration de l'atelier de Florentine. Si vous ne l'avez pas encore écouté, je vous invite d'ailleurs à découvrir l'épisode chorale des invités de cette soirée, diffusé en décembre dernier.Florentine nous raconte aujourd'hui sa passion pour les arts du fil, le tricot et le patchwork et son lien avec l'entreprise familiale Phildar. Elle nous parle aussi de sa légère addiction aux tissus Liberty et l'aventure qui lui a permis d'avoir un Liberty à son nom ! La classe hein ! Nous explorons également ensemble comment elle a transformé sa passion en un lieu d'échange et de partage et la manière dont elle va le développer. Et puis bien sûr on parle de patchwork ! C'est une technique qui paraîtra peut-être un peu désuète pour certains, mais perso j'adore ! C'est le plaisir de la couture, des beaux tissus et du temps long réunis, pour créer un accessoire unique. Et pour les membres du Club Fait Main, vous aurez une quinzaine de minutes supplémentaires de conseils de la part de Florentine, dans lesquelles elle nous parle de l'importance de bien s'entourer et de bien se connaître quand on se lance dans un projet entrepreneurial.

On this episode of The Cybersecurity Defenders Podcast we speak with Sharon Florentine, Senior Managing Editor at CyberRisk Alliance, about the MSSP Alert 2024 Pricing Benchmark Report.Sharon is a master technology storyteller and editor with over two decades of experience in shaping the way we understand and engage with technology. Sharon's career spans an impressive range of platforms, from books and print magazines to podcasts, live events, and digital media. She's covered everything from AI and cybersecurity to career development and diversity in tech.Currently, Sharon is the Senior Managing Editor for CyberRisk Alliance's channel brands, ChannelE2E and MSSP Alert, where she's helping to expand the reach of these vital resources for the IT and cybersecurity communities. Sharon has a rich history of editorial leadership, including her previous role as Managing Editor at Techstrong Group, overseeing Cloud Native Now, DevOps.com, and Security Boulevard.She joins us to discuss the inaugural 2024 MSSP Pricing Benchmark Report—a critical resource for understanding the evolving managed security services market. You can get a copy of the report here: https://www.msspalert.com/whitepaper/mssp-alert-2024-pricing-benchmark

Guests Dr. Louis Markos: Houston Christian University: Professor of EnglishRobert H. Ray Chair in HumanitiesScholar-in-ResidenceDr. Patrick Egan: Clapham Christian Classical SchoolAcademic DeanContributor of Educational Renaissance Jason Barney: Coram Deo Academy in Carmel, INSchool PrincipalAuthor of Charlotte Mason: A Liberal Education for All (published by CAP)Contributor of Educational Renaissance Show NotesCommon misunderstandings of Charlotte Mason (especially if you only read her principles)What does Mason say about memory work and how does it compare to Dorothy Sayer's view?Who in the Romantic era is good that Charlotte Mason embraced? What did she reject from the Romantic philosophers?Various quotes from Mason that reflect her alignment to the liberal arts traditionWhat is her view of a child and how does it influence her pedagogy?How and why narration is classical and superior as a classical pedagogyWhat is Paideia? -- Does Mason have a paideia in her philosophy?How the habit training model of Charlotte Mason mirrors/agrees with the classical traditionResources MentionedThe Great BooksJohn Locke, Coleridge, WordsworthCharlotte Mason: A Liberal Education for All by Jason BarneyFor The Children's Sake by Susan Schaeffer MacaulayConsider This: Charlotte Mason and the Classical Tradition by Karen GlassAbolition of Man by CS LewisThe Seven Laws of Teaching by John Milton GregoryAn Essay Towards a Philosophy of Education by Charlotte M. Mason (Centenary Expanded Edition has restored her original essay, "Two Education Ideals" where she compares Rousseau's Emile unfavorably to her favoring John Milton's Of Education)Metalogicon by John of SalisburyInstitutes of Oratory by QuintilianCharlotte Mason's Great Recognition of the Middle Ages through the fresco (vol. 2- Parents and Children by Mason)Charlotte Mason Quotes Louis Markos: "Our schools turn out a good many clever young persons, wanting in nothing but initiative, the power of reflection and the sort of moral imagination that enables you to 'put yourself in his place.'"- (Mason, Vol 6, pg. 25)Jason Barney:  "Almost anything may be made of a child by those who first get him into their hands. We find that we can work definitely towards the formation of character; that the habits of the good life, of the alert intelligence, which we take pains to form in the child, are, somehow, registered in the very substance of his brain; and that the habits of the child are, as it were, so many little hammers beating out by slow degrees the character of the man.  Therefore we set ourselves to form a habit in the same matter-of-fact steady way that we set about teaching the multiplication table; expecting the thing to be done and done with for life. " (The History and Aims of the P.N.E.U. pamphlet)Patrick Egan: "But the Florentine mind of the Middle Ages went further than this: it believed, not only that the seven Liberal Arts were fully under the direct outpouring of the Holy Ghost, but that every fruitful idea, every original conception, whether in Euclid, or grammar, or music, was a direct inspiration from the Holy Spirit, without any thought at all as to whether the person so inspired named himself by the name of God, or recognised whence his inspiration came." (Mason, Vol 2, pg. 271)________________________________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2025 Beautiful Teaching LLC. All Rights Reserved

Get ready for one of the most powerful episodes yet!

Panerai CEO Jean-Marc Pontroué sits down with Scott Kerr to discuss how the 165-year-old Florentine luxury watchmaker grew from supplying watches to the Italian Royal Navy to the brand of choice among Hollywood action stars and passionate watch enthusiasts. Jean-Marc also talks about its long-standing ties with maritime and its influence on design, Arnold Schwarzenegger and Sylvester Stallone accelerating the brand's popularity, how being acquired by the Richemont Group launched Panerai in the haute horlogerie territory, Panerai's extreme watch experiences for VIPs, and engaging with the watchmaker's diehard fanbase (the 'Paneristi'). Plus: Panerai's strategic involvement the America's Cup and the Lunna Rossa Prada Pirelli sailing team.Featuring: Jean-Marc Pontroué, CEO of Panerai (panerai.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: The Luxury Item is a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend!

Niccolò Machiavelli was a Florentine diplomat, author, philosopher, and historian who lived during the Italian Renaissance. He is best known for his political treatise The Prince (Il Principe), written around 1513 but not published until 1532, five years after his death. None of this is in any way relevant for Micrprose's 1995 strategy game "Machiavelli […]

fWotD Episode 2788: Tomb of Antipope John XXIII Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 22 December 2024 is Tomb of Antipope John XXIII.The Tomb of Antipope John XXIII is the marble-and-bronze tomb monument of Antipope John XXIII (Baldassare Cossa, c. 1360–1419), created by Donatello and Michelozzo for the Florence Baptistry adjacent to the Duomo. It was commissioned by the executors of Cossa's will after his death on December 22, 1419 and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence. According to Ferdinand Gregorovius, the tomb is "at once the sepulchre of the Great Schism in the church and the last papal tomb which is outside Rome itself".Cossa had a long history of cooperation with Florence, which had viewed him as the legitimate pontiff for a time during the Western Schism. The tomb monument is often interpreted as an attempt to strengthen the legitimacy of Cossa's pontificate by linking him to the spiritually powerful site of the Baptistry. The evocation of papal symbolism on the tomb and the linkage between Cossa and Florence have been interpreted as a snub to Cossa's successor Pope Martin V or vicarious "Medici self-promotion", as such a tomb would have been deemed unacceptable for a Florentine citizen.The tomb monument's design included figures of the three Virtues in niches, Cossa's family arms, a gilded bronze recumbent effigy laid out above an inscription-bearing sarcophagus supported on corbel brackets, and above it a Madonna and Child in a half-lunette, with a canopy over all. At the time of its completion, the monument was the tallest sculpture in Florence, and one of very few tombs within the Baptistry or the neighboring Duomo. The tomb monument was the first of several collaborations between Donatello and Michelozzo, and the attribution of its various elements to each of them has been debated by art historians, as have the interpretations of its design and iconography.This recording reflects the Wikipedia text as of 00:02 UTC on Sunday, 22 December 2024.For the full current version of the article, see Tomb of Antipope John XXIII on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Aujourd'hui, c'est un épisode chorale que je vous propose : un patchwork sonore ! Tout a commencé en discutant avec Florentine qui m'avait proposé de fêter le 5e anniversaire du podcast à l'atelier Malesherbes, le tiers lieu créatif qu'elle inaugurait fin novembre dans le 9e arrondissement de Paris. Pour cette soirée donc, on voulait proposer une surprise sympa aux invités. On a cogité avec Florentine et Cécile, d'Oiseau Lune et deux idées géniales ont ainsi vu le jour : un bar à broder pour confectionner un patchwork géant autour du logo de l'atelier Malesherbes et un mini studio d'enregistrement pour cocréer un épisode de Fait Main. Certaines invitées ont enregistré sur place, d'autres quelques jours plus tard au calme, mais toutes ont répondu à une question piochée au hasard et préparées par nos soins ! J'ai préparé le montage un peu comme une suite de messages sur un répondeur, car elles m'ont toutes envoyées leur message sur WhatsApp ! Voilà vous connaissez toutes les coulisses de cet épisode, alors maintenant bonne écoute ! Un grand merci aux participantes : Florentine / Atelier Malesherbes, Cécile / Oiseau Lune, Cassandre / Cass and Cie, Corinne / Cocopatch, Karen / Liberty Smock Addict, Marie / Exemplaire Unique, Céline / Merci pour le chocolat, Florence / Flocpourki, Marion / Marioncpourki, Sarah / Mes Ateliers DIY, Vanessa / CrazyCat Transfer, Stéphanie / La fabrique à ciel bleu, Amélie / Sous les ronces, Anna / Anna Illustrations, Elsa / Les mains d'Elsa, Aminata / Amisira sew, Viviane / Evasion Mosaïque, Isabel / France Patchwork, Céline / Les reloux, Mireia / Ateliers de Mireia ! Et si vous voulez écouter gratuitement une quinzaine d'audios sur l'entrepreneuriat créatif, c'est par ici !

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Florentine discussed the cancellation of his comedy show in Seattle due to progressive values, which led to increased media attention and 100 press requests. The show was relocated to Tacoma, where it was well-received. Florentine criticized the woke culture's censorship and the hypocrisy of left-leaning media. He also touched on the NFL's social issues, the impact of social media on free speech, and the challenges faced by musicians in the digital age. Florentine's new comedy special "You Can't Please Them All" is available on Amazon Prime and Spotify, and he plans to tour again soon.00:00 - Intro00:20 - Seattle Show Cancellations & Media Attention 05:24 - Impact of Cancellations & Media Reactions 05:37 - Comparing Far-Left & Far-Right Censorship 08:47 - Social Media & Free Speech 22:50 - Transgender Issues & School Policies 23:03 - NFL & Social Issues28:40 - Music & Concert Experiences28:53 - Metal Show & Music Connections 50:07 - Lars Ulrich & Napster 50:21 - Supporting Musicians & Concert Etiquette 50:37 - Podcasts & Future Plans Jim Florentine website:https://jimflorentine.com/Chuck Shute link tree:https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!

Find Your Film Episode #204 features interviews with "Hounds of War" director Isaac Florentine and "The Radleys" actress Bo Bragason.  Timestamps (0:00) - Intro and "Hounds of War" plot & interview intro (3:08) - Isaac Florentine  (20:59) - "The Radleys" plot & interview intro (26:12) - Bo Bragason interview Movies to add to Find Your Film Library: Invitation to a Gunfighter (Isaac Florentine), Eternal Sunshine of the Spotless Mind (Bo Bragason). I will be adding these selections on my website Find Your Films.  Find Your Film  Follow Us On Facebook. Podcast website is Find Your Films. Find Your Film and CinemAddicts merch is available! Members of our CinemAddicts Patreon receive a bonus episode per month and early access to exclusive Movie spoilers (discussed by actors and filmmakers). For daily movie recommendations and conversation, join our CinemAddicts Facebook Group.  For questions/comments on Find Your Film podcast, contact me at info@findyourfilms.com. Support my podcast and Find Your Films website by purchasing items via my Amazon SiteStripe or the affiliate links in the show notes (I receive a slight commission).  #BoBragason #IsaacFlorentine #HoundsofWar #TheRadleys

Rhona Mitra first gained recognition as the live-action model for the video game character Lara Croft before breaking into acting with notable roles in projects like UNDERWORLD: RISE OF THE LYCANS and DOOMSDAY. Isaac Florentine is a highly respected director and martial artist known for his expertise in action filmmaking. With a career spanning over three decades, Isaac has garnered acclaim for his dynamic choreography and visceral storytelling in numerous action films and television series. In their latest film, HOUNDS OF WAR, the best military mercenaries known as ‘The Hounds,' are sent on a final mission by their creator: a carefully planned trap set up to destroy them. In these back-to-back interviews, we talk about Rhona's decision to take on the role, her journey into the action genre, the challenges and rewards of action films, Isaac's approach to directing action movies, the importance of tailoring scripts to specific locations and schedules, how he approaches action scenes with different actors, and more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Eric Holmes interviews Hounds of War director Isaac Florentine and Subservience filmmaker S.K. Dale on this installment of CinemAddicts. Hounds of War poster/photo courtesy of XYZ Films.  Subservience poster/photo courtesy of XYZ Films. YouTube Channel: https://www.youtube.com/c/CinemAddicts Facebook Page: https://www.facebook.com/thecinemaddicts CinemAddicts Facebook Group: https://www.facebook.com/groups/cinemaddictspodcast/ Email: info@findyourfilms.com. Find Your Film: https://findyourfilms.com/ Shop our CinemAddicts Merch store: https://www.cinemaddictspodcast.com/ (shirts, hoodies, mugs). We do a bonus episode each month and early access spoilers/interviews for our Patreon Members: https://www.patreon.com/cinemaddicts CinemAddicts hosts: Bruce Purkey, Eric Holmes, Greg Srisavasdi Thanks to our Patreon Community Ryan Smith 2. Stephen Schrock 3. Susan 4. Charles Peterson 5. Nelson B. McClintock 6. Diana Van De Kamp 7. Pete Abeyta 8. Tyler Andula 9. Stephen Mand 10. Edmund Mendez 11. Abbie Schmidt 12. Jeff Tait 13. Superfan Giovanni 14. Robert Prakash 15. Kristen 16. Chris M 17. Jeremy Chappell 18. Lewis Longshadow 19. Iver 20. Alex Clayton 21. Daniel Hulbert 22. Andrew Martin 23. Angela Clark 24. Myron Freeman 25. Kayn Kalmbach 26. Aaron Fordham 27. Tracy Peters 28. Grant Boston 29. Ken Cunningham  

Subscribe to Throwing Fits on Substack. Megaslopolis. This week, Jimmy and Larry are volleying back and forth on wearing your best tennis whites to the US Open, daddy stolen valor, the joys of eating shirtless. slutting yourself out for free tickets, giving your dad Florentine shopping advice, why Oasis reuniting is so important to all the blokes, James putting on a clinic at the On activation, back spasms vs. tequila, hardos that get too competitive and ruin everything for everyone, feeling real FOMO for once, Lawrence getting pranked at Sailor was actually a flex and made his week, Francis Ford Coppola is a messy bitch who lives for drama and much more.

Sloppy Joe, Hot Brown, and the Reuben are all well-known sandwiches, and they are all named after people. Though the specific person is argued in two of these cases.  Research: “Bechamel.” Oxford Reference. https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095454669 “Bechamel Sauce.” ChefIn. https://chefin.com.au/dictionary/bechamel-sauce/#:~:text=History%20of%20b%C3%A9chamel%20sauce,(wife%20of%20Henry%20II). Beck, Katherine. “The Controversial Origins Of The Sloppy Joe.” Tasting Table. Jan. 26, 2023. https://www.tastingtable.com/968736/the-controversial-origins-of-the-sloppy-joe/ Blitz, Matt. “The True Story of Ernest Hemingway's Favorite Bar. Food & Wine. June 22, 2017. https://www.foodandwine.com/travel/bars/ernest-hemingway-favorite-bar-true-story Fix, John. “Papa Wrote Here.” The Miami News. May 12, 1962. https://www.newspapers.com/image/302005791/?terms=sloppy%20joe&match=1 “Hot Brown Sandwich History and Recipe.” What's Cooking America. https://whatscookingamerica.net/history/sandwiches/hotbrownsandwich.htm “The Brown Hotel.” Historic Hotels of America. https://www.historichotels.org/us/hotels-resorts/the-brown-hotel/history.php#:~:text=In%20the%20early%201980s%2C%20the,obtained%20the%20building%20in%202006. “J. Graham Brown.” The Courier-Journal. August 8, 1927. https://www.newspapers.com/image/107676260/?terms=%22james%20graham%20brown%22&match=1 Kral, George. “How the Gooey, Cheesy Hot Brown Became a Kentucky Icon.” Eater. Jan. 3, 2019. https://www.eater.com/2019/1/3/18165719/kentucky-hot-brown-history-recipe-brown-hotel-louisville “LOUISVILLE'S CULINARY ICON, THE HOT BROWN.” The Brown Hotel. https://www.brownhotel.com/dining/hot-brown Manoff, Arnold. “Reuben and His Restaurant: The Lore of a Sandwich.” Federal Writers Project. 1938. https://www.loc.gov/item/wpalh001447/ Martinelli, Katherine. “True to Its Design, the Origin of the Reuben Sandwich Is Messy, Too.” Eat This, Not That! January 16, 2019. https://www.eatthis.com/reuben-sandwich-origin/ Matte, Lisa Curran. “The Hotly Contested Origin Of The Reuben Sandwich.” Tasting Table. Nov. 13, 2022. https://www.tastingtable.com/1095929/the-hotly-contested-origin-of-the-reuben-sandwich Monaco, Emily. “The Untold Truth of Sloppy Joes.” Mashed. March 28, 2023. https://www.mashed.com/270915/the-untold-truth-of-sloppy-joes/ “National Sloppy Joe Day.” National Day Calendar. https://www.nationaldaycalendar.com/national-day/national-sloppy-joe-day-march-18 Ngo, Hope. “What Is Béchamel Sauce And What Is It Used For?” Mashed. June 2, 2021. https://www.mashed.com/413609/what-is-bechamel-sauce-and-what-is-it-used-for/ “Pizza Sauce Brings Italian Food to Your Table.” The Sacramento Bee. Dec. 16, 1970. https://www.newspapers.com/image/619758051/?terms=sloppy%20joe&match=1 “Philanthropist J. Graham Brown Dies.” The Courier-Journal. March 31, 1969. https://www.newspapers.com/image/109504942/?terms=%22james%20graham%20brown%22&match=1 Ramsey, Sarah. “The History of the Kentucky Hot Brown Sandwich.” Wide Open Country. July 19, 2019. https://www.wideopencountry.com/the-history-of-the-kentucky-hot-brown-sandwich/ Ramsey, Sarah “Where did the Sloppy Joe come from?” Wide Open Country. May 19, 2020. https://www.wideopencountry.com/sloppy-joe/ Scotti, Ippolita Douglas. “Was bechamelle really French, or an ancient Florentine sauce?” Flapper Press. March 6, 2019. https://www.flapperpress.com/post/was-bechamelle-really-french-or-an-ancient-florentine-sauce Senyei, Kelly. “Inside the Home of the Hot Brown Sandwich.” Epicurious. April 4, 2013. https://www.epicurious.com/expert-advice/hot-brown-sandwich-tips Singer, Phyllis. “Sloppy joes have chapter in food history.” The Courier. June 19, 1992. https://www.newspapers.com/image/359626043/?terms=sloppy%20joe&match=1 “Sloppy Joe's Cocktails Manual.” 1932. Havana, Cuba. Accessed online: https://euvs-vintage-cocktail-books.cld.bz/1932-Sloppy-Joe-s/II “Sloppy Joe History: The Origins of this Iconic Comfort Food.” Blue Apron. https://blog.blueapron.com/a-history-of-the-sloppy-jo/#:~:text=The%20Sloppy%20Joe's%20history%2C%20however,and%20the%20sandwich's%20official%20name. Taliaferro, Georgianna. “Sloppy Joe's: From Behind the Bar.” The Virginian-Pilot. March 12, 1950. https://www.newspapers.com/image/845602519/?terms=sloppy%20joe&match=1 Town Hall Delicatessen. https://townhalldeli.com/ Valdes, Rosa Tania. “Once Havana's most famous bar, Sloppy Joe's reopens after 50 years.” Reuters. April 12, 2013. https://www.reuters.com/article/us-cuba-sloppyjoes-idUSBRE93B18620130412/ “Was the Reuben Sandwich invented in Omaha?” History Nebraska. https://history.nebraska.gov/was-the-reuben-sandwich-invented-in-omaha/ Weil, Elizabeth. “My Grandfather Invented the Reuben Sandwich. Right?” New York Times. June 7, 2013. https://www.nytimes.com/2013/06/09/magazine/my-grandfather-invented-the-reuben-sandwich-right.html Weil, Elizabeth. “Who really invented the Reuben?” Saveur. Sept. 6, 2016. https://www.saveur.com/reuben-sandwich-origin-history/ Wenz, Rod. “Louisville, State to Reap Benefits of Brown Legacy.” The Courier-Journal. April 10, 1969. https://www.newspapers.com/image/109539070/?terms=%22james%20graham%20brown%22&match=1 See omnystudio.com/listener for privacy information.