Podcasts about Stagecraft

For the Republic! Desperate and surrounded, the French government embarks on an unprecedented embrace of 'total war'. Upending the traditional means of warfare, the Convention commences mass conscriptions and coordinated propaganda campaigns. Both the levée en masse and it's propaganda efforts are a prelude to the modern wars of the 20th century and act as key turning points in the development of warfare. Early Access Don't wait! Support the show and listen to 1.88 Total War II: Leadership and Tactics now! Available for all True Revolutionaries and above! Bonus Content 1.87.1 To Enlist or Resist 1.87.2 Stagecraft for Statecraft The Grey History Community Help keep Grey History on the air! Every revolution needs its supporters, and we need you! With an ad-free feed, a community discord, a reading club, and tonnes of exclusive bonus content, you're missing out! Do your part for as little as half a cup of coffee per episode! It's the best value on the internet, with the best people too! Join Now And Support the Show Make a one-off donation Contact Me Send your questions, praise, and scorn here Newsletter Sign Up for Free Bonus Episode Follow on Social Media: Facebook Instagram X Advertising Please contact sales@advertisecast.com if you would like to advertise on Grey History: The French Revolution and Napoleon. All members of the Grey History Community have an ad-free version of the show. Support the show here. About Grey History: The French Revolution and Napoleon is a podcast dedicated to exploring the complexities of our history. By examining both the experiences of contemporaries and the conclusions of historians, Grey History seeks to unpack the ambiguities and nuances of the past. Understanding the French Revolution and the age of Napoleon Bonaparte is critical to understanding the history of the world, so join us on a journey through a series of events that would be almost unbelievable if it weren't for the fact that it's true! If you're looking for a binge-worthy history podcast on the Revolution and Napoleon, you're in the right place! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this "Ethical Article" Oxford's Corneliu Bjola reads his essay examining five core breaches of diplomatic norms during the Trump–Zelenskyy Oval Office meeting. This article was written as an Online Exclusive for Carnegie Council's "Ethics & International Affairs" journal. To read this article, go to: https://carnegiecouncil.co/bjola-trump-zelenskyy

Intro (00:00) The Capsule at Juste Debout (04:30)Little Shao (05:57)Admir & The Team (08:19)The Significance Of Juste Debout (09:00)The Arena Experience (14:35)Jimmy Yudat's Stagecraft (23:18)Diablo & Stala vs Les Twins (26:14)Online Commenters (30:59)MT Pop & Nelson (35:41)MT Pop x Red Bull (39:28)Song Haoming & Fu Junxi (42:35)UK Representation (44:26)Livestream (52:50)The Music/DJs (55:30)Winners (& Bruce) Interviews (1:00:20)Thoughts About Bruce & Juste Debout (1:18:27)Outro (1:28:55)#justedebout #lestwins #mtpop #hiphopdance #podcast #interview #dancepodcast #dancebattle #review

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. L to R: Adina Verson, Irene Sofia Lucio, Audrey Corsa, Susannah Flood, Betsy Aidem, Kristolyn Lloyd CREDIT: Joan MarcusLiberation by Bess Wohl, directed read more The post Stagecraft: Bess Wohl on Liberation appeared first on BroadwayRadio.

In this episode of Inside Jobs, actor-turned-producer-turned-marketing exec Donovan Stohlberg takes us through his unusual journey from the world of theater to the world of finance. Today, Donovan oversees corporate communications, marketing, and branding at Securian Financial, which includes a dynamic cast of 30 in-house professionals. This team transformed itself from a tactical creative shop into a full-service powerhouse, influencing upstream strategy and driving downstream ROI. Tune in to hear how Donovan's passion for storytelling helped revolutionize the Securian brand, elevating awareness and market penetration on a national stage. ——This podcast is in partnership with the In-House Agency Forum and hosted by Robert Berkeley from EKCS.

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. Jan Simpson | jan@broadwayandme.com | Facebook | TwitterBroadway & MeJan Simpson is a read more The post Stagecraft: Michael Griffo on “Pen Pals” appeared first on BroadwayRadio.

In this exciting episode, hosts Bobby and Steffan are joined by the incredibly talented Ian Oswald, whose career spans both stage and screen. With theatre credits including Burlesque The Musical, Moulin Rouge, Aladdin, Priscilla, and many more, Ian has dazzled audiences with his show-stopping performances.

We step behind Broadway's emerald curtain to explore Wicked with two leading scholars. The University of Kansas' Paul Laird, professor emeritus of musicology, received unprecedented access as Stephen Schwartz composed his blockbuster musical and wrote the definitive book on its making, Wicked: a Musical Biography. His colleague Jane Barnette is a professor of theater & dance and the author of Witch Fulfillment: Adaptation Dramaturgy and Casting the Witch for Stage and Screen. She reveals how the evolving story of Oz has redefined witchcraft in modern theater. In this engaging discussion, we prepare for the film while learning more about the book and musical that changed how we see good, evil, and female power and friendship. Article: KU experts comment on ‘Wicked' film adaptation Play Episode:Wicked Movie: The Making of a Witch  Wicked Movie: The Making of a Witch explores the nuanced and powerful portrayal of witches in the highly anticipated Wicked movie. Witch Hunt podcast hosts Josh Hutchinson and Sarah Jack delve into their immediate reactions and the deeper social themes conveyed through the film Purchase the Wonderful and Wicked Books of Oz in our Bookstore --- Support this podcast: https://podcasters.spotify.com/pod/show/witchhunt/support

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. Arliss Howard and Marisa Tomei Jessica Goldberg | WikipediaJessica Goldberg is a playwright, tv and screenwriter. Plays include Refuge, which won the Susan read more The post Stagecraft: Jessica Goldberg, Playwright of “Babe” appeared first on BroadwayRadio.

In this supersized episode of Stagecraft, we bring you three conversations from Variety's Business of Broadway breakfast, featuring the stars, creators and producers behind some of the biggest shows on Broadway this fall.   In our first conversation, Erik Piecuch of City National Bank moderates a discussion with the producers Hunter Arnold ("Maybe Happy Ending," "Othello"), Caroline Kaplan ("Redwood"), Mara Isaacs ("Gypsy," "Hadestown"), and Sammy Lopez ("How to Dance in Ohio," "JOB").   In our second talk, Variety's Rebecca Rubin talks with four of the stars of the new Broadway revival of "Our Town": Zoey Deutch, Jim Parsons, Ephraim Sykes and Michelle Wilson.   And in our final interview, Variety's Brent Lang talks to two of the creative forces behind the buzzy new revival of "Sunset Boulevard," star Nichole Scherzinger and director Jamie Lloyd. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. Luis Quintero websiteLuis Quintero is an actor, playwright, lyricist and composer hailing from Houston, Texas. He will also serve as Emcee in Medea: read more The post Stagecraft: Luis Quintero on “Medea: Re-Versed” appeared first on BroadwayRadio.

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.   Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.   Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.   Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.   Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.   Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.   Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

At D23: The Ultimate Disney Fan Event, Lucasfilm Senior Vice-President and Executive Design Director Doug Chiang spoke at the Lucasfilm booth for an in-depth look at how Star Wars designs are incorporated using Stagecraft technology. I share the audio of his presentation, which is an in-depth look at how Stagecraft brings Star Wars to life on screen. I had the honor and privilege of speaking one-on-one with the Lucasfilm Senior VP and Executive Design Director Doug Chiang immediately after his presentation to discuss the incredible opportunities made available to actors and filmmakers thanks to the Volume, how far special effects have come, and his love of the franchise as a fan. Pull up a chair, grab your favorite coffee mug, and have some Coffee With Kenobi!__Join Dan Zehr and the Coffee With Kenobi family on the Disney Wish June 16th-20th, 2025, with our official travel partner, MEI/Mouse Fan TravelCoffeeWithKenobi.com/DisneyWish__Visit CoffeeWithKenobi.com for the latest podcasts, news, videos, and more!__Book your trip to Galaxy's Edge, Walt Disney World, Disneyland, the Disney Cruise ships, and beyond with Coffee With Kenobi's Travel Partner -  CoffeeWithKenobi.com/MouseFanTravel  __Become a member of the CWK Alliance to support Coffee With Kenobi, get access to audio and VIDEO of our exclusive weekly podcast, CWK Pour-Over, and more! CoffeeWithKenobi.com/CWKAlliance__You can also listen to CWK Pour-Over on Spotify    CoffeeWithKenobi.com/Spotify__Watch and subscribe to CWK on our YouTube channel    CoffeeWithKenobi.com/YouTube__Join our community in the CWK Cafe and be part of the conversation - CoffeeWithKenobi.com/Community __Shop Coffee With Kenobi shirts, hoodies, stickers, phone cases, and more CoffeeWithKenobi.com/Shop__Do you want Dan Zehr to speak at your event?   DanZMedia.comThanks for listening, and have a great week; this is the podcast you're looking for!- Dan Zehr  Email: danz@coffeewithkenobi.comX: @MrZehrInstagram: @danzehrcwk on InstagramThreads: @danzehrcwk on ThreadsNeed an experienced speaker for your school, conference, or business? Book Dan Zehr here!Purchase Dan Zehr's Star Wars books-------------------------------------Follow Coffee With Kenobi  on XFollow Coffee With Kenobi on InstagramFollow Coffee With Kenobi on ThreadsFollow Coffee With Kenobi on TikTokLike Coffee With Kenobi on FacebookSubscribe to Coffee With Kenobi's YouTube ChannelMusic: Jazz Music: Eye to Eye by Steve Torok Become a supporter of this podcast: https://www.spreaker.com/podcast/coffee-with-kenobi-star-wars-community-conversation--3271982/support.

D23 day two coverage is here! I speak with ILM's Rob Bredow ( ILM's Senior Vice-President & Chief Creative Officer) about the incredible detail the Voulme offers filmmakers and fans. Plus, listen to Rob and Sonia Contreras's (ILM Virtual Production Supervisor) full audio of ILM's Stagecraft presentation. I also speak with Beci Mahnken (Mouse Fan Travel) about D23 and the benefits of booking your next Disney vacation with MEI & Mouse Fan Travel. Later I catch up with Anthony King (Force Ghost Conversations) about D23 announcements. the incredible detail the Voulme offers filmmakers and fans. Finally, listen to the full audio of Kristen Baver's conversation with  The Acolyte's Manny Jacinto as he discussed working on the first season of the series. Pull up a chair, grab your favorite coffee mug, and let's have some Coffee With Kenobi!__Join Dan Zehr and the Coffee With Kenobi family on the Disney Wish June 16th-20th, 2025, with our official travel partner, MEI/Mouse Fan TravelCoffeeWithKenobi.com/DisneyWish__Visit CoffeeWithKenobi.com for the latest podcasts, news, videos, and more!__Book your trip to Galaxy's Edge, Walt Disney World, Disneyland, the Disney Cruise ships, and beyond with Coffee With Kenobi's Travel Partner -  CoffeeWithKenobi.com/MouseFanTravel  __Become a member of the CWK Alliance to support Coffee With Kenobi, get access to audio and VIDEO of our exclusive weekly podcast, CWK Pour-Over, and more! CoffeeWithKenobi.com/CWKAlliance__You can also listen to CWK Pour-Over on Spotify    CoffeeWithKenobi.com/Spotify__Watch and subscribe to CWK on our YouTube channel    CoffeeWithKenobi.com/YouTube__Join our community in the CWK Cafe and be part of the conversation - CoffeeWithKenobi.com/Community __Shop Coffee With Kenobi shirts, hoodies, stickers, phone cases, and more CoffeeWithKenobi.com/Shop__Do you want Dan Zehr to speak at your event?   DanZMedia.comThanks for listening, and have a great week; this is the podcast you're looking for!- Dan Zehr  Email: danz@coffeewithkenobi.comX: @MrZehrInstagram: @danzehrcwk on InstagramThreads: @danzehrcwk on ThreadsNeed an experienced speaker for your school, conference, or business? Book Dan Zehr here!Purchase Dan Zehr's Star Wars books-------------------------------------Follow Coffee With Kenobi  on XFollow Coffee With Kenobi on InstagramFollow Coffee With Kenobi on ThreadsFollow Coffee With Kenobi on TikTokLike Coffee With Kenobi on FacebookSubscribe to Coffee With Kenobi's YouTube ChannelMusic: Jazz Music: Eye to Eye by Steve Torok Become a supporter of this podcast: https://www.spreaker.com/podcast/coffee-with-kenobi-star-wars-community-conversation--3271982/support.

On episode 5 of Live from the Avant Garden, DC legend, world famous record producer, and mind-blowingly incredible musician, Don Zientara (Inner Ear Studios, Dischord Records) graces the Astro Stage with his presence, stories, humor and of course, original music! What else can I say about having the dude that recorded all of my favorite records (shameless plug: including my own band, Old Knife) on my little podcast in my little garden?!?!(Music starts at: 53:16)Find and follow Don Zientara at:https://www.innerearstudio.com/https://dischord.com/band/don-zientarahttps://www.mixcloud.com/StageCraft/https://a.co/d/hb0W7zjFertilize your mind:XTCBorageAntonia TricaricoEmily HenryThe Sound of MachinesOverkillKnights in White SatinBrain Rot:https://www.instagram.com/live_from_the_avant_garden/https://www.instagram.com/oldknifeband/Live from the Avant Garden is recorded and produced by V.J. Hyde (2024)Theme song and interstitial music by V.J. Hyde (2023)All Rights Reserved

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. NAThePlay.com @natheplay | Instagram | TikTok | Facebook Mario CorreaPlaywright Mario Correa came to the United States from Chile at age six. Raised read more The post Stagecraft: Mario Correa on “N/A” appeared first on BroadwayRadio.

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Our (most likely) final episode of the season is here, and it includes two shows that both included Ryan Vasquez in their out of town tryouts: The Notebook and The Outsiders! So even if you've got "Great Expectations", come take a listen to find out "If This Is Love" from us for these shows. PLUS we give you a little bonus section with our thoughts on The Heart of Rock and Roll at the end -- Christine's reaction to The Notebook was not dissimilar to Jesse Green's reaction, as much as she hates to admit it My Days has kind of blown up on TikTok, so we're sure to see many more covers of it in the future Listen to Adam Rapp talk about adapting The Outsiders to a musical on the Stagecraft podcast hosted on BroadwayRadio Get a deeper dive (with some clips) on how The Outsiders staged their rumble Let us know what your favorites for the Tonys are, and happy Tonys weekend! -- Music featured in this episode: The Notebook (Original Broadway Cast Recording) Apple Music / Spotify / Amazon Music The Outsiders - A New Musical (Original Broadway Cast Recording) Apple Music / Spotify / Amazon Music — Follow us on Twitter and Instagram @BottomlessBway, our blog at https://bottomlessbway.home.blog, or email us at bottomlessbway@gmail.com! You can also leave feedback in this 30-second survey.

When a vile phenomenon emerges on set, the cameras roll on the Circle of the Silver Screen - Assignment #29 -1128 "Stagecraft" The world of Candela Obscura comes to life for a special one-shot assignment prepared and performed in front of a live audience at the United Theater on Broadway in Los Angeles. A session zero with VIP ticketholders preceded this special one-shot, where our game master and players worked with the live audience to complete character creation, develop relationships, and forge their circle. The session zero with VIP ticketholders is available now, exclusively on Beacon. We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join Get unparalleled access to Critical Role with Beacon. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Tickets are on sale now: https://www.ticketmaster.com/event/090060A6C2C9330F Grab your copy of the Candela Obscura Core Rulebook at our Darrington Press Guild stores, a friendly local game store, or any of our Critical Role online shops! United States: https://shop.critrole.com/collections/candela-obscura United Kingdom: https://shop.critrole.co.uk/collections/candela-obscura Australia: https://shop.critrole.com.au/collections/candela-obscura Canada: https://canada.critrole.com/collections/candela-obscura EU: https://shop.critrole.eu/collections/candela-obscura Darrington Press Guild stores: https://darringtonpress.com/darrington-press-guild Candela Obscura is an ongoing monthly horror drama that follows an esoteric order of investigators as they use centuries of knowledge to fight back against a mysterious source of corruption and bleed. Leveraging gaming as a story mechanic, the series features the Candela Obscura tabletop roleplaying game from Darrington Press, which is built on the Illuminated Worlds system. Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. The YouTube VOD will be available the following Monday after the episode's initial broadcast and the podcast version will be available one week following the initial broadcast on your favorite podcast streaming service. Spenser Starke as Game Master Marisha Ray as Jacqueline "Jackie" Renoux Khary Payton as Chey Tanii Mcheza Laura Bailey as Evelyn White Matthew Mercer as Lester Shaw Originally Created by Taliesin Jaffe and Chris Lockey Game Design and Writing by Spenser Starke and Rowan Hall Produced by Maxwell James, Ashley Middlebrook, and Steve Failows Lightkeeper portrayed by Taliesin Jaffe Music by Colm McGuinness Due to the improv nature of Candela Obscura and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode. Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

The Cognitive Crucible is a forum that presents different perspectives and emerging thought leadership related to the information environment. The opinions expressed by guests are their own, and do not necessarily reflect the views of or endorsement by the Information Professionals Association. During this episode, we learn about the US Army's Command and General Staff College Information Advantage Scholar Program. Two officers from the 2024 IA Scholar cohort–Army MAJs Vincent Michel and Josh Keller–present their research and also discuss their overall experience. Additionally, Cognitive Crucible listeners are invited to the Command and General Staff College Information Advantage Symposium on 22 May 2024. Recorded on: May 2, 2024 Research Questions:  MAJ Michel suggests as interested student examine:  What are the necessary steps a unit must take to isolate a prevalent actor within the narrative space? Are there additional factors that influence the narrative space and consolidation of gains? MAJ Keller suggests as interested student examine:  Primary Research Question: How can Collateral Damage Estimation (CDE) adapt to accommodate nonlethal effects against satellite communication architecture? Secondary Research Question: How can CJCSI 3370.01 Target Development Standards accommodate entity-level target development for satellite communication architecture on orbit? What are the resulting impacts to intelligence and targeting professionals? Resources: Cognitive Crucible Podcast Episodes Mentioned #166 John Agnello on Information Advantage Command and General Staff College Information Advantage Symposium – May 22 | Command and General Staff College Foundation, Inc. (cgscfoundation.org) Army Space Vision Supporting Multi-domain Operations TE Lawrence Army Doctrine Publication 3-13, Information Advantage Dangerous Narratives: Warfare, Strategy, Stagecraft by Maan, Clark, Steed, Drohan, Nesic, Holshek, Straub, Ronfeldt, and Arquilla The Geography of Thought: How Asians and Westerners Think Differently...and Why by Richard E. Nisbett The Wires of War: Technology and the Global Struggle for Power by Jacob Helberg The Battle Beyond: Fighting and Winning the Coming War in Space by Paul Szymanski and Jerry Drew Ike Skelton Combined Arms Research Library (CARL) Digital Library Link to full show notes and resources Guest Bios: Guest #1: Vincent Michel, U.S. ArmyInformation Operations,  Military Intelligence, Armor Thesis: The Other Side to the Story: Consolidation of Gains and the Narrative Space Education:2018, M.A. Criminal Justice, American Military University 2013, B.A. Criminology, University of New Mexico Past Assignments:Mission Command IO Project Officer, MXCDID, Futures Concept Center, AFC, Ft. Leavenworth, KS Recruiting Company Commander, Evansville, IN Future Assignment: IO Team Leader, 11th Cyber BN Guest #2: Joshua Keller, U.S. ArmySpace Operations, Field Artillery Thesis:ADAPTING TARGETING POLICY FOR NONLETHAL EFFECTS ON SATELLITE COMMUNICATION ARCHITECTUREEducation: 2012, M.A. Quantitative and Psychological Foundations, University of Iowa 2010, B.A. Psychology, University of Wisconsin-La Crosse Past Assignments:Deputy OIC, SPCT #3, 1st Space BN, Ft Carson, CO Assistant Ops Officer, 1st Space BDE, Ft Carson, CO Future Assignment: 1st Special Forces Command (Airborne) Space Operations Officer, Ft Liberty, NC About: The Information Professionals Association (IPA) is a non-profit organization dedicated to exploring the role of information activities, such as influence and cognitive security, within the national security sector and helping to bridge the divide between operations and research. Its goal is to increase interdisciplinary collaboration between scholars and practitioners and policymakers with an interest in this domain. For more information, please contact us at communications@information-professionals.org. Or, connect directly with The Cognitive Crucible podcast host, John Bicknell, on LinkedIn. Disclosure: As an Amazon Associate, 1) IPA earns from qualifying purchases, 2) IPA gets commissions for purchases made through links in this post.

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. The Outsiders – The Greasers – Photo by Matthew Murphy Adam Rapp is the author of numerous plays, which include Nocturne (New York read more The post Stagecraft: Adam Rapp for “The Outsiders” appeared first on BroadwayRadio.

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. APRIL 13-MAY 23, 2024DR2 THEATER, 103 EAST 15TH STREET, UNION SQUARE NYCInfo / Tickets LIA ROMEO (Playwright) is a recent graduate of the read more The post Stagecraft: Lia Romeo on “Still” appeared first on BroadwayRadio.

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. Corey Cott and McKenzie Kurtz – Photo by Matthew Murphy Jonathan A. Abrams (Book and Story) is a film and television writer/producer and read more The post Stagecraft: Jonathan Abrams for “The Heart of Rock and Roll” appeared first on BroadwayRadio.

Simple logic applied to the so-called nuclear bomb drops of WWII prove that the story we have been told is fallacy. In episode 053 we outlined this nonsense in great detail. In this episode we take a new approach using science to further demonstrate that the “nuking” of cities is simply a scare tactic, and (more...)

Are You Blue that Days of Wine and Roses is now closing early?  Well you now have until March 31 to catch this show on Broadway, but if you don't get a chance to, we have you covered with our recap of what happens in the show and our thoughts on its very unique score! -- Sutton Foster's episode of Say Yes to the Dress is one that has come up recently in our feeds, so check it out if you haven't seen it! John McWhorter of the New York Times wrote a piece on the lasting impact "Forgiveness" had on him when he first heard the song, despite its unusual structure. Hear Kelli O'Hara and Brian d'Arcy James talk about the show and how it came to be on Variety's Stagecraft podcast. -- Music featured in this episode: Days of Wine and Roses (Original Cast Recording) Apple Music / Spotify / Amazon Music

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. Sarah Gancher (Playwright) is an Obie Award-winning playwright whose work has been seen on stages worldwide including London's National Theatre, Edinburgh's Traverse Theatre, read more The post Stagecraft: Sarah Gancher, Playwright of “Russian Troll Farm” appeared first on BroadwayRadio.

Most governments around the world – whether democracies or autocracies – face at least some pressure to respond to citizen concerns on some social problems. But the issues that capture public attention — the ones on which states have incentives to be responsive – aren't always the issues on which bureaucracies, agents of the state, have the ability to solve problems. What do these public agencies do when citizens' demands don't line up with either the supply of state capacity or the incentives of the central state?Our guest, Dr. Iza Ding, an Associate Professor of Political Science at Northwestern University, examines one way in which bureaucrats try to square this circle. In her recent book The Performative State: Public Scrutiny and Environmental Governance in China, Iza argues that state actors who need to respond but lack substantive capacity can instead choose to perform governance for public audiences. Iza explores the puzzling case of China's Environmental Protection Bureau or the EPB, a bureaucratic agency set up to regulate polluting companies. This issue of polluted air became a national crisis during the 2008 Beijing Summer Olympics when athletes were struggling to breathe let alone compete. Since then, Chinese citizens have been directing their pollution-related complaints to the EPB, which Iza found, has been given little power by the state to impose fines or shut down polluting factories. But that doesn't mean the civil servants working in this agency do nothing. Instead, Iza documents how and why they routinely deploy symbols, language, and theatrical gestures of good governance to give the appearance of dynamic action – all while leaving many environmental problems utterly unaddressed. We talk with Iza about how she uncovered these performative dynamics through months of ethnographic research in which she was embedded within a Chinese environmental protection agency. She also tells us about how she tested her claims using original media and public opinion data. Finally, we talk about how her findings about performative governance in the environmental space translates to China's COVID-19 response.Works cited in this episode:Beraja, Martin, et al. "AI-Tocracy." The Quarterly Journal of Economics, Vol. 138, No. 3, 2023, pp. 1349-1402.Dimitrov, Martin K. Dictatorship and Information: Authoritarian Regime Resilience in Communist Europe and China. Oxford University Press, 2023.Fukuyama, Francis. State Building: Governance and World Order in the 21st Century. London: Profile Books, 2017.Goffman, Erving. “On Face-Work.” In Interaction Ritual: Essays in Face-to-Face Behav­ior, edited by Erving Goffman, pp. 5–45. Chicago: Aldine Transaction, 1967.Marx, Karl and Friedrich Engels. The Communist Manifesto. Edited by Jeffrey C. Isaac. New Haven: Yale University Press, 2012.Smith, Adam. The Wealth of Nations [Book IV-V]. New York: Penguin Books, 2000.Smith, Adam. The Theory of Moral Sentiments. New York: Penguin 2010.Walder, Andrew G. Communist Neo-Traditionalism: Work and Authority in Chinese Industry.  Berkeley: University of California Press, 1988.Weber, Max. “The Protestant Ethic and the Spirit of Capitalism.” In The Protestant Ethic and the Spirit of Capitalism and Other Writings, edited by Peter Baehr and Gordon C. Wells. New York: Penguin Books, 2002.Weber, Max. “Politics as a Vocation.” In From Max Weber: Essays in Sociology , edited and translated by H. H. Gerth and C. Wright Mills, 77–128. New York: Oxford University Press, 1946.

Melvyn Bragg and guests discuss one of Shakespeare's great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other's true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him.With Pascale Aebischer Professor of Shakespeare and Early Modern Performance Studies at the University of ExeterMichael Dobson Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of BirminghamAnd Emma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordProduced by Simon Tillotson, Victoria Brignell and Luke MulhallReading list:C.L. Barber, Shakespeare's Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011)Simone Chess, ‘Queer Residue: Boy Actors' Adult Careers in Early Modern England' (Journal for Early Modern Cultural Studies 19.4, 2020)Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023)Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014)John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies' by Catherine BelseyBart van Es, Shakespeare's Comedies: A Very Short Introduction (Oxford University Press, 2016) Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father's house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night' by Eric Brinkman Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune' (Shakespeare Quarterly 73, 2022) Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England' (Shakespeare Quarterly 39, 1988)Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022)Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996)William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005)William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008)Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019)Victoria Sparey, Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)

Melvyn Bragg and guests discuss one of Shakespeare's great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other's true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him.With Pascale Aebischer Professor of Shakespeare and Early Modern Performance Studies at the University of ExeterMichael Dobson Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of BirminghamAnd Emma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordProduced by Simon Tillotson, Victoria Brignell and Luke MulhallReading list:C.L. Barber, Shakespeare's Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011)Simone Chess, ‘Queer Residue: Boy Actors' Adult Careers in Early Modern England' (Journal for Early Modern Cultural Studies 19.4, 2020)Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023)Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014)John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies' by Catherine BelseyBart van Es, Shakespeare's Comedies: A Very Short Introduction (Oxford University Press, 2016) Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father's house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night' by Eric Brinkman Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune' (Shakespeare Quarterly 73, 2022) Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England' (Shakespeare Quarterly 39, 1988)Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022)Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996)William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005)William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008)Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019)Victoria Sparey, Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)

President Biden's son Hunter failed to show up for a Congressional Hearing today – choosing instead to issue a statement in front of the Capitol. Stagecraft aside, do you think that Hunter Biden helped or hurt himself legally and/or politically with today's statement?

President Biden's son Hunter failed to show up for a Congressional Hearing today – choosing instead to issue a statement in front of the Capitol. Stagecraft aside, do you think that Hunter Biden helped or hurt himself legally and/or politically with today's statement?

Today's episode is a panel discussion on EVs and their benefits for artists, guest hosted and edited by friend of the show Carl Faber.  Recorded in March of 2023, the guests include: Mikhael Tara Garver, Phil McBeth, Ryan Durham, & Travis McHale.   Topics: ⭐️ Features of EVs and EV ownership ⭐️ Financial incentives of new and used EVs ⭐️ Scheduled maintenance (or lack thereof) ⭐️ Bidirectional charging (aka run your home's electricity off your car's battery) ⭐️ Supply chain and production delays ⭐️ Write-offs and taxes (particularly Section 179 Depreciation) ⭐️ Predictions for an EV-centric future   Links and Resources: ⭐️ Carl's EV article (inspiration for this episode): typefully.com/cxfaber/UOp2kz6 ⭐️ Resource for global gas prices: globalpetrolprices.com/ ⭐️ Federal Tax Credits: irs.gov/clean-vehicle-tax-credits ⭐️ Charging Station Tax Credit: irs.gov/credits-deductions/alternative-fuel-vehicle-refueling-property-credit ⭐️ Section 179 Depreciation: www.investopedia.com/terms/s/section-179.asp   Guests Carl Faber, Lighting Designer Bio: Carl Faber is a visual artist and live-event creator who often, but not always, works as a Lighting Designer for theater, dance, opera, and immersive experiences. He's created work across the United States, Europe, and Asia, and participates as a company member and consultant with multiple arts organizations. He has an extensive assisting background as well, with credits including the Broadway productions of The Book of Mormon, Bloody Bloody Andrew Jackson, and August: Osage County. Outside the field of stage lighting, he's toured in various production capacities with Bruce Springsteen & The E Street Band, Bon Iver, and The National. He also designs websites, creates database solutions, edits visual media, and has taught Design and Stagecraft at Portland State University. He is a proud member and Western Region Board member of United Scenic Artists Local USA 829, and is based in Portland, Oregon. Professional Dashboard: Carlfaber.com Lighting Design Portfolio: Carlfaberdesign.com LinkedIn: linkedin.com/in/carlfaber/ Mikhael Tara Garver, Immersive Experience Creator/Director Mikhaeltaragarver.com Phil McBeth, Retired Technical Director & Lighting Designer Ryan Durham, Software Developer & Former Stage Manager Bio: After attending the Yale School of Drama for Stage Management, Ryan spent a number of years working as a stage manager in New York and on the West Coast.  Eventually he transitioned into the tech sector and now works as a senior software engineer for Firebrand Technologies. Travis McHale, Lighting Designer & Educator Bio: Travis McHale is a New York based lighting designer.  Recent NYC: Is There Still Sex In The City (Daryl Roth), Get Happy: A Judy Garland Centennial Celebration starring Jessica Vosk (Carnegie), #DateMe: An OK Cupid Experiment (Westside), Mister Miss America (Rattlestick). Travis works extensively in regional theatre, has been associate designer on 11 Broadway shows, and 7 seasons designing runway shows for NY Fashion Week (IMCD).  He also designs for Norwegian, Carnival, Regent, and Oceania cruise lines.  Design faculty: SUNY New Paltz. Member: United Scenic Artists Local USA 829.  Travismchale.com Instagram: @captainmchale   Episode Credits Video & Audio Editing by Carl Faber Panel conducted via Zoom Re-mixed & Edited on Davinci Resolve AI Voiceover Clone: elevenlabs.io AI Audio Post-Production: https://auphonic.com/

After the 1844 Paris expo, Robert-Houdin turned his efforts to creating his own stage show. He created automata tricks that still delight today, and quickly became a very famous magician. Research: Britannica, The Editors of Encyclopaedia. "Jean-Eugène Robert-Houdin". Encyclopedia Britannica, 9 Jun. 2022, https://www.britannica.com/biography/Jean-Eugene-Robert-Houdin “How to Do the Classic Cups & Balls Trick.” https://www.youtube.com/watch?v=GVXNCMdKs-Y&t=124s “ROBERT-HOUDIN TRIPLE MYSTERY CLOCK.” JACQUES NÈVE HORLOGER D'ART. https://www.horloger.net/purchase-sales/mystery-clocks/74-robert-houdin-triple-mystery-clock/ Robert-Houdin, Jean-Eugène. “Memoirs of Robert-Houdin : ambassador, author, and conjurer.” Geo. G. Evans. Philadelphia. 1859. https://www.gutenberg.org/files/42916/42916-h/42916-h.htm Evans, Henry Ridgely (2010) "Robert-Houdin. Conjuror, Author, and Ambassador.," The Open Court: Vol. 1903 : Iss. 12 , Article 3. https://opensiuc.lib.siu.edu/ocj/vol1903/iss12/3 “Houdin and the Arabs.” Scientific American, vol. 80, no. 13, 1899, pp. 202–202. JSTOR, http://www.jstor.org/stable/26121253 “Witchcraft as Stagecraft.” New York Times. 1999. https://archive.nytimes.com/www.nytimes.com/library/magazine/millennium/m1/teller.html Houdini, Harry. “The Unmasking of Robert-Houdin.” NEW YORKTHE PUBLISHERS PRINTING CO. 1908. https://www.gutenberg.org/files/42723/42723-h/42723-h.htm ONES, GRAHAM M. “Modern Magic and the War on Miracles in French Colonial Culture.” Comparative Studies in Society and History, vol. 52, no. 1, 2010, pp. 66–99. JSTOR, http://www.jstor.org/stable/40603072 Fechner, Christian. “The Magic of Robert-Houdin: An Artist's Life.” Editions N.C.F. See omnystudio.com/listener for privacy information.

Robert-Houdin was the magician that Houdini named himself after, his story is hard to pin down, because even his own memoir is written to be entertaining, not accurate. Part one covers his early life, marriages, and beginnings in magic.  Research: Britannica, The Editors of Encyclopaedia. "Jean-Eugène Robert-Houdin". Encyclopedia Britannica, 9 Jun. 2022, https://www.britannica.com/biography/Jean-Eugene-Robert-Houdin “How to Do the Classic Cups & Balls Trick.” https://www.youtube.com/watch?v=GVXNCMdKs-Y&t=124s “ROBERT-HOUDIN TRIPLE MYSTERY CLOCK.” JACQUES NÈVE HORLOGER D'ART. https://www.horloger.net/purchase-sales/mystery-clocks/74-robert-houdin-triple-mystery-clock/ Robert-Houdin, Jean-Eugène. “Memoirs of Robert-Houdin : ambassador, author, and conjurer.” Geo. G. Evans. Philadelphia. 1859. https://www.gutenberg.org/files/42916/42916-h/42916-h.htm Evans, Henry Ridgely (2010) "Robert-Houdin. Conjuror, Author, and Ambassador.," The Open Court: Vol. 1903 : Iss. 12 , Article 3. https://opensiuc.lib.siu.edu/ocj/vol1903/iss12/3 “Houdin and the Arabs.” Scientific American, vol. 80, no. 13, 1899, pp. 202–202. JSTOR, http://www.jstor.org/stable/26121253 “Witchcraft as Stagecraft.” New York Times. 1999. https://archive.nytimes.com/www.nytimes.com/library/magazine/millennium/m1/teller.html Houdini, Harry. “The Unmasking of Robert-Houdin.” NEW YORKTHE PUBLISHERS PRINTING CO. 1908. https://www.gutenberg.org/files/42723/42723-h/42723-h.htm ONES, GRAHAM M. “Modern Magic and the War on Miracles in French Colonial Culture.” Comparative Studies in Society and History, vol. 52, no. 1, 2010, pp. 66–99. JSTOR, http://www.jstor.org/stable/40603072 Fechner, Christian. “The Magic of Robert-Houdin: An Artist's Life.” Editions N.C.F. See omnystudio.com/listener for privacy information.