Podcast appearances and mentions of valerie fridland

1197. This week, guest host Valerie Fridland steps in for Mignon and talks to Jess Zafarris and Shannon Miller about their new book, "A Miscellany of Weird and Wonderful Facts for Curious Humans." They look at fossil words, eponyms, and the surprising origin of the word "electric." They also look at mountweazels, the medieval roots of modern romance, and why emoji has nothing to do with emotion. Get the book, "A Miscellany of Weird and Wonderful Facts for Curious Humans."Find Jess Zafarris online: Useless Etymology, TikTok, Twitter, InstagramFind Shannon Miller online: Threads, LinkedInFind Valerie Fridland online: Website, LinkedIn

You don't just speak with an accent, you hear with one. Linguist Valerie Fridland reveals how your voice leaks your class, your past, and your biases.Full show notes and resources can be found here: jordanharbinger.com/1349What We Discuss with Valerie Fridland:The Pan Am bomb threat that sent the wrong man to prison. How a grumpy cargo handler spent nine months locked up over recorded threats, until legendary linguist Bill Labov proved the real caller was from Boston, not New York, using a single vowel feature the accused could never have known to fake.Why nobody is actually accent-free. What separates an accent (sound only) from a dialect (grammar, vocabulary, and sound), why the people who swear they sound normal simply can't hear themselves, and how you don't just speak with an accent, you listen through one too, filtering everyone else.Why Britain has a different accent every few miles. How a thousand extra years of history, clan rivalries, and geographic separation bred dense regional accents across the UK, while colonial America's mixing of settlers who had to cooperate to survive flattened everything into one uniform sound.How class quietly engineers the way we talk. Why a vahse costs more than a vase, how R-dropping and that posh 'ah' vowel migrated from London to New England, why nearly every sound change starts with the working class and creeps upward, and where Hollywood's fake transatlantic accent came from.What your own voice reveals once you start listening. Notice how you talk differently from your parents, the slang you've absorbed online, and how you shift speech depending on who's around. Research shows motivation and exposure, not innate talent, drive accent learning, so accents aren't mistakes.And much more...And if you're still game to support us, please leave a review here — even one sentence helps! Sign up for Six-Minute Networking — our free networking and relationship development mini course — at jordanharbinger.com/course!Subscribe to our once-a-week Wee Bit Wiser newsletter today and start filling your Wednesdays with wisdom!Do you even Reddit, bro? Join us at r/JordanHarbinger!This Episode Is Brought To You By Our Fine Sponsors: BetterHelp: 10% off first month: betterhelp.com/jordanButcherBox: Free protein for a year + $20 off first box: butcherbox.com/jordanPaka: Paka hoodie & crew socks: go.pakaapparel.com/jordanMarathon Rewards: Sign up today: marathonrewards.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you watch sports, whether the recent NBA finals or the ongoing World Cup matches, you may have noticed that the athletes aren't the only ones putting on a show. The announcers seem to be playing a beautiful game of their own, capturing the excitement and play-by-play of the game in a unique blend of sentence structure, elocution, and pitch. Linguists have even given this speech pattern a name: sports announcer talk. Sociolinguist and dialectologist Valerie Fridland joins Host Flora Lichtman to break down the patterns and rules of this register. Guest: Dr. Valerie Fridland is a professor of linguistics at the University of Nevada, Reno, and author of “Why We Talk Funny: The Real Story Behind Our Accents.” Other episodes you may enjoy: The Art And Science Of Trash Talk What The Sigma Is Algospeak? Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Follow our show on Instagram, TikTok, Facebook, and Bluesky @scifri and sign up for our newsletters. Got a science question that's keeping you up at night? Call us: 877-472-4374 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Heidi Glaus Show - 6.17.26 - Valerie Fridland; Lauren Risley; Sports w/ Brendan by

What does your accent say about you? (And yes, you DO have an accent!) Why do accents develop, and what is the history behind the wide range of modern American accents? We talked to Valerie Fridland about all of these questions and more, covered in her delightful new book “Why We Talk Funny”.Transcript of this episodeThis episode on YouTubeOur Patreon pageRedbubble storeThis podcast is licensed under a Creative Commons Attribution-ShareAlike 4.0 International LicenseThe Endless Knot RSS

English accents have been evolving ever since the first people started speaking this very strange language. People in historic films often speak with a modern British accent, and when they don't, people think it's inaccurate. But what did people really sound like during Shakespearean times? Or American Revolution times? Author and linguist Valerie Fridland joins us to discuss all these questions and more! Buy a copy of Valerie's book Why We Talk Funny: The Real Story Behind Our Accents (affiliate link) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a copy of Ann's book Rebel of the Regency⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — Vulgar History is an affiliate of ⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever been told you have an accent — or quietly judged someone else's? We all have one, but most of us know surprisingly little about where they come from or why they persist. Valerie Fridland, a professor of linguistics at the University of Nevada, argues that our accents aren't errors to be corrected — they're living records of migration, identity, and history. Her new book, Why We Talk Funny: The Real Story Behind Our Accents, is a fun, smart, and surprising guide to the sounds that define us. And in the second half of the show, she shares some big ideas from her earlier book, Like, Literally, Dude: Arguing for the Good in Bad English.

 Whether you notice it or not, you speak with an accent. Valerie Fridland, professor of linguistics in the English Department at the University of Nevada, Reno, joins host Krys Boyd to discuss how accents from the Southern drawl to the California Valley Girl came to be, why accents are key to culture, and why, in our mass media world, some are fading away. Her book is “Why We Talk Funny: The Real Story Behind Our Accents.”  Learn about your ad choices: dovetail.prx.org/ad-choices

Dr. Adam Dorsay hosts SuperPsyched and interviews University of Nevada, Reno linguistics professor and author Dr. Valerie Fridland about her book "Why We Talk Funny: The Real Story Behind Our Accents" and how accents shape identity. Fridland explains the title stems from how people label unfamiliar speech as “funny,” drawing on her upbringing in the South with French-speaking parents and the stigma and pride tied to Southern speech. She describes how children first learn language rhythms and sounds from parents (even in utero), then around ages four to five shift toward peer influence through “vernacular reorganization,” often retaining small traces of family speech. Fridland outlines how American regional dialects developed from settlement patterns and later cultural inputs, and discusses how comedians and politicians use marked accents to invoke stereotypes and solidarity. She also notes psycholinguistic research on cognitive fluency affecting judgments of trustworthiness, plus links between personality and speech features like fillers, and how familiarity drives perceptions of linguistic beauty.00:00 Welcome to SuperPsyched00:28 Why Accents Fascinate Us01:21 Meet Valerie Fridland02:40 Growing Up With Accents06:23 Parents vs Peers10:50 How Kids Shift Accents14:50 Origins of US Dialects17:09 Colonies and Cultural Roots23:11 Melting Pot and Language Loss25:03 Why Accents Sound Funny29:50 Solidarity and Authenticity33:15 Accent Bias and Fluency38:10 Closing Thanks and SubscribeHelpful Links:Valerie Fridland, PhDWhy We Talk Funny: The Real Story Behind Our Accents Book

Understanding the accent you didn't know you had.Whether communicating in our mother tongue or practicing a new language, we all speak with an accent. But that's not all, says Valerie Fridland — we hear with an accent as well.Fridland is a professor of sociolinguistics at the University of Nevada, Reno, and author of Why We Talk Funny: The Real Story Behind Our Accents. According to her, we don't just sound a certain way, we hear a certain way too, affecting how we understand others. “We're hearing with an accent — a bias shaped by our own language and experience,” she says. But instead of expecting others' communication to fit our preconceptions, Fridland says to meet people halfway. “If we want to make communication successful, it's not just their job as a speaker, it's my job as a listener.”In this episode of Think Fast, Talk Smart, Fridland and host Matt Abrahams discuss how empathetic listening opens the door to understanding. Whether you're communicating in a context of mutual intelligibility or attempting to bridge cultural and linguistic divides, Fridland's insights show how connection is a collaboration — shaped by accents on both sides of the conversation.To listen to the extended Deep Thinks version of this episode, please visit FasterSmarter.io/premium.Episode Reference Links:Valerie FridlandValerie's Book: Why We Talk FunnyEp.91 Um, Like, So: How Filler Words Can Create More Connected, Effective Communication Connect:Premium Signup >>>> Think Fast Talk Smart PremiumEmail Questions & Feedback >>> hello@fastersmarter.ioEpisode Transcripts >>> Think Fast Talk Smart WebsiteNewsletter Signup + English Language Learning >>> FasterSmarter.ioThink Fast Talk Smart >>> LinkedIn, Instagram, YouTubeMatt Abrahams >>> LinkedInChapters:(00:00) - Introduction (02:29) - The Role of Filled Pauses (04:53) - When Fillers Become a Problem (06:15) - Why We Don't Hear Our Own Accent (07:40) - Language Rhythm & Intonation (12:30) - Listening with an Accent (17:28) - The Final Three Questions (23:34) - Conclusion ********Thank you to our sponsors.  These partnerships support the ongoing production of the podcast, allowing us to bring it to you at no cost.Strawberry.me. Get 50% off your first coaching session today at Strawberry.me/smartJoin our Think Fast Talk Smart Learning Community and become the communicator you want to be. 

Everyone has an accent, even people who don't think they do. That's according to linguist Valerie Fridland, who studies the way American accents have been shaped by centuries of culture and class. In her new book, “Why We Talk Funny”, Fridland shares how different American accents developed, why some are dying off and the way they influence how we see each other and ourselves. Guests: Valerie Fridland, professor of linguistics, University of Nevada, Reno Learn more about your ad choices. Visit megaphone.fm/adchoices

1179. This week, we talk to Valerie Fridland, a linguist and professor who grew up in Memphis surrounded by Southern accents and now researches the history and social power of speech. We look at her new book, "Why We Talk Funny: The Real Story Behind Our Accents," which explores the history of how American speech developed and how colonial settlement patterns shaped regional identities. Then we look at the decline of regional accents, the mechanics of speech sounds like "L" and "R," and the psychological impact of accent bias.Get Valerie's new book, "Why We Talk Funny: The Real Story Behind Our Accents."More from Valerie at valeriefridland.com

The linguist Valerie Fridland says everyone has an accent, whether they think so or not. Her new book is about how the different ways we talk shape our lives.

This Week (5/15 & 5/17) on ART ON THE AIR a returning interview with University of Nevada at Reno professor of linguistics, Dr. Valerie Fridland, a sociolinguist, discussing her new book, “Why We Talk Funny - The Real Story Behind Our Accents” and how they define each one of us. Our spotlight is on Chicago Street Theatre's TeenFest May 22 and 23 with program director Lisa Formosa-Parmigiano. Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/AOTA, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/AOTA or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.orgSend your questions about our show to AOTA@brech.comLIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, YouTube plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR.

This Week (5/15 & 5/17) on ART ON THE AIR a returning interview with University of Nevada at Reno professor of linguistics, Dr. Valerie Fridland, a sociolinguist, discussing her new book, “Why We Talk Funny - The Real Story Behind Our Accents” and how they define each one of us.Our spotlight is on Chicago Street Theatre's TeenFest May 22 and 23 with program director Lisa Formosa-Parmigiano.Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/AOTA, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/AOTA or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.orgSend your questions about our show to AOTA@brech.comLIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, YouTube plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR.NPR Link: https://www.lakeshorepublicmedia.org/show/art-on-the-air/2026-04-22/art-on-the-air-may-17-2026

Whether it's the accent that hints at your hometown, your group, your social status or your ethnicity, the sounds we say reveal a lot about who we are and where we've been – even for those who might think they have no accent at all.

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1174. This week, we look at why we pronounce "Iran" and "Iraq" differently and what those pronunciations reveal about our political beliefs. Then, we look at the "smelly" words that confuse people, including "odorous," which started out meaning "fragrant" but now mostly describes bad smells.The "Iran" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and author of the soon-to-be-released book "Why We Talk Funny: The Real Story Behind Our Accents." A version of it originally appeared in The Conversation and appears here through a Creative Commons license. And you can find Valerie at valeriefridland.com.

Global English Pronunciation⁠ is available now. We'll show the 8 native secrets to clear English pronunciation. This is our newest course! Join today to get access to all 8 modules, interactive exercises, AI pronunciation analysis and scoring, teacher feedback, weekly live conversation practice, and more. Go here to enroll now. Save $50 this week only on basic or personal coach plans. Learn what other courses don't teach you about English pronunciation.  The special offer ends Sunday, 5 April at midnight.  ⁠Join here now.⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

We all have an accent — or several! And we use them to communicate things about us, and highlight aspects of our identity. So what's going on with the accents we hear? Are we losing some accents, or are they just changing? Dr Valerie Fridland is the author of Why We Talk Funny, and she joins us for this episode. Timestamps Start: 0:00 Intros: 0:30 News: 6:25 Related or Not: 17:59 Interview with Valerie Fridland: 36:53 Words of the Week: 1:50:34 The Reads: 2:21:21 Outtakes: 2:26:14

1162. This week, we look at why some names just "feel right" while others don't and how vowels like "ee" create associations with smallness and sweetness while back vowels like "ah" sound bigger and more serious. Then, we look at dependent clauses and when it's OK to start a sentence with "because."The baby names segment was written by Valerie Fridland. 

Scientific Sense ® by Gill Eapen: Prof. Valerie Fridland is a professor of linguistics at University of Nevada. Her latest book is Why We Talk Funny - The Real Story Behind Our Accents. Please subscribe to this channel:https://www.youtube.com/c/ScientificSense?sub_confirmation=1

1148. This week, we look at penny idioms that are still "legal tender" in our language even as the U.S. penny is retired. We look at the history of phrases like "a bad penny" and "penny wise and pound foolish." Then, we look at the linguistic history of procrastination, explaining how human nature changed words like "soon," "anon," and "presently" from meaning "at once" to "in a little while."The penny segment was written by Karen Lunde, a longtime writer and editor turned web designer and marketing mentor. Solo service business owners come to her for websites where beautiful design meets authentic words that actually build connections. Find her at chanterellemarketingstudio.com.The linguistics of procrastination segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.Find a link to the old Tanner Tour brochure mentioned in today's familect story. Links to Get One Month Free of the Grammar Girl Patreon (different links for different levels)Order of the Snail ($1/month level): https://www.patreon.com/grammargirl/redeem/687E4Order of the Aardvark ($5/month level): https://www.patreon.com/grammargirl/redeem/07205Keeper of the Commas ($10/month level): https://www.patreon.com/grammargirl/redeem/50A0BGuardian of the Grammary ($25/month level): https://www.patreon.com/grammargirl/redeem/949F7

1140. This week, we look at the difference between the modern phrase "hamster wheel" and the older "rat race," and why the former gained popularity. We also look at the similar concept of the hedonic treadmill. Then, we look at the many names for Santa Claus, including the Dutch "Sinter Klaas" and the German "Christkindlein."The Santa Claus segment originally appeared on The Conversation and was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.

1120. This week, we look at tricky uses of the word "epicenter" and how people feel about using it metaphorically. We also look at where the word “brother” came from and how it branched into “bro,” “boy,” and even “buddy.”The "brother" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.

1112. This week, we look at why you can safely ignore Kurt Vonnegut's famous advice about ignoring semicolons. We also look at why taking punctuation advice from fiction writers may not be a good idea for business writing. Then, we look at how major life events, not age, change how you speak as you get older.  The age segment was by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.

8.6.25 - Valerie Fridland, Professor of Linguistics @ University of Nevada by

The Heidi Glaus Show - 8.6.25 - Valerie Fridland; Lauren Risley; ABC Guests by

1105. This week, we look at how the pronouns you use can be reveal your psychological state — for example, how using "I" versus "we" can signal how you are coping with a breakup or a tragic event. Then, we look at where our alphabet started, from ancient Egyptian hieroglyphs to the Phoenicians and Romans.The psychology of pronouns segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.

Valerie Fridland - Like, Literally, Dude: Arguing for the Good in Bad English by

Do you call it "pop," "soda," or "coke"? We look at the interesting history behind these regional names for carbonated beverages. Then, we look at words where you can use a Q without a U, which might help your Scrabble game.The pop, soda or coke segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." It originally appeared in The Conversation and appears here through a Creative Commons license. You can find Valerie at valeriefridland.com.The Q segment was written by Karen Lunde, a career writer and editor. In the late '90s, as a young mom with two kids and a dog, she founded one of the internet's first writing workshop communities. These days, she facilitates expressive writing workshops, both online and off. Find her at chanterellestorystudio.com. 

Why do we talk the way we do? How do dialects form? Why do people in different parts of the country call a soft drink different things? Valerie Fridland, Professor of linguistics and author of Like Literally Dude: Arguing for the Good in Bad English, joins us.

1097. Do you wonder whether "bacon" can be plural? We look at the difference between countable and uncountable nouns. Then, we look at how the Martha's Vineyard accent developed and what it tells us about language and society.The "countable" segment was written by Karen Lunde, a career writer and editor. In the late '90s, as a young mom with two kids and a dog, she founded one of the internet's first writing workshop communities. These days, she facilitates expressive writing workshops, both online and off. Find her at chanterellestorystudio.com. The "Martha's segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.

1079. Ever wonder what labels like "informal," "archaic," or "offensive" mean in a dictionary entry? We explain how different dictionaries use labels to describe when, where, and how to use words. Then, we explore why so many babies say "dada" first and why babies say "mama" almost everywhere.The "dictionary labels" segment was written by Susan Herman, a retired U.S. government multidisciplined language analyst, analytic editor, and instructor.The "mama" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.NEW: Sign up for my AP Style webinar on June 12: bit.ly/4k1XmpIUse the code MACMIL for $50 off.

1063. Why is it called "corned beef" when there's no corn involved? We look at how the word "corn" evolved to mean different things over time. Then, we look at the role of accent marks in English — why some words keep them, why others lose them, and what they tell us about language.The "corn" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "diacritic" segment was written by Karen Lunde, a former Quick & Dirty Tips editor and digital pioneer who's been spinning words into gold since before cat videos ruled the internet. She created one of the first online writing workshops, and she's published thousands of articles on the art of writing. These days, she leads personal narrative writing retreats and helps writers find their voice. Visit her at ChanterelleStoryStudio.com.

1057. Why do people use "literally" when they mean "figuratively"? This week, we look at how the meaning of "literally" changed over time. Plus, we look at how amateur radio operators came to be known as "hams" and why the term stuck.The "literally"segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "ham radio" segment was written by Karen Lunde, a former Quick & Dirty Tips editor and digital pioneer who's been spinning words into gold since before cat videos ruled the internet. She created one of the first online writing workshops, and she's published thousands of articles on the art of writing. These days, she leads personal narrative writing retreats and helps writers find their voice. Visit her at ChanterelleStoryStudio.com.The "in medias res" segment is by Karen Lunde, a former Quick & Dirty Tips editor and digital pioneer who's been spinning words into gold since before cat videos ruled the internet. She created one of the first online writing workshops, and she's published thousands of articles on the art of writing. These days, she leads personal narrative writing retreats and helps writers find their voice. Visit her at ChanterelleStoryStudio.com.

When is it okay to correct someone?This week, a rerun from the Nonsense Wellspring (archive)!Again, Jess and Joey talk about Vander-ism, otaku, pedantry, language, Ryan-ing, and comments sections. Thankfully, they don't talk about the Oxford comma. references Otaku Corrections Department (because of course): Like, Literally, Dude: Arguing for the Good in Bad English by Valerie Fridland easter eggs propinquity Merriam-Webster on X Seth Meyers' Corrections on Late Night 

In this year-end episode, we look back at some of the most memorable moments from the show, featuring intimate discussions with some of the literary world's most fascinating voices. You'll hear the writing origin stories of JA Jance, Joyce Maynard, and Richard Osman, how Kristin Hannah overcomes her fear of failure, writing through writer's block with Steve Almond, the best writing advice linguist Valerie Fridland ever received, Todd Boyd on the global appeal of hip hop, and how Molly Roden Winter endured 50 rejections of her manuscript before getting a yes. To listen to the interviews in full, click the links below.  JA Jance Joyce Maynard Kristin Hannah Richard Osman Steve Almond Valerie Fridland Todd Boyd Molly Roden Winter Support the show by subscribing to the Small Talk substack @ https://jonsmalltalk.substack.com/    

1041. Today, we talk about the word "home" and its meaning beyond just a structure, and then we talk about false friends — words in different languages that don't mean what you think they mean.The "home" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "false friends" segment was written by Karen Lunde, a former Quick and Dirty Tips editor who has crafted hundreds of articles on the art of writing well. She was an online education pioneer, founding one of the first online writing workshops. These days, she provides writing tips and writing coach services at HelpMeWriteBetter.com.

1039. People are saying "I mean" more lately, and we explain what it ... means! Plus, we look at why people leave out pronouns at the beginning of sentences such as "Ordering pizza!"The "I mean" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "pronoun deletion" segment was written by Karen Lunde, a former Quick and Dirty Tips editor who has crafted hundreds of articles on the art of writing well. She was an online education pioneer, founding one of the first online writing workshops. These days, she provides writing tips and writing coach services at HelpMeWriteBetter.com.

1034. First, we look at how writers should use trademarked terms like "Kleenex" and "Google," including when to capitalize them and how to avoid legal pitfalls. Then, we look at the way the word "thank" evolved alongside changing social conventions — who got thanked and why, and how the word itself evolved.  The trademark segment was written by Natalie Schilling, a professor emerita of linguistics at Georgetown University in Washington, DC, who runs a forensic linguistics consulting firm. You can find her on LinkedIn. The "thank you" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.

1026. This week, we look at the origins of words for men, including the ancient roots of "man," the surprising evolution of the word "guy" from being an insult to just another word, and how "guido" took a different route. Then, for some Halloween fun, we look at the difference between crypts, catacombs, mausoleums, and ossuaries, with an emphasis on their fascinating origins and some famous examples. The "words for men" segment is by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." A version of this story originally appeared on Psychology Today, and you can find her at valeriefridland.com.

1024. It often sounds weird if you try to end a sentence with a contraction like "you're" and "I'm." We look at why! Then, get ready for Halloween with the language of fear.The "contractions" segment is by  Neal Whitman, an independent writer and consultant specializing in language and grammar and a member of the Reynoldsburg, Ohio, school board. You can search for him by name on Facebook, or find him on his blog at literalminded.wordpress.com.The "language of fear" segment is by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." A version of this story originally appeared on Psychology Today, and you can find her at valeriefridland.com.

Much to the chagrin of English teachers everywhere, people use the word “like”…a lot. Listener Allison calls the hotline to ask why we talk the way that we do and if she can change her own speech. Host Jonquilyn Hill gets answers from sociolinguist Valerie Fridland and speech coach Rhonda Khan. Send us your questions! You can call us at 1-800-618-8545, email us at askvox@vox.com, or fill out this form. Credits: Jonquilyn Hill, host Sofi LaLonde, producer Cristian Ayala, engineer Carla Javier, supervising producer Katherine Wells, editor Caitlin PenzeyMoog, fact-checker Learn more about your ad choices. Visit podcastchoices.com/adchoices

1016. This week, we look at why some verbs are so irregular that their forms don't even seem related, like "go" and "went." Then, we look at the surprising finding that corporate euphemisms are worse than annoying — they can also hurt a company's stock price.The "suppletion" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "corporate euphemisms" segment was was written by Kate Suslava, an associate professor of accounting at Bucknell University. It originally appeared on The Conversation and appears here through a Creative Commons license, BY-ND 4.0.

1012. Most words are different in different languages, but water from steeped leaves has only two main names: tea and chai. We look at why! Also, if you've ever mixed up words, like calling a butterfly a "flutterby," you'll love learning about what these slips of the tongue tell us about how we form sentences.The "tea" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "slips of the tongue" segment was written by Cecile McKee, , a professor of linguistics at the University of Arizona. It originally appeared on The Conversation and appears here through a Creative Commons license.

1011. This week, we look at language patterns that may indicate someone is lying, such as how often they say "um" and the diversity of the words they use. Then we tease out the difference between being legendary, famous, infamous, and notorious.The "language of lying" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." A version of this story originally appeared on Psychology Today, and you can find her at valeriefridland.com.

We are out of the office for the holiday, but we wanted to give you the chance to listen to an interview that Pesca Plus members got to hear. Back on 4/20/23 Mike talked to Valerie Fridland about her book "Well, like, dude". Enjoy the longer version of the interview and you can subscribe to ad free or Pesca plus with the link below. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist Subscribe: https://subscribe.mikepesca.com/ Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

999. This week, we look at what shaped early American English, from Native American words to Noah Webster's spelling reforms. Then, we explore phrasal verbs, looking at their grammatical peculiarities and some tips to distinguish them from other types of verbs.The "American English" segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." You can find her at valeriefridland.com.The "phrasal verbs" segment was written by Edwin L. Battistella, who taught linguistics and writing at Southern Oregon University in Ashland, where he served as a dean and as interim provost. His books include Bad Language: Are Some Words Better than Others?, Sorry About That: The Language of Public Apology, and Dangerous Crooked Scoundrels: Insulting the President, from Washington to Trump. It originally appeared on the OUP blog and is included here with permission.| Edited transcript with links: https://grammar-girl.simplecast.com/episodes/early-american/transcript| Please take our advertising survey. It helps! https://podsurvey.com/GRAMMAR| Grammarpalooza (Get texts from Mignon!): https://joinsubtext.com/grammar or text "hello" to (917) 540-0876.| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475).| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio Engineer: Nathan SemesDirector of Podcast: Brannan GoetschiusAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly Hutchings| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.

993. This week, we cover the strategic use of sign language by the Bene Gesserit in the 'Dune' movies, including its importance in covert communication. Then, we look at the many words for 'father' and their historical and linguistic significance, from early baby talk to more formal terms for adults.Dune sign language supercut video: https://youtu.be/P912zjkVSgQ?si=vH8AN3kg_hw7cabqStan Freberg "Purfuit of Happineff" video: https://youtu.be/iOOQfGWt8Hc?si=pFF1YwbJWy-tVPwY&t=123The "Dune" segment was written by Gemma King. Senior Lecturer in French Studies, ARC DECRA Fellow in Screen Studies at the Australian National University. It originally appeared on "The Conversation" and appears here through a Creative Commons license.The father segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." A version of the piece originally appeared on Psychology Today, and you can find her at valeriefridland.com.| Edited transcript with links: https://grammar-girl.simplecast.com/episodes/hotdog/transcript| Please take our advertising survey. It helps! https://podsurvey.com/GRAMMAR| Grammarpalooza (Get texts from Mignon!): https://joinsubtext.com/grammar or text "hello" to (917) 540-0876.| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio Engineer: Nathan SemesDirector of Podcast: Brannan GoetschiusAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly Hutchings| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.

991. This week, we trace the origin and meaning of the word "dog," from its mysterious beginning to its current use in phrases like "hot dog" and "hair of the dog." Then we go through the "audience of one" concept, which involves tailoring content to a single, imagined recipient; and we look at how this approach can make your writing more understandable and engaging.The dog segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." A version of the piece originally appeared on Psychology Today, and you can find her at valeriefridland.com.| Edited transcript with links: https://grammar-girl.simplecast.com/episodes/hotdog/transcript| Please take our advertising survey. It helps! https://podsurvey.com/GRAMMAR| Grammarpalooza (Get texts from Mignon!): https://joinsubtext.com/grammar or text "hello" to (917) 540-0876.| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio Engineer: Nathan SemesDirector of Podcast: Brannan GoetschiusAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly Hutchings| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.