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4 episodes with screen studies
5 episodes with screen studies
4 episodes with screen studies
4 episodes with screen studies
3 episodes with screen studies
4 episodes with screen studies
2 episodes with screen studies
2 episodes with screen studies
2 episodes with screen studies
From classical thinking to the romcom films in cinema today: Why do we yearn to find our "other half" but struggle with the reality of long term relationships? To discuss Rana Mitter is joined by: Dr Susie Orbach: a psychotherapist and author of Fat is a Feminist Issue as well as many other books Classicist Prof Armand D'Angour: he has just published a book about Plato's thinking on love - How to Talk about Love: An Ancient Guide for Modern Lovers Dr Vittoria Fallanca: She has new research on the opposite figure to Eros - Anteros - the god of requited love, and the avenger of unrequited love, and his place in the history of philosophy Catherine Wheatley: She is Professor of Film and Visual Culture at Kings College London Mary Harrod: She is Professor of French and Screen Studies at the University of Warwick.Producer: Lisa Jenkinson
993. This week, we cover the strategic use of sign language by the Bene Gesserit in the 'Dune' movies, including its importance in covert communication. Then, we look at the many words for 'father' and their historical and linguistic significance, from early baby talk to more formal terms for adults.Dune sign language supercut video: https://youtu.be/P912zjkVSgQ?si=vH8AN3kg_hw7cabqStan Freberg "Purfuit of Happineff" video: https://youtu.be/iOOQfGWt8Hc?si=pFF1YwbJWy-tVPwY&t=123The "Dune" segment was written by Gemma King. Senior Lecturer in French Studies, ARC DECRA Fellow in Screen Studies at the Australian National University. It originally appeared on "The Conversation" and appears here through a Creative Commons license.The father segment was written by Valerie Fridland, a professor of linguistics at the University of Nevada in Reno and the author of "Like, Literally, Dude: Arguing for the Good in Bad English." A version of the piece originally appeared on Psychology Today, and you can find her at valeriefridland.com.| Edited transcript with links: https://grammar-girl.simplecast.com/episodes/hotdog/transcript| Please take our advertising survey. It helps! https://podsurvey.com/GRAMMAR| Grammarpalooza (Get texts from Mignon!): https://joinsubtext.com/grammar or text "hello" to (917) 540-0876.| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio Engineer: Nathan SemesDirector of Podcast: Brannan GoetschiusAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly Hutchings| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.
Cristóbal Escobar joined Coop and Taylor to discuss his new book, The Intensive-Image in Deleuze's Film-Philosophy. Cristóbal is a Lecturer in Screen Studies at the University of Melbourne and Film Programmer at the Santiago International Documentary Film Festival (FIDOCS). His publications include The Intensive-Image in Deleuze's Film-Philosophy (2023), an edited collection on Cine Cartográfico (2017), and a co-edited dossier with Barbara Creed on ‘Film and the Nonhuman' (2024). Book Link: https://edinburghuniversitypress.com/book-the-intensive-image-in-deleuze-s-film-philosophy.html About Cristobal: https://findanexpert.unimelb.edu.au/profile/726014-cristobal-escobar-duenas Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh Instagram: @unconscioushh
Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
What's the episode about? Dr Xavier Aldana Reyes on horror studies, the Gothic, graveyards and death, body horror, horror and trauma, film, TV and English Literature and experiencing a transient ischaemic attack, plus highlights from the Death Online Research Symposium (DORS) conference 2023! Who is Xavier? Dr Xavier Aldana Reyes is Reader in English Literature and Film at Manchester Metropolitan University, co-director of the Manchester Centre for Gothic Studies and, since 2022, co-president of the International Gothic Association. His books include Gothic Cinema (Routledge, 2020), Twenty-First-Century Gothic: An Edinburgh Companion (Edinburgh University Press, co-edited with Maisha Wester, 2019), Horror Film and Affect (Routledge, 2016), Horror: A Literary History (British Library Publishing, 2016) and Body Gothic (University of Wales Press, 2014). Xavier is chief editor of the international academic book series ‘Horror Studies' and a founding member of the Horror Studies special interest group of the British Association of Film, Television and Screen Studies. He is currently working on the forthcoming edited collection Graveyard Gothic (Manchester University Press) and on a new monograph entitled Contemporary Body Horror on Page and Screen (Cambridge University Press). Although by no means a thanatologist, Xavier has strong interests in adjacent areas. How do I cite the episode in my research and reading lists? To cite this episode, you can use the following citation: Aldana Reyes, X. (2023) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 2 August 2023. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.23823135 What next? Check out more episodes or find out more about the hosts! Got a question? Get in touch. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thedeathstudiespodcast/message
KC Councilor is an assistant professor in Communication, Media, and Screen Studies at Southern Connecticut State University. He is also a cartoonist who draws about the experiences of being a trans and transitioning person in the world.His graphic memoir, Between You and Me: Transitional Comics, came out in 2019.He has also published comics in numerous academic journals, including the Annals of Internal Medicine, Literature and Medicine, Communication and Critical/Cultural Studies, and Women's Studies in Communication. His comic Cycles was published in the Eisner Award-winning anthology Menopause: A Comic Treatment. HighlightsWhy he's ready to talk about feminityThe comic that brought him on the podcastWhat it's like going through puberty and menopause at the same timeAt 41, how he feels about the possibility of perimenopauseBeing a trans person in the US right nowFeelings in fatherhoodThe loud and angry state of trans in the USThe issue of trans violence What medical care has been likeFind out more about KC and his work:Web: www.kccouncilor.comInstagram: @betweenyouandmetranscomicsJoin the Hotflash Inc perimenoposse: Web: hotflashinc.comTikTok: @hotflashincInstagram: @hotflashincTwitter: @hotflashinc Episode website: Hotflashinc See hotflashinc.com/privacy-policy for privacy information
Recorded May 12, 2023. An in-person lecture by Prof Richard Dyer(King's College London as part of the Irish Screen Studies seminar organised by the Department of Film in the School of Creative Arts. This paper by Professor Richard Dyer starts from a consideration of the trope of ‘our song', the song, that is, that film characters feel in some way is associated with or even expresses their relationship – ‘As Time Goes By' in Casablanca (1942) is perhaps the most famous example. It then considers how often such songs turn out to be illusory, looking especially at three relatively recent European examples, and arguing that the problem of ‘our song' never really being ‘ours', always escaping us, is in little the contradiction at the heart of communication.
Clark University screen studies professors Rox Samer, Soren Sorensen, and Hugh Manon discuss the 2022, celebrated film, the Banshees of Inisherin written and directed by Martin McDonagh and starring Colin Farrell, Brendan Gleeson, Kerry Condon, and Barry Keoghan.This is the third in a series of RFU episodes focused on a handful of the Best Picture Academy Award nominees from 2022RFU is a podcast where Clark University community members recommend films for Clark screen studies faculty to watch and discuss. Learn more about Clark University's Screen Studies program.
Clark University Screen Studies professors Rox Samer, Hügh Manon, and Soren Sorensen discuss the 2022 film, TAR, the 2022 drama written and directed by Todd Field and starring Cate Blanchett. This is the second in a series of RFU episodes focused on contenders for the 2023 Best Picture Academy Award.RFU is a podcast where Clark University community members recommend films for Clark screen studies faculty to watch and discuss. Learn more about Clark University's Screen Studies program.
Clark University Screen Studies professors Rox Samer, Hugh Manon, and Soren Sorensen discuss the 2022 film, Top Gun:Maverick, a sequel to the 1986 film, Top Gun. Maverick was directed byJoseph Kosinski, based on a screenplay written by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie It stars Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Ed Harris and Val Kilmer. This is the first in a series of RFU episodes focused on contenders for the 2023 Best Picture Academy Award.RFU is a podcast where Clark University community members recommend films for Clark screen studies faculty to watch and discuss. Learn more about Clark University's Screen Studies program.
Clark University Screen Studies professors Rox Samer, Hugh Manon, and Soren Sorensen discuss the 2022 film, Bros, directed by Nicholas Stoller, based on a screenplay he co-wrote with comedian and actor, Billy Eichner, who also stars. The film was produced by Judd Apatow and Josh Church.RFU is a podcast where Clark University community members recommend films for Clark screen studies faculty to watch and discuss. Learn more about Clark University's Screen Studies program.
Clark University Screen Studies professors Rox Samer, Hugh Manon, and Soren Sorensen discuss the 2008 film, Step Brothers, directed by Adam McKay and written by Mckay and Will Ferrell. The film stars Ferrell, John C. Reilly, Richard Jenkins, Mary Steenburgen, Adam Scott, and Kathryn Hahn.RFU is a podcast where Clark University community members recommend films for Clark screen studies faculty to watch and discuss. Learn more about Clark University's Screen Studies program.
Stephanie Kelley-Romano, a Professor of Rhetoric, Film, and Screen Studies at Bates College sat down with our Multifaith Fellows, Khadeeja Qureshi and Frances White to discuss social pressures and unhealthy habits, overcoming low expectations, and the joy she has discovered through a lifetime of recovery.
Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production. Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production. Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production. Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production. Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production. Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production. Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Ben Young Ben Young is an award winning writer/director who began his career acting for screen at the age of 12. He completed a Bachelor of Arts at Curtin University, Western Australia in 2003 and a Master of Screen Studies at the WA Screen Academy in 2005. He has since directed music videos, commercials, fashion films, and written and directed series television. His 2016 feature debut Hounds of Love, funded through ScreenWest's West Coast Visions and produced by Factor 30 Films, starred Emma Booth, Ashleigh Cummins and Stephen Curry. Its world premiere was at the 2016 Venice Film Festival where it picked up a prize for Best Actress in a Debut Film, and received 9 AACTA award nominations including Best Film and Best Direction. Ben's second film Extinction premiered on Netflix in 2018 starring Michael Peña and Lizzy Caplan. He recently completed directing a block of Netflix's Clickbait for Tony Ayres Productions. He is currently finishing post production on Where All Light Tends to Go. In this episode we interview Ben Young and ask him about his experiences in directing, how he likes to write a script and the difference between directing features, shorts and TV episodes. We dive into his inspirations and gain an insightful look into how the film production process works and how new starters might get involved. To Hear the Episode: https://gravityundone.net/episode-86-ben-young/ For all other Space Brains Episodes: https://spacebrains.com.au/ Contact us: Space Brains Podcast (@spacebrainspodcast) Space Brains Podcast - Home spacebrains@spacebrains.com.au Space Brains is recorded in Mandurah, Western Australia. Visit: https://gravityundone.net/ https://www.markregan.com.au/ https://spacebrains.com.au/
Daejah and Justin end the first season of Screen Studies with a bang, by talking about their favorite franchise, The Fast and The Furious Saga.
Daejah and Justin are taking a break for the Fourth of July and will be back next week with the SEASON FINALE of Screen Studies.
Wouldn't it be wild if we remade a 2000s-era reality show but made it about comics characters? Wouldn't that be nuts? We definitely haven't done that before! The bit this week is all about giving supervillains a shot at redemption. Andrew learned an awful lot about Bane, Todd is all hopped up on sketchy science, and Kyle brings up police reform as well all groan about it. We're looking to create the best "Supervillain Road to Recovery Special," but we needed some help. Lucky for us, Justin Jordan (@freddiesroomate on TikTok) was free for the evening and he knows way more about comics than us. Recommended reading: Special thanks to Justin for joining us on Debate This! today! You should check out Justin's stuff! He's the got a TikTok full of rad lightsaber transitions and is a cohost of a podcast called Screen Studies. Check out Justin's podcast HERE https://pod.link/1624402531 Check out Justin's TikTok HERE https://www.tiktok.com/@freddiesroommate?lang=en The title of this weeks episode was selected by our Patrons in our Discord Community! Want to help us choose the next one, join our discord and/or get some bonus content? Come join #ButtThwompNation at patreon.com/debatethiscast! Have you seen our Twitter? twitter.com/debatethiscast Have you seen our Instagram? instagram.com/debatethiscast Want to send us an email? debatethiscast@gmail.com Do you like it when we talk about comics? Do you like it when we say comic words into your lil ears? Would you like more content that includes us saying comic words into your lil ears? If you begrudgingly answered yes to any of those questions, check out our sister show, Avenge This! (formally known as The Ploose is Loose) where ever you get your podcasts! Properties we talked about this week: Spiderman, Rhino, Green Lantern, Sinestro, Batman, Bane, Xmen, New Xmen, Beast, Days of Future Past Music for Debate This! is provided by composer Ozzed under a Creative Commons license. Check out more of their 8-bit bops at www.ozzed.net!
Screen studies is a podcast all about movies, television, and the culture in between.
Why are Millenials so obsessed with stories about start-ups? In the debut episode of Screen Studies, Daejah and Justin delve into the deep world of shows based on true stories.
It's now become a classic of Australian cinema. But for years it faded into obscurity and was nearly lost forever. Wake in Fright is a psychological horror that paints a damning portrait of a particular kind of Australian culture. In this episode, we're looking at Ted Kotcheff's 1971 film adaptation of Wake in Fright - a novel by Kenneth Cook. We're exploring what this film reveals about contemporary environmental issues like climate change, species loss and the enduring impacts of colonialism. In this discussion: Associate Professor in Film and Screen Studies at Monash University (and one of our executive producers), Belinda Smaill. And PhD candidate in conservation psychology at the University of Melbourne, Chris McCormack. He's also co-founder of the nature charity, Remember the Wild.
“There's a real sense of collaboration in Manchester that's quite unique” Dr Kirsty Fairclough is a reader in Screen Studies and Chair of the Manchester Jazz Festival. She's also on the Music Board for the Greater Manchester Combined Authority - and as you'll hear in this interview, she oozes Manchester music culture. However, it's not just the maraca shaking scene of the nineties that Kirsty champions, as she says, there's so much more. You'll hear how Kirsty went from gaining two GCSEs in high school, to lecturing at The University of Salford, just one year after graduating herself, at the age of 21. You'll also hear how Kirsty connected Manchester and Minneapolis through her love of Prince. Lisa and Kirsty also discuss the exciting development of Manchester Metropolitan University's new SODA building and how the Manchester music scene is recovering after the pandemic, through creating new opportunities for young emerging artists. ------ Your host, Lisa Morton, started PR company Roland Dransfield in 1996, one month after the fateful IRA bomb that tore apart the city centre. From that point, the business, and its team members, have been involved in helping to support the creation of Modern Manchester – across regeneration, business, charity, leisure and hospitality, sport and culture. To celebrate the 25 years that Roland Dransfield has spent creating these bonds, Lisa is gathering together some of her Greater Mancunian ‘family' and will be exploring how they have created their own purposeful relationships with the best place in the world. Connect with Lisa and Roland Dransfield: Via our website On Instagram On Twitter On Spotify Connect with Kirsty Via the SODA website On Twitter
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Eboni Zamani is a filmmaker, photographer and writer hailing from Philadelphia. She got her start in filmmaking in high school with a documentary about youth in the military. Visual and written storytelling became her outlet of choice. Eboni received her B.A. from Pace University in Film & Screen Studies and African American Studies. Eboni was most recently on crew for HBO's Mare of Easttown. She has been an active Sundance Collab Community Leader. Her work with EZ Exposures (her boutique photography company) has recently been seen on NBC10. She is also a member of Councilman Isaiah Thomas's Arts & Culture Taskforce. Eboni is currently writing and producing films and various media projects via her production company, Pearl's Girl Productions. To support her you can follow her on Instagram, Facebook, and Attend the screening of their film on Oct 21st Host: Broghanne Jessamine Produced by Elemental Women Productions LLC Elemental Women Productions is a women focused production company based in NYC. We produce film, theatre, podcasts and more all with the mission to empower and amplify women's voices through the arts. To find out more about what we do visit our website at https://www.elementalwomenproductions.com and support our work by joining our Patreon community ( https://www.patreon.com/elementalwomenproductions )
Welcome to the Silence on Set podcast where we will discuss all things entertainment and crime. Enjoy our little teaser and check out some information about us below -- Don't forget to hit that subscribe button! Hosts: Monica Gleberman currently has a BA in Journalism and English from the University of Massachusetts Amherst, a BA in Crime Analysis and Criminology from Suny Canton, and an MS in Journalism and Communications from Quinnipiac University. Monica has worked as a journalist for over 20 years covering all things entertainment. She has covered everything from San Diego Comic-Con, the SAG Awards, the Acadamy Awards, and more. Monica has been published in Variety, Swagger Magazine, Emmy Magazine, CNN, AP, Hidden Remote, and more. For the past 10 years, she has added PR and Marketing to her list of talents. Monica is ready for anything and is proudly obsessed with pop culture. Victoria Dupuis has a BA in Communication Studies and an AA in Film and Screen Studies. Victoria has worked in multiple different sections of the entertainment industry including marketing, public relations, multimedia, social media, and production. She has worked with companies such as Music Daily and Te Garnette Report. She previously worked coordinating A-list celebrities for universities. Victoria is actively engaged in all things pop culture, and dedicates her time to following everything and anything in Hollywood.
Talia Lugacy, director and co-writer of This Is Not A War Story, drops by the podcast to discuss the film's upcoming release. A collaborate work between Talia, her cast and crew, and a group of anti-war veterans, the film takes to task many of the conventional and stereotypical tropes that are associated with veteran portrayals in films and television. The film will be screened this upcoming weekend on Sunday, March 28 at 5:00pm, at the Cinequest Film Festival, followed by a Q&A with Talia, executive producer Rosario Dawson, actor Sam Adegoke, and veteran / About Face member Eli Wright. "THIS IS NOT A WAR STORY tracks a ragtag group of combat veterans in New York whose anti-war art, poetry and papermaking keep them together, despite the spectre of their friend’s suicide and the ever-crystalizing fact that healing from war is sometimes an impossible mission." Talia Lugacy co-wrote and directed the feature film "Descent" starring Rosario Dawson, which premiered in competition at the Tribeca Film Festival and was released theatrically by Warner Independent. Despite an NC-17 rating "Descent" was championed by The New York Times as "essential to see, a vividness never seen in an American film." Talia is a full-time Assistant Professor of Screen Studies at Eugene Lang College of Liberal Arts, The New School, in NYC. She is also a member of the Actors Studio Playwrights & Directors Unit, and began studying filmmaking at NYU Tisch at the age of 15. She has directed numerous short films as well as directed environmental PSAs with Frack Action, Water Defense, Mark Ruffalo and Food & Water Watch. Let me guess. You're enjoying the show so much, you'd like to leave us a review?! Click here for Stitcher. Click here for Apple Podcasts. Click here for our Facebook page. Alternatively, you can click here: https://lovethepodcast.com/fortressonahill Email us at fortressonahill@gmail.com Check out our t-shirt store on Spreadshirt.com Not a contributor on Patreon? You're missing out on amazing bonus content! Sign up to be one of our patrons today! - www.patreon.com/fortressonahill A special thanks to our Patreon honorary producers - Will Ahrens, Fahim Shirazee, James O'Barr, Adam Bellows, Eric Phillips, Paul Appell, Julie Dupris, Thomas Benson, Janet Hanson, Tristan Oliver, Daniel Fleming, Michael Caron, Zach H, Ren Jacob, Howard Reynolds, Why I am Antiwar Podcast, Kenneth Cordasco, Korgoth, and the Statist Quo Podcast. You all are the engine that helps us power the podcast. Thank you so much!!! Not up for something recurring like Patreon, but want to give a couple bucks?! Visit Paypal.me/fortressonahill to contribute!! Fortress On A Hill is hosted, written, and produced by Chris 'Henri' Henrikson, Danny Sjursen, and Keagan Miller. Intro / outro music "Fortress on a hill" written and performed by Clifton Hicks. Clifton's Bandcamp page; Clifton's Patreon page Cover and website art designed by Brian K. Wyatt Jr. of B-EZ Graphix Multimedia Marketing Agency in Tallehassee, FL Note: The views expressed in this podcast are those of the hosts alone, expressed in an unofficial capacity, and do not reflect the official policy or position of the Department of the Army, Department of Defense, or the U.S. government.
WELCOME TO A BONUS EPISODE OF SINGLE MINDED... BECAUSE I'M A BIT OF A "MOVIE BUFF". Please note there are spoilers throughout so if you haven't seen Promising Young Woman, either skip it or take yourself out on a solo date and see it! Today I'm joined by Dr Janice Loreck to discuss Promising Young Woman. We chat about complicated female characters, women expressing rage on screen, the cinematic joy of watching men bumping and grinding on a dancefloor in their suits and I also ask some hard-hitting questions like, is going to the movies a good first date idea? We also chat about our shared love of going to the movies alone, and why you should definitely take yourself on a date to the movies ASAP.Janice is a lecturer in Screen and Cultural Studies at Melbourne Uni; she has a PhD in Film and Screen Studies, and her research expertise centres on cinefeminism & women's filmmaking. She is the author of the book Violent Women in Contemporary Cinema and has published in numerous international journals on feminist film theory. Dr Loreck is also a co-organiser and founding member of the Melbourne Women in Film Festival (MWFF), a not-for-profit festival aimed at celebrating and supporting the work of women filmmakers and creatives. You can find find her on Twitter here: https://twitter.com/janiceloreck
ABOUT THIS EPISODE Even though some conspiracy theories are only endorsed by a small fraction of the population, it is likely a mistake to write off all who believe in conspiracy theories, especially since some theories are endorsed more widely, and with substantial effect. I discuss these issues with two conspiracy theory researchers: Stephanie Kelley-Romano of the Bates College Department of Rhetoric, Film, and Screen Studies, and Joanne Miller of the University of Delaware Department of Political Science & International Relations. LINKS --Stephanie Kelley-Romano's Bates College web profile (https://www.bates.edu/rhetoric-film-screen-studies/faculty/kelley-romano-stephanie/) --Joanne Miller's University of Delaware web profile (https://www.poscir.udel.edu/people/faculty/MillerJ?uid=MillerJ&Name=Dr.%20Joanne%20Miller) --"Trust no one: The conspiracy genre on American television," (Stephanie Kelley-Romano, in The Southern Communication Journal) (https://www.researchgate.net/profile/Stephanie_Kelley-Romano/publication/241744909_Trust_No_One_The_Conspiracy_Genre_on_American_Television/links/5cf7f826299bf1fb185ba603/Trust-No-One-The-Conspiracy-Genre-on-American-Television.pdf) --"Make American hate again: Donald Trump and th birther conspiracy," (Stephanie Kelley-Romano & Kathryn Carew, in The Journal of Hate Studies) (https://www.researchgate.net/profile/Ryan_Scrivens/publication/330482179_The_Dangers_of_Porous_Borders_The_Trump_Effect_in_Canada_Journal_of_Hate_Studies/links/5c41dea092851c22a37ea15b/The-Dangers-of-Porous-Borders-The-Trump-Effect-in-Canada-Journal-of-Hate-Studies.pdf#page=40) --"Conspiracy endorsement as motivated reasoning: The moderating roles of political knowledge and trust," (Joanne Miller, Kyle Saunders, & Christina Farhart, in American Journal of Political Science) (https://onlinelibrary.wiley.com/doi/pdf/10.1111/ajps.12234) --"Gender differences in COVID-19 conspiracy theory beliefs," (Erin Cassese, Christina Farhart, & Joanne Miller, in Politics & Gender) (https://www.cambridge.org/core/services/aop-cambridge-core/content/view/11E1C0AA1837CFA7E3926F5E9AF30782/S1743923X20000409a.pdf/div-class-title-gender-differences-in-covid-19-conspiracy-theory-beliefs-div.pdf) --Little A'Le'Inn (Rachel, NV) (http://www.littlealeinn.com/) Special Guests: Joanne Miller and Stephanie Kelley-Romano.
Tennille Read joins host Elias on the podcast. You recently saw Tennille on Netflix's/CBC Workin' Moms in the role of Bianca. Tennille was born in Toronto, and raised in Newmarket, Canada. From a young age,Tennille had set her sights on performing. Her passion for acting started at the youngage of 10 when her grade five teacher gave her the opportunity to write stories and skitsto perform in front of the class. Tennille would go on to attend Queen’s University whereshe attained an undergraduate degree in Stage and Screen Studies. She was also partof the acting conservatory at the George Brown Theatre School. Her first big break came when she was cast to star alongside Eugene Levy on the CBC and Netflix hit television series SCHITT’S CREEK. Recently Tennille won Best Supporting Actor for the short film I LOST MY MIND written and directed by Michael Tobin at the 2018 Hollywood North Film Festival. You can find Tennille on Twitter @TennilleRead & Instagram @TennilleRead As always, please don't forget to follow us on Instagram @themccpodcast Twitter @themccpodcast & Facebook @themccpodcast and if you can leave a review on Apple Podcasts and subscribe Thanks for Listening! www.themccpodcast.com
Episode 53 journeys into the irregular and twisting world of Spanish fantasy cinema, with Chris and Alex joined in their discussion of Pan’s Labyrinth (Guillermo del Toro, 2006) by Deborah Shaw, Professor of Film and Screen Studies at the University of Portsmouth, and a specialist in Latin American cinema whose publications include The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (Manchester University Press, 2013), as well as the edited collections The Transnational Fantasies of Guillermo del Toro (Palgrave Macmillan, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (I. B. Tauris, 2017). Topics up for examination this episode include the potency and power of the film’s national-historical setting, and its knotted relationship with the perennial allegory of Fascism; the narrative role of magic and belief within the construction of villainy and antagonism; the ‘monstrosity’ of Guillermo del Toro’s VFX and the formal style of its monstrous aesthetics; the rhythmical dimension of how del Toro treats time, chronology and history; and the global circulation of Pan’s Labyrinth that is enabled by its palatable mainstream vocabulary of CGI and populist effects imagery.
Our guests today are Hannah McCann, a Lecturer in Cultural Studies at the University of Melbourne and Whitney Monaghan, an Assistant Lecturer in Film and Screen Studies at Monash University. Hannah and Whitney are co-authors of the recently published textbook Queer Theory Now. In our wide-ranging conversation, we discuss the challenge of defining queer theory, […]
Dr. Wendy Haslem teaches in the Screen Studies program. She is also the Program Director for Bachelor of Arts at the University of Melbourne. In this episode, she chats to host Wajeehah about what changes Covid-19 has brought to the Bachelor of Arts, as well as to her own subjects. Host: Wajeehah AayeshahGuest speaker: Wendy Haslem Editor: Xia Cui
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join us as we talk to College of Liberal Arts and Sciences faculty members and current CLAS students and learn about their experiences with CLAS and their advice to future students. This episode we are joined by Professor Jeff Schneider (Chemistry Department), Professor Vic Licatese (Psychology Department), and current students Dylan (Political Science and Cinema and Screen Studies), Ryan (Meteorology), Regan (Zoology), Casey (Mathematics) and Mary (Creative Writing and Spanish). Professors: Beginning until 21:02 Students: 21:02 until end
A podcast focused on the provocative movie Film Festival Film with its co-directors Mpumelelo Mcata and Perivi Katjavivi, as well as film producer Anna Teeman, in conversation with Lindiwe Dovey and Caspar Melville (SOAS Centre for Creative Industries, Media, and Screen Studies). https://twitter.com/oldlocationfilm https://twitter.com/BLK_JKS https://twitter.com/AnnaTeeman https://twitter.com/screenworlds1 https://twitter.com/lindiwedovey https://twitter.com/CasparMelville
Liam Burke discusses his co-edited book The Superhero Symbol: Media, Culture & Politics with Chris Richardson. Associate Professor Liam Burke is the discipline leader in Cinema and Screen Studies at Swinburne University of Technology, Australia. Liam has published widely on comic books and adaptation, with his books including The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre, Superhero Movies, and the edited collection Fan Phenomena Batman. His most recent book, the edited collection The Superhero Symbol (with Ian Gordon and Angela Ndalianis), was published by Rutgers University Press in 2019. Liam is a chief investigator of the Australian Research Council funded project Superheroes & Me.
For episode 39, Chris and Alex venture for the first time to the Hogwarts School of Witchcraft and Wizardry as they take on another highly popular fantasy film franchise by discussing Harry Potter and the Philosopher's Stone (Chris Columbus, 2001). They are joined by Dr Frances Pheasant-Kelly, who is a Reader in Screen Studies at the University of Wolverhampton, as well as the author of numerous publications on fantasy cinema including Fantasy Film Post-9/11 (London and New York: Palgrave Macmillan, 2013) that traces fantasy’s cathartic potential as a vehicle to work through traumatic memories in a post-9/11 climate. Together they examine the historical framing of the Harry Potter series, and in particular 2001 as a crucial turning point for fantasy cinema; questions of interpretation, adaptation and identification in the Harry Potter universe; the framing role of intrusive magic and the lack of a stable equilibrium; the pleasure of unfixed and sentient space; the collision between ordinary artefacts and CGI; the status of Harry Potter as an abject text rooted in the Dark Arts; and how the fantasy film franchise - like the characters as a whole - often battles against its own magical components.
Will Joyce, a proud CAS alumnus, is a Stillwater native who became mayor in 2018. He is also General Counsel at InterWorks, a Stillwater-based technology consulting firm. He joined us to talk about how CAS has helped him succeed.
Will Joyce, a proud CAS alumnus, is a Stillwater native who became mayor in 2018. He is also General Counsel at InterWorks, a Stillwater-based technology consulting firm. He joined us to talk about how CAS has helped him succeed.
This week, we welcome guest host Jennifer Proctor, filmmaker and Associate Professor of Journalism and Screen Studies at University of Michigan-Dearborn, for a robust discussion of the new documentary#FemalePleasure and its examination of female agency in the modern world. Following that group review, we play Chris’s interview with director Pia Hellenthal and writer Giorgia Malatrasi, co-creators of Searching Eva, a highly stylized portrait of feminist intellectual and sex worker Eva Collé. Join us as we follow women forging their own paths, patriarchy be damned. Group Review Documentary: #FEMALEPLEASURE (Barbara Miller, 2019) Begins releasing in U.S. theaters on October 18 Film Featured in Interview Portion: SEARCHING EVA (Pia Hellenthal, 2019) Currently playing in festivals Other Films and Sites Mentioned: Born into Brothels (Zana Briski/Ross Kauffman, 2005) CinemAbility (Jenni Gold, 2012) Detrás de la Realidad (SMU Meadows School of the Arts’ Ignite/Arts Dallas Initiative/The Community Action Network, a program of Bachman Lake Together/ The Meadows School’s Division of Film and Media Arts, 2019) EDIT Media Eva Collé’s Instagram Eva Collé’s Tumblr JFK (Oliver Stone, 1991) Lincoln (Steven Spielberg, 2012) One of Us (Heidi Ewing/Rachel Grady, 2017) Links to review and interview by Christopher Llewellyn Reed: Film Festival Today review of #FemalePleasure Film Festival Today interview with director Pia Hellenthal and writer Giorgia Malatrasi of Searching Eva Timestamps: 00:37 – Intro 05:53 – Group Discussion of #FEMALE PLEASURE 21:53 – Chris interviews Pia Hellenthal and Giorgia Malatrasi of SEARCHING EVA 37:40 – Doc Talk Website/Email: www.fogoftruth.com disinfo@fogoftruth.com Credits: Artwork by Hilary Campbell Intro music by Jeremiah Moore Transitional music by BELLS (thanks to Christopher Ernst) Editing and shownotes by Christopher Llewellyn Reed
In the latest episode, we speak to the Principal Lecturer in Film and Screen Studies - and organiser of next month's event celebrating David Bowie, Forever Stardust. With children's culture being one of Ewan's main research interests, he discusses the release of Toy Story 4, reflects on research about gothic and horror video games and talks about the new Games Art and Design BA (Hons) and Animation BA (Hons) undergraduate courses. To book for Forever Stardust: An Evening Celebrating the Art and Music of David Bowie, on Friday 12 June at Sallis Benney Theatre, click/tap here.
Dr Katharina Bonzel watches movies, TV and videos for work. That might sound like a good deal – until you consider that she sometimes has to watch a single film up to 15 times. It’s all for a good cause though. She toils to elucidate the meanings being conveyed, how they’re conveyed, and what they say about society. But she doesn’t just watch the deeply intellectual stuff. She sees value in analysing mainstream fare – and here, she makes the case for why we should too. ... Dr Katharina Bonzel is a Screen Studies scholar in the ANU School of Literature, Languages and Linguistics. Her first monograph, National Pastimes: Cinema, Sports and Nation (University of Nebraska Press, 2020), examines the representation of national identity in sports films - from Rocky to Chariots of Fire. In her spare time she enjoys a spot of photography and American BBQ. Dr Bonzel is excited to be part of the new Screen Studies major and is teaching the Adaptation: From Text to Screen course. … The theme music for Better Things is “One More Time” by Fab Beat. Other music used in this episode: “New Castle” by Anitek. Better Things is a production of the ANU College of Arts and Social Sciences. It’s produced by Evana Ho. You can find us on Twitter, Facebook and Instagram @ANUCASS.
What do you do when you had too much white wine and sit in your favorite chair? Right - You're watching your favorite series. And whether it is "Riverdale" or "The Umbrella Academy": It's funny to discuss your theories about everything with your best friends - especially when they're studying "Film and Screen Studies" in London! So do Jay and Thea. Song of the week: The Rembrandts- I'll be there for you https://www.youtube.com/watch?v=q-9kPks0IfE
Australian movie producer, Bill Bennett, comes to InnerZension Radio to share his working knowledge of the Personal Guidance System (PGS). Bill experienced a transformative, near-death experience which shook him out of a very successful 30-year career and planted him on a global quest to better understand the science, mysticism, philosophy, and physiology of intuition. The rational mind takes us out of peaceful inner states as it tries to figure out the correct decision; however, intuition can be more accurate and use less of our valuable energy. Bill calls it: Your Personal Guidance System. Bill Bennett is an internationally-renowned, award-winning Australian filmmaker, writer, and producer. He has garnered numerous awards over his 30-year career, including Australian Film Critics Circle Awards for Best Picture, Best Director, and Best Writer as well as two Logies (Australia’s Emmy) for Television Reporter of the Year and Most Outstanding Documentary. His films have been distributed through most of the major Hollywood studios, including Warner Bros, Paramount, Universal, and the Samuel Goldwyn Co. He is currently an Adjunct Professor of Screen Studies at Queensland University of Technology, one of Australia’s largest universities. Watch Bill’s captivating movie, sign up for his newsletter, buy the book: https://pgsthemovie.com In this episode, you will learn: Who is the Australian producer Bill Bennett? What is the Personal Guidance System (PGS)? How and why to tap into our innate inner guidance system (aka intuition)? What hinders our ability to stay tuned into our intuition? Rational mind vs intuitive feeling Are there any limitations to the PGS? New training programs/plans/movies for Bill Bennett InnerZension Radio helps listeners develop their personal sense of sustained Inner Peace, no matter what is happening in and around them. The host, Chris McCleary, is a retired military aviator who underwent a drastic transformation to become a licensed psychotherapist in Northwest Arkansas. For professional counseling with your mental health and/or addiction issues, contact Chris by email: InnerZension@gmail (add the extension .com before sending your email). Use the email to also provide feedback for the show or to recommend new interviews. Get your free InnerZension starter kit! It’s a free 10-page pdf to lay out the foundation you need for Inner Peace: https://innerzension.com/foundationroadmap/
Radha is Lecturer in Screenwriting in the School of Culture and Communication. She has studied in Australia, the USA and Germany and taught at universities in Australia and New Zealand. Radha teaches Writing for Screen and Advanced Screenwriting. Radha has created fiction and non-fiction for film, video, television and new media. Her critical research concentrates on serial narrative form in contemporary film and television. She has published on soap operas, superheroes and cat videos.
Born in Pittsburgh, Pennsylvania in 1928, Andy Warhol's early career began in advertising where he worked as a designer and illustrator. In the 1960s, he began exhibiting the iconic pop art work that we now associate with him, and he soon became one of the world's most famous artists. But what was it about him and his work that was revolutionary, and what effect does he continue to have to the present day? Our guest is Dr Glyn Davis, a Reader in Screen Studies at Edinburgh College of Art. Glyn has researched and written extensively about film and television and has a particular interest in experimental cinema and artists' film and video. He ran a Massive Open Online Course (MOOC) on Andy Warhol in 2014 and 2015 and was co-editor of "Warhol in Ten Takes", published by the BFI. He is currently the project leader of the Cruising the 1970s research project, a pan-European queer history project involving researchers from Germany, Spain, Poland and the UK. Revolutionaries is produced and recorded at Edinburgh College of Art, and is hosted by Ardie Collins from the Engagement and Communications team. Music is Noahs Stark by krackatoa.
Episode 15 : 2OO1: Beyond 50 Event (4/5) In this episode, The Stanley Kubrick Appreciation Society is proud to present, 2OO1: Beyond 50 - A day of talks, music, and art celebrating the 50th anniversary of Stanley Kubrick's masterpiece, 2OO1: A Space Odyssey, featuring experts and people who worked on the film and was presented by The Centre for Film, Television and Screen Studies at Bangor University in Wales. Our good friend, Professor Nathan Abrams organised this event, which took place on the 16th of June 2018. This was a full day event and is being presented to you in a special five part series. In part four we are airing a series of guests talking about there time working on 2001: A Space Odyssey over 50 years ago., hosted by Nathan and featuring key academics in conversation, Audio Clips : 2OO1: A Space Odyssey - MGM / Stanley Kubrick Productions Music : The Blue Danube by Strauss Kubrick 2OO1 by Victor Malloy (2001) Production : Hosted by Jason Furlong Produced and edited by Stephen Rigg Research by Stephen Rigg, Mark Lentz and James Marinaccio Kubrick's Universe Theme composed, performed and produced by Jason Furlong Links : The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : https://www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : https://www.youtube.com/channel/UCRdeqrFNoOrYtWbxwR_GXPA The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact us : stephenrigg.skas@gmail.com
Episode 14 : 2OO1: Beyond 50 Event (3/5) In this episode, The Stanley Kubrick Appreciation Society is proud to present, 2OO1: Beyond 50 - A day of talks, music, and art celebrating the 50th anniversary of Stanley Kubrick's masterpiece, 2OO1: A Space Odyssey, featuring experts and people who worked on the film and was presented by The Centre for Film, Television and Screen Studies at Bangor University in Wales. Our good friend, Professor Nathan Abrams organised this event, which took place on the 16th of June 2018. This was a full day event and is being presented to you in a special five part series. In part three we are airing a Film Symposium, hosted by Nathan and featuring key academics in conversation, Audio Clips : 2OO1: A Space Odyssey - MGM / Stanley Kubrick Productions Music : The Blue Danube by Strauss Daisy Bell (Bicycle Built for Two) written by Harry Dacre and performed by Nat King Cole Production : Hosted by Jason Furlong Produced and edited by Stephen Rigg Research by Stephen Rigg, Mark Lentz and James Marinaccio Kubrick's Universe Theme composed, performed and produced by Jason Furlong Links : The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : https://www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : https://www.youtube.com/channel/UCRdeqrFNoOrYtWbxwR_GXPA The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact us : stephenrigg.skas@gmail.com
Episode 13 : 2OO1: Beyond 50 Event (2/5). In this episode, The Stanley Kubrick Appreciation Society is proud to present, 2OO1: Beyond 50 - A day of talks, music, and art celebrating the 50th anniversary of Stanley Kubrick's masterpiece, 2OO1: A Space Odyssey, featuring experts and people who worked on the film and was presented by The Centre for Film, Television and Screen Studies at Bangor University in Wales. Our good friend, Professor Nathan Abrams organised this event, which took place on the 16th of June 2018. This was a full day event and is being presented to you in a special five part series. In part two we are airing Alternative Perspectives: a panel featuring experts on 2OO1's legacy beyond film, including psychology, artificial intelligence, evolutionary biology, and philosophy. Audio Clips : 2OO1: A Space Odyssey - MGM / Stanley Kubrick Productions Music : The Blue Danube by Strauss The World Tonight Theme - Youtube Production : Hosted by Jason Furlong Produced and edited by Stephen Rigg Research by Stephen Rigg, Mark Lentz and James Marinaccio Kubrick's Universe Theme composed, performed and produced by Jason Furlong Links : The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : https://www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : https://www.youtube.com/channel/UCRdeqrFNoOrYtWbxwR_GXPA The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact us : stephenrigg.skas@gmail.com
Episode 12 : 2OO1: Beyond 50 Event (1/5). In this episode, The Stanley Kubrick Appreciation Society is proud to present, 2OO1: Beyond 50 - A day of talks, music, and art celebrating the 50th anniversary of Stanley Kubrick's masterpiece, 2OO1: A Space Odyssey, featuring experts and people who worked on the film and was presented by The Centre for Film, Television and Screen Studies at Bangor University in Wales. Our good friend, Professor Nathan Abrams organised this event, which took place on the 16th of June 2018. This was a full day event and now we will present it to you in a special five part series. Here is the first part, with a brief event introduction by organiser, Nathan Abrams followed by an Introduction to 2OO1 by Piers Bizony, author of 2OO1: Filming the Future and The Making of Stanley Kubrick's 2OO1: A Space Odyssey. Audio Clips : 2OO1: A Space Odyssey - MGM / Stanley Kubrick Productions Music : The Blue Danube by Strauss Space Odyssey by The Byrds (1968) Production : Hosted by Jason Furlong Produced and edited by Stephen Rigg Research by Stephen Rigg, Mark Lentz and James Marinaccio Kubrick's Universe Theme composed, performed and produced by Jason Furlong Links : The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : https://www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : https://www.youtube.com/channel/UCRdeqrFNoOrYtWbxwR_GXPA The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact us : stephenrigg.skas@gmail.com
Abstract Spatially and temporal marginal characters in a narrative may not be marginal in terms of meaning and affect. While a marginal character may be incidental, providing an interlude or local colour, he or she may also either, in their marginality deliberately and unintendedly indicate the social parameters of the world of the narrative, or may even constitute a concern that is both central and inadmissible to it. These dynamics of marginality will be discussed through the role of black and gay characters in La dolce vita (Italy 1960 Federico Fellini). Biographical Note Richard Dyer has an MA from the University of St Andrews and a PhD in Cultural Studies from the University of Birmingham. He was Professor of Film Studies at the University of Warwick and King’s College London and Professorial Fellow at St Andrews. He has lectured very widely in Europe, North America and Australia, been honoured by the Universities of Turku, Dublin and Yale, the Society for Cinema and Media Studies and the British Association of Film, Television and Screen Studies and is a Fellow of the British Academy. His work has focused on issues of entertainment and representation and the relationship between them and he has pioneered work on the musical, stars, lesbian and gay cinema and culture, whiteness and popular European cinema, as well as writing books on pastiche, music and film, serial killing and the films Brief Encounter, Seven and La dolce vita. His books include Stars, Only Entertainment, The Matter of Images, White, The Culture of Queers, Pastiche, Nino Rota, In the Space of a Song and Lethal Repetition: The Serial Killer in European Cinema.
From the Marvel and DC cinematic universes to small screen caped-crusaders and vigilantes, superheroes are more popular than ever. But how do superheroes reflect our place and power within society? Whether it’s symbolic representations of asylum seekers and First Nations people on Cleverman, Jessica Jones battling PTSD or The Watchmen exploring the moral ambiguity of individuals with tremendous power, superheroes have the power (dare we say great responsibility?) to tell nuanced, reflective and universal stories. Join us to discuss how our heroic representations hold a mirror up to contemporary views on ethics, justice and equality. About the panel Martyn Pedler Martyn Pedler is a writer and academic who focuses on superhero stories. He's published chapters and presented internationally on subjects like how the Flash runs in a medium without movement and why Doctor Doom cried after 9/11. He's also been a longtime pop culture critic for Bookslut, Time Out Melbourne, Triple J Magazine and more. He is the writer of the 2012 feature film EXIT, and has several other screenplays in development. Dr Liam Burke Dr Liam Burke is the Cinema and Screen Studies coordinator at Swinburne University of Technology. He has written and edited a number of books on comic books and cinema including Superhero Movies, Fan Phenomena Batman, and The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre. Liam is a chief investigator on the Superheroes & Me research project with ACMI. He recently directed the documentary short film @HOME, which was screened at a number of international film festivals and was broadcast on Irish television. Brooke Maggs Brooke Maggs is a freelance narrative designer and writer for games, VR and other creative industries. She one of the women featured in ACMI's Code Breaker's exhibition where you can play one of her latest projects, The Gardens Between, an adventure puzzle game.Recently, she received the 2017 MCV Pacific XBOX Women in Games Creative Impact award for her work in the games industry. Brooke is writing a science fiction novel for which she was shortlisted for the Ray Koppe Writer’s Residency and awarded a residency at the Varuna House. Her other writing includes academic research in creative writing practice. Copyright Acknowledgments: Title: The Avengers (2012) Copyright: Marvel Studios / Walt Disney Production Company Title: Spiderman (2002) Copyright: Marvel Enterprises / Columbia Pictures Title: Superman (1978) Copyright: Warner Bros Title: Man of Steel (2013) Copyright: DC Entertainment / Warner Bros Pictures Title: Daredevil Season 1 Episode 2 Copyright: Marvel Television / Netflix Title: Cleverman Season 1 Episode 2 Copyright: Sundance Studios / ABC TV Title: Superman Returns (2006) Copyright: Legendary Pictures / DC Comics / Warner Bros Pictures
Jen Proctor is a filmmaker and Associate Professor in Journalism and Screen Studies at the University of Michigan-Dearborn, where she teaches courses in video production film media studies. Her pedagogical research focuses on strategies of inclusion in media production classrooms. Jonathan Rattner is a filmmaker and Assistant Professor in the Cinema & Media Arts Program and the Art Department at Vanderbilt University. In addition to teaching the introductory and senior capstone film and video production courses, he currently teaches 16mm Film Production, Documentary, and The Cinematic Essay.
Tennille Read is a Toronto based artist and graduate of George Brown Theatre School and Queen's University's Stage and Screen Studies. Selected theatre credits include: The Death of Mrs. Gandhi and the Beginning of New Physics (Everything but the Bard), This Hotel (Talk is Free Theatre), Hanger (Toronto Fringe Festival), Birth (Pandemic Theatre), Delicacy (Theatre Brouhaha), No Exit (Soup Can Theatre). Selected Film and TV credits include: Condor (MGM/DirectTV), Schitt's Creek (CBC), Eyewitness (USA), The Escape (Spy Films), I Lost My Mind (official selection of the Palm Springs Short Film Festival 2017), Heroes Reborn (NBC), and Shadowhunters (ABC Family). Upcoming: Gray (Theatre Inamorata). She enjoys painting in her free time.Twitter: @tennilleread Instagram: tennillereadTheatre Inamorata:http://www.theatreinamorata.com/ Twitter: @theainamorata Facebook: https://www.facebook.com/theatreinamorata/Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod
Episode 102: Directing Youth with Kerry Hishon Youth Director Kerry Hishon talks about the process from auditions to rehearsal to performance and shares her hints, tips, and tricks. If you're auditioning for Oklahoma what type of song should you definitely NOT choose? How do you build ensemble? How do you plan a rehearsal schedule? Bonus: Listen in to find out how Kerry directed Peter Pan without the wires. Show Notes Kerry Hishon Original Kids Theatre Student Directing Series: Plays and Publishers Student Directing Series: Directing Your Peers Student Directing Series: Auditions Episode Transcript Welcome to TFP – The Theatrefolk Podcast – the place to be for Drama teachers, Drama students, theatre educators everywhere. I'm Lindsay Price, resident playwright for Theatrefolk. Hello, I hope you're well. Thanks for listening. This is Episode 102 and you can find any show notes for this episode at theatrefolk.com/episode102. So, it is a very unique skill to be able to direct youth well. And, as a drama teacher or educator or even if you're a student director, learning how to direct well is a continual process. So, let's keep learning. Today, I'm going to talk to youth director, Kerry Hishon, and bonus! Make sure you pay attention. In the middle of this, she's going to talk about how she directed Peter Pan without the wires. I love it. Lindsay: All right. Hello, everybody! Welcome to the podcast! I am very happy to be talking to Kerry Hishon. Hello, Kerry! Kerry: Hello! Lindsay: Hi! Okay. So, first off, where are you in the world? Kerry: I live in London, Ontario, Canada. Lindsay: Awesome. You guys are practically just down the road from us, you know, give or take a few hours. So, Kerry, you have a really interesting background. You do a little bit of everything. Kerry: Yeah, I do, actually. I'm kind of a jack of all trades. I'm primarily a youth theatre director, I'm also an actor, I do a little bit of playwriting, I am a stage combatant, and I also work at Original Kids Theatre Company. Lindsay: Awesome. All right. Well, we'll come around to talk about all of that, but let's talk first about how you got into this. What was the first thing that really drew you to theatre? Kerry: Oh, gosh. Well, I grew up in Stratford, Ontario, so it's kind part of the culture there. You learn iambic pentameter before you learn to multiply in school and being around the Stratford Festival, you get to see shows and you don't really realize that it's actually a luxury for so many other people and we'd go with our schools every single year and see multiple shows and you'd think it's no big deal, “Oh, yeah, I'm just going to go to the Stratford Festival today,” and you don't realize that other schools, like, save up and this is their big end-of-the-year trip, and for me, I was just used to it. Lindsay: Or that other people don't live in towns that have this amazing theatre resource, like, right around the corner. Kerry: Yeah, you don't even think about it. You just think, “Oh, yes, of course we have a world-renowned theatre here, doesn't everyone?” Lindsay: So, it's kind of like it's part of your life always. So then, how does that translate into trying to pursue it? Kerry: Yeah. I've always enjoyed it. I loved doing theatre during public school and high school and I then pursued it in university. I went to Queens University in Kingston, Ontario, and I majored in Stage and Screen Studies, and I just really enjoyed it. I loved every aspect of it and the wonderful thing about that program is that you get to do all sorts of different disciplines. I took acting classes and directing and playwriting and screenwriting and theatre and film history and even design which was terrifying for me because I am so not an artist. I have mad respect for all those designers out there because I could not do that – that's why I get people to do that for me.
I've come to the end of the series of podcasts about the Digital Manifesto that Mike Jones posted on his blog, Digital Basin. That was earlier this summer and I try my best to explain why it's taken me long to post 5 podcasts. Throughout the series I've been using his ideas in the Manifesto as a guage to determine how current the curriculum at my school, the CDIA is. It did very well - 9 out of 13. Here are the issues, numbered according to the Manifesto followed by the episode they were reviewed in. Passed 03 Compositing #35 04 Distribution w/o hierarchy #3705 Owning the entire filmmaking process #3706 Software agnosticisim #3708 Screen Studies integrated into Production #3909 Succeeding despite obstacles #3910 Promoting the story ahead of production values #3912 Collaborative Learning #4413 Teacher as Facilitator #44 Not Passed 01 Composing Space #3502 Virtual Camera #3507 Immersive Sound #3911 Personal Stories #44 These episodes were different from what I usually post, they involved big ideas and how they fit into the world of filmmaking. Keeping the idea threads connected from one episode to another, particularly when a lot of time passed between was difficult. Time to think and understand seems to be a constant problem for me. For all the effort, I enjoyed exploring ideas and that took me to unfamiliar territory Bear in mind, these aren't my ideas, I'm just having fun poking at them. I thought of a couple of things to add to the manifesto: Get Teachers and students to better interact between related/linked fields, such as audio, 3D and fx, even web design. I don't think the fringes of our filmmaking experience should be familiar territory.Get more exposure to the supportive technology used for digital distribution. Collaborative learning tools, such as blogs and wikis have a lot of potential that I hope to explore for sharing ideas and information and for promoting my work. Towards the end of the episode I talk a little about how all this technology is pushing against the boundaries of a stifling culture of intellectual protectionism. If I sound a little harsh, it's only because I've only recently come to recognize how limiting it is to withhold access to resources that, if they were more available, would result in a great deal more creativity to the benefit of everyone. I'm sure once I get used to it I'll return to lamblike complacency.
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