Podcasts about Pine Ridge

Horlicks: In the interest of your own, and your family's health, demand only the best. Down in Pine Ridge, there seems to be a new adventure brewing. Lum and Abner…

Horlicks: Here's a tip for golfers. Take some malted milk tablets for satisfying hunger on the golf course. Natural, or chocolate flavor. Down in Pine Ridge, Lum's girlfriend Evelina is…

Horlicks: Enjoy a breakfast treat. Just sprinkle powdered Horlicks on buttered toast, or in cereal. Now, let's see what's happening in Pine Ridge. Previously, the circus was sold to Squire…

A solar-powered laundromat is changing daily life on the Pine Ridge reservation.| Show page available: https://ilsr.org/article/energy-democracy/pine-ridge-solar-ler271/| Listen to all of our Local Energy Rules podcast episodes at our site: https://ilsr.org/energy/local-energy-rules-podcast/ |  Don't forget to subscribe, share with your friends, leave a recommendation on our podcast feeds, and join the conversation online using the #LocalEnergyRules hashtag!

Horlicks: Carlton Bricker talks about a friend who tried a cheap substitute, but after just one glass, went back to the original. Down in Pine Ridge we find Lum and…

For generations, one Lakota family from Pine Ridge Reservation has lived with encounters they never saw as myths. Summer shares childhood sightings, protective dream warnings, strange lights in the South Dakota sky, and a chilling roadside face-to-face moment that stayed with her for decades. This is a powerful firsthand conversation about family history, respect for the unseen, and the beings that still move through the land.

Horlicks: A recent test (recent in 1935) in a Chicago school proves that kids do better in school when they have a Horlick snack. Down in Pine Ridge, Lum managed…

For the first episode of this special guest-hosted series, Dallas Goldtooth welcomes Mark K. Tilsen Jr. a poet, educator, and longtime organizer from Pine Ridge whose work is rooted in resistance and liberation.Dallas and Mark reflect on their shared experiences at the Standing Rock protests, marking a decade since thousands of Indigenous water protectors gathered to defend land, water, and sovereignty against the Dakota Access Pipeline. What came out of that effort was not only the largest gathering of Natives fighting against a pipeline, but a living blueprint for Indigenous resistance in modern times. From that foundation, Mark brings us into the present moment, sharing updates from the Twin Cities following the recent ICE surge—an operation that deployed thousands of federal agents, sparked widespread protests, and disrupted communities across Minneapolis and St. Paul.Together, they explore how the lessons of Standing Rock continue to shape Indigenous resistance today—from frontline organizing to community care. This conversation centers the power of collective action, the importance of showing up for one another, and what it means to build toward liberation in the face of ongoing state violence.+++Produced by Matika Wilbur --@matikawilburA/V Production & Editing: Pancho Sánchez -- @videosdelsanchoScoring: Mato Wayuhi -- @matowayuhiEpisode Artwork: Kitana Connelly @creatortwahnaSocial Media: Mandy Yeahpau @dontguacblocText us your thoughts!Support the showFollow us on Instagram @amrpodcast, or support our work on Patreon.  Show notes are published on our website, Allmyrelationspodcast.com. Matika's book Project 562: Changing the Way We See Native America is available now!  T'igwicid and Hyshqe for being on this journey with us.

Horlicks: Carlton Bricker reads a letter of testimonial. A man tells how Horlicks helped him to get a good night's sleep. Now, let's see what's happening in Pine Ridge. After…

Grab a seat, kick back, and join Boxman for another deep dive into the intersection of cinema and reality. Whether it's a forgotten gem or a certified classic, we're peeling back the layers of the silver screen to see what's actually underneath.This week, Boxman steps into the dusty, high-stakes world of the 1992 neo-noir mystery, Thunderheart. Starring Val Kilmer as an FBI agent rediscovering his heritage, this film is more than just a procedural thriller—it's a visual powerhouse with a heavy conscience.We're breaking down:The Performance: How Val Kilmer and Sam Shepard anchor a story that balances Hollywood tension with cultural reverence.The Cinematography: Exploring Roger Deakins' legendary camera work that turned the South Dakota landscape into its own character.The Truth Behind the Fiction: The heart of this episode focuses on the real-life events at Pine Ridge during the 1970s. We discuss the Wounded Knee occupation, the "Reign of Terror," and how much of the film's plot echoes the actual struggles of the American Indian Movement (AIM).Check us out every Thursday at 9:30 PM Eastern. Live on YouTube.YouTube: https://www.youtube.com/@hollywoodhangoutpodcastSpotify: https://open.spotify.com/show/1ymX0HRkWB45ja11B2I6fmApple Podcasts: https://podcasts.apple.com/ca/podcast/hollywood-hangout/id1132940251Castbox: https://castbox.fm/channel/4647345?country=usFacebook: https://www.facebook.com/HollywoodHangout/In This Episode: Justice on the Reservation

We've got something special to share with you, relatives!For the next few episodes of All My Relations, we're handing the mic over to comedian, writer, organizer, and actor Dallas Goldtooth (Mdewakanton Dakota/Diné) for a guest-hosted takeover bringing his voice, humor, and perspective into the conversations we hold here.OsageDallas is a good relative and longtime friend of the podcast. You've likely seen Dallas Goldtooth in his role as William “Spirit” Knifeman on Reservation Dogs. His work lives at the intersection of storytelling, environmental justice, and Indigenous rights with a refreshing touch of humor mixed with hard truths.This guest series is something we've been excited about for a while. Dallas brings a different kind of energy into the space, one that feels caring, thoughtful, and at times unexpectedly funny. These conversations move across lived experience, movement work, leadership, and community care, all rooted in what it means to be in relationship with one another.Dallas sits down with a powerful lineup of voices:Mark K. Tilsen (Oglala Lakota) — poet, educator, and organizer from Pine Ridge, whose work is deeply connected to resistance and liberation movements. He joins Dallas for the first episode of the series.Ashley LaMont (Oglala & Sicangu Lakota) — working at the forefront of land back and sovereignty movements with Honor the Earth.Theresa Sheldon (Tulalip Tribes) — serving on the Tulalip Tribes Board of Directors, bringing insight into leadership and governance at the tribal level.Sedelta Oosahwee (Mandan, Hidatsa, Arikara, Cherokee) — leading national work in education policy and advancing equity for Native students.Thosh Collins (O'Odham  & Osage) — photographer, health educator, and co-founder of Well For Culture, sharing teachings on Indigenous wellness through the Seven Circles framework.Jon “White Feather” Greendeer (Ho-Chunk Nation) — a leader focused on Indigenous wellness, governance, and community strength.As always, our intention remains the same: to hold space for conversations that help us better understand what it means to be in good relation with each other, with our communities, and with the world around us.The first episode drops soon.+++A/V Production & Editing: Francisco Sánchez @videosdelsanchoMusic: Mato Wayuhi @matowayuhiProduced by: Matika Wilbur @matikawilburEpisode Artwork: Kitana Connelly @creatortwahnaSocial Media: Mandy Yeahpau @dontguacblocText us your thoughts!Support the showFollow us on Instagram @amrpodcast, or support our work on Patreon.  Show notes are published on our website, Allmyrelationspodcast.com. Matika's book Project 562: Changing the Way We See Native America is available now!  T'igwicid and Hyshqe for being on this journey with us.

Love can never be fully defined, but it opens the heart and evokes wholeness, as does the natural world, which is radically diverse.  Today, we are blessed to have with us two people  who not only possess strong intellects, but also have real world experience in nature. Their track record of doing good works in the world reveals their good heart. I invited these gentlemen in part because I have just released a book on Original Love: The Timeless Source of Wholeness, and I am excited to engage in dialogue with them on the subject of Love and the Wholeness of Nature.    Thomas Rain Crowe is the author of many books, most recently New Natives: Becoming Indigenous in a Time of Crisis and Transition, and most famously, his award-winning Zoro's Field, a partial tribute to Henry David Thoreau, documenting Rain Crowe's own retreat into the Appalachian woods.  An internationally recognized author, editor, and translator of more than thirty books, he became known first for being a member of the San Francisco Beat Generation of poets and creative folks living out there in the 1970s before returning to his native western North Carolina community and founding New Native Press. He has belonged to and worked with many environmental organizations. He is also a translator of some of the more renowned Sufi mystical poets, such as Hafiz and Kabir. Although not usually in his bios, I know he also resonates with the work of Meher Baba, another mystic explorer of love. Don Trent Jacobs (also known as Wahinkpe Topa, or Four Arrows, is a professor of educational leadership at Fielding Graduate, is a made relative of the Oglala Lakota and  member of the Medicine Horse Tiospaye. He is a pipe carrier, having fulfilled his Sun Dance vows while living on the Pine Ridge reservation and serving as director of education at Oglala Lakota College. Author of many books, including Restoring the Kinship Worldview and Teaching Virtues, both of which I have read, and numerous scholarly articles covering diverse topics in decolonization, counterhegemonic democracy, and Indigeneity. He has been endorsed by people like Gregory Cajete, Daniel Wildcat, Vandana Shiva, Bill McKibben. Thom Hartmann, and others, and is the recipient of a Martin Springer Institute Moral Courage Award for his activism on behalf of American Indians.  Glenn Aparicio Parry's latest book Original Love was published on February 13, 2026 and is available wherever books or ebooks are sold. 

Avec L'Héritage de Soledad, Elsa Olaizola interroge, à travers un voyage initiatique, la part d'ombre transmise par nos parents. Son premier roman est publié chez JC Lattès. Entretien avec la romancière, également membre de la rédaction numérique de RFI. RFI : Vous signez, chez Jean-Claude Lattès, L'Héritage de Soledad, un premier roman magistral, un roman initiatique où l'on suit, sur les routes de l'Ouest américain, le jeune Emiliano qui part sur les traces de son histoire familiale, celle de sa mère qui porte en elle un très lourd secret. Pourquoi avez-vous choisi ce thème du secret familial pour ce premier roman ? Elsa Olaizola : Je pense que c'est un thème universel qui concerne beaucoup de personnes, avec des questions sur : qu'est-ce qui constitue ma famille ? Pourquoi mon père, ma mère réagissent-ils de cette façon ? Qu'est-ce qui se passe dans la cellule familiale ? Et je pense qu'à différentes étapes de nos vies, on se pose ces questions. Moi, j'arrive à la trentaine, j'arrive dans une nouvelle période de ma vie où je me préoccupe de ce que nous ont transmis nos ancêtres. La question que vous posez est celle de la transmission des traumatismes d'une génération à l'autre. C'est une question qui hante le livre. Est-ce aussi une question qui vous hante ? En fait, je pense que ce qui me hante, c'est de savoir qui on est vraiment. En tant qu'enfant, ce qui peut être difficile, c'est de recevoir des choses de la part de ses parents sans connaître leur histoire. Par exemple, dans ce livre, Emiliano a beaucoup souffert d'être aux côtés d'une mère, certes qui l'aime, mais qui traverse des épisodes de colère très violents, proches de la folie. Et lui, il reçoit cette violence en tant qu'enfant. En sens inverse, le parent peut se demander : qu'est-ce que je possède de mon histoire familiale ? Qu'est-ce qui m'a construite et que je vais peut-être transmettre ou que je n'aurais pas du tout envie de transmettre ? Et en fait, Djune (la protagoniste du roman, NDLR), c'est ce qui la hante. Elle a peur de ce qu'elle va transmettre à son enfant, de ce qu'elle pourrait transmettre lié à son histoire avec le père d'Emiliano, mais aussi de son histoire familiale à elle, une histoire qu'elle connaît mal.  La violence est un héritage ? Comment fait-on quand on reçoit un tel héritage ? Emiliano, lui, a trouvé une solution, il prend la route...  Emiliano a beaucoup de colère en lui. C'est un adolescent. L'adolescence est souvent une période de grande colère, mais lui a des raisons supplémentaires d'être en colère, parce qu'il est dans une relation très conflictuelle avec sa mère. La mère d'Emiliano redoute d'avoir transmis à son fils un héritage de violence, parce qu'elle-même se pense issue d'une tradition de violence. Donc, durant toute sa vie, elle va chercher à protéger Emiliano de cette violence. Et en même temps, ce qui est terrible pour cette mère, c'est qu'elle guette le moindre signe de violence chez son fils. Si elle le voit, par exemple, courir après des poules dans le jardin – parce que c'est un enfant et qu'il veut jouer –, elle va en être terrifiée et y voir la preuve qu'il a reçu de la violence en héritage. Ce qui est important, c'est que la violence n'est pas seulement dans le cercle familial. On est aux États-Unis, et donc, on est dans une société très violente, une société qui s'est construite sur le génocide des peuples natifs américains, une société patriarcale violente aussi envers les femmes. Se pose donc pour elle la question de savoir comment faire pour que son fils échappe à une violence, alors que celle-ci est partout présente. Finalement, on a l'impression qu'à travers cette Amérique ultra-violente, vous nous offrez un miroir du monde. Le monde est donc si violent que ça ? Moi, c'est comme ça que je le ressens. Je pense que c'est important d'avoir conscience de cette violence du monde justement pour pouvoir la prendre en compte et savoir ce que l'on en fait. Vous parliez du fait qu'Emiliano se rend dans une réserve où il y a des Natifs américains. Pour moi, cette partie du roman est très importante parce que ce peuple, le peuple lakota qui vit dans la réserve de Pine Ridge, est un peuple qui a vécu la colonisation par les Européens. Et ce que je voulais montrer à travers les personnages qu'Emiliano va rencontrer, c'est que ce sont des militants, des hommes et des femmes qui vont se battre contre cette violence des États-Unis, qui vont se battre pour récupérer leurs terres. Et au contact de ces militants, Emiliano va réussir à transformer toute la colère qui l'habite. Il va réussir à se dire qu'elle peut avoir un sens. En filigrane de ce roman, il y a l'histoire d'une femme que l'on pense être la grand-mère d'Emiliano et la mère de Djune. Cette femme s'appelle Soledad. C'est une guérillera mexicaine. Une femme sans foi ni loi qui symbolise d'une certaine façon la violence du capitalisme au Mexique. Un personnage éminemment tragique dont vous racontez l'histoire en filigrane du roman. Cette grand-mère supposée est absolument incroyable. Est-ce qu'elle a réellement existé ? Elle n'a pas existé, c'est un personnage fictif. Elle m'est apparue, littéralement. Je l'ai vue, cette guérillera qui s'appelle donc Soledad Romeros del Rosario. Pourquoi j'ai créé ce personnage ? Parce que parmi les choses qui me mettent en colère, il y a le fait que les femmes sont souvent effacées des livres d'histoire. Et quand elles ne sont pas effacées, on minimise leur rôle, ou on leur prête des traits de bonté, de gentillesse, etc. Et ce que j'ai voulu montrer, c'est que, en fait, une femme peut être violente, une femme peut commander. Soledad n'entre pas dans la guérilla parce qu'elle est outrée par les conditions de vie des pauvres Mexicains, elle le fait parce qu'elle s'ennuie et parce qu'elle se rend compte qu'elle est douée pour monter à cheval, dévaliser des banques, tuer des riches propriétaires terriens. Et elle aime ça ! Je voulais créer un personnage de femme, comme vous l'avez dit, sans foi ni loi, et non pas une femme qui doit absolument avoir une part de douceur ou une part de quelque chose. Non. Il y a des hommes psychopathes, mais il peut aussi y avoir des femmes psychopathes. Je ne suis pas pour cette violence à outrance, mais cela me tenait à cœur de montrer une femme qui, tout d'un coup, prend la tête de toutes les guérillas du Mexique. Et ce que je voulais montrer aussi, c'est qu'Emiliano, qui est un jeune garçon, va prendre cette femme pour modèle et se reconnaître en elle. Moi, en tant que petite fille, j'ai grandi avec des modèles masculins parce qu'en fait, c'était l'unique chose que l'on nous proposait. Et je voulais inverser les choses, montrer qu'un petit garçon peut très bien grandir en ayant un modèle féminin pour exemple.  L'Héritage de Soledad d'Elsa Olaizola, publié aux éditions JC Lattès, 304 pages, 2026. À lire aussiÉtats-Unis: excuses historiques de Joe Biden pour les sévices dans les pensionnats pour Natifs américains

Avec L'Héritage de Soledad, Elsa Olaizola interroge, à travers un voyage initiatique, la part d'ombre transmise par nos parents. Son premier roman est publié chez JC Lattès. Entretien avec la romancière, également membre de la rédaction numérique de RFI. RFI : Vous signez, chez Jean-Claude Lattès, L'Héritage de Soledad, un premier roman magistral, un roman initiatique où l'on suit, sur les routes de l'Ouest américain, le jeune Emiliano qui part sur les traces de son histoire familiale, celle de sa mère qui porte en elle un très lourd secret. Pourquoi avez-vous choisi ce thème du secret familial pour ce premier roman ? Elsa Olaizola : Je pense que c'est un thème universel qui concerne beaucoup de personnes, avec des questions sur : qu'est-ce qui constitue ma famille ? Pourquoi mon père, ma mère réagissent-ils de cette façon ? Qu'est-ce qui se passe dans la cellule familiale ? Et je pense qu'à différentes étapes de nos vies, on se pose ces questions. Moi, j'arrive à la trentaine, j'arrive dans une nouvelle période de ma vie où je me préoccupe de ce que nous ont transmis nos ancêtres. La question que vous posez est celle de la transmission des traumatismes d'une génération à l'autre. C'est une question qui hante le livre. Est-ce aussi une question qui vous hante ? En fait, je pense que ce qui me hante, c'est de savoir qui on est vraiment. En tant qu'enfant, ce qui peut être difficile, c'est de recevoir des choses de la part de ses parents sans connaître leur histoire. Par exemple, dans ce livre, Emiliano a beaucoup souffert d'être aux côtés d'une mère, certes qui l'aime, mais qui traverse des épisodes de colère très violents, proches de la folie. Et lui, il reçoit cette violence en tant qu'enfant. En sens inverse, le parent peut se demander : qu'est-ce que je possède de mon histoire familiale ? Qu'est-ce qui m'a construite et que je vais peut-être transmettre ou que je n'aurais pas du tout envie de transmettre ? Et en fait, Djune (la protagoniste du roman, NDLR), c'est ce qui la hante. Elle a peur de ce qu'elle va transmettre à son enfant, de ce qu'elle pourrait transmettre lié à son histoire avec le père d'Emiliano, mais aussi de son histoire familiale à elle, une histoire qu'elle connaît mal.  La violence est un héritage ? Comment fait-on quand on reçoit un tel héritage ? Emiliano, lui, a trouvé une solution, il prend la route...  Emiliano a beaucoup de colère en lui. C'est un adolescent. L'adolescence est souvent une période de grande colère, mais lui a des raisons supplémentaires d'être en colère, parce qu'il est dans une relation très conflictuelle avec sa mère. La mère d'Emiliano redoute d'avoir transmis à son fils un héritage de violence, parce qu'elle-même se pense issue d'une tradition de violence. Donc, durant toute sa vie, elle va chercher à protéger Emiliano de cette violence. Et en même temps, ce qui est terrible pour cette mère, c'est qu'elle guette le moindre signe de violence chez son fils. Si elle le voit, par exemple, courir après des poules dans le jardin – parce que c'est un enfant et qu'il veut jouer –, elle va en être terrifiée et y voir la preuve qu'il a reçu de la violence en héritage. Ce qui est important, c'est que la violence n'est pas seulement dans le cercle familial. On est aux États-Unis, et donc, on est dans une société très violente, une société qui s'est construite sur le génocide des peuples natifs américains, une société patriarcale violente aussi envers les femmes. Se pose donc pour elle la question de savoir comment faire pour que son fils échappe à une violence, alors que celle-ci est partout présente. Finalement, on a l'impression qu'à travers cette Amérique ultra-violente, vous nous offrez un miroir du monde. Le monde est donc si violent que ça ? Moi, c'est comme ça que je le ressens. Je pense que c'est important d'avoir conscience de cette violence du monde justement pour pouvoir la prendre en compte et savoir ce que l'on en fait. Vous parliez du fait qu'Emiliano se rend dans une réserve où il y a des Natifs américains. Pour moi, cette partie du roman est très importante parce que ce peuple, le peuple lakota qui vit dans la réserve de Pine Ridge, est un peuple qui a vécu la colonisation par les Européens. Et ce que je voulais montrer à travers les personnages qu'Emiliano va rencontrer, c'est que ce sont des militants, des hommes et des femmes qui vont se battre contre cette violence des États-Unis, qui vont se battre pour récupérer leurs terres. Et au contact de ces militants, Emiliano va réussir à transformer toute la colère qui l'habite. Il va réussir à se dire qu'elle peut avoir un sens. En filigrane de ce roman, il y a l'histoire d'une femme que l'on pense être la grand-mère d'Emiliano et la mère de Djune. Cette femme s'appelle Soledad. C'est une guérillera mexicaine. Une femme sans foi ni loi qui symbolise d'une certaine façon la violence du capitalisme au Mexique. Un personnage éminemment tragique dont vous racontez l'histoire en filigrane du roman. Cette grand-mère supposée est absolument incroyable. Est-ce qu'elle a réellement existé ? Elle n'a pas existé, c'est un personnage fictif. Elle m'est apparue, littéralement. Je l'ai vue, cette guérillera qui s'appelle donc Soledad Romeros del Rosario. Pourquoi j'ai créé ce personnage ? Parce que parmi les choses qui me mettent en colère, il y a le fait que les femmes sont souvent effacées des livres d'histoire. Et quand elles ne sont pas effacées, on minimise leur rôle, ou on leur prête des traits de bonté, de gentillesse, etc. Et ce que j'ai voulu montrer, c'est que, en fait, une femme peut être violente, une femme peut commander. Soledad n'entre pas dans la guérilla parce qu'elle est outrée par les conditions de vie des pauvres Mexicains, elle le fait parce qu'elle s'ennuie et parce qu'elle se rend compte qu'elle est douée pour monter à cheval, dévaliser des banques, tuer des riches propriétaires terriens. Et elle aime ça ! Je voulais créer un personnage de femme, comme vous l'avez dit, sans foi ni loi, et non pas une femme qui doit absolument avoir une part de douceur ou une part de quelque chose. Non. Il y a des hommes psychopathes, mais il peut aussi y avoir des femmes psychopathes. Je ne suis pas pour cette violence à outrance, mais cela me tenait à cœur de montrer une femme qui, tout d'un coup, prend la tête de toutes les guérillas du Mexique. Et ce que je voulais montrer aussi, c'est qu'Emiliano, qui est un jeune garçon, va prendre cette femme pour modèle et se reconnaître en elle. Moi, en tant que petite fille, j'ai grandi avec des modèles masculins parce qu'en fait, c'était l'unique chose que l'on nous proposait. Et je voulais inverser les choses, montrer qu'un petit garçon peut très bien grandir en ayant un modèle féminin pour exemple.  L'Héritage de Soledad d'Elsa Olaizola, publié aux éditions JC Lattès, 304 pages, 2026. À lire aussiÉtats-Unis: excuses historiques de Joe Biden pour les sévices dans les pensionnats pour Natifs américains

Our PGA pro Ed Miller of Pine Ridge and Classic 5 Golf gets Nestor ready to smell the azaleas outside Butler Cabin and a full preview of The Masters in Augusta as he prepares for another turn on the fairway on the most famous golf course in the world. It's golf season, Baltimore! The post PGA pro Ed Miller of Pine Ridge and Classic 5 Golf gets Nestor ready to smell the azaleas of Butler Cabin and The Masters in Augusta first appeared on Baltimore Positive WNST.

Horlicks with milk. Horlicks with sandwiches. Easy to prepare, just mix and serve. It doesn't even need any added flavoring. What's happening in Pine Ridge? Let's go find out. The…

Horlicks: Recommended by doctors to help develop strong bodies and teeth for children. Carlton Bricker reminds listeners that the flashlight factories are still working hard to send out all the…

Bighorns in Nebraska? When one thinks of bighorns, you'd likely get a pass if you do not first point to green and yellow fields of corn as far as the eye can see. But there are mountains and excellent bighorn sheep habitat in the cornhusker state. In fact, before their extirpation in the early 1990s, about 1,000 bighorns and particular Audubon bighorns thrived in the Pine Ridge and Wildcat Hills regions of the Nebraska Panhandle. Over harvest by unregulated hunting, habitat loss, and disease were the primary factors of their disappearance. But due to the conservation efforts of Nebraska Game & Parks, and years of funding by partners such as the Wild Sheep Foundation, Iowa FNAWS, Nebraska Big Game Society, Midwest WSF, and others, bighorns have made a comeback. Translocated in multiple actions, from Montana and Alberta bighorn sheep are back and Nebraska Bighorn Program Lead Todd Nordeen and his exceptional team at Nebraska Game & Parks work tirelessly to keep them there. Sheep Fever co-host Gray Thornton sits down with Todd to discuss the history of bighorns in the state, their comeback, the set-backs that continue, as well as the path forward to return the their high of 1,000. The two go beyond Nebraska as well, diving into building source stock, the success of captive breeding at a facility in the historic Ft. Robinson State Park, future work at a new disease clearing facility, and the prospects of growing bighorns and thinhorn sheep throughout their range. Todd is a best in class wild sheep champion, humble, and effective. We're fortunate to call him one of ours in the WSF family.

Horlicks: Some products are just far better than others. For 50 years, Horlicks has led the market of malted milk products. Now, what's happening in Pine Ridge? With Abner stepping…

Napa Valley-based winemaker Sam Kaplan might just be having a moment these days as his Memento Mori, Vida Valiente, Arkenstone and Maxem projects are enjoying notable success despite the wine world's current headwinds. And that's not all he's up to.Kaplan joined host James Molesworth in Wine Spectator's Napa studio to talk about his path to wine, including a childhood spent with some grapevines planted on the red clay of Oklahoma, his mentorship under Pine Ridge's Gary Andrus and his multiple current day head winemaker roles.“From day one, I've made wine the way, that you know, I think wine is best, and the way I like to drink it,” says Kaplan.Wine Spectator senior editor for news Mitch Frank also joins Molesworth, for a look at the major headlines in the wine world's first quarter of 2026.And don't forget, there's always more free content at WineSpectator.com!Read more about Memento MoriRead More about Edge HillLatest Wine NewsAsk Dr. VinnySubscribe to Wine SpectatorA podcast from Wine SpectatorMarvin R. Shanken, Editor and PublisherHost: James MolesworthGuest: Sam KaplanHead Producer: Gabriela SaldiviaAssistant producer: Elizabeth Redmayne-Titley Hosted on Acast. See acast.com/privacy for more information.

On the phone-in: Our guests are Chris O'Neill in NS, Megan Stewart in PEI and Julie Whitenect in NB. They discuss the importance of arts programs in Maritime communities. Our listeners share their thoughts too. And off the top, we hear from concerned parents whose kids attend Pine Ridge Middle School. And we also hear feedback on bullying in schools.

Carlton Brickert advises listeners the flashlight offer ends soon. Now, let's see what's happening down in Pine Ridge. Abner takes criticism over his efforts to get his money back, after…

Horlicks: Use it for sick kids. Easy even for babies to digest, and helps them recover from sickness. Ready for another visit to Pine Ridge? Let's go! Abner is afraid…

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Tonight we have two Chenin Blanc-Viognier white blends. We have talked about both of these varieties before. Both of these wines are about 80% Chenin Blanc and 20% is Viognier. This is a typical blend because Chenin Blanc is bright and acidic and Viognier is fuller-bodied with a hint of sweetness (eventhough it is a dry wine).Chenin Blanc is a very versatile grape that can be made into late harvest sweet dessert wines, dry white wines, sparkling wines, and oaked or unoaked wines.While versatility could be a good thing, it may actually be a bad thing because people don't always know what the wine is going to be like when they get a Chenin Blanc. We have also talked about Viognier before. Viognier in France comes mostly from the Rhone Valley. Outside of France it can be found in North and South America, South Africa, Australia, and New Zealand.It has some similarities to Chardonnay because it can make a full-bodied white wine. It requires a long growing season to develop, and is known for having lower yields. Viognier has flavors of tangerine, mango, honeysuckle, rose, and peach. Serve slightly chilled from 45 to 55 degrees. Pair with white meats or fish, especially if they are nut encrusted. Tonight, we are tasting:2024 Mbali Chenin Blanc-Viognier. I purchased this at Trader Joe's for $5.99. It is made up of 79% Chenin Blanc and 21% Viognier. The Reverse Wine Snob says it has bright fruit guava, melon, lychee, and honeyed tangerine. Mbali is the Zulu word for flower. The Cheap Wine Finder says this is a wine to buy multiple bottles of. I like his line “keep it cheap”. The wine is unoaked and has 13.5% alcohol.2024 Pine Ridge Vineyards Chenin Blanc-Viognier. I purchased this at Trader Joe's for $13.99. It is made up of 80% Chenin Blanc and 20% Viognier. It's vegan friendly, gluten free, no pesticides, lower alcohol, and has less than 1 gram of sugar per glass. They use a lighter bottle which is better for the environment. Pairs with light salads, seafood, and foods with a bit of spiciness. Great pair with appetizers. Aromas of Kiwi, melon, key lime zest, white flowers, honeysuckle, and jasmine. Flavors of Lychee, orange blossom, peach, citrus, crisp acidity. Clean and bright with no oak and no malolactic fermentation. Fruit comes from Clarksburg, CA. Was voted the #27 Best Buy by the Wine Spectator.We loved the Pine Ridge and scored it a 4. The Mbali was also good and we both gave it a 3. Next week, we are having a Mystery Show. Can we tell what we are drinking. Most importantly, we will go through the reasoning for our guess.

Horlicks, for a light meal that's easy to digest. No more indigestion from a heavy lunch, and such an aid to weight control. With the end of the oil boom…

Photo: An aerial view of the Verde River. (Gabriel Pietrorazio / KJZZ) Monday is the deadline for the public to weigh in on a potential rule change by the U.S. Environmental Protection Agency (EPA) that could impact which water bodies may be protected from pollution. As KJZZ's Gabriel Pietrorazio reports, tribes are among those asking for a 30-day extension to comment. The Waters of the United States (WOTUS) guides which resources fall under the federal Clean Water Act, but as written, the EPA rule would narrow the law's enforcement with estimates suggesting that 80% of the nation's wetlands could be at risk. Daniel Cordalis (Diné) runs the nonprofit Tribal Water Institute. “I think it's a big picture concern for everyone really. I think most tribes who want clean water – or the ability to make sure that water is usable, are probably going to write in opposition to kind of what the rule stands for.” While tribes can regulate waters on their reservations, they lack jurisdiction elsewhere. “Tribes can't look to the EPA anymore. And arguably, there's a duty on the federal government to protect these tribal resources, but who's going to do that?” Some states are stepping up, like Colorado, New Mexico, and Arizona. Trevor Baggiore is the water quality division director at the Arizona Department of Environmental Quality. “We're coordinating with our neighbors, tribes or states or country on our southern border, to make sure that we each know what each other is doing. Hopefully, this new rule will add some clarity, as long as they are able to provide scientific tools to help us determine what's regulated and what's not.” Groups including the National Tribal Water Council, Association of Clean Water Administrators, and Environmental Council of the States are all asking for a 30-day extension to reply. Principal Brian Brown leads morning announcements as a part of his daily routine on December 17, 2025, at Norris Elementary School in Norris, S.D. (Photo: Meghan O'Brien / South Dakota Searchlight) Attendance at a school near the Pine Ridge and Rosebud reservations has nearly doubled in the past three years. School leaders say they are engaging one-on-one with students and families. They also are implementing Lakota language and cultural programming. South Dakota Searchlight's Meghan O'Brien reports. “I've been waiting all morning for you…” This is a typical morning at Norris Elementary, where most of the students are Native American. Principal Brian Brown walks the halls on December 17, 2025, and discusses a sign that celebrates Norris Elementary's attendance rate. (Photo: Meghan O'Brien / South Dakota Searchlight) Principal Brian Brown greets students and staff at the cafeteria tables as breakfast is served. Brown also asks teachers who is missing. It's a way of getting ahead of the problem, he says. When students are not at school, he makes phone calls and home visits. Just three years ago, barely half the students came to school regularly. Now, the school's attendance rate is above 90%. That is higher than the state average. It's a source of pride for Brown, who took over as principal in 2022. “I was very happy. I was very pleased, but more proud of the kids and the parents for their support and believing in Norris.” The leader of South Dakota's Education Department sees the success at Norris. The leadership and cultural engagement are important parts of that, says Joseph Graves. “So, now we want to see what kind of results this produces. We have the attendance. We have the drops in chronic absenteeism. Now we want to see what’s gonna happen with those proficiency rates and the graduation rates.” The school is on a gravel road about a half-hour from other schools in the White River School District. Its isolation makes it difficult to hire and recruit teachers. In a small community, it takes everyone to keep students involved, Brown says. Some teachers have multiple grade levels in one classroom. The school's head custodian and office administrator are also bus drivers. Brown steps in at lunchtime to help serve food. He also finds ways to make Lakota culture and language an important part of every student's day. Students sing every morning. Brown teaches Lakota studies to each grade once a week, and started the school's first drum group: the Black Pipe Singers. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts.

In this final episode of the 2025 season, Ash Hanson and Anna Claussen dive deep in conversation with Kyle Mesteth. Kyle is the founder of Ground Control, a skate park and community center in Pine Ridge, SD, whose mission is to provide a space where skateboarders, artists, and creators come together to dream, collaborate, and bring their visions to life. Ground Control works to inspire self-expression, fuel innovation, and build a community that pushes boundaries in art and movement, and Kyle shares how he creates a collaborative leadership environment that supports everyone to "bloom where they are planted." 

Bob Wren has been a friend of EarthWorks for more than 35 years, and his career has taken him on a winding and memorable path through the turf industry. A graduate of the University of Maryland's turf program, he began his career working alongside podcast alumnus Kevin Pryseski at Pine Ridge in Baltimore, Maryland. He then joined another podcast alumnus, Glenn Smickley, for the grow-in at the Robert Trent Jones Golf Club.From there, Bob took on construction of the Palmer-designed Fawn Lake, navigating a maze of new environmental restrictions that stretched the project into a four-year effort. After one more chapter as a golf course superintendent, he stepped away from the profession for more than a decade. Even while working in turf-related roles, he eventually realized it was time to follow the advice he had always given his sons: go back to the work you truly love.That decision led him south, trading snow for sunshine, and ultimately landing what he calls his dream job as superintendent at The Old Collier Club in Naples, Florida. His story is full of remarkable moments, including caddying for Arnold Palmer and mastering the challenges of managing Paspalum in high-sodium soils.Bob is always engaging, entertaining, and generous with his experience. This episode is a wonderful listen for anyone who loves golf, turfgrass, or the winding roads that lead people back to their passion.Visit EarthWorks at: https://www.earthworksturf.com Podcasts: https://www.earthworksturf.com/earthworks-podcasts/ 2 Minute Turf Talks: https://www.earthworksturf.com/2-minute-turf-talks/

This student-led choir grew out of a pro-democracy movement in Tunisia. If your mind races the night before a big moment, try these tips from David Beckham's sleep coach. These newlyweds from Illinois found love in a YMCA pool. A partnership showed up in a warm way for the Pine Ridge reservation in South Dakota. Plus, everyone's favorite Thanksgiving story will hit a heartwarming milestone.  Sign up for the CNN 5 Good Things newsletter here.  Host/Producer: Krista Bo Polanco  Producer: Eryn Mathewson  Showrunner: Faiz Jamil  Senior Producer: Felicia Patinkin  Editorial Support: McKenna Ewen Learn more about your ad choices. Visit podcastchoices.com/adchoices

This student-led choir grew out of a pro-democracy movement in Tunisia. If your mind races the night before a big moment, try these tips from David Beckham's sleep coach. These newlyweds from Illinois found love in a YMCA pool. A partnership showed up in a warm way for the Pine Ridge reservation in South Dakota. Plus, everyone's favorite Thanksgiving story will hit a heartwarming milestone.  Sign up for the CNN 5 Good Things newsletter here.  Host/Producer: Krista Bo Polanco  Producer: Eryn Mathewson  Showrunner: Faiz Jamil  Senior Producer: Felicia Patinkin  Editorial Support: McKenna Ewen Learn more about your ad choices. Visit podcastchoices.com/adchoices

As we look in on Pine Ridge, we find Lum and Abner are still trying to plan where to spend a few days on vacation. Mousey and Cedric are to…

The Enlightened Family Business Podcast Ep. 147: The Inner Work of Leadership in a Family Business with Kevin Hancock In this episode of the Enlightened Family Business Podcast, host Chris Yonker interviews Kevin Hancock, Chair of Hancock Lumber, about his journey and transformation in leadership. Kevin shares his personal and professional challenges, including losing his father to cancer, navigating a significant economic recession, and coping with a rare voice disorder. Kevin's experiences led him to initiate major cultural changes at Hancock Lumber, focusing on putting employees first and fostering authentic, meaningful work environments. He also discusses his connection with the Pine Ridge Indian Reservation, where he found inspiration and a new perspective on leadership and the human experience. The episode delves into themes of self-discovery, healing, family business governance, and preparing future generations to lead with heart and authenticity. ·       00:54 Meet Kevin Hancock: A Legacy of Resilience ·       03:42 Navigating Personal and Professional Challenges ·       13:36 The 2008 Economic Crisis and Its Impact ·       18:58 A Journey of Self-Discovery and Healing ·       27:25 Finding Purpose at Pine Ridge ·       32:22 The Emotional Draw to Pine Ridge ·       36:25 The Power of Presence and Authenticity ·       40:21 The Impact of Prioritizing Employee Experience ·       50:47 The Role of Ownership and Family Legacy ·       59:24 The Importance of Inner Work and Self-Discovery Websites: ·       fambizforum.com. ·       www.chrisyonker.com ·       hancocklumber.com ·       doortwo.com   Kevin's Books Not For Sale: Finding Center in the Land of Crazy Horse The Seventh Power: One CEO's Journey into the Business of Shared Leadership 48 Whispers from Pine Ridge and the Northern Plains Kevin's Bio: KEVIN HANCOCK is the Executive Chairman of one of America's oldest family businesses as well as an award-winning author and nationally recognized public speaker. Established in 1848, Hancock Lumber Company is led by its 720 employees operating 12 lumberyards, 3 sawmills, a truss manufacturing facility, and timberlands in Maine, New Hampshire, and Massachusetts.  Since 2014, Hancock Lumber has been recognized with the 'Best Places to Work in Maine' award. The company is also a recipient of the Maine Family Business of the Year Award, the Governor's Award for Business Excellence, the ProSales National Dealer of the Year Award, and the Maine Retailer of the Year Award. Kevin is a past chairman of the Northeastern Retail Lumber Association, the National Lumber & Building Material Dealers Association, and the Bridgton Academy Board of Trustees.  Kevin has also served of the Board of Directors for the Hussey Seating Corporation in Maine, the Seneca Sawmill Corporation in Oregon, and the Maine Indian Tribal State Commission. Kevin is a recipient of the Ed Muskie 'Access to Justice' Award, the Habitat for Humanity 'Spirit of Humanity' Award, the Maine Development Foundation 'Ken Curtis Leadership Award', and the Maine Basketball Hall of Fame 'Directors Award'. Kevin also partners with the executive coaching firm DoorTwo to provide senior management training programs around the concepts of shared leadership, dispersed power, and deep employee engagement. Kevin is a frequent visitor to the Pine Ridge Indian Reservation in South Dakota and an advocate of strengthening the voices of all individuals—within a company or a community —through listening, empowering, and shared leadership.  He is a graduate of Bowdoin College and lives in Maine with his wife Alison.        

Westerns on a SaturdayFirst,  a look at this day in History.Then,  Have Gun Will Travel starring John Dehner, originally broadcast November 15, 1959, 66 years ago, Fair Fugitive.  Paladin agrees to transport a prisoner for the Texas Rangers, but she's a beautiful Hungarian lady...and an old friend of Paladin's!Followed by Gunsmoke starring William Conrad, originally broadcast November 15, 1959, 66 years ago, The Square Triangle.  Eva Morely causes the death of three men. There aren't many women like her! Then, Gene Autry's Melody Ranch, originally broadcast November 15, 1952, 73 years ago, Carved Initials on a Tree.  Gene tells the story of how John and Martha came to carve their initials on a tree. Followed by The Six Shooter starring Jimmy Stewart, originally broadcast November 15, 1953, 72 years ago,  Escape from Smoke Falls.  A killer escapes from jail at Smoke Falls and shoots the sheriff. Two rivals both try to recapture him, with Britt Ponset riding with one of them. Finally, Lum and Abner, originally broadcast November 15, 1944, 81 years ago, Call Supposedly from Texas.  Abner is calling everyone in Pine Ridge from the Johnson farm, telling them that he's in Texas. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

Adam and guest co-host Zach Johnston talk about that time the FBI funded an insurgency on the Pine Ridge reservation in South Dakota, the shootout it led to, and the highly suspicious criminal trial that sent American Indian Movement member Leonard Peltier to prison for 50 years at the end of it all.Show notes: https://rebrand.ly/ctsoglala

Ben continues sharing his stories: a bigfoot sighting, other bigfoot encounters, a predator-like cloaked thing, and more. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 536 notes and links:Strange Familiars gofundme: https://www.gofundme.com/f/support-strange-familiars-tech-upgradeEpisode art by Timothy:You can purchase this artwork from our etsy shop: https://lostgrave.etsy.com/listing/4322887791Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Redemption by The Forest Beggars from Let My Heart Be Burned: https://forestbeggars.bandcamp.com/album/let-my-heart-be-burnedSupport this podcast at — https://redcircle.com/strange-familiars/donations

Ben shares stories of frightening shadow-man encounters, ghosts, bigfoot, and more.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 535 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original art can be purchased in our etsy shop: https://lostgrave.etsy.com/listing/4319311876Strange Familiars Curiosity of the Week #151: HEX books collectionThese books can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/4319233464Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Through the Trees Again by Stone Breath from The Silver Skein Unwound: https://stonebreath.bandcamp.com/album/the-silver-skein-unwound-expandedSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In 1911 a family outside of Pottsville, Pennsylvania felt they were cursed by a witch who set a strange black cat upon them. The cat could grow gigantic in size, was unable to be killed with normal bullets, and brought all manner of bad luck in its wake. Years later, members of the family insisted the hexcat was still haunting them. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 534 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original illustration can be purchased in our etsy shop: https://lostgrave.etsy.com/listing/4315897318Strange Familiars Curiosity of the Week #150: Girl Holding Black Cat photoThis photo can be purchased in our etsy shop: https://lostgrave.etsy.com/listing/4315866125Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Let the Towers Fall by Stone Breath from The Silver Skein Unwound: https://stonebreath.bandcamp.com/album/the-silver-skein-unwound-expandedSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Aelfwynn shares stories of growing up in a haunted house with a static orb, a terrifying cartoon doctor, poltergeist activity, and more. Then we hear of her encounters with possible bigfoot creatures – being bluff charged and having rocks thrown into her camp.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 533 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original illustration can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/4312296314Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is A Sorrow Spell by Timothy from Fallow: https://stonebreath.bandcamp.com/album/fallowSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jon shares stories about glowing-eyed little people, a possible earth elemental, shadow people, the Copperman, and more.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 531 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original illustration can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/4308951010Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Candle, Corpse, and Bell by Timothy from Fallow: https://stonebreath.bandcamp.com/album/fallowSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We continue reading listener stories featuring recurring dreams; ouija weirdness; an orb; odd apports; and more. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliarsIf you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 530 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original painting can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/4303727235Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Eyes of Fire by Timothy from Fallow: https://stonebreath.bandcamp.com/album/fallowSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Alison and Timothy read listener stories regarding strange entities, a possible waving bigfoot, poltergeist phenomena/apports, a forest that takes souls, and more. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 528 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original art can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/4302346651Strange Familiars Curiosity of the Week #149: Ambrotype PhotographThis photograph can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/4302338260Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Face the Haint by Timothy from Haint: https://stonebreath.bandcamp.com/album/haintSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Branden, from The Devil Within podcast, stops by to talk about his show, demonic possession, haunted video games, ghost stories, and more.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 528 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy.Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Shapeshifter by Timothy from Haint: https://stonebreath.bandcamp.com/album/haintSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rebecca shares stories of encounters with a possible unhuman, a little person, dinosaurs, a black dragon and more.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 527 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8Episode art by Timothy:The original illustration can be purchased from in our etsy shop: https://lostgrave.etsy.com/listing/4295796729Strange Familiars Curiosity of the Week #148: Loch Ness MonsterThis postcard can be purchased in our etsy shop: https://lostgrave.etsy.com/listing/4295795450Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Twelve Moons by Timothy from Fallow: https://stonebreath.bandcamp.com/album/fallowSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Victor continues his stories, including a boggart seen in the haunted house and a roadside bigfoot encounter. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 526 notes and links:Victor's podcast - Paranormal: Fable or Fact Youtube: https://www.youtube.com/@ParanormalFableorFact Facebook: https://www.facebook.com/profile.php?id=61563331340326&mibextid=ZbWKwL email: Pfableorfact@proton.meKiya's gofundme: https://gofund.me/f2d72fc8ORDER I Have Never Minded the Loneliness here: https://lostgrave.etsy.com/listing/1846191158Episode artwork by Timothy: The original art is available from our etsy shop: https://lostgrave.etsy.com/listing/1904783015Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Page 43 Upon the Wind by Stone Breath from The Night Birds Psalm: https://stonebreath.bandcamp.com/album/the-night-birds-psalmSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Victor relates stories of growing up in a haunted house. Items going missing and returned, unexplained noises, unseen beings, and terrifying visits from the Night Hag and a creepy, whispering entity. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 525 notes and links:Victor's podcast - Paranormal: Fable or Fact Youtube: https://www.youtube.com/@ParanormalFableorFact Facebook: https://www.facebook.com/profile.php?id=61563331340326&mibextid=ZbWKwL email: Pfableorfact@proton.meKiya's gofundme: https://gofund.me/f2d72fc8ORDER I Have Never Minded the Loneliness here: https://lostgrave.etsy.com/listing/1846191158Episode artwork by Timothy: The original illustration can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/1890156066Strange Familiars Curiosity of the Week #147: AMAZING STORIES magazine – 1932This item can be purchased in our etsy shop: https://lostgrave.etsy.com/listing/1904334887Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Walking Sam by Stone Breath from The Night Birds Psalm: https://stonebreath.bandcamp.com/album/the-night-birds-psalmSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Terry shares stories of a samurai ghost, ghosts and poltergeist-like activity in a theatre, and more. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 523 notes and links:Kiya's gofundme: https://gofund.me/f2d72fc8ORDER I Have Never Minded the Loneliness here: https://lostgrave.etsy.com/listing/1846191158Episode artwork by Timothy: The original illustration can be purchased in our etsy shop: https://lostgrave.etsy.com/listing/1900967145Strange Familiars Curiosity of the Week #146: Intercourse HEX SIGN coastersThis item can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/1900969215Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is To Sleep With Skeletons by Stone Breath from The Night Birds Psalm: https://stonebreath.bandcamp.com/album/the-night-birds-psalmSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

First, we begin a new series exploring black dog ghosts in the United States. Next, Amy shares stories of a mouse lady, a moving sarcophagus, and oak leaf synchronicities.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 522 notes and links:ORDER I Have Never Minded the Loneliness here: https://lostgrave.etsy.com/listing/1846191158Episode artwork by Timothy: The original illustration can be purchased here: https://lostgrave.etsy.com/listing/1898156589Strange Familiars Curiosity of the Week #145: DEVIL postcardThis item can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/1883971442Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is The Night Birds Psalm by Stone Breath from The Night Birds Psalm: https://stonebreath.bandcamp.com/album/the-night-birds-psalmSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Michelle shares stories of her encounters with ghosts, the hatman, an unhuman hitchhiker, UFOs, and a possibly-demonic fireball.If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Strange Familiars merch: https://www.strangefamiliars.com/merchGIVE THE GIFT OF STRANGE FAMILIARS: https://www.patreon.com/StrangeFamiliars/giftOur Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://lostgrave.etsy.comFollow us on Whatnot: https://whatnot.com/invite/strangefamiliarsEpisode 521 notes and links:ORDER I Have Never Minded the Loneliness here: https://lostgrave.etsy.com/listing/1846191158Episode artwork by Timothy:The original can be purchased here: https://lostgrave.etsy.com/listing/1894368875Strange Familiars Curiosity of the Week #144: SNAKE OIL!This item can be purchased from our etsy shop: https://lostgrave.etsy.com/listing/1880186942Please support Kiya.Life and their work at Pine Ridge.KIYA.LIFE: https://kiya.lifeLancaster Conservancy: https://www.lancasterconservancy.orgProtect Cuff's Run: https://www.lancasterconservancy.org/protect-cuffs-run/Riverbend Comics: https://www.riverbendcomics.comRiverbend Comics Instagram: @riverbendcomicsTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Chad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is Sacred Heart of the Seventh Gate by Stone Breath from Greys and Orphans: https://stonebreath.bandcamp.com/album/greys-and-orphansSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy