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2 episodes with angevins
6 episodes with angevins
4 episodes with angevins
4 episodes with angevins
4 episodes with angevins
2 episodes with angevins
2 episodes with angevins
2 episodes with angevins
Aujourd'hui, c'est au tour des Angevins de faire face aux GG. - L'émission de libre expression sans filtre et sans masque social… Dans les Grandes Gueules, les esprits s'ouvrent et les points de vue s'élargissent. 3h de talk, de débats de fond engagés où la liberté d'expression est reine et où l'on en ressort grandi.
Au sommaire de ce Sous-Marin aujourd'hui : On reçoit Ben Brothers Production, un groupe de jeunes comédiens angevins qui ont… The post Des comédiens angevins en route pour une finale aux États-Unis first appeared on Radio Campus Angers.
Philippe Auguste ascends to the throne of France. Half of his kingdom was in the hands of the Angevins. From humble beginnings, Philippe becomes the greatest of all the Capetian monarchs. The French History Podcast is sponsored by BetterHelp Learn more about your ad choices. Visit megaphone.fm/adchoices
Barbecue Foot sur Radio Merguez & Co, le talk foot en mode barbecueEmission du 4 juin 2023Avec Arnaud Tovic, Carlos Misère et Jérôme le Roi du Stade LIGUE 2 - La saison est terminée en Ligue 2 au terme d'une 38ème journée agitée et toujours incertaine en Ligue 2 en raison d'incidents rocambolesques, en plus d'être honteux, à Bordeaux...On aimerait parler uniquement de foot et pas des abrutis dans les stades, mais il en a suffit d'un seul vendredi soir à Bordeaux pour faire basculer le dénouement de cette ultime journée dans le néant, quelque part entre la bêtise et la consternation ! Dommage pour la Ligue 2 et tout le positif que cette saison a malgré tout généré : la domination du Havre, la hargne de Metz, la lutte acharnée pour le maintien etc. LIGUE 1 - Un jour après sa petite soeur, la Ligue 1 a tenté de redorer l'image du foot hexagonal en faisant parler les terrains. Si le PSG est déjà en vacances (on le savait !) et a peu fêté son 11ème titre à l'image d'un Messi absent, le RC Lens a croqué l'AJ Auxerre pour terminer sa belle saison par un feu d'artifices mérité.Tout le contraire de l'OM qui s'est fait surprendre à Ajaccio et qui finit la saison un peu bizarrement, malgré sa 3ème place. Dans la course à l'Europe, Rennes finit 4ème grâce à un magnifique finish, Lille sauve les meubles et double Monaco qui aura tout gâché ces dernières semaines. Philippe Clément n'y résistera pas et quittera le Rocher dans la foulée. En bas, c'est finalement le FC Nantes qui se maintient et l'AJ Auxerre qui descend. Les Nantais ont bien réglé de timides Angevins tandis que la montagne lensoise était hélas trop haute à gravir pour les Auxerrois qui peuvent nourrir des regrets, pas sur ce dernier match, mais plutôt sur les matchs récents qui se sont joués à peu de choses, contre la semaine dernière contre Toulouse. Au fait, si tu as des conseils et si tu veux participer à l'émission, n'hésite pas à nous contacter via Twitter, Facebook, Instagram, YouTube, Twitch ;)
Retrouvez Éric Silvestro, Xavier Domergue, Carinne Galli et nos correspondants pour vivre l'épilogue de la saison 2022-2023, avec une question majeure : qui de Nantes ou Auxerre descendra en Ligue 2, avec Angers, Ajaccio et Troyes ? Les Canaris reçoivent les Angevins, derniers, tandis que les Bourguignons se frottent à Lens, 2e et assuré de jouer la Ligue des champions l'an prochain. Les autres matches au programme : PSG-Clermont, Ajaccio-Marseille, Nice-Lyon, Troyes-Lille, Brest-Rennes, Monaco-Toulouse, Lorient-Strasbourg et Reims-Montpellier. Ecoutez RTL Foot du 03 juin 2023 avec Éric Silvestro.
The Amati family; in this Series we explore the life and legacy of Andrea Amati, the masterful craftsman behind some of the world's most revered violins. In these episodes we delve into the fascinating history of Amati's life, his revolutionary techniques, innovations, and the enduring impact of his work on the world of music. Through interviews with experts in the field of history, instrument-making, and performance, we uncover the secrets of Amati's unique approach to violin-making, from his choice of materials to the meticulous attention to detail that went into each instrument. We also explore the rich cultural and historical context that shaped Amati's work, and the role that his violins played in shaping the sound of the Renaissance and beyond. Transcript Andrea Amati Part I A traveller passing through northern Italy's Lombardy in the 16th century would be struck by its beautiful plains, fertile meadows and abundance of grains and livestock. Large fields planted with wheat, alternated with meadows crossed with an intelligent system of irrigation ditches, and long rows of trees growing around the edges of the fields gave it that typical Po Valley plantation look. In the distance, on the northern bank of Italy's longest river, the Po, lay the bustling city of Cremona. East of Milan, on the flat Padana plains, it was described as being “rich in men and traffic”, an important commercial hub, and here you would find a strategic river crossing. In this city lived a handful of noble Cremonese families, owners of almost all the land in the surrounding countryside's, cultivated by peasants still living under a feudal system. The crops they grew, of flax, wheat, millet, rye, and rice, would be transported into the city to feed its citizens. After Milan, Cremona was the largest and most important city in the state, bursting with tradespeople and merchants. Almost 50 percent of its inhabitants are artisans, and the wealth of the city is substantial. In the Duchy of Milan, Cremona contributes as many taxes to the Duke's coffers as the rest of the provinces combined, making it a noteworthy place indeed. This was an era in which transport via water was 20 times cheaper than overland. Goods and people were frequently passing through the city on barges, often coming from Venice, then on to the markets of all of Europe with their wares. It was a transient place, an inland port even, where many people would pass through, stop and stay a while, then move on. But for those who stayed there, life was never dull. In the year 1505, a Cremonese artisan called Gottardo Amati and his wife welcomed a little baby boy into the world. They named him Andrea Amati. As was often the custom, their son would one day learn a trade similar to that of his father. Of this his parents were fairly certain. What they couldn't have known was that this child would grow up to be the first in a great dynasty of violin makers, whose instruments would grace the salons of royalty and become proud acquisitions of noble families across Europe, influencing every violin maker that would come after him. Whether they realized it or not. The Amatis. You may or may not have heard of this violin maker. But hopefully by the end of this series you will be like, Amati, yeah sure. Which one? The father, the son, the brothers, the grandfather? Because yes, there were a bunch, five to be precise, spanning four generations and they all lived in the northern Italian city of Cremona. In these episodes I'll be looking at the Amati family of Violin Makers, their extraordinary story that spans almost 200 years and the world changing events that moved their lives. I started by talking to someone who knows a whole lot about this family. Violin maker, expert, author, and researcher in Milan, Carlo Chiesa. Carlo Chiesa I'm a violin maker and a restorer and the researcher on the history of violin making. To find the Amati workshop, first we must go to the city of Cremona. The Amatis are all connected and if you look at the history of the Amati family of violin makers, that's the history of the Cremonese making for about two centuries because the Amati workshop was the only serious workshop in Cremona for about 200 years. When you speak of Cremonese making, of course you must start with the Amati workshop. Linda Lespets In the 1500s, Cremona was a city full of life, its streets filled with the sounds of clanging hammers and the buzz of conversation. It was home to a thriving community of artisans, each with their own unique skills and talents. Half the population found themselves in trade, but the other half worked and survived by supplying manual labour for the domestic market. There were servants, shopkeepers, coachmen, navigators, bankers, blacksmiths, carpenters, woodsellers, farriers, instrument makers, the list goes on. I spoke to Benjamin Hebbert, Oxford based expert, dealer, author, and international man of mystery. Benjamin Hebbert So, Cremona's actually a very interesting city, if you think of Italy and, you know, Italy's got the sort of long boot kind of going down into the Mediterranean and then you've got the sort of, the top of Italy is sort of, kind of oval shaped, like the socks sticking out of the top of the boot. And if you take that area, the great landmass of Northern Italy, at the top and at the west, it's lined by mountains. And then you've got the Adriatic Ocean with Venice on the other side. And right going through the middle is the River Po. And that really connects everything. The Po becomes, by the time you get to the middle of Italy, it's a very wide river. So your last stone bridge is at Piacenza. It starts at Trieste, goes to Piacenza. And then when you get to around about Cremona, there's a number of islands, very swampy islands. And the river kind of kinks a little bit so it slows and it becomes a little bit narrower because of the swamps and that's not good enough to put a bridge on it but it's controllable so that you can put a pontoon bridge over the river so at certain times of the year you've got a huge bridge for trade for taking armies over and that's really the history of northern Italy is armies going one way or another. Cremona is that point right in the middle of Italy where you can get huge amounts of trade, commerce, anything can travel through and get over the pontoon bridge and of course that pontoon bridge doesn't exist anymore it's even difficult to see on maps because in maps people draw land features and stone buildings they don't do disposable bridges. So right away from the Roman times, that's what Cremona stands for. If you go to Cremona, you'll see that there's all sorts of arguments, whether it's the highest tower in Italy, the highest tower in Europe, but the cathedral has this enormously high tower. And that's because actually from the top of the tower, people wanted to be able to see over the river to whatever was coming from the other side. There was a massive fortress in Cremona, towards the western edge. And one thing that you'll miss when you go there is that because of the way that the river's silted up, it's now about a mile. Maybe two miles from the city walls. Linda Lespets Carlo Chiesa talks about cultural life in Cremona and how it was placed in the dutchy of Milan. Carlo Chiesa Cremona was a large town in northern Italy in the plain, so in a very quiet and rich environment. But the problem was that, Cremona was never, the main center of a state. It was a large city in a rich area without a court and without a university. So it was a quiet place, so to say. The noble families from Cremona, had a, usually a palace, a building in Milano. So Milano was the important city and Cremona was just, an outskirt, so to say, there was no high cultural life in Cremona for many years, and at that time, that was the situation. So it was, I would say, a quiet place to live, but for the fact that sometimes it happened that armies arrived from one place to going to another and there were wars and riots and things like that. So, I think life was quite, easy in Cremona, but not, we must not, consider that as we see today, it was not safe. There was never a safe idea of life. That is the main difference in my opinion. It was the seat of rich families, very rich families. It was a very rich environment, but since there was no court the cultural life was never as important as it was in even smaller towns which had rulers and small courts, let's say Parma or Mantua or Piacenza even. These are cities smaller, much smaller than Cremona and less rich than Cremona but situated just 40, 60, 80 kilometers away of Cremona. But they had a richer cultural life because there were kings or princes or counts or some people who took care of the court. Linda Lespets Cremona was a booming city on the rise. Around 35, 000 people lived there. The size of it meant that merchants would not accumulate fortunes like those in Florence or Venice. But what we do find is a healthy middle class. earning a good living for themselves. To get an idea of the atmosphere, in the mid 1500s, 50 percent of people living in Cremona were artisans, 10 percent nobility, 20 percent were classed as just poor, and the rest worked for the others. Zooming into the artisan class of Cremona, we find that sixty percent of them worked in the thriving textile industry. Cremona was known for its fustian, that's a heavy cotton fabric often used for men's clothing and padding. The Cremonese fustian had dazzling colors and beautiful designs. Cremona was making 100, 000 pieces of this fustian that was exported to Venice and beyond the Alps. This well connected city thrived through its manufacturing industry. Their success was an availability of raw materials and their ability to be able to process them. As in the textile industry, there was a sort of funnel of goods arriving from Venice, from the east and the rest of the known world. They would be shipped along the Po River in barges to Cremona where they would either be processed or go on to be sold in the rest of Europe. There were products arriving from the north, Germany and from the south, from Naples. Merchandiser materials coming from all directions, converging on this one town, which made it a fantastic place to be an artisan. All you desired was at your fingertips. The time we find ourselves in is the Renaissance. Cremona is an intersection of trade, had not only physical goods, but ideas, and it is into this world we find our first violin maker. Andrea Amati, a Renaissance man. Carlo Chiesa. Carlo Chiesa When Andrea Amati was born and when he grew up, he was working and he was an apprenticeship in a Renaissance workshop, meaning that his training was as an artisan who was intended to be an artisan artist. Linda Lespets So the Renaissance, what was it exactly? I spoke to Dr. John Gagnier Dr John Gagne I'm John Gagne. I'm a senior lecturer in history at the University of Sydney, and I work mostly on European history from the 13th to the 18th centuries. What is the Renaissance? Oh, right. Okay. Just in a nutshell. Yeah. So the Renaissance, largely speaking, is an intellectual cultural movement. Based upon, well, you know, as you know, it's a French word, meaning the rebirth refers to any flourishing of some previously existing culture. I say this generally because, you know, there were renaissances before the, the famous one, the Italian renaissance, there was a Carolingian renaissance, there was a 12th century renaissance. But the one we're most familiar with is the, let's say the 15th century renaissance, which really got its start in the. 13th century, grew in the 14th century, maybe made most famous by Petrarch, who was a scholar and poet. And then sort of exploded across Italy in the 15th century, when many culture makers and princes began to return to the inheritance of classical Roman antiquity to try to suck out of it the, you know, a platform for moving ahead in European history because they saw, they thought that the past had been so rich and so much had been lost that only by going back, could you find something to build the future with and what's maybe most notable about the 15th century renaissance is They really scraped all aspects of the, barrel, let's say, of ancient culture, so it was, intellectual, moral, philosophical, cartographic, scientific, musical, arithmetic, it was everything that the classical world had left. They really wanted to absorb and internalize. So in the 15th century in Lombardy, which is where Cremona is, there is a court in Milan which also has a sort of satellite in the city of Pavia, the second city of the duchy. The duchy of Lombardy is, you know, probably a few million people, one of the most industrious in northern Italy. The courts at Milan, the Ancestral Castle is at Pavia, that's also the university town. And then, the third city, let's say, although Pavia is very large, Cremona is often referred to as the second city of Lombardy, because it's also a city of industry. And so, The world in which Andrea Amati would have grown up. So there were maybe two aspects to that world. And one is the one I just described, which is a world of antique rebirth, which by the 16th century was in very full swing and had been internalized, even at levels below elite levels, thanks to things like the printing press, which had made access to knowledge more accessible. And then there's the political environment, which was more tumultuous because, the Duchy of Milan, or Lombardy was, contested territory for the first half of the century. So it was a war torn part of Italy. And so the world he would have grown up in would have been, extremely tumultuous because of shifting political regimes, especially in Cremona. Linda Lespets All the income taxes, I think it's income taxes, in Cremona just as a city, had as much income tax as all the other, towns. in the Milanese state combined, so economically it was quite important. John Gagne Yeah, and it sounds like one of their biggest industries was, textiles. It looks like mostly Fustian, which is a kind of cotton velvet, let's say. And a few other sort of middle range textiles. So they're not, what Cremona produces is not fine textiles like silks and silk velvets and that kind of thing. Those are still produced elsewhere. In fact, in Milan, the city, put up regulations that prevented other cities, even within its own duchy, from, let's say, getting into the silk trade or silk production, which would have meant planting lots of mulberry trees that the silkworms could grow. That was not Cremona's specialty. They never really got into that. What they were surrounded by was flax and cotton. They had rich territory to grow that kind of crop and so they produced a kind of like hard wearing, sometimes called German style cloth, which they exported, very successfully into northern parts of Europe. Linda Lespets Basically it was a town that made a lot of its money through the textile trade. And they also talk a lot about the Moleskine, and I thought they were like... Actual little mole skins and I was imagining all these like farms with tiny little moles and Emily the Fashion historian. She said no, it's a soft cotton. It's not actually a mole So I'm like, where are they getting all these moles from? Because it was a lot. John Gagne Yeah, the renaissance mole farming was an intense industry. We won't get into right now, but no I'm joking yes, I mean, It's a city that, it sounds like, you know, Cremona's merchants were, very active on the regional and international scale. So it seems like more even than the Germans, there were Cremonese merchants active in Venice. So if you're thinking about like the, who would you, whose faces would you see most around Venice, which was of course like an international hub. The Cremonese community was extremely active in Venice, which gave them access to all kinds of, shipments coming from all over the world, really. And then there was an access because the city sits on a pilgrimage route known as the Via Franchesa, which runs from England down to Rome, there would have been a kind of like cross European access, route for traders, travellers, merchants to pass through the city as well. And, uh, so there's a constant passage of merchants from Cremona up into, you know, the Alps, then over into France and through, diagonally through France towards England. Linda Lespets In the center of the city of Cremona is the Piazza del Comune, or Town Square. A bustling hub of activity, this grand square was surrounded by some of the city's most impressive buildings, including the Palazzo Comunale, or Town Hall, with its tall arches and elegant columns. It was a symbol of the city's power and wealth, its political center. It's Loggia De Militi, it's military headquarters, and the cathedral, the religious heart of Cremona, with its impressive terrazzo bell tower standing proudly next to it. Our violin maker Andrea Amati was born in 1505 and as a boy the cathedral was already almost 400 years old. Rising up from the stone paved square, it is one of the most beautiful Romanesque cathedrals in Lombardy. On its white marble facade is a magnificent central rose window with a two story loggia adorned with stately statues. The sound of bells echoing through the city was a constant reminder of its importance, and at the moment it was undergoing a transformation. If the young Andrea Amati had wandered into the cathedral, he would have seen walls rising up held by giant stone pillars capped with gilded gold and intricate carvings. Weaving its way around all this was scaffolding. Lots of scaffolding. The painter Boccaccio Boccacino is painting colourful frescoes of the Epiphany and a cycle of the life of Mary in Christ. These paintings in the cathedral would continue throughout Andrea Amati's lifetime by a variety of artisans, and as the years passed he would see the church filled with vivid artworks bursting with life. Sometimes even seemingly to spill out of the paintings themselves and into the church, thanks to the artist's use of trompe l'oeil and life sized paintings depicting biblical scenes. It is a truly impressive structure. Coming out of the cathedral and walking along a decorative portico, you cannot miss the Torazzo, the highest tower in Italy, made of brick and rising well above the city. Its size and beauty were a source of pride for the people of Cremona. From this tower, which is in fact the bell tower of the cathedral, a lookout could spot approaching armed forces, and the people of the city were not being overcautious. Cremona had an unfortunate habit of being trampled by invading armies on a regular basis. And yet, it was an exciting time to be alive. The world was changing in unstoppable ways. This was the modern era, John Gagne. John Gagne Okay, so, you know, obviously the modern era is contested and many people, accept that it's a fiction of history, you know, when we become modern, but there are some compelling things that we recognize in terms of the transition from what we call the medieval to the modern. And one of the, say, most, enjoyable ones is a print. Made in the 16th century by the Dutch Flemish artist Jan Straat who went by Jan Stradanus, Johannes Stradanus in Latin, who's worked for the Venetian court. And he produces a print called Nova Ruperta, which means New Discoveries. And it's nine items that he thought represented the modern world. And they were the Americas, the magnetic compass, gunpowder, the printing press, clockwork, guayac wood, which was wood from Brazil that was used against syphilis, distillation technology. Silk cultivation and the stirrup and saddle and those were some of these of course are not new to the 16th century Some of the like stirrups have been around since the deep Middle Ages and some of these of course were Asian technologies They were brought to Europe, you know, like printing or silk making and that kind of thing Actually printing was individually established in Europe, but all the rest of it gives you a sense of what people in 16th century thought made their age a new age So syphilis was a big thing Yes, syphilis was completely contemporaneous with the Italian wars that we discussed earlier in terms of the breaking apart of local rule in Cremona. Syphilis, it's still disputed about whether syphilis was an ancient disease that had recurred, or whether it was a completely new disease that Europeans pinned on the Americans. But, one of the first successful cures after mercury, which is of course a terrible cure because it also kills. Even though it may feel like it's fixing the syphilis, was the guaiac wood from Brazil, which had curative properties. But maybe the overarching story is one about, an opening up of Europe to things that suggest going places or opening up to ideas whether it's about the magnetic compass and the discovery of the Americas or Travel learning new things to the printing press so it's let's say broadening of the mind of Americans of Europeans I'm sorry, and that I think is a nice distillation Let's say of the idea of modernity in the 16th century is that these things are new discoveries that set Europe on a new path And this modern era with all its new or revised discoveries and ideas would have influenced or been a part of Andrea Amati's life in Northern Italy. Linda Lespets Stories of strange and distant lands, cures of diseases, printing, the spread of learning, and music. Incredible clockwork mechanics and more give us a taste of the world he came from. Looking onto the Piazza del Comune, the centre square of Cremona, on a busy market day. You could run into locals and foreigners alike. Farmers, clergy, members of the civic community, artisans, nobility, peasants, and soldiers. There were always soldiers from somewhere. On campaign passing through the city. And of course merchants. Merchants of anything and everything, selling all sorts of goods imported into the city from one of the many trading routes leading there. There were spices, herring, honey, oysters, fine wines, pepper, clothes, dyes, cloth, fake gold, iron, leather, paper, soap, hats, sugar, just to name a few of their wares. Although the city was under the control of the Venetian state, life was precarious. Safety was never assured, and wars between the French, the Spanish, the Austrians, and even neighboring states was a constant danger. The people of Cremona lived in an ever present shadow of war. John Gagne. John Gagne Venice also had a claim on Cremona. So, part of it was that it was, Cremona was being tugged in three directions, the French claimed it, Cremona actually broke away from the Duchy of Lombardy in 1499 when the French took over and it gave itself to Venice for nine years or something and then the French captured it back. There was a lot of back and forth. For strategic reasons, obviously, it was a, for all the reasons we've described, it was a desirable city in terms of its productivity, it's revenue and that kind of thing. Exactly. Yeah. Moles everywhere. And so, uh, but there was also, interestingly, and maybe this is characteristic of Cremona, there was also a large sort of community of resistors to a lot of the foreign occupation. There's one great story about. In the 1520s, as the Cremonese were trying to escape from French oversight that 500 rebels against the French entered the city disguised as peasant grocers to lead a revolt from within. So that's the kind of thing that's going on all the time is an attempt to pull the city in one direction or another, often by the residents themselves that are trying to fight against whoever is in control. Yeah, it's, it's tremendously, um, tumultuous until basically the, French totally withdraw. And it's, as I said, Cremona is the last city other than Milan that the French withdraw from. And so it was really kind of like a war zone. In the story of the 16th century though, if I can tell big stories for a second, is one of recovery. So through the, let's say up to 1600, uh, there's a lot of recovery going on, economic recovery, you know, a post war boom of some sorts where the city is reestablishing its earlier successes. And then after 1600, there's a slide downwards that comes as a result of a number of things, including the 1630 plague and the 30 years war, which runs from 1618 to 1648. And that really, Sets most of Italy on an economic decline that's, that it never really recovers from, you know, until the 19th century. Linda Lespets One day when Andrea was seven years old, news came of the brutal sacking of the city of Brescia by the French. I speak about this in the very first episode of the Violin Chronicles. Brescia was only 60 kilometres away and also part of the Venetian state. Would Cremona be next? Word came that Bergamo had paid the French 60, 000 ducats to avoid a similar fate. Cremona was not in danger, just now. But after some complicated manoeuvring, the city was now being ruled by the Dukes of Milan, the Sforzas. Battles were being fought and armies were passing through the city, again. But life went on, and Andrea would grow up in this time of uncertainty, with continual war looming on the horizon. A horizon that could be seen from the top of that really tall bell tower. We were just talking about the terrazzo. At around the age of 14, Andrea would have started learning his trade. He was most likely apprenticed to an instrument maker, or learnt from his father, perfecting his skills and honing his craftsmanship. In the Amati household, after several years, Andrea would have finished his apprenticeship, become a craftsman, and continue to work under a master for many years. He would live through the turbulent years in his town until he reached the age of 30, when the city changed hands once again and was now controlled by the Spanish. The irony of this war was that the Spanish created relative peace and stability by investing in local infrastructure and injecting money into the region. They absolutely wanted to keep other powers out, and ended up creating a bubble of stability for the area. John Gagne explains how the Spanish came to rule Lombardy and Cremona. John Gagne I should say that the whole century was a bit messy, or the first half of the century was very messy. The first thing to say is that the Spanish and the French had been, in Italy for centuries. So, the Spanish had ruled, or the House of Aragon had ruled the Kingdom of Naples on and off with the Angevins of France since the 13th century. So, in the south of Italy, there had been a kind of give and take between France and Spain over the rulership of, Italy's largest kingdom since the Middle Ages and this had been going on even earlier in Sicily. So, there's kind of an upward movement of this contest between the crown of France and the crowns of Spain that then breaks out at the end of the 15th century when both the Spanish and the French try to gain more territory in Italy. The fulcrum for their dispute, well, it starts actually in, not surprisingly in Naples, but the Spanish managed to keep Naples after some tumults between the 1490s and the 1510s. But in the north the French succeed for the first 30 years of the century. So the French establish, they take over the entire duchy of Lombardy. They kick out the Milanese dukes, more or less. I mean, there's a lot of fighting. They come back three times. So there's a lot of in and out of regimes. So the French succeed and in fact, Cremona is in French hands for the longest of any city in the Duchy and is one of the most fought over. There's a lot of violence in Cremona through the 1530s, and there's a lot of tension with the French occupiers through that period as well. In fact, there's a great chronicle in the civic library of Cremona that I've looked at, which is vivid that just in describing the suffering of the people of Cremona in the first 30 years of the 16th century. Then the Spanish crown manages to kick the French out and they say they claim the duchy of Lombardy for themselves, which in truth they did have some claim to because the Spanish crown became soldered to the Holy Roman Empire. In 1500, when the little prince, Charles V, inherited both the Spanish crown and the Holy Roman Empire. So in one person, you had that trans European claim on a lot of territories. So it's largely thanks to the inheritance of Charles V that he could lay claim to the Duchy of Milan. which finally came into his hands in 1535 when the last of the native Dukes died. And then, it basically remained in Spanish hands until the 18th century. Much of Italy was under Spanish rule of some kind, until the 18th century. And maybe the key, the last thing to say here about how Cremona became Spanish was that, Emperor Charles V retired. He handed, he broke up this unified dominion over much of Europe and handed off different parts to different people. His son became, King Philip II of Spain. And in the 1540s, the late 1540s, King Philip established personal rule over the Duchy of Milan. And in that case, you know, he sent a lot more, governors to Italy to take over and make sure that his own orders were being enforced. So by 1550, let's say, by the time Andrea Amati is an adult man, the government he's working under is run by a Spaniard. Although the, let's say, the city of Cremona is still being overseen by a largely Italian group of magistrates under the rulership of these Spanish representatives. The Spanish monarchy took over from the Sforza Lodge in 1535 and would retain power that would last for the next 200 years or thereabouts. Linda Lespets This same period of Spanish occupation would coincide with a golden period of violin making in Cremona and would englobe the lives of the four next generations of our Amati family. This brings us to the end of the first episode in this series on Andrea Amati. The picture we have of Cremona in the early 16th century is of a busy commercial hub full of artisans, not particularly many instrument makers, yet things are about to change on that front. Despite the city being battered by wars, the people are particularly resilient, if somewhat warlike, and as you will see in the upcoming episodes, they will have to face even greater odds to survive and thrive. All the while creating some of the most beautiful instruments we have surviving today. I'd like to thank my guests, Carlo Chiesa, Benjamin Hebbert, and Dr. John Gagne for sharing their knowledge with us today. Thank you so much for listening to this podcast and I'll catch you next time on The Violin Chronicles. Whether you're a seasoned musician, a lover of classical music, or simply curious about the art of violin-making, “The Violin Chronicles” is the perfect podcast for anyone looking to deepen their understanding of one of the greatest craftspeople in history. Join us as we explore the life, work, and legacy of Andrea Amati, and discover the secrets of his enduring genius. The music you have heard in this episode is by Unfamiliar faces – All good folks, Bloom - Roo Walker, Getting to the bottom of it –, Fernweh Goldfish, Le Magicien- Giulio Fazio, Industrial music box-Kevin Macleod, The penny drops- Ben Mcelroy, Gregorian chant- Kevin Macleod, Make believe-Giuolio Fazio, Casuarinas- Dan Barracuda, ACO live in the studio Baccherini
The Plantagenets: Rise Of The Angevins
Elisabeth Verry nous parle des anciens Noëls angevin.
Our seventh Louis, called Louis the Young, is overshadowed by practically everyone around him (his dad, his wife, his vassals, his friends, his enemies... the list goes on). But as times go, the middle of the 12th Century was certainly an interesting one. In this episode, once Louis VII gets back from his disastrous crusade and finally splits with Eleanor of Aquitaine, we witness the end of the English Anarchy in the north, the Rise of the Angevin Empire just to the west, and the looming presence of Emperor Frederick Barbarossa just to the east. How well can our pious, pliant and prudish donkey Louis hold onto his father's hard-won possessions in the face of such threats? Is the zealous Thomas Becket the key to bringing down those pesky Angevins? And what role will the ever-present Blois faction have in finally getting Louis the heir for whom he has prayed in vain?Find out this week!Visit our Wordpress for episode images, score summaries, contact details and more! Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen!You can also support the show on:Ko-Fi, where you can buy us a coffee and contribute a small amount to the show. Patreon, where you can join the official Angry Mob and get access to our bonus content: movie reviews, deep dives and bonus judgements!
Ile au centre de la Méditerranée, la Sicile additionne les strates culturelles et historiques. Grecs, Romains, Byzantins, Arabes, Normands, Angevins, Impériaux et Bourbons, nombreuses sont les autorités à avoir laissé leurs marques. Cela se manifeste dans les paysages et les monuments d'une île qui est un condensé de l'histoire de la Méditerranée. Emission présentée par Jean-Baptiste Noé.
The twelfth and thirteenth centuries were a time when the close friendship or petty feuding between monarchs could determine the course of history. The Capetians of France and the Angevins of England waged war, made peace, and intermarried. The lands under English control once reached to within a few miles of Paris, and those ruled by the French, at their peak, crossed the Channel and encompassed London itself. Influential women of the two royal families - including Eleanor of Aquitaine and Blanche of Castille - helped create the familial bonds that shaped the fate of the two countries.In this episode of Gone Medieval, Matt Lewis talks with Dr. Catherine Hanley to trace the great clashes and occasional friendships of two intertwined dynasties that shaped the present and the future of England and France.The Senior Producer on this episode was Elena Guthrie, the Producer is Rob Weinberg. Edited and Mixed by Seyi Adaobi.For more Gone Medieval content, subscribe to our Medieval Mondays newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today!To download, go to Android or Apple store. See acast.com/privacy for privacy and opt-out information.
On Stage est le tremplin musical des jeunes talents du Maine-et-Loire organisé par la Chabada. Parmi plusieurs candidatures, ce sont… The post Rock en scène version nouveaux talents angevins first appeared on Radio Campus Angers.
Coucou coucou ! Ici Richoult et me voilà avec l'épisode 4 de La Mémoire Arrangée.Pour ceux qui n'ont pas suivi, qui ont quitté la salle de classe, sachez que cette fiction audio est un soapcast (Soap : programme télévisuel basé sur une narration perpétuellement ouverte, style Plus Belle La Vie), un concept créé par François Descraques. Pour rappel, mon envie principale niveau scénaristique est de faire une série d'enquête, mélange entre Fringe et Columbo, se passant sur Angers. Si vous n'avez pas encore écouté le premier épisode, il est dispo ici. Synopsis de l'épisode : Simonin et l'Inconnue sont invités à manger chez Marco, le frère un peu trop parfait de Simonin. Comme d'habitude, vous retrouverez trois acteurs principaux dans cet épisode, à savoir Simon dans le rôle de Simonin, Melectrik est toujours “l'Inconnue” et nous accueillons dans cet épisode notre deuxième guest et pas des moindres : Mark Lesser. Mais si, vous avez déjà entendu la voix de Mark Lesser, on vous le jure !C'est le comédien connu pour faire la VF de Joey dans Friends, Trunks dans Dragon Ball Z, Alex dans Buffy contre les vampires,… Non ? Bon allez, dans ses premiers rôles de doublage, il a fait la voix de Berlioz dans Les Aristochats ! Voilà ! Vous voyez, vous l'avez déjà entendu ! Voir cette publication sur Instagram Une publication partagée par Team Javras (@teamjavras) Un autre truc très drôle qui a été fait entre temps :Avec l'aide d'Erika, j'ai réalisé un spot publicitaire pour ce podcast. Il a été diffusé pendant deux semaines sur Facebook en publication sponsorisée. Le tout pour faire connaître notre fiction aux Angevins.Et pour faire un spot un peu décalé, nous avons été jusqu'à utiliser une musique et des photos officielles de la ville d'Angers avec l'aimable autorisation de la Mairie d'Angers. Et ça fait plaisir ! Si ce format vous plaît, je vous demande de commenter et partager à fond la vidéo Youtube. Vous pouvez nous soutenir financièrement sur Tipeee et Patreon, vous aurez le prochain épisode en avant-première et votre nom sera crédité. Des photos exclusives sont disponibles, l'identité de notre prochain invité est dévoilé à nos mécènes et ils ont aussi la possibilité d'influencer le scénario. Deux situations leur sont proposé pour le prochain épisode ; à eux de voter et de faire un choix....
Coucou coucou ! Ici Richoult et me voilà avec l'épisode 4 de La Mémoire Arrangée.Pour ceux qui n'ont pas suivi, qui ont quitté la salle de classe, sachez que cette fiction audio est un soapcast (Soap : programme télévisuel basé sur une narration perpétuellement ouverte, style Plus Belle La Vie), un concept créé par François Descraques. Pour rappel, mon envie principale niveau scénaristique est de faire une série d'enquête, mélange entre Fringe et Columbo, se passant sur Angers. Si vous n'avez pas encore écouté le premier épisode, il est dispo ici. Synopsis de l'épisode : Simonin et l'Inconnue sont invités à manger chez Marco, le frère un peu trop parfait de Simonin.Comme d'habitude, vous retrouverez trois acteurs principaux dans cet épisode, à savoir Simon dans le rôle de Simonin, Melectrik est toujours "l'Inconnue" et nous accueillons dans cet épisode notre deuxième guest et pas des moindres : Mark Lesser.Mais si, vous avez déjà entendu la voix de Mark Lesser, on vous le jure !C'est le comédien connu pour faire la VF de Joey dans Friends, Trunks dans Dragon Ball Z, Alex dans Buffy contre les vampires,... Non ? Bon allez, dans ses premiers rôles de doublage, il a fait la voix de Berlioz dans Les Aristochats ! Voilà ! Vous voyez, vous l'avez déjà entendu ! :D Voir cette publication sur Instagram Une publication partagée par Team Javras (@teamjavras) Un autre truc très drôle qui a été fait entre temps : Avec l'aide d'Erika, j'ai réalisé un spot publicitaire pour ce podcast. Il a été diffusé pendant deux semaines sur Facebook en publication sponsorisée. Le tout pour faire connaître notre fiction aux Angevins. Et pour faire un spot un peu décalé, nous avons été jusqu'à utiliser une musique et des photos officielles de la ville d'Angers avec l'aimable autorisation de la Mairie d'Angers. Et ça fait plaisir ! Si ce format vous plaît, je vous demande de commenter et partager à fond la vidéo Youtube. Vous pouvez nous soutenir financièrement sur Tipeee et Patreon, vous aurez le prochain épisode en avant-première et votre nom sera crédité. Des photos exclusives sont disponibles, l'identité de notre prochain invité est dévoilé à nos mécènes et ils ont aussi la possibilité d'influencer le scénario. Deux situations leur sont proposé pour le prochain épisode ; à eux de voter et de faire un choix. Ils sont 40, et ils ont soutenu financièrement cet épisode : Sur Tipeee : Cactus Libidineux, Lord Purple Peignoir, Kiri, Monololo, Zenigata, Yotti, Itineris, Sorenran, Lucas D., Stellatsu, Ruby-lin, LaurentDoucet, Thomas S., Titus, LC, Thomas Lecavelier, Neron, JPPJ, Reshkaf, Mopolo, Flamingfox, Yohann Lorant et MrBadger. Sur Patreon : Nackrikor, Arthur Milchior, Melectrik, Cubex2, Lord Purple Peignoir, Goose37117, Torakh, Richoult, Barilios, Daphmotte, Gaxune, Marie Holmes, Lmorel, Clément Simonin, Kauraly, Socolin, Watchinofoye. Merci infiniment ! Participez au programme de fidélité Patreon : Cliquez ici pour nous soutenir Découvrir le premier épisode Découvrir le deuxieme épisode Découvrir le troisième épisode Découvrir la série : La Mémoire Arrangée Deezer Google Podcasts Podcast Addict RSS Spotify YouTube iTunes https://www.youtube.com/watch?v=aTp5eNhb2PM On commence l'enregistrement, on demande si les acteurs ont une idée sur le rôle de Mark Lesser. | Melectrik, Mark Lesser, Simon, Foxy et Richoult | Photo de Torakh. Suivez-nous sur nos réseaux sociaux : Facebook Twitter Instagram Youtube Tiktok Vous pouvez nous aider en soutenant la team Javras sur Tipeee ou sur Patreon !Partagez cet épisode, mettez une note sur Itunes et/ou laissez un commentaire.
Angers ➔ Biarritz en 3 jours : 2 étudiants, 2 vélos pour donner le sourire à des centaines d'enfants ! Mathis et Corentin, se lancent ce défi solidaire visant à lever des fonds pour l'association Premiers de Cordée, qui vient en aide aux enfants hospitalisés. Départ le 12 avril prochain, nos deux mordus de vélo parcourront toute la côte ouest afin d'atteindre Biarritz en trois jours !https://www.instagram.com/mathisetcorentinavelo/
Pour lutter contre la précarité des étudiants Angevins, l'épicerie Agoraé est ouverte depuis le 20 septembre à Belle-Beille. Un projet porté par la Fédération étudiante Fé2A.https://www.fe2a.fr/
Pour ce 53ème épisode de Génération Éco, pas d'invité mais un focus sur une action municipale qui revient chaque année et que je trouve vraiment intéressante. Comme tous les ans à la même période, la ville d'Angers demande aux angevins de voter pour le budget participatif. L'objectif est de réaliser de nouveaux projets proposés et votés par les Angevins et les Angevines pour un montant d'1 million d'euros.
Émission dédiée à René Malleville. Podcast très spécial avec un peu de tristesse suite à la disparition de notre tonton préféré, mais aussi de la joie avec cette victoire contre Rennes. Avant ce déplacement à Angers, Jean-Max, supporter du SCO, raconte à Faycal, Mathis et Quentin comment les Angevins se comportent en ce début de saison.Podcast produit par Sports Content. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
En ouverture de la 6ème journée de Ligue 1, le Paris Saint- Germain s'est imposé tout en maîtrise 6-1 --- Send in a voice message: https://anchor.fm/aziz-mustaphi/message
On voulait en savoir plus sur les Angevins et leur pratique et connaissance dans le sport. Nous sommes donc descendu dans les rues d’angers pour vous poser des questions.
The House of Plantagenet[nb 1] (/plænˈtædʒənɪt/) was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consi --- Support this podcast: https://anchor.fm/thehistoryexpress/support
The House of Plantagenet[nb 1] (/plænˈtædʒənɪt/) was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consi --- Support this podcast: https://anchor.fm/thehistoryexpress/support
The House of Plantagenet[nb 1] (/plænˈtædʒənɪt/) was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consi --- Support this podcast: https://anchor.fm/thehistoryexpress/support
The House of Plantagenet[nb 1] (/plænˈtædʒənɪt/) was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consi --- Support this podcast: https://anchor.fm/thehistoryexpress/support
Au programme, ce jeudi : ▪️ Présentation d'Angers SCO avec notre invité.▪️ Débat et discussions autour de la rencontre face aux Angevins, très solides à domicile. Joueurs à suivre, statistiques d'avant-match, tour d'horizon général.▪️ News.
The House of Plantagenet was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consider the first Plantagene --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
The House of Plantagenet was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consider the first Plantagene --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
The House of Plantagenet was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consider the first Plantagene --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
The House of Plantagenet was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consider the first Plantagene --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
The House of Plantagenet was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consider the first Plantagene --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
The House of Plantagenet was a royal house which originated from the lands of Anjou in France. The name Plantagenet is used by modern historians to identify four distinct royal houses: the Angevins, who were also counts of Anjou; the main body of the Plantagenets following the loss of Anjou; and the Plantagenets' two cadet branches, the houses of Lancaster and York. The family held the English throne from 1154, with the accession of Henry II, until 1485, when Richard III died in battle. Under the Plantagenets, England was transformed – although this was only partly intentional. The Plantagenet kings were often forced to negotiate compromises such as the Magna Carta. These constrained royal power in return for financial and military support. The king was no longer just the most powerful man in the nation, holding the prerogative of judgement, feudal tribute and warfare. He now had defined duties to the realm, underpinned by a sophisticated justice system. A distinct national identity was shaped by conflict with the French, Scots, Welsh and Irish, and the establishment of English as the primary language. In the 15th century, the Plantagenets were defeated in the Hundred Years' War and beset with social, political and economic problems. Popular revolts were commonplace, triggered by the denial of numerous freedoms. English nobles raised private armies, engaged in private feuds and openly defied Henry VI. The rivalry between the House of Plantagenet's two cadet branches of York and Lancaster brought about the Wars of the Roses, a decades-long fight for the English succession, culminating in the Battle of Bosworth Field in 1485, when the reign of the Plantagenets and the English Middle Ages both met their end with the death of King Richard III. Henry VII, of Lancastrian descent, became king of England; five months later, he married Elizabeth of York, thus ending the Wars of the Roses, and giving rise to the Tudor dynasty. The Tudors worked to centralise English royal power, which allowed them to avoid some of the problems that had plagued the last Plantagenet rulers. The resulting stability allowed for the English Renaissance, and the advent of early modern Britain. Richard of York, 3rd Duke of York, adopted Plantagenet as his family name in the 15th century. Plantegenest (or Plante Genest) had been a 12th-century nickname for his ancestor Geoffrey, Count of Anjou and Duke of Normandy. One of many popular theories suggests the common broom, planta genista in medieval Latin, as the source of the nickname. It is uncertain why Richard chose this specific name, although during the Wars of the Roses it emphasised Richard's status as Geoffrey's patrilineal descendant. The retrospective usage of the name for all of Geoffrey's male-line descendants was popular during the subsequent Tudor dynasty, perhaps encouraged by the further legitimacy it gave to Richard's great-grandson, Henry VIII. It was only in the late 17th century that it passed into common usage among historians. Angevin is French for "from Anjou". The three Angevin kings were Henry II, Richard I and John. "Angevin" can also refer to the period of history in which they reigned. Many historians identify the Angevins as a distinct English royal house. "Angevin" is also used in reference to any sovereign or government derived from Anjou. As a noun, it refers to any native of Anjou or an Angevin ruler, and specifically to other counts and dukes of Anjou, including the ancestors of the three kings who formed the English royal house; their cousins, who held the crown of Jerusalem; and to unrelated members of the French royal family who were later granted the titles and formed different dynasties, such as the Capetian House of Anjou and the Valois House of Anjou. Consequently, there is disagreement between those who consider Henry III to be the first Plantagenet monarch, and those who do not distinguish between Angevins and Plantagenets and therefore consider the first Plantagene --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
De 0 à 6000€/MOIS – COACH pour ENTREPRENEURS – ASSYA YOUSFI Ecouter le PODCAST De 0 à 6000 euros par mois, c’est ce qu’on va voir dans cette vidéo. Donc je suis avec Assya Yousfi. donc juste avant de voir tout ça en détail, je vous invite à cliquer sur le bouton juste en dessous, pour rejoindre plusieurs dizaines de milliers d’entrepreneurs à succès abonnés à la chaîne YouTube. Alors, tu es également membre de mon club privé Business donc depuis début 2018. Tu as réalisé également l’un de mes masterminds que j’avais organisés en mai 2018 à Tallinn, en Estonie. Donc tu as un parcours sur internet, je vais te laisser te présenter dans quelques instants. Mais ce que j’apprécie, ce que vous allez aussi pouvoir apprendre dans cette vidéo, c’est que tu réalises du coaching à étiquette. Donc on n’est pas dans le Mindset où comme moi je fais Instagram, YouTube, Facebook, Google… donc on va voir qu’est-ce que tu utilises pour avoir des prospects, ton trafic, comment les convertir en clients. Bref, l’étude de cas sera bien complète, et vous allez apprécier tout ça. Mais je vais te laisser donc te présenter. Oui, il y a des femmes qui réussissent dans le club privé Business, on y reviendra également. Je te laisse tout nous dire depuis tes débuts jusqu’à aujourd’hui dans ta vie et après ta partie internet. Donc salut Assya. Bonjour Maxence. Merci de m’avoir permis d’être là. Avec plaisir. J’ai pris les notes, j’ai pris les notes pour ne rien oublier. Donc je suis à Assya, j’ai 40 ans, je suis maman de deux enfants et je suis coach et formatrice pour l’Entrepreneur d’Avant-Garde. Alors, tu as deux enfants, quel âge ont-ils ? 7 ans et 12 ans. 7 ans et 12 ans. Donc si vous êtes une femme et que vous avez des enfants, ça va vous inspirer comment vous organiser si vous voulez vous lancer sur le Web. Ou si vous voulez avoir votre activité online. Alors, est-ce que tu peux nous partager l’avant internet, qu’est-ce que tu faisais dans la vie ? Donc avant, j’avais un cabinet en tant qu’énergéticienne, voilà, dans des villages assez paumés de 200 habitants, tu vois ? Tu es de quelle région ? Charente-Maritime. À l’époque, j’étais en Charente-Maritime. Charente-Maritime. Et aujourd’hui ? Là, maintenant, Angers, Maine-et-Loire, département de Maine-et-Loire. Donc s’il y a des Angevins, ça va vous parler. Donc OK, Charente-Maritime, et maintenant tu es à Angers. Donc avant, tu étais prof dans un lycée pour des bacs pros vente ? Oui, bac pro vente, BEP, CAP, donc aussi dans des CFA. Et puis je travaillais aussi pour le Greta, pour former des demandeurs d’emploi. Alors ça, tu as fait ça, quoi ? 10 ans, 15 ans ? Ouais, j’ai fait ça 10 ans. 10 ans ? D’accord. Alors, quel était ce déclic pour arriver sur internet ? Parce que souvent… et peut-être que vous visionnez cette vidéo, vous vous dites : « oui, je sais qu’il faut que je me lance sur internet ». Ou alors si vous avez déjà une entreprise en dur : « je sais que je dois passer au digital », parce que, voilà, c’est vraiment la galère d’être en dur. Et puis, aujourd’hui, tout le monde est sur internet, donc vous devriez profiter de cette spirale. Mais on dit : « on va le faire, on va le faire, on va le faire », on ne le fait pas. Et souvent, c’est ce que j’explique et c’est ce que je demande : c’est quoi ce déclic qui fait que, boum, je passe à l’action ? Et là, concrètement, je suis en ligne. Donc moi, le déclic, ça a été que – comme je te l’ai dit – étant dans un village de 200 habitants, je me posais la question de savoir comment je pouvais me rendre visible et… Ah oui, village de 200 habitants ! OK, ouais, donc là bien perdue. Et c’est à ce moment-là que je me suis intéressée aux formations qu’il y avait en ligne et que je me suis dit : « ce serait bien que je puisse me… être présente sur internet, mais comment faire ? » Donc c’est à ce moment-là. Et alors, c’était quelle année que tu t’étais posé cette question ? Ouais, il y a facilement 10 ans. Donc 2009 à peu près ? Ouais.
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Durée : 11:33 - Zakia, Vince et Alex sont les invités du 17-19 pour évoquer "Elements", 10è album en plus de 20 ans de carrière pour Zenzile. Ils expliquent comment s'est forgé ce nouvel opus, joué sur scène avant la phase d'enregistrement au studio Black Box (49), et reviennent aussi sur l'apport de la voix de Zakia - invitée pour la première fois.
Durée : 11:33 - Zakia, Vince et Alex sont les invités du 17-19 pour évoquer "Elements", 10è album en plus de 20 ans de carrière pour Zenzile. Ils expliquent comment s'est forgé ce nouvel opus, joué sur scène avant la phase d'enregistrement au studio Black Box (49), et reviennent aussi sur l'apport de la voix de Zakia - invitée pour la première fois.
Chaque année, les Angevins sont invités à se réunir autour de valeurs citoyennes pour être acteurs de leur ville. Ici,…
Chaque année, les Angevins sont invités à se réunir autour de valeurs citoyennes pour être acteurs de leur ville. Ici,…
Melvyn Bragg and guests discuss The Battle of Lincoln on 20th May 1217, when two armies fought to keep, or to win, the English crown. This was a struggle between the Angevin and Capetian dynasties, one that followed Capetian successes over the Angevins in France. The forces of the new boy-king, Henry III, attacked those of Louis of France, the claimant backed by rebel Barons. Henry's regent, William Marshal, was almost seventy when he led the charge on Lincoln that day, and his victory confirmed his reputation as England's greatest knight. Louis sent to France for reinforcements but in August these, too, were defeated at sea, at the Battle of Sandwich. As part of the peace deal, Henry reissued Magna Carta, which King John had granted in 1215 but soon withdrawn, and Louis went home, leaving England's Anglo-French rulers more Anglo and less French than he had planned. The image above is by Matthew Paris (c1200-1259) from his Chronica Majora (MS 16, f. 55v) and appears with the kind permission of the Master and Fellows of Corpus Christi College, Cambridge With Louise Wilkinson Professor of Medieval History at Canterbury Christ Church University Stephen Church Professor of Medieval History at the University of East Anglia and Thomas Asbridge Reader in Medieval History at Queen Mary, University of London Producer: Simon Tillotson.
Melvyn Bragg and guests discuss The Battle of Lincoln on 20th May 1217, when two armies fought to keep, or to win, the English crown. This was a struggle between the Angevin and Capetian dynasties, one that followed Capetian successes over the Angevins in France. The forces of the new boy-king, Henry III, attacked those of Louis of France, the claimant backed by rebel Barons. Henry's regent, William Marshal, was almost seventy when he led the charge on Lincoln that day, and his victory confirmed his reputation as England's greatest knight. Louis sent to France for reinforcements but in August these, too, were defeated at sea, at the Battle of Sandwich. As part of the peace deal, Henry reissued Magna Carta, which King John had granted in 1215 but soon withdrawn, and Louis went home, leaving England's Anglo-French rulers more Anglo and less French than he had planned. The image above is by Matthew Paris (c1200-1259) from his Chronica Majora (MS 16, f. 55v) and appears with the kind permission of the Master and Fellows of Corpus Christi College, Cambridge With Louise Wilkinson Professor of Medieval History at Canterbury Christ Church University Stephen Church Professor of Medieval History at the University of East Anglia and Thomas Asbridge Reader in Medieval History at Queen Mary, University of London Producer: Simon Tillotson.
Le club des Anjou Gaels amène à Angers le sport le plus populaire d’Irlande: le Football Gaelique. Partez à la…
In the Cathedral of Foggia one can find an ancient and mysterious image of the Blessed Virgin Mary. This icon, called “Our Lady of the Seven Veils,” once caused Saint Alphonsus to go into ecstasy, which I will describe below. As a young priest, St Pio of Pietreclina would make a visit to this image every day. I’ve read about the image, but knew nothing about it. I did some research and here is what I found. Madonna of the Seven Veils, Foggia In the eleventh century Foggia, Italy was a tiny town perched around the Tavern of the Owl. One day some local farmers saw three flames over a small pond or bog. Intrigued, they dug where the miraculous fire had been and discovered a large “table” buried in the mud. They realized that this “table” was actually a Byzantine icon that had remained somewhat preserved despite being soaked in water and mud. The image was cleaned and then cloaked with new veils. I assume there were seven veils and hence the name, but I cannot verify this. The icon was then placed in the local Tavern of the Owl for veneration. Soon the tavern became a place of pilgrimage. In 1080 Robert Guiscard built a church to honor the sacred image. In 1172 the church was expanded by William II “the Good” of Sicily. The “face hole” is all that one can now see of the original wooden icon. It is black and the face is now indiscernible. However, on Maundy Thursday of 1731, the Virgin Mary’s white face appeared in this portal, which was usually black and dark. Saint Alphonsus Liguori heard about apparition and went to Foggia to venerate the Immaculate Mother of the Savior. He also received an apparition of the Virgin’s face in the small black portal. He described the Blessed Virgin’s face on that occasion as a girl of 13-14 with a white veil. The apparitions of the Virgin’s face on the icon continued until about 1745. As the city grew larger, the church was decorated and enriched. The Normans, Swabians, Angevins, Aragonese, Spaniards, and Bourbons considered the church to be one of the most important in Italy. It has served as the site for several royal weddings. Today, the image is said to be covered in seven layers of precious metal and embroidered material – hence the name Madonna of the Seven Veils. Please take a moment to listen to my podcast on Our Lady of the Seven Veils. It’s free at iTunes. Or you can just listen to it by clicking here. Did you like the podcast? Want more episodes, click here. Sweet Mother Mary, pray for us The post Our Lady of the Seven Veils (St Alphonsus and St Pio) appeared first on Taylor Marshall.
Geniuses, devils, spoilt brats, villains, heroes; war, sex, violence, bravery, treachery, peace, reform... the Angevins that founded the Plantagenet dynasty have it all, in spades. Not so much history, as soap opera. This week we kick things off with the arrival of Henry II and Eleanor on the English throne....
Stephen's death in 1154 puts an end to the civil war, and with the accession of Henry II England enjoys something of a change in fortune. Henry is one of the great characters of the medieval period and the first of the Angevins (or the Plantagenets) and oversees a large empire as well as making significant improvements to the English legal system. However, his reign is not without its challenges. His conflict with his Archbishop of Canterbury, Thomas Becket, scandalises the age while his rebellious sons prove to be a constant thorn in his side. As if this were not enough, his sons are encouraged by Henry's estranged wife, Eleanor of Aquitaine, one of the most remarkable figures of the period and a stand-out personality in English history. Will Henry II be up to the task?
This is my chronological retelling of the story of the English in regular chunks. It's been going since Christmas Day 2010, so there's enough to keep you off the streets for a while and hanging around the local shopping precinct. But look, you can dip in and you can dip out too. There's all the great trends, events, and drama you'd expect, all set in the context and attitudes of their time; and on that same vein, as often as possible, the series takes some time to set England's history in the context of her neighbours and the shared culture of Europe. The great and the good are there, because that's important, but we also walk the highways and byways of ordinary lives and hear their voices - religion, culture, making a living, society and how people lived, globalisation, law - all that stuffYou can listen from start to finish; but do did in and out if you wish. Here's a guide: We start with 31 episodes on one of our foundation stories, the Anglo Saxons.Then there's 37 episodes on the Normans and Angevins, 1066 to 1215, Hastings to Magna Carta basically. The Plantagenets are next up, to the usurpation of the throne by those dastardly or saintly Lancastrians – tick as appropriateFrom episode 134 we have a real hooley – the Wars of the Roses. We did have fun with the squabbling chaos, death and destruction, very much like a normal family gathering at Christmas really, without the drowning in a VAT of malmesy wine thing hopefully, and we devoted 62 episodes to it all - 1399 to the Battle of Bosworth in 1485 basically.From episode 196, we are then on to the Tudors, and that's a monster, 137 episodes on the Tudors so if you are a Tudor lover fill up your boots. We then reach my personal favourite, the Stuart age at Episode 325, starting the British Revolutions at episode 369 Hosted on Acast. See acast.com/privacy for more information.
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