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2 episodes with dauw
2 episodes with dauw
2 episodes with dauw
2 episodes with dauw
2 episodes with dauw
2 episodes with dauw
2 episodes with dauw
2 episodes with dauw
Interviewees: Associate Professor Jasper Brugts, Erasmus University Medical Centre of Rotterdam, The Netherlands; Professor John Cleland and Doctor Ross Campbell, University of Glasgow, United Kingdom of Great Britain & Northern Ireland; Doctor Jeroen Dauw AZ Saint-Lucas, Ghent, Belgium and Interviewers: Doctor Antonio Cannata, King's College London, United Kingdom of Great Britain & Northern Ireland; Doctor Jozine Ter Maaten, University Medical Centre Groningen, The Netherlands; Doctor Sotiria Liori, Attikon University Hospital, Athens, Greece; Doctor Francesca Musella, Royal Brompton Hospital, London, United Kingdom of Great Britain & Northern Ireland. This podcast discusses the results of four late breaking clinical trials presented at the Heart Failure congress 2023 in Prague, Czech. First, dr. Brugts shares the results of the MONITOR-HF trial, an open-label, randomized trial showing that haemodynamic monitoring using a cardioMEMS device, significantly improved quality of life and reduced heart failure hospitalizations in patients with moderate-to-severe heart failure. This trial was simultaneously published in the Lancet (Remote haemodynamic monitoring of pulmonary artery pressures in patients with chronic heart failure (MONITOR-HF): a randomised clinical trial - The Lancet). Second, dr. Cleland walks us through a population study from the greater Glasgow area that found that use of loop diuretics in patients without a diagnosis of heart failure was associated with poor outcomes. He consequently discusses possible explanations and clinical consequences. Third, dr. Campbell shares the results of the DAPA-RESIST trial, that found that in patients with diuretic resistance, dapagliflozin was not superior to metolazone at relieving congestion (Dapagliflozin versus metolazone in heart failure resistant to loop diuretics | European Heart Journal | Oxford Academic (oup.com)). Fourth, dr. Dauw discusses the results of the ENACT-HF trial where a strategy of natriuresis guided therapy as recommended by the HF guidelines, in an open label, sequential roll-out (first 10 patients standard of care, followed by 10-30 patients in the natriuresis arm), was shown to improve natriuresis and reduced length of hospital stay. No effect on change in congestion score or in-hospital mortality was observed. The podcast is concluded with a brief discussion of some HFA Young highlights at the congress.
Next mixtape comes from ZONDERWERK, who are a duo consisting of Linde Carrijn and Dijf Sanders. The artists started this project during the pandemic to explore their relationship as creative partners. Carrijn has a background in acting but recently has been more focused on composing and performing original scores for theatre, while Sanders is also a composer (and music gear enthusiast), with his work drawn from a wide array of non-Western music. The duo explain that their artistic name means ‘'without work', but it also comes from ‘bijzonder werk', where bijzonder is particular and unique. Both artists like to work with images/paintings that are bijzondere werken', odd works, special and weird. The fact of working with images adds a particular approach to their creative process. As they mention, adding music and sound design to the work of art creates a new dimension and amplifies the beholder's experience. It's an extra layer, an alternative storyline outside the frame ZONDERWERK have recently released their debut album babel on the Ghent-based tape record label Dauw (which similarly has a central visual/graphic aspect to their outputs and ethos). The album materialises the duo's conceptualisation for this project; babel is an exercise in translating images into sound. It was initially created for the eponymous theatre piece by architect and artist Steve Salembier. One of the biggest inspirations for the album was Michael Woolf's photographs, which in turn also served as the basis for the original theatre piece. The use of grey and repetition is translated into looped harmonies and fine-grained drones that progressively open up like blooming ice flowers. Using city-reminiscent musical elements, such as bells and metals, to create synthy lines, tape loops, and droney. There are details of fourth-world sounds that delicately populate the different tracks; small oases where to breathe away the man-made concrete jungle that is both inhospitable and endlessly awe-inducing. The mixtape they have prepared for us is full of compositions they are inspired by: Some we love because of the choice of the gear, some of them we love because of the emotionality, some of them we love because of the memory of a moment we listened to it together. Tracklist: Vuurfeest - ZONDERWERK Psalm - Yves Tumor Jynweythek - Aphex Twin known(1) - Autechre Addio - Dienne More Islands - Clark, Budapest Art Orchestra, Peter Pejtsik Lindbergh - schntzl Falaise - Floating Points Powerspot - Jon Hassel Goodbye Pluto- Kohn (clouds) Kristalstoelen - ZONDERWERK Oh Baby - Micachu & The Shapes Wintersong - Elisabeth Klinck Hana - Asa-Chang & Junray
Midori Hirano aka MimiCof is a Berlin-based musician, composer and producer. The basis of her productions are acoustic instruments such as piano, strings, or guitars, subtly melded with an experimental and eclectic mixture of modern digital sounds, electronic processing, and field recordings. Her recent works have been released by labels such as Sonic Pieces, Daisart, Alien Transistor, Longform Editions, Dauw and Karlrecords. Here, we are honoured to share a mix from Midori of highly intuitive abstract music and minimal electronic music. @midorihirano @mimicof midorihirano.com Nailah Hunter - Forest Dwelling [Longform Editions] Neutral - Amazonia [BGM/TAMURA] Manja Ristić - Dwellers [Forms of Minutiae] Natalie Beridze - Be Airborn [Monika-Enterprise] Svetlana Maraš - Incomplete [Self] Actress - Angels Pharmacy ft. Zsela [Ninja Tune] Driftmachine - Drift [Umor Rex] Marc Leclair - 236e Jour [Mutek_Rec] SND - Vandyk-k Integ Paradise 1 [DS93] Aidan Baker - Seeing Past What Things Seem [Karlrecords] Signal - Robotron [Raster-Noton] Claire Rousay - Stoned Gesture [American Dreams Records] Dau - The Death of Smut [Phantom Limb] Olivier Alary & Johannes Malfatti - I Can't Even See Myself [Shameless Records Rocks]
Ep. 307 w/ Midori Hirano aka MimiCof & FPDJ Simon Midori Hirano aka MimiCof is a Berlin-based musician, composer and producer. Her compelling fractal productions have been released by labels including Sonic Pieces, Daisart, Alien Transistor, Longform Editions, Dauw and Karlrecords. This weekend, we are honoured to share a mix from Midori of highly intuitive abstract music and some minimal electronic music. In the second half, FPDJ Simon delves into nocturnes.
I am a lucky guy. Lucky, because I get to present a second guest in as many weeks. Lucky, because I was able to discover new artists in this excellent mix. And lucky because I am also lazy and these guest mixes allow me to put some beautiful music out there with the heavy lifting done by someone else. This mix comes to us from J. Gorecki who records as Fragile X, a musician/producer from Glasgow and the founder of the Bricolage record label: - https://bricolageglasgow.bandcamp.com/ Fragile X also has a very good new album out that you can find here: - https://cuedotrecords.bandcamp.com/album/human-condition And here is more Fragile X music: https://fragilex.bandcamp.com/ https://www.mixcloud.com/fragilex/ https://soundcloud.com/fragilex Here's what he says about this new mix: “I put this mix together to tie in with the release of my new album, ‘Human Condition'. Like the album, it is intended to portray the sense of the perpetual cycle of life. The entrance and the exit. The journey that we all individually take through birth, growth, emotion, aspiration, conflict and mortality.” Thanks for an excellent album and great mix! Cheers! T R A C K L I S T : 00:00 Jeannine Schulz - Resting Place (Resting Place Self Released 2021) 03:37 Aemaer - Clocks (Artifacts Self Released 2019) 06:13 Satori Minayia - Life Itself (Unified Field on Pyramid Blood 2020) 09:25 Patricia Wolf - Distant Memory (I'll Look For You In Others on Past Inside The Present 2022) 13:51 faintface - Hikari (ACCENTVA006 on Accents Records 2021) 16:00 nueen - Wait Until Then (Circular Sequence on Quiet Time Tapes 2021) 18:55 Oreste - Integers Cannot Float (Unfull Psalmodian Theory on Rites 2022) 23:56 Adzuki - Glass Float (Radio Sea on Shimmering Moods Records 2016) 25:45 Fragile X - Cogito Ergo Sum (Human Condition on Cue Dot Records 2022) 34:21 R Beny - Felt (echo's verse on Dauw 2019) 41:31 Octo Octa - My Body Is Powerful (Resonant Body on T4T LUV NRG 2019) 45:41 Minimal Drone GRL and Belial Pelegrim - Invernu Velu (Movements of a Cloud on Bricolage 2022) 50:30 Accelra - Three Suns (SEQUENCE3 on Futuresequence) 58:11 end
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom. The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn't hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Dr. Semerjian presents updates to MUSIC's Notable Outcomes and Trackable Events after Surgery (NOTES) uncomplicated recovery pathway to improve patient care and recovery post RP.Through efforts from the MI Pain-control Optimization Pathway (MPOP) RP & MI OPEN collab there are > 800 fewer pts receiving opioids and > 16K fewer pills in the community per year. Dr. George shares progress and next steps for MUSIC's statewide opioid-free RP pathway.Dr. Rogers discusses the complications of partial and radical nephrectomy and introduces the KIDNEY NOTES initiative. Causes of and ways to prevent ED visits and readmissions after nephrectomy are discussed by Dr. Butaney.Dr. Dauw explores the large-scale data on UA/UC before surgery and Dr. Rene Frontera presents data from the Michigan Institute of Urology.
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw's new book, Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books. Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics. Shaina Boldt assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Artist: Dauw & Schemering (Belgium) Name: DHM Podcast #1167 (July 2021) Genre: Deep House / Electronic Release Date: 27.07.2021 Exclusive: Deep House Moscow Dauw: www.facebook.com/dauwmuziek Soundcloud: @dauwmuziek Instagram: https://www.instagram.com/stijnvandoorslaer Schemering: www.facebook.com/schemering1 Soundcloud: @schemering Instagram: https://www.instagram.com/schemering_ CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/
Michel Follet (1959) is radiopresentator. Hij werkte ondermeer voor Radio 2, Radio Donna, Joe én het Nederlandse Radio 2. In 1989 won hij de Prijs van de Radiokritiek voor het programma 'Dag en Dauw'. Bij Donna presenteerde hij de ochtendshow Jabbedabbedoe. Hij was altijd één van de warmste stemmen op de Vlaamse radio, met het uitzonderlijke talent om zeer dicht bij de luisteraar te kunnen kruipen. Hij presenteerde ook verschillende televisieprogramma's. Op dit moment presenteert hij bij Eclips TV en maakt hij radioprogramma's voor Soundtrack FM. Hij heeft gehoorproblemen, hij lijdt aan tinnitus en hyperacusis waardoor hij moeilijk nog voor popradio kan werken. Michel Follet heeft heel wat boeken geschreven waaronder verschillende over de kermis, één van zijn passies. Zijn recentste boek heet Wanneer zien we u terug? en gaat over het verblijf van zijn ouders in het rusthuis. Ik was bij Michel Follet thuis, in zijn huis in Poederlee bij Lille waar hij alleen woont. We gingen zitten aan de terrastafel buiten. Hij vertelt ondermeer over de invloed van zijn vader en van zijn leraar Nederlands, over de kermis, over zijn eigen boek, en over hoe hij schrijver Erik Vlaminck leerde kennen op de Boekenbeurs. Alle boeken en auteurs uit deze aflevering vind je in de shownotes op wimoosterlinck.be De drie boeken van Michel Follet zijn: 1. Eric De Kuyper: De hoed van tante Jeannot 2. Erik Vlaminck: Suikerspin 3. Maurice Gilliams: Elias Of Het Gevecht Met De Nachtegalen
Als je door een dauwdruppel heen kijkt, zie je de wereld op z'n kop. Zou jij als dauw voor de wereld willen zijn die de wereld op z'n kop zet? Dauw is de beste manier van regen voor het land. Zou jij zo een zegen willen zijn? Luister dan naar deze boodschap die Theo de Koning je geeft naar aanleiding van het beeld van de dauw, maar laat ook zijn diepe verlangen voor de kerk in Nederland tot je doordringen. Bijbelgedeelte: Psalm 133
© artwork by https://soundcloud.com/bonnieford-1 Dauw & Schemering present Afterhour Sounds Podcast Nr. 191 Unsere Nr. 191 kommt zur Abwechslung diese Mal nicht aus Berlin. Und schon gar nicht aus good old Germany. „Endlich“ schallt es aus dem Fenster meines Nachbarn, namentlich Klaus, dem Explorer in Person. Dem Spesarträuber per exelence. Dem einfachen Menschen mit großem Herzen. Nichts gegen Klaus und schon gar nichts gegen meine Lieblingsstadt, aber ein wenig frische Luft tut immer gut. Ob Urlaub, eine neue Aufleglocation oder ein neues Gartenprojekt. Veränderungen bereiten stets Freude, auch wenn es auf den ersten Blick natürlich eine Herausforderung ist. Wer mich persönlich kennt weiß, dass ich immer wieder auf der Suche nach neuen Orten, interessanten Menschen und vor allem einzigartiger Musik bin. Daher gibt es heute logischerweise einen für mich ganz besonderen Podcast von einem DJ-Duo, welches ich zur Hälfte bereits vor Jahren auf dem Brüxsel Jardin Open Air (https://soundcloud.com/bruxseljardin) in Brüssel persönlich kennengelernt habe. Zeitreise. Wir schreiben das Jahr 2014. Brüssel, historische, obere Innenstadt, herzerwärmende, seelendurchflutende Sonne, extatische Menschen, Acid Pauli und noch viele mehr. Wow. Die Jahre vergingen, der Sound blieb. Gut so. Die Rede ist von den beiden Belgiern „Dauw & Schemering“, die mit ihrem ganz speziellen, aber mega faszinierenden Sound immer wieder für eine Überraschung gut sind. Hier bei uns unter dem Radar schwimmend, möchte ich Ihnen nun eine Bühne bieten, die ihrem Können gerecht wird. Ohne zu übertreiben, Ihr zweistündiges Set ist eines dieser Casts, an die man sich noch lange erinnern wird. Was wie eine Phrase klingt, entpuppt sich schlussendlich als Tatsache. Warum? Weil es durch und durch zeitlos und unter uns gesprochen, perfekt für eine Afterhour geeignet ist. Ganz einfach. Der Aufbau der Aufnahme ist überwältigend gut durchdacht und überaus harmonisch arrangiert. Daher verwundert es nicht, dass Sie den Hörer, ja mich, von Anfang an mit auf eine intensive und im weiteren Verlauf abwechslungsreiche Reise mitnehmen. Ich kann mich an dieser Stelle abermalig wiederholen. Und das mit Nachdruck! Alleine die ersten zwölf Minuten sind das Hören bereits wert. Träumerisch, tiefenergreifend und nachdrücklich deep passieren die Minuten und Tracks nahezu schwerelos an einem vorbei, als würde man sich im Tiefschlaf befinden. Oder einfach etwas tun, was einem von ganzem Herzen Freude bereitet. Ein Rezept für ganz besondere Podcasts wie ich finde. Definitiv ein Merkmal was viele DJ’s und Producer nicht können oder heute nicht mehr befolgen wollen. Sei‘s drum. Hier ja. Ganz einfach. Schwerelos und doch so eindringlich nachhallend. Wir schreiben Minute 15… Im weiteren Verlauf nimmt das Set eine kleine Wendung hin zum Verspielten, bleibt aber dem ursprünglichen, verträumten Charakter treu. Angereichert mit sinnlicher Melodie, ab und dann Stimmen aus dem Off und organischen Klängen laden Sie einen dezent, aber nachdrücklich zum Nachdenken und Sinnieren ein. Hierbei bringen Sie zudem immer wieder gekonnt verspielte, experimentelle Tracks mit ein. Irgendwo zwischen Breakbeat, Ambient, Deep House, World nimmt der Cast nun fortan seine Reise, um den Hörer ihn immer weiter in die Tiefe ihres Sounds zu entführen. Mission accomplished. Wir schreiben Minuten 120. Die zwei Stunden ziehen wie im Nuvorbei…und dann wird alles mit einem unnachahmlichen Finish garniert. Darauf lohnt sich das Warten definitiv. Schnallt euch an… es erwartet euch eine Reise, die wie gemacht für eine Afterhour ist. Keine Phrase, sondern ehrliche Worte eines musikverliebten Spessarters. Ich danke euch vielmals für dieses besondere Set. Umwerfend und erfrischend gut. Chapeu. ✘ Dauw & Schemering (Antwerpen) https://soundcloud.com/schemering https://soundcloud.com/dauwmuziek [Text: arkadiusz.] Download for free on The Artist Union
Hosea 14:6 'Ik zal voor Israël zijn als de dauw. Hij zal in bloei staan als de lelie, wortel schieten als de Libanon.' Thema: Gods Geest als de dauw die van levensbelang is - Zoals de dauw de harde uitgedroogde aarde zacht en vochtig maakt en geschikt voor het zaad om te groeien, zo is de Heilige Geest die ons van nature harde hart gevoelig maakt voor de dingen van Gods Koninkrijk. - Zoals de dauw onopvallend en geruisloos op de aarde ligt, werkt de Geest onopgemerkt en in stilte. - Zoals de dauw in de nacht komt, werkt de Heilige Geest vooral wanneer het nacht is in je leven. - Zoals dauw elke dag terugkomt, zo hebben we Gods Geest ook elke dag nodig. Hij is als zuurstof. - Zoals dauw uit de lucht komt, zo ontvangen we de Geest ook van boven. Schriftlezing Hosea 13:15 -14:8 en Handelingen 2:1-4,14 en 36,37
Artist: Dauw (Belgium) Name: DHM Podcast #806 (Recorded Live@A Dose Of Halloween, Milan 2019) Genre: Deep House / Tech House / Techno Release Date: 14.11.2019 Exclusive: Deep House Moscow Dauw: www.facebook.com/dauwmuziek Soundcloud: @dauwmuziek Instagram: https://www.instagram.com/dauwmuziek CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk https://deephousemsk.tumblr.com/
live CKUT music mix @radiockut on Dec. 12th, 2018. featuring : r beny (@rbeny) – fernwood (Dauw) (via @headphonecommute) utopia cloak (@mynameisharry) – Monuments (via @infinitoaudiolabel) øjeRum – An Image of a Bird Seconds Before It Appears (via @aosmosis) broadcast of tesfa llewellyn — free city radio mix https://soundcloud.com/freecityradio/free-city-radio-mix-tesfa broadcast live on @radiockut with Stefan @spirodon Christoff
Welcome back to the Magician On Duty Podcast Series! On this week's editions we welcome Dauw & Schemering :) 'Dauw & Schemering' is a DJ-duo that quickly paved their way into the Belgian music scene and beyond. Their friendship and dual personalities complement as much as their overlapping taste for electronic music. The sound they play can be best described as refined house music in all its deepest forms and tempo ranges, with a strong focus on the latest forward thinking music. They love to constantly explore the boundaries between different styles. Warm melodies then often go together with groovy bass lines creating a particular deep and rhythmic sound. Add some strong emotional flavor to their storytelling and you might get all the right ingredients for a special Magician on Duty. Filled with fresh goodies and crafted with love for you, to feel inside. We are happy to welcome them to our family, and we hope you enjoy this mix as much as we do! Tracklist: 01. Intro 02. Carrot Green - Domingo a noite em Heliodora [Voodoohop] 03. Elfenberg - Lotus [Metanoia] 04. Asten - Raw essence [Magician on Duty] 05. David Orin - Antemeridian [Saisons] 06. Amonita - Orchid [Akbal Music] 07. JP Elloriaga - Sense [Reduced Records] 08. Soul of Zoo - Walking in the forest [LANDR] 09. Bross (Ro) - Bororo [Magician on Duty] 10. Wuachuma - Beyond the mountains and the sea [Saisons] 11. Lee Burton - Die Therapie (Lake People Remix) [Klik Records] 12. Boatman - Everyou [All Day I Dream] Follow Dauw & Schemering here: @dauwmuziek www.facebook.com/dauwmuziek @schemering www.facebook.com/schemering1
Burning Man Festival 2018 Podcast Special @ Sea Fairy Show 43 With Sinnestrieb starting with ambient followed by straightforward techno. Burning Man 2018 isn’t a usual festival. Almost everything that happens and experienced in the temporary. Black Rock City is co-created by the active citizens. The festival takes place from 25. Aug. 2018 – 3. Sep. 2018 in the middle of nowhere in the Black Rock Desert of northern Nevada, in the United States. The Participants of the metropolis join their forces to create music, art and communal effort for the community. As long as you have not been there you it is difficult understand what it is about. It's a place for creative and open minded People which come together to create something fascinating and stunning each year. You must bring everything you need to survice in the desert: a place to sleep, water and food. The Bruning Man community creates a unique and distinctive culture - it is a way of life. ■ Burning Man 2018 ■ Black Rock Desert, Nevada, United States ■Line Up■ Jamie Jones, The Martinez Brothers, Joseph Capriati, Diplo, Carl Cox, DJ Tennis, Nastia, Leon, Skrillex, Waff, Flume, Noize Suppressor, Infected Mushroom, Seven Lions, Tokimonsta, Wizard, DJ BRIAN, ZHU, Blond:ish, Jennifer Cardini, Monolink, Hernan Cattaneo, Lauren Lane, DJ Richard, Aphrodite, Nico Stojan, Acid Pauli, Desert Dwellers, Eelke Kleijn, Behrouz, Miyagi, Indigo, Unders, Orion, Britta Arnold, Gabriel & Dresden, Morgan Page, Chaim, Pixie, Randy, Serge Devant, The Orb, Govinda, DJ Gregory, Elijah, Guy Mantzur, Seth Schwarz, Beats Antique, Random Rab, Kettenkarussell, Maverick, Treavor Moontribe, Bodhi, Man Power, Molina, Ivan Smagghe, Nick Warren, John B, KMLN, Öona Dahl, Tara Brooks, Tim Green, Holger Hecler, Marques Wyatt, New Order, Husky, Bloody Mary, Cylon, SkiiTour, Goopsteppa, Crussen, SOOHAN, Lucent, Marten Hørger, Tim Sweeney, Bambi, Dela Moontribe, DJ Shany, Andreilien, Amine K, Ev, Igor Marijuan, Meta, Trent Cantrelle, Cid, DeKai, Goldcap, Maxi Storrs, Bogtrotter, Dj Prime, Sam Shure, Reebs, Cormac, Keith Mackenzie, Kora, Powel, Wes Smith, Sub:Conscious, Kamp!, Ricoshëi, Cellojoe, Isaiah Martin, Ollie Mundy, Sacha Robotti, Anton Tumas, CHAKRA, DJ Assassin, KELLAM, Luca Bacchetti, Vanjee, GoodSex, SugarBeats, Alex Ferrer, Brett Rubin, Fleetmac Wood, Greg Eversoul, Kozmo, Syd Gris, Anthony Motto, ASCENSION, Zach Walker, Liquid Giraffe, Travisty, david hôhme, DJ Cookie, illexxandra, Dauw & Schemering, DJ DoT Diggler, DJ Nark, Lachlan, Mark Brody, Haute, Billy Casazza, Subduktion, Adam Husa, Kreature, Succubass, Igor Blaska, Mister Blaqk, Dubvirus, Filipa Lazary, DR. FRESCH, WENZDAY, Dimibo, Kryoman, LiquorBox, Dj Icon, Dulce Vita, Jessica Stanell, Vitamindevo, Tek Freaks, Gavin Stephenson, DEIAN, GrymeTyme, Kompozart, Dee Montero, Yummy, Dusty Rhino, Mystr Hatchet, Subsqwad, Ray Zuniga, UltraSloth, Chrysocolla, Pat Bedeau, FDVM, Alice Iguchi, Iman Rizky, Mandrake, Oz Sozen, Mightykat, James Houdini, Marcus Aurelius, Alexis Tucci, Duck Pond, Wolkenkatze, Nicolaas Black, Tantrut, John Monoky, Chris Mindel, Judy Darling, Keith Mckenzie, Lucas Med, Ashley Ames, Billy Seal, Dancetronauts, Filthy Mitch, Vinkalmann, Randy Seidman, Eclectic Electric, Memos, Boom Human, Hooman, Deep Filip, Five Three O, Gibsun, Jordan James, Beat Kitty, Kate Stein, Kris Berle, Orijins, TnoE, Dax Lee, Tycho, Cptn Jay, Art Department, Benjamin Alexander, Seb Wildblood, Francesca Lombardo, Jan Blomqvist, WhoMadeWho, Gorje Hewek, Izhevski, Lee Burridge, Lost Desert, Oliver Koletzki, DJ Three, Thugfucker, Powell, Tipper ■ Links ■ Homepage: www.burningman.com/ Event: burningman.org/event/ Instagram: https://www.instagram.com/burningman/?hl=de Facebook: www.facebook.com/BurningMan Twitter: https://twitter.com/burningman?lang=de Credits (Artwork for picture): https://www.instagram.com/p/Bmef6GInpeA/?hl=de&taken-by=auminyc
The moment I heard Rami Malek whisper "Mind awake, body asleep" (Mr Robot, series 2) I knew this would be the inspiration for a new mix. A mix about half-sleep, lucid dreaming impressions... ungraspable images... and about "letting go". After all, Mr. Robot's tagline was "Control is an Illusion". Control proved to be an illusion indeed, with these different, unrelated, fragments coming together like pieces of a puzzle, creating a mix "like its own cinematic score." (H_C)--- originally published on Ambientblog --- Playlist start time – fragment length – Artist – TitleAlbum Title, Year, Label Details 00:00 00:53 Tom Tykwer, Johnny Klimek, Reinhold Heil - Sloosha's HollowCloud Atlas OST, 2012, Sony Classical 8876541120200:20 00:30 Rami Malek - Mind Awake, Body AsleepMr. Robot, 201600:50 02:02 Gideon Wolf - DisquietYear Zero, 2016, Fluid Audio 03801:31 01:38 Kenji Kawai - GhosthackGhost in the Shell OST, 1995, RCA BVCR-72902:41 02:08 Dirigent - The Perseids (Naviarhaiku 137)3 Years of Naviar Haiku, 2017, Naviar, Bandcamp04:11 01:22 Olivier Alary - XiFiction - Non-Fiction, 2017, 130701 LP13-2405:14 02:19 Mayforest - –––––––Mayforest, 2017, Bandcamp07:13 03:00 Daniel WJ Mackenzie - Abandonment I (Moon Phase)Every Time Feels Like The Last Time, 2017, Eilean Rec 04809:35 02:59 Sij - Floating CloudsThe Time Machine, 2017, Cryo Chamber CRYO 05710:08 00:26 Rami Malek - Mind Awake, Body AsleepMr. Robot, 201612:02 02:32 BJ Nilsen - Twenty Four SevenEye of the Microphone, 2013, Touch TO:9513:10 02:19 Visible Cloaks - WintergreenReassemblage, 2017, Rvng Intl. RVNGNL3714:54 02:03 Stéphane Roy - IIIMigrations, 2004, Empreïntes Digitales IMED 037315:57 01:10 Simon Fisher Turner - Burnt InGiraffe, 2017, Editions Meg EMEGO 23117:01 03:01 Max Richter - MorphologyThree Worlds: Music From Wolf Works, 2017, Deutsche Grammophon 00289 479 6952 GH19:13 02:44 Angelina Yershova - Intermezzo 80 HertzResonance Night, 2017, Twin Paradox TPR00421:30 01:37 Gideon Wolf - NoiseYear Zero, 2016, Fluid Audio 03822:11 03:06 James Murray - AllwaysKilling Ghosts, 2017, Home Normal homen09124:40 02:47 Alva Noto - Gulf Night (For Peter Roehr)For, 2006, Line LINE_02625:49 02:17 Mario Batkovic - Desiderii PatriaeSolo, 2015, Veruston VTR002 (2017: Invada INV16LP)27:07 04:00 J. Peter Schwalm - EndknallThe Beauty of Disaster, 2016, RareNoise Records RNR05930:08 03:51 Abul Mogard - Tumbling Relentless HeapsWorks, 2016, Ecstatic ELP02032:38 02:59 Lawrence English - SomnambulistCruel Optimism, 2017, Room40 RM470CD34:43 01:54 Penjaga Insaf - KeinsafanSama Sadja, 2010, Power & Steel PAS 2735:27 01:21 Olan Mill - AlveOrient, 2017, Dauw d2136:23 02:34 Jeffrey Roden - Threads of a PrayerThreads of a Prayer Volume 2, 2017, Solaire Records SOL100438:50 01:40 Jóhann Jóhannsson - First EncounterArrival OST, 2016, Deutsche Grammophon 479678239:57 01:49 Adam Bryanbaum Wiltzie - They Dream Of MoreSalero OST, 2016, Erased Tapes Records ERATP091CD40:23 00:14 Rami Malek - Mind Awake, Body AsleepMr. Robot, 201641:32 01:22 The Future Sound of London - Exerting Force or InfluenceEnvironment Six, 2016, fsoldigital CDTOT 7041:54 02:14 Andrew Wasylyk - Ghosts of Park PlaceThemes for Buildings and Spaces, 2017, Tape Club Records TAPCLB08342:43 02:57 Elegi - K-141Bånsull, 2017, Dronarivm DR-4344:43 03:02 Dødsmaskin - HeksetimenFullstendig Brent, 2017, Malignant Records TumorCD10445:46 03:22 FM3 - Dui XiangTing Shuo, 2014, self-released CN-M69-1448:28 02:13 Scott Walker - Dream SequenceThe Childhood of a Leader OST, 2016, 4AD CAD3620CD49:31 00:15 Rami Malek - Mind Awake, Body AsleepMr. Robot, 201650:00 03:47 Seabuckthorn - Passage of OldI Could See The Smoke, 2016, Lost Tribe Sound LTS-02453:07 01:50 Fabio Perletta - Ichinen Pt. 1Ichinen, 2017, Line LINE_08553:26 06:33 Olivier Alary - EpilogueFiction - Non-Fiction, 2017, 130701 LP13-24
Rare Frequency Podcast 35: The New Number Two 1 Albert Elms, "Speadlearn Broadcast" Prisoner File #2 (Silva America) CD 2003 2 Felix Kubin & Wechsel Garland, "Binaural Headphone Music" Axolotl Lullabies (Oral) CD 2008 3 John Baker, "Milky Way" The Radiophonic Workshop (The Grey Area of Mute) CD 2008 4 The Focus Group, "Jout Sections" Sketches and Spells (Ghost Box) CD 2002 5 Cecil Leuter, "Pop Electronique No. 2" Pop Electronique (Pulp) CD 2001 6 COH, "Grain:Loop" New Forms: Compilation (Raster-Noton) 2CD 2000 7 Lithops, "Sebquenz" Ye Viols! () CD 2009 8 Wendt, "003 Tag" Montage (Privatelektron) mp3 2007 9 Monolake, "Macau" Hong Kong Remastered (Imbalance Computer) CD 2008 10 Martyn, "Suburbia" All I Have is Memories (Apple Pips) 12” 2008 11 Lawrence English, "Unsettled Sleep" For Varying Degrees of Winter (Baskaru) CD 2008 12 Colin Andrew Sheffield, "Awake" Signatures Invisible Birds) CD 2008 13 Washington Phillips, "Train Your Child" The Key to the Kingdom (Yazoo) CD 2007 13 Machinefabriek, "Fonograaf" Dauw (Dekorder) CD 2007 13 Cliff Edwards, "I Ain’t Got Nobody" Sprigs of Time (Honest Jon’s) CD 2008 13 DJ Scud & Nomex, "Total Destruction" Total Destruction (Machinenbau) 12” 1998
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