Podcast appearances and mentions of Graham Reynolds

天气一旦暖起来，就会有一种蠢蠢欲动的感觉随着浮现，但是那是一种很不错的感觉，好像走在街上腿脚都比前几个月有劲了。 这期节目中挑选的作品，也希望助你多几分得意洋洋在心头。 曲目单： (00:24) HYUKOH, 落日飞车 - Kite War (07:07) Sunflower Bean - Human Ceremony (11:15)

Hello friends! Austin based vibraphonist Carolyn Trowbridge is my guest for episode 1464! Carolyn is nominated for "Best Miscellaneous Instrument" in the 2025 Austin Music Awards and you might know her from her work with Black Pumas, Graham Reynolds, Adrian Quesada's Boleros Psicodelicos, Alex Coke Star Parks and many, many more. She's releasing her debut solo album, "Found Memories" later this year. Go to carolyntrowbridge.com for music, videos, show dates, and more. We have a great conversation about her journey in music working in jazz, rock, pop, latin music, and so many more, playing with K.P. and the Boom Boom, covering "Tom Sawyer" with Dream Theater's Mike Portnoy, finally making her first solo album, motherhood, Simon Says (Paul Simon tribute band), jazz, and much more. I had a great time getting to know Carolyn. I'm sure you will too. Let's get down!   Give to The American Red Cross to help with Southern California Wildfires HERE   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Today, the Spotlight shines On the acclaimed and intriguing composer, bandleader, and improviser Graham Reynolds.The Austin-based Reynolds has composed for countless film, television, dance, and theatrical productions, serving most notably as the sonic collaborator of director Richard Linklater. He is also Artistic Director of the new music-focused non-profit Golden Hornet.Graham joined me on the occasion of his solo release from earlier this year, Music for Prophet (Parts 1–4), on Fire Records. We discussed the benefits of having a dedicated workspace at home and the importance of balancing practical tasks with creative ones. We explored the relationship between composition and improvisation in music, Graham's feelings about live performance, our musical upbringings, the state of the arts and film, and, my favorite, the role of humor in music.(The musical excerpts heard in the interview are from Graham Reynolds' latest release, Music For Prophet)–Dig DeeperVisit Graham Reynolds at grahamreynolds.comPurchase Graham Reynolds' Music For Prophet at Fire Records, Qobuz, or Bandcamp; and listen on your streaming platform of choiceFollow Graham Reynolds on Facebook and InstagramGraham Reynolds | composer (IMDb)Golden Hornet | a composer laboratory for the 21st centuryAnother fearless collaboration: Graham Reynolds & Bill Burgess & Utah Hamrick at TEDxAustinDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the acclaimed and intriguing composer, bandleader, and improviser Graham Reynolds.The Austin-based Reynolds has composed for countless film, television, dance, and theatrical productions, serving most notably as the sonic collaborator of director Richard Linklater. He is also Artistic Director of the new music-focused non-profit Golden Hornet.Graham joined me on the occasion of his solo release from earlier this year, Music for Prophet (Parts 1–4), on Fire Records. We discussed the benefits of having a dedicated workspace at home and the importance of balancing practical tasks with creative ones. We explored the relationship between composition and improvisation in music, Graham's feelings about live performance, our musical upbringings, the state of the arts and film, and, my favorite, the role of humor in music.(The musical excerpts heard in the interview are from Graham Reynolds' latest release, Music For Prophet)–Dig DeeperVisit Graham Reynolds at grahamreynolds.comPurchase Graham Reynolds' Music For Prophet at Fire Records, Qobuz, or Bandcamp; and listen on your streaming platform of choiceFollow Graham Reynolds on Facebook and InstagramGraham Reynolds | composer (IMDb)Golden Hornet | a composer laboratory for the 21st centuryAnother fearless collaboration: Graham Reynolds & Bill Burgess & Utah Hamrick at TEDxAustinDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

In this episode, dive into an eclectic mix of interviews and exclusive performances, showcasing the talents of Batty Jr, the neon artistry of Taylor Drattlo, and the acclaimed Austin composer Graham Reynolds, who brings his distinctive approach and sound to a special live performance in Lockhart at the end of June. Additionally, Mary Kathryn Davenport interviews the Chisholm Trail Queens Court, offering a unique glimpse into their experiences and stories. We are also on site for the launch of KLKT, Lockhart's new radio station! Join us as we celebrate all things Lockhart and as always, don't forget to TIP THE BAND!Support this podcast at — https://redcircle.com/78644/exclusive-content

This week we're thrilled to be joined by multi-instrumentalist and composer Graham Reynolds, regular collaborator of indie director Richard Linklater. We'll be discussing Graham's upcoming performance at the Flatpack Festival on the 12th of May and his prolific career in music and film. As well as having a nostalgic look back on Linklater's career, we'll also be reviewing Luca Guadagnino's new romantic tennis film Challengers, so this is set to be an ace episode! ---Email us at pictureshow@brumradio.com---Listen live to The Brum Picture Show with Screen B14 on Saturdays at 4pm (UK Time) on www.brumradio.com.---Follow the team at Screen B14  https://www.instagram.com/screenb14And find out about the latest Screen B14 events here: https://www.ticketsource.co.uk/screen-b14Online | Smart Speaker | iTunes | TuneIn | Brum Radio App And check out Brum Radio's profile for a whole plethora of shows, from electronic to punk, jazz to hip-hop and more —> www.mixcloud.com/BrumRadio

Called “the quintessential modern composer” by the London Independent, Austin, Texas based composer-bandleader-improviser Graham Reynolds records and performs music for film, theater, dance, television, rock clubs, and concert halls with collaborators across a multitude of disciplines.Host Seth Boustead talks with Reynolds about, and features music from, two recent releases: Insectum and Music From Prophet.

For this week's episode we speak to an Irish fly angler who is now not only living and fishing in Sweden but also represents his adopted country at World Championship level. Wicklow's Graham Reynolds tells us about the incredible fishing that's to be had in Sweden and how, despite his early struggles in the competition scene over there, he kept at it and in a few years it led to him fishing at the Worlds and captaining Sweden in 2024. Plus he also tells us about the incredible landscape and fishing to be had in the country known as the Land of the Thousand Lakes – but his most memorable fish on the fly still came from Irish waters.  Rate, review and follow the show to keep up to date with all the latest Ireland on the Fly episodes on Apple Podcasts or Spotify.      Plus you can sign up for our newsletter on IrelandontheFly.com and get regular updates on Instagram.com/IrelandontheFly.

With each new innovative installation of SXSW, it’s easy to think the tech character of Austin is eclipsing that of “the Live Music Capital of the World”. But have faith! Aside from those international conferences and meet-and-greet mingles, South By’s still an essential institution for creatives on the prowl for new collaborators outside the local […] The post Graham Reynolds & Marta Del Grandi: “Linger In Silence” appeared first on KUT & KUTX Studios -- Podcasts.

Learn about Boas of the West Indies: https://www.cornellpress.cornell.edu/book/9781501765452/boas-of-the-west-indies/#bookTabs=1 Transcript here: https://otter.ai/u/3JA4ImNEDi8KJNpbLofa90KHtY0?utm_source=copy_url This episode, we speak with Graham Reynolds, co-author of the new book Boas of the West Indies: Evolution, Natural History, and Conservation. Graham's co-authors of the new book are Robert W. Henderson, Luis M. Díaz, Tomás M. Rodríguez-Cabrera and Alberto Puente-Rolón. Graham Reynolds is Associate Professor of Biology at the University of North Carolina Asheville, an Associate at the Museum of Comparative Zoology at Harvard University, and a National Geographic Explorer. He is coeditor of The Amphibians of Tennessee and The Reptiles of Tennessee. You can follow him on Twitter @CaribbeanBoas. We spoke to Graham about how he and his fellow researchers and co-authors have helped to significantly increase the level of knowledge and understanding of the biology of boas in the West Indies, how they hope their new book will draw new researchers into the field, and we'll hear Graham share some interesting behind-the-scenes stories during his time studying boas. If you'd like to purchase the new book, use the promo code 09POD to save 30 percent on our website: cornellpress.cornell.edu. If you live in the UK use the discount code CSANNOUNCE and visit the website combinedacademic.co.uk.

Graham Reynolds has composed for film, ballet, theater. He also leads a band that puts on great live concerts. And he wrote a rock opera about Pancho Villa. This week, we talk about all that with Graham. Plus, poet Ross Gay, delighted.

Have we discovered everything in the animal kingdom already? Graham Reynolds, associate professor of biology at the University of North Carolina Asheville, explores Hispaniola to find out. Dr. R. Graham Reynolds is an Associate Professor of Biology at the University of North Carolina Asheville. His research is focused on characterizing vertebrate biodiversity, particularly in the […]

Although we’ve had clearly defined political boundaries since 1836, there’s still an inseparable culture between Texas and Mexico. Whether you call it Tejano or Texican, it’s a give-and-take social process within which Austin’s Graham Reynolds has found a golden opportunity. Graham and the Golden Hornet team have already applied rock production techniques to classical arrangements […]

Graham Reynolds has composed for film, ballet, theater. He also leads a band that puts on great live concerts. And he wrote a rock opera about Pancho Villa. This week, we talk about all that with Graham. Plus, poet Ross Gay, delighted.

Hello friends! Renowned composer, Graham Reynolds is my guest for episode 1156! His latest project, "MXTX: A Cross-Border Exchange", a project years in the making and featuring 40 artists from The U.S. and Mexico coming together to make an album which is available now wherever you stream or download music, a sample library to made available for free and a concert series staring here in Austin on Saturday, April 16th at Moody Amphitheater at Waterloo Park. Find tickets for the event and more info on MXTX at goldenhornet.org.mxtx Graham and I had a great conversation in his gorgeous studio about making "MXTX" with so many people in so many places and the long-term musical and sociological goals they have, growing up in New Haven, playing at the old Emo's with his band, Golden Arm Trio, scoring films like, "Before Midnight", "Bernie", "A Scanner Darkly" and more, his new crazy guitar set up and much more. I had a great time getting to know Graham. I'm sure you will too. Let's get down! Get the best, full-spectrum CBD products from True Hemp Science and enter code HDIGH for a special offer from How Did I Get Here? If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Hello friends! Renowned composer, Graham Reynolds is my guest for episode 1156! His latest project, "MXTX: A Cross-Border Exchange", a project years in the making and featuring 40 artists from The U.S. and Mexico coming together to make an album which is available now wherever you stream or download music, a sample library to made available for free and a concert series staring here in Austin on Saturday, April 16th at Moody Amphitheater at Waterloo Park. Find tickets for the event and more info on MXTX at goldenhornet.org.mxtx Graham and I had a great conversation in his gorgeous studio about making "MXTX" with so many people in so many places and the long-term musical and sociological goals they have, growing up in New Haven, playing at the old Emo's with his band, Golden Arm Trio, scoring films like, "Before Midnight", "Bernie", "A Scanner Darkly" and more, his new crazy guitar set up and much more. I had a great time getting to know Graham. I'm sure you will too. Let's get down! Get the best, full-spectrum CBD products from True Hemp Science and enter code HDIGH for a special offer from How Did I Get Here? If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

We're taking a look at the first in-person SXSW in 3 years. You'll hear from rapper and event curator J Soulja, bartender and co-founder of the Amplified Sound Coalition Jeanette Gregor, artist manager Andi Narvaez, Cheer-Up Charlie's owners Maggie Lea and Tamara Hoover, musician and composer Graham Reynolds, freelance writer Brianna Caleri, artist, instrumentalist, bandleader and soundman Thomas Cook, and musician Jackie Venson.

Solénoïde (29.03.2021) - Cap vers le Texas chez le compositeur Graham Reynolds qui nous offre un mix exclusif ! Basé à Austin, ce chef d'orchestre-improvisateur fait de la musique pour le cinéma, le théâtre, la danse, avec des collaborateurs allant de DJ Spooky à Jack Black. Bref que vous soyez adeptes de musiques de film ou de soundscapes poétiques, une chose est sûre : Graham Reynolds dispose d’atouts convaincants pour toucher notre fibre imaginogène !

Graham Reynolds is a composer from Austin, Texas. He has worked on films such as Before Midnight, A Scanner Darkly and Bernie as well as a host of Television programmes, theatre and radio plays. We talk Austin, his love of whiskey, the musicality of different languages, collaborating with Richard Linklater, juxtaposition between image & sound, silent movies, opera, short stories, working with Alex Jones, insects and destroying pianos. Theme Music: "Breakfast Burger" by Snack Villain See acast.com/privacy for privacy and opt-out information.

In this episode, Sarah and Savannah welcome recent UNC Asheville Atmospheric Science alum and current KTEN Meteorologist, Alex Schneider to the podcast. They also spend some time talking with Postdoctoral Fellow at Harvard University, National Geographic Explorer, and current UNC Asheville Biology Professor, Dr. Graham Reynolds.

Solénoïde (19.10.2020) - Dégustez ce breuvage audio relevé qui vient de sortir des centrifugeuses du Solénoïde ! Pas moins de 10 artistes, à l’imaginaire et aux talents débridés, vont vous faire goûter aux aléas de transitions musicales contrastées, 10 signatures sonores ayant la particularité d’incarner 10 nationalités. Cette émission en forme de grand huit musical vous conduira de Kinshasa à la Sibérie, de Ramallah à Djibouti, d’Israel à l’Argentine, en passant par l’Angleterre, les Etats-Unis, l’Allemagne et l’Espagne !

Media Monarchy plays Lee Fields & The Expressions, Graham Reynolds, Nimbus Sextet and more on #PumpUpThaVolume for October 15, 2020. ♬

Pam and Travis welcomed non-binary artist, activist, researcher, lover, and community organizer Derrick Biso to the podcast. They talked so much that we had to split it into two parts. In this, the first part, topics discussed include politics on the job, Viola Desmond, and the responsibility that white folks have to not just reflect upon their role in extraction-based colonial-capitalism, but to dismantle that project actively. We plugged a lot of things in this episode, and here are the corresponding links: - Sonya Renée Taylor - Insurgent Empire: Anticolonial Resistance and British Dissent by Pryamvada Gopal - Viola Desmond: Her Life and Times by Graham Reynolds & Wanda Robson - One Dish, One Mic - CBC on Ostoro Petahtegoose - The Chubby Goddess - The Miracle of Mindfulness by Thich Nhat Hanh

Declaraciones de Neil Rodgers acerca de lo encasillados (¿cuestión racista?) que estaban los negros para poder experimentar en contraposición con David Bowie por ejemplo que siempre le dijo cuando colaboraron (Véase el álbum "let´s dance") que dar virajes a su sonido no le preocupaba y que no estaba a expensas de los gustos o disgustos de sus seguidores. Una de las noticias del día al lado de que Martin Scorsesse prepara documental sobre la figura de Dave Johanssen, cantante de New York Dolls a quien sigue desde los tiempos del debut de la banda y de cuando él firmó "Mean streets" (73)- Más noticias del día fueron el anuncio de Paul Stanley a los fans de Kiss de que hay que llevar mascarilla y no hacer caso a los "licenciados de la universidad de internet" y predica con el ejemplo publicando una foto con su hija en la playa ambos protegidos. También se sabe que la gente que trabaja (incluido el staff) con bandas como Green Day, Pearl Jam, Guns & Roses o los Eagles se ven beneficiados por Paycheck Protection Program que ha dado cantidades de centenares de miles de dólares para salvar la economía de los obreros de la música en USA. Esto ocurre poco después de que haya ocurrido algo parecido en UK. Novedades internacionales son el avance del que será el 30º disco de Guided by Voices, que al anterior trabajo de The Morning Jacket le crece una segunda parte, la banda sonora imaginaria con olor a Hitchcock de Graham Reynolds.y Wye Oak en pleno recitado de vocales del abecedario y con un coro angelical. Novedades de aquí son el estreno de Ruzan Goin desde Granada, Orovega (Claudia Vega) acompañada por Al-Blanco, el avance del próximo disco de Miniatura desde tierras canarias, un single más de Algora y la canción dedicada al verano por Supertennis. Y en la hora extra discos que rodaban en 1981: Eric Clapton, Georges Harrison, Gary Us Bonds, Greg Kihn Band, The Replacements, The Church, Shena Easton, Kim Wilde, Landscape, Duran Duran, Heaven 17, Echo and the Bunnymen y Simple Minds. Escuchar audio

Keep on the lookout for Graham's upcoming "MARFA" instrumental western swing album!

Keep on the lookout for Graham's upcoming "MARFA" instrumental western swing album!

Listen back to our Views and Brews discussion recorded live at The Cactus Cafe in Austin, Texas as we ask What is Austin Music and Can it Feed Your Family?  KUT’s Rebecca McInroy along with Graham Reynolds, Redd Volkaert, Leslie Sisson, Thor Harris, and Brannen Temple to talk about collaborating across musical cultures; what it […]

Listen back to our Views and Brews discussion recorded live at The Cactus Cafe in Austin, Texas as we ask What is Austin Music and Can it Feed Your Family?  KUT’s Rebecca McInroy along with Graham Reynolds, Redd Volkaert, Leslie Sisson, Thor Harris, and Brannen Temple to talk about collaborating across musical cultures; what it...

I'm happy to welcome grammy award winning musician/producer Adrian Quesada to the 50th Episode of the show!  Let's just jump into the big list of collaborators he's rocked with to get a quick taste of the caliber of this gent! How about Shawn Lee?! Yeah! as well as Ocote Soul Sounds,  Martin Perna of Antibalas… so so many more He's performed on the Late Show with David Letterman as well as twice on PBS' historic Austin City Limits TV Show.  He has also worked with Prince, GZA (Wu-Tang Clan), Bernie Worrell, Daniel Johnston, Israel Nash, Alex Maas (The Black Angels), Larry Harlow, Quantic and many more.  As a producer Quesada has worked on albums by Daniel Johnston, The Sword, Natalia Clavier, Karl Denson, Toy Selectah, Wild Child, Graham Reynolds and Ian Moore, among others.  I mean that's not the HALF of it!  We catch up as he's deep in the mix at his superb Austin based studio, Electric Deluxe Recorders.  He's coming out for an air break so we literally hear a rare sonic glimpse of the local wildlife outside the cave where he is working feverishly at all times… That smell? Yeah he's likely cooking up amazing musical morsels like the NEW! HOT!  release from the Black Pumas which is the focus of our chat!   So yes, we've a Super humble badass in the hotchair  Hey Adrian! I'm 50!    Info Splash time:   web: electricdeluxerecorders.com tw: @adrianmquesada theblackpumas.com     Nitty sees me trying to “music” with filters. 6 filters and a smile :)   The music for the show comes courtesy of Kim Gaboury    Find all the info about him here:   KIM GABOURY kimgaboury.com —  aka AKIDO akidomusic.com —

Composer, bandleader and superstar Graham Reynolds talks about the book Nineteen Ways of Looking at Wang Wei. The book offers 19 different translations of an classic Chinese poem with comments on each version by Eliot Weinberger and an afterword by Octavio Paz. The conversation touches on poetry, translation, the limits of language and the philosophy of mind.

Today we bring you Composer Graham Reynolds. Graham joins the show to discuss his work on this years Sundance hit, "Sister Aimee" and his plethora of work with Richard Linklater including one of our host's favorites, "A Scanner Darkly." Have a listen and enjoy!

Today we bring you Composer Graham Reynolds. Graham joins the show to discuss his work on this years Sundance hit, "Sister Aimee" and his plethora of work with Richard Linklater including one of our host's favorites, "A Scanner Darkly." Have a listen and enjoy!

With the Sundance Film Festival wrapping up, there are still more discussions to be had about the fest's most exciting entries. Alongside his regular collaborations with Richard Linklater, composer Graham Reynolds finds the time to score other intriguing indies like Samantha Buck and Marie Schlingmann's riveting, idiosyncratic Sister Aimee - a Dust Bowl-inflected journey extrapolating from the real-life disappearance of a traveling evangelist in the 1920s (Anna Margaret Hollyman), imagining that missing period as a vibrant road trip to the border with her lover (Michael Mosley) and a mysterious Latina guide (Andrea Suarez Paz) in tow. Together, we talk about the origins of the project, the importance of capturing the Western feel of the film, and the challenges and delights of working with filmmakers like Buck, Schlingmann, and Linklater. Before that, however, I was extraordinarily pleased to sit down with fellow Chicago critic, friend, and filmmaker Michael Glover Smith (Mercury in Retrograde) about his latest Chicago-set film, the comedic triptych Rendezvous in Chicago. Structured by three different couples at three different stages in their relationship - a man and woman's first conversation in a bar, a gay couple taking some simple-yet-bold next steps, and a woman kicking her deadbeat boyfriend out of their apartment - Rendezvous carries the intimacy of Rohmer alongside the sparse experimentation of Bresson, in a much lighter and more accessible package. It's a cracking entry in the filmmaker's already strong oeuvre, and we get into some spoiler-heavy talk about the film before its Chicago premiere this weekend at the Gene Siskel Film Center. More of a Comment, Really… is a proud member of the Chicago Podcast Coop. Thanks to Lagunitas for sponsoring this episode!)

In November, the Bank of Canada introduced a new $10 bill featuring the image of Viola Desmond. Viola Desmond has often been compared to Rosa Parks, the U.S. civil rights activist. But Viola Desmond’s act of defiance in a New Glasgow movie theatre in 1946 is just one aspect of a remarkable life as a businesswoman in Nova Scotia. Wanda Robson is Viola Desmond’s sister; Graham Reynolds is professor emeritus and the Viola Desmond Chair in Social Justice at Cape Breton University. Together, they co-authored Viola Desmond: Her Life and Times, just released by Fernwood Publishing.

In November, the Bank of Canada introduced a new $10 bill featuring the image of Viola Desmond. Viola Desmond has often been compared to Rosa Parks, the U.S. civil rights activist. But Viola Desmond’s act of defiance in a New Glasgow movie theatre in 1946 is just one aspect of a remarkable life as a businesswoman in Nova Scotia. Wanda Robson is Viola Desmond’s sister; Graham Reynolds is professor emeritus and the Viola Desmond Chair in Social Justice at Cape Breton University. Together, they co-authored Viola Desmond: Her Life and Times, just released by Fernwood Publishing.

The Lakeshore Records Podcast No 14 On this episode of The Lakeshore Records Podcast, TG is in conversation with Graham Reynolds talking all things 'A Scanner Darkly'. Learn a little about the process behind the creation of this incredible score and much, much more. Available on vinyl now here: smarturl.it/ScannerDarkly Recorded and Edited by Tony Giles

Introducing The Preservation Station Episode 1: the first in a series of Make Every Media Podcasts about the preservation of arts spaces in Austin, TX! Includes interviews w/ Jenny Larson of Salvage Vanguard Theatre & Connor Hopkins of Trouble Puppet from Bobby Longoria's Film Frenzy SVT piece(with piano tinkling by Graham Reynolds included), which is available to watch in its entirety here: https://vimeo.com/126728696 Special thanks to Wyatt Tall for music curation, and Punctum Records and the artists themselves for the music of Lomelda and Botany! https://soundcloud.com/punctumrecords https://soundcloud.com/lomelda https://soundcloud.com/botany And of course, SouthPaw Jones: https://soundcloud.com/southpawjones

This fortnight’s episode is dedicated to boas. The first portion looks into how boas hunt; their ability to subdue prey and potentially hunt in a “coordinated” fashion. After, we dig into some landscape genetics and see how the success of cave dwelling boas could boost their conservation chances. Staying on message, our Species of the Bi-week is another ghostly snake from a tropical island. To round the episode off we slide into a lengthy tangent concerning the “dual purpose” of locality data and how it can feed into poaching activity. FULL REFERENCE LIST AVAILABLE AT: herphighlights.podbean.com   Main Paper References: Boback, S. M., K. J. McCann, K. A. Wood, P. M. McNeal, E. L. Blankenship, and C. F. Zwemer. 2015. “Snake Constriction Rapidly Induces Circulatory Arrest in Rats.” Journal of Experimental Biology 218 (14): 2279–88. doi:10.1242/jeb.121384. OPEN ACCESS Dinets, Vladimir. 2017. “Coordinated Hunting by Cuban Boas.” Animal Behaviour and Cognition 4 (1): 24–29. OPEN ACCESS Puente-Rolón, Alberto R., R. Graham Reynolds, and Liam J. Revell. 2013. “Preliminary Genetic Analysis Supports Cave Populations as Targets for Conservation in the Endemic Endangered Puerto Rican Boa (Boidae: Epicrates Inornatus).” PLoS ONE 8 (5). OPEN ACCESS Species of the Bi-Week: Reynolds, R Graham, Alberto R. Puente-Rolón, Anthony J. Geneva, Kevin J. Aviles-Rodriguez, and Nicholas C Herrmann. 2016. “Discovery of a Remarkable New Boa from the Conception Island Bank, Bahamas.” Breviora 549 (1): 1–19. Other Mentioned Papers/Studies: Boback, S. M., A. E. Hall, K. J. McCann, A. W. Hayes, J. S. Forrester, and C. F. Zwemer. 2012. “Snake Modulates Constriction in Response to Prey’s Heartbeat.” Biology Letters 8 (3): 473–76. OPEN ACCESS Chiszar, David, Donal Boyer, Robert Lee, James B. Murphy, and Charles W. Radcliffe. "Caudal luring in the southern death adder, Acanthophis antarcticus." Journal of Herpetology (1990): 253-260. Day, M. and P. Tolson. 1996. “Chilabothrus angulifer.” The IUCN Red List of Threatened Species 1996: e.T7815A12852846. http://dx.doi.org/10.2305/IUCN.UK.1996.RLTS.T7815A12852846.en Dinets, V., J.C. Brueggen, and J.D. Brueggen. 2015. “Crocodilians Use Tools for Hunting.” Ethology Ecology & Evolution 27 (1). Taylor & Francis: 74–78. . Dinets, Vladimir. 2014. “Apparent Coordination and Collaboration in Cooperatively Hunting Crocodilians.” Ethology Ecology & Evolution, 27 (2): 1–7. Hardy, D. L. 1994. ”A re-evaluation of suffocation as the cause of death during constriction by snakes.” Herpetological Review: 25, 45-47 James, M., and T. Fox. 2007. “The Largest of Lizards.” The Newsletter of the Gippsland Plains Conservation Management Network 1 (XII): 9. OPEN ACCESS Lindenmayer, David and Ben Scheele. 2017. “Do Not Publish.” Science Magazine. 356 (6340) : 800-801.  Madsen, Thomas, Bo Stille, and Richard Shine. 1996. "Inbreeding depression in an isolated population of adders Vipera berus." Biological conservation 75 (2): 113-118. Murphy, James B., Charles C. Carpenter, and James C. Gillingham. 1978. "Caudal luring in the green tree python, Chondropython viridis (Reptilia, Serpentes, Boidae)." Journal of Herpetology 12 (1): 117-119.  O'Shea, M. 2007. Boas and Pythons of the World. New Holland Publishers. Puente-Rolón, Alberto R., and Fernando J. Bird-Picó. 2004. “Foraging Behavior, Home Range, Movements and Activity Patterns of Epicrates Inornatus (Boidae) at Mata de Plátano Reserve in Arecibo, Puerto Rico.” Caribbean Journal of Science 40 (3): 343–52. OPEN ACCESS Pyron, R. Alexander, R. Graham Reynolds, and Frank T. Burbrink. 2014. “A Taxonomic Revision of Boas (Serpentes: Boidae).” Zootaxa 3846 (2): 249–60. Radcliffe, Charles W., D. Chiszar, and H. B. Smith. 1980. "Prey-induced caudal movements in Boa constrictor with comments on the evolution of caudal luring." Bulletin of the Maryland Herpetological Society 16: 19-22. Reynolds, R. Graham, Glenn P. Gerber, and Benjamin M. Fitzpatrick. 2011. "Unexpected shallow genetic divergence in Turks Island Boas (Epicrates c. chrysogaster) reveals single evolutionarily significant unit for conservation." Herpetologica 67 (4): 477-486.  Reynolds, R. Graham, Matthew L. Niemiller, S. Blair Hedges, Alex Dornburg, Alberto R. Puente-Rolón, and Liam J. Revell. 2013. “Molecular Phylogeny and Historical Biogeography of West Indian Boid Snakes (Chilabothrus).” Molecular Phylogenetics and Evolution 68 (3). Elsevier Inc.: 461–70. OPEN ACCESS Rocha-Santos, Gilson da, Eder Barbier, and Marcelo Oscar Bordignon. 2014. “Sweet Trap: Boa Constrictor (Serpentes: Boidae) Preying on Passerines on Cecropia Pachystachya (Urticales: Cecropiaceae) in Fruiting Period.” Biota Neotropica 14 (2): e20140003. OPEN ACCESS Tzika, Athanasia C., Susan Koenig, Ricardo Miller, Gerardo Garcia, Christophe Remy, and Michel C. Milinkovitch. 2008. "Population structure of an endemic vulnerable species, the Jamaican boa (Epicrates subflavus)." Molecular ecology 17 (2): 533-544. Wilson, Byron S., Susan E. Koenig, Rick van Veen, Erika Miersma, and D. Craig Rudolph. 2010. “Cane Toads a Threat to West Indian Wildlife: Mortality of Jamaican Boas Attributable to Toad Ingestion.” Biological Invasions 13 (1): 55–60. OPEN ACCESS Yang, Jian-Huan, and Bosco Pui-Lok Chan. 2015. "Two new species of the genus Goniurosaurus (Squamata: Sauria: Eublepharidae) from southern China." Zootaxa 3980 (1): 067-080. Other Links/Mentions: BBC Planet Earth II - Islands Clip on Galapagos Racers (Philodryas biserialis) - https://www.youtube.com/watch?v=B3OjfK0t1XM BBC Planet Earth - Shallow Seas Clip on Banded Sea Kraits (Laticauda colubrina) - http://www.bbc.co.uk/programmes/p0038t09 Music – http://www.purple-planet.com

Cassie Shankman is an Austin-based composer/orchestrator, pianist and DJ (Cass&Ra). As a composer and orchestrator, she has been recognized for her work with film, visual artists, chamber groups, wind ensembles, apps, musicals, and music therapy technology. As a performer and DJ, she's played with legendary musicians such as jazz trombonist Wycliffe Gordon, and DEVO's frontman Mark Mothersbaugh, and has DJ'd for audiences of 500+ people. She will be DJing Spredfast's SXSW Social Suite 3-Day House. You can find more about her upcoming shows on her facebook page DJ Cass&Ra. She is also an active committee member for the Grammy Foundation's education board. Cassie is Managing Director/Lead Producer for the non-profit Golden Hornet, a music composition laboratory for commissioning and producing new and original works, co-founded by composer Graham Reynolds. Her current focus is creating compositions utilizing brain-based music technology in collaboration with Austin's Center for Music Therapy. She'll be speaking at SXSW 2017 on this topic, "Movement Tracks: Where Biotech and Music Converge." For more information on Cassie Shankman please visit: www.cassieshankman.com or @cassieshankman for social media handles. For more information on Laura please visit her website at www.powershour.biz. You can also follow Laura on twitter @thatlaurapowers and on instagram @laurapowers44.

Cassie Shankman is an Austin-based composer/orchestrator, pianist and DJ (Cass&Ra). As a composer and orchestrator, she has been recognized for her work with film, visual artists, chamber groups, wind ensembles, apps, musicals, and music therapy technology. As a performer and DJ, she's played with legendary musicians such as jazz trombonist Wycliffe Gordon, and DEVO's frontman Mark Mothersbaugh, and has DJ'd for audiences of 500+ people. She will be DJing Spredfast's SXSW Social Suite 3-Day House. You can find more about her upcoming shows on her facebook page DJ Cass&Ra. She is also an active committee member for the Grammy Foundation's education board. Cassie is Managing Director/Lead Producer for the non-profit Golden Hornet, a music composition laboratory for commissioning and producing new and original works, co-founded by composer Graham Reynolds. Her current focus is creating compositions utilizing brain-based music technology in collaboration with Austin's Center for Music Therapy. She'll be speaking at SXSW 2017 on this topic, "Movement Tracks: Where Biotech and Music Converge." For more information on Cassie Shankman please visit: www.cassieshankman.com or @cassieshankman for social media handles. For more information on Laura please visit her website at: www.laurapowers.net. You can also follow Laura on twitter @thatlaurapowers and on instagram @laurapowers44.

The Context of White Supremacy welcomes Graham Reynolds live from Canada. The Viola Desmond Chair in Social Justice at Cape Breton University, Mr. Reynolds is a professor emeritus, historian and author. His 2016 publication, Viola Desmondâ??s Canada: A History of Blacks and Racial Segregation in the Promised Land, explores the history of Racism (White Supremacy) in Canada as well as the story of Viola Desmond. Ms. Desmond was a non-white female who was arrested for refusing to exit the "White" section of a movie theater in 1946. She is frequently compared to Rosa Parks, but Gus insists this is a highly fallacious comparison and continues the distortion of Parks' titanic legacy, where she dedicated decades of her life to courageously confronting White Supremacy and facing death to do so. We'll also get Mr. Reynolds's assessment of Black Lives Matter: Toronto - which has brought international attention to anti-black Racism in Canada, police terrorism and the death of Andrew Loku. #RacismIsNotAPrivilege INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p

Relevant Tones' annual live broadcast returns with a 2-hour broadcast from City Winery. Performers include Fonema Consort, Gaudete Brass, and Graham Reynolds. Hosted by Seth Boustead Produced by Jesse McQuarters Fonema Consort Pablo Chin, Artistic Director; Nina Dante, voice; Kathryn Schulmeister, voice; Emily Beisel, clarinet; Ryan Packard, percussion Mort d'Antigone by Hèctor Parra Como la leyenda de Tlön, I by Pablo Santiago Chin Tandem by Chris Fisher-Lochhead Como la leyenda de Tlön, II by Pablo Santiago Chin Les sept crimes de l'amour by Georges Aperghis Gaudete Brass Ryan Berndt, trumpet; Julia Filson, horn; Bill Baxtresser, trumpet; Scott Tegge, tuba; Paul von Hoff, trombone Bright and Fast from Frost Fire by Eric Ewazen Record of a Lost Tribe by Conrad Winslow Artifacts History Ceremonies Still by David Sampson Gazebo Dances Overture by John Corigliano (setting by Cliff Colnot) Graham Reynolds Jeff Yang and Madeline Capistran, violins; Becca Wilcox, viola; Nicholas Photinos, cello Cult of Color: The Miracle Machine Back to the Cell (O Sacred Head, Now Wounded) String Abstraction No. 3 (Cottontail) The Difference Engine The Cogwheel Brain Ada Cam Stack and Crank Handle Late at Night – The Astronomer The Difference Engine Before Midnight/Creatures

As bandleader of the jazz-based but far reaching Golden Arm Trio, Graham has repeatedly toured the country and released several critically acclaimed albums.  As Co-Artistic Director of Golden Hornet Project, Graham has produced more than fifty concerts of world-premier alt-classical music by more than sixty composers, as well as five symphonies, two concertos and countless chamber pieces of his own.  Graham's music has been heard throughout the world on TV, on stage, in films, and on radio. Graham's score work includes: a variety documentary shorts and features like Shepard & Dark, independent narratives like I'll Come Running, and Richard Linklater's features: A Scanner Darkly, Bernie, and Before Midnight. 

Singer/songwriters Keaton Simons (Can You Hear Me) and Graham Reynolds (Cult of Color), Authors Matthew MacDonald (Your Brain: The Missing Manual) and James Donovan (A Terrible Glory: Custer and the Little Bighorn)

Constable, one of the foremost British landscape painters of the nineteenth century, first achieved success with his large canvases depicting landscape and life in and around the Stour Valley, which he exhibited between 1819 and 1825. Such was the success of the first of these large paintings, The white horse 1819,1 when Constable exhibited it at the Royal Academy in 1819, that he was elected Associate of the Academy later that year.2 Working on a scale usually reserved for history painting, Constable redefined the notion of a ‘finished’ picture by giving his large landscapes something of the spontaneous freedom and expressive handling of a rapidly painted sketch. The leaping horse is the sixth and the last of these large Stour Valley landscapes and one of the most powerful. Constable chose a place called Float Jump, close to where the course of the old river temporarily left the navigable portion of the Stour. It also marked the boundary between the counties of Essex and Suffolk. The jump itself consisted of a wooden barrier a metre high, constructed across the tow path. Built to stop cattle straying, it was low enough to allow barge horses to leap over it. Constable chose the moment when the horse, mounted by a boy, was leaping the barrier, which gave vigour to the scene. He depicted it from a low viewpoint to give the horse and rider a dramatic presence. Constable’s principal concern was not, however, with the specifics of the location but rather capturing the atmosphere of place and the general feelings associated with experiencing nature. He sought to present nature as something mutable, not fixed. ‘It is a lovely subject,’ Constable said of The leaping horse, ‘lively – & soothing – calm and exhilarating, fresh – & blowing’.3 He wanted his landscapes to create a total experience, including a sense of movement and sound as well as what can be directly observed. In this painting he wanted to convey the feel of the wind, the shimmering of light, the sense of being outdoors. And he extended the experience of the landscape by depicting a moorhen startled from her nest by the thundering of the horse’s hoofs. Constable’s handling of paint is expressionist and almost abstract. He used palette knife as well as brush, with which he created a visual impression of flickering lights and shadows. The light rises as if the sun is coming out and the storm clouds are blowing away. It sparkles on the trees on the left and gives the pollarded tree in the centre a silvery look. Constable also carried through his interest in ‘skying’ into all his large landscapes. In saying the sky was the ‘chief organ of sentiment’ in a painting, he emphasised his belief in the expressive importance of the sky, and its ability to dictate the mood of a landscape.4 His skies are a vital part of his compositions and a main conveyor of mood, as in The leaping horse. They transform comfortable, stable scenes into ones of continual change and transition. Anne Gray 1 The Frick Collection, New York. 2 Constable described this work as ‘a placid representation of a serene grey morning, summer’, Graham Reynolds, The later paintings and drawings of John Constable: text, New Haven & London: Yale University Press, 1984, p. 156. 3 R.B. Beckett, John Constable’s correspondence VI Ipswich: Suffolk Records Society, 1968, p. 198. 4 Beckett, p. 77.