Podcasts about hart house theatre

Welcome back to the 182nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 182nd episode we bring you a Duet Review of The Rear Window, written and directed by Emily Dix – adapted from Alfred Hitchcock's 1954 film of the same name, as well the original short story, “It Had to Be Murder” by Cornell Woolrich – presented by Bygone Theatre, in association with Hart House Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss the cinematic gaze, the evolution of surveillance, and the art of impersonating Jimmy Stewart.  The Rear Window is playing at Hart House Theatre (7 Hart House Circle, Toronto, ON) until May 31st, 2024. Tickets can be purchased from the following link: https://harthouse.ca/theatre/on-stage CONTENT WARNING: The Rear Window contains discussions intimate partner violence and substance abuse; this review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. Less importantly, this review contains many SPOILERS for The Rear Window (both on stage and screen). It will begin with a general non-spoiler review until the [16:27] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Bygone's promotional video demonstrating the technology used in this production (from the QR code in the program): https://www.youtube.com/watch?v=Tu6SKJwygpg&ab_channel=BygoneTheatre Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

In this episode, Sarah Burke interviews Rakhee Morzaria who is an old schoolmate. Rakhee is a Canadian Screen Award-nominated comedian and actress who stars in the hit CBC comedy RUN THE BURBS where she also served as a Season One writer. An accomplished actor, Rakhee has been featured on WHAT WE DO IN THE SHADOWS (FX), MY SPY (Netflix), PRIVATE EYES (Global TV), and HUDSON & REX (CityTV). She also voices Tall Girl among other characters on Roku and the Family Channel's animated series SUMMER MEMORIES. Rakhee is an alumni of The Second City Bob Curry Fellowship, and has performed on the stages of Second City in their Family and Education Company, Hart House Theatre, Bad Dog Theatre, the CBC Music Festival, and the Toronto Sketchfest. Her writing and comedic sketch-based shorts (NOTE TO SELF, BE RIGHT BACK) have been seen in Kevin Hart's JUST FOR LAUGHS short film competition, screened at the Atlantic Film Festival, been nominated for a Canadian Screen Award, and have upward of a million views. On this episode, Sarah and Rakhee discuss her career journey from American Eagle to improv in China, to Second City in Toronto and pursuing a career in the arts. Rakhee shares her experiences in theater, improv, and creating her own web series, Note to Self. They also touch on the challenges of being a woman in the public space, how to handle rejection, and the importance of supportive women in the industry. Rakhee also discusses her role as Camille Phan in the CBC series Run the Burbs. She shares lessons she has learned from failure and the importance of support from her family and collaborators. Chapters (00:00) Introduction and Reconnecting (03:06) Discovering a Passion for the Arts (04:55) Transitioning into the Arts (08:36) From Theater and Improv to the Big Screen (12:24 ) Sharing Personal Stories in Note to Self (15:35 ) Navigating the Public Space as a Woman (18:23 ) Supportive Women in the Industry (22:53) Advice and Dealing with Rejection (25:09) Lessons from Failure and Closure (28:27) Starting Run the Burbs (32:09) Infusing Authenticity into the Character (34:00) Kindness and Cultural Representation (37:18) Support from Family and Overcoming Financial Worries (40:11) Navigating Rest and Recovery (44:54) Proudest Moment: Celebrating Note to Self (47:04) Nominations for Future Guests Follow along with Rakhee Morzaria: https://www.rakheemorzaria.com/ Find out more about the Women in Media Podcast at http://womeninmedia.ca/ Follow the Women in Media Podcast on Instagram @WomenInMediaPod Follow the Women in Media Podcast on Facebook @WomenInMediaPod Follow the Women in Media Podcast on X @WomenInMediaPod Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to the 158th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 158th episode we bring you a duet reviewof the I Love You and It Hurts, an anthology of three forum theatre pieces – “The Walkover” by Cedric Martin, “Mother” by Lindsey Middleton, and “Be a Friend” by Jessica Moss – presented by Theatre of the Beat, directed by Max Cameron Fearon. Join Ryan Borochovitz and new guest Ethan Persyko, as they discuss the perks of being a Spect-Actor, the intersections between theatre and social work, and how small changes can make a big difference I Love You and It Hurts was performed in Toronto at Hart House Theatre on November 29th, 2023, as part of its cross-Canada tour. To learn more about the show, see Theatre of the Beat's website: https://theatreofthebeat.ca/i-love-you-and-it-hurts CONTENT WARNING: I Love You and It Hurts deals with many social and personal issue, including but not limited to: domestic partner abuse, elder abuse, toxic masculinity, and suicidal ideation. This review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. If you are struggling with any of these issues, we highly encourage you to seek help, using the resources below: https://gersteincentre.org/ https://www.betterhelp.com/ https://www.crisisservicescanada.ca/en/ Less importantly, this review contains SPOILERS for I Love You and It Hurts. It will begin with a general non-spoiler review until the [00:14:30] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If the production is ever remounted and you intend to see it, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists:  Ethan Persyko – Instagram: @ethan_joshuaa // Facebook: Ethan Joshua Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Lindsey Middleton is a Canadian Screen Award nominee. Lindsey is best known for playing Vanessa and co-producing the internationally award-winning web series, Out With Dad, where she won two Indie Series Awards for Best Supporting Actress, and a IAWTV Award for Best Female Performance in a Drama. Lindsey has toured theatre across Canada and Europe and performed in over 50 productions.As a writer, Lindsey is one of the co-creators of the Roku Channel show Just Hysterics, a collective of female-forward comedy sketches, that has been recognized at both Stareable Fest and TO WebFest. Lindsey also co-wrote Unmute and I Love You and It Hurts with Theatre of the Beat; both pieces were commissioned by Women's Crisis Services of Waterloo Region and her first play Session which premiered at the Paprika Festival. Lindsey is currently writing a new TV show all about her days showing cows at local fairs as well as writing her first novel about her travels to over 30 countries before turning 30. Lindsey is a 2023 Halls Island Artist Residency Recipient.As a director, Lindsey has Associate Directed the sold out run of Legally Blonde: The Musical for Hart House Theatre, and Pippin for Theatre Sheridan. Lindsey produced and directed Best Kept Secret, the 400 person immersive event that marked the grand opening for the Anndore Hotel in downtown Toronto. lindseymiddleton.ca Instagram: @lalalindseym Kathleen Welch is a director, performer, and writer based here in Toronto. She is thrilled to be working with such an incredible team to bring this strange and beautiful play to life. Recently, Kathleen has been working on SAMCA, a play which she co-wrote, composed the music for, and acts in. This project is ongoing and she is looking forward to bringing it to Toronto audiences soon. Kathleen's favourite past directing credits include The Anger in Ernest and Ernestine and 12 Angry Jurors. She is also currently writing a new play, Bluebeard's Wives. Instagram: @kathleen.welch Suddenly Last Summer Riot King is back with another exciting, site-specific production! Don't miss the limited run of ‘Suddenly Last Summer' by Tennessee Williams presented at Sorry Studios. Named one of Williams' most poetic plays, ‘Suddenly Last Summer' is a strange and unnerving Southern Gothic play that explores mental health, repressed desires, and the lengths a dysfunctional family will go to keep dark secrets hidden. Williams' play uncovers the frightening and disturbing realities that can hide behind what is seemingly beautiful. Tickets and Info: www.riotking.com/suddenly-last-summer Twitter: @riotkingto Instagram: @riotkingto Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Welcome back to the 128th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of proshot productions! For our 128th episode we have a new artist interview. This particular conversation was hosted by our Co-Artistic Producer Ryan Borochovitz and Anthony Palermo, writer and director of The Gray: A Wilde New Musical in Concert, a glam rock/true crime/literary adaptation hybrid, currently being presented at Hart House Theatre. Together they discuss Toronto's queer history, the value of extensive workshopping, and subverting traditional musical theatre categories. The Gray is playing at Hart House Theatre (7 Hart House Cir., Toronto, ON), from April 20th to 22nd, 2023! Tickets can be purchased from the following link: https://harthouse.ca/theatre/show/the-gray Listen to its earlier incarnation, The Gray: A Wilde Audio Drama: https://spoti.fi/3UKpEKc Follow Anthony – Instagram: @anthxnypalermo // Website: https://www.anthony-palermo.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

“People are dying from your fatphobia and that's wild. We are so hung up on the way theatre has looked forever that we can't change our perspective enough to literally save people's lives.”  TW: Discussion of eating disorders. I found Greg on TikTok. Greg is the founder of EveryBODY on Stage, which aims to break down stigma and fat-phobia in the arts. There is such multi-layered dialogue when it comes to each person's experience. Being a CoVid long hauler changed my body by gaining weight – and even when I find the positives and self love when it comes to myself, my body, and the industry, it's rooted in privilege.  And when it comes to weight and age – why is it that a bigger body in educational theatre equals playing someone older or someone not worthy of love? How does that affect someone in their formative years? Why is it we are praised for losing weight, even when it's done in an unhealthy way? Greg and I breakdown how fatphobia dominates the theatre industry, while shedding light on the people who are doing their best to fix this. Plus, we also get into how Funny Girl on Broadway battled responses based in fatphobia and anti-semitism and how as an industry, we need to move forward by communicating with kindness.  Please note – the group I talk about in the episode who's name slips my mind is The Industry Standard Group (TISG) who are innovating Broadway by finding new pathways toward equitable representation in commercial theatre. Also, use the code “MULTI” at the EveryBODY on Stage store for a discount at https://www.everybodyonstage.com/ “There is this narrative that a fat body is bad and ugly and gross. I'm done with that. I don't care if other people find me attractive because I don't need that anymore. I am happy in my body and I deserve to take up space in this body. So, like, I don't know… get into it society.”  Greg Carruthers (he/him, she/her) is a Toronto-based choreographer, actor and body-positive activist (@EveryBODYonStage). Hailing from Bradford, Ontario, Greg studied Music Theatre Performance at St. Lawrence College which recently nominated him for an Ontario Premier's Award. Greg has choreographed for Theatre Sheridan, Hart House Theatre, Canada's Wonderland, The Madinat Theatre (Dubai), and the July 1st ceremonies at Queens Park (Toronto). As a performer, Greg was most recently seen on the 1st National Tour of 'Trey Parker's Cannibal the Musical'. As the Artistic Producer and Founder of EveryBODY on Stage, Greg has produced projects for Musical Stage Co's “Musical Moments” and Buddies in Bad Times “Queer Pride Festival”. With funding from the Canada Council for the Arts, Greg conceived, choreographed and produced a short film titled "Cell Block Tango: Reimagined" which was screened as part of the Toronto Outdoor Picture Show. Greg is very excited to be choreographing "Into The Woods" at the Grand Theatre in London this fall as well as developing a new queer musical and a dance film. www.everybodyonstage.com  Instagram: @gregcarruthers  Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Pink Moon, everybody! Way back in 2017, I came across a feature article in The New York Times Magazine called “A Whimsical Wordsmith Charts a Course Beyond Twitter.” The article was about MIT PhD student Jonny Sun’s online personality — as a sentimental alien — attracting a huge following online.   I was like “Okay, this is about the latest viral Instagram influencer and their particular brand of attention seeking behavior.” But as I read the piece, and went deeper into the bio of Jonny Sun, I found myself fascinated. Jonny Sun is a PhD student at MIT looking to understand, in more objective ways, how social media fosters community. His research focuses on how social media content influences the broader world. How meaning is made. How it spreads. How it changes news and culture. As one comedian put it, “He’s like Jane Goodall and we’re the apes.” I found myself falling deeper and deeper into the Jonny Sun rabbit hole. There’s a lot there! Jonny is an architect, designer, engineer, artist, playwright, and comedy writer who has written for BoJack Horseman. In fact, we recorded this chapter with him in L.A. currently writing another screen play. Jonny’s work is across multiple disciplines which broadly addresses the narrative of human experience. His plays have been performed at the Yale School of Drama, Hart House Theatre in Toronto, the Toronto Theatre Lab First Sight Festival and the University of Toronto Drama Festival. His art has been exhibited at Yale University and the University of Toronto. And, he is the author of a brand new and highly anticipated book called Goodbye, Again: Essays, Reflections & Illustrations. It is a truly wonderful book. Looks simple on the surface but then roller coasters up and down and sideways with obsessive mental insights like Jenny Lawson or David Foster Wallace. Jonny’s work has appeared in The New Yorker, McSweeneys, NPR, The New York Times and Late Night with Seth Myers. He’s also been named by Times as one of the 25 most influential people on the internet, Forbes has named him one of their 30 under 30 and his TED Talk has nearly four million views. Are you ready to talk about the culture of productivity, about being on all the time, about therapy and anxiety, about the provocative nature of humor, about succulents and aloe plants, about Dadaism, about competition, about algorithms, and of course about the wonderful Jonny Sun’s 3 most formative books?  Let’s turn the page into Chapter 77 now… What You'll Learn: What is a toxic culture of productivity? How do you juggle competing pursuits? What are the additional pressures marginalized people face? How do drama and humor interplay in comedy? How do we stand out in today’s mass media dominated world? What are the tensions between professional and personal ambition? How do social media algorithms work? What is instructional art? What is behavioural simulation? How do you convey deep thought and emotion in short form? You can find show notes and more information by clicking here: https://www.3books.co/chapters/77  Leave us a voicemail. Your message may be included in a future episode: 1-833-READ-A-LOT. Sign up to receive podcast updates here: https://www.3books.co/email-list  3 Books is a completely insane and totally epic 15-year-long quest to uncover and discuss the 1000 most formative books in the world. Each chapter discusses the 3 most formative books of one of the world's most inspiring people. Sample guests include: Brené Brown, David Sedaris, Malcolm Gladwell, Angie Thomas, Cheryl Strayed, Rich Roll, Soyoung the Variety Store Owner, Derek the Hype Man, Kevin the Bookseller, Vishwas the Uber Driver, Roxane Gay, David Mitchell, Vivek Murthy, Mark Manson, Seth Godin, and Judy Blume. 3 Books is published on the lunar calendar with each of the 333 chapters dropped on the exact minute of every single new moon and every single full moon all the way up to 5:21 am on September 1, 2031. 3 Books is an Apple "Best Of" award-winning show and is 100% non-profit with no ads, no sponsors, no commercials, and no interruptions. 3 Books has 3 clubs including the End of the Podcast Club, the Cover to Cover Club, and the Secret Club, which operates entirely through the mail and is only accessible by calling 1-833-READ-A-LOT. Each chapter is hosted by Neil Pasricha, New York Times bestselling author of The Book of Awesome, The Happiness Equation, Two-Minute Mornings, etc. For more info check out: https://www.3books.co

Ashleigh Powell is a dance teacher and choreographer whose expertise and passion has introduced thousands of people to the wonderful world of dance. She graduated with distinction from the Teacher Training Program at Canada's National Ballet School and her talents have been recognized with multiple awards for excellence in teaching. Today she is a member of the artistic faculty and head of community dance programs at Canada's National Ballet School.In addition to teaching dance Ashleigh is a creative and skilled choreographer, creating works for the Toronto Youth Theatre, Hart House Theatre, the Classical Theatre Project, Canopy Theatre, and the Next Stage Festival. She's also been very involved with the Sharing Dance program at Canada's National Ballet School, which brings the joy of music and dance to people in communities across the country. On this episode, host Angela de Burger chats with Ashleigh about why dance is for everyone, the differences between teaching and choreographing, and how people find unique ways to share their voices and stories through creative movement. Say hi to Ashleigh at Canada's National Ballet School:   Website: http://nbs-enb.ca   Instagram: https://www.instagram.com/nbs_enb   Facebook: https://www.facebook.com/NBSENB   Twitter: https://twitter.com/nbs_enbShow mentions - people who inspire Ashleigh:   Irving Layton - Poet   Mavis Staines - Artistic Director of Canada's National Ballet School   NBS Sharing Dance 2020 video -    https://www.facebook.com/NBSENB/videos/623953741805906----Creative Pulse Podcast socials:   Instagram https://www.instagram.com/creativepulsepodcast   Twitter https://twitter.com/CreativePulseTWMusic credit: https://www.purple-planet.com

Andrew Joseph Richardson Andrew is an Indo-Canadian actor, director, dramaturg, and dad. He is a graduate of both the Theatre Arts Program at Grant MacEwan College in Edmonton (where he is originally from) and the Acting Program at the National Theatre School of Canada in Montreal. He is also the Co-Ordinator of the Guerrilla Ruffian Squad and directed their production, Situation Unknown (a Shakespearean improv performance), at the Shakespeare Lives microfestival in libraries across Toronto. A.J. has lead the adaptations for every Shakespeare in the Ruff production in Withrow Park in collaboration with each show’s director. He has also created short adaptations of Henry VI, Part 3 and Julius Caesar (amongst others) for Original Practices events. His adaptation of The Tempest was directed by Diane D’Aquila for Theatre Calgary’s Shakespeare by the Bow. He directed the Shakespeare-in-Hospitals Program for Spur-of-the-Moment Shakespeare Collective in 2014. Selected Shakespeare Acting Credits: Launce in Two Gents, Cloten in Cymbeline’s Reign, and Banquo in Macbeth: Walking Shadows (Shakespeare in the Ruff), Oberon in A Midsummer Night’s Dream (Shakespeare in the Ruff), Ford in The Merry Wives of Windsor (Shakespeare BASH’d), Horatio in Hamlet (Forward Theatre), and Rodorigo in Othello (Sound and Fury Theatre).Victoria Urquhart Victoria Urquhart is a Toronto-based actor and director from Caledon. She is also a graduate from the University of Windsor’s 2010 B.F.A. Acting Program. This training has helped her to develop a focus on marrying Physical Theatre Practices with Classical Text. This fascination, combined with her leadership and organizational skills developed through working six consecutive summers at a residential camp have led her to a passion for directing, and the creation of The Spur-Of-The-Moment Shakespeare Collective in Toronto. Through the SOTMSC, she has directed, produced, and sometimes performed in several community projects, including the Shakespeare-On-The-Subway Project, several sessions of Shakespeare-In-Hospitals, and JULIUS CAESAR PROJECT, garnering 4 N’s from NOW magazine at the 2014 Toronto Fringe Festival. Other theatre credits include: Waiting for Alonzo with Empty Box Theatre (2015), Teach Me with Newborn Theatre, and Macbeth with Hart House Theatre.Heart In Hand at Shakespeare-In-Hospitals’ Family Reunion Gala!Grab a drink at the bar, enjoy some sweet and savoury eats and put your picture on our family tree as we extend the SOTMSC family with a final performance of the 2019 Program’s show, Heart In Hand:How will you choose your family if your family doesn’t choose you? In the last flashes of a mother’s life, we see the hopeful imaginings of her family’s choices to move forward when she is gone. Brought together by the Canada Council for the Arts, the Ontario Arts Council, Amsterdam Brewery and the Spur of The Moment Shakespeare Collective, this funny and touching piece has toured to rave reviews from patient, staff and family audiences across Toronto and the G.T.A.For a financially accessible gala we offer tickets on a sliding scale. Arts Worker and Student Tickets are available for the cost of $18 ($19.89 with processing fee). Folks who wish to donate more with their ticket to help those who cannot afford full cost can do so on our ticketing site: http://shakehospitals2019.bpt.me/www.spurofthemomentshakespeare.com Twitter: @shakespur Instagram: @shakespur

Episode Notes Jennifer Walls Jennifer is a performer producer, and voice-over actor. As a musical theatre performer she has played leading roles in a wide variety of musicals including RENT, Beauty And The Beast, The Wizard of Oz and number of Canadian premiers as well as the Dora Award nominated original musical review Off-Broadway, On Stage. She was also a finalist in the CBC hit show How Do You Solve A Problem Like Maria?As a voice actor she has voiced recurring characters on a number of animated series’ including PBS’ Peg+ Cat and Amazon’s Creative Galaxy and is currently the voice of Family Jr.Jennifer is also the director of Hart House Theatre’s production of The Rocky Horror Show.www.jenniferwalls.com Twitter: @jeni_walls Instagram: jeniwallstoChris Tsujiuchi Chris is a graduate of Sheridan College's Musical Theatre Performance program. Performance credits include Fulgens and Lucres (PLS), Recurring John, Paradises Lost (SummerWorks Festival), and Audrey II in Little Shop of Horrors (Lower Ossington Theatre and T3 productions). Musical Direction credits include A Misfortune (Next Stage Festival), HAIR (FirstAct Productions), One Song Glory '10 '11 & '12 (ActingUp Stage), A Joyful Noise (co-composer/lyricist, Smile Theatre), Mickey & Judy (Toronto Fringe), and bare: the Canadian Premiere (WatersEdge Productions). Chris has also worked as an accompanist and teacher at Sheridan College, Randolph Academy and George Brown College. He has toured extensively with the Nathaniel Dett Chorale as a singer and with Sharron Matthews as an accompanist/arranger (Sharron's Big Broadway Show, Jesus Thinks I'm Funny, GOLD, Full Dark). He can also be seen in his biannual "Chris-terical" series of cabarets at Buddies in Bad Times Theatre.www.christsujiuchi.com Twitter: @ChrisTsujiuchiwww.harthouse.ca Twitter: @HHTheatre Instagram: hhtheatre Tickets: https://tickets.harthouse.ca/

Performer/Producer/Director, Jennifer Walls is coming on for round two of Cue To Cue! we wasted no time digging and getting real about matters of the heart in Jeni’s personal and professional life. Jeni’s right in the middle of directing Hart House’s production of Rocky Horror Picture Show and is opening up about her creative process and everything that comes with it!!   In this episode: how to get help if you are struggling with an eating disorder or body image how she is learning to embrace and love her body after battling an eating disorder and suffering from body dysmorphia for 20 years why it is imperative to your growth as an artist to pay attention to the stories you are telling yourself how to keep the integrity of a show/play that has been around for decades intact while updating it to have cultural relevance audition tips: The one thing you should NEVER do in an audition!   A Little About Jeni Jennifer Walls is a Toronto based performer, voice actor, performance coach, producer and has recently added director to the list. As a performer, she is a graduate of Sheridan Institute’s prestigous Musical Theatre Performance Program.  She has performed across North America and the UK and has been blessed to share the stage with some of her theatre heroes including Andrew Lloyd Webber, Ben Vereen, Rebecca Cain, and Colm Wilkenson. She has enjoyed seasons with The Victoria Playhouse Petrolia, Drayton Entertainment and Hart House Theatre, but is best known for her self-produced work and has received acclaim for per portrayal of Liza Minnelli in Liza Live! As well as for her autobiographical rock cabaret Jagged Little Me, based on the iconic Alanis Morissette album Jagged Little Pill.  She has been featured in the Globe and Mail and has had the good fortune of gracing the cover of NOW Magazine for her work with the Toronto Fringe Festival.   As a voice actor, she is the current voice of both the Family and Family Jr. networks as well as recurring characters on PBS’ Peg + Cat and Amazon’s Creative Galaxy among numerous animated series and commercials. If you’ve hears the words “Garner Sleek and Shine, you’ve heard her! Jennifer has worked as a producer with a number of critically acclaimed solo shows for various Fringe and theatre festivals, Most notably Rebecca Perry’s Redheaded Coffee Shop series, Adam Proulx’s Baker’s Dozen: 12 Angry Puppets, She is a curator with the 120 Diner’s Sunday Cabaret Series the producer and host of Toronto’s premier Musical Theatre Open Stage Singular Sensation, providing a fun gathering for performers of all kinds in a safe, supportive atmosphere.  She has also collaborated as a producer with Random Hero Productions, Toronto Pride, The Musical Stage Company, The Second City and The Toronto Fringe Festival. When not working on stage, in the booth or behind the scenes, she is a performance coach with Lawson Vocal Studios with a focus on musical theatre and pop vocal and stage performance, voice-over and audition preparation. Last year, Jennifer made her directorial debut at Hart House Theatre directing the Heathers the Musical. She also directed Mandy Goohandy’s Just Call Me Lady for Toronto Pride and has returned to Hart House Theatre to direct The Rocky Horror Show starring Chris Tsujiuchi, opening on September 27th. Get Tickets www.harthousetheatre.ca   Follow Jeni! Instagram: @jeniwallsto

Jennifer Walls is a performer producer, and voice-over actor. As a musical theatre performer she has played leading roles in a wide variety of musicals including RENT, Beauty And The Beast, The Wizard of Oz and number of Canadian premiers as well as the Dora Award nominated original musical review Off-Broadway, On Stage. She was also a finalist in the CBC hit show How Do You Solve A Problem Like Maria?As a voice actor she has voiced recurring characters on a number of animated series' including PBS' Peg+ Cat and Amazon's Creative Galaxy and I am currently the voice of Family Jr.Jennifer is also the director of Hart House Theatre’s production of Heathers: The Musical.www.jenniferwalls.com Twitter: @jeni_walls Instagram: jeniwallstowww.harthouse.ca Twitter: @HHTheatre Instagram: hhtheatre Tickets: https://tickets.harthouse.ca/

These awesome indie theatre creators sat down with host Phil Rickaby as part of the first Indie Theatre Creators Roundtable: Christel Bartelse, Victoria Urquhart, Victoria Velenosi, and Janelle Hanna.Christel Bartelse is an Actor, Comic, Writer, Teacher, and Solo Show creator living in Toronto. She is a graduate of the Second City Conservatory Program, Randolph Academy for the Performing Arts and has studied Clown extensively with John Turner & Michael Kennard (Mump and Smoot) as well as Sue Morrison, Philippe Gaulier and Francine Cote.She had the pleasure of performing with Mump and Smoot in “Something” at the Westbury Theatre in Edmonton.She is a member of Faustwork Mask Theatre/Prologue for the Performing Arts and performs the show The Mask Messenger in schools regularly.In 2008 she developed her first solo show “CHAOTICA” which went onto to win numerous awards and garnered rave reviews. She developed 2 other solo shows “ONEymoon” & “Significant Me” and all three solo shows have been nominated for a Canadian Comedy Award “Best One Person Show”.Christel continues to tour her work, and has toured across Canada, to the US & the UK. She has been teaching for over 15 years. She has taught Improv at the Second City, teaches Mask, Clown, Dance, Movement, independently to schools all across the GTA and currently teaches Clown/Movement at the Toronto Film School and teaches and directs Clowns at Humber College in the Comedy & Writing Program.http://christelbartelse.com/ Twitter:@cbartelseVictoria Urquhart is a Toronto-based actor and director from Caledon. She is also a graduate from the University of Windsor’s 2010 B.F.A. Acting Program. This training has helped her to develop a focus on marrying Physical Theatre Practices with Classical Text. This fascination, combined with her leadership and organizational skills developed through working six consecutive summers at a residential camp have led her to a passion for directing, and the creation of The Spur-Of-The-Moment Shakespeare Collective in Toronto. Through the SOTMSC, she has directed, produced, and sometimes performed in several community projects, including the Shakespeare-On-The-Subway Project, several sessions of Shakespeare-In-Hospitals, and JULIUS CAESAR PROJECT, garnering 4 N’s from NOW magazine at the 2014 Toronto Fringe Festival. Other theatre credits include: Waiting for Alonzo with Empty Box Theatre (2015), Teach Me with Newborn Theatre, and Macbeth with Hart House Theatre.Twitter: @gnitenetVictoria Velenosi is a storyteller and tells stories to anyone who will listen. She is half of the partnership that runs Brick and Mortar, home of The Attic, The Box and The Commons. At any given time, she can be found either on stage, behind a computer, or under a pile of cats. Most impressive credits include a list of shows you’ve probably never heard of. ☺Vikki is a graduate of the University of Windsor Acting Program and Straeon Acting Studios. Vikki believes that every artist has an important voice and, with the right stage, they can change the world. #DREAMBIGGER@VikkiVelenosiJanelle Hanna is an actor, educator, and short sassy woman, and is thrilled to be premiering her first full length solo show Bad Baby Presents: Rules Control the Fun at the Toronto Fringe. Other Fringe credits include: Eternal Friendship with a Spotless Smile (Patron’s Pick),Virginia Aldridge, BSc, Sitting in a Tree, and Fantastic Extravagance. Other credits include: Frankenstein Live (The Arts Engine), Knot Tied (Lab Cab Festival), Eligible(BravoFact), Neighbourhood Watch, The Duvet (Film Army), Swell Broad,Commencement (Convection Productions), Last Man Hanged, Ring Round the Moon, Pillar to Port Walkabout (Gairbraid Theatre), Anne of Green Gables (Stirling Festival Theatre). Janelle is a graduate of the Masters in Acting program at York University where she played such roles as Cordelia/Foole in King Lear, the Knight in The Knight of the Burning Pestle, Volumnia in Coriolanus, Alcestis in Alcestis, and Flute/Thisbe in A Midsummer Night’s Dream. She is also a graduate of the joint acting program at Sheridan College and the University of Toronto Mississauga (Theatre Erindale)@janellemhannaStageworthy:https://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Victoria Urquhart is a Toronto-based actor and director from Caledon. She is also a graduate from the University of Windsor’s 2010 B.F.A. Acting Program. This training has helped her to develop a focus on marrying Physical Theatre Practices with Classical Text. This fascination, combined with her leadership and organizational skills developed through working six consecutive summers at a residential camp have led her to a passion for directing, and the creation of The Spur-Of-The-Moment Shakespeare Collective in Toronto. Through the SOTMSC, she has directed, produced, and sometimes performed in several community projects, including the Shakespeare-On-The-Subway Project, several sessions of Shakespeare-In-Hospitals, and JULIUS CAESAR PROJECT, garnering 4 N’s from NOW magazine at the 2014 Toronto Fringe Festival. Other theatre credits include: Waiting for Alonzo with Empty Box Theatre (2015), Teach Me with Newborn Theatre, and Macbeth with Hart House Theatre.Do not miss Spur of the Moment Shakespeare-in-Hospitals La Maschera Gala on December 14, 2017.Twitter: @gnitenetTwitter: @shakespur Instagram:@shakespurhttps://shakehospitals2017.brownpapertickets.com/Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Maureen Gualtieri, playwright and general word-wrangler, was born and raised in Toronto. Her newest play, Odd One Out, will be premiering at the 2017 Toronto Fringe. Her work has been seen at previous editions of the Toronto Fringe (BQ, as part of Trip; Monkey Love), Protestival (Whose Body is This; The Franklin Street Elementary School Grades 1, 2, & 3 Present Their Spring Pageant, “Officer Bubbles Goes to Hell, Or, Civil Disobedience is for Everybody!”), and other local festivals. She has directed, assistant directed, stage managed and script coordinated in venues such as Hart House Theatre, the Hamilton Fringe, and Tarragon Theatre. She graduated from the National Theatre School of Canada's playwriting program in 2012. Odd One Out:1950. A love triangle. A secret attraction. A college student disappears in the woods. Ten years later, her rival lovers reunite in an attempt to solve the otherworldly mystery: what really happened to Clementine Yates?Playwright: Maureen Gualtieri Director: Elizabeth Traicus Cast: Krystina Bojanowski, Jesse Byiers, Mattie DriscollAt the Tarragon Theatre ExtraSpace (30 Bridgman Ave) as part of the Toronto Fringe: Friday July 7 at 8:30pm Saturday July 8 at 11:15pm Monday July 10 at 4:15pm Tuesday July 11 at 2:45pm< Thursday July 13 at 7:45pm Saturday July 15 at 5:15pm Sunday July 16 at 2:30pmStageworthy:http://www.stageworthypodcast.com Twitter: @stageworthyPod Facebook: http://facebook.com/stageworthyPo

Jonathan Sun is an emerging Canadian playwright whose works have been performed at the Yale School of Drama, the Hart House Theatre in Toronto, and as part of Theatre Lab's FIRST SIGHT Performance Series. He is an advocate for interdisciplinary creative practice and works across the fields of theatre, music, visual and installation art, design research, architecture, engineering, new media, and comedy. He is currently a PhD candidate at MIT, a fellow at Harvard's Berkman Klein Center for Internet & Society, and a recipient of the MIT De Florez Fund for Humor. His Twitter account @jonnysun, an ongoing character and comedy project, has over 175,000 followers to date and has been published in NPR, The Washington Post, The Independent, Vice, The Hollywood Reporter, Buzzfeed, Playboy, Cosmo, The Yale Herald, and was nominated for the 2015 Shorty Award for Comedian of the Year.http://www.jonathan-sun.com/ Twitter: @jonnysunStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Victoria Urquhart is a Toronto-based actor and director from Caledon. She is also a graduate from the University of Windsor’s 2010 B.F.A. Acting Program. This training has helped her to develop a focus on marrying Physical Theatre Practices with Classical Text. This fascination, combined with her leadership and organizational skills developed through working six consecutive summers at a residential camp have led her to a passion for directing, and the creation of The Spur-Of-The-Moment Shakespeare Collective in Toronto. Through the SOTMSC, she has directed, produced, and sometimes performed in several community projects, including the Shakespeare-On-The-Subway Project, several sessions of Shakespeare-In-Hospitals, and JULIUS CAESAR PROJECT, garnering 4 N’s from NOW magazine at the 2014 Toronto Fringe Festival. Other theatre credits include: Waiting for Alonzo with Empty Box Theatre (2015), Teach Me with Newborn Theatre, and Macbeth with Hart House Theatre.Film Credits Include: Red Lark with Funro Productions (1st runner up in Toronto’s 48Hr Film Festival) and Misinformed with Stratasfear Productions.Twitter: @gnitenet Instagram: @gnitenetTwitter: @shakespur Instagram:@shakespurhttp://spurofthemomentshakespeare.weebly.com/Shakesbeers Showdown: https://www.facebook.com/events/982597821848312/Shakespeare Lives Micro Festival in Toronto https://www.facebook.com/events/1261842920510338/Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

English professor, Christian Campbell, interviews Caribbean poet and playwright, Derek Walcott, winner of the Nobel Prize in Literature in 1992. Walcott discusses issues of identity, culture, and language in this illuminating conversation, filmed at Hart House Theatre on November 23, 2010.

English professor, Christian Campbell, interviews Caribbean poet and playwright, Derek Walcott, winner of the Nobel Prize in Literature in 1992. Walcott discusses issues of identity, culture, and language in this illuminating conversation, filmed at Hart House Theatre on November 23, 2010.