Podcasts about Mele

Eine weitere Folge Steady für alle:Mele war auf Mauritius und berichtet uns - für viel liebevollen Urlaubsfeeling hört rein.Wenn du uns regulär auf Steady unterstützen möchtest, findest du alle Infos hier in den Show Notes.Ab sofort findet ihr jede Folge zu den Helden des Olymp Werbefrei auf Steady - und einen Tag vor allen anderen.Steady: https://steady.page/de/pods-blitz/aboutMerch: https://pods-blitz.myspreadshop.deDiscord: https://discord.gg/fkmhXcFeGK Instagramm: https://www.instagram.com/_podsblitz_/E-Mail: podsblitzderpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Die Folge in der alle einen neuen Namen bekommen.Wir sind wieder da, wir freuen uns sehr, bringen ein neues Logo und technische Problemchen mit, Essen in der Kanalisation und sind in fancy Kaufhäusern.Seid ihr auch so stolz auf Mele wie es Melli am Ende der Folge ist?Ab sofort findet ihr jede Folge zu den Helden des Olymp Werbefrei auf Steady - und einen Tag vor allen anderenDisclaimer wie in jeder Folge: Wir spoilern vielleicht bei manchen Abschweifungen Harry Potter, Supernatural und Avengers.Steady: https://steady.page/de/pods-blitz/aboutMerch: https://pods-blitz.myspreadshop.deDiscord: https://discord.gg/fkmhXcFeGK Instagramm: https://www.instagram.com/_podsblitz_/E-Mail: podsblitzderpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Sistemul locomotor asigură mișcarea și sprijinul corpului:sistem osos (oase, articulații) și muscular (mușchi, tendoane). Pentru a umbla cu Dumnezeu nu îți trebuie picioare puternice, ci genunchi plecați și inimă rugătoare. Un pescar vedea două perechi de urme pe nisip. În nenorocire, a văzut o singură urmă. Voce blândă: „Pașii erau ai Mei, pentru că te port pebrațele Mele!” Citește acest devoțional și multe alte meditații biblice pehttps://devotionale.ro#devotionale #devotionaleaudio

Billy V unites with his former radio co-host and longtime friend Mele Apana to talk about her 17th annual Mother’s Day Spectacular in Waikiki. The show will feature performances by a variety of local musicians such as Lim Ohana, Hawaiian Style Band, Ho’onu’a, Hi’ikua, Ka La Onohi Mai O Ha’eha’e and Ke Kai O Kahiki; and the program will be posted by Billy V and Dillon Ancheta. Tickets are available by calling (808) 292-5522. Mele will also talk about her upcoming and highly anticipated musical debut, and what inspired her to finally release music.

Episodul 259 este încă unul în care te iau în culisele muncii mele ca strateg și coach profesionist pentru branduri personale; îți prezint întrebarea pe care o adresez cel mai des echipei mele și de ce o consider o unealtă-cheie pentru succesul afacerii mele. 

Hawaiian Concert Guide Show 703 The Bermuda Triangle Hawaiian Concert Guide Show 703, titled “The Bermuda Triangle”, is structured as a three-point journey through contemporary Hawaiian music, traditional mele, and the stylized mid-century exotica genre. The title reflects this triangular movement—authentic Hawaiian expression, modern interpretation, and the globalized “tiki-era” imagination of island sound. Rather than presenting these as competing styles, this episode places them in dialogue, allowing listeners to hear both contrast and continuity across eras and intentions. The first portion of the show is anchored in contemporary Hawaiian music that remains deeply connected to language, land, and cultural identity. Artists like Ei Nei, Eric Lee, and Kaleo Phillips demonstrate how Hawaiian music continues to evolve while maintaining strong ties to mele traditions, storytelling, and regional pride. The midpoint exotica segment introduces a historical divergence, highlighting how Hawaiian and Pacific imagery was interpreted for global audiences in the mid-20th century. The show ultimately resolves this contrast by returning to the foundational sound of Ho‘okena, whose vocal harmonies and closing oli reconnect the listener with Hawaiian cultural roots. A notable production detail in this episode is the inclusion of material from Eric Lee's album The Islands Are Calling, which features collaborative songwriting contributions, including respected Hawaiian musician and producer Moon Kauakahi. Known for his work with Nā Leo Pilimehana and his influence as a songwriter, arranger, and producer, Moon Kauakahi's involvement adds an additional layer of musical credibility and craftsmanship to the album's compositions. Track-by-Track Reference “Kauikeōlani,” performed by Ei Nei from the album Ei Nei, Look At Us (track 1 of 14, duration 2:18, categorized under Worldwide/Hawaiian contemporary), opens the episode with a composed and reverent tone. Ei Nei is a trio known for its refined vocal harmonies and contemporary production style, often blending Hawaiian language with modern melodic sensibilities. This track functions as a ceremonial introduction, with phrasing and pacing that evoke the structure of a mele inoa, honoring historical and cultural legacy. “Aia I Ka Maui (Ka Maui),” also by Ei Nei from Ei Nei, Look At Us (track 2 of 14, duration 3:15, Worldwide/Hawaiian contemporary), continues with a place-based composition centered on Maui. The song reflects the Hawaiian tradition of mele ʻāina, where land is not simply described but honored as a living entity tied to identity and ancestry. Ei Nei's arrangement balances accessibility with cultural authenticity, making the piece both engaging and meaningful. “The Islands Are Calling,” performed by Eric Lee from the album The Islands Are Calling (track 1 of 10, duration 4:17, Hawaiian genre), introduces a broader melodic structure that leans into contemporary island music while maintaining Hawaiian thematic elements. The song reflects a sense of invitation and connection, often interpreted as a call back to Hawai‘i for those who have left or feel spiritually tied to the islands. The album itself includes collaborative songwriting contributions, with Moon Kauakahi credited as a co-writer on select tracks, reinforcing the project's strong ties to established Hawaiian music traditions. “Hanohano Kilauea Ku I Ka La‘i,” also by Eric Lee from The Islands Are Calling (track 2 of 10, duration 4:02, Hawaiian genre), is a tribute to Kīlauea. The use of the word “hanohano” places the song within the category of praise compositions, aligning with traditional mele that honor significant natural and cultural landmarks. The piece reflects both the physical presence of the volcano and its deeper cultural associations, including its connection to Pele, the Hawaiian deity of fire and volcanoes. “Ka Nani a‘o Ka‘u,” performed by Kaleo Phillips from the album E Mama (track 2 of 13, duration 3:55, Hawaiian genre), highlights the Ka‘ū district of Hawai‘i Island. Kaleo Phillips is recognized for his smooth vocal delivery and emotionally grounded songwriting. This track emphasizes regional pride and the beauty of place, continuing the episode's strong thematic focus on land and identity. “Hilina‘i Mau,” also by Kaleo Phillips from E Mama (track 3 of 13, duration 3:49, Hawaiian genre), provides a reflective and emotionally centered moment in the program. The phrase suggests ongoing trust or reliance, and the song's tone supports this interpretation through its gentle pacing and expressive phrasing. It serves as a transition point before the stylistic shift into exotica. The “Exotica Segment Intro,” credited to pik00 (duration 4:10, categorized as Promo), marks a deliberate transition in the episode. This segment acknowledges a different chapter in the global perception of Hawaiian and Pacific music, one shaped more by imagination and stylization than by cultural authenticity. The intro prepares listeners for this contrast. “Jungle Madness,” performed by :contentReference[oaicite:0]{index=0} from the album Hypnotique (track 1 of 11, duration 3:35, Exotica genre), is a defining example of the exotica style. Martin Denny is widely regarded as a pioneer of the genre, which emerged in the 1950s and featured layered percussion, environmental sound effects, and an atmospheric approach to composition. While inspired by Pacific imagery, exotica music represents a Western interpretation rather than an authentic Hawaiian tradition. “Wipe Out,” performed by :contentReference[oaicite:1]{index=1} from the album Hapa Haole with a Twist (track 9, duration 1:04, Exotica genre), offers a brief and energetic surf-style interlude. Les Waikikings, a Belgian group, became known for instrumental surf interpretations with a tropical aesthetic. This track connects the exotica segment with surf rock influences, further illustrating how Hawaiian imagery spread globally in musical form. “Mahukona,” performed by Ho‘okena from the album Ho‘okena 5 (track 14 of 14, duration 4:39, Hawaiian genre), re-centers the episode in authentic Hawaiian music. Ho‘okena is known for its mastery of vocal harmony, including the use of traditional falsetto techniques. The song references Mahukona, a historic harbor area on Hawai‘i Island, continuing the theme of place-based storytelling. “Mele O Nā Kai ‘Ewalu (Oli),” also by Ho‘okena from the album Nā Kai ‘Ewalu (track 1 of 13, duration 1:00, Hawaiian genre), concludes the episode with a chant. As an oli, the performance is unaccompanied and rooted in Hawaiian oral tradition. The title references the “eight seas,” evoking themes of navigation, connection, and heritage. Ending the show with an oli provides a strong cultural resolution, bringing the listener back to the foundational elements of Hawaiian identity. Mahalo for joining us for Hawaiian Concert Guide Show 703, “The Bermuda Triangle.” This episode demonstrates how Hawaiian music exists across multiple dimensions—traditional, contemporary, and interpreted—while always maintaining a core connection to land, language, and culture.

Hai mai fatto una risonanza magnetica, visto le ernie, sentito che "c'è qualcosa da aggiustare" — e poi il dolore non è mai davvero sparito? Forse il problema non era dove pensavi.→ La schiena non è fragile: flettere la colonna carica non è pericoloso, e i decenni di "tieni la schiena dritta" hanno creato più paura — e più dolore — di quanta ne abbiano eliminata→ Dolore non significa danno: puoi avere una risonanza devastante senza dolore, o un dolore cronico invalidante con nulla di visibile. Il tuo referto non è la tua condanna→ Nessuna terapia manuale — inclusa la manipolazione fasciale — è scientificamente in grado di modificare l'allineamento delle ossa. Lo dice un manipolatore fasciale certificato, parlando della propria disciplina→ La postura è sopravvalutata in fisioterapia? Risposta dell'ospite: "schifosamente." Il primo obiettivo con un paziente cronico non è ridurre il dolore — è ridurre la paura di muoversiSe ti sei mai fermato per paura di farti del male, questo episodio ti rimette in movimento.

Mele und Bibi sind zurück auf Hohnenehr. Hier weilen Baelish und Alayne/Sansa in "tiefer Trauer" um Lady Lysa. Baelish versteht es ausgezeichnet, sich in die Opferrolle zu manövrieren und durch Lügengeflechte sich Verbündete zu schaffen, die ihm vorher nicht freundschaftlich gesinnt waren. Wer ist denn nun der größere Strippenzieher im Spiel der Throne? Varis oder Baelish? Und warum kann es Baelish einfach nicht lassen, so unfassbar ekelhaft in Bezug auf Sansa zu sein? Komm mit in dieses wilde Aufreger-Kapitel.

Et si le passage à l'action venait moins d'une prise de conscience personnelle que de notre besoin de conformisme ?Célia Poncelin, lauréate du prix Marianne du climat 2025, est réalisatrice du documentaire (IN)ACTION. Dans ce film, elle embarque sa propre famille, ses amis et des experts pour comprendre les ressorts profonds de l'inaction face à la crise climatique.Célia n'est pas née militante. Son parcours est marqué par une série de bascules : elle a grandi au pied du Vercors -une enfance au grand air, avec des parents sportifs qui l'amènent très jeune marcher en montagne. Puis elle a vécu de l'intérieur la dissonance entre ses convictions écologiques et une carrière dans la start-up nation, jusqu'au confinement pendant lequel Célia et son ami Léo remettent en question leur vie professionnelle… jusqu'à démissionner.Dès lors, la question de l'alignement devient clé. Elle s'interroge : pourquoi si peu d'entre nous bougent vraiment alors que tout le monde « sait » ? Pourquoi ne change-t-on pas de mode de vie alors que l'on connait tant de solutions et d'initiatives inspirantes ?Célia et Léo se questionnent : est-ce une question d'information ? De volonté ? Ou serait-ce la norme sociale qui nous retient ?Dans leur documentaire, ils explorent les freins à lever à travers le récit « d'une famille ordinaire face à un enjeu planétaire ». On y découvre notamment :Le poids de la norme socialeLa principale barrière à l'action n'est pas le manque d'information ni la structure du cerveau : c'est la norme sociale. Nous calons nos comportements sur ceux du groupe, auquel nous appartenons et dont nous cherchons validation. Il est nécessaire qu'un nombre critique de personnes (~25% du groupe) adopte un nouveau comportement pour que la dynamique change.La notion d'ombre carboneNotre impact va au-delà de nos gestes. Il comprend notre zone d'influence, ce que nous inspirons ou faisons bouger autour de nous, dans nos métiers, nos familles, nos communautés. Nos comportements deviennent des récits capables d'influencer notre environnement.L'importance d'agir au cœur du systèmeLe film explore différentes formes d'action, et nous montre aussi le pouvoir que l'on peut avoir en agissant “de l'intérieur," jusque dans les assemblées d'actionnaires des grands groupes pétroliers. Se mettre en mouvement à son niveauCélia nous montre qu'il ne faut pas attendre de pouvoir avoir un comportement irréprochable pour agir. A nous de bouger dès maintenant, à notre mesure, et cela commence par ouvrir la conversation avec nos proches et fréquenter des communautés engagées, qui normalisent et stimulent notre envie d'agir. La bascule collective se joue dans la somme de nos bascules individuelles.Je vous laisse avec Célia et vous souhaite une très belle écoute !ÇA VOUS A PLU ? VOUS EN VOULEZ ENCORE ?#87 - Comment passer à l'action face à la crise écologique avec Frédéric Laloux, fondateur de The Week#19 - Lucie Pinson, fondatrice de l'ONG Reclaim Finance : mettre la finance au service de la natureDemain N'attend Pas :Toutes les 2 semaines, j'échange avec des personnalités inspirantes pour questionner les récits qui façonnent notre monde, et ouvrir des pistes concrètes de futurs plus désirables.

Kompani Lauritzen-aktuelle Alessandra Mele er på besøk hos Helle, hvor hun åpner seg ærlig om en fortid i Italia som få her i Norge kjenner til. Hun forteller om en periode i livet preget av mye sinne og aggresjon, som førte til flere konflikter og slåsskamper. Samtalen beveger seg også inn på kjærlighet og dating. Både Alessandra og Helle forteller åpent at de tiltrekkes av begge kjønn, og de diskuterer forskjellene på å date menn og kvinner. Alessandra er også ærlig på at hun kan se for seg selv i et polyamorøst forhold. Det blir også snakk om Kompani. For det er tydelig at det oppstod søt musikk mellom Alessandra og Adrian der inne, men hvor langt gikk romansen egentlig? Hosted on Acast. See acast.com/privacy for more information.

Hawaiian Concert Guide Podcast Show 702 - Royal Flush Welcome to another inspiring edition of the Hawaiian Concert Guide. Episode 702, titled Royal Flush, is a heartfelt musical journey through aloha for family, love of place, worship, memory, and the unmistakable beauty of Hawaiian harmony. This episode moves gracefully from contemporary Hawaiian recordings into faith-filled expressions, pauses for a fun and nostalgic exotica interlude, and then returns home with classic Hawaiian vocal richness. At the top of the show, we feature a special live interview with Nick and Sam, who are visiting Hilo, Hawaiʻi for the world-renowned Merrie Monarch Festival, the premier celebration of hula and Hawaiian cultural arts. From the vibrant energy of Hilo during festival week to the deep traditions of hula, chant, and storytelling, Nick and Sam share their firsthand experiences attending one of the most significant cultural events in Hawaiʻi. Their perspective offers listeners a glimpse into the atmosphere, excitement, and reverence that define Merrie Monarch. The selections in this episode reflect some of the deepest values found in Hawaiian music: reverence for loved ones, profound attachment to the land, gratitude to God, and the enduring power of mele to preserve both emotion and identity. The result is an episode that feels warm, reflective, and deeply rooted. Featured Tracks 1. E Māma - Kaleo Phillips Album: E Mama Duration: 4:01 Opening the episode is E Māma, a song that immediately establishes an intimate and reverent emotional tone. The title suggests a tribute to mother, and in Hawaiian musical tradition, songs honoring mothers often carry meanings that go beyond a single individual. They can also reflect family lineage, sacrifice, tenderness, and the continuity of aloha across generations. Kaleo Phillips delivers the mele with restraint and sincerity, allowing the song's emotional core to remain front and center. Rather than overwhelming the listener with a dense arrangement, the song appears to rely on warmth, vocal phrasing, and a steady melodic line. That simplicity is part of its strength. Hawaiian music often does its best work when it trusts the story. As an opening track, this selection acts as a gateway into the entire episode. It introduces a theme that echoes through several of the songs that follow: love expressed not through spectacle, but through remembrance, gentleness, and deep personal connection. Theme: Family love, reverence, remembrance Musical character: Gentle, reflective, intimate Why it matters: Sets the emotional and spiritual tone for the full episode 2. Puna Kuʻu Aloha - Christy Leinaʻala Lassiter Album: Ho'i Ke Aloha - EP Duration: 3:57 Puna Kuʻu Aloha is a beautiful example of Hawaiian songwriting rooted in place. In Hawaiian mele, land is never just scenery. It is memory, identity, relationship, and presence. To sing of Puna is to sing of a living place with emotional and cultural meaning. Christy Leinaʻala Lassiter brings grace and emotional clarity to this performance. The phrase kuʻu aloha conveys a deeply personal affection, making the title feel like a love letter to Puna itself. This is one of the distinctive strengths of Hawaiian music: the ability to treat land as beloved, not merely observed. Puna, on Hawaiʻi Island, carries layers of meaning through its lush beauty, dynamic volcanic history, and deep cultural associations. Songs about Puna often hold a sense of longing, beauty, and transformation. This recording fits naturally within that lineage, inviting the listener to hear place as something cherished and alive. Theme: Love of place, emotional geography, identity Musical character: Flowing, melodic, affectionate Why it matters: Reinforces the Hawaiian tradition of connecting aloha with the land 3. Haleakalā - Christy Leinaʻala Lassiter Album: Ho'i Ke Aloha - EP Duration: 3:37 Staying with Christy Leinaʻala Lassiter, Haleakalā shifts the focus from one beloved region to one of Hawaiʻi's most revered natural and spiritual landmarks. Haleakalā is not only a mountain; it is a place layered with story, reverence, and mythic resonance. In Hawaiian tradition, places are often inseparable from the narratives attached to them. Haleakalā is famously associated with Māui, who was said to have lassoed the sun there. Because of that, references to Haleakalā can carry themes of time, light, wonder, and power. A song named for it naturally invites awe. Musically, this piece feels expansive, fitting the majesty of the subject. It broadens the emotional landscape of the episode and deepens the sense that Hawaiian music can hold both personal tenderness and geographic grandeur in the same artistic frame. Theme: Sacred place, wonder, mythic landscape Musical character: Spacious, reverent, elevated Why it matters: Expands the episode from intimate affection into spiritual geography 4. Goodness of God - Gregory Juan Album: Kauluwehi Duration: 3:41 With Goodness of God, the episode moves more directly into the language of testimony and praise. Though widely known in contemporary Christian music, a Hawaiian-oriented rendition invites the listener to hear the song through a different cultural lens. In this context, gratitude becomes more than a lyric theme; it connects naturally with the Hawaiian value of mahalo. Gregory Juan's performance likely resonates because of that fusion. Contemporary worship songs can sometimes feel structurally familiar, but when interpreted with island phrasing, local vocal sensibility, and an ear for relational warmth, they can take on a more grounded and communal feeling. This track serves as an important bridge in the episode. The earlier songs honor people and places. Here, the orientation shifts upward in gratitude toward God. That movement from family and land into faith gives the episode a natural spiritual progression. Theme: Gratitude, testimony, faith Musical character: Worshipful, warm, heartfelt Why it matters: Bridges Hawaiian sensibility with contemporary Christian expression 5. Hawaiʻi Aloha - Kamalei Kawaʻa Album: Mānaiakalani Duration: 4:56 Few songs carry the emotional and cultural significance of Hawaiʻi Aloha. This is one of the most beloved anthems in Hawaiian music, often sung at the close of gatherings as a gesture of unity, affection, and enduring connection to the islands and their people. Kamalei Kawaʻa's inclusion of this song is powerful within the context of Episode 702. After moving through songs of personal love, cherished places, and gratitude to God, this anthem broadens the circle to embrace the whole of Hawaiʻi. It becomes communal rather than only personal. The strength of this song lies not only in melody but in function. It has become a song that people live with, sing together, and use to mark belonging. That sense of shared identity is one of the central treasures of Hawaiian music. Theme: Unity, homeland, shared aloha Musical character: Anthemic, communal, dignified Why it matters: One of the emotional anchors of the entire episode 6. Hoʻomana Ia Iesu (feat. Ka ʻOhana Kawaʻa) - Kamalei Kawaʻa Album: Mānaiakalani Duration: 4:04 Hoʻomana Ia Iesu brings the episode to an explicitly devotional place. The title itself centers worship of Jesus, and the featured participation of Ka ʻOhana Kawaʻa adds a family and community dimension that is especially meaningful in Hawaiian music. Hawaiian Christian music has long occupied an important place in the islands' musical life. What makes songs like this especially compelling is the way they join worship with family, language, and local style. Faith is not presented as abstract doctrine, but as something lived together and sung together. The communal nature of the performance likely enhances its emotional impact. Family voices singing in harmony naturally reinforce the message. In a broader sense, this track reflects one of the recurring motifs of the episode: love becomes fullest when shared. Theme: Worship, family faith, shared devotion Musical character: Reverent, communal, spiritually centered Why it matters: Deepens the episode's faith dimension while preserving a strong Hawaiian identity Exotica Segment 7. Exotica Segment Intro - pik00 Duration: 4:10 This segment intro marks a stylistic transition in the episode. Up to this point, the program has focused on music deeply rooted in Hawaiian identity, language, faith, and place. The Exotica segment steps sideways into a related but distinctly different musical world: one shaped by fantasy, lounge aesthetics, and mid-century tropical imagination. That contrast is part of what makes the segment valuable. It offers not only variety, but also perspective. It reminds listeners that “island music” has often been interpreted and reimagined far beyond Hawaiʻi itself. 8. On the Beach at Waikīkī (mix final) - Les Waikikings Album: Hapa haole with a twist Duration: 2:17 On the Beach at Waikīkī leans into the playful charm of tropical nostalgia. The title alone evokes postcard Hawaiʻi: surf, sand, leisure, and romance. In exotica and hapa-haole-adjacent material, the islands often become a stage for fantasy rather than an expression of local lived culture. That does not make the piece without merit. On the contrary, tracks like this can be delightful, catchy, and historically revealing. They show how Hawaiʻi was imagined internationally and how tropical motifs were translated into entertainment music for broad audiences. Within this episode, the song acts as a light palate cleanser. It introduces a wink of vintage fun before the program returns to more deeply rooted Hawaiian harmony. Theme: Tropical nostalgia, leisure, fantasy Musical character: Breezy, lounge-like, playful Why it matters: Adds historical contrast and tonal variety 9. How dya do - Les Waikikings Album: Hapa haole with a twist Duration: 3:03 How dya do continues the exotica mood with a likely emphasis on upbeat rhythm, polished arrangement, and the stylized “tropical” sound associated with mid-century popular music. These sorts of recordings often present a cheerful, cinematic island atmosphere rather than a culturally grounded one. For listeners of the Hawaiian Concert Guide, that difference is worth noticing. Authentic Hawaiian music often carries place, genealogy, language, and community. Exotica tends to carry mood, escapism, and fantasy. Hearing both in one episode can be educational as well as entertaining. In programming terms, this track keeps the episode lively and prevents the emotional arc from becoming too uniform. It is a well-timed detour before the music returns to classic Hawaiian vocal artistry. Theme: Escapism, retro charm, tropical stylization Musical character: Light, rhythmic, lounge-oriented Why it matters: Helps frame the distinction between Hawaiian music and music inspired by Hawaiʻi Closing Selections: Return to Hawaiian Vocal Depth 10. Ka Loke - Ho'okena Album: Ho'okena 5 Duration: 4:16 The return from exotica to Ho'okena is a return to center. Ka Loke carries the unmistakable richness of Hawaiian group harmony and poetic sensibility. Ho'okena is known for vocal blend, emotional precision, and the ability to let the song breathe. The title, meaning “the rose,” suggests metaphor, beauty, and affection. Hawaiian songwriting frequently uses natural imagery not simply as decoration, but as a means of expressing human feeling. Flowers, winds, rains, mountains, and seas all become emotional language. This track is especially effective late in the episode because it restores a sense of depth and rootedness after the lighter detour of the exotica set. The listener is brought back into the fuller emotional and cultural world of Hawaiian mele. Theme: Beauty, poetic love, emotional symbolism Musical character: Harmonically rich, graceful, classic Why it matters: Re-centers the episode in traditional Hawaiian vocal beauty 11. I Love You - Ho'okena Album: Ho'okena 5 Duration: 4:11 I Love You closes the episode with warmth and universality. While the title is in English, the emotional spirit aligns perfectly with the rest of the program. The entire episode has, in one form or another, been about love: love for mother, love for place, love for God, love expressed in community, and love carried in harmony. Ho'okena's treatment of a song like this likely gives it both accessibility and depth. Their vocal approach can make even a simple phrase feel timeless. That is one of the gifts of strong Hawaiian harmony: it elevates feeling without forcing it. As a final track, this song functions almost like a benediction. It leaves the listener with a sense of peace and completion, gathering together the many emotional strands of the episode into one simple message. Theme: Love, closure, emotional unity Musical character: Gentle, harmonious, reassuring Why it matters: A fitting final statement for an episode built around aloha in many forms Episode Reflection Episode 702, E Māma, is structured with unusual emotional coherence. Even though the tracks come from different artists and include a temporary move into exotica, the overall episode still feels unified. That unity comes from its central themes: affection, reverence, gratitude, and connection. The first portion of the program focuses on intimacy and place. E Māma, Puna Kuʻu Aloha, and Haleakalā all carry a sense of deep regard, whether for family or landscape. From there, the episode opens into spiritual testimony with Goodness of God, then broadens into collective and devotional identity through Hawaiʻi Aloha and Hoʻomana Ia Iesu. The exotica segment introduces contrast and historical perspective, reminding listeners that Hawaiʻi has often been interpreted from afar in ways that are entertaining but not always rooted. That makes the return to Ho'okena especially satisfying. Their closing selections restore the sound of home, depth, and harmony. If there is a single word that best describes this episode, it is aloha. Not merely as a greeting, but as a way of relating: to mother, to beloved places, to God, to family, and to one another. Track List E Māma - Kaleo Phillips - 4:01 Puna Kuʻu Aloha - Christy Leinaʻala Lassiter - 3:57 Haleakalā - Christy Leinaʻala Lassiter - 3:37 Goodness of God - Gregory Juan - 3:41 Hawaiʻi Aloha - Kamalei Kawaʻa - 4:56 Hoʻomana Ia Iesu (feat. Ka ʻOhana Kawaʻa) - Kamalei Kawaʻa - 4:04 Exotica Segment Intro - pik00 - 4:10 On the Beach at Waikīkī (mix final) - Les Waikikings - 2:17 How dya do - Les Waikikings - 3:03 Ka Loke - Ho'okena - 4:16 I Love You - Ho'okena - 4:11 Closing Mahalo for joining us for Hawaiian Concert Guide Podcast Show 702. May these songs encourage you to remember those you love, appreciate the beauty of Hawaiʻi, and carry aloha into the week ahead. A hui hou and malama pono.

Dana Mele talks abut her latest book, The Beast You Let In (Sourcebooks, 2026). Everyone in the rural town of Ashling knows the tale of Veronica Green, a teen who was murdered in the woods. But did a party trick bring her back to claim her revenge? A fast-paced, suspenseful YA horror from the author of Summer's Edge and People Like Us. There is no one Hazel trusts less than her self-centered twin, Beth. Like when Beth storms out of a party, abandoning Hazel when she didn't want to attend in the first place. Rather than chasing after her, Hazel throws herself into flirting and telling ghost stories over a Ouija board. She might not be the popular twin, but she can be fun too. Except Beth doesn't come home that night, and Hazel's anger morphs into anxiety. It only sharpens when Beth reappears a day later, disoriented and claiming to be Veronica Green, a teen who was murdered in their small town years before. If it isn't a possession, Beth is really good at faking it. Did they accidentally release a vengeful horror during the party? Hazel must uncover what happened to Veronica all those years ago if she's going to save Beth. But the truth may destroy them both--if they don't destroy each other first. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dana Mele talks about their latest book, The Beast You Let In (Sourcebooks, 2026). Everyone in the rural town of Ashling knows the tale of Veronica Green, a teen who was murdered in the woods. But did a party trick bring her back to claim her revenge? A fast-paced, suspenseful YA horror from the author of Summer's Edge and People Like Us. There is no one Hazel trusts less than her self-centered twin, Beth. Like when Beth storms out of a party, abandoning Hazel when she didn't want to attend in the first place. Rather than chasing after her, Hazel throws herself into flirting and telling ghost stories over a Ouija board. She might not be the popular twin, but she can be fun too. Except Beth doesn't come home that night, and Hazel's anger morphs into anxiety. It only sharpens when Beth reappears a day later, disoriented and claiming to be Veronica Green, a teen who was murdered in their small town years before. If it isn't a possession, Beth is really good at faking it. Did they accidentally release a vengeful horror during the party? Hazel must uncover what happened to Veronica all those years ago if she's going to save Beth. But the truth may destroy them both--if they don't destroy each other first. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Wölfe, Rom, Verwirrung.. das erste Kapitel sagt Mele so gar nicht zu. Im zweiten Teil stellen wir uns die Frage: Wo war Tine Wittler, als Zeusimausi seine Hütte eingerichtet hat? Wie groß war eure Überraschung am Ende des Kapitels`?PS: Danke an Tollkühn Podcast für den Reminder der Butter Ab sofort findet ihr jede Folge zu den Helden des Olymp Werbefrei auf Steady - und einen Tag vor allen anderenDisclaimer wie in jeder Folge: Wir spoilern vielleicht bei manchen Abschweifungen Harry Potter, Supernatural und Avengers.Steady: https://steady.page/de/pods-blitz/aboutMerch: https://pods-blitz.myspreadshop.deDiscord: https://discord.gg/fkmhXcFeGK Instagramm: https://www.instagram.com/_podsblitz_/E-Mail: podsblitzderpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

➡️ Tu veux investir dans l'immobilier en Suisse ? Conseils, analyses et rendez-vous ici : https://taap.it/fixer_unrendezvousL'After, le podcast qui aide les investisseurs à comprendre le marché immobilier et le business en Suisse.Dans cet épisode, on s'attaque à une question centrale pour l'immobilier en Suisse :

Mele war für uns auf der LBM unterwegs und natürlich durfte DAS Communitytreffen nicht fehlen

Southampton Writer's Conference Director Christian McLean joins Heart of The East End Gianna Volpe and East End Beacon's Beth Young on WLIW-FM before Gail and Adam Baranello alongside Carrie Koeberl and Nick Mele of the East End Special Players during the first hour on the show with a focus on Beth and the Beacon in the second hour celebrating ninth birthday of the biforkal broadsheet.Listen to the playlist on Apple MusicWatch Christian's interview on WLIW-FM YouTubeWatch Adam, Gail, Carrie and Nick's interview on WLIW-FM YouTubeWatch Beth's interview on WLIW-FM YouTube

Today on Classic & Curious, I'm joined by AD100 designer Patrick Mele, whose colorful design journey began at Kate Spade and Ralph Lauren before building  one of today's most celebrated interior design firms. Patrick's work has been featured in leading publications including Architectural Digest, Elle Decor, Frederic, and New York Magazine. He has been named to the prestigious AD100 List and Elle Decor A-List, and was recognized by Vogue as one of the five designers to watch.In today's conversation:We talk about Patrick's design journey and the evolution of his signature style.His vibrant Color Field Collection, and his new launch with Schumacher. His beautifully curated design shop in Greenwich—an extension of his studio, available both in person and online A thoughtful tip for design enthusiasts looking to elevate their own homes with confidenceWhat strikes you immediately about Patrick is his graciousness. There's a warmth and ease in the way he speaks about design that gently draws you into his creative world. It's a quality that feels as natural to him as the beautiful environments he creates. Connect with Patrick at PatrickMele.com and on IG @patrickmele and @shop_patrickmeleConnect with Anne at Classicandcurious.com and on IG @classicandcuriouslife

Pourquoi Chevrolet REFUSE de faire une version Raptor du Silverado?!TORQ - Épisode 547Pourquoi Chevrolet ne propose toujours pas une vraie version Raptor du Chevrolet Silverado?

Cette semaine, on se reconnecte au réel et à nos émotions, sans téléphone !Pour écouter le 5ème Quarts d'Heure, abonnez-vous à Supercast comme ceci : https://5emequartdheure.supercast.comAbonnez-vous à 4 Quarts d'Heure sur votre plateforme préférée : https://tr.ee/MEaR8W9S9GLes ups et les downs :Le down d'Alix : faire partie du problèmeLe up de Shera : croire au coup de foudreLe down de Louise : en avoir marre de la vie d'adulteLe up de Camille: arrêter de scroller pour de bonEt retrouvez notre invitée Shera sur instagramainsi que son podcast Bip SonoreDans cet épisode, on parle de : Cette vidéo : L'enfer d'Instagram en voyage de Manon BrilCe film : KirikouCes livres : Arrêter de scroller pour de bon de Charlie Haïd et En finir avec la cigarette de Alan CarrSuivez-nous sur Instagram :4 Quarts d'Heure : @4quartsdheureLouise : @petrouchka_Alix : @alixmrtnCamille : @camille.lorenteL'équipe de prod :Au montage de cet épisode Alphonse GausslinAu mixage et à la prod Zu Aux réseaux Coline Jamaitet merci à Acast pour le studioVOTE POUR NOUS AUX SPOTIFY AWARDS 2026 ! 4 Quarts d'Heure est nommé dans les catégories Meilleur Talk Show et Meilleur Show Radar Tu as à le droit à un vote par jour dans chaque catégorie (3 votes si tu as un compte premium) et tu peux voter jusqu'au 5 avril 2026 sur l'appli Spotify, merci d'avance pour ton soutien

Une production des studios Virage Sonore Studios d'enregistrement / production / réalisation de Balado à Montréal www.viragesonore.comAnimation : Charlie Morin et Lady GuidouneMusique Montage et Mixage : Virage SonoreCet épisode est présenté par notre commanditaire : Les cafés ZabUtilisez le code ''topbottom'' pour obtenir un rabais sur votre commande en ligne au https://zabcafe.com/Mentioned in this episode:100ièmeLe 30 Mars 2026 à 19h au Cabaret Mado, c'est la 100eme de Full Plumé devant public avec Mathieu Dufour et Roxane Bruneau. Billet disponible dès maintenant!Billet pour les lives au Mado

Sonntagabend, irgendwo in Leipzig. Nach einer Pizza und kurz vor dem Einschlafen finden wir uns mit unserer temporären Mitbewohnerin Mele vom Pod's Blitz Podcast am Küchentisch zusammen. Wir berichten euch über unsere Messe-Highlights, das Community-Treffen, den Elektrotiger (Pikachu) und was wir sonst so in den vier anstrengenden Messetagen getrieben haben. Viel Spaß! --- Unterstütz uns auf Steady für noch mehr Content abseits der Literatur

Bibi und Mele haben übergesetzt: von Westeros nach Essos und natürlich ist unsere Arya mit an Bord. Ziel: Braavos. Doch wird Arya dort wirklich Fuß fassen können? Wie viele Götter gibt es eigentlich noch und warum um alles in der Welt will Arya einen Wurm aus einem Totenschädel essen?

Aloha, and welcome to a truly historic moment! Today we celebrate Show 700 of the Hawaiian Concert Guide. Reaching 700 episodes is often referred to as a "Golden Milestone" in broadcasting. It signifies excellence, resilience, and a legacy that has stood the test of time. To honor this occasion, we've assembled a playlist that spans the spectrum of the Hawaiian sound—from sacred ancestral chants to the whimsical "Hapa Haole" revival. The Legacy of the Land: Gregory Juan We open our 700th celebration with Gregory Juan, an artist whose work from the album Kauluwehi serves as a bridge between past and present. 'O Waimea e Hōʻala: This powerful opening track was written by Gregory's grandfather, the late cultural advocate Charles Kauluwehi Maxwell Sr. It is a tribute to the sacred ahupua‘a of Waimea, Maui, serving as an "awakening" song that reminds us of our ancestral ties to the land. Pua Melie: A beloved classic by Aunty Edith Kanaka‘ole. While the melie (plumeria) is beautiful to the eye, the song's deeper kauna (hidden meaning) honors the harmony of voices in the Keaukaha community. Modern Vibrations: Kamalei Kawaa Next, we feature the soulful, award-winning sounds of Kamalei Kawaa from his album Mānaiakalani. Hānaulā (feat. Kainani Kahaunaele): A masterful collaboration celebrating the mountainous beauty of West Maui. The interplay between Kamalei and the legendary Kainani Kahaunaele is a highlight of contemporary Hawaiian vocal arrangement. Ku'u Aloha: A tender track that showcases Kamalei's signature falsetto. It is a song of pure affection, bridging the love between people and the ‘āina. The Spirit of Slack Key: Kawika Kahiapo It wouldn't be Show 700 without the rhythmic grace of Kawika Kahiapo. Pule: Featuring an oration by Kumu Hula Chinky Mahoe, this track is a profound moment of prayer and gratitude. It is the perfect spiritual "center" for our milestone episode. In Living Color: This track features the "3D" collaboration (Del Beazley, David Kahiapo, and Dwight Kanae), offering a bright, jazz-influenced celebration of the vibrant life in the islands today. Special Feature: The French Exotica Revival A major highlight of this episode is our exclusive interview with the French Exotica band, Les Waikikings. We had a fantastic time chatting with them about their passion for the "Hapa Haole" sound and how a group from France became masters of this vintage island genre. Their perspective on the global influence of Hawaiian music is fascinating, and their dedication to the "twist" on traditional styles is truly inspiring. Te manu pukarua: A high-energy Polynesian classic reimagined with shimmering steel guitars and lush percussion. Native Love: A haunting, atmospheric piece that captures the dreamlike, escapist spirit of the 1950s "Golden Age" of Exotica. The Foundation: Ho'okena We close our 700th show with the unmistakable harmonies of Ho'okena, whose work from the album Ho'okena 5 remains a pillar of the genre. From a Dancer: A stunning Hawaiian-style cover of the Jackson Browne classic. Ho'okena turns this folk-rock masterpiece into a beautiful island tribute to the cycle of life. Windward Side: A nostalgic "love letter" to the Windward coast of O‘ahu. It captures the trade winds and the mist on the Koolau mountains, ending our 700th episode on a note of pure, graceful Aloha. Mahalo for being part of the first 700 shows. Here's to the next 700!

Hawaiian Concert Guide – Show 699 Theme: He Mele Inoa Opening Set – Gregory Juan (Album: Kauluwehi) He Mele Inoa no Kauluwehi (1:49) Artist: Gregory Juan Album: Kauluwehi Language: Hawaiian We open Show 699 with a traditional mele inoa — a name chant honoring Kauluwehi. In Hawaiian culture, a mele inoa is more than a song; it is a formal proclamation of identity, lineage, and character. These chants carry mana (spiritual power) and often highlight the beauty, traits, and ancestral ties of the person being honored. Listen for: Traditional chant phrasing Sparse, respectful instrumentation Emphasis on pronunciation and cadence Honokahua Nani E (4:02) Artist: Gregory Juan Album: Kauluwehi Language: Hawaiian This song honors Honokahua, an area in West Maui known for its cultural and archaeological significance. The word nani means “beautiful,” and the song reflects deep admiration for the land. Themes: Love of place (mele ʻāina) Natural imagery Cultural remembrance Kamalei Kawaʻa – Album: Mānaiakalani Hālaulani (3:31) Artist: Kamalei Kawaʻa Album: Mānaiakalani Language: Hawaiian A graceful contemporary Hawaiian composition. The title suggests heavenly or chiefly associations (lani meaning heaven or royalty). Kamalei blends traditional phrasing with modern melodic structure. Clean acoustic arrangement Strong falsetto phrasing Contemporary Hawaiian production style Kālepa (3:22) Artist: Kamalei Kawaʻa Album: Mānaiakalani Language: Hawaiian “Kālepa” references a name — possibly a person or a poetic symbol. In many Hawaiian compositions, personal names stand in for cherished relationships or deeper metaphors. Storytelling lyric structure Light, flowing rhythm Clear enunciation of Hawaiian text Kawika Kahiapo – Album: Kuʻu Manaʻo Ka Makani Kaʻili Aloha (5:50) Artist: Kawika Kahiapo Album: Kuʻu Manaʻo Language: Hawaiian Translated as “The Wind That Snatches Away Love,” this song uses classic Hawaiian metaphor, where wind represents emotional change, separation, or longing. Rich acoustic guitar Emotional vocal phrasing Poetic metaphor rooted in natural forces Kaulana Makapuʻu (4:43) Artist: Kawika Kahiapo Album: Kuʻu Manaʻo Language: Hawaiian Makapuʻu on Oʻahu's eastern shoreline is known for its lighthouse and powerful ocean views. This mele celebrates place with vivid imagery — cliffs, winds, and sea spray. Pride of place Coastal imagery Deep knowledge of ʻāina Les Waikīkings – Album: Hapa Haole with a Twist Papio (2:13) Artist: Les Waikīkings Album: Hapa Haole with a Twist Genre: Exotica A playful instrumental shift. “Papio” refers to a young jackfish common in Hawaiian waters. This track blends vintage steel guitar textures and surf-era island rhythm. The Hukilau (1:57) Artist: Les Waikīkings Album: Hapa Haole with a Twist Genre: Exotica A classic hapa haole standard celebrating the communal fishing tradition of the hukilau. The hukilau emphasizes cooperation — everyone pulling the net together. Ho‘okena – Album: Ho‘okena 5 Hawaiian Soul (4:32) Artist: Ho‘okena Album: Ho‘okena 5 Language: Hawaiian Written by Jon Osorio, this powerful anthem honors George Helm, a key figure in the Hawaiian cultural renaissance and the movement to protect Kahoʻolawe. Sovereignty Cultural revival Protection of land Heha Waipiʻo (3:49) Artist: Ho‘okena Album: Ho‘okena 5 Language: Hawaiian A closing tribute to Waipiʻo Valley on Hawaiʻi Island — a place of dramatic cliffs, waterfalls, and deep historical significance. “Heha” conveys awe and admiration. Tight multi-part harmony Traditional lyrical cadence Deep connection to ʻāina Show 699 Flow Summary Traditional name chant and mele ʻāina Contemporary Hawaiian songwriting Emotional metaphor and wind imagery Retro hapa haole exotica interlude Cultural anthem and powerful harmonies A beautiful arc — from honoring a name, to honoring land, to honoring culture itself.

Tickets for AIEi Miami and AIE Europe are live, with first wave speakers announced!From pioneering software-defined networking to backing many of the most aggressive AI model companies of this cycle, Martin Casado and Sarah Wang sit at the center of the capital, compute, and talent arms race reshaping the tech industry. As partners at a16z investing across infrastructure and growth, they've watched venture and growth blur, model labs turn dollars into capability at unprecedented speed, and startups raise nine-figure rounds before monetization.Martin and Sarah join us to unpack the new financing playbook for AI: why today's rounds are really compute contracts in disguise, how the “raise → train → ship → raise bigger” flywheel works, and whether foundation model companies can outspend the entire app ecosystem built on top of them. They also share what's underhyped (boring enterprise software), what's overheated (talent wars and compensation spirals), and the two radically different futures they see for AI's market structure.We discuss:* Martin's “two futures” fork: infinite fragmentation and new software categories vs. a small oligopoly of general models that consume everything above them* The capital flywheel: how model labs translate funding directly into capability gains, then into revenue growth measured in weeks, not years* Why venture and growth have merged: $100M–$1B hybrid rounds, strategic investors, compute negotiations, and complex deal structures* The AGI vs. product tension: allocating scarce GPUs between long-term research and near-term revenue flywheels* Whether frontier labs can out-raise and outspend the entire app ecosystem built on top of their APIs* Why today's talent wars ($10M+ comp packages, $B acqui-hires) are breaking early-stage founder math* Cursor as a case study: building up from the app layer while training down into your own models* Why “boring” enterprise software may be the most underinvested opportunity in the AI mania* Hardware and robotics: why the ChatGPT moment hasn't yet arrived for robots and what would need to change* World Labs and generative 3D: bringing the marginal cost of 3D scene creation down by orders of magnitude* Why public AI discourse is often wildly disconnected from boardroom reality and how founders should navigate the noiseShow Notes:* “Where Value Will Accrue in AI: Martin Casado & Sarah Wang” - a16z show* “Jack Altman & Martin Casado on the Future of Venture Capital”* World Labs—Martin Casado• LinkedIn: https://www.linkedin.com/in/martincasado/• X: https://x.com/martin_casadoSarah Wang• LinkedIn: https://www.linkedin.com/in/sarah-wang-59b96a7• X: https://x.com/sarahdingwanga16z• https://a16z.com/Timestamps00:00:00 – Intro: Live from a16z00:01:20 – The New AI Funding Model: Venture + Growth Collide00:03:19 – Circular Funding, Demand & “No Dark GPUs”00:05:24 – Infrastructure vs Apps: The Lines Blur00:06:24 – The Capital Flywheel: Raise → Train → Ship → Raise Bigger00:09:39 – Can Frontier Labs Outspend the Entire App Ecosystem?00:11:24 – Character AI & The AGI vs Product Dilemma00:14:39 – Talent Wars, $10M Engineers & Founder Anxiety00:17:33 – What's Underinvested? The Case for “Boring” Software00:19:29 – Robotics, Hardware & Why It's Hard to Win00:22:42 – Custom ASICs & The $1B Training Run Economics00:24:23 – American Dynamism, Geography & AI Power Centers00:26:48 – How AI Is Changing the Investor Workflow (Claude Cowork)00:29:12 – Two Futures of AI: Infinite Expansion or Oligopoly?00:32:48 – If You Can Raise More Than Your Ecosystem, You Win00:34:27 – Are All Tasks AGI-Complete? Coding as the Test Case00:38:55 – Cursor & The Power of the App Layer00:44:05 – World Labs, Spatial Intelligence & 3D Foundation Models00:47:20 – Thinking Machines, Founder Drama & Media Narratives00:52:30 – Where Long-Term Power Accrues in the AI StackTranscriptLatent.Space - Inside AI's $10B+ Capital Flywheel — Martin Casado & Sarah Wang of a16z[00:00:00] Welcome to Latent Space (Live from a16z) + Meet the Guests[00:00:00] Alessio: Hey everyone. Welcome to the Latent Space podcast, live from a 16 z. Uh, this is Alessio founder Kernel Lance, and I'm joined by Twix, editor of Latent Space.[00:00:08] swyx: Hey, hey, hey. Uh, and we're so glad to be on with you guys. Also a top AI podcast, uh, Martin Cado and Sarah Wang. Welcome, very[00:00:16] Martin Casado: happy to be here and welcome.[00:00:17] swyx: Yes, uh, we love this office. We love what you've done with the place. Uh, the new logo is everywhere now. It's, it's still getting, takes a while to get used to, but it reminds me of like sort of a callback to a more ambitious age, which I think is kind of[00:00:31] Martin Casado: definitely makes a statement.[00:00:33] swyx: Yeah.[00:00:34] Martin Casado: Not quite sure what that statement is, but it makes a statement.[00:00:37] swyx: Uh, Martin, I go back with you to Netlify.[00:00:40] Martin Casado: Yep.[00:00:40] swyx: Uh, and, uh, you know, you create a software defined networking and all, all that stuff people can read up on your background. Yep. Sarah, I'm newer to you. Uh, you, you sort of started working together on AI infrastructure stuff.[00:00:51] Sarah Wang: That's right. Yeah. Seven, seven years ago now.[00:00:53] Martin Casado: Best growth investor in the entire industry.[00:00:55] swyx: Oh, say[00:00:56] Martin Casado: more hands down there is, there is. [00:01:00] I mean, when it comes to AI companies, Sarah, I think has done the most kind of aggressive, um, investment thesis around AI models, right? So, worked for Nom Ja, Mira Ia, FEI Fey, and so just these frontier, kind of like large AI models.[00:01:15] I think, you know, Sarah's been the, the broadest investor. Is that fair?[00:01:20] Venture vs. Growth in the Frontier Model Era[00:01:20] Sarah Wang: No, I, well, I was gonna say, I think it's been a really interesting tag, tag team actually just ‘cause the, a lot of these big C deals, not only are they raising a lot of money, um, it's still a tech founder bet, which obviously is inherently early stage.[00:01:33] But the resources,[00:01:36] Martin Casado: so many, I[00:01:36] Sarah Wang: was gonna say the resources one, they just grow really quickly. But then two, the resources that they need day one are kind of growth scale. So I, the hybrid tag team that we have is. Quite effective, I think,[00:01:46] Martin Casado: what is growth these days? You know, you don't wake up if it's less than a billion or like, it's, it's actually, it's actually very like, like no, it's a very interesting time in investing because like, you know, take like the character around, right?[00:01:59] These tend to [00:02:00] be like pre monetization, but the dollars are large enough that you need to have a larger fund and the analysis. You know, because you've got lots of users. ‘cause this stuff has such high demand requires, you know, more of a number sophistication. And so most of these deals, whether it's US or other firms on these large model companies, are like this hybrid between venture growth.[00:02:18] Sarah Wang: Yeah. Total. And I think, you know, stuff like BD for example, you wouldn't usually need BD when you were seed stage trying to get market biz Devrel. Biz Devrel, exactly. Okay. But like now, sorry, I'm,[00:02:27] swyx: I'm not familiar. What, what, what does biz Devrel mean for a venture fund? Because I know what biz Devrel means for a company.[00:02:31] Sarah Wang: Yeah.[00:02:32] Compute Deals, Strategics, and the ‘Circular Funding' Question[00:02:32] Sarah Wang: You know, so a, a good example is, I mean, we talk about buying compute, but there's a huge negotiation involved there in terms of, okay, do you get equity for the compute? What, what sort of partner are you looking at? Is there a go-to market arm to that? Um, and these are just things on this scale, hundreds of millions, you know, maybe.[00:02:50] Six months into the inception of a company, you just wouldn't have to negotiate these deals before.[00:02:54] Martin Casado: Yeah. These large rounds are very complex now. Like in the past, if you did a series A [00:03:00] or a series B, like whatever, you're writing a 20 to a $60 million check and you call it a day. Now you normally have financial investors and strategic investors, and then the strategic portion always still goes with like these kind of large compute contracts, which can take months to do.[00:03:13] And so it's, it's very different ties. I've been doing this for 10 years. It's the, I've never seen anything like this.[00:03:19] swyx: Yeah. Do you have worries about the circular funding from so disease strategics?[00:03:24] Martin Casado: I mean, listen, as long as the demand is there, like the demand is there. Like the problem with the internet is the demand wasn't there.[00:03:29] swyx: Exactly. All right. This, this is like the, the whole pyramid scheme bubble thing, where like, as long as you mark to market on like the notional value of like, these deals, fine, but like once it starts to chip away, it really Well[00:03:41] Martin Casado: no, like as, as, as, as long as there's demand. I mean, you know, this, this is like a lot of these sound bites have already become kind of cliches, but they're worth saying it.[00:03:47] Right? Like during the internet days, like we were. Um, raising money to put fiber in the ground that wasn't used. And that's a problem, right? Because now you actually have a supply overhang.[00:03:58] swyx: Mm-hmm.[00:03:59] Martin Casado: And even in the, [00:04:00] the time of the, the internet, like the supply and, and bandwidth overhang, even as massive as it was in, as massive as the crash was only lasted about four years.[00:04:09] But we don't have a supply overhang. Like there's no dark GPUs, right? I mean, and so, you know, circular or not, I mean, you know, if, if someone invests in a company that, um. You know, they'll actually use the GPUs. And on the other side of it is the, is the ask for customer. So I I, I think it's a different time.[00:04:25] Sarah Wang: I think the other piece, maybe just to add onto this, and I'm gonna quote Martine in front of him, but this is probably also a unique time in that. For the first time, you can actually trace dollars to outcomes. Yeah, right. Provided that scaling laws are, are holding, um, and capabilities are actually moving forward.[00:04:40] Because if you can put translate dollars into capabilities, uh, a capability improvement, there's demand there to martine's point. But if that somehow breaks, you know, obviously that's an important assumption in this whole thing to make it work. But you know, instead of investing dollars into sales and marketing, you're, you're investing into r and d to get to the capability, um, you know, increase.[00:04:59] And [00:05:00] that's sort of been the demand driver because. Once there's an unlock there, people are willing to pay for it.[00:05:05] Alessio: Yeah.[00:05:06] Blurring Lines: Models as Infra + Apps, and the New Fundraising Flywheel[00:05:06] Alessio: Is there any difference in how you built the portfolio now that some of your growth companies are, like the infrastructure of the early stage companies, like, you know, OpenAI is now the same size as some of the cloud providers were early on.[00:05:16] Like what does that look like? Like how much information can you feed off each other between the, the two?[00:05:24] Martin Casado: There's so many lines that are being crossed right now, or blurred. Right. So we already talked about venture and growth. Another one that's being blurred is between infrastructure and apps, right? So like what is a model company?[00:05:35] Mm-hmm. Like, it's clearly infrastructure, right? Because it's like, you know, it's doing kind of core r and d. It's a horizontal platform, but it's also an app because it's um, uh, touches the users directly. And then of course. You know, the, the, the growth of these is just so high. And so I actually think you're just starting to see a, a, a new financing strategy emerge and, you know, we've had to adapt as a result of that.[00:05:59] And [00:06:00] so there's been a lot of changes. Um, you're right that these companies become platform companies very quickly. You've got ecosystem build out. So none of this is necessarily new, but the timescales of which it's happened is pretty phenomenal. And the way we'd normally cut lines before is blurred a little bit, but.[00:06:16] But that, that, that said, I mean, a lot of it also just does feel like things that we've seen in the past, like cloud build out the internet build out as well.[00:06:24] Sarah Wang: Yeah. Um, yeah, I think it's interesting, uh, I don't know if you guys would agree with this, but it feels like the emerging strategy is, and this builds off of your other question, um.[00:06:33] You raise money for compute, you pour that or you, you pour the money into compute, you get some sort of breakthrough. You funnel the breakthrough into your vertically integrated application. That could be chat GBT, that could be cloud code, you know, whatever it is. You massively gain share and get users.[00:06:49] Maybe you're even subsidizing at that point. Um, depending on your strategy. You raise money at the peak momentum and then you repeat, rinse and repeat. Um, and so. And that wasn't [00:07:00] true even two years ago, I think. Mm-hmm. And so it's sort of to your, just tying it to fundraising strategy, right? There's a, and hiring strategy.[00:07:07] All of these are tied, I think the lines are blurring even more today where everyone is, and they, but of course these companies all have API businesses and so they're these, these frenemy lines that are getting blurred in that a lot of, I mean, they have billions of dollars of API revenue, right? And so there are customers there.[00:07:23] But they're competing on the app layer.[00:07:24] Martin Casado: Yeah. So this is a really, really important point. So I, I would say for sure, venture and growth, that line is blurry app and infrastructure. That line is blurry. Um, but I don't think that that changes our practice so much. But like where the very open questions are like, does this layer in the same way.[00:07:43] Compute traditionally has like during the cloud is like, you know, like whatever, somebody wins one layer, but then another whole set of companies wins another layer. But that might not, might not be the case here. It may be the case that you actually can't verticalize on the token string. Like you can't build an app like it, it necessarily goes down just because there are no [00:08:00] abstractions.[00:08:00] So those are kinda the bigger existential questions we ask. Another thing that is very different this time than in the history of computer sciences is. In the past, if you raised money, then you basically had to wait for engineering to catch up. Which famously doesn't scale like the mythical mammoth. It take a very long time.[00:08:18] But like that's not the case here. Like a model company can raise money and drop a model in a, in a year, and it's better, right? And, and it does it with a team of 20 people or 10 people. So this type of like money entering a company and then producing something that has demand and growth right away and using that to raise more money is a very different capital flywheel than we've ever seen before.[00:08:39] And I think everybody's trying to understand what the consequences are. So I think it's less about like. Big companies and growth and this, and more about these more systemic questions that we actually don't have answers to.[00:08:49] Alessio: Yeah, like at Kernel Labs, one of our ideas is like if you had unlimited money to spend productively to turn tokens into products, like the whole early stage [00:09:00] market is very different because today you're investing X amount of capital to win a deal because of price structure and whatnot, and you're kind of pot committing.[00:09:07] Yeah. To a certain strategy for a certain amount of time. Yeah. But if you could like iteratively spin out companies and products and just throw, I, I wanna spend a million dollar of inference today and get a product out tomorrow.[00:09:18] swyx: Yeah.[00:09:19] Alessio: Like, we should get to the point where like the friction of like token to product is so low that you can do this and then you can change the Right, the early stage venture model to be much more iterative.[00:09:30] And then every round is like either 100 k of inference or like a hundred million from a 16 Z. There's no, there's no like $8 million C round anymore. Right.[00:09:38] When Frontier Labs Outspend the Entire App Ecosystem[00:09:38] Martin Casado: But, but, but, but there's a, there's a, the, an industry structural question that we don't know the answer to, which involves the frontier models, which is, let's take.[00:09:48] Anthropic it. Let's say Anthropic has a state-of-the-art model that has some large percentage of market share. And let's say that, uh, uh, uh, you know, uh, a company's building smaller models [00:10:00] that, you know, use the bigger model in the background, open 4.5, but they add value on top of that. Now, if Anthropic can raise three times more.[00:10:10] Every subsequent round, they probably can raise more money than the entire app ecosystem that's built on top of it. And if that's the case, they can expand beyond everything built on top of it. It's like imagine like a star that's just kind of expanding, so there could be a systemic. There could be a, a systemic situation where the soda models can raise so much money that they can out pay anybody that bills on top of ‘em, which would be something I don't think we've ever seen before just because we were so bottlenecked in engineering, and this is a very open question.[00:10:41] swyx: Yeah. It's, it is almost like bitter lesson applied to the startup industry.[00:10:45] Martin Casado: Yeah, a hundred percent. It literally becomes an issue of like raise capital, turn that directly into growth. Use that to raise three times more. Exactly. And if you can keep doing that, you literally can outspend any company that's built the, not any company.[00:10:57] You can outspend the aggregate of companies on top of [00:11:00] you and therefore you'll necessarily take their share, which is crazy.[00:11:02] swyx: Would you say that kind of happens in character? Is that the, the sort of postmortem on. What happened?[00:11:10] Sarah Wang: Um,[00:11:10] Martin Casado: no.[00:11:12] Sarah Wang: Yeah, because I think so,[00:11:13] swyx: I mean the actual postmortem is, he wanted to go back to Google.[00:11:15] Exactly. But like[00:11:18] Martin Casado: that's another difference that[00:11:19] Sarah Wang: you said[00:11:21] Martin Casado: it. We should talk, we should actually talk about that.[00:11:22] swyx: Yeah,[00:11:22] Sarah Wang: that's[00:11:23] swyx: Go for it. Take it. Take,[00:11:23] Sarah Wang: yeah.[00:11:24] Character.AI, Founder Goals (AGI vs Product), and GPU Allocation Tradeoffs[00:11:24] Sarah Wang: I was gonna say, I think, um. The, the, the character thing raises actually a different issue, which actually the Frontier Labs will face as well. So we'll see how they handle it.[00:11:34] But, um, so we invest in character in January, 2023, which feels like eons ago, I mean, three years ago. Feels like lifetimes ago. But, um, and then they, uh, did the IP licensing deal with Google in August, 2020. Uh, four. And so, um, you know, at the time, no, you know, he's talked publicly about this, right? He wanted to Google wouldn't let him put out products in the world.[00:11:56] That's obviously changed drastically. But, um, he went to go do [00:12:00] that. Um, but he had a product attached. The goal was, I mean, it's Nome Shair, he wanted to get to a GI. That was always his personal goal. But, you know, I think through collecting data, right, and this sort of very human use case, that the character product.[00:12:13] Originally was and still is, um, was one of the vehicles to do that. Um, I think the real reason that, you know. I if you think about the, the stress that any company feels before, um, you ultimately going one way or the other is sort of this a GI versus product. Um, and I think a lot of the big, I think, you know, opening eyes, feeling that, um, anthropic if they haven't started, you know, felt it, certainly given the success of their products, they may start to feel that soon.[00:12:39] And the real. I think there's real trade-offs, right? It's like how many, when you think about GPUs, that's a limited resource. Where do you allocate the GPUs? Is it toward the product? Is it toward new re research? Right? Is it, or long-term research, is it toward, um, n you know, near to midterm research? And so, um, in a case where you're resource constrained, um, [00:13:00] of course there's this fundraising game you can play, right?[00:13:01] But the fund, the market was very different back in 2023 too. Um. I think the best researchers in the world have this dilemma of, okay, I wanna go all in on a GI, but it's the product usage revenue flywheel that keeps the revenue in the house to power all the GPUs to get to a GI. And so it does make, um, you know, I think it sets up an interesting dilemma for any startup that has trouble raising up until that level, right?[00:13:27] And certainly if you don't have that progress, you can't continue this fly, you know, fundraising flywheel.[00:13:32] Martin Casado: I would say that because, ‘cause we're keeping track of all of the things that are different, right? Like, you know, venture growth and uh, app infra and one of the ones is definitely the personalities of the founders.[00:13:45] It's just very different this time I've been. Been doing this for a decade and I've been doing startups for 20 years. And so, um, I mean a lot of people start this to do a GI and we've never had like a unified North star that I recall in the same [00:14:00] way. Like people built companies to start companies in the past.[00:14:02] Like that was what it was. Like I would create an internet company, I would create infrastructure company, like it's kind of more engineering builders and this is kind of a different. You know, mentality. And some companies have harnessed that incredibly well because their direction is so obviously on the path to what somebody would consider a GI, but others have not.[00:14:20] And so like there is always this tension with personnel. And so I think we're seeing more kind of founder movement.[00:14:27] Sarah Wang: Yeah.[00:14:27] Martin Casado: You know, as a fraction of founders than we've ever seen. I mean, maybe since like, I don't know the time of like Shockly and the trade DUR aid or something like that. Way back in the beginning of the industry, I, it's a very, very.[00:14:38] Unusual time of personnel.[00:14:39] Sarah Wang: Totally.[00:14:40] Talent Wars, Mega-Comp, and the Rise of Acquihire M&A[00:14:40] Sarah Wang: And it, I think it's exacerbated by the fact that talent wars, I mean, every industry has talent wars, but not at this magnitude, right? No. Yeah. Very rarely can you see someone get poached for $5 billion. That's hard to compete with. And then secondly, if you're a founder in ai, you could fart and it would be on the front page of, you know, the information these days.[00:14:59] And so there's [00:15:00] sort of this fishbowl effect that I think adds to the deep anxiety that, that these AI founders are feeling.[00:15:06] Martin Casado: Hmm.[00:15:06] swyx: Uh, yes. I mean, just on, uh, briefly comment on the founder, uh, the sort of. Talent wars thing. I feel like 2025 was just like a blip. Like I, I don't know if we'll see that again.[00:15:17] ‘cause meta built the team. Like, I don't know if, I think, I think they're kind of done and like, who's gonna pay more than meta? I, I don't know.[00:15:23] Martin Casado: I, I agree. So it feels so, it feel, it feels this way to me too. It's like, it is like, basically Zuckerberg kind of came out swinging and then now he's kind of back to building.[00:15:30] Yeah,[00:15:31] swyx: yeah. You know, you gotta like pay up to like assemble team to rush the job, whatever. But then now, now you like you, you made your choices and now they got a ship.[00:15:38] Martin Casado: I mean, the, the o other side of that is like, you know, like we're, we're actually in the job hiring market. We've got 600 people here. I hire all the time.[00:15:44] I've got three open recs if anybody's interested, that's listening to this for investor. Yeah, on, on the team, like on the investing side of the team, like, and, um, a lot of the people we talk to have acting, you know, active, um, offers for 10 million a year or something like that. And like, you know, and we pay really, [00:16:00] really well.[00:16:00] And just to see what's out on the market is really, is really remarkable. And so I would just say it's actually, so you're right, like the really flashy one, like I will get someone for, you know, a billion dollars, but like the inflated, um, uh, trickles down. Yeah, it is still very active today. I mean,[00:16:18] Sarah Wang: yeah, you could be an L five and get an offer in the tens of millions.[00:16:22] Okay. Yeah. Easily. Yeah. It's so I think you're right that it felt like a blip. I hope you're right. Um, but I think it's been, the steady state is now, I think got pulled up. Yeah. Yeah. I'll pull up for[00:16:31] Martin Casado: sure. Yeah.[00:16:32] Alessio: Yeah. And I think that's breaking the early stage founder math too. I think before a lot of people would be like, well, maybe I should just go be a founder instead of like getting paid.[00:16:39] Yeah. 800 KA million at Google. But if I'm getting paid. Five, 6 million. That's different but[00:16:45] Martin Casado: on. But on the other hand, there's more strategic money than we've ever seen historically, right? Mm-hmm. And so, yep. The economics, the, the, the, the calculus on the economics is very different in a number of ways. And, uh, it's crazy.[00:16:58] It's cra it's causing like a, [00:17:00] a, a, a ton of change in confusion in the market. Some very positive, sub negative, like, so for example, the other side of the, um. The co-founder, like, um, acquisition, you know, mark Zuckerberg poaching someone for a lot of money is like, we were actually seeing historic amount of m and a for basically acquihires, right?[00:17:20] That you like, you know, really good outcomes from a venture perspective that are effective acquihires, right? So I would say it's probably net positive from the investment standpoint, even though it seems from the headlines to be very disruptive in a negative way.[00:17:33] Alessio: Yeah.[00:17:33] What's Underfunded: Boring Software, Robotics Skepticism, and Custom Silicon Economics[00:17:33] Alessio: Um, let's talk maybe about what's not being invested in, like maybe some interesting ideas that you would see more people build or it, it seems in a way, you know, as ycs getting more popular, it's like access getting more popular.[00:17:47] There's a startup school path that a lot of founders take and they know what's hot in the VC circles and they know what gets funded. Uh, and there's maybe not as much risk appetite for. Things outside of that. Um, I'm curious if you feel [00:18:00] like that's true and what are maybe, uh, some of the areas, uh, that you think are under discussed?[00:18:06] Martin Casado: I mean, I actually think that we've taken our eye off the ball in a lot of like, just traditional, you know, software companies. Um, so like, I mean. You know, I think right now there's almost a barbell, like you're like the hot thing on X, you're deep tech.[00:18:21] swyx: Mm-hmm.[00:18:22] Martin Casado: Right. But I, you know, I feel like there's just kind of a long, you know, list of like good.[00:18:28] Good companies that will be around for a long time in very large markets. Say you're building a database, you know, say you're building, um, you know, kind of monitoring or logging or tooling or whatever. There's some good companies out there right now, but like, they have a really hard time getting, um, the attention of investors.[00:18:43] And it's almost become a meme, right? Which is like, if you're not basically growing from zero to a hundred in a year, you're not interesting, which is just, is the silliest thing to say. I mean, think of yourself as like an introvert person, like, like your personal money, right? Mm-hmm. So. Your personal money, will you put it in the stock market at 7% or you put it in this company growing five x in a very large [00:19:00] market?[00:19:00] Of course you can put it in the company five x. So it's just like we say these stupid things, like if you're not going from zero to a hundred, but like those, like who knows what the margins of those are mean. Clearly these are good investments. True for anybody, right? True. Like our LPs want whatever.[00:19:12] Three x net over, you know, the life cycle of a fund, right? So a, a company in a big market growing five X is a great investment. We'd, everybody would be happy with these returns, but we've got this kind of mania on these, these strong growths. And so I would say that that's probably the most underinvested sector.[00:19:28] Right now.[00:19:29] swyx: Boring software, boring enterprise software.[00:19:31] Martin Casado: Traditional. Really good company.[00:19:33] swyx: No, no AI here.[00:19:34] Martin Casado: No. Like boring. Well, well, the AI of course is pulling them into use cases. Yeah, but that's not what they're, they're not on the token path, right? Yeah. Let's just say that like they're software, but they're not on the token path.[00:19:41] Like these are like they're great investments from any definition except for like random VC on Twitter saying VC on x, saying like, it's not growing fast enough. What do you[00:19:52] Sarah Wang: think? Yeah, maybe I'll answer a slightly different. Question, but adjacent to what you asked, um, which is maybe an area that we're not, uh, investing [00:20:00] right now that I think is a question and we're spending a lot of time in regardless of whether we pull the trigger or not.[00:20:05] Um, and it would probably be on the hardware side, actually. Robotics, right? And the robotics side. Robotics. Right. Which is, it's, I don't wanna say that it's not getting funding ‘cause it's clearly, uh, it's, it's sort of non-consensus to almost not invest in robotics at this point. But, um, we spent a lot of time in that space and I think for us, we just haven't seen the chat GPT moment.[00:20:22] Happen on the hardware side. Um, and the funding going into it feels like it's already. Taking that for granted.[00:20:30] Martin Casado: Yeah. Yeah. But we also went through the drone, you know, um, there's a zip line right, right out there. What's that? Oh yeah, there's a zip line. Yeah. What the drone, what the av And like one of the takeaways is when it comes to hardware, um, most companies will end up verticalizing.[00:20:46] Like if you're. If you're investing in a robot company for an A for agriculture, you're investing in an ag company. ‘cause that's the competition and that's surprising. And that's supply chain. And if you're doing it for mining, that's mining. And so the ad team does a lot of that type of stuff ‘cause they actually set up to [00:21:00] diligence that type of work.[00:21:01] But for like horizontal technology investing, there's very little when it comes to robots just because it's so fit for, for purpose. And so we kinda like to look at software. Solutions or horizontal solutions like applied intuition. Clearly from the AV wave deep map, clearly from the AV wave, I would say scale AI was actually a horizontal one for That's fair, you know, for robotics early on.[00:21:23] And so that sort of thing we're very, very interested. But the actual like robot interacting with the world is probably better for different team. Agree.[00:21:30] Alessio: Yeah, I'm curious who these teams are supposed to be that invest in them. I feel like everybody's like, yeah, robotics, it's important and like people should invest in it.[00:21:38] But then when you look at like the numbers, like the capital requirements early on versus like the moment of, okay, this is actually gonna work. Let's keep investing. That seems really hard to predict in a way that is not,[00:21:49] Martin Casado: I think co, CO two, kla, gc, I mean these are all invested in in Harvard companies. He just, you know, and [00:22:00] listen, I mean, it could work this time for sure.[00:22:01] Right? I mean if Elon's doing it, he's like, right. Just, just the fact that Elon's doing it means that there's gonna be a lot of capital and a lot of attempts for a long period of time. So that alone maybe suggests that we should just be investing in robotics just ‘cause you have this North star who's Elon with a humanoid and that's gonna like basically willing into being an industry.[00:22:17] Um, but we've just historically found like. We're a huge believer that this is gonna happen. We just don't feel like we're in a good position to diligence these things. ‘cause again, robotics companies tend to be vertical. You really have to understand the market they're being sold into. Like that's like that competitive equilibrium with a human being is what's important.[00:22:34] It's not like the core tech and like we're kind of more horizontal core tech type investors. And this is Sarah and I. Yeah, the ad team is different. They can actually do these types of things.[00:22:42] swyx: Uh, just to clarify, AD stands for[00:22:44] Martin Casado: American Dynamism.[00:22:45] swyx: Alright. Okay. Yeah, yeah, yeah. Uh, I actually, I do have a related question that, first of all, I wanna acknowledge also just on the, on the chip side.[00:22:51] Yeah. I, I recall a podcast that where you were on, i, I, I think it was the a CC podcast, uh, about two or three years ago where you, where you suddenly said [00:23:00] something, which really stuck in my head about how at some point, at some point kind of scale it makes sense to. Build a custom aic Yes. For per run.[00:23:07] Martin Casado: Yes.[00:23:07] It's crazy. Yeah.[00:23:09] swyx: We're here and I think you, you estimated 500 billion, uh, something.[00:23:12] Martin Casado: No, no, no. A billion, a billion dollar training run of $1 billion training run. It makes sense to actually do a custom meic if you can do it in time. The question now is timelines. Yeah, but not money because just, just, just rough math.[00:23:22] If it's a billion dollar training. Then the inference for that model has to be over a billion, otherwise it won't be solvent. So let's assume it's, if you could save 20%, which you could save much more than that with an ASIC 20%, that's $200 million. You can tape out a chip for $200 million. Right? So now you can literally like justify economically, not timeline wise.[00:23:41] That's a different issue. An ASIC per model, which[00:23:44] swyx: is because that, that's how much we leave on the table every single time. We, we, we do like generic Nvidia.[00:23:48] Martin Casado: Exactly. Exactly. No, it, it is actually much more than that. You could probably get, you know, a factor of two, which would be 500 million.[00:23:54] swyx: Typical MFU would be like 50.[00:23:55] Yeah, yeah. And that's good.[00:23:57] Martin Casado: Exactly. Yeah. Hundred[00:23:57] swyx: percent. Um, so, so, yeah, and I mean, and I [00:24:00] just wanna acknowledge like, here we are in, in, in 2025 and opening eyes confirming like Broadcom and all the other like custom silicon deals, which is incredible. I, I think that, uh, you know, speaking about ad there's, there's a really like interesting tie in that obviously you guys are hit on, which is like these sort, this sort of like America first movement or like sort of re industrialized here.[00:24:17] Yeah. Uh, move TSMC here, if that's possible. Um, how much overlap is there from ad[00:24:23] Martin Casado: Yeah.[00:24:23] swyx: To, I guess, growth and, uh, investing in particularly like, you know, US AI companies that are strongly bounded by their compute.[00:24:32] Martin Casado: Yeah. Yeah. So I mean, I, I would view, I would view AD as more as a market segmentation than like a mission, right?[00:24:37] So the market segmentation is, it has kind of regulatory compliance issues or government, you know, sale or it deals with like hardware. I mean, they're just set up to, to, to, to, to. To diligence those types of companies. So it's a more of a market segmentation thing. I would say the entire firm. You know, which has been since it is been intercepted, you know, has geographical biases, right?[00:24:58] I mean, for the longest time we're like, you [00:25:00] know, bay Area is gonna be like, great, where the majority of the dollars go. Yeah. And, and listen, there, there's actually a lot of compounding effects for having a geographic bias. Right. You know, everybody's in the same place. You've got an ecosystem, you're there, you've got presence, you've got a network.[00:25:12] Um, and, uh, I mean, I would say the Bay area's very much back. You know, like I, I remember during pre COVID, like it was like almost Crypto had kind of. Pulled startups away. Miami from the Bay Area. Miami, yeah. Yeah. New York was, you know, because it's so close to finance, came up like Los Angeles had a moment ‘cause it was so close to consumer, but now it's kind of come back here.[00:25:29] And so I would say, you know, we tend to be very Bay area focused historically, even though of course we've asked all over the world. And then I would say like, if you take the ring out, you know, one more, it's gonna be the US of course, because we know it very well. And then one more is gonna be getting us and its allies and Yeah.[00:25:44] And it goes from there.[00:25:45] Sarah Wang: Yeah,[00:25:45] Martin Casado: sorry.[00:25:46] Sarah Wang: No, no. I agree. I think from a, but I think from the intern that that's sort of like where the companies are headquartered. Maybe your questions on supply chain and customer base. Uh, I, I would say our customers are, are, our companies are fairly international from that perspective.[00:25:59] Like they're selling [00:26:00] globally, right? They have global supply chains in some cases.[00:26:03] Martin Casado: I would say also the stickiness is very different.[00:26:05] Sarah Wang: Yeah.[00:26:05] Martin Casado: Historically between venture and growth, like there's so much company building in venture, so much so like hiring the next PM. Introducing the customer, like all of that stuff.[00:26:15] Like of course we're just gonna be stronger where we have our network and we've been doing business for 20 years. I've been in the Bay Area for 25 years, so clearly I'm just more effective here than I would be somewhere else. Um, where I think, I think for some of the later stage rounds, the companies don't need that much help.[00:26:30] They're already kind of pretty mature historically, so like they can kind of be everywhere. So there's kind of less of that stickiness. This is different in the AI time. I mean, Sarah is now the, uh, chief of staff of like half the AI companies in, uh, in the Bay Area right now. She's like, ops Ninja Biz, Devrel, BizOps.[00:26:48] swyx: Are, are you, are you finding much AI automation in your work? Like what, what is your stack.[00:26:53] Sarah Wang: Oh my, in my personal stack.[00:26:54] swyx: I mean, because like, uh, by the way, it's the, the, the reason for this is it is triggering, uh, yeah. We, like, I'm hiring [00:27:00] ops, ops people. Um, a lot of ponders I know are also hiring ops people and I'm just, you know, it's opportunity Since you're, you're also like basically helping out with ops with a lot of companies.[00:27:09] What are people doing these days? Because it's still very manual as far as I can tell.[00:27:13] Sarah Wang: Hmm. Yeah. I think the things that we help with are pretty network based, um, in that. It's sort of like, Hey, how do do I shortcut this process? Well, let's connect you to the right person. So there's not quite an AI workflow for that.[00:27:26] I will say as a growth investor, Claude Cowork is pretty interesting. Yeah. Like for the first time, you can actually get one shot data analysis. Right. Which, you know, if you're gonna do a customer database, analyze a cohort retention, right? That's just stuff that you had to do by hand before. And our team, the other, it was like midnight and the three of us were playing with Claude Cowork.[00:27:47] We gave it a raw file. Boom. Perfectly accurate. We checked the numbers. It was amazing. That was my like, aha moment. That sounds so boring. But you know, that's, that's the kind of thing that a growth investor is like, [00:28:00] you know, slaving away on late at night. Um, done in a few seconds.[00:28:03] swyx: Yeah. You gotta wonder what the whole, like, philanthropic labs, which is like their new sort of products studio.[00:28:10] Yeah. What would that be worth as an independent, uh, startup? You know, like a[00:28:14] Martin Casado: lot.[00:28:14] Sarah Wang: Yeah, true.[00:28:16] swyx: Yeah. You[00:28:16] Martin Casado: gotta hand it to them. They've been executing incredibly well.[00:28:19] swyx: Yeah. I, I mean, to me, like, you know, philanthropic, like building on cloud code, I think, uh, it makes sense to me the, the real. Um, pedal to the metal, whatever the, the, the phrase is, is when they start coming after consumer with, uh, against OpenAI and like that is like red alert at Open ai.[00:28:35] Oh, I[00:28:35] Martin Casado: think they've been pretty clear. They're enterprise focused.[00:28:37] swyx: They have been, but like they've been free. Here's[00:28:40] Martin Casado: care publicly,[00:28:40] swyx: it's enterprise focused. It's coding. Right. Yeah.[00:28:43] AI Labs vs Startups: Disruption, Undercutting & the Innovator's Dilemma[00:28:43] swyx: And then, and, but here's cloud, cloud, cowork, and, and here's like, well, we, uh, they, apparently they're running Instagram ads for Claudia.[00:28:50] I, on, you know, for, for people on, I get them all the time. Right. And so, like,[00:28:54] Martin Casado: uh,[00:28:54] swyx: it, it's kind of like this, the disruption thing of, uh, you know. Mo Open has been doing, [00:29:00] consumer been doing the, just pursuing general intelligence in every mo modality, and here's a topic that only focus on this thing, but now they're sort of undercutting and doing the whole innovator's dilemma thing on like everything else.[00:29:11] Martin Casado: It's very[00:29:11] swyx: interesting.[00:29:12] Martin Casado: Yeah, I mean there's, there's a very open que so for me there's like, do you know that meme where there's like the guy in the path and there's like a path this way? There's a path this way. Like one which way Western man. Yeah. Yeah.[00:29:23] Two Futures for AI: Infinite Market vs AGI Oligopoly[00:29:23] Martin Casado: And for me, like, like all the entire industry kind of like hinges on like two potential futures.[00:29:29] So in, in one potential future, um, the market is infinitely large. There's perverse economies of scale. ‘cause as soon as you put a model out there, like it kind of sublimates and all the other models catch up and like, it's just like software's being rewritten and fractured all over the place and there's tons of upside and it just grows.[00:29:48] And then there's another path which is like, well. Maybe these models actually generalize really well, and all you have to do is train them with three times more money. That's all you have to [00:30:00] do, and it'll just consume everything beyond it. And if that's the case, like you end up with basically an oligopoly for everything, like, you know mm-hmm.[00:30:06] Because they're perfectly general and like, so this would be like the, the a GI path would be like, these are perfectly general. They can do everything. And this one is like, this is actually normal software. The universe is complicated. You've got, and nobody knows the answer.[00:30:18] The Economics Reality Check: Gross Margins, Training Costs & Borrowing Against the Future[00:30:18] Martin Casado: My belief is if you actually look at the numbers of these companies, so generally if you look at the numbers of these companies, if you look at like the amount they're making and how much they, they spent training the last model, they're gross margin positive.[00:30:30] You're like, oh, that's really working. But if you look at like. The current training that they're doing for the next model, their gross margin negative. So part of me thinks that a lot of ‘em are kind of borrowing against the future and that's gonna have to slow down. It's gonna catch up to them at some point in time, but we don't really know.[00:30:47] Sarah Wang: Yeah.[00:30:47] Martin Casado: Does that make sense? Like, I mean, it could be, it could be the case that the only reason this is working is ‘cause they can raise that next round and they can train that next model. ‘cause these models have such a short. Life. And so at some point in time, like, you know, they won't be able to [00:31:00] raise that next round for the next model and then things will kind of converge and fragment again.[00:31:03] But right now it's not.[00:31:04] Sarah Wang: Totally. I think the other, by the way, just, um, a meta point. I think the other lesson from the last three years is, and we talk about this all the time ‘cause we're on this. Twitter X bubble. Um, cool. But, you know, if you go back to, let's say March, 2024, that period, it felt like a, I think an open source model with an, like a, you know, benchmark leading capability was sort of launching on a daily basis at that point.[00:31:27] And, um, and so that, you know, that's one period. Suddenly it's sort of like open source takes over the world. There's gonna be a plethora. It's not an oligopoly, you know, if you fast, you know, if you, if you rewind time even before that GPT-4 was number one for. Nine months, 10 months. It's a long time. Right.[00:31:44] Um, and of course now we're in this era where it feels like an oligopoly, um, maybe some very steady state shifts and, and you know, it could look like this in the future too, but it just, it's so hard to call. And I think the thing that keeps, you know, us up at [00:32:00] night in, in a good way and bad way, is that the capability progress is actually not slowing down.[00:32:06] And so until that happens, right, like you don't know what's gonna look like.[00:32:09] Martin Casado: But I, I would, I would say for sure it's not converged, like for sure, like the systemic capital flows have not converged, meaning right now it's still borrowing against the future to subsidize growth currently, which you can do that for a period of time.[00:32:23] But, but you know, at the end, at some point the market will rationalize that and just nobody knows what that will look like.[00:32:29] Alessio: Yeah.[00:32:29] Martin Casado: Or, or like the drop in price of compute will, will, will save them. Who knows?[00:32:34] Alessio: Yeah. Yeah. I think the models need to ask them to, to specific tasks. You know? It's like, okay, now Opus 4.5 might be a GI at some specific task, and now you can like depreciate the model over a longer time.[00:32:45] I think now, now, right now there's like no old model.[00:32:47] Martin Casado: No, but let, but lemme just change that mental, that's, that used to be my mental model. Lemme just change it a little bit.[00:32:53] Capital as a Weapon vs Task Saturation: Where Real Enterprise Value Gets Built[00:32:53] Martin Casado: If you can raise three times, if you can raise more than the aggregate of anybody that uses your models, that doesn't even matter.[00:32:59] It doesn't [00:33:00] even matter. See what I'm saying? Like, yeah. Yeah. So, so I have an API Business. My API business is 60% margin, or 70% margin, or 80% margin is a high margin business. So I know what everybody is using. If I can raise more money than the aggregate of everybody that's using it, I will consume them whether I'm a GI or not.[00:33:14] And I will know if they're using it ‘cause they're using it. And like, unlike in the past where engineering stops me from doing that.[00:33:21] Alessio: Mm-hmm.[00:33:21] Martin Casado: It is very straightforward. You just train. So I also thought it was kind of like, you must ask the code a GI, general, general, general. But I think there's also just a possibility that the, that the capital markets will just give them the, the, the ammunition to just go after everybody on top of ‘em.[00:33:36] Sarah Wang: I, I do wonder though, to your point, um, if there's a certain task that. Getting marginally better isn't actually that much better. Like we've asked them to it, to, you know, we can call it a GI or whatever, you know, actually, Ali Goi talks about this, like we're already at a GI for a lot of functions in the enterprise.[00:33:50] Um. That's probably those for those tasks, you probably could build very specific companies that focus on just getting as much value out of that task that isn't [00:34:00] coming from the model itself. There's probably a rich enterprise business to be built there. I mean, could be wrong on that, but there's a lot of interesting examples.[00:34:08] So, right, if you're looking the legal profession or, or whatnot, and maybe that's not a great one ‘cause the models are getting better on that front too, but just something where it's a bit saturated, then the value comes from. Services. It comes from implementation, right? It comes from all these things that actually make it useful to the end customer.[00:34:24] Martin Casado: Sorry, what am I, one more thing I think is, is underused in all of this is like, to what extent every task is a GI complete.[00:34:31] Sarah Wang: Mm-hmm.[00:34:32] Martin Casado: Yeah. I code every day. It's so fun.[00:34:35] Sarah Wang: That's a core question. Yeah.[00:34:36] Martin Casado: And like. When I'm talking to these models, it's not just code. I mean, it's everything, right? Like I, you know, like it's,[00:34:43] swyx: it's healthcare.[00:34:44] It's,[00:34:44] Martin Casado: I mean, it's[00:34:44] swyx: Mele,[00:34:45] Martin Casado: but it's every, it is exactly that. Like, yeah, that's[00:34:47] Sarah Wang: great support. Yeah.[00:34:48] Martin Casado: It's everything. Like I'm asking these models to, yeah, to understand compliance. I'm asking these models to go search the web. I'm asking these models to talk about things I know in the history, like it's having a full conversation with me while I, I engineer, and so it could be [00:35:00] the case that like, mm-hmm.[00:35:01] The most a, you know, a GI complete, like I'm not an a GI guy. Like I think that's, you know, but like the most a GI complete model will is win independent of the task. And we don't know the answer to that one either.[00:35:11] swyx: Yeah.[00:35:12] Martin Casado: But it seems to me that like, listen, codex in my experience is for sure better than Opus 4.5 for coding.[00:35:18] Like it finds the hardest bugs that I work in with. Like, it is, you know. The smartest developers. I don't work on it. It's great. Um, but I think Opus 4.5 is actually very, it's got a great bedside manner and it really, and it, it really matters if you're building something very complex because like, it really, you know, like you're, you're, you're a partner and a brainstorming partner for somebody.[00:35:38] And I think we don't discuss enough how every task kind of has that quality.[00:35:42] swyx: Mm-hmm.[00:35:43] Martin Casado: And what does that mean to like capital investment and like frontier models and Submodels? Yeah.[00:35:47] Why “Coding Models” Keep Collapsing into Generalists (Reasoning vs Taste)[00:35:47] Martin Casado: Like what happened to all the special coding models? Like, none of ‘em worked right. So[00:35:51] Alessio: some of them, they didn't even get released.[00:35:53] Magical[00:35:54] Martin Casado: Devrel. There's a whole, there's a whole host. We saw a bunch of them and like there's this whole theory that like, there could be, and [00:36:00] I think one of the conclusions is, is like there's no such thing as a coding model,[00:36:04] Alessio: you know?[00:36:04] Martin Casado: Like, that's not a thing. Like you're talking to another human being and it's, it's good at coding, but like it's gotta be good at everything.[00:36:10] swyx: Uh, minor disagree only because I, I'm pretty like, have pretty high confidence that basically open eye will always release a GPT five and a GT five codex. Like that's the code's. Yeah. The way I call it is one for raisin, one for Tiz. Um, and, and then like someone internal open, it was like, yeah, that's a good way to frame it.[00:36:32] Martin Casado: That's so funny.[00:36:33] swyx: Uh, but maybe it, maybe it collapses down to reason and that's it. It's not like a hundred dimensions doesn't life. Yeah. It's two dimensions. Yeah, yeah, yeah, yeah. Like and exactly. Beside manner versus coding. Yeah.[00:36:43] Martin Casado: Yeah.[00:36:44] swyx: It's, yeah.[00:36:46] Martin Casado: I, I think for, for any, it's hilarious. For any, for anybody listening to this for, for, for, I mean, for you, like when, when you're like coding or using these models for something like that.[00:36:52] Like actually just like be aware of how much of the interaction has nothing to do with coding and it just turns out to be a large portion of it. And so like, you're, I [00:37:00] think like, like the best Soto ish model. You know, it is going to remain very important no matter what the task is.[00:37:06] swyx: Yeah.[00:37:07] What He's Actually Coding: Gaussian Splats, Spark.js & 3D Scene Rendering Demos[00:37:07] swyx: Uh, speaking of coding, uh, I, I'm gonna be cheeky and ask like, what actually are you coding?[00:37:11] Because obviously you, you could code anything and you are obviously a busy investor and a manager of the good. Giant team. Um, what are you calling?[00:37:18] Martin Casado: I help, um, uh, FEFA at World Labs. Uh, it's one of the investments and um, and they're building a foundation model that creates 3D scenes.[00:37:27] swyx: Yeah, we had it on the pod.[00:37:28] Yeah. Yeah,[00:37:28] Martin Casado: yeah. And so these 3D scenes are Gaussian splats, just by the way that kind of AI works. And so like, you can reconstruct a scene better with, with, with radiance feels than with meshes. ‘cause like they don't really have topology. So, so they, they, they produce each. Beautiful, you know, 3D rendered scenes that are Gaussian splats, but the actual industry support for Gaussian splats isn't great.[00:37:50] It's just never, you know, it's always been meshes and like, things like unreal use meshes. And so I work on a open source library called Spark js, which is a. Uh, [00:38:00] a JavaScript rendering layer ready for Gaussian splats. And it's just because, you know, um, you, you, you need that support and, and right now there's kind of a three js moment that's all meshes and so like, it's become kind of the default in three Js ecosystem.[00:38:13] As part of that to kind of exercise the library, I just build a whole bunch of cool demos. So if you see me on X, you see like all my demos and all the world building, but all of that is just to exercise this, this library that I work on. ‘cause it's actually a very tough algorithmics problem to actually scale a library that much.[00:38:29] And just so you know, this is ancient history now, but 30 years ago I paid for undergrad, you know, working on game engines in college in the late nineties. So I've got actually a back and it's very old background, but I actually have a background in this and so a lot of it's fun. You know, but, but the, the, the, the whole goal is just for this rendering library to, to,[00:38:47] Sarah Wang: are you one of the most active contributors?[00:38:49] The, their GitHub[00:38:50] Martin Casado: spark? Yes.[00:38:51] Sarah Wang: Yeah, yeah.[00:38:51] Martin Casado: There's only two of us there, so, yes. No, so by the way, so the, the pri The pri, yeah. Yeah. So the primary developer is a [00:39:00] guy named Andres Quist, who's an absolute genius. He and I did our, our PhDs together. And so like, um, we studied for constant Quas together. It was almost like hanging out with an old friend, you know?[00:39:09] And so like. So he, he's the core, core guy. I did mostly kind of, you know, the side I run venture fund.[00:39:14] swyx: It's amazing. Like five years ago you would not have done any of this. And it brought you back[00:39:19] Martin Casado: the act, the Activ energy, you're still back. Energy was so high because you had to learn all the framework b******t.[00:39:23] Man, I f*****g used to hate that. And so like, now I don't have to deal with that. I can like focus on the algorithmics so I can focus on the scaling and I,[00:39:29] swyx: yeah. Yeah.[00:39:29] LLMs vs Spatial Intelligence + How to Value World Labs' 3D Foundation Model[00:39:29] swyx: And then, uh, I'll observe one irony and then I'll ask a serious investor question, uh, which is like, the irony is FFE actually doesn't believe that LMS can lead us to spatial intelligence.[00:39:37] And here you are using LMS to like help like achieve spatial intelligence. I just see, I see some like disconnect in there.[00:39:45] Martin Casado: Yeah. Yeah. So I think, I think, you know, I think, I think what she would say is LLMs are great to help with coding.[00:39:51] swyx: Yes.[00:39:51] Martin Casado: But like, that's very different than a model that actually like provides, they, they'll never have the[00:39:56] swyx: spatial inte[00:39:56] Martin Casado: issues.[00:39:56] And listen, our brains clearly listen, our brains, brains clearly have [00:40:00] both our, our brains clearly have a language reasoning section and they clearly have a spatial reasoning section. I mean, it's just, you know, these are two pretty independent problems.[00:40:07] swyx: Okay. And you, you, like, I, I would say that the, the one data point I recently had, uh, against it is the DeepMind, uh, IMO Gold, where, so, uh, typically the, the typical answer is that this is where you start going down the neuros symbolic path, right?[00:40:21] Like one, uh, sort of very sort of abstract reasoning thing and one form, formal thing. Um, and that's what. DeepMind had in 2024 with alpha proof, alpha geometry, and now they just use deep think and just extended thinking tokens. And it's one model and it's, and it's in LM.[00:40:36] Martin Casado: Yeah, yeah, yeah, yeah, yeah.[00:40:37] swyx: And so that, that was my indication of like, maybe you don't need a separate system.[00:40:42] Martin Casado: Yeah. So, so let me step back. I mean, at the end of the day, at the end of the day, these things are like nodes in a graph with weights on them. Right. You know, like it can be modeled like if you, if you distill it down. But let me just talk about the two different substrates. Let's, let me put you in a dark room.[00:40:56] Like totally black room. And then let me just [00:41:00] describe how you exit it. Like to your left, there's a table like duck below this thing, right? I mean like the chances that you're gonna like not run into something are very low. Now let me like turn on the light and you actually see, and you can do distance and you know how far something away is and like where it is or whatever.[00:41:17] Then you can do it, right? Like language is not the right primitives to describe. The universe because it's not exact enough. So that's all Faye, Faye is talking about. When it comes to like spatial reasoning, it's like you actually have to know that this is three feet far, like that far away. It is curved.[00:41:37] You have to understand, you know, the, like the actual movement through space.[00:41:40] swyx: Yeah.[00:41:40] Martin Casado: So I do, I listen, I do think at the end of these models are definitely converging as far as models, but there's, there's, there's different representations of problems you're solving. One is language. Which, you know, that would be like describing to somebody like what to do.[00:41:51] And the other one is actually just showing them and the space reasoning is just showing them.[00:41:55] swyx: Yeah, yeah, yeah. Right. Got it, got it. Uh, the, in the investor question was on, on, well labs [00:42:00] is, well, like, how do I value something like this? What, what, what work does the, do you do? I'm just like, Fefe is awesome.[00:42:07] Justin's awesome. And you know, the other two co-founder, co-founders, but like the, the, the tech, everyone's building cool tech. But like, what's the value of the tech? And this is the fundamental question[00:42:16] Martin Casado: of, well, let, let, just like these, let me just maybe give you a rough sketch on the diffusion models. I actually love to hear Sarah because I'm a venture for, you know, so like, ventures always, always like kind of wild west type[00:42:24] swyx: stuff.[00:42:24] You, you, you, you paid a dream and she has to like, actually[00:42:28] Martin Casado: I'm gonna say I'm gonna mar to reality, so I'm gonna say the venture for you. And she can be like, okay, you a little kid. Yeah. So like, so, so these diffusion models literally. Create something for, for almost nothing. And something that the, the world has found to be very valuable in the past, in our real markets, right?[00:42:45] Like, like a 2D image. I mean, that's been an entire market. People value them. It takes a human being a long time to create it, right? I mean, to create a, you know, a, to turn me into a whatever, like an image would cost a hundred bucks in an hour. The inference cost [00:43:00] us a hundredth of a penny, right? So we've seen this with speech in very successful companies.[00:43:03] We've seen this with 2D image. We've seen this with movies. Right? Now, think about 3D scene. I mean, I mean, when's Grand Theft Auto coming out? It's been six, what? It's been 10 years. I mean, how, how like, but hasn't been 10 years.[00:43:14] Alessio: Yeah.[00:43:15] Martin Casado: How much would it cost to like, to reproduce this room in 3D? Right. If you, if you, if you hired somebody on fiber, like in, in any sort of quality, probably 4,000 to $10,000.[00:43:24] And then if you had a professional, probably $30,000. So if you could generate the exact same thing from a 2D image, and we know that these are used and they're using Unreal and they're using Blend, or they're using movies and they're using video games and they're using all. So if you could do that for.[00:43:36] You know, less than a dollar, that's four or five orders of magnitude cheaper. So you're bringing the marginal cost of something that's useful down by three orders of magnitude, which historically have created very large companies. So that would be like the venture kind of strategic dreaming map.[00:43:49] swyx: Yeah.[00:43:50] And, and for listeners, uh, you can do this yourself on your, on your own phone with like. Uh, the marble.[00:43:55] Martin Casado: Yeah. Marble.[00:43:55] swyx: Uh, or but also there's many Nerf apps where you just go on your iPhone and, and do this.[00:43:59] Martin Casado: Yeah. Yeah. [00:44:00] Yeah. And, and in the case of marble though, it would, what you do is you literally give it in.[00:44:03] So most Nerf apps you like kind of run around and take a whole bunch of pictures and then you kind of reconstruct it.[00:44:08] swyx: Yeah.[00:44:08] Martin Casado: Um, things like marble, just that the whole generative 3D space will just take a 2D image and it'll reconstruct all the like, like[00:44:16] swyx: meaning it has to fill in. Uh,[00:44:18] Martin Casado: stuff at the back of the table, under the table, the back, like, like the images, it doesn't see.[00:44:22] So the generator stuff is very different than reconstruction that it fills in the things that you can't see.[00:44:26] swyx: Yeah. Okay.[00:44:26] Sarah Wang: So,[00:44:27] Martin Casado: all right. So now the,[00:44:28] Sarah Wang: no, no. I mean I love that[00:44:29] Martin Casado: the adult[00:44:29] Sarah Wang: perspective. Um, well, no, I was gonna say these are very much a tag team. So we, we started this pod with that, um, premise. And I think this is a perfect question to even build on that further.[00:44:36] ‘cause it truly is, I mean, we're tag teaming all of these together.[00:44:39] Investing in Model Labs, Media Rumors, and the Cursor Playbook (Margins & Going Down-Stack)[00:44:39] Sarah Wang: Um, but I think every investment fundamentally starts with the same. Maybe the same two premises. One is, at this point in time, we actually believe that there are. And of one founders for their particular craft, and they have to be demonstrated in their prior careers, right?[00:44:56] So, uh, we're not investing in every, you know, now the term is NEO [00:45:00] lab, but every foundation model, uh, any, any company, any founder trying to build a foundation model, we're not, um, contrary to popular opinion, we're

Mele by Kalehua Kim by Poets & Writers

Inima bate 100.000 ori pe zi - simbol al vieții. Când oneglijezi, trimite alarme: oboseală, anxietate, durere. La fel e inima spirituală. Dumnezeu nu disprețuiește inima frântă - El a fost acolo tot timpul, în respirația ta, în lacrimi, în șoapte. Vrea ca inima ta să bată în ritmul harului, cu liniște și viață. Citește acest devoțional și multe alte meditații biblice pehttps://devotionale.ro #devotionale #devotionaleaudio

Hawaiian Concert Guide – Show #696 Show #696 weaves together contemporary Hawaiian mele, masterful slack key guitar, a reverent royal prayer, and a playful detour into retro exotica—then returns home with modern harmonies and a closing affirmation of identity. Detailed Playlist “Kaulana ʻo Maui” — Kamalei Kawaa (1:20) Album: Mānaiakalani A short, vivid mele that celebrates the renown of Maui. Kamalei Kawaa opens the episode with a strong sense of place and cultural grounding, offering an inviting entry point into the show's island-centered storytelling. Despite its brief runtime, the track sets an intentional tone: rooted, respectful, and warmly personal. “Hawaiian Rainbow” — Kahiau Lam Ho (2:50) Album: Hoʻomālamalama Bright and uplifting, this track carries a message of hope and renewal. Kahiau Lam Ho's contemporary approach pairs accessible melody with a distinctly Hawaiian sensibility, making it a feel-good moment that still honors cultural continuity. The song's optimism complements the episode's opening theme of place and belonging. “Kona Moon” — Kahiau Lam Ho (2:37) Album: Hoʻomālamalama A mellow, romantic island-night reflection inspired by the Kona coast. The pacing and phrasing invite listeners into a quieter emotional space—warm, intimate, and unhurried. Placed after “Hawaiian Rainbow,” it shifts the mood from celebratory brightness to a more contemplative evening glow. “East Side Slack Key” — Kawika Kahiapo (4:01) Album: Kuʻu Manaʻo A standout instrumental showcasing the depth of kī hō‘alu (slack key guitar). Kawika Kahiapo's touch is both precise and expressive, balancing rhythmic drive with open, resonant harmony. This track provides a spacious listening moment—ideal for appreciating the nuance and tradition embedded in Hawaiian guitar craft. “Nani Wale Kualoa” — Kawika Kahiapo (3:53) Album: Kuʻu Manaʻo A musical love letter to Kualoa—its beauty, presence, and sense of mana. The melody and phrasing feel place-centered and reverent, continuing the episode's theme of honoring specific landscapes through sound. The pairing with “East Side Slack Key” creates a strong mid-show slack key feature block. “Queen's Prayer” — Jerome Koko, Daniel Ho & Tia Carrere (3:28) Album: Makaha Sons Memoirs A deeply reverent rendition of Queen Liliʻuokalani's prayer, offered with restraint and respect. The arrangement emphasizes reflection and spiritual gravity rather than ornamentation, allowing the message and history to remain central. This performance serves as a meaningful cultural anchor in the episode—devotional, dignified, and moving. “Ned's Redemption” — The Waitiki 7 (1:17) Album: Adventures In Paradise A brief, cinematic exotica vignette—playful and atmosphere-driven. Positioned after “Queen's Prayer,” it functions as a palate cleanser: a quick tonal pivot that keeps the episode dynamic while still staying within an island-adjacent musical universe. “Sacha-Cha” — The Waitiki 7 (2:35) Album: Adventures In Paradise Upbeat and retro, this track leans into classic lounge/exotica energy with rhythmic flair. It's a lighthearted interlude that adds variety and fun—an intentional shift that refreshes the ear before the program returns to contemporary Hawaiian songwriting and harmony. “Home” — Waipuna (4:22) Album: Manaʻo Pili A heartfelt modern Hawaiian composition centered on belonging and emotional roots. Waipuna's polished harmonies and contemporary production create a sense of welcome and familiarity—bringing the episode back from the playful exotica detour into a grounded, lyric-forward Hawaiian space. “E Ku Kanaka” — Hoʻokena (4:57) Album: Hoʻokena 5 A powerful closing statement affirming identity, pride, and perseverance. Hoʻokena's folk-rooted approach and steady drive make this a resonant finale—leaving listeners with a strong sense of purpose and cultural continuity. A fitting conclusion to an episode built around place, heritage, and the living voice of Hawaiian music today. Episode Summary Show #696 moves from place-based mele and contemporary Hawaiian songwriting into a featured slack key set, pauses for a reverent royal prayer, and then takes a playful side-trip through exotica—before returning “Home” and closing with a bold affirmation in “E Ku Kanaka.” A complete listen that reflects both the roots and the range of Hawaiian and island-influenced music.

INCERTITUDINILE VIEȚII „Căile voastre nu sunt căile Mele...” (Isaia 55:8)

Hawaiian Concert Guide – Show 695 Mele Kalikimaka: No Snow Posting Date: January 2, 2026 This episode presents a Hawaiian-centered view of Christmas—warm weather, ʻohana, ʻukulele-forward arrangements, modern island pop, cultural continuity, and local identity. The selections reflect how Christmas is lived and felt in Hawaiʻi and across the island diaspora, without reliance on winter imagery or snow. Playlist & Show Notes (Original Order) No Snow Anuhea — All Is Bright — 4:08 Hawaiian Share: 1 of 6 – in the share Added / Played: 01/02/26 A declarative opening track that establishes the theme of the episode. “No Snow” embraces a distinctly local Christmas experience—sunshine, island rhythms, and a confident rejection of mainland winter clichés. The Ukulele Christmas Song Anuhea — All Is Bright — 3:16 Hawaiian Share: 1 of 6 – in the share Added / Played: 01/02/26 Light, joyful, and ʻukulele-centered, this track reinforces the relaxed island tone of the show and highlights the instrument as a seasonal cultural anchor. At Christmas Time (feat. Pure Heart) Jake Shimabukuro & Pure Heart — 'Tis the Season — 4:00 Share: 4 of 13 Added / Played: 01/02/26 Rich harmonies from Pure Heart paired with Jake Shimabukuro's expressive ʻukulele evoke community singing traditions and the warmth of shared holiday gatherings. This Christmas Jake Shimabukuro & Justin Kawika Young — 'Tis the Season — 3:45 Share: 8 of 13 Added / Played: 01/02/26 A soulful, contemporary take on a familiar holiday standard, blending virtuoso ʻukulele work with modern Hawaiian vocal phrasing. I'll Be Home for Christmas Raeatea Helm — I'll Be Home for Christmas — 4:02 YouTube link A reflective, intimate performance centered on homecoming—particularly resonant for island families spread across oceans and continents. We Wish You a Merry Christmas Ukulele Orchestra of Great Britain — 2:14 YouTube link A playful, high-energy arrangement that highlights the ʻukulele's global reach while adding contrast and humor to the set. Mele Kalikimaka Iam Tongi & Bing Crosby — Bing Crosby 75th Anniversary Edition — 3:45 YouTube link (as provided) The centerpiece of the episode. This iconic song bridges generations, connecting a classic recording legacy with a modern Hawaiian voice and reaffirming the song's enduring cultural role. Jingle Bell Rock Kalaʻe + Kalena + Kalikimaka 2024 — 2:35 YouTube link A youthful, energetic island take on a rock-and-roll Christmas classic, injecting momentum and contemporary flair into the playlist. We Are a Voice Kalaʻe + Kalena + Kalikimaka 2024 — 4:17 YouTube link More than a holiday song, this track emphasizes unity, representation, and the role of the next generation in carrying culture forward. Rapped in a Bow Kalani Peʻa — Purple Hawaiian Christmas — 3:19 Share from 2022 — 2 of 11 A contemporary Christmas song grounded in Hawaiian identity, blending modern production with strong cultural presence. Kanakaloka Kalani Peʻa — Purple Hawaiian Christmas — 2:33 Share from 2022 — 9 of 11 A culturally rooted piece that deepens the emotional and linguistic range of the episode.

In questa puntata di Start parliamo della firma del nuovo contratto di lavoro della scuola e degli aumenti in arrivo per prof e personale tecnico, poi dell'Italia che diventa il primo esportatore di mele al mondo e poi del perché le canzoni natalizie fanno bene all'umore Learn more about your ad choices. Visit megaphone.fm/adchoices

Hawaiian Concert Guide Show 694 – Nano Banana Episode Synopsis Welcome to Show 694 – Nano Banana. This episode takes listeners on a sweeping musical journey across Hawaiian heritage: beginning with timeless mele rooted in the landscapes and stories of Waipiʻo Valley and the Hawaiian monarchy, moving through themes of aloha ʻāina and environmental stewardship, honoring the legacy and refinement of the Makaha Sons, venturing into the lush and cinematic world of modern Exotica, and finally returning home through the warm harmonies of Waipuna. The playful title “Nano Banana” reflects how small musical details reveal surprisingly big cultural stories — a perfect theme for this carefully curated playlist. Playlist – Show 694: Nano Banana Hiʻilawe – Kahiau Lam Ho (4:19) Ho‘omālamalama “Hiʻilawe” is one of the most iconic traditional mele of Hawaiʻi, tied to Waipiʻo Valley on Hawaiʻi Island. The mele references the towering Hiʻilawe waterfall and a story of hidden love. Generations of musicians—from Sam Liʻa to Gabby Pahinui—have carried this mele forward. Kahiau Lam Ho's contemporary interpretation preserves the melodic intimacy of the piece while presenting it through a modern vocal and production style.   Sanoe – Kahiau Lam Ho (4:56) Ho‘omālamalama Composed by Queen Liliʻuokalani and Princess Likelike, “Sanoe” is a mele filled with kaona—hidden meaning—traditionally understood as a story of secret royal affection. Lam Ho's version leans into the quiet emotional tone of the mele, using minimalist accompaniment that allows the poetry and nuance to shine.   Pukalani Hale – Kawika Kahiapo (4:26) Kuʻu Manaʻo “Pukalani Hale” is a place-based mele grounded in the upcountry region of Pukalani on Maui — often translated as “heavenly gateway.” Kawika Kahiapo, known for his warm slack-key guitar and heartfelt delivery, performs the mele as an expression of home, spirituality, and gratitude. His musicianship reinforces the intimate connection between land and identity.   Mother Earth – Kawika Kahiapo (4:15) Kuʻu Manaʻo “Mother Earth” expands Hawaiian concepts of aloha ʻāina to a global message of environmental responsibility. Kahiapo uses gentle acoustic textures to remind listeners of their obligation to care for the planet. The mele blends Hawaiian worldview with modern ecological awareness, making it a contemporary anthem of stewardship.   Queen's Jubilee – Jerome Koko & Daniel Ho (5:15) Makaha Sons Memoirs “Queen's Jubilee” celebrates the musical heritage of the Makaha Sons through the talents of Jerome Koko and Grammy-winning producer Daniel Ho. Their collaboration fuses refined acoustic arrangements with the sentimental warmth associated with the monarchy era. The piece functions as a tribute — both to the past and to the many voices that shaped Hawaiian music across generations.   Ka Makani Kā‘ili Aloha – Jerome Koko & Daniel Ho (4:56) Makaha Sons Memoirs A beloved classic mele often translated as “The Wind That Steals Love Away,” the song personifies wind as an emotional force. Koko and Ho offer a clean, harmony-rich interpretation that honors the poetic storytelling at the heart of the mele. It pairs beautifully with “Queen's Jubilee” to form a thematic homage to Hawaiian musical legacy.   Ouanalao – The Waitiki 7 (4:33) Adventures in Paradise “Ouanalao,” named after the indigenous term for Saint Barthélemy, fits squarely in the spirit of mid-century Exotica while elevating it with jazz sophistication and modern cultural respect. The Waitiki 7 are known for reinvigorating Exotica through scholarly musicianship rather than kitsch. This track creates a lush world-fusion soundscape that expands the emotional palette of the show.   L'ours Chinois – The Waitiki 7 (8:07) Adventures in Paradise “The Chinese Bear” is a long-form instrumental journey blending Asian thematic colors, jazz improvisation, shifting tempo landscapes, and intricate percussion. It is cinematic in scope and demonstrates the ensemble's ability to honor Exotica's roots while pushing it into new, musically ambitious territory. The track deepens the atmospheric middle section of the episode.   Lehua Mamo – Waipuna (4:22) Manaʻo Pili A mele celebrating the cherished yellow lehua blossom. Waipuna's arrangement uses contemporary harmonies and polished production to honor traditional imagery of forests, blossoms, and affection. The emotional tone begins to guide listeners back toward themes of home, love, and belonging.   Home Kapaka – Waipuna (3:55) Manaʻo Pili A perfect closing mele expressing homecoming, identity, and emotional grounding. Waipuna's clear vocals and gentle arrangement bring the episode full circle, returning listeners to the values of place, ʻohana, and aloha that shape Hawaiian experience.   © 2025 Hawaiian Concert Guide. All music remains the property of the respective artists and labels.

Hawaiian Concert Guide – Episode 693 Release Date: November 28, 2025 Hosts: Piko & Terry Title: Hauʻoli Lā Hoʻomaikaʻi (Happy Thanksgiving) Episode Summary In this Thanksgiving edition of the Hawaiian Concert Guide, Piko and Terry open Season 20 with a heartfelt celebration of gratitude, ʻohana, and the spirit of aloha. Filled with contemporary Hawaiian music, slack-key warmth, acoustic duets, and even a touch of vintage Exotica, Episode 693 “Hauʻoli Lā Hoʻomaikaʻi” offers listeners a musical table of offerings for the holiday season. This episode is proudly sponsored by Dreamy Voyages Travel — Adventure Awaits! Dreamy Voyages helps travelers explore Hawaiʻi, the South Pacific, Asia, Europe, and destinations around the world through expertly planned cruise and land adventures. From songs rooted in the land to mele celebrating love, heritage, and Hawaiian identity, this episode reflects how gratitude flows through Hawaiian music and culture. Track List & Song Notes “Puʻuanahulu” – Kahiau Lam Ho – 3:34 Album: Hoʻomālamalama · Hawaiian “Puʻuanahulu” pays tribute to the storied region of Puʻuanahulu on Hawaiʻi Island. Kahiau Lam Ho's gentle, contemporary style shines through in a piece that blends gratitude, reflection, and community pride. Clear vocals and clean guitar lines give the song an uplifting softness, like a sunrise over the lava fields. “Waiulu” – Kahiau Lam Ho – 4:25 Album: Hoʻomālamalama · Hawaiian “Waiulu” is a tender love song that expresses devotion, loyalty, and emotional closeness. Lam Ho's smooth, heartfelt voice carries the poetic imagery of Hawaiian lyricism, turning the track into an intimate musical conversation. It's a modern ballad with timeless cultural roots. “Huakaʻi Hele” – Kawika Kahiapo – 4:19 Album: Kuʻu Manaʻo · Hawaiian “Huakaʻi Hele” evokes the idea of traveling through life guided by purpose, memory, and connection to the ʻāina. Kawika Kahiapo's warm slack-key guitar and soulful baritone create a meditative soundscape, inviting listeners into a quiet journey across mountains, shorelines, and the inner landscape of reflection. “ʻĀina Momona” – Kawika Kahiapo – 4:07 Album: Kuʻu Manaʻo · Hawaiian Meaning “the fertile land,” “ʻĀina Momona” honors the abundance and generosity of Hawaiʻi. Kahiapo explores themes of stewardship, responsibility, and gratitude for the natural world. His soothing vocals and thoughtful phrasing turn the song into a gentle reminder of our kuleana to care for the land that sustains us. “Beautiful Kahana” – Jerome Koko & Daniel Ho – 3:58 Album: Makaha Sons Memoirs · Hawaiian A nostalgic tribute to the beloved windward community of Kahana, this track blends Jerome Koko's classic Makaha Sons vocal warmth with Daniel Ho's clean acoustic arrangements. The song feels like a quiet breeze off the Koʻolau mountains—peaceful, familiar, and full of longing for a cherished place. “Kaleleonālani” – Jerome Koko & Daniel Ho – 2:21 Album: Makaha Sons Memoirs · Hawaiian “Kaleleonālani” is a graceful instrumental paying homage to Princess Victoria Kamāmalu. Elegant fingerstyle guitar and soft harmonics create a reverent, contemplative mood. The composition carries the unmistakable hallmark of Daniel Ho's artistry—clean, precise, and emotionally resonant. “Left Arm of Buddha” – The Waitiki 7 – 4:43 Album: Adventures in Paradise · Exotica Steeped in the traditions of mid-century Exotica, “Left Arm of Buddha” brings playful rhythms, tropical percussion, and shimmering vibraphone textures. The Waitiki 7 revive a genre rooted in imagination and atmosphere, capturing the fantasy and adventure of old Hawaiʻi tiki lounges with modern musicianship. “Her Majesty's Pearl” – The Waitiki 7 – 3:03 Album: Adventures in Paradise · Exotica A bright and cinematic follow-up to their earlier track, “Her Majesty's Pearl” sparkles with melodic charm and rhythmic storytelling. The piece feels like the soundtrack to a vintage island-adventure film—whimsical, colorful, and filled with character. “Mālama Mau Hawaiʻi” – Waipuna – 4:56 Album: Manaʻo Pili · Hawaiian Powerful, proud, and deeply rooted in cultural identity, “Mālama Mau Hawaiʻi” is a call to protect and cherish the heritage of Hawaiʻi. Waipuna's signature harmonies carry strength and conviction, blending traditional themes with modern arrangements to create an anthem of unity and responsibility. “Papa Sia” – Waipuna – 2:43 Album: Manaʻo Pili · Hawaiian “Papa Sia” brings joyful energy with rhythmic guitar lines and spirited performance. The track celebrates movement, dance, and the cheerful side of Hawaiian music, offering a lively closing to this Thanksgiving playlist.

Lola, Mele, and Sam Morgan talks about their life as a family on and off the theater stage. Listen to their stories of how singing and acting strengthens their bond. 

Vladimir Pustan - Disperarea credinței mele

Hawaiian Concert Guide – Episode 692 Release Date: October 17, 2025 Host: Piko Title: Whale Hoohoo Episode Summary In this episode of the Hawaiian Concert Guide, Piko takes listeners on a musical journey through contemporary Hawaiian mele, slack-key gems, and lush Exotica instrumentals. From heartfelt vocal collaborations to instrumental storytelling and a powerful closing chorus of “Hawaiʻi Aloha,” Episode 692 celebrates how music keeps the spirit of the islands alive across oceans. Track List & Song Notes “Hoʻomālamalama” (feat. Stephen Inglis) – Kahiau Lam Ho – 4:10 Album: Hoʻomālamalama · Hawaiian The title Hoʻomālamalama can be translated as “to enlighten” or “to bring light.” In this track, Kahiau Lam Ho teams up with acclaimed musician Stephen Inglis to offer a song about healing, clarity, and renewal. Gentle, thoughtful vocals and a reflective arrangement give the piece a meditative quality, as if lifting the listener out of darkness and into understanding. “The One They Call Hawaiʻi” – Kahiau Lam Ho – 5:40 Album: Hoʻomālamalama · Hawaiian This song personifies Hawaiʻi as a beloved figure—someone the singer speaks of with reverence and affection. The lyrics and feel of the track evoke pride in the land and its people, touching on themes of identity, stewardship, and belonging. It plays like a love song to the islands themselves, inviting listeners to reflect on what “Hawaiʻi” means to them personally. “Kuʻu Pili Oha” – Kawika Kahiapo – 3:44 Album: Kuʻu Manaʻo · Hawaiian The phrase Kuʻu Pili Oha can be understood as “my cherished closeness” or “beloved companion.” Kawika Kahiapo, known for his soulful slack-key guitar and warm vocals, offers a gentle, intimate mele that feels like a conversation between close hearts. It's the kind of song that could be sung quietly on a porch at sunset, filled with gratitude for the relationships that sustain us. “One Heart One Voice” – Kawika Kahiapo – 4:13 Album: Kuʻu Manaʻo · Hawaiian “One Heart One Voice” leans into themes of unity and shared purpose. Kahiapo's songwriting often carries messages of peace and responsibility, and this track is a call for people to stand together with aloha. It's an uplifting reminder that when we speak and act as one, even big challenges feel more manageable. “ʻAnapau” – Jerome Koko & Daniel Ho – 2:39 Album: Makaha Sons Memoirs · Hawaiian From a project reflecting on the legacy of the Makaha Sons, “ʻAnapau” is a lively, joyful piece that carries the spirit of classic Hawaiian group vocals into a new setting. Jerome Koko's connection to the original Makaha Sons material, paired with Daniel Ho's arranging and production touch, makes this track feel both nostalgic and freshly polished. It's easy to picture friends singing along at a backyard gathering. “Poliahu” – Jerome Koko & Daniel Ho – 5:10 Album: Makaha Sons Memoirs · Hawaiian “Poliahu” is a tribute to the snow goddess of Mauna Kea. The song's mood leans more contemplative and reverent, fitting for a mele about a powerful and enigmatic figure in Hawaiian tradition. Listeners can feel the chill and majesty of the mountain in the way the melody unfolds—calm, spacious, and full of respect. “Manila” – The Waitiki 7 – 7:05 Album: Adventures in Paradise · Exotica The Waitiki 7 are known for reviving and expanding the classic Exotica sound, and “Manila” is a great example of their globe-trotting imagination. This instrumental piece conjures images of harbors, markets, and far-away ports of call. Rich textures and layered rhythms give it a cinematic feel that pairs perfectly with daydreams of travel. “Craving” – The Waitiki 7 – 5:07 Album: Adventures in Paradise · Exotica “Craving” leans into mood and atmosphere: it feels like a soundtrack for late-night conversations under tiki lights. The tune balances playful melodic lines with a slightly mysterious undercurrent, capturing that feeling of restless longing the title suggests. It's a reminder that Exotica can be both fun and emotionally evocative. “I Can See Arkansas” – Waipuna – 4:52 Album: Manaʻo Pili · Hawaiian Waipuna blend Hawaiian roots with storytelling influences that reach beyond the islands. “I Can See Arkansas” plays with the idea of geographical distance and emotional closeness—how memories and imagination can make a faraway place feel just within sight. It's a beautiful example of how Hawaiian artists connect local sensibilities with wider world experiences. “Owl's Lullaby” – Waipuna – 3:15 Album: Manaʻo Pili · Hawaiian As the title suggests, “Owl's Lullaby” has a gentle, comforting quality. In Hawaiian culture, the pueo (owl) can be a protector and guardian, and this song carries that sense of watchful care. It's the kind of mele you could easily imagine as a bedtime favorite, soothing the end of the day with calm and grace. Mahalo for Listening Mahalo nui for joining Piko on this musical journey! Please support the featured artists by seeking out their albums, attending live shows when you can, and sharing their music with friends and family. Your listening helps keep Hawaiian music, language, and stories thriving for future generations. For past episodes, artist links, and more information, visit HawaiianConcertGuide.com.

Welcome to the world of Hexagonia 01. [HEXAGON] Don Diablo X Fitz And The Tantrums - Radio Baby02. [HEXAGON] G-pol & Arta - Discoteka03. Karma Child X Jameson - Numb04. David Tort - Any Fonque05. Camelphat & Josh Gigante - The One06. Gavril - Take Me High07. Mr. Belt & Wezol Ft. Malou - Dopamine08. Daddy Jp - Energy09. Alott - Horizon10. Bessey - Controller11. Jackie Hollander - You Go, I Go12. Charlie Shell & Robustt - Come On Over13. [THROWBACK TRACK] Don Diablo - You Can't Change Me14. [DEMO OF THE WEEK] Laeter - On My Mind15. Chris Lake, Skrillex, Anite B Queen - La Noche16. Meduza - No Sleep17. Biscits - Wrong Is Right StadiumX Guest Mix: 18. StadiumX - Rip Off19. Mele, Karen Name Kg - Beat Up The Drum20. Bart B More - Channing Tatum21. White Pepper - 4x422. Muzzaik, Stadiumx - Turbo23. Africanism All Stars - Summer Moon (StadiumX Remix)24. Filip Grönlund, Monalyssa - Can't Keep Waiting

Today we have Chris Mele who shares his insights! Chris, co-owner and Managing Partner, oversees business strategy and operations. With 20 years of experience, including stints at notable firms like Instrument, Cripsin and Ueno, Chris has carved out a specialty working at the center of digital disruption. Notable projects include Spotify Wrapped, the Domino's Pizza Tracker, The Met app and Reese's Book Club.  Chris lives on the North Shore of Suffolk county (setting of F. Scott Fitzgerald's novel The Great Gatsby) with his wife, daughter and corgi. He is an active participant in the DIY music scene and loves sea fishing. Ramblings of a Designer podcast is a monthly design news and discussion podcast hosted by Laszlo Lazuer and Terri Rodriguez-Hong (@flaxenink, insta: flaxenink.design) (insta: @happiscribble.) LinkedIn Page: https://www.linkedin.com/company/ramblings-of-a-designer/ Facebook: https://www.facebook.com/Ramblings-of-a-Designer-Podcast-2347296798835079/ Send us feedback! ramblingsofadesignerpod@gmail.com Support us on Patreon! patreon.com/ramblingsofadesigner

Aloha mai kakou, Please enjoy this broadcast of new Hawaiian music, most of which you have probably never heard before. Click here to support the show: Hawaiian Concert Guide Tip Jar Lamalama Ke Kukui Kawika Kahiapo Ku'u Mana'o Waimānalo Kawika Kahiapo Ku'u Mana'o Just a Little Jerome Koko & Daniel Ho Makaha Sons Memoirs Welo Jerome Koko & Daniel Ho Makaha Sons Memoirs Kaulilua I Ke Anu 'o Wai'ale'ale Kamaka Kukona Kahenewai'olu

Bénéficiez de 2 mois gratuits chez mon partenaire Waalaxy pour transformer Linkedin en machine à leads.L'intelligence artificielle a bouleversé le monde du digital… et les relations presse n'y échappent pas.Faut-il craindre que l'IA rende les RP obsolètes, ou au contraire y voir une opportunité de renforcer la visibilité des marques et dirigeants?Dans cet épisode, j'échange avec Clara Armand-Lille, fondatrice de l'agence Third Eye Media, experte en communication internationale et en relations presse.Clara accompagne startups, scale-ups et fonds d'investissement à fort potentiel sur plusieurs marchés, en Europe comme aux États-Unis. Ensemble, nous explorons comment l'IA transforme la manière de faire des RP, de gérer la visibilité d'une marque et d'interagir avec les médias.

Il food content creator bresciano aggiunge un tocco magico alla regina delle torte italiane.

Aloha mai kakou, Please enjoy this broadcast of new Hawaiian music, most of which you have probably never heard before. Click here to support the show: Hawaiian Concert Guide Tip Jar In Living Color Kawika Kahiapo Ku'u Mana'o Sanoe Jerome Koko & Daniel Ho Makaha Sons Memoirs Hiu No Wau Jerome Koko & Daniel Ho Makaha Sons Memoirs Ho'ola Lahui Hawai'i Kamaka Kukona Kahenewai'olu Nipolo Mapu Ka Hanu Kamaka Kukona Kahenewai'olu Kaula 'Ili Christy Leina'ala Lassiter Kona Cowgirl Coronation The Waitiki 7 Adventures In Paradise Totem Pole The Waitiki 7 Adventures In Paradise Mana'o Pili Waipuna Mana'o Pili Ali'ipoe Waipuna Mana'o Pili

Episode SummaryDance artists Mele Estrella and Damara Vita Ganley join show host Jef Szi and the How Humans Work Podcast for an illuminating conversation that explores the rich terrain of their artistic work. Throughout this remarkable episode, we learn about Mele and Damara's intensive creative ethics, efforts to engender trust, dedication to playfulness, and deep curiosity about the hidden stories around them. As dedicated movement artists, they are a powerful example of how attuning with one's body, relationships, and the performance spaces acts as a cohesive force. Their craft and their commitment to the process of art is the foundation for their dance, and we are well-instructed by listening to them. In particular, we hear the fascinating backstory to their recent project, Flock. Flock intertwines animal and human migration stories with ecological awareness, showing the importance of belonging through the metaphor of “flocking.” The Dance of Belonging also explores their “Vertical Dance” Bandaloop Project. Using rope and harnesses to dance on the sides of massive objects, like granite faces or skyscrapers, this innovative dance form is a uniquely stunning display of how art can inspire wonder in all of us. Naturally, we discuss the teachings that come with encountering fear as part of the artistic path. We come to find how Mele and Damara use fear as a guide for deeper connection and support, finding confidence in creative belonging.Many thanks to Mele and Damara for helping us see Social Cohesion in action. Through their creative efforts and commitment to authentic connection, we find that social cohesion is not so much a product of external forces but instead begins with our connection to our own bodies and the group of people we create the story of our lives with.*****About Melecio “Mele” Estrella:Mele Estrella is a director, choreographer, and educator who has been with BANDALOOP since 2002. As Artistic Director, Mele brings 2 decades of practice weaving vertical dance, dance theater, somatic facilitation. and ecological belonging to BANDALOOP's dance making. Mele's work bridges the everyday personal/social body with the dream body, proposing expanded possibility and awe in our time of poly-crisis. Mele also co-directs Fog Beast, a cross-disciplinary group that affirms ecological connectedness in landscape, live arts and education. He is a longtime member of the Joe Goode Performance Group. Passionate about creating space and sustainability for artists, Mele serves on the advisory boards for the Artists Space Trust and for Arts in California State Parks. He was a Cultural Space Ambassador for the Community Arts Stabilization Trust (CAST), a Leadership Fellow for the Association of Performing Arts Professionals (APAP), and is currently a Lucas Artes Fellow at the Montalvo Center for the Arts.About Damara Vita Ganley:Damara Vita Ganley is an Associate Artistic Director, Dancer, Instructor for BANDALOOP. She is West Coast based dance artist with extensive national and international performance experience. She is a current company member and teaching artist with two renowned San Francisco based dance companies,

ÁMELE COMO ES To support this ministry financially, visit: https://www.oneplace.com/donate/1183/29

Aloha mai kakou, Please enjoy this broadcast of new Hawaiian music, most of which you have probably never heard before. Click here to support the show: Hawaiian Concert Guide Tip Jar He 'Ai Na Ka Lani Jerome Koko & Daniel Ho Makaha Sons Memoirs E Kuini E Kapi'olani Kamaka Kukona Kahenewai'olu He 'ala No Ka'iulani Kamaka Kukona Kahenewai'olu Pu'uanahulu Christy Leina'ala Lassiter Kona Cowgirl 'Ekolu Mea Nui Christy Leina'ala Lassiter Kona Cowgirl Kōkeʻe Kalani Pe'a Kuini Firecracker The Waitiki 7 New Sounds Of Exotica Sweet Pikake Serenade The Waitiki 7 New Sounds Of Exotica Kiss Me Love Waipuna Mana'o Pili Honomuni Waipuna Mana'o Pili

Value: After Hours is a podcast about value investing, Fintwit, and all things finance and investment by investors Tobias Carlisle, and Jake Taylor. See our latest episodes at https://acquirersmultiple.com/podcastWe are live every Tuesday at 1.30pm E / 10.30am P.About Jake Jake's Twitter: https://twitter.com/farnamjake1Jake's book: The Rebel Allocator https://amzn.to/2sgip3lABOUT THE PODCASTHi, I'm Tobias Carlisle. I launched The Acquirers Podcast to discuss the process of finding undervalued stocks, deep value investing, hedge funds, activism, buyouts, and special situations.We uncover the tactics and strategies for finding good investments, managing risk, dealing with bad luck, and maximizing success.SEE LATEST EPISODEShttps://acquirersmultiple.com/podcast/SEE OUR FREE DEEP VALUE STOCK SCREENER https://acquirersmultiple.com/screener/FOLLOW TOBIASWebsite: https://acquirersmultiple.com/Firm: https://acquirersfunds.com/ Twitter: ttps://twitter.com/GreenbackdLinkedIn: https://www.linkedin.com/in/tobycarlisleFacebook: https://www.facebook.com/tobiascarlisleInstagram: https://www.instagram.com/tobias_carlisleABOUT TOBIAS CARLISLETobias Carlisle is the founder of The Acquirer's Multiple®, and Acquirers Funds®. He is best known as the author of the #1 new release in Amazon's Business and Finance The Acquirer's Multiple: How the Billionaire Contrarians of Deep Value Beat the Market, the Amazon best-sellers Deep Value: Why Activists Investors and Other Contrarians Battle for Control of Losing Corporations (2014) (https://amzn.to/2VwvAGF), Quantitative Value: A Practitioner's Guide to Automating Intelligent Investment and Eliminating Behavioral Errors (2012) (https://amzn.to/2SDDxrN), and Concentrated Investing: Strategies of the World's Greatest Concentrated Value Investors (2016) (https://amzn.to/2SEEjVn). He has extensive experience in investment management, business valuation, public company corporate governance, and corporate law.Prior to founding the forerunner to Acquirers Funds in 2010, Tobias was an analyst at an activist hedge fund, general counsel of a company listed on the Australian Stock Exchange, and a corporate advisory lawyer. As a lawyer specializing in mergers and acquisitions he has advised on transactions across a variety of industries in the United States, the United Kingdom, China, Australia, Singapore, Bermuda, Papua New Guinea, New Zealand, and Guam. He is a graduate of the University of Queensland in Australia with degrees in Law (2001) and Business (Management) (1999).

This week is the HARD SUMMER Mega Mix.NIGHT OWL RADIO OPENER 0.0001. Mersiv & Tape B Ft. Juicy J – Trippy Land 00:00:43 02. Walker & Royce & VNSSA – Don't Remember 00:01:46 03. Diplo & Mele Ft. Busta Rhymes – Right 2 Left (Higher Ground Remix) 00:03:01 04. Ben Sterling – Automatic 00:05:31 05. Adam Ten & Mita Gami Ft. Marina Maximilian – Million Pieces 00:08:24 06. Kilimanjaro – We Are Love 00:12:09 07. Prospa – Don't Stop 00:15:37 08. Loco Dice & Gue – G Class 00:18:54 09. Four Tet & Ellie Goulding – In My Dreams 00:22:28 10. Overmono – Good Lies 00:27:05 11. Gordo x Feid – Hombres y Mujeres 00:28:35 12. Airwolf Paradise – This Groove 00:32:50 13. James Hype – 7 Seconds 00:34:50 14. Habstrakt & Elmyx – 2015 00:37:24 15. Deorro – Five Hours 00:40:39 16. Yamagucci & Darco – What The F Is That 00:41:16 17. Gerd Janson & Narciss – Chiccos Chips 00:44:28 18. Kapote & Mele & Sam Ruffillo – La La Tune (Melé Remix) 00:47:28 19. Kendrick Lamar x Joy Orbison Ft. Future & Playboi Carti – Tv Off x Flex fm (Terzi Edit PS Mashup) 00:51:43 20. Fcukers – Bon Bon 00:53:13 21. AIMMIA – Hypnotize 00:55:01 22. Trace – Detox 00:56:46 23. The Blessed Madonna Ft. Clementine Douglas – Happier 00:58:31 24. Blackchild & Peace Control Ft. Mougleta – Move With Somebody 01:00:16 25. Floating Points – Birth4000 01:03:31 26. Cromby – One More Time 01:05:01 27. Torren Foot & OMNOM – La Banda 01:07:00 28. D.O.D – So Much In Love 01:08:47 29. Linska – Bad Boy 01:10:27 30. Parisi x Daniel Allen – Man Down 01:10:58 31. SOSA – XXX 01:12:25 32. Dom Dolla – girl$ 01:13:23 33. Trax Unit – Naughty Bug 01:15:17 34. 999999999 – RAVE 4 LOVE 01:15:53 35. Barry Can't Swim – Different 01:17:57 36. Riordan & Stanton Warriors – Bring Me Down 01:18:40 37. BRUX – Embers 01:21:16 38. Caspa & Peekaboo – Gut Feeling 01:22:23 39. STVSH & OkayJake – Left Behind 01:23:22 40. Viperactive – Poison 01:24:18 41. Pluko – Bite 01:25:12 42. Malugi – Really Happy 01:27:28 43. Rommii x BOLO – Baile Bounce 01:29:45 44. Sara Landry – Entropy 01:31:31 45. KI/KI & Storm Mollison – Getting Ready For The Party 01:31:51 46. Funk Tribu – Azul 01:33:52 47. Marlon Hoffstadt – Supersonic 01:35:23 48. Its Murph – Down Low (YDG Remix) 01:37:07 49. Villager – Voodoo 01:39:59 50. DJ Gigola – La Batteria 01:42:07 51. Alignment – When The Bass Is Too Loud 01:43:43 52. I Hate Models – Twin Souls 01:45:57 53. Nico Moreno & Warface – 2 Be High 01:50:13 54. Crankdat Ft. SOFI – Whiplash 01:52:20 55. Gesaffelstein – Pursuit 01:53:43 56. Hybrid Minds & Brodie – Heroin 01:55:15 57. Aitch & Bou – Raving In The Studio 01:58:11