20th-century English actor, director and producer
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In 1985, Gary Leach sat down with Jeremy Brett for an impromptu interview on the Baker Street set. What followed was an insightful conversation on wide-ranging topics including the actor's background and training, performance style, thoughts on playing the Great Detective, and his hopes and dreams for the future. A sincere thanks to Gary for sharing this previously unreleased treasure with us and our listeners. Gary was also the original designer of the Secret of Sherlock Holmes tee-shirts which were only available at the Wyndham's Theater from 1988 to 1989 - but in collaboration with our podcast, these shirts have received a new run and are currently available exclusively at our website, while supplies last. Secret Of Sherlock Holmes Tee-Shirt: www.etsy.com/listing/1870427276 Please remember to like and subscribe! Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda
Can David Graham, a torpedo engineer vital to the war effort, escape from German spies? Can Falk protect him? Is that supposed to be a Greek accent? Listen to find out!Journey Into Fiasco, episode 120 of This Gun in My Hand, was driven and engineered by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. What makes torpedoes move faster? This Gun in My Hand!Show Notes:1. This episode was inspired by “Journey Into Fear,” an episode of The US Steel Hour of Mystery starring Lawrence Olivier and broadcast on June 9, 1946, which was adapted from the 1940 novel by Eric Ambler.https://www.oldtimeradiodownloads.com/thriller/the-hour-of-mystery/journey-into-fear-1946-06-092. No, it's not my impression of a Greek accent. The lines from Mithrodopolis in this episode are my impression of the guy from that 1946 broadcast of Journey Into Fear, doing an unidentifiable accent that's all over the place. I actually tried to sound like David Lander's character from On the Air, a 1992 David Lynch tv comedy that only aired 3 episodes in the US.3. “Mon petit chou” was an expression I heard not in high school French class, but from my mother. She had learned it from her father who landed at Normandy three to six days after D-Day. He drove a refrigerated supply truck. I wonder in what context he learned “mon petit chou” from the locals?Credits:The opening and middle transitional music clips were from The Sun Sets at Dawn (1950), and the closing music was from Killer Bait (1949), both films in the public domain. Other music comes from “Journey Into Fear,” the June 9, 1946 episode of the public domain radio show Hour of Mystery. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Sound Effect Title: chugging diesel (bus) and rev.MP3License: Public Domainhttps://freesound.org/people/CraftyIndividual/sounds/418436/Sound Effect Title: bus coach ext pull up brake air release idle.wavLicense: Public Domainhttps://freesound.org/people/kyles/sounds/454420/Sound Effect Title: Bus Closing DoorLicense: Public Domainhttps://freesound.org/people/am7/sounds/520753/Sound Effect Title: bustle in the pubLicense: Public Domainhttps://freesound.org/people/organicmanpl/sounds/403285/Sound Effect Title: Footsteps Dress Shoes Wood Floor.wavLicense: Public Domainhttps://freesound.org/people/allrealsound/sounds/161756/Sound Effect Title: Slam door.MP3License: Public Domainhttps://freesound.org/people/SoundsForHim/sounds/395653/Sound Effect Title: S16-06 Light wooden door open & close.wavLicense: Public Domainhttps://freesound.org/people/craigsmith/sounds/675878/Sound Effect Title: Shotgun Reload PumpRecorded by RA The Sun GodLicense: Creative Commons Attribution 3.0http://soundbible.com/1959-Shotgun-Reload-Pump.htmlSound Effect Title: 1911 Pistol CockingLicense: Public Domainhttps://freesound.org/people/J.Anthracite/sounds/465488/Sound Effect Title: Glock 19 Handgun Pistol Slide Cocking SoundsLicense: Public Domainhttps://freesound.org/people/jackmurrayofficial/sounds/393734/Sound Effect Title: AR15 M4 Gun Hardware Magazine Movement SoundsLicense: Public Domainhttps://freesound.org/people/jackmurrayofficial/sounds/393732/Sound Effect Title: Gun Cocking Sound.mp3 License: Public Domainhttps://freesound.org/s/545958/ Sound Effect Title: Pump Action Shotgun Cycle License: Public Domainhttps://freesound.org/s/370344/The image accompanying this episode is a modified detail of a panel from the public domain Greyhound promotional comic book Driving Like a Pro (1958), artist unknown.https://digitalcomicmuseum.com/preview/index.php?did=31501
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for his audio described theatre review of the year plus a couple of highlights of shows he is looking forward to seeing in 2025. Audio described theatre highlights of 2024 included - The reimagining for the stage at the RSC of Mark Ravenhill's 2013 radio play' Ben and Imo', which told the true story of the passionate partnership between Benjamin Britten and Imogen Holst. The touring production of the Lawrence Olivier award winning comedy musical retelling of Jane Austen's ‘Pride and Prejudice (Sort Of)' with only a cast of five women on stage playing all the characters of Pride and Prejudice. Welsh National Opera's production of Verdi's Rigoletto at the Wales Millennium Centre in Cardiff which had a bit of a Jacobean feel to the costumes and maybe some influences of Shakespeare coming through too. At the Birmingham Repertory Theatre and a musical that is all about first love and finding your voice with ‘Becoming Nancy' based on the novel of the same name by author songwriter, music producer and singer Terry Ronald. Staying with Musicals at the Birmingham Hippodrome with Lin-Manuel Miranda's multi award-winning cultural phenomenon that is Hamilton. Vidar also mentions a few highlights of shows that he is looking forward to seeing in 2025 too. (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the Lawrence Olivier award winning comedy musical Pride and Prejudice* (*sort of) as the current touring production visited the Wolverhampton Grand Theatre with description by Professional audio describer Remy Lloyd. About Pride and Prejudice* (*sort of) Direct from its triumph in the West End where it won the Laurence Olivier Award for Best Comedy, this is a unique and audacious retelling of Jane Austen's most iconic love story. Men, money and microphones will be fought over in this irreverent but affectionate adaptation where the stakes couldn't be higher when it comes to romance. This multi-award-winning production features a string of pop classics including Young Hearts Run Free, Will You Love Me Tomorrow and You're So Vain. It's the 1800s. It's Party Time. Let The Ruthless Matchmaking Begin. For more about the current tour of Pride and Prejudice* (*sort of) do visit the production website - https://prideandprejudicesortof.com And for more about access at the Wolverhampton Grand Theatre including details of audio described performances do visit - https://www.grandtheatre.co.uk/access/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
Clash of the Titans continues Nerd Legion's 1980s fantasy marathon, taking us into Greek mythology (kind of) with Perseus' battles against Medusa and the Kraken. While straying very far from its source material, the film gave us Ray Harryhausen's last crack at stop-motion and effects wizardry as a capstone to a multi-decade career in Hollywood. Maggie Smith and Lawrence Olivier also add some dramatic weight as Greek gods to counter-balance the action sequences of Harry Hamlin's Perseus. A little bit silly, but still compelling, Clash of the Titans remains a fantasy classic and a must-watch for fans of the genre. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Academy Award Winner for Best Picture in 1940, Rebecca from United Artists, directed by Alfred Hitchcock, and starring Lawrence Olivier and Joan Fontaine.
Imagine being a multi-talented artist, a composer who has crafted scores for TV and iconic films like Jeremiah Johnson and The Candidate. Now, imagine you're also an acclaimed actor, having graced countless movies and winning a Tony Award for Children of a Lesser God Picture collaborating with legendary directors such as Bob Fosse, Mike Nichols, and Stephen Sondheim. Oh, and did I mention your father was the renowned pianist Artur Rubinstein? Growing up, you played for distinguished guests like Stravinsky, Milhaud, and Lawrence Olivier. With that incredible background, you can only imagine how thrilling it was for me to chat with the extraordinary John Rubenstein!In Part 1, we delve into John's fascinating childhood and his initial steps into the world of composing. He began by writing for school projects and eventually transitioned into film scoring. John shares how the movie Chinatown influenced him and his special connection with trumpeter Uan Rasey, whose haunting solos left a lasting impact. We also explore the art of writing scores in Hollywood, discussing the nuances between composing for TV series and films. Then, we shift to John's acting career, highlighting his lead role in Pippin under the direction of the legendary Bob Fosse. We wrap up this segment by discussing the challenges of dealing with nerves and taking auditions.In Part 2, we take a detour to discuss a memorable evening when John starred in Children of a Lesser God at the Mark Taper Forum in Los Angeles, while his father performed at the Music Center. John reminisces about playing for George Szell and shares insights into his father's experience recording with Fritz Reiner. We conclude with a wide-ranging conversation covering John's favorite books and composers.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
Hey BlurtstarsOn Blurt Around The World tonight!* Richard Dreyfuss controversial sexist and homophobic remarks at a Jaws screening.* The great decaf coffee debate.On Trump Watch:Orange Head gets booed by libertarians and what outcomes can we expect from latest case? There are many!First up on tonight's show:Chinese Takeaway , Wencee will discuss Germany's warning about being too reliant on China. Kegsta will chat about China chatting to Japan and South Korea.And to round out the show on Green There Done That:The Kegsta will blurt about fossil fuels generating less than a quarter of the EU's electricity in April, its happening folks....And Wencee will ask which if cheap public transport will improve the environment.So, let's get on with the show!!Tune in and find out more on https://www.youtube.com/@thenewblurt7773, with Wencee and the Kegsta.Subscribe to our newsletter: https://thenewblurt.substack.com or contact us at blurtstar[at]gmail.com.Blurt Around The WorldJaws actor, Richard Dreyfuss, caused a fuss at a screening of the Jaws movie where he made numerous sexist and homophobic comments →Hollywood Reporter | Richard Dreyfuss Slammed for Alleged Sexist and Homophobic Comments at ‘Jaws' ScreeningDaily Mail News | What Richard Dreyfuss said about trans children, LGBTQ community, #MeToo and Barbra Streisand while wearing a dress during 'sexist and homophobic' rant at $300-ticket Jaws screeningDaily Mail News | 'They make me vomit': Richard Dreyfuss slams Oscars' new woke inclusivity rules that 'treat people like children' as he praises Lawrence Olivier's portrayal of OthelloMany of us need a coffee to get through the day. Sometimes we need the taste of coffee but don't want the caffeine. Is decaf coffee good for you? Can it give you cancer? Find out here →Axios News | The decaf coffee debate: Why some groups and lawmakers are raising alarmsThe Conversation | How is decaf coffee made? And is it really caffeine-free?Trump WatchTrump attends the Libertarian National Convention and gets booed at by the crowd. Find out more here →CNN | Trump loudly booed at Libertarian convention when he asks attendees to ‘nominate me or at least vote for me'Raw Story | Trump and RFK Jr. 'made complete asses of themselves' at Libertarian event: MSNBC analystYouTube | Trump booed at Libertarian National ConventionChinese TakeawayIt's been over four years since the trilateral meeting between China, Japan and South Korea met. What did they discuss and where there any outcomes from the meeting? →Reuters | China talks security, business with U.S.-allied South Korea, JapanAre we too reliant on China for manufacturing and cheap labour? The German foreign minister thinks so →ABC News | German Foreign Minister Annalena Baerbock warns against becoming too reliant on ChinaGreen There Done ThatEU countries have surpassed 75% of renewable energy for the first time in April 2024. How did they do that? →EuroNews.green | Fossil fuels generated less than a quarter of the EU's electricity in AprilWhat's better than free public transport? South East Queensland is trialling super cheap public transport to encourage less vehicles on the roads. Will it work? How much can be saved for the commuters?ABC News | Queensland government to trial 50 cent public transport fares to ease cost of living, congestion as state election loomsABC News | Queenslanders will pay 50 cents to catch public transport from August 5. Here is what you need to knowFollow us on our socials:YouTube - https://www.youtube.com/@thenewblurt7773Facebook - https://www.facebook.com/blurtstar/Instagram - https://www.instagram.com/blurtstar/Twitter - @BlurtNewThreads - https://www.threads.net/@blurtstar This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thenewblurt.substack.com
“No one else exists either. Buffy is all of us. We think. Therefore, she is.”Content warning: discussion of gun violence, school shootings, and suicide If you want to skip the main discussion of the Columbine shooting, it starts at 00:04:50 and ends around 00:16:11. Additional discussion of school gun violence occurs from 01:19:38 to 01:41:56.This episode holds up remarkably well. Along with some serious messages about pain and compassion and empathy, it delivers some classic quips and hilarious character moments. The Scooby Duo bond over metaphoric runs and stumbles in their careers, always irresistible to our opponents, and go on to talk about Saint Buffy, demon eczema, the best superpowers, chicken and stars, cow print pajamas, Othello, Band Candy, individualism, assumptions, isolation, emotional intelligence, jealousy, reflections, Tiger King, Aladdin, Lawrence Olivier, Shakespeare in the Park, compassion fatigue, Jell-O, risk, alcohol abuse, man vs. bear, Cocaine Bear, the color yellow, Walk Like an Egyptian, British slang, and room temperature milk.Next time, we'll be covering Season 3, Episode 19, “Choices.”Keep Slaying!LinksIf you or someone you know is experiencing suicidal thoughts, there are many resources available. Suicide Hotline in the US- Dial 988International Suicide Hotlines at www.opencounseling.com Suicide Prevention - National Institute of Mental Health (NIMH)Suicide Prevention | CDCSuicide preventionMore than 20% of teens have seriously considered suicide. Psychologists and communities can help tackle the problemOriginal Trailer/WB Promo: https://www.youtube.com/watch?v=m5V8xyPyzG0 Join the Zedhead community - https://www.patreon.com/jasoncabassiJoin the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and https://www.facebook.com/still.slaying.a.buffy.verse.podcast where we put up comment posts for each episode we cover. Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videosTheme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License.
#hitchcockmonth continues with Hitch's American debut, 1940's Rebecca, which stars Lawrence Olivier and Joan Fontaine. Rebecca is a new take on Jane Eyre and has connections to Citizen Kane; it's an absolute recommend from us. Up Next: Suspicion (1941) What We're Watching: Witchboard (1986) Where to Find us: Instagram Facebook Youtube TikTok Letterboxd boozeboobsandbloodpodcast@gmail.com boozeboobsandbloodpodcast.com bluesky: @b3podcast.bsky.social
Resetear una vida más allá de la cincuentena es una oferta suculenta, disponer de una segunda oportunidad. Para un tipo reservado y hastiado de una vida monótona, trabaja en un banco, casado con una mujer con la que ya solo conversa y acompaña en las comidas. El señor Hamilton -John Randolph- acudirá a la cita, caerá en las fauces de la corporación, no puede evitar volver a leer el trozo de papel que le han entregado, la dirección, la llamada nocturna de un amigo de la universidad que creía muerto… La puesta en escena hipnótica y kafkiana, la asombrosa factura técnica del maestro James Wong Howe. En la secuencia inicial la cámara sujeta al pecho del actor con arneses, vemos media cara y caminamos tras el infausto ciudadano, el uso del ojo de pez, los ángulos inclinados, la profundidad de campo, la lente distorsiona las paredes, los techos, y nos engulle una sensación plomiza y febril. Un hombre solo entra en una tintorería con dos personajes insólitos que no responden a sus preguntas, y un posterior matadero, metáfora de donde se está metiendo. Un mundo de renacidos. Al señor mediocre se le garantiza un nuevo perfil, una vida intensa, y un rostro como el de Rock Hudson, ¿qué más se puede pedir? Y, sin embargo, no funciona la quimera, es imposible olvidar los recuerdos, renunciar a la identidad de uno mismo, que, aunque se sintiera bastante infeliz, al fin y al cabo llevaba una vida sin sobresaltos, veraneaba con su mujer y su canoa, veía a su hija de vez en cuando, todo eso quedo en nada. En uno de los encadenados momentos siniestros del film, el anciano directivo de la empresa -Will Geer - espeta al señor indeciso: “Su vida anterior no era nada”. Un pintor atractivo que acude a fiestas y vive en una casa junto a las playas de Malibú. ¿Hasta qué punto el cambio radical de aspecto puede borrar el pasado, los recuerdos, la esencia del mismo ser? Frankenheimer en un principio quería a Kirk Douglas, después a Lawrence Olivier, desdoblándose en el papel del protagonista, finalmente aceptó la idea de que fueran dos actores diferentes para cada etapa, dos trabajos excelentes lo de ambos, John Randolph y Rock Hudson. En una de las escenas claves del film el hombre con el rostro transformado por la cirugía irá a visitar a su esposa, allí contemplará su vida incompleta, su destino enterrado para siempre. Esta noche soñamos con una llamada que nunca llega en la sala de espera… Zacarías Cotán, Salvador Limón y Raúl Gallego
Bill and Billy Dee Williams on the difference between cockiness and arrogance, A.I. making us live longer, Billy's storied career, Billy's new book on his very colorful life, why certain people with tough upbringings turn out fine, the big bang theory, Billy's Lawrence Olivier moment, the different schools of acting, and George Carlin's influence on Bill Maher regarding religion. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bill and Billy Dee Williams on the difference between cockiness and arrogance, A.I. making us live longer, Billy's storied career, Billy's new book on his very colorful life, why certain people with tough upbringings turn out fine, the big bang theory, Billy's Lawrence Olivier moment, the different schools of acting, and George Carlin's influence on Bill Maher regarding religion. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 2, Part 1, Instructing the Players. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Lawrence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi and Emrys James; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; and Hamlet 2009 by Gregory Doran, starring David Tennant and John Woodvine. Leave a comment, I love to read!
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 1, Part 3, we cover the Nunnery Scene. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Lawrence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kate Winslet and Kenneth Branagh; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi and Patrick Stewart; Hamlet 1990 by Franco Zeffirelli, starring Helena Bonham-Carter; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; Hamlet 2009 by Gregory Doran, starring Mariah Gale, David Tennant and Oliver Ford Davies; Slings & Arrows, starring Luke Kirby; and "Ophélie, oh folie" by Johnny Hallyday. Leave a comment, I love to read!
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 1, Part 2, the most famous speech in the English (or any) language - To be or not to be. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Lawrence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; Hamlet 2007 by Alexander Fodor, starring William Belchambers; Hamlet 2009 by Gregory Doran, starring David Tennant; and "To be or not to be" by Johnny Hallyday. Leave a comment, I love to read!
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 1, Part 1, Rosencrantz & Guildenstern brief the King and Queen, then Ophelia is given instructions for her upcoming meeting with Hamlet. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Lawrence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi, Timothy Spall and Richard Bryers; Hamlet 1980 by Rodney Bennett, starring Geoffrey Bateman and Patrick Stewart; Hamlet 2000 by Michael Almereyda, starring Steve Zahn, Dechen Thurman and Diane Venora ; Hamlet 2007 by Alexander Fodor, starring Lydia Piechowiak; and Hamlet 2009 by Gregory Doran, starring Penny Downie. Leave a comment, I love to read!
Unanimamente considerato il più grande attore della sua generazione e anche uno dei più grandi di sempre, erede dei Lawrence Olivier e dei Marlon Brando, ha fatto della tecnica di immedesimazione dell'Actor's studio la sublimazione della sua arte e anche uno strumento di salvezza personale dopo un'infanzia non semplice. Un sodalizio strepitoso con martin Scorsese e due Oscar che potevano essere molti di più.
In September of 1952, Orson Welles worked with the BBC for a portrait of early American director Robert Flaherty. Flaherty, who directed the first docu-drama film, Nanook of the North in 1922, had passed away the previous July. As Welles just mentioned, when he got to Hollywood in the late 1930s, he was fascinated by the early film people, and they were more than happy to share their stories with the then-Boy Wonder. In April of 1953 the BBC hired Welles to read one hour of poetry from Walt Whitman's “Song of Myself.” The next month the Italian comedy Man, Beast and Virtue debuted, in which Welles co-starred. From September 7th into October, Welles was involved with Ballet de Paris at the Stoll Theatre in London for a production of The Lady in the Ice. In October the production moved to Paris. Welles directed, wrote the libretto and was the ballet's costume and set designer. He later told Peter Bogdonovich, “It was very successful in London, and only moderately so in Paris, where it was very badly lit — as everything always is in Paris. The plot is: a girl's been found, like dinosaurs have been found, in a block of ice. And she's on display in a sort of carnival. A young man falls in love with her, and his love melts the ice. And when she kisses him, he turns to ice. A little parable for our times.” It would be the only ballet Orson Welles' ever directed. In late September of 1953 Broadcasting Magazine reported that Harry Alan Towers had sold shows to both ABC and NBC for the fall. ABC would welcome Horatio Hornblower back for a second season, starring Michael Redgrave. Meanwhile on NBC, a new half-hour anthology program starring Sir Lawrence Olivier called Theatre Royal would take to the air. The program debuted on October 4th, 1953 with Orson Welles starring in an adaptation of Alexander Pushkin's “The Queen of Spades.” Pushkin wrote “The Queen of Spades” in the fall of 1833. It's a short story about how human greed can lead to madness. Theatre Royal was developed to capitalize on Lawrence Olivier's name. At the time the program launched, Olivier and then-wife Vivian Leigh were getting set to appear in Terence Rattigan's comedy, The Sleeping Prince in the West End. The play would run for eight months. It made Olivier temporarily unable to star in his own program. Many fine actors of the British stage and screen were involved in individual episodes of Theatre Royal, like Robert Morley, Harry Andrews, Muriel Forbes, and Daphne Maddox. The music was credited to Sidney Torch. Once Sir Lawrence Olivier could no longer appear, Sir Ralph Richardson took over as host of Theatre Royal. Selected episodes were repeated, with a different series opening and closing on ABC Mystery Time in the late 1950s. The show remained in active syndication in the U.S. into the 1970s. Welles briefly returned to America to make his first appearance on TV, starring in the Omnibus presentation of King Lear, broadcast live on CBS on October 18th, 1953. It was directed by Peter Brook, and co-starred Natasha Parry, Beatrice Straight and Arnold Moss.
In 1947, wanting to bring Macbeth to film, Welles teamed with producer Charles K. Feldman to convince Herbert Yates, President of Republic Pictures, to finance. Welles guaranteed to deliver Macbeth on a budget of seven-hundred thousand dollars. When some members of Republic's board expressed misgivings on the project, Welles agreed to personally pay any amount over the initial ask. He brought in Irish actor Dan O'Herlihy as Macduff, and cast former child star Roddy McDowall as Malcolm. To cast Lady Macbeth, Welles visited longtime friend and radio legend Jeanette Nolan. The two had known each other since the 1930s in New York. Nolan and her husband, fellow actor John McIntire, were excited to work with Orson. Welles made several changes to Shakespeare's original, like adding significance to the witches. They were played by two other Hollywood radio legends: Peggy Webber, and Lurene Tuttle. Welles expressed frustrations with wardrobes and the tight schedule. He had the cast pre-record all their dialogue. Locations were leftover sets from westerns normally made at Republic. The entire production was done in twenty-three days in July of 1947. In September, Welles signed on to star in Gregory Ratoff's Black Magic. Shooting would take place in Rome. He wouldn't return until 1948. Republic initially trumpeted the film as an important work, entering it in the 1948 Venice Film Festival. It was abruptly withdrawn after poor comparisons with Lawrence Olivier's version of Hamlet, also being screened. LIFE Magazine gave the film a terrible review in October of 1948, saying that Welles' days as the “boy wonder” were long over. When he returned from Europe in the Spring, Welles cut twenty minutes from the film at Republic's request and recorded narration to cover some gaps. But when finally released, it too was called a disaster. In July of 1948 Welles signed on to co-star with Tyrone Power in the Italian film, Prince of Foxes. The film would be released in December of 1949. Welles' last appearance in the 1940s on American radio was in a pre-recorded segment on Mail Call over the Armed Forces Radio Service, on October 13th, 1948. Now thirty-three years old, Orson Welles had enough of Hollywood. He was in deep debt and needed to move to Europe, full-time. His first main stop would be in Vienna, to star with Joseph Cotton in a new film called The Third Man.
A film that I've seen on many occasions and one that has many key moments.Lawrence Olivier starring alongside Gregory Peck is enough to get the juices flowing, but we also have an added element of K9 proportions. Three Doberman's are set to attack Peck at the end of the film.How is this done? Who are the stunt doubles and what are the risks?Have a listen and fight out more - the rest of the story will be told on Friday on the YouTube channelIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts
Welcome back to purgatory!!! This week we begin our "Movies to see before you croak and go to purgatory you deceased fuck" series. The first entry is Mike's pick Marathon Man from 1976 directed by John Schlesinger and staring Dustin Hoffman, Roy Scheider, Marthe Keller, William Devane, Fritz Lang, Richard Bright, Jacques Main, James Wing Woo, Lotte Palfi Andor, Lionel Pina and Lawrence Olivier. Thanks for checkin us out and you can find our back catalog at podbean.com Intro track "Marathon Man Opening Titles" by Michael Small https://youtu.be/bWbtVNJqFtc Outro track "Alex Jones rants as an Indie Folk song" by Nick Lutsko https://youtu.be/KGAAhzreGWw
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Bookwaves Donald Spoto (1941-2023), noted biographer, in conversation with Richard Wolinsky, recorded June 18, 1997 while on tour for “Notorious: The Life of Ingrid Bergman.” The legendary biographer Donald Spoto died on February 11th, 2023 at the age of 81. Among his works were biographies of Alfred Hitchcock, Marlene Dietrich, Tennessee Williams, Lawrence Olivier, the House of Windsor, James Dean and several others. This is the first of three interviews about his subjects and about the art of biography. The second interview was conducted a year later for The Hidden Jesus: A New Life. The third and final interview was recorded in 2000 for Jacqueline Bouvier Kennedy Onassis, A Life. Later biographies focused on Francis of Assisi, Alan Bates, Grace Kelly and the Redgraves. His final biography, published in 2016 focused on the life of actress Teresa Wright. Digitized, remastered and edited on April 1, 2023. This interview has not been heard since its original 1997 broadcast. Complete Interview Bookwaves Justine Bateman, actress and director, author of “Fame: The Hijacking of Reality,” in conversation with host Richard Wolinsky, recorded at Green Apple Books on the Park on San Francisco on October 27, 2018. Justine Bateman jump-started her career at the age of sixteen with the role of Mallory in the hit television show “Family Ties.” She went on to other television shows, films and stage presentations before turning to directing and getting university degrees after she turned forty. Her book “Fame” details, from personal experience, what it's like to be famous at an early age, how one deals with fame, and how a member of the public deals with a famous person. She details the ups and downs of fame, from the first time fans take notice to the later times, when nobody takes notice. Her first film as writer/director is Violet, released in 2021, which can be found on the free library app, Kanopy. Complete Interview. Review of “The Triumph of Love” at Shotgun Players Ashby Stage through April 23, 2023. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Standard Time. Book Stores Bay Area Book Festival Lists of guests at the upcoming Book Festival, May 6-7, 2023, event calendar and links to previous events. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC). See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Poor Yella Rednecks: Vietgone 2 by Qui Nguyen, March 30 – May 7, Strand. Aurora Theatre Cyrano by Edmond Rostand, adapted by Josh Costello, April 7 – May 7. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep English by Sanazz Toosi, March 31 – May 7, Peets Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Come from Away, April 11 – 23, Golden Gate. Pretty Woman: The Musical, April 26-30, Orpheum Broadway San Jose: Riverdance, 25th Anniversary Show, May 12-14. 1776, May 6-21. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: Sweat, by Lynn Nottage. March 31 – April 16 Central Works Mondragola by Gary Graves, March 18 – April 16, 2023. Cinnabar Theatre. Tiger Style! by Mike Lew, April 7 – 23. Contra Costa Civic Theatre To Master the Art by William Brown and Doug Frew, April 21 – May 21, 2023. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. Exhaustion Arroyo: Dancin' Trees in the Ravine by W. Fran Astorga. April 13 – May 21. 42nd Street Moon. Sondheim's Merrily We Roll Along, March 23 – April 9, Gateway Theatre. Golden Thread See website for ongoing special events. Landmark Musical Theater. Annie Warbucks, sequel to Annie, March 11 – April 9, 2023, at the Landmark, 533 Sutter, SF. Lorraine Hansberry Theatre. In The Evening by the Moonlight by Tracy Tolmaire, a staged reading, co-created and directed by Margo Hall. At the Museum of the African Diaspora, April 8, 2 pm. Magic Theatre. The Ni¿¿er Lovers by Mark Anthony Thompson, May 3 -21. See website for other events at the Magic. Marin Theatre Company Where Did We Sit On The Bus? by Brian Quijada, May 4 – 28, Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Locusts Have No King by C. Julian Jimenez, April 7 – May 14. The Confession of Lily Dare by Charles Busch, May 12 – June 11. Oakland Theater Project. Is God Is by Aleshea Harris, in theater, March 31 – April 23. Pear Theater. Pear Slices 2023, Original short plays. April 20 – May 14. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening In Concert, June 8-10, Victoria Theatre. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6 – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Clue, based on the screenplay, March 9 – April 27, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: Grand Horizons by Bess Wohl, April 5 – 30. 2023. Shotgun Players. Triumph of Love by Pierre de Marivaux, March 25 – April 23, streaming on demand, April 6, April 13. South Bay Musical Theatre: Singin' In the Rain, May 13 – June 3. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino The Rita Hayworth of This Generation written and performed by Tina D'Elia, April 6 – 23, Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. Arts in America, performed and conceived by John Fisher, Tuesday April 11, 7 pm See website for free staged readings. TheatreWorks Silicon Valley. A Distinct Society by Kareem Fahmy, April 5 – 30, 2023, Mountain View Center for the Performing Arts. Word for Word. Home by George Saunders, April 5-29, Z Below. See schedule for one-night readings and streaming performances. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Playbill List of Streaming Theatre: Updated weekly, this is probably the best list you'll find of national and international streaming plays and musicals. Each week has its own webpage, so scroll down. National Theatrical Streaming: Upcoming plays from around the country. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – April 6, 2023: Donald Spoto – Justine Bateman appeared first on KPFA.
Donald Spoto (1941-2023), noted biographer, in conversation with Richard Wolinsky, recorded June 18, 1997 while on tour for “Notorious: The Life of Ingrid Bergman.” The legendary biographer Donald Spoto died on February 11th, 2023 at the age of 81. Among his works were biographies of Alfred Hitchcock, Marlene Dietrich, Tennessee Williams, Lawrence Olivier, the House of Windsor, James Dean and several others. This is the first of three interviews about his subjects and about the art of biography. The second interview was conducted a year later for The Hidden Jesus: A New Life. The third and final interview was recorded in 2000 for Jacqueline Bouvier Kennedy Onassis, A Life. Later biographies focused on Francis of Assisi, Alan Bates, Grace Kelly and the Redgraves. His final biography, published in 2016 focused on the life of actress Teresa Wright. Digitized, remastered and edited on April 1, 2023. This interview has not been heard since its original 1997 broadcast. The post Donald Spoto (1941-2023), “Notorious: The Life of Ingrid Bergman,” 1997 appeared first on KPFA.
In this episode Ann, Mark, and Dr. Mazza deconstruct the fourteen days since the Petrine See became vacant, plus a dramatic reading by Dr. Mazza of +Ganswëin's 2016 Gregorianum speech that would have brought Lawrence Olivier to tears. Don't squander the gift of being alive in these days, friends. Persevere in Faith and Joy. Links, Reading, and Video: Enroll in the two new spring classes with Dr. Mazza, beginning Feb 21! Book on Papal Resignations Mazza BIP article in English in prestigious Italian law journal Complete text of Ganswein speech Pope Benedict's last General Audience 27 Feb 2013 Pope Benedict's “Declaratio” 11 Feb 2013 Quick summation of why Bergoglio is not now, nor ever was, nor ever will be pope The “I Dream of Jeannie summit” Requisite Godfather Clip: “Fredo, you're nothing to me now” Feedback: please send your questions, comments, suggestions, and happy news item to podcast@barnhardt.biz — or you can leave voicemail feedback at (302) 648-6373. (Alternate email addresses are supernerdmedia@protonmail.com and annbarnhardt@protonmail.com if you are looking for something more secure.) Supernerd Media produces the Barnhardt Podcast, hosts Ann's website, and more; if you got some value from these efforts and would like to return some value please visit SupernerdMedia.com to find out how to send a donation via a few other methods.
This week we cover maybe the nuttiest version of Pride and Prejudice, the 1940 movie adaptation, starring Greer Garson and Lawrence Olivier. It's an adaptation that has to be seen to be believed and we do our best to chronicle all of its eccentricities. --- Send in a voice message: https://anchor.fm/mannersandmadness/message Support this podcast: https://anchor.fm/mannersandmadness/support
David Barry – Lawrence Olivier and Vivien Leigh: The Final Curtain and Please Sir!...with TRE's Allan Tee
This episode takes us back to the month Lawrence Olivier first asked Dustin Hoffman whether or not it was safe. The hits of the day included a song to watch a Romanian tumble by, some experimental Germans, a soul smoothie, the ballad of a maritime tragedy, a lesson in American geography, hustling waterfowl, and a request for blue-eyed soul. The YouTube playlist is here: https://youtube.com/playlist?list=PLDWLXjsOJPQmaMxkYfsx9KIak8qa1wJet Consider supporting the show on Patreon: https://www.patreon.com/oldmanyellsatmusic And find all the show's media pages on Linktree: https://linktr.ee/oldmanyellsatmusic You'll never find another episode like this. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
NOTE: This interview was recorded in April 2022, so all mentions of time reflect that period. Today, I am so happy to annnounce my interview with veteran actor Simon Jones, star of The Real Thing, Trouble in Mind, Waiting in the Wings, The Gilded Age, and so many more shows. Tune in today to hear some of the stories of his long career, including: a murderous slip-of-the-tongue by Angela Lansbury, the role that Lauren Bacall refused to play correctly, an ungracious invite from Joan Collins, his family connection to Daniel Craig, the rivalry between Rex Harrison and Claudette Colbert, how he knocked his teeth out during My Fair Lady, an alcoholic backstage ritual during Farinelli and the King, the young actor that Lawrence Olivier wanted to punch, the oddness of rehearsing with Nicol Williamson, a cryptic answer from Tom Stoppard, running the theater company TACT, the many reunions involved in The Gilded Age, his strange experience with Covid, and so much more. You won't want to miss this episode with a delightfully funny gentleman of the theater.
Harry Hamlin has has a legendary career appearing in over 90 different projects. One of the most recent is Mr. Winfield from Lifetime's new original limited series, Flowers in the Attic: The Origin. Hamlin who is no stranger to hard work is proud of his character but is family focused constantly talking about the love of his family and daughters. Hamlin touched on his company which is working on creating electricity without hurting the environment, his new projects Anne Rice's Mayfair Witches and Unsinkable. While Hamlin has been seen on Bravo's reality show, The Real Housewives of Beverly Hills he remains untouchable to the unfounded rumors and said that he would pass along that famous sauce recipe over to us. One thing was clear from speaking to Hamlin he loves his work, he loves his daughters, but his one true love is that of his wife, Lisa Rinna. Host: Monica Gleberman Editor: Miranda Currier Social Media Graphic: Jojo -- Bio: Harry Robinson Hamlin is an American actor of stage, television and films. He was born in 1951, in Pasadena, California, to Berniece (Robinson), a socialite, and Chauncey Jerome Hamlin, Jr., an aeronautical engineer. He graduated from Yale University in 1974 with degrees in Drama and Psychology and was later awarded a Master of Fine Arts in acting from The American Conservatory Theatre in San Francisco. Though awarded an ITT-Fullbright scholarship in acting in 1977 he opted instead to make his feature film debut in Stanley Donen's comedy spoof "Movie Movie" opposite George C. Scott for which he received his first Golden Globe nomination. Best known for his roles a Perseus in "Clash of the Titans" with Lawrence Olivier and Michael Kusac in the Emmy winning TV series "LA Law", he is the son of Chauncey Jerome Hamlin Jr. who helped design the Saturn V rocket with Dr.Wernher Von Braun at Rocketdyne and North American Aviation. He is the grandson of Chauncey Jerome Hamlin who founded the Buffalo Museum of Science in Buffalo, New York. Chauncey Hamlin was also a president of the American Association of Museums and created the International Council of Museums.
In this episode of Breaking Goodman we are discussing season 6 episode 8 titled “Point and Shoot.” We’re back after a short break, but as we discuss that break really cut the tension between episodes. Still a great episode with some surprises and fantastic performances from the entire cast. We’re now on the express train […] The post S06E08: Meryl Streep and Lawrence Olivier appeared first on Crossroads Comedy Theater.
Synopsis On today's date in 1953, thousands crowded the route to and from London's Westminster Abbey for the coronation of Queen Elizabeth II and, at the Queen's own request, the event was televised live by the BBC. British composer William Walton was asked to write two new pieces. The first Walton's “Coronation Te Deum”, a work that he had begun almost a decade earlier for a quite different occasion, namely the opening night of the 1944 London Proms. The piece got shifted to a back-burner when Walton was asked to work on Lawrence Olivier's wartime film of Shakespeare's “Henry V.” For the new Queen's Coronation, Walton returned to his abandoned score, writing to friends, “I've got cracking on the Te Deum. Lots of counter-tenors and little boys Holy-holy-ing, not to mention all the Queen's Trumpeters and a side drum. You will like it, I think, and I hope He will too.” “He” was capitalized, so presumably Walton was referring to either the Deity -- or Winston Churchill, perhaps. Walton was also asked to compose a “Coronation March,” which he entitled “Orb and Scepter” after a line, coincidentally, from Shakespeare's “Henry V.” Walton's March may have seemed a bit jazzy to the more conservative audiences of the day, but one critic, slipping into Cockney slang, gushed, “It sounds like a right royal knees-up!” Music Played in Today's Program William Walton (1902 - 1983) – Coronation Te Deum (Andrew Lumsden, organ; Finzi Singers; Paul Spicer, cond.) Chandos 9222 William Walton (1902 - 1983) – Orb And Sceptre March (English Northern Philharmonia; Paul Daniel, cond.) Naxos 8.553981
POP ART, WHERE I FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE. Join me and podcaster, blogger and film enthusiast Richard Kirkham as we discuss Bull Durham and This Sporting Life, two films about athletes in existential crises. I know what you're thinking. What happened to Episode 77. Well, we recorded that episode on 2001 and Solaris twice, but Skype failed to download it. But everything seems fine now and we should be doing that episode in the near future. For some illogical reason, I decided to keep it Episode 77. Don't ask me. IT TAKES A LOT OF BALLS: I believe in the Church of Baseball. It's spring when a young man's fancy turns to thoughts of…sports; or sport for our English listeners. Yes, sounds like it's time for Episode 78 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie side of cinema with a connection to it. This time round, I am happy to welcome back, for the fourth time, Richard Kirkham, who has chosen as his film the Ron Shelton low key classic Bull Durham, while I have chosen the Lindsay Anderson's angry young man, kitchen sink drama This Sporting Life, both films about athletes going through an existential crisis. And in this episode we answer such questions as: What is it about sports films? What does it mean to win by losing? What do the writers of both films have in common? What happened during the Broadway production of David Storey's The Changing Room that didn't shock little old ladies? Where did the names come from? If a baseball player hits the bull do they really get a free steak dinner? How does Ron Shelton resemble his Bull Durham hero? How does Lawrence Olivier fit in? Who did the producers of Bull Durham want for Tim Robbin's role first and how did Ron Shelton react? Why were young men angry in Britain? Check out the LAMBcast at http://www.largeassmovieblogs.com/ Check out Richard's blog at https://kirkhamclass.blogspot.com/?fbclid=IwAR3YYgDVY-42zT8hsDDo5ECSNe1xyPP9x2bvUAmm_XsVDDjtUjp3Aj8smCQ Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss --- Support this podcast: https://anchor.fm/howard-casner/support
Veteran actor Richard Chamberlain sat down with HFPA journalist Michele Manelis to discuss his breathtaking career, spanning six decades in Hollywood. They cover everything from his Golden-Globe-winning performance in 1963 for the title role of the TV medical drama, Dr. Kildare, being the first actor to play Jason Bourne in the 1988 TV movie, The Bourne Identity, working with acting icon Lawrence Olivier in the 1973 film, Lady Caroline Lamb, and hanging out with co-stars Paul Newman and Steve McQueen while playing his favorite villain role in the 1974 disaster movie, The Towering Inferno
Ken continues his chat with UK writer, podcast host, TV presenter, radio personality and reformed stand up comedian Robin Ince. ...Robin and Ken discuss the amazing hair pieces in Poor Devil, Sammy Davis Jr, Christopher Lee's bragging, SCTV, Jackie Rogers Jr, grime, Dragnet, being transgressive, The Prisoner, Pink Flamingos, Lon Chaney Jr's alcohol problem, Elvira, Elvis, The Boys in the Band, the devastation of AIDS, Santa Claus, The Twilight Zone, Burgess Meredith, Rocky, boxing, The League of Gentlemen, The Monster Club, Blood on Satan's Claw, fandom, portmantos, good tributes, Vikings, Norsemen, Orgy of the Dead, Red Skelton, Frederick Wertham's Seduction of the Innocent, stars coming out, Rob Halford, Iggy Pop, The Adventures of Pete and Pete, the power of the stage, Mavis Staples, Honey West, Monty Python, The Three Stooges, Lawrence Olivier, David Lynch's On the Air, the film Lucky, Harry Dean Stanton, Harlan Ellison, Inga Stevens, the power of watching things together alone, The Hitchhiker, Carnival of Souls, and Jacob's Ladder.
'This podcast is operated with the activity of Rabbi Kolakowski as a private individual and not as a representative of the Commonwealth of Pennsylvania, the Department of Corrections, or any facility, bureau or office thereof. None of the statements, representations, viewpoints, images or other media contained herein has been sanctioned, approved or endorsed by the Commonwealth or the Department. Nothing contained herein should be deemed to represent the official views of the Commonwealth or the Department.' This podcast is powered by JewishPodcasts.org. Start your own podcast today and share your content with the world. Click jewishpodcasts.fm/signup to get started.
Josie Rourke is a director, artistic director and business woman who has blazed a trial through the mostly male dominated industries of film and theatre. Josie who originates from Salford near Manchester grew up in, what she describes as a lower middle class household but was always praised for the creativity she displayed as a child. After graduating from Cambridge University, Josie worked with Academy award winner, Sam Mendes as his assistant director before becoming the first female artistic director of the Donmar Theatre, London. Over the next 7 years, she would work with the likes of Helen Mirren and Daniel Ratcliffe as well as winning a Lawrence Olivier award. Josie has gone on to direct a multi million dollar feature film 'Mary, Queen of Scots' starring Margot Robbie, Saorise Ronan and Adrian Lester. Follow us on Apple podcasts and Spotify to ensure you don't miss an episode of 'The Psychology of Success'!
Anna May Wong was a groundbreaking Chinese American actress who worked alongside the likes of Lawrence Olivier, and paved the way for other Asian American actors and actresses in Hollywood. Cindy gives us the scoop on this amazing woman. --- Support this podcast: https://podcasters.spotify.com/pod/show/shareable-scoops/support
"as a man thinketh, so is he" The power of imagination is real. First Joseph Murphy and now we see Neville Goddard are saying the same thing. Historically I think it was Neville first.. Demonstrated with examples and biblical verses, Neville leads us to the font of our own source of power, our imagination. Mist3rDouglas makes connections to: -The method style of acting..stumbling through the fun Lawrence Olivier, Dustin Hoffman actor story to make the point -Connecting it to a strategy for goal setting presented in the book Little Habit Mastery ..get the audiobook soon. -"desire is the power that imagination uses" Neville explains and explores his meditative imagining state. ...and more! "Desire and imagination are the enchanter's wand of fable and they draw to themselves their own affinities. They break forth best when the mind is in a state akin to sleep" -Neville Goddard. Thanks to esistnichtsoernst for the intro and outro music ---Fun Links---- -Amazon affiliate links: -to Out of This World -To Marathon Man -----Mist3rdouglas shirts are always in season - That story I referenced told way better than I
Q Planes, also known as Clouds Over Europe for the USA release, is a spy comedy, treating a top-secret invention the British were testing just prior to World War II and what they had to do to keep the invention and information about it out of enemy hands. It is more spy than comedy, but it has a comedic element. Starring Ralph Richardson, Lawrence Olivier, and Valerie Hobson. Join Dan and Tom as they dig deep into the key scenes in this film and connections to other spy movies to come!
In this episode, Susan introduces Greg to "Rebecca," the 1940's romantic thriller based on the novel by Daphne de Maunier. The film is significant is it is the first film produced by David O'Selznick after "Gone with the Wind" and is the first American film directed by Alfred Hitchock and is his only Best Picture win. Starring Joan Fontaine, Lawrence Olivier, Judith Anderson, and George Sanders, the film tells the story of a naive young bride living in the shadow of her husband's late wife. Greg and Susan discuss the plot points, the performances of Foutaine and Olivier, and the long list of actresses who were under consideration for the leading role. The two also trade bits of trivia about the conflict between Selznick and Hitchcock, the tension between Olivier and Fontaine, and a long list of movie tricks and unique bits of direction that gave the movie its eerie atmosphere. As always, Susan and Greg share their top three favorite moments and volley back and forth over a few queries for "I Have Questions." Sources referenced:http://www.classicmoviehub.com/facts-and-trivia/film/rebecca-1940/https://www.movie-locations.com/movies/r/Rebecca.phphttps://www.forbes.com/sites/kristenlopez/2018/11/19/is-it-crazy-to-remake-rebecca-not-necessarily/#46af60f53a17
Best Pick with John Dorney, Jessica Regan and Tom Salinsky. Episode 52: Hamlet (1948) Released 15 January 2020 For this episode, we watched Hamlet, based on the play by William Shakespeare, directed by Lawrence Olivier (nominated), and starring Olivier (won), Basil Sydney, Eileen Herlie, Norman Wooland, Felix Aylmer, Terence Morgan and Jean Simmons (nominated). It also won for its art direction and costume design and it was nominated for its score and Olivier was nominated as director. http://www.youmustrememberthispodcast.com/episodes/2019/10/21/six-degrees-of-song-of-the-south-episode-1-disneys-most-controversial-film Next time we will be discussing The Shape of Water. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our new website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n.
Shantaram with Jake Johannsen "I would never commit a felony, I am strictly a misdemeanor guy." Jake Johannsen comes to the Rhodes library to talk about his favorite book 'Shantaram' by Gregory David Roberts. In this conversation we talk about people losing the sparkle in their eyes in Hollywood, how Kurt Vonnegut will improve your life and how Kurt Vonnegut is to Jake what James Brown is to me. I teach Jake the 8 words of Spanish that saved me from getting ripped off by cops and I tell him about the one and only time I have ever been in jail which was when I was 19 years old in Little Rock, Arkansas. That weekend I spent in jail at 19 was very influential in my life because I would never commit a felony, I am strictly a misdemeanor guy. In this episode we weigh the benefits of martial arts versus carrying mace and how in life, just like when you are dealing with a heckler, using kindness and charm is always the best course of action.We talk about how instagram is better than twitter because no one is going to get pissed off at a sunset, historical obsessions and how Clark from Lewis and Clark was a turd who died in obscurity. Arctic sea voyage disasters where heroic dogs were eaten, Captain Cook's murder by Hawaiian natives happened because he couldn't swim and why you should avoid durian because it tastes like ass pudding. Try everything once except incest and folk dancing. A man is not a man until he has earned the love of a woman, earned her trust and keep it. The beautiful way Ashna and I ended our marriage by ending it in love just the way we started it. I can never not love Ashna. I never want to not know her. I would never be mean to her and I would help her succeed any way I can. Like we examine in the book Shantaram, you can't kill love. You only live once and when you are dead you are done so let the good times roll. Connect with people, let go of your anger. Change your thoughts and change your life with simple acts of love. This conversation is the last time two older white guys did something important in Hollywood. Tell each other jokes! Collect street jokes or write your own, always make sure you always carry at least one joke that will make a little kid laugh, but no matter what never heckle Lawrence Olivier. Long may you run and long may you pee! Shalom amigos y amigas and long may you fill your beings with knowledge, wisdom and love! Be less of an asshole this decade! Hooray for humanity! patreon.com/tomrhodesradiosmartcamp
Britt-Marie und Lara besprechen die 1940er Verfilmung mit Lawrence Olivier und Greer Garson und die 2005er Verfilmung mit Keira Knightley und Matthew Macfadyen.
It is not often you get the opportunity to interview someone who has been described as ‘one of the greatest performers Britain has produced’ !So as you might imagine I am incredibly excited to be talking to actor, singer and comedian Michael Crawford for this special 2 part Xmas episode of Turning the TableMichaels career spans over 50 years across TV, film and Stage on Broadway and the west end of London. With humble boyhood beginnings in Bexley Kent, Michael went on to receive international acclaim for his portrayal of Eric , the Phantom, in Andrew Lloyd Webber's Phantom of the Opera. A role which earned him a Tony and Lawrence Olivier award for best actor in a musical.But Michael's career is so much more than this as he demonstrated a discipline and dedication to his craft that has seen his work with some of the greats in the entertainment industry.In this part 1 of the interview our conversation spans; The riotous early performance in a school production of Benjamin Brittens Lets make an Opera that proved to be Michaels early break throughHow Michael developed his unique combination of stuntman agility and comedic vulnerability for the role of Frank Spencer in the hit BBC TV series Some Mothers do ave em A hilarious interview with Gene Kelly for the film of Hello Dolly where is starred alongside Barbra Streisand and Walter MatthauAnd the chance circumstances that led to Michael getting the role of Phantom, which he went on to perform 1,300 times over two and a half years.In the second of this two part episode (subscribe to make sure you don't miss it) we talk about the struggles in the latter part of his career when Michael suffered from ME the severe chronic fatigue syndrome which led him to take a complete break and move away to a small town in New Zealand. And how he made a triumphant return to the London stage 7 years later having overcome and fully recovered from the condition.Listen and share your thoughts and observations with the Turning the Tables community on Facebook at;https://l.facebook.com/l.php?u=https%3A%2F%2Ffb.me%2Fratcliffe2019&h=AT0X0mPTGiX_FLw6tFW8fTWlDwXAcHNMbFLsZ1IjBrK3mVKYpKt-vUZUnyqC9oU5iAZBSKBjNLQMXg8_zjPcjpEHZ9Qhwk3aGcaOKq8mW8muNM-6vFiJ9V2rNEkcDtds84-JlcQFbLg Episode credits;Editor and sound engineer : Tim White email: showupnow@gmail.comMusic : Broken Elegance -Unconditionallyhttps://www.youtube.com/redirect?v=aH95sxn7HS8&event=video_description&redir_token=6ehCbtIu30AhxC4UJc33VENytGF8MTU2MzE4ODY1M0AxNTYzMTAyMjUz&q=https%3A%2F%2Fsoundcloud.com%2FbrokenelegancGrowing Up, Elementary, Dreamtoflying and Childhood by Scott Buckley https://soundcloud.com/scottbuckley
SURPRISE! It's a Holiday bonus episode of TV Guidance Counselor. This week enjoy an hour of content packed into 30 dense minutes as Ken welcomes start of stage and screen Jane Seymour to the show. Ken and Jane discuss being a TV actor vs a movie actor, James Bond, East of Eden, Winning Golden Globes, Battle of the Network Stars, Steven Spielberg, Captains and the Kings, McCloud, Robert Conrad's fury, ballet, Kurt Russell's Tug-o-War injuries, Battlestar Gallactica, It's a Knock Out, avoiding a series, Dr. Quinn, Medicine Woman, Lorne Greene, Amadeus, Emmy nominations, Time After Time, winning despite everything, Oh Heavenly Dog!, Head Office, period pieces, being a character actor, Lawrence Olivier, studying acting, the importance of hair, playing a real historical figure, guesting starring as a version of yourself on The Nanny, Morphine Woman, Funny or Die, Jimmy Kimmel, living a well rounded life, writing, painting, the connection with Open Hearts, and living a kind, purposeful life.
"Rebecca" starring Joan Fontaine, Lawrence Olivier, Judith Anderson and Reginald Denny. Fontaine stars as the young Mrs. De Winter who marries a widower, unwittingly ensnaring herself in a web laid by his dead wife.Director: Alfred HitchcockCostume Designer: attributed to Irene LentzStudio: United ArtistsYear: 1940
WHO was Rebecca? WHAT was her deal? WHY is everyone so obsessed with her and her underwear? We watch the first mystery that is brand new to all of us, Alfred Hitchcock’s Rebecca (1940), and (wo)man, do we have some opinions. As modern “woke”* people, we give the main character an actual name and talk about feminism, lesbianism, and the control of women and power dynamics of 1940’s Hollywood. Maddy wants to become a dick-punching time traveler, Katy gives some very unresearched and ultimately incorrect facts about Hitchcock and lesbians, Carrie does some live book research, and Mack talks great mustaches. Listen carefully for terrible horse impressions and Maddy’s constant anger noises! Originally recorded July 2017. *We like to think we’re some level of “woke” but understand it’s a process and ultimately will make mistakes and hopefully learn and grow with each one TW: Cancer, suicide Correction Section: Katy would like everyone to know that she knows she said Lawrence Olivier was in Lawrence of Arabia but she was thinking of Spartacus and it was just the double “Lawrence” that made her brain go “......”. Also Hitchcock probably didn’t hate lesbians that way Katy insinuated; as stated in the episode she truly knows nothing really about him and was just making a generalized assumption based on Hollywood rules and the fact that she saw The Celluloid Closet one time
Andrew and Dave cross inter-dimensional travel off their list in this episode of Films(trips) by taking a look at the 1984 cult oddity THE ADVENTURES OF BUCKAROO BANZAI ACROSS THE 8TH DIMENSION! How much of a brick wall does Andrew hit with this film? How many mixed metaphors will Dave unintentionally speak over the course of the episode? And why the hell does Paul Blart come up so often? Tune in and find out! Next Episode: SYLVESTER MCCOY! Also Frank Langella and Lawrence Olivier, but let's get our priorities straight here, people. All music by Andrew Kannegiesser. Editing by Dave Babbitt
Quiet on the set! Before we start watching movies, come an meet your hosts: Mike and Charlie. We lay out the structure and rules of the podcast, discuss why we wanted to do this in the first place, and select our first film. Tune in next week for our inaugural review of Lawrence Olivier’s Richard III (1955).
When Steve Sweeney was growing up in Boston, the last thing he expected to become was an entertainer. He rubbed elbows with career criminals in Charlestown but somehow wound up doing summertime productions of Shakespeare plays and seeing actors like Lawrence Olivier and Christopher Plummer. Acting then led to exposure to comedy, which later led to cocaine-induced psychosis, and eventually to working in jails and with at-risk youth. Steve talks with Marc about the journey to build his act and why he enjoys producing his own projects now, including his new movie Sweeney Killing Sweeney. This episode is sponsored by Turo, Squarespace, and Starbucks Tripleshot Energy. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.
The Finleys discuss the great Sir Lawrence Olivier and two of his films: Rebecca (1940) and Sleuth (1972). If you like what we do, consider becoming a Patreon subscriber at the $5+ per month level. Those who do will receive TWO additional episodes per month and access to the Patreon-only archives.
Filmen "Hamlet" fra 1948 er baseret på et skuespil af William Shakespeare. Den er instrueret af Laurence Olivier, som også spiller hovedrollen som Hamlet. "Hamlet" er et af Shakespeares mest populære skuespil og er blevet filmatiseret adskillige gange, men mange betragter Laurence Oliviers version som den bedste. Hamlet er prins af Danmark og bor på Kronborg. Hans far, kongen, er netop død, og faderens bror, Claudius, har giftet sig med hans mor og overtaget tronen. Men Hamlets far viser sig for ham som et spøgelse og fortæller, at han ikke døde af et slangebid, som man tror. Det var Claudius, der myrdede ham ved at hælde gift i øret på ham mens han sov, og han beder Hamlet om at hævne hans død. Men Hamlet kan ikke beslutte sig. Han elsker sin mor, og hun elsker Claudius. Skal han hævne sin far ved at dræbe Claudius?
Best Pick with John Dorney, Jessica Regan and Tom Salinsky. Episode 52: Hamlet (1948) Released 15 January 2020 For this episode, we watched Hamlet, based on the play by William Shakespeare, directed by Lawrence Olivier (nominated), and starring Olivier (won), Basil Sydney, Eileen Herlie, Norman Wooland, Felix Aylmer, Terence Morgan and Jean Simmons (nominated). It also won for its art direction and costume design and it was nominated for its score and Olivier was nominated as director. http://www.youmustrememberthispodcast.com/episodes/2019/10/21/six-degrees-of-song-of-the-south-episode-1-disneys-most-controversial-film Next time we will be discussing The Shape of Water. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our new website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n.
"Pride and Prejudice" starring Greer Garson, Lawrence Olivier, Ann Rutherford, Mary Boland and Edmund Gwenn. The Bennet family consisting of five unmarried daughters see an answer to their financial prayers when two wealthy bachelors come to town. Heads butt and passions flare in this adaptation of the beloved Jane Austen novel.Director: Robert Z. LeonardGowns: AdrianMens Costumes: Gile SteeleStudio: MGMYear: 1940
In this weeks episode of THE LIKES OF US podcast, dedicated to Working-Class Life, Art, Politics and Culture, your host, Neil Bradley, takes a nice walk with Chili-Palmer, is interviewed as to his views on Brexit, encounters Lawrence Olivier at the dentist, laments (as always) David Bowie, and reports on the story of a Millwall fan stealing a Sheffield United fan's false leg!
Edición número 135 de La gran Evasión. Un estudiante de historia se prepara para la maratón de Nueva York, con un chándal desvaído y sus zapatillas de deporte hace el mismo recorrido diario por Central Park, Manhattan al fondo. A cada zancada rememora a su padre, una víctima de la caza de brujas. Correr hacia adelante, hacia la superación, enfrentar y conocer lo nuevo, enamorarse de una chica que cronometre sus carreras. Babe no sabe que ese fondo adquirido día tras día le ayudará a escapar de unos diamantes de procedencia infame, de correos secretos, agentes dobles, y la tortura más sádica que pudo imaginar. El relax tras el deporte en la bañera del apartamento, una toalla sobre la cara, y una chavala preciosa en el pensamiento. Antes de conocerla Babe sólo vivía para su maratón y su doctorado, no sospecha que en Uruguay se esconde un criminal de guerra nazi que sabe perforar los dientes hasta llegar al nervio, y ofrece aceite de clavo para aliviar el dolor ensordecedor. Dolor y alivio, alivio y dolor, en eso consiste todo. Babe vive solo, admira a Abebe Bikila, la imagen del sacrificio. Siempre fue diferente a su hermano mayor, un tipo de acción, un hombre de negocios, pieza de la corrupta guerra fría. La tensión aumenta como la codicia de un viejo enfermo con pasado atroz, que quiere saber si la mercancía está a salvo. A través de una gafas y unos ojos vidriosos, el pavor reconocido, el dentista del campo siempre trató las bocas de sus pacientes con delicadeza y esmero. Vuelve a brotar la sangre como antes. Perforar un incisivo no resulta difícil, no tanto como tragarse un puñado de diamantes. En los setenta, Schlesinger, uno de los representantes del Free Cinema británico, impresionó al respetable con esta adaptación de la novela de William Goldman. Un consagrado Dustin Hoffman y el magistral Lawrence Olivier enfrentan sus talentos en un thriller redondo, Roy Scheider también aporta fuerza a la trama, así como la suiza Marthe Keller, que no sabía una palabra de inglés y se aprendió de memoria la fonética de los diálogos. Raúl Gallego Este mes no pensamos ir al dentista aunque nos salga gratis... José Miguel Moreno presenta, con Gervi Navío, Elio Cubiles, Raúl Gallego, y nuestro crítico desde Madrid, César Bardés.
Al Pacino stinks up the entire production of a film with such little story that 88 minutes is just ridiculous fluff. With tons of bad hair, sexual assault, disappearing actors, quite dubious motivations, non-linear time, drunk actors, and questionable filler material. It's pretty bonkers. Lets start with Al Pacino. He stinks. I'm sorry world, Pacino stinks. He's great. We love him. He's hilarious. But he's not exactly Lawrence Olivier. And this film is a highlight of how bad he is. His hair is outlandish. His skin changes shades of orange and he's just as confused with the film as we are. Great fun, great fun. Except for Alicia Witt, she gets sexually assaulted maybe more than any actress ever by an A-Lister.... Then there's the surrounding players. The world won't be too surprised but Leelee Sobieski stinks. She's always stinky though. Seriously, name a good movie she's ever been in. She's a pariah on film. Fantastic crappy performance here. There's a dean who is quite drunk. Billy Forsythe is exactly what you expect from him. All makes for fun. The plot is so bland but is barely noticeable because its surrounded by sequence after sequence of banana business. Take for instance, Campus Security. At one point, Al Pacino and Alicia Witt go to Campus Security...whose office rivals Quantico. I believe Dexter interned there. Fox Mulder has an office in the basement. At no time in the history of the world has Campus Security ever looked like this. While its no Dreamcatcher or The Wicker Man, it is a great ride through terrible acting and bad directorial decisions. It's just a little weak on plot, whether good or bad plot, it doesn't have enough of either. Still....great watch.
Welcome to our third episode examining 1997's classic RPG Fallout. We examine tactical combat, leveling strategies, encumbrance as a specific mechanic, and also a lot of what we saw and did. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Everything before the base and Cathedral Podcast breakdown: 0:42 Segment 1 -- all of the above 58:07 Break 58:38 Segment 2: Feedback, next time, and teasers Issues covered: weapon offerings, Power Fist empowerment, late leveling, Ian meets his maker, knowing when the kills are coming, feeding memory from the CD, Tim's last followers, tactical combat numbers, twitch tension, fantasy fulfillment, thoughtful decisions, sound design supporting mechanics, narrative moments in combat, stimpack use, encumbrance and survival, mechanics that force you to reload when you get lost, return to town loop, forcing choices through encumbrance, building tension through limits, making tactical decisions for a large party, combat occurring over two dozen entities, fine line of authorial direction, Easter eggs in "tell me about," broken quest lines, addiction and radiation mechanics, apparently random damage, fixing barter and making interesting choices, how we got the power armor. Games, people, and influences mentioned or discussed: Hamlet, FF 9, Lawrence Olivier, Kenneth Branagh, Mel Gibson, Ralph Fiennes, X-Com modern reboots, Star Trek: The Next Generation, Ultima series, Waking Mars, Worlds of Ultima: Martian Dreams, Resident Evil, Temple of Elemental Evil, King's Quest series, Wasteland 1, System Shock 2, Necrogeist, Split Screen, Idle Thumbs, Chris Remo, Jake Rodkin, Nick Breckon, Sean Vanaman, Jason Schreier, Kirk Hamilton, World of Warcraft. Next time: Finish the game! @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
In this Halloweenisode, David asks: Is it Lawrence Olivier, how many jello molds are there, and didn't you know my backstory where I was frozen in a mountain?
Howdy folks and welcome to the Mancave Movie Review podcast! This is Episode 122 and today we will be talking about . This great and fantastic film is one of the classic sword and sandals epics from yester-year and stars Kirk Douglas, Lawrence Olivier, Charles Laughton and Jean Simmons. So kick back with some wine while Steve, Mark, Ken and Jeff tell you why we like movies about gladiators. Hope you enjoyed the show and will be back for more. Please visit us on our page and give us a like and share us with your friends. Also listen to us on and and follow us on .
GHOSTS OF LEGENDS PAST Sinatra partied 'till 4 a.m.! Chuck Heston! Zombi 2! Cafe Tacuba! Spartacus! And..."Let's fight the giant octopus while Lugosi shoots up!" The legend, RICHARD JOHNSON (THE HAUNTING, KHARTOUM) calls in from London and talks about working with Sinatra, Steve McQueen, Robert Wise, Charlton Heston, Lawrence Olivier, cocktail parties at the Chateau Marmont, dinner parties at the original location for The Haunting - with fans - and the global environment in a very interesting conversation that becomes a window into film history.
Mick McBloody McCarthy makes a guest appearance on the show. Lawrence Olivier shooting ping pong balls from his back passage and Bald patches in the pubic area
Episode #7 focuses on Gary Weimberg, the documentary filmmaker who, along with his partner Catherine Ryan, has created many insightful films and television programs, the newest of which is the documentary http://www.google.com/ (Soldiers of Conscience), about soldiers grappling with the moral issues of war. Soldiers of Conscience airs on PBS on Oct. 16. But first Gary talks about his encounters with major movie stars, directors and others who have mentored him along his filmmaking path. See photos of Gary and Andy below, under the keywords for this episode. Keywords and links for this episode: http://www.imdb.com/name/nm0918064/ (Gary Weimberg), http://www.lunaproductions.com/ (Luna Productions), BART (Bay Area Regional Transit), Burt Lancaster, Lawrence Olivier, Francis Ford Coppola, Steven Spielberg, American Zoetrope, “Apocalypse Now,” “One From the Heart,” Anne Goursaud, Akira Kurosawa, Jenny Weyman-Cockell, Malcolm Forbes, hot air balloon, Great Sphinx of Giza, http://www.imdb.com/name/nm0752452/ (Catherine Ryan), “http://www.lunaproductions.com/ourfilms/documentaries.html (Maria's Story),” Julie Christie, “http://www.pbs.org/pov/pov1999/thedoublelife/ (The Double Life of Ernesto Gomez Gomez),” “http://www.soldiers-themovie.com/ (Soldiers of Conscience),”